Camper Travel Quotes

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[On neighbors looking over his camper:] I saw in their eyes something I was to see over and over in every part of the nation--a burning desire to go, to move, to get under way, anyplace, away from any here... nearly every American hungers to move.
John Steinbeck (Travels with Charley: In Search of America)
We all look back at some time or other and wonder why we didn't listen to our instincts. Why did we hestiate? Why did we lose our dreams?
Diane Griffith (Chasing Dreams in Lefkas)
THERE HAVE ALWAYS BEEN ITINERANTS, drifters, hobos, restless souls. But now, in the second millennium, a new kind of wandering tribe is emerging. People who never imagined being nomads are hitting the road. They’re giving up traditional houses and apartments to live in what some call “wheel estate”—vans, secondhand RVs, school buses, pickup campers, travel trailers, and plain old sedans. They are driving away from the impossible choices that face what used to be the middle class. Decisions like: Would you rather have food or dental work? Pay your mortgage or your electric bill? Make a car payment or buy medicine? Cover rent or student loans? Purchase warm clothes or gas for your commute? For many the answer seemed radical at first. You can’t give yourself a raise, but what about cutting your biggest expense? Trading a stick-and-brick domicile for life on wheels?
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
Travels with Charley, which Lori was devouring. John Steinbeck’s tale of road-tripping in a pickup camper with his French poodle was popular among the nomads, and dog-eared copies passed from hand to hand.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
DEAR YOUNG DEMIGOD, Your destiny awaits. Now that you have discovered your true parentage, you must prepare yourself for a difficult future—fighting monsters, adventuring across the world, and dealing with temperamental Greek and Roman gods. I don’t envy you. I hope this volume will help you on your journeys. I had to think long and hard before publishing these stories, as they were given to me in the strictest confidence. However, your survival comes first, and this book will give you an inside look at the world of demigods—information that may help keep you alive. We’ll begin with “The Diary of Luke Castellan.” Over the years, many readers and campers at Camp Half-Blood have asked me to tell the story of Luke’s early days, adventuring with Thalia and Annabeth before they arrived at camp. I have been reluctant to do this, as neither Annabeth nor Thalia likes to talk about those times. The only information I have is recorded in Luke’s own handwriting, in his original diary given to me by Chiron. I think it’s time, though, to share a little of Luke’s story. It may help us understand what went wrong for such a promising young demigod. In this excerpt you will find out how Thalia and Luke arrived in Richmond, Virginia, chasing a magic goat, how they were almost destroyed in a house of horrors, and how they met a young girl named Annabeth. I have also included a map of Halcyon Green’s house in Richmond. Despite the damage described in the story, the house has been rebuilt, which is very troubling. If you go there, be careful. It may still contain treasures. But it most assuredly contains monsters and traps as well. Our second story will definitely get me in trouble with Hermes. “Percy Jackson and the Staff of Hermes” describes an embarrassing incident for the god of travelers, which he hoped to solve quietly with
Rick Riordan (The Heroes of Olympus: The Demigod Diaries)
A camper should know for himself how to outfit, how to select and make a camp, how to wield an axe and make proper fires, how to cook, wash, mend, how to travel without losing his course, or what to do when he has lost it; how to trail, hunt, shoot, fish, dress game, manage boat or canoe, and how to extemporize such makeshifts as may be needed in wilderness faring. And he should know these things as he does the way to his mouth. Then is he truly a woodsman, sure to do promptly the right thing at the right time, whatever befalls. Such a man has an honest pride in his own resourcefulness, a sense of reserve force, a doughty self-reliance that is good to feel. His is the confidence of the lone sailorman, who whistles as he puts his tiny bark out to sea.
Horace Kephart (The Book of Camping and Woodcraft: A Guidebook for Those who Travel in the Wilderness)
I was told that one senior person at NSF finished reading the trilogy and immediately sold his house and moved into a camper in a trailer park. That’s taking things too far, probably, but I like the impulse, because we read novels to help create our sense of what the world means, to mentally travel in other people’s lives, and to get some laughs. So whether you light out for the territory afterward or not, read on, reader, and may this story help and entertain you. And thanks. Kim Stanley Robinson, February 2015
Kim Stanley Robinson (Green Earth)
But for the time being, around my place at least, the air is untroubled, and I become aware for the first time today of the immense silence in which I am lost. Not a silence so much as a great stillness — for there are a few sounds: the creak of some bird in a juniper tree, an eddy of wind which passes and fades like a sign, the ticking of the watch on my wrist — slight noises which break the sensation of absolute silence but at the same time exaggerate my sense of the surrounding, overwhelming peace. A suspension of time, a continuous present. If I look at the small device strapped to my wrist the numbers, even the sweeping second hand, seem meaningless, almost ridiculous. No travelers, no campers, no wanderers have come to this part of the desert today and for a few moments I feel and realize that I am very much alone.… I wait. Now the night flows back, the mighty stillness embraces and includes me; I can see the stars again, and the world of starlight. I am twenty miles or more from the nearest fellow human, but instead of loneliness I feel loveliness. Loveliness and a quiet exultation. — EDWARD ABBEY AMERICAN FOREST RANGER
Dale Salwak (The Wonders of Solitude)
She and Max have never left Australia before. Sue hasn’t seen it all. She hasn’t seen a damned thing! A whole planet of castles and cathedrals, paintings and sculptures, mountains and oceans waits to be seen and admired by Sue and Max O’Sullivan. They’re feeling especially positive right now about their future travel prospects because if they can so successfully drive a camper van around Tasmania, why not drive one around France? Why not Italy? They can drive on the wrong side of the road! They’re pretty sure they can!
Liane Moriarty (Here One Moment)
They used my name and permit to grow the weed and earn money to repay their debts and compensate their investors. To keep my girlfriend. To take her. I am uncertain if any of them have ever spent a minute in jail for any of these activities. Adam proudly showcases his new motorcycles on Instagram, posing on a hill above Barcelona. He also displays his brand new electric camper van, which they use to travel and transport drugs across Europe and Iberia, as well as his gigantic marijuana cultivation located in Portugal. People like Ruan and Martina admire his public images. I came across a picture of Ruan and Martina together in Berlin, where their mother Fernanda visited them. Martina became member of the Evil Eye Cult, and the custom made mafia group in Spain, which used her as a pawn in their porn and drug-related activities. She now operates as their representative in Berlin. Martina and I have lost the ability to genuinely smile. Her social media posts only show disinterest or a malicious demeanor. ‘A boot stomping on a human face.’ In a picture with her brother and mother, she puts on a forced fake “good vibe” and “happy” smile, revealing her flawless teeth and the subtle lines of aging. With each passing day, she bears a greater resemblance to her rich and so happy mother, the bad person. As far as I know, none of these individuals have faced consequences for their actions, such as having their teeth broken. As I had. Innocently. Taking care of business and their lives. With love. I find this to be incredibly unjust. In the 21st century. In Europe. On planet Earth. By non-EU criminals. “Matando – ganando” – “killing and gaining” like there were no Laws at all. Nowadays, you can observe Sabrina flaunting her fake lips and altered face, just like Martina her enhanced breasts. Guess who was paying for it? It seems that both girls now sustain themselves through their bodies and drug involvement, to this day, influencing criminals to gain friends in harming Tomas and having a lavish lifestyle filled with fun and mischief. Making a living. Enjoying Spain. Enjoying Life. My money. My tears. This is the situation as it stands. I was wondering what Salvador Dali was trying to tell me. I stood in front of the Lincoln portrait for a long time, but I couldn't grasp the point or the moral behind it. I can listen to Abraham Lincoln and ‘trust people. To see. If I can trust them.’ But he ultimately suffered a tragic fate, with his life being taken. (Got his head popped.) I believe there may have also been a female or two involved in that situation, too, possibly leading to his guards being let down. While he was watching: Acting performances, he was facing a: Stage. Theater. It is disheartening, considering he was a good person. Like Jesus, John Lennon and so on. Shows a pattern Machiavelli was talking about. Some individuals are too bright for those in darkness; they feel compelled to suppress those brighter minds simply because they think and act differently. Popping their heads. Reptilian lower brain-based culture, the concept of the Evil Eye, Homo erectus. He couldn't even stand up properly when I was shouting at him, urging him to stand up from the stairs. ‘Homo seditus reptilis.’ But what else was there in the Lincoln image that I didn't see? What was Dali trying to convey or express or tell me? Besides the fact that the woman is in his mind, on his mind, in the image, exactly, his head got popped open. Perhaps because he was focusing on a woman, trusting her for a split second, or turning his head away for a moment.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
We loved the wide-open west. Our explorations of the numinous Canadian landscape fed the songs, and our souls. We caught the west in the last of its wild state. Many of the songs I wrote in the seventies reflect our travels through the great expanse of the Canadian prairies, across the Rocky Mountains, to the moisture-rich West Coast. Space was everywhere, and there is space in the songs. Everything wasn’t a tourist trap yet, clear-cutting was not so evident, and agribusiness hadn’t completely killed off the family farm. In the first couple of years that Kitty, Aroo, and I travelled westward from Ontario, we were practically the only road campers out there. Seldom did we run across anyone else travelling the way we were. The prairies were full of abandoned old farmhouses—no families to be seen—harbingers of the reversion to feudal agricultural economics. All around the land still looked wild. Our journeys offered at least the illusion of freedom, as well as a deep sense of the land as Divine creation. Soon, though, we were seeing the spaces fill up with scabrous industrial sites, hotels, housing developments, shopping opportunities. We’d watch like gawkers at a train wreck as the land was eaten up before our eyes by inevitable human expansion and greed. There were ever more rules about where you could park your camper. It was the tail end of an epoch when the land was open and it, and we, could breathe freely. That will never come again.
Bruce Cockburn (Rumours of Glory: A Memoir)
Campgrounds are never comfortable. They are merely less awful than other options. In normal circumstances, if told that the nearest available toilet was half a mile away, up a dirt path frequented by animals in gastric distress, one would lock the doors and speed to civilization. When a tent or camper is involved, one is jubilant. At least this site had flush toilets!
Thomm Quackenbush (Holidays with Bigfoot)
Sax took a solo rover and drove it down the steep bare southern slope of Pavonis Mons, then across the saddle between Pavonis and Arsia Mons. He contoured around the great cone of Arsia Mons on its dry eastern side. After that he drove down the southern flank of Arsia, and of the Tharsis Bulge itself, until he was on the broken highlands of Daedalia Planitia. This plain was the remnant of a giant ancient impact basin, now almost entirely erased by the uptilt of Tharsis, by lava from Arsia Mons, and by the ceaseless winds, until nothing was left of the impact basin except for a collection of areologists’ observations and deductions, faint radial arrays of ejecta scrapes and the like, visible on maps but not in the landscape. To the eye as one traveled over it, it looked like much of the rest of the southern highlands: rugged bumpy pitted cracked land. A wild rockscape. The old lava flows were visible as smooth lobate curves of dark rock, like tidal swells fanning out and down. Wind streaks both light and dark marked the land, indicating dust of different weights and consistencies: there were light long triangles on the southeast sides of craters and boulders, dark chevrons to the northwest of them, and dark splotches inside the many rimless craters. The next big dust storm would redesign all these patterns. Sax drove over the low stone waves with great pleasure, down down up, down down up, reading the sand paintings of the dust streaks like a wind chart. He was traveling not in a boulder car, with its low dark room and its cockroach scurry from one hiding place to the next, but rather in a big boxy areologist’s camper, with windows on all four sides of the third-story driver’s compartment. It was a very great pleasure indeed to roll along up there in the thin bright daylight, down and up, down and up, down and up over the sand-streaked plain, the horizons very distant for Mars. There was no one to hide from; no one hunting for him. He was a free man on a free planet, and if he wanted to he could drive this car right around the world. Or anywhere he pleased. The full impact of this feeling took him about two days’ drive to realize. Even then he was not sure that he comprehended it. It was a sensation of lightness, a strange lightness that caused little smiles to stretch his mouth repeatedly for no obvious reason. He had not been consciously aware, before, of any sense of oppression or fear—but it seemed it had been there—since 2061, perhaps, or the years right before it.
Kim Stanley Robinson (Blue Mars (Mars Trilogy, #3))