Stella Movie Quotes

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We believe in you, Phoebe," Stella says. "You just have to believe in yourself." I roll my eyes behind the blindfold. As if that's not a cheesy, movie-of-the-week line.
Tera Lynn Childs (Goddess Boot Camp (Oh. My. Gods., #2))
Stella says when we were kids and things got bad she would go outside herself. She said she would be in a spot near the ceiling in the corner of the room. Watching. Like everything was happening to somebody else. Like you watch a movie on a screen. Not me. I tuck in. I go into an even deeper place in myself. And I pull the covers in over me. And then I dare you to find me. You have to find me to touch me or hurt me. At least, the part of me that really counts. I go inside and just hold very still. And part of me feels dead. Like it doesn't matter. Whatever it is. It just doesn't matter.
Catherine Ryan Hyde (Chasing Windmills)
Old Harry, who knew more about boats and the sea than anybody I knew, was sleeping off last night's tequila on my big cruiser/houseboat, Stella. She'd been named after Gail Russell's character in an old classic film titled, The Uninvited. It was Harry's favorite movie.
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
As Titanic began production, there was an immediate chemistry between Barbara and myself—a lot of looks across the room. At this point Barbara Stanwyck was a legendary actress, universally respected for her level of craft and integrity. She also had the most valuable thing a performer can have: good taste. Besides a long list of successful bread-and-butter pictures, Barbara had made genuine classics for great directors: The Bitter Tea of General Yen and Meet John Doe for Frank Capra, Stella Dallas for King Vidor, The Lady Eve for Preston Sturges, Ball of Fire for Howard Hawks, and Double Indemnity for Billy Wilder. Barbara carried her success lightly; her attitude was one of utter professionalism and no noticeable temperament. As far as she was concerned, she was simply one of a hundred or so people gathered to make a movie—no more, no less.
Robert J. Wagner (Pieces of My Heart: A Life)
None of the books or movies in my room appealed to me now; I was well and truly sick of staring at a page or a screen.
Stella Hart (Broken Hearts (Heartbreaker #2))
Clanton and, given the circumstances, seemed far too close to home. Stella was halfway through her sophomore year and eager to move on. She loved Hollins but longed for the anonymity of a big city. At college, everyone knew her and now knew about her father. She wanted strangers in her life, people who didn’t know or care where she was from. On the romantic front, there wasn’t much activity. Over the Thanksgiving break she’d met a boy in D.C. and they had gone dancing twice and to the movies once. He was a student at Georgetown, had a nice family and all, appeared to be well groomed and mannered, and he was writing her letters, but there was really no spark. She’d string him along for another month or so, then break his heart. Joel reported even more tepid progress. A few dates here and there but none worth talking about. He claimed he really wasn’t in the market, what with three years of law school on the horizon. He had always vowed to remain single until his thirtieth birthday.
John Grisham (The Reckoning)
I’d met plenty of beautiful women in my life. Women with perfect hair, perfect skin, and perfect bodies. Supermodels and movie stars and heiresses molded by the best money could buy. None of them held a candle to Stella.
Ana Huang (Twisted Lies (Twisted, #4))
I am a professional! I’m a natural movie star!” Stella grinned. “Did you see our grand entrance, Hester
Stacy Gregg (Stardust and the Daredevil Ponies (Pony Club Secrets, Book 4))
I trust everyone. It's the devil inside them I don't trust.
Stella Bridger, The Italian Job
responsibility. If your frog friend had to fill fifteen thousand dollars’ worth of movie seats every day, he’d have to think of a better stunt than a lot of guys wearin’ glass pants.
Stella Gibbons (Cold Comfort Farm)