Camera Flash Quotes

In her usual manner, Merkel spoke in German. It is worth pointing out, however, that before the translator had an opportunity to convert her statements to English, Obama gave the chancellor and the press a big smile, saying, ‘I think what she said was good. I’m teasing.’ The laughter in the room drowned out the sounds of the cameras clicking and flashing, with Merkel’s giggle and smile among the loudest.

If you walk across my camera I will flash the world your story.

Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.

Everything looks stark and vivid and frozen, as though drawn precisely and outlined in ink - parents' smiles frozen, camera flashes blinding, mouths open and white teeth glinstening, dark glossy hair and deep blue sky and unrelenting light, everyone drowning in light - everything so clear and perfect I'm sure it must already be a memory, or a dream.

I’m a million cameras, even when I’m sleeping, clicking, clicking, every second something is growing and changing. We are little arrogant flashes in a grand magnificent scheme.

Hello, Bradley,' said Mom. She'd regained her composure after my outburst, and now raised her camera. 'Stand close.' 'No, Mom,' I said. 'No pictures.' 'But you're friend's here now,' she said, waving us together. 'Smile!' 'I don't need a picture with-' the flash snapped '-another guy. That's great, Mom, thank you. Send that one to Dad and tell him we're going steady.

Vaporized by the sun! Wasn't that what the universe had in store for all of us? There would come a day when the sun exploded like a red balloon, and everyone on earth would be reduced in less than a camera flash to carbon. Didn't Genesis say as much? For dust thou art, and unto dust shalt thou return. This was far more than dull old theology: It was precise scientific observation! Carbon was the Great Leveler--the Grim Reaper. Diamonds were nothing more than carbon, but carbon in a crystal lattice that made it the hardest known mineral in nature. That was the way we all were headed. I was sure of it. We were destined to be diamonds!

You look good on your knees, Mr. Kane.”  “Try to not let it get to your head.” The corners of his lips twitch into that usual Declan smile. A flash of a camera goes off, catching the moment.

I raised my right hand and placed my left on the Quran, which was being held by my wife and mom. Suddenly, I was blinded by a cascade of camera flashes...

When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..." "What?" "Like it was with Clotile." "Oh, Jackson, no. I was okay. I'm unharmed." "Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past." ... "When you say we...?" He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest." "I won't laugh. I'm listening." "Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me." My heart felt like it'd stopped--so that I could hear him better. "For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known." "I don't look down at you! I'm too busy looking up to you." ... "The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call." I murmured, "I didn't know...I couldn't be sure." "It's you for me, peekon.

If you've taken a photo with your camera's pop-up flash, you're probably wondering how camera manufacturers list pop-up flash as a feature and keep a straight face. It's probably because the term "pop-up flash" is actually a marketing phrase dreamed up by a high-powered PR agency, because its original, more descriptive, and more accurate name is actually "the ugly-maker.

The rule of thumb is: the lower the temperature of the light, the more hygge. A camera flash is around 5,500 Kelvin (K), fluorescent tubes are 5,000K, incandescent lamps 3,000K, while sunsets and wood and candle flames are about 1,800K. That is your hygge sweet spot.

On the screen it rained and rained confetti, for minutes, and that glitter-rain, plus the cameras flashing and the lights from the billboards and the awesome mass of the crowds in their shiny hats and toothy smiles, made the world pop and shine and blur in a way that makes you sad to be watching it all on your TV screen, in a way that makes you feel like, instead of bringing the action into your living room, the TV cameras are just reminding you of how much you're missing, confronting you with it, you in your pajamas, on your couch, a couple of pizza crusts resting in some orange grease on a paper plate in front of you, your glass of soda mostly flat and watery, the ice all melted, and the good stuff happening miles and miles away from where you're at.

Through a bombed cemetery, long-forgotten Londoners unearthed and flung into trees, grinning in rotted formal wear. A curlicued swing set in a cratered playground. The horrors piled up, incomprehensible, the bombers now and then dropping flares to light it all with the pure, shining white of a thousand camera flashes. As if to say: Look. Look what we made.

The air was stained by shadows, a darkness burst by lightning like camera flashes.

It's not platinum, which suggests constellations and redemption. It's another yellow entirely. Asthma yellow. It comes from rotting petals and camera flashes that permanently scar your face. It leaks from clusters of stucco that remind me of blisters and lumps you get on your lips from kissing the wrong people.

Cameras flashed. I turned away and saw spots. It was surreal. That’s what people always say to describe moments that are merely unusual. I thought: You have no fucking idea what surreal is. My hangover was really warming up now, my left eye throbbing like a heart.

She stuck to side streets, riding slowly, with care. The trip took a little under an hour, and Diane was feeling a pulsing pain in her calf by the time sh pulled up to the front of the pawnshop. There was a black sedan with tinted windows at the end of the lot--the windows cracked down enough for her to see two sunglassed agents of a vague yet menacing government agency. One of them raised her camera and tried to take a photo of Diane, but the camera flashed, only reflecting the car window back at the lens. The agent swore. Diane waved a cursory hello at them and walked into the store.

It was the easiest thing I’ve ever done. When I stood up there, in front of all those cameras, it was like when they say your life flashes before your eyes when you’re dying. I saw all the years ahead— and not one of them mattered worth a damn. Because I didn’t have you there with me. I love you, Olivia. I don’t need a kingdom—if you’re beside me, I already have the whole world.

A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.

I'll take these," Danny said, reaching for the bouquet. Just as Kevin was holding them out – and still trying to keep the chocolates from slipping out from under his arm – a flash went off. "I'm sorry! I'm sorry!" Danny's mother apologized, "I just HAD to! It's so CUTE! I'll be going now. I'm going to… clean up the kitchen. I'm sorry! You boys carry on!" she retreated backwards down the hallway, camera still in hand. They could still hear her as she turned the corner, "So CUTE! Oh my GAWD!" Danny said sheepishly, "Sorry about that." "Dude... Your mother is..." "You have no idea. Uhm, I'll take care of these. Maybe you'd better head on up to my room. Like, before she comes back…

Inside the church, the bondsmaids were walking slowly down the aisle, with the little petal girls. Trinity turned to give Mimi her last words of motherly advice: 'Walk straight. Don't slouch. And for heavens's sake, smile! It's your bonding!?' Then she too walked through the door and down the aisle. The door shut behind her, leaving Mimi alone. Finally, Mimi heard the orchestra play the first strains of the 'Wedding March.' Wagner. Then the ushers opened the doors and Mimi moved to the threshold. There was an appreciative gasp from the crowd as they took in the sight of Mimi in her fantastic dress. But instead of acknowledging her triumph as New York?s most beautiful bride, Mimi looked straight ahead, at Jack, who was standing so tall and straight at the altar. He met her eyes and did not smile. 'Let's just get this over with.' His words were like an ice pick to the heart. He doesn't love me. He has never loved me. Not the way he loves Schuyler. Not the way he loved Allegra. He has come to every bonding with this darkness. With this regret and hesitation, doubt and despair. She couldn't deny it. She knew her twin, and she knew what he was feeling, and it wasn't joy or even relief. What am I doing? "Ready" Forsyth Llewellyn suddenly appeared by her side. Oh, right, she remembered, she had said yes when Forsyth had offered to walk her down the aisle. Here goes nothing. As if in a daze, Mimi took his arm, Jack's words still echoing in her head. She walked, zombie-like, down the aisle, not even noticing the flashing cameras or the murmurs of approval from the hard-to-impress crowd.

For my eleventh birthday, Mom and Dad gave me my camera, the vintage one you already know about, with a purple strap and an old-school flash and an aperture that you rotate by hand. All the kids at school use their phones as cameras—but I wanted something solid, something real. It was love at first

I knew that, on camera, when you walk into a room in your own home, you must know where the light switch is. You can’t need to look. Or else it’s a lie, which is like giving the audience a pinch of poison. When you tell a story, you have to take liberties. You compress time. You create composite characters. You jump years ahead or flash back. Art is not life. But if your character has a longtime girlfriend and you’re tentative or formal with her, touching her as if she’s someone you just met? Another pinch. The audience might not be consciously aware of these little pinches, but if you keep doling them out, they’re reaching for the remote, or they’re walking out of the theater. They’re sick of the poison. They don’t want any more. They’re done. They might not even realize they’re responding to inauthenticity or sloppiness in storytelling. It’s not the audience’s job to articulate the reasons. It’s their job to feel.

There was a black sedan with tinted windows at the end of the lot--the windows cracked down enough for her to see two sunglassed agents of a vague yet menacing government agency watching her intently. One of them had a camera that kept going off, but the agent didn't seem to know how to deactivate the flash. The light against the tinted windows made the shots worthless, and the agent cursed and tried again and it flashed again. Jackie waved good night to them, as she always did.

Her brown eyes flashed like headlamps on a police cruiser, cameras at a Superbowl kickoff, lightning over Frankenstein’s castle.

She didn’t notice the flashing camera lights of her purchasing ginger ale and pregnancy tests. The only thing on her mind was getting back home and under her covers. Miko

Flashing lights, camera, and bitter gossip flipped your life over in a blink of an eye.” ~A Journey Series, Chapter 14~

I loved the way the burned-out flashcubes of the Kodak Instamatic marked a moment that had passed, one that would now be gone forever except for a picture. When they were spent, I took the cubed four-corner flashbulbs and passed them from hand to hand until they cooled. The broken filaments of the flash would turn a molten marble blue or sometimes smoke the thin glass black. I had rescued the moment by using my camera and in that way had found a way to stop time and hold it. No one could take that image away from me because I owned it.

The sequined trim on her gangrenous dress was a big mistake. Under the glaring studio lights, she flashed like a tour bus full of camera buffs every time she moved. Some of her audience had already resorted to sunglasses and tennis visors.

A group of older women walked past, wearing fanny packs and large cameras around their necks. ... "I think I'm going to get one of those." Weylin's voice was thoughtful as he watched the women jaywalk. "One of what?" Ree cocked an eyebrow and smiled at her friend. "I don't know, Wey-mand. I think they might be too much woman for you." Paden flashed a crooked grin. "Har, har. I meant a fanny pack." Looking thoughtful, Weylin ignored thier expressions of disbelief. "A...fanny pack?" Sophie was looking at Weylin as if he had lost his mind, but Ree noticed the corners of her mouth twitching. "Yeah. Think about all the cool things I could carry in one." Completely unperturbed, Weylin stopped at the crosswalk and hit the button on the light post. "I could carry knives and some of those collapsible swords that Roland uses. Oh and snacks!" Unable to control her laughter anymore, Ree leaned over and clutched her sides. "Snacks? Weylin, I think you might need to lie down. You obviously have a fever or something." "You won't be saying that the next time we're out and you get a hankering for a pizza or some popcorn. I could even carry bottled water and little sanitizer wipes." "How big of a fanny pack are you planning on getting? Paden raised an eyebrow. ... "Oh, hell no! I am not eating food you've been carrying near your man-pickle. That is so not going to happen." Everyone in the group sputtered and laughed at Juliette's comment.

The word spread. It began with the techno-literates: young summoners who couldn’t quite get their containment circles right and who had fallen back on Facebook to keep themselves occupied while the sacred incense was cooked in their mum’s microwaves; eager diviners who scoured the internet for clues as to the future of tomorrow, and who read the truth of things in the static at the corners of the screen; bored vampires who knew that it was too early to go out and hunt, too late still to be in the coffin. The message was tweeted and texted onwards, sent out through the busy wires of the city, from laptop to PC, PC to Mac, from mobile phones the size of old breeze blocks through to palm-held devices that not only received your mail, but regarded it as their privilege to sort it into colour-coordinated categories for your consideration. The word was whispered between the statues that sat on the imperial buildings of Kingsway, carried in the scuttling of the rats beneath the city streets, flashed from TV screen to TV screen in the flickering windows of the shuttered electronics stores, watched over by beggars and security cameras, and the message said: We are Magicals Anonymous. We are going to save the city.

It's one thing to put on your nation's uniform to give your life for your country. But to dress up in black-market khakis and head into battle in a borrowed bush hat, armed only with a Nikon camera, 10 rolls of film and notebook, is definitely another thing.

Philby now went in for the kill. Elliott had tipped him off that he would be cleared by Macmillan, but mere exoneration was not enough: he needed Lipton to retract his allegations, publicly, humiliatingly, and quickly. After a telephone consultation with Elliott, he instructed his mother to inform all callers that he would be holding a press conference in Dora’s Drayton Gardens flat the next morning. When Philby opened the door a few minutes before 11:00 a.m. on November 8, he was greeted with gratifying proof of his new celebrity. The stairwell was packed with journalists from the world’s press. “Jesus Christ!” he said. “Do come in.” Philby had prepared carefully. Freshly shaved and neatly barbered, he wore a well-cut pinstriped suit, a sober and authoritative tie, and his most charming smile. The journalists trooped into his mother’s sitting room, where they packed themselves around the walls. Camera flashes popped. In a conspicuous (and calculated) act of old-world gallantry, Philby asked a journalist sitting in an armchair if he would mind giving up his seat to a lady journalist forced to stand in the doorway. The man leaped to his feet. The television cameras rolled. What followed was a dramatic tour de force, a display of cool public dishonesty that few politicians or lawyers could match. There was no trace of a stammer, no hint of nerves or embarrassment. Philby looked the world in the eye with a steady gaze and lied his head off. Footage of Philby’s famous press conference is still used as a training tool by MI6, a master class in mendacity.

the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch

which the experimental participant leaned her head on a chin-and-forehead rest and stared at a camera while listening to prerecorded information and answering questions on the recorded beats of a metronome. The beats triggered an infrared flash every second, causing a

I switch on the camera as I hear the thunder, and I record the most beautiful thing I've ever seen, lightning flashing over the roiling ocean. In a storm, the waves are like mountains. Cold rain in my face and I know it's on the lens but this, too, will be beautiful, the blurring and the raindrops.

Today he was reading the research of a team from University, who had recorded a zinc flash at the precise instant a sperm fertilized an egg. A rush of calcium at that moment caused zinc to be released from the egg. As the zinc burst out, it attached itself to small, fluorescent molecules: the spark that was picked up by camera microscopes.

Today he was reading the research of a team from Northwestern University, who had recorded a zinc flash at the precise instant a sperm fertilized an egg. A rush of calcium at that moment caused zinc to be released from the egg. As the zinc burst out, it attached itself to small, fluorescent molecules: the spark that was picked up by camera microscopes.

The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.

Alex, please.” He balls his fists. “Stop saying my name. You don’t know me anymore.” “I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar. “Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.” “Alex, please—” “Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.” “Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.” “Stop saying my name.

Why are you showing so much cleavage?" Joseph growled into her ear as he took her arm and began to descend the staircase. Goosebumps broke out over her bare arms and shoulders. She squeezed his forearm and smiled into his eyes. "So you're forced to offer me your coat, of course, like a proper gentleman." He barely suppressed a snort as camera flashes lit them up from every angle. He tucked his arm around her and smiled for the photographers. "Would a gentleman rip what you're wearing clean off your body, before devouring every inch of your perfect body? Turn your shivers into sweat while you wonder how something so dirty could produce something so beautiful?" Addison grinned and gently turned his face towards hers to press a light kiss to his cheek without marking it. The cameras went wild.

Seriously. I’ve never seen so many camera flashes. Speaking of which, I don’t suppose there’s any way you guys can be less attractive for the next few minutes?” Livvy asked. “You’re drawing almost as much attention as the efflorescence.” Fitz grinned—and a girl who’d been watching him tripped over her own feet. “You guys have plenty of admirers too,” Sophie had to point out, nudging her chin toward several adults who were snapping pictures of Grady and Livvy as if they thought they were celebrities. “I think Tam’s causing the biggest stir,” Biana said, tilting her head toward an entire busload of schoolgirls who were shamelessly gawking. “Great,” Tam grumbled, pulling his bangs lower over his eyes—which only seemed to make the group swoon more. “Be glad Keefe’s not here,” Fitz told him as they strode deeper into the field. “He’d be calling them over and making you pose for photos.

Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.

My eyes blinked like a camera shutter clicking through the frames of my life, except the images were mismatched and haphazard: a ragged-looking doll with a rose-colored dress; crocheted white baby mittens, slightly unraveled; a row of tulips, vibrant red; Rex's smile; a rusty weather vane whirling in the wind. My eyelids fluttered, fighting to remain open, but when they closed, the welcoming image that waited beckoned me to stay, promising to give me the comfort, the peace I longed for. The camellias. I could see them, seemingly endless rows of big, bushy green trees with waxy leaves and showy flowers the size of saucers. Pinks, reds- bursting into bloom, as if they'd been painted by the Queen of Hearts.

Flash after flash across the horizon: Tourists trying to take the Grand Canyon By night. They don’t know Every last shot will turn out black. It takes Rothko sixty years to arrive At the rim of his canyon. He goes there only after dark. As he stands at the railing, his pupils open Like a camera shutter at the slowest speed. He has to be patient. He has to lean Far over the railing To see the color as of darkness: Purple, numb brown, mud-red, mauve -an abyss of bruises. At first, you’d think it was black on black Something you son’t want to look at, he says As he waits, The colors vibrate in the chasm Like voices: You there with the eyes, Bring back something from The brink of nothing to make us see.

He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.

That’s why we say that the only authentic literature of the modern era is the owner’s manual.” Stretching forward toward the lens, revealing voluptuously freckled cleavage, Célestine fumbled for something off camera, then slumped back with a small, thick white booklet in her cigarette hand. She riffled through the pages, her face myopically close to the print—or was she smelling the paper, the ink?—until she found her page and began to read. “Auto-flash without red-eye reduction. Set this mode for taking pictures without people, or if you want to shoot right away without the red-eye function.” She laughed that rich, husky laugh, and repeated, this time with great drama, “Set this mode for taking pictures without people.” A shake of the head, eyes now closed to fully feel the richness of the words. “What author of the past century has produced more provocative and poignant writing than that?

April 4th, 1984. Last night to the flicks. All war films. One very good one of a ship full of refugees being bombed somewhere in the Mediterranean. Audience much amused by shots of a great huge fat man trying to swim away with a helicopter after him. first you saw him wallowing along in the water like a porpoise, then you saw him through the helicopters gunsights, then he was full of holes and the sea round him turned pink and he sank as suddenly as though the holes had let in the water, audience shouting with laughter when he sank, then you saw a lifeboat full of children with a helicopter hovering over it, there was a middleaged woman might have been a jewess sitting up in the bow with a little boy about three years old in her arms, little boy screaming with fright and hiding his head between her breasts as if he was trying to burrow right into her and the woman putting her arms round him and comforting him although she was blue with fright herself, all the time covering him up as much as possible as if she thought her arms could keep the bullets off him, then the helicopter planted a 20 kilo bomb in among them terrific flash and the boat went all to matchwood, then there was a wonderful shot of a child’s arm going up up up right up into the air a helicopter with a camera in its nose must have followed it up and there was a lot of applause from the party seats but a woman down in the prole part of the house suddenly started kicking up a fuss and shouting they didnt oughter of showed it not in front of kids they didnt it aint right not in front of kids it aint until the police turned her turned her out i dont suppose anything happened to her nobody cares what the proles say typical prole reaction they never—   Winston stopped writing, partly because he was suffering from cramp. He

their records. Then you killed an orderly and got away. You said I’m not going back, because you knew as soon as you arrived anywhere somebody would realize you weren’t Hobie. They’d find out who you were, and you’d be back in the shit. So you just disappeared. A new life, a new name. A clean slate. You want to deny anything yet?” Allen tightened his grip on Jodie. “It’s all bullshit" he said. Reacher shook his head. Pain flashed in his eye like a camera. “No, it’s all true" he said. “Nash Newman just identified Victor Hobie’s skeleton. It’s lying in a casket in Hawaii with your dog tags around its neck.” “Bullshit" Allen said again. “It was the teeth" Reacher said. “Mr. and Mrs. Hobie sent their boy to the dentist thirty-five times, to give him perfect teeth. Newman says they’re definitive. He spent an hour with the X rays, programming the computer. Then he recognized the exact same skull when he walked back past the casket. Definitive match.” Allen

Looks to me like you could stand to lose a few things,” he said. “Want some help?” “Actually,” I said, smiling ruefully at him, “yes.” “All right, then. Here’s what I want you to do: pack up that thing just like you’re about to hike out of here for this next stretch of trail and we’ll go from there.” He walked toward the river with the nub of a toothbrush in hand—the end of which he’d thought to break off to save weight, of course. I went to work, integrating the new with the old, feeling as if I were taking a test that I was bound to fail. When I was done, Albert returned and methodically unpacked my pack. He placed each item in one of two piles—one to go back into my pack, another to go into the now-empty resupply box that I could either mail home or leave in the PCT hiker free box on the porch of the Kennedy Meadows General Store for others to plunder. Into the box went the foldable saw and miniature binoculars and the megawatt flash for the camera I had yet to use. As I looked on, Albert chucked aside the

From the WIP, Behind The Fan... The two women flipped through the pictures as morbid curiosity took hold. The photos all signed by the women; ‘To Nicky with love, Nicky you make me smile, Nicky…Nicky…Nicky.’ They glanced at each other in disgust. The last photo was face down; Kim slowly turned it upright. She questioned why she even cared, what would one more picture of her grandfather’s paramour prove to her. The woman in the photo was stunning, a black and white image someone had hand colored. Her dark brown hair brushed into soft waves; glittering earrings caught the low light of the flash. It was a full body shot; the viewer was to believe she was nude behind two immense Ostridge feather fans. She looked confidently into the camera; standing proudly with her shoulders squared and back erect. Her long legs encased in silky hose attached by the satin straps of the garters. However, it was her eyes, clear crystal bright blue. They stood out in the aged photo engaging the viewer. They were mesmerizing. “Oh dear lord, it’s Grandma!

Evan slung his arm over my shoulder. “That’s my mom and dad,” he pointed to a couple approaching us as families trickled onto the field. “Mom! Get a picture of me and she-wolf?” “Sure, sure,” the strawberry blonde lady said, digging in her purse. “Aha! Here it is. I’m Elaine, Evan’s mom,” she announced to us. “Now smile!” I smiled but just before the flash went off Evan kissed my cheek. I gasped in surprise, probably making the funniest face known to man. Evan snatched the camera from his mom and laughed. “That is totally going to be my facebook profile pic. Take a look she-wolf.” He turned the camera so I could see the image on the screen. Oh, God. I narrowed my eyes and pointed a finger at Evan. “You better promise me that, that picture never sees the light of day.” “Well, technically it’s already seen the light of day, seeing as it’s the morning and all.” “Evan, you know what I mean.” “Fine,” he lowered his head, “I won’t post it on facebook.” “Or twitter, instagram, or any other picture sharing site. Got it? Maybe you should just delete it now?” “Nah,” Evan grinned. “I’m keeping this forever and ever as proof that I kissed the she-wolf.

Images of people in the Middle East dressing like Westerners, spending like Westerners, that is what the voters watching TV here at home want to see. That is a visible sign that we really are winning the war of ideas—the struggle between consumption and economic growth, and religious tradition and economic stagnation. I thought, why are those children coming onto the streets more and more often? It’s not anything we have done, is it? It’s not any speeches we have made, or countries we have invaded, or new constitutions we have written, or sweets we have handed out to children, or football matches between soldiers and the locals. It’s because they, too, watch TV. They watch TV and see how we live here in the West. They see children their own age driving sports cars. They see teenagers like them, instead of living in monastic frustration until someone arranges their marriages, going out with lots of different girls, or boys. They see them in bed with lots of different girls and boys. They watch them in noisy bars, bottles of lager upended over their mouths, getting happy, enjoying the privilege of getting drunk. They watch them roaring out support or abuse at football matches. They see them getting on and off planes, flying from here to there without restriction and without fear, going on endless holidays, shopping, lying in the sun. Especially, they see them shopping: buying clothes and PlayStations, buying iPods, video phones, laptops, watches, digital cameras, shoes, trainers, baseball caps. Spending money, of which there is always an unlimited supply, in bars and restaurants, hotels and cinemas. These children of the West are always spending. They are always restless, happy and with unlimited access to cash. I realised, with a flash of insight, that this was what was bringing these Middle Eastern children out on the streets. I realised that they just wanted to be like us. Those children don’t want to have to go to the mosque five times a day when they could be hanging out with their friends by a bus shelter, by a phone booth or in a bar. They don’t want their families to tell them who they can and can’t marry. They might very well not want to marry at all and just have a series of partners. I mean, that’s what a lot of people do. It is no secret, after that serial in the Daily Mail, that that is what I do. I don’t necessarily need the commitment. Why should they not have the same choices as me? They want the freedom to fly off for their holidays on easy Jet. I know some will say that what a lot of them want is just one square meal a day or the chance of a drink of clean water, but on the whole the poor aren’t the ones on the street and would not be my target audience. They aren’t going to change anything, otherwise why are they so poor? The ones who come out on the streets are the ones who have TVs. They’ve seen how we live, and they want to spend.

He pulled me towards the front desk to check in. The petite redhead behind the counter had a hard time forming a coherent sentence when she looked at Jake. She pressed a few buttons and handed him a key card. She kept a firm grasp on the card and looked admiringly at him. “I’m off at one.” She batted her eyelashes. “Are you seriously offering yourself to me in front of my girlfriend? I mean no offense, but look at her and look at you.” He scoffed. I gasped. I was going to sneak in his room and murder him in his sleep. He grabbed my hand, and I tried to pull away to no avail. His hand refused to leave mine. “That’s how rumors get started you know. Now let me go so I can check into my room.” I said tersely, watching the cameras still flashing through the glass. “Whatever, just wait until morning when pictures hit the press. I wouldn’t be surprised if they’re plastered everywhere in an hour.” “I’m going to kill you in your sleep.” I mumbled under my breath. “What was that?” He started laughing. “Nothing.” I backpedaled. “It will be easy since we’re sharing a room.” “What!?” I shrieked. “I have the entire top floor. There’s more than enough room.” He shrugged. “You have got to be kidding me!” “Aubrey, I thought we were going to try and be friends. Why are you fighting the inevitable? I’m not that awful, I promise. I don’t bite, unless you’re into that kind of thing, then I’d gladly make an exception.” He winked, and I slugged him in the stomach. Damn, his stomach must be made of iron because it hurt my hand.

It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.

By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted. Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case. Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper. He lay, gazing up at the sun, while the air (or so it seemed to him) went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer. When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel. Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it. There was an obscene smell of high explosive, of burning wood, and of, yes, that was it – roast mutton. For fifty yards down the boulevard the trees were leafless and charred. Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater. Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches. Bond felt himself starting to vomit. It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life.

Will’s fleshy face contorted and a memory swept over him like a chilling wind. He did not move slowly over the past, it was all there in one flash, all of the years, a picture, a feeling and a despair, all stopped the way a fast camera stops the world. There was the flashing Samuel, beautiful as dawn with a fancy like a swallow’s flight, and the brilliant, brooding Tom who was dark fire, Una who rode the storms, and the lovely Mollie, Dessie of laughter, George handsome and with a sweetness that filled a room like the perfume of flowers, and there was Joe, the youngest, the beloved. Each one without effort brought some gift into the family. Nearly everyone has his box of secret pain, shared with no one. Will had concealed his well, laughed loud, exploited perverse virtues, and never let his jealousy go wandering. He thought of himself as slow, doltish, conservative, uninspired. No great dream lifted him high and no despair forced self-destruction. He was always on the edge, trying to hold on to the rim of the family with what gifts he had—care, and reason, application. He kept the books, hired the attorneys, called the undertaker, and eventually paid the bills. The others didn’t even know they needed him. He had the ability to get money and to keep it. He thought the Hamiltons despised him for his one ability. He had loved them doggedly, had always been at hand with his money to pull them out of their errors. He thought they were ashamed of him, and he fought bitterly for their recognition. All of this was in the frozen wind that blew through him. His slightly bulging eyes were damp as he stared past Cal, and the boy asked, “What’s the matter, Mr. Hamilton? Don’t you feel well?” Will had sensed his family but he had not understood them. And they had accepted him without knowing there was anything to understand. And now this boy came along. Will understood him, felt him, sensed him, recognized him. This was the son he should have had, or the brother, or the father. And the cold wind of memory changed to a warmth toward Cal which gripped him in the stomach and pushed up against his lungs.

Then, on a left-hand curve 2.8 kilometres from the finish line, Marco delivers another cutting acceleration. Tonkov is immediately out of the saddle. The gap reaches two lengths. Tonkov fights his way back and is on Marco’s wheel when Marco, who is still standing on the pedals, accelerates again. Suddenly Tonkov is no longer there. Afterwards Tonkov would say he could no longer feel his hands and feet. ‘I had to stop. I lost his slipstream. I couldn’t go on.’ Marco told Romano Cenni he could taste blood. His performance on Montecampione was close to self-mutilation. Seven hundred metres from the finish line, the TV camera on the inside of the final right-hand bend, looking down the hill, picks Marco up over two hundred metres from the line and follows him for fifty metres, a fifteen-second close-up, grainy, pallid in the late-afternoon light. A car and motorbike, diffused and ghostlike, pass between the camera and Marco, emerging out of the gloom. The image cuts to another camera, tight on him as he swings round into the finishing straight, a five-second flash before the live, wide shot of the stage finish: Marco, framed between ecstatic fans on either side, and the finish-line scaffolding adorned with race sponsors‘ logos; largest, and centrally, the Gazzetta dello Sport, surrounded by branding for iced tea, shower gel, telephone services. Then we see it again in the super-slow-motion replay; the five seconds between the moment Marco appeared in the closing straight and the moment he crossed the finish line are extruded to fifteen strung-out seconds. The image frames his head and little else, revealing details invisible in real time and at standard resolution: a drop of sweat that falls from his chin as he makes the bend, the gaping jaw and crumpled forehead and lines beneath the eyes that deepen as Marco wrings still more speed from the mountain. As he rides towards victory in the Giro d‘Italia, Marco pushes himself so deeply into the pain of physical exertion that the gaucheness he has always shown before the camera dissolves, and — this must be the instant he crosses the line — he begins to rise out of his agony. The torso lifts to vertical, the arms spread out into a crucifix position, the eyelids descend, and Marco‘s face, altered by the darkness he has seen in his apnoea, lifts towards the light.

Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.

The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.

Ten minutes after that and the inmates of Furnace were starting to feel invincible, running around the prison looking for the hidden security cameras and shouting insults at the warden. Some were even flashing their backsides at him, or relieving themselves over the black eyes in the rock, and I couldn't help but laugh as I pictured him sitting in his quarters effectively getting pissed on.

Stu stood nearby also, his camera flash spastic and incessant, like the light of a caffeinated firefly.

Something that I consider ‘my invention’, since I haven’t seen it done anywhere before is ‘Super-speed photography’. Now normal high-speed photography involves either a very fast camera at a high frame rate or the act of ‘freezing’ the motion using flash, while the actual exposure is actually quite long. For much of my high-speed photography with flash I was using shutter speeds of two seconds to give me time to break or shoot whatever my subject was and trigger the flash with a sound activated device. But then I started playing with the idea of using the flash trigger of the camera to actually cause the event.

Life is so fast it's a camera flash

You found yourself wondering why there weren’t constant camera flashes going off.

That’s our cue,” Dr. Chadwick noted, managing to approximate a cheerful smile, addressing the room at large. “Everyone please stand behind the yellow line until the doors open. No food, drink, flash photography, or video cameras are permitted. Once aboard the ride, please keep your hands and arms inside the vehicle at all times until we come to a full and complete stop. Otherwise, they’re apt to end up in another universe somewhere without ya, and wouldn’t that fry your noggin?

WATCH THAT QCD POSITION! While I was writing this book, I hosted a lighting seminar for neophyte photographers using cameras of all breeds, and out of 30 photographers in two sessions, no fewer than four Canon shooters were having trouble setting the aperture when using the Manual exposure mode I was having them use while working with studio flash units. (Each of them rarely used Manual.) All four had accidentally set the QCD switch to Lock (if they were 7D owners) or to the On (only) position (if they were 50D or 40D users), disabling the Quick Control Dial. I expect that this happens more frequently than I suspected, so I’m calling it to your attention once more in these two sidebars.

It is one of the many savage ironies in a life suffused with tragedy, that, when she was still married to Prince Charles, one of Diana’s most cherished ambitions was to spend a weekend in Paris without bodyguards or photographers, losing herself in the crowd. Instead, as life slipped from her, with the Mercedes horn mournfully blaring into the night like a macabre ‘Last Post’, her adult life ended as it had begun, in the brazen, staccato embrace of the camera flash. Even in the city of dreams she could not escape her past.

One day I saw something very strange, people walking around who looked like they had come directly from the grave, their skin was so pale. Mzungus. They carried a black machine that flashed bright when they pointed it at me. I screamed. I thought the machine was going to harm me, and so I fled. Later I learned it was a camera. Its flash and their voices terrified me. We didn't see them often, less than once in a year. But whenever I saw them, I ran and hid. I had many ideas about them; first, I did not expect them to be smart, because they loved to take pictures of silly things like chickens on the street, shanties, and other things that were not interesting. Second, since I had seen a kid touching their skin and shouting, "How are you?," for many years I believed the name for all white people was "How are you?" I touched their skin as well and found it soft, but I was surprised and a bit disappointed because I thought touching it would leave a mark on my skin too.

The car slows down, interrupting his thoughts. "Here we are," says Ian, sitting up straight. He puts on his hat and takes a deep breath. "Let the show begin." He opens the door and camera flashes dazzle him. Adoring voices call him and a crowd circles him. "Come on, little Key." Maicol turns and smiles. "Excited girls can’t wait to tear you to pieces." He imitates a lion’s roar. Then he gets out and more flashes of light fly into the car. Andrea grasps the door handle, trying to keep his internal disorder under control. His skin sizzles as if on a grill and his heart is bursting through his rib cage. His hand trembles so much that he can’t even lower the simple lever. One door separates him from the new world that he’s about to enter. And he wonders why he's doing it. For the money? Because Susanna is enthusiastic? To glorify himself and his pride? Out of curiosity? He’s afraid of changing and perhaps Ian is right. The only thing is to be yourself, but put up barriers. He had been Andrea, as always, that afternoon in Clusone, but had placed Key in front as a layer to protect his true essence. His true self. Andrea thinks back to the image of his reflection. He focuses, wraps himself in it, and feels that he can control the turmoil. His breathing is regular. Calm now, he lowers the handle. He places a foot on the ground and steps out, as relaxed as if among friends. He’s bombarded by camera flashes and questions that fly at him wildly, but smiles as soon as Ian and Maicol stand by his side. "Good evening everyone. I’m Key," he says confidently. And time stops in a glow of solomonic certainty: now he knows who it was on stage with Nicolle.

I think those girls on the left side with the signs are members of Rick’s Chicks,” she returned, mostly to see if she could rattle him. “So are you, if you get the newsletter.” Sam smiled. She couldn’t help it, even when the volume of camera flashes increased in response. “That’s right. Ooh, Mr. Addison, you’re so hot, sign my tit, will you?” He leaned over, kissing her ear. “I am going to fuck you all night,” he whispered. Shivers went all the way down her spine. “I must have the deluxe fan club membership.” “Oh, that you do, Samantha. That you do.

A story is told of a trip to the Holy Land in which the tourist group saw a flock of sheep being driven through town. As they watched, with digital cameras flashing, one sightseer asked the guide, “I thought the shepherd led the sheep from the front. Why is he in the back?” The guide simply replied, “Sir, that’s not the shepherd. That’s the butcher.” That’s Satan’s position. He drives and shoves us from the rear with reminders of our past, fears of our future and uncertainties in the present. He pushes through people and situations to lead us to the slaughter. Satan is the thief that comes to “steal, kill and destroy.

I backed away from his flash, my relationship with cameras contradictory at best, schizophrenic at worst.

Hence, because flash cards are being used in markets completely different from those Quantum and Seagate typically engage—palmtop computers, electronic clipboards, cash registers, electronic cameras, and so on—the value network framework would predict that firms similar to Quantum and Seagate are not likely to build market-leading positions in flash memory. This

The bright flash from the CSI camera illuminated the darkened garden. The temperature had dropped along with the last of the sunlight and there was a chill in the air. Morgan couldn’t take her gaze away from Olivia Potter; even in death she looked beautiful. Despite trying for the last hour Harrison hadn’t been able to make contact with Bronte. Ben had asked for a PNC check of all vehicles listed for the address and it had come back with two: a brand new Jaguar F-Pace, in white, and a slightly older Mercedes C-Class. The Mercedes was parked in the garage, its engine cold, but there was no sign of the Jag. An ANPR marker had been placed on the vehicle to find out where it was last seen. It was strange that they couldn’t find anyone to notify about Olivia, but it happened.

contained an Omnitask 3000 multicore processor, tri-band Wi-Fi technology, two GPS chips, a twenty-megapixel camera with zoom and flash, voice recognition software, Bluetooth, an accelerometer, a gyroscope, and a slide

Life had taught me that it is possible that things, ideas, concepts, and feelings can mean the opposite of what might seem apparent. It was possible for people to be the opposite of what they claimed. It was possible for 'home' to signify 'exile' and vice versa. Laughter may be tears in disguise. Revolutions could be about oppressive powers pulling the carpet from under the feet of other oppressors. Climbing to the top might not really mean 'going up,' it could in fact be a harsh form of falling; reaching the pinnacle of fame, surrounded by camera flashes has led to the demise of countless souls on this planet. In brief, it was possible that everything we are told and taught is the opposite of what we think, or that it might be outright false.

Time out. Serenity 101: Progress, Not Perfection. The glamorous lifestyle gurus who have advised us through books, magazines, and television shows starting in the 1980s and have crescendoed in popularity via the blogs, Instagrams, and photo sharing sites we all see now haven’t really been honest with us. They have full-time professionals working for them, including stylists—stylists who wave magic paintbrushes dipped in burnt sienna over mud smears on terra-cotta potagers before the flash pops or the camera rolls.

In the distance, we saw a fast-moving UFO. Flashing across the sky with untold speed, it was gone before we could aim a camera toward it. Clearly, there was a multifaceted phenomenon manifestation throughout the area at that time. According to our guide, these orbs are spirits from nearby Indian burial mounds. We believe the variety of behavior and appearance leaves multiple explanations open for consideration: spirits, spook lights, and earth lights.

Someone get the camera and start filming!” the oni shouted. A yōkai with a weasel-like face rushed to do as told. The oni then leaned down and whispered in her ear, his grating voice and breath on her neck making Lindsay shiver. “You’re gonna die today, bitch. I’m gonna fucking kill you.” Oh, God! Lindsay felt her bladder threaten to go. Her body was a shivering wreck. She couldn’t control it. Her mind had become overridden with fear. She didn’t know what to do. She couldn’t do anything. She was helpless! The weasel-faced yōkai turned to face them, the camera on. The oni grinned as he gripped Lindsay’s head between his hands. Lindsay sobbed. This was it. She was going to die. She was going to die and there was nothing she could do about it. I don’t wanna die… Visions flashed before her eyes, images of her friends, of her family, of the people she would leave behind. Please… She thought about Kevin, the boy she still sorta liked, even though he was a male. Someone… She thought about Christine, the girl she did like, and regret welled up inside of her as she realized she would never see the yuki-onna again. Help… “I want everyone to watch this,” the oni said, but his voice sounded far away. Lindsay’s mind was locked, clammed up with fear and overflowing with remorse. “This is what happens to humans who think they can befriend us! You should all learn to fear yōkai!” This… this is the end. Lindsay closed her eyes, hoping against hope that it would make the end less painful, that maybe, just maybe, if she closed her eyes, she wouldn’t suffer as much. “Prepare for trouble!” “And make it double!” What? Lindsay’s eyes snapped wide open upon hearing two very familiar voices. She quickly looked toward where she heard the voices and couldn’t believe her eyes. There, standing in the center of the amphitheater, back to back, was Kevin and Lilian. Hope welled up inside of her breast. It was a hope that suddenly stopped, giving way to confusion instead, when she saw their outfits. Are they wearing leather spandex?

All moving things froze as if God had captured their movement with a giant camera from the sky. The camera flash was blinding. I saw stars.

She descended into the hole, and he trailed behind her. The stuttering, decayed light from her body illuminated the walls in brief flashes. It was a nest, walled in human faces, scores of them peering out from battlements of melded flesh, their mouths blackly gaping, their eyes cataractous and blind. It was like walking through an abandoned wasps’ nest. Once, it rang with screams and hosannas. Their silence now was obscene. The demon was dead, but this woman still lived. She was still sweetly beautiful, she still yearned to fill her heart’s need. “Is it too late?” she asked. She started to dance, a gorgeous rotted thing, undulating in the way she had done so long ago. Tears spilled down Alan’s face. He fixed the camera on her, recording it all using her own spoiled light. He was making terrible sounds. They echoed in the nest and soon it seemed the faces joined his effort, like a choir in a cathedral

Flash aimed at the soul; camera arrowed into a vista of dark trees. And the light reveals nothing—only a gnawing strangeness. And it’s hard to see, and the grief is so arcane it seems it existed since the crush of the first ocean’s first wave, and so new, it seems it’s ready to burst from the earth ready to devour all of time in its throat. — Brennan Sprague, “November,” from a manuscript-in-progress, 2021

another external flash unit, as well as certain other accessories. The

A smaller screen near us pans to Sam. He’s pacing back and forth down the sideline, and he’s not even looking in our direction. But then one of his teammates smacks him on the shoulder and he looks toward me. He stops. He unstraps his helmet, pulls it from his head and stares up at me. Star motions for everyone in our section to be quiet, and they all lower their signs. Emily swipes a tear from her cheek and says, “Go for it.” Logan wraps an arm around her and Kit and holds them tight. Logan is grinning like a fool, though. The camera guy is right in front of me. “Forty-five seconds,” he reminds me. I see my image on the big screen and one of the guys on the field points to it, so Sam looks in that direction. I hold up my signs. I have them grouped in order, one after the other. I show the first one. I love you, 51! I flip to the next. I don’t want to be just a Zero anymore. Flip. I want to be a Zero-plus-one. Flip. Or a Zero-plus-two. Flip. Maybe even a Zero-plus-three. Flip. I want to make little cupcakes with you. Flip. Only you. Flip. Forever. Flip. Check yes or no. I take this last card and walk out of my section. I have hands of people I don’t even know reaching out to steady me, and they’re all saying encouraging things. The camera guy runs along behind me, cursing as he chases me down the stairs. I run with my last card all the way down to the bottom bleacher and I lean over the side, holding it down against the concrete block wall. I pull a marker from my pocket and hold it out, too. Then I wait. It’s the longest forty-five seconds of my life. Sam stands completely still. He scratches his head. His teammates say things to him and he still stands there. The clock is ticking. Maybe he doesn’t want what I want after all. Then he starts to run toward me. He jogs in my direction, and my heart is in my throat. I have tears running down my face, and I don’t care. When he gets to the wall, he stares up at me. There’s no way he can come up this high, so I drop the board with the check boxes and the pen on the ground in front of him. He grins up at me and lays the board on the grass. He takes the pen and starts to check a box. Then he stops and looks up. Then he moves like he’s finally going to do it. Then he stops and looks up. I’m going to kick his ass if he keeps messing with me. Then he checks the yes box and holds the board up for the whole stadium to see. The buzzer goes off and he has to run with his teammates back onto the field to play the last two minutes of the half. When that’s over, just before he goes into the tunnel, he turns back and flashes me the I love you sign, along with a big smile. My heart settles. I

I came to the first floor and looked out at the entranceway of the building. For a second I pictured the way she had hugged me here. It already seemed like a long time ago. I felt an unpleasant mixture of gratitude and longing, streaked with guilt and regret. And in a flash of insight, cutting with cold clarity through the fog of my fatigue, I realized what I hadn’t been able to articulate earlier, not even to myself, when she’d asked me what I was afraid of. It had been this, the moment after, when I would come face to face with knowing that it would all end badly, if not this morning, then the next one. Or the one after that. I used the rear entrance, where there was no camera. It was still raining when I got outside. The day’s first light was gray and feeble. I walked in my wet shoes until I found a cab, then made my way back to the hotel.

And what other advances does the future hold, technology-wise? Even as you read these words, white-coated laboratory geeks are working on a revolutionary new camera that not only will focus automatically, set the exposure automatically, flash automatically, and advance the film automatically, but will also automatically refuse to take stupid pictures, such as of the wing out the airplane window.

While the screens flash and blur down below, a team of Googlers wanders through the fellowship—young people with clipboards and friendly faces, asking questions like: When were you born? Where do you live? What’s your cholesterol? I wonder who they are. “They’re from Google Forever,” Kat says, a bit sheepishly. “Interns. I mean, it’s a good opportunity. Some of these people are so old and still so healthy.” Lapin is describing her work at Pacific Bell to a Googler holding a skinny video camera. Tyndall is spitting into a plastic vial.

Have you ever stared at yourself in the mirror, and your eyes act like an out of focused camera? You keep zooming in on your face, and out again like you can’t believe you’re you. I get so lost in my own reflection my face starts looking warped. I feel as though I’m watching my life flash through my brain like a VHS being re-winded, and I can’t believe I’m me. All my imperfections are amplified back at me, and I know I can’t open my eyes as someone else. I feel ugly. Not the kind of ugly that someone feels because they don’t think they are beautiful, but the ugly that resonates from experiences. Remembering all the bad shit that you have done or that was done to you, and seeing the wounds of the past re-open through your imperfections.

I jolted out of my sleep or so I thought with tunneling sparking flashing light. For a second when I look around the room everything seems soft, unclear, and slightly distorted, I am in my bed naked like I am every day when I get up and hug my stuffed bunny for the last time, as I snap on the lamp on my nightstand. I have to hide my bunny when the girls come over. Ray used to just throw him off the bed onto the floor. That was not cool! I don’t think Marcel would mind my cuddly stuffed bunny, with the cute floppy ears. My alarm has been blaring and Beep- Beeping for five minutes. It's from seven-o to six am. I smash and rub my face in my soft pillow for the last time. I look around the room I am sweating. I wipe my forehead, saying wow, I have had a dream that I’m falling- but never like this. ‘Damn that was a crazy dream!’ So- I start my morning retain- you know grabbing for what inside my Pringles can buy my bed before all hell comes busting through my door. I sit up in bed slightly and I turn on my laptop, might as well live record what going to do on cam, why not. So, push the quilt away, I look down at my unclothed body with my toy in hand, and I see my toes wiggling with nail polish, and my almost smooth legs and everything in-between. Thinking I just shaved and looked at all this stubble, growing here already… don’t you hate that, I sure do? It’s like all you can see and feel. Now I’m covered with sweat even though my room is frigid cold. My throat is dry, my heart is racing, and I’m desperate for a drink, yet I am almost there, my sighing is getting loud, I can feel it building up, I can stop it feeling so good and the tips are just rolling in for the boys that tune into my show. The camera is right there, whoosh- and I feel on top of the world. Yet after I hit a low with having to start my day, running away from me away from who I am, I’ve just been running a long way. My floral sheets are stocked with everything rushing out, and so is my keyboard, yet the boys love it and love me for it, so that is good enough for me. Yet after I do that it’s like I get an embarrassing feeling, I pull it out, then close the lid of my lap, to cover up fast. It’s like I get a rush from it, and then the guilt comes after in my mind saying- ‘That was the wrong missy, yet I can’t stop. Jenny and my girls give me that same rush, always doing something that feels so good yet maybe wrong.

She muttered that they’d talk later, then rushed through the door, well aware reporters would hound her. Another round of the vultures stood out front of the courthouse, hungry for details. She darted to the right to avoid them. Cameras flashed as she jogged down the steps and hurried to her rental car

The cameras roll on in black-and-white, and the silvery expanse of the Sound flashes and flickers, as if the scenes, its players - and the year at its close - have been rinsed in a wide, New World light.

The Shining Twins move in closer. "I admired you at the family dinner," one says. "I wish I could eat like you," the other says. Whoa. Shots fired. Still, I smile sweetly for the camera. Flash. I turn slightly left. This twin has a little mole beneath her eye, a beauty mark. "I bet I could make you." I say it loud enough for both to hear.

not yet allowing himself to wallow in the wave of relief coursing through his body, and pushed through it, ignoring questions barked at him in a foreign language. He galloped down a set of steps, past another pair of cops rushing in the opposite direction, barely meriting a second glance on this occasion. As he left the park, crossing a road that was cordoned off to traffic at either end, he breathed out a long, deep, endless sigh of relief that flooded out of him with the relentless power of the Nile emptying into the Mediterranean Sea. It was only now that he recognized how fast his heart was beating, or felt the beads of sweat dripping off his forehead – both more a result of tension than exertion. “That was close,” he groaned, cursing himself for breaking the cardinal rule of espionage and thrusting himself into the center of attention. “Too damn close.” And it was far from over. He might have escaped the first cordon of cops, but before long the whole of central Moscow would be on lockdown. He needed to get out before it was too late. Trapp fought against his instincts and slowed his pace, walking casually down a side street, past a government building with a small brass plaque outside which read, ‘Federal Agency for State Property Management’ in English letters under the Cyrillic. He kept his head low, pointed at the ground, hoping that it would obscure him from the surveillance cameras that dotted the area, but knowing that it probably wouldn’t. That’s a problem for another day. He cast a quick look around to make sure no one was paying him any attention, and when he was certain that they were not, he ducked into a space between two parked cars, crouched down, and pulled on the neon vest he had previously stowed by his breast. Again, the disguise was skin deep, but if one of the cops he’d just passed managed to radio in a description, then perhaps this costume change might add a layer of distance. It was better than nothing. He started walking again, slowly enough not to draw the eye, fast enough to put as much distance between himself and what was about to turn into a very hot crime scene as possible. As he walked, his fingers played with the rock he had carried all this time, searching for a seam or a catch. He knew that it would not be locked, or contain the kind of self-destruct device so beloved of Hollywood movies. There wasn’t the space, and besides, any competent intelligence agency would be able to defeat such protections quickly enough. Trapp found it, worked the bottom of the rock open, and saw a memory stick sitting in a foam indentation. He pulled it free, put it into the coin pocket of his denim jeans, and dumped the two halves of the rock into an overflowing trash can. It was only then that the question came to him. What the hell do I do now? 35 The village of Soloslovo was 20 miles from Central Moscow, about thirty minutes by car in light traffic, or twenty on a high-powered motorcycle the likes of which Eliza Ikeda rode as she zipped past, around

Nowadays, queer teens have no idea how good they have it, with their lesbian-outfit Instagram accounts and their dreary homophobia movies and their JoJo Siwas. Back in my day (2003), finding something gay to be horny over was like navigating the Oregon Trail. You'd have to run home from school and sit in front of the TV for hours waiting for the "Me Against the Music" video to play on MTV, just so you could get a sliver of gay, and that would be your only shot at seeing gay that whole day. No quietly streaming Netflix on your laptop in your room, no saving photos of Cara Delevingne and Selena Gomez showering together to camera roll, no "every Jamie and Dani scene in The Haunting of Bly Manor" compilation video on YouTube. Just a single queerbait moment of the day with absolutely no idea when it would come or ability to plan for it. Just sit and wait for Britney and Madonna to flirt. Oh, you have to go to the bathroom? What if you miss it? No, you'll be fine, just go. You missed it. The flash of a moment where Britney pins Madonna against the wall and they almost kiss is gone. Sorry you ate too many SunChips and got diarrhea and blew past the only possible lesbianism you could find today. You died of dysentery. You missed the gay; try again tomorrow.

The room was transparent, and everybody was capable of seeing inside. There were cameras placed in every corner of the room. On the screen was a flashing title "safety first", but I didn't feel safe at all.

A cage is a cage," I told him. "Some of the worst cages don't even have bars." They look like a spotlight on a stage or a beautiful silk dress on a red carpet while dozens of cameras flashed and twinkled. Both could leave you blind to the world beyond their circle and served to remind you that you weren't allowed to leave that circle.

The barrage of flashes starts again-oh the absurdity of it all. The lady with the largest camera flash comes up to my sail nose and blasts a big, bright one. My nigiris must be writhing, my tempuras scorched in an instant, medium-rare wagyus turned well done.

And I kept screaming, as the cameras kept flashing," [Mamie] wrote, "in one long, explosive moment that would be captured for the morning editions.