Came From The Trenches Quotes

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It is one thing to read the Scriptures and affirm their truth. But until you are in the trenches of trial, until you are faced with life circumstances that test your faith, until you are pressed to the absolute limit of your physical and emotional capacity, until you face the unrelenting stress of ongoing trauma, you never really know how you'll respond to what you may have embraced so easily during a comfortable Bible study.
Kevin Malarkey (The Boy Who Came Back from Heaven: A Remarkable Account of Miracles, Angels, and Life beyond This World)
The pastor walked through Clement Park and sniffed the air. Satan. The pastor could smell him wafting through the park. It was an acrid odor—had it been a little stronger, it might have singed his nose hairs. The Enemy had swept in with this madness on Tuesday, but the real battle was only now under way. “I smell the presence of Satan,” Reverend Oudemolen thundered from the pulpit Sunday morning. “What we saw Tuesday came from Satan’s home office. Satan had a plan. Satan wants us to live in fear in Littleton. He wants us to see black trench coats or people in Goth attire and makeup and here’s what he wants us to feel: Look how powerful and scary Satan is!
Dave Cullen (Columbine)
Failure. Failure shapes the world. History is the story of failure; progress is the succession of failures. Development! says the futurist. Loss, states the rebel. Hangover! cries the moralist from the back row. Faliure: the rebel gets angry. Time is pale, he says. The failure of the Creator - an introduction to an era. Kras Mazov shoots himself in the head, and Abadanaiz, together with Dobreva, takes poison on the Ozonne Islands. Beneath the palms the wind blew the flesh from their bones into sand. Who could've known? All the good people in the world came together. Teachers, writers, migrant workers squatting in the trenches... young soldiers abandoned their battalions. What beautiful songs they sing! It seems to them that brave children are the favourites of history, as they wave white flags with a crown of silver horns. And then, they lose.
Robert Kurvitz (Püha ja õudne lõhn)
Dear Jesus, please get me out. Christ, please, please, please, Christ. If you only keep me from being killed I'll do anything you say. I believe in you and I'll tell everybody in the world that you are the only thing that matters. Please, please, dear Jesus' The shelling moved further up the line. We went to work on the trench and in the morning the sun came up and the day was hot and muggy and cheerful and quiet. The next night back at Mestre he did not tell the girl he went upstairs with at the Villa Rosa about Jesus. And he never told anybody.
Ernest Hemingway (In Our Time)
The End of World War One Out of the scraped surface of the land men began to emerge, like puppies from the slit of their dam. Up from the trenches they came out upon the pitted, raw earth wobbling as if new-born. They could not believe they would be allowed to live, the orders had come down: no more killing. They approached the enemy, holding out chocolate and cigarettes. They shook hands, exchanged souvenirs--mess-kits, neckerchiefs. Some even embraced, while in London total strangers copulated in doorways and on the pavement, in the ecstasy of being reprieved. Nine months later, like men emerging from the trenches, first the head, then the body, there were lifted, newborn, from these mothers, the soldiers of World War Two.
Sharon Olds
When someone asked me what communism was, i opened my mouth to answer, then realized i didn’t have the faintest idea. My image of a communist came from a cartoon. It was a spy with a black trench coat and a black hat pulled down over his face, slinking around corners. In school, we were taught that communists worked in salt mines, that they weren’t free, that everybody wore the same clothes, and that no one owned anything.
Assata Shakur (Assata: An Autobiography)
When I first read The Rebel, this splendid line came leaping from the page like a dolphin from a wave. I memorized it instantly, and from then on Camus was my man. I wanted to write like that, in a prose that sang like poetry. I wanted to look like him. I wanted to wear a Bogart-style trench coat with the collar turned up, have an untipped Gauloise dangling from my lower lip, and die romantically in a car crash. At the time, the crash had only just happened. The wheels of the wrecked Facel Vega were practically still spinning, and at Sydney University I knew exiled French students, spiritually scarred by service in Indochina, who had met Camus in Paris: one of them claimed to have shared a girl with him. Later on, in London, I was able to arrange the trench coat and the Gauloise, although I decided to forgo the car crash until a more propitious moment. Much later, long after having realized that smoking French cigarettes was just an expensive way of inhaling nationalized industrial waste, I learned from Olivier Todd's excellent biography of Camus that the trench coat had been a gift from Arthur Koestler's wife and that the Bogart connection had been, as the academics say, no accident. Camus had wanted to look like Bogart, and Mrs. Koestler knew where to get the kit. Camus was a bit of an actor--he though, in fact, that he was a lot of an actor, although his histrionic talent was the weakest item of his theatrical equipment--and, being a bit of an actor, he was preoccupied by questions of authenticity, as truly authentic people seldom are. But under the posturing agonies about authenticity there was something better than authentic: there was something genuine. He was genuinely poetic. Being that, he could apply two tests simultaneously to his own language: the test of expressiveness, and the test of truth to life. To put it another way, he couldn't not apply them.
Clive James (Cultural Amnesia: Necessary Memories from History and the Arts)
Cling to him? Nimmy, Jesus came to be sacrificed for our sins. We offer him, immolated, on the altar. And still, you want to cling to him?"... "To sacrifice Jesus is to give him up, of course." The monk started. "But I gave up everything for Jesus!" "Oh, did you! Except Jesus, perhaps, good simpleton?" "If I give up Jesus, I will have nothing at all!" 'Well, that might be perfect poverty, but for one thing: that nothing — you should get rid of that too, Nimmy."... "Nimmy, the only hard thing about following Christ is that you must throw away all values, even the value you place on following Christ. And to throw them away doesn't mean sell them, or sell them out. To be truly poor in spirit, discard your loves and your hates, your good and bad taste, your preferences. Your wish to be, or not be, a monk of Christ. Get rid of it. You can't even see the path, if you care where it goes. Free from values, you can see it plain as day. But if you have even one little wish, a wish to be sinless, or a wish to change your dirty clothes, the path vanishes. Did you ever think that maybe the cangue and chains you wear are your own precious values, Nimmy? Your vocation or lack of it? Good and evil? Ugliness and beauty? Pain and pleasure? These are values, and these are heavy weights. They make you stop and consider, and that's when you lose the way of the Lord."... "The Devil!" the monk said softly. If Specklebird heard it as an accusation, he ignored it. "Him? Throw him away, dump him in the slit trench with the excrement, throw quicklime on him." "Jesus!" "Him too, oh yes, into the trench with that fucker! If he makes you rich.
Walter M. Miller Jr. (Saint Leibowitz and the Wild Horse Woman)
As children, the siblings believed Saul could answer any question they wished to know. But Klara and Simon grew to dislike his answers. They disdained his routine of work and Torah study, his uniform of gabardine slacks and trench and walking hat. Now, Klara has more sympathy for him. Saul came from immigrants, and Klara suspects he lived in fear of losing the life he’d been given. She understands, too, the loneliness of parenting, which is the loneliness of memory—to know that she connects a future unknowable to her parents with a past unknowable to her child. Ruby will come to Klara with questions. What will Klara tell her, with frantic and unheard insistence? To Ruby, Klara’s past will seem like a story, Saul and Simon no more than her mother’s ghosts
Chloe Benjamin (The Immortalists)
The war which almost every soldier hated in 1918 has slowly become, for those who survived intact, the great adventure of their lives. They came back to the everyday life that had seemed a paradise to them when they lay in the trenches and cursed the war. Now it has become commonplace again, filled with cares and vexations, and at the same time the war has gradually risen on the horizon—far off, survived, and for that very reason, without their intention and almost without their cooperation, changed, transfigured, falsified. Mass murder has become an adventure from which they have escaped. The despair is forgotten, the misery glorified, and death, which did not strike them, has become what it is most of the time to the living—something abstract and no longer real. It only gains reality when it strikes close by or reaches out and seizes you.
Erich Maria Remarque (The Black Obelisk)
Sita closed her eyes and breathed into her cupped hands. Before she left, she had remembered to perfume her wrist with Muguet. The faint odor of that flower, so pure and close to the earth, was comforting. She had planted real lilies of the valley because she liked them so much as a perfume. Just last fall, before the hard freeze, when she was feeling back to normal, the pips had arrived in a little white box. Her order from a nursery company. She'd put on her deerskin gloves and, on her knees, using a hand trowel, dug a shallow trench along the border of her blue Dwarf iris. Then one by one she'd planted the pips. They looked like shelled acorns, only tinier. "To be planted points upward," said a leaflet in the directions. They came up early in the spring. The tiny spears of their leaves would be showing soon. Lying there, sleepless, she imaged their white venous roots, a mass of them fastening together, forming new shoots below the earth, unfurling their stiff leaves. She saw herself touching their tiny bells, waxed white, fluted, and breathing the ravishing fragrance they gave off because Louis had absently walked through her border again, dragging his shovel, crushing them with his big, careless feet. It seemed as though hours of imaginary gardening passed before Mrs. Waldvogel tiptoed in without turning on the light.
Louise Erdrich (The Beet Queen)
These memories of former times do not awaken desire so much as sorrow - a vast, inapprehensible melancholy. Once we had such desires - but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers' songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong - but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us--for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity. Perhaps it was only the privilege of our youth, but as yet we recognised no limits and saw nowhere an end. We had that thrill of expectation in the blood which united us with the course of our days. To-day we would pass through the scenes of our youth like travellers. We are burnt up by hard facts; like tradesmen we understand distinctions, and like butchers, necessities. We are no longer untroubled--we are indifferent. We might exist there; but should we really live there? We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial - I believe we are lost.
Erich Maria Remarque (All Quiet on the Western Front)
morning, someone had smashed them into chunks and dust. Boot Hill released its boys one by one. Jody was excited when she hosed down some artifacts from one of the trenches and came across her first remains. Professor Carmine told her that the little flute of bone in her hand most likely belonged to a raccoon or other small animal. The secret graveyard redeemed her. Jody found it while wandering the grounds in search of a cell signal. Her professor backed up her hunch, on account of the irregularities at the Boot Hill site: all those fractures and cratered skulls, the rib cages riddled with buckshot. If the remains from the
Colson Whitehead (The Underground Railroad)
Their stillness is the reason why these memories of former times do not awaken desire so much as sorrow—a vast, inapprehensible melancholy. Once we had such desires—but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers’ songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong—but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us—for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity.
Erich Maria Remarque (All Quiet on the Western Front)
After two weeks came the first letter from Alexander. Tatiasha, Can there be anything harder than this? Missing you is a physical aching that grips me early in the morning and does not leave me, not even as I draw my last waking breath. My solace in these waning empty summer days is the knowledge that you’re safe, and alive, and healthy, and that the worst that you have to go through is serfdom for four well-meaning old women. The wood piles I’ve left are the lightest in the front. The heaviest ones are for the winter. Use them last, and if you need help carrying them, God help me, ask Vova. Don’t hurt yourself. And don’t fill the water pails all the way to the top. They’re too heavy. Getting back was rough, and as soon as I came back, I was sent right out to the Neva, where for six days we planned our attack and then made a move in boats across the river and were completely crushed in two hours. We didn’t stand a chance. The Germans bombed the boats with the Vanyushas, their version of my rocket launcher, the boats all sank. We were left with a thousand fewer men and were no closer to crossing the river. We’re now looking at other places we can cross. I’m fine, except for the fact that it’s rained here for ten days straight and I’ve been hip deep in mud for all that time. There is nowhere to sleep, except in the mud. We put our trench coats down and hope it stops raining soon. All black and wet, I almost felt sorry for myself until I thought of you during the blockade. I’ve decided to do that from now on. Every time I think I have it so tough, I’m going to think of you burying your sister in Lake Ladoga. I wish you had been given a lighter cross than Leningrad to carry through your life. Things are going to be relatively quiet here for the next few weeks, until we regroup. Yesterday a bomb fell in the commandant’s bunker. The commandant wasn’t there at the time. Yet the anxiety doesn’t go away. When is it going to come again? I play cards and soccer. And I smoke. And I think of you. I sent you money. Go to Molotov at the end of August. Don’t forget to eat well, my warm bun, my midnight sun, and kiss your hand for me, right in the palm and then press it against your heart. Alexander Tatiana read Alexander’s letter a hundred times, memorizing every word. She slept with her face on the letter, which renewed her strength.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Cling to him? Nimmy, Jesus came to be sacrificed for our sins. We offer him, immolated, on the altar. And still, you want to cling to him?"..."To sacrifice Jesus is to give him up, of course." The monk started. "But I gave up everything for Jesus!" "Oh, did you! Except Jesus, perhaps, good simpleton?" "If I give up Jesus, I will have nothing at all!" 'Well, that might be perfect poverty, but for one thing: that nothing—you should get rid of that too, Nimmy."..."Nimmy, the only hard thing about following Christ is that you must throw away all values, even the value you place on following Christ. And to throw them away doesn't mean sell them, or sell them out. To be truly poor in spirit, discard your loves and your hates, your good and bad taste, your preferences. Your wish to be, or not be, a monk of Christ. Get rid of it. You can't even see the path, if you care where it goes. Free from values, you can see it plain as day. But if you have even one little wish, a wish to be sinless, or a wish to change your dirty clothes, the path vanishes. Did you ever think that maybe the cangue and chains you wear are your own precious values, Nimmy? Your vocation or lack of it? Good and evil? Ugliness and beauty? Pain and pleasure? These are values, and these are heavy weights. They make you stop and consider, and that's when you lose the way of the Lord."..."The Devil!" the monk said softly. If Specklebird heard it as an accusation, he ignored it. "Him? Throw him away, dump him in the slit trench with the excrement, throw quicklime on him." "Jesus!" "Him too, oh yes, into the trench with that fucker! If he makes you rich.
Walter M. Miller Jr.
To illustrate this claim, Benjamin relates a fable about a father who taught his sons the merits of hard work by fooling them into thinking that there was buried treasure in the vineyard by the house. The turning of soil in the vain search for gold results in the discovery of a real treasure: a wonderful crop of fruit. With the war came the severing of ‘the red thread of experience’ which had connected previous generations, as Benjamin puts it in ‘Sketched into Mobile Dust’. The ‘fragile human body’ that emerged from the trenches was mute, unable to narrate the ‘forcefield of destructive torrents and explosions’ that had engulfed it. Communicability was unsettled. It was as if the good and bountiful soil of the fable had become the sticky and destructive mud of the trenches, which would bear no fruit but only moulder as a graveyard. ‘Where do you hear words from the dying that last and that pass from one generation to the next like a precious ring?’ Benjamin asks.
Walter Benjamin (The Storyteller: Tales out of Loneliness)
is dynamic. “Experts” frequently differ on scientific questions and their opinions can vary in accordance with and demands of politics, power, and financial self-interest. Nearly every lawsuit I have ever litigated pitted highly credentialed experts from opposite sides against each other, with all of them swearing under oath to diametrically antithetical positions based on the same set of facts. Telling people to “trust the experts” is either naive or manipulative—or both. All of Dr. Fauci’s intrusive mandates and his deceptive use of data tended to stoke fear and amplify public desperation for the anticipated arrival of vaccines that would transfer billions of dollars from taxpayers to pharmaceutical executives and shareholders. Some of America’s most accomplished scientists, and the physicians leading the battle against COVID in the trenches, came to believe that Anthony Fauci’s do-or-die obsession with novel mRNA vaccines—and Gilead’s expensive patented antiviral, remdesivir—prompted him to ignore or even suppress effective early treatments, causing hundreds of thousands of unnecessary deaths while also prolonging the pandemic
Robert F. Kennedy Jr. (The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health)
To the infra-human specimens of this benighted scientific age the ritual and worship connected with the art of healing as practiced at Epidaurus seems like sheer buncombe. In our world the blind lead the blind and the sick go to the sick to be cured. We are making constant progress, but it is a progress which leads to the operating table, to the poor house, to the insane asylum, to the trenches. We have no healers – we have only butchers whose knowledge of anatomy entitles them to a diploma, which in turn entitles them to carve out or amputate our illnesses so that we may carry on in cripple fashion until such time as we are fit for the slaughterhouse. We announce the discovery of this cure and that but make no mention of the new diseases which we have created en route. The medical cult operates very much like the war office – the triumphs which they broadcast are sops thrown out to conceal death and disaster. The medicos, like the military authorities, are helpless; they are waging a hopeless fight from the start. What man wants is peace in order that he may live. Defeating our neighbor doesn’t give peace any more than curing cancer brings health. Man doesn’t begin to live through triumphing over his enemy nor does he begin to acquire health through endless cures. The joy of life comes through peace, which is not static but dynamic. No man can really say that he knows what joy is until he has experienced peace. And without joy there is no life, even if you have a dozen cars, six butlers, a castle, a private chapel and a bomb-proof vault. Our diseases are our attachments, be they habits, ideologies, ideals, principles, possessions, phobias, gods, cults, religions, what you please. Good wages can be a disease just as much as bad wages. Leisure can be just as great a disease as work. Whatever we cling to, even if it be hope or faith, can be the disease which carries us off. Surrender is absolute: if you cling to even the tiniest crumb you nourish the germ which will devour you. As for clinging to God, God long ago abandoned us in order that we might realize the joy of attaining godhood through our own efforts. All this whimpering that is going on in the dark, this insistent, piteous plea for peace which will grow bigger as the pain and the misery increase, where is it to be found? Peace, do people imagine that it is something to cornered, like corn or wheat? Is it something which can be pounded upon and devoured, as with wolves fighting over a carcass? I hear people talking about peace and their faces are clouded with anger or with hatred or with scorn and disdain, with pride and arrogance. There are people who want to fight to bring about peace- the most deluded souls of all. There will be no peace until murder is eliminated from the heart and mind. Murder is the apex of the broad pyramid whose base is the self. That which stands will have to fall. Everything which man has fought for will have to be relinquished before he can begin to live as man. Up till now he has been a sick beast and even his divinity stinks. He is master of many worlds and in his own he is a slave. What rules the world is the heart, not the brain, in every realm our conquests bring only death. We have turned our backs on the one realm wherein freedom lies. At Epidaurus, in the stillness, in the great peace that came over me, I heard the heart of the world beat. I know what the cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world.
Henry Miller
Bob came back just in time to see us getting ready to leave. “O-oh, h-hey, I’m back from the restroom. D-did you find a volunteer already? Oh, okay, darn, I-I’m too late...Good luck out there…” said Bob nervously. “Oh, Bob…” I replied. Cindy and I exited the mayor’s house and headed towards the nearby trench. From there we dug tunnels towards the giant cube. “Hey, Cindy!” I yelled through the dirt wall tunnel. “Yeah?” she answered. “If you need anything just yell, ‘kay? I’m only a few feet away.” She laughed. “Oh, you’re worried about me, Steve?” “Of course! I care about you.” “Y-you do…?” I blushed. “A-ahem…I meant I care about your well-being.” “A-ah…right,” she said shyly. We proceeded to dig and placed the items until nearly sunrise with no incident. Then suddenly I heard a sharp scream coming through the dirt. AHHHHH!!!! I smashed through the dirt wall to find Cindy cornered by a brain-hungry zombie. “No worries, Cindy! I got you.” I pulled out my stone sword and drove it into the zombie. Raggggghhhhhh! I whacked it a few more times until it dropped some rotten flesh. “Whew! Thanks for saving me, Steve. I’ve never seen a zombie so up close before. They are actually quite stinky.” I laughed. “No problem. I’m here for you, Cindy.” She smiled. “The sun will be up soon, we should probably head back,” I said. She nodded. I stayed in her tunnel and led the way back. On the way back, we encountered a baby zombie. That thing was lightning quick. The tunnel was narrow, so I couldn’t really maneuver anywhere. No circle strafing technique for me. Suddenly, I heard Cindy scream from behind me. I turned around to see another zombie behind her. It must have fallen through the holes we made topside. Oh, no! We’re trapped with nowhere to go! This isn’t good, I thought to myself.
Steve the Noob (Diary of Steve the Noob 4 (An Unofficial Minecraft Book))
The bazaar bore him along. That deep surge which knows none of the ebb and flow, the hurry, of a crowd along a European pavement, which rolls on with an irresistible, even motion as time flows on into eternity. He might not have been in this God-forsaken provincial hole, Antakiya, but transported to Aleppo or Damascus, so inexhaustibly did the two opposing streams of the bazaar surge past each other. Turks in European dress, wearing the fez, with stand-up collars and walking-sticks, officials or merchants. Armenians, Greeks, Syrians, these too in European dress, but with different headgear. In and out among them, Kurds and Circassians in their tribal garb. Most displayed weapons. For the government, which in the case of Christian peoples viewed every pocketknife with mistrust, tolerated the latest infantry rifles in the hands of these restless mountaineers; it even supplied them. Arab peasants, in from the neighborhood. Also a few bedouins from the south, in long, many-folded cloaks, desert-hued, in picturesque tarbushes, the silken fringes of which hung over their shoulders. Women in charshaffes, the modest attire of female Moslems. But then, too, the unveiled, the emancipated, in frocks that left free silk-stockinged legs. Here and there, in this stream of human beings, a donkey, under a heavy load, the hopeless proletarian among beasts. To Gabriel it seemed always the same donkey which came stumbling past him in a coma, with the same ragged fellow tugging his bridle. But this whole world, men, women, Turks, Arabs, Armenians, Kurds, with trench-brown soldiers in its midst -- its goats, its donkeys -- was smelted together into an indescribable unity by its gait -- a long stride, slow and undulating, moving onwards irresistibly, to a goal not to be determined.
Franz Werfel (The Forty Days of Musa Dagh)
While I was in the partisan unit, I received a letter from my husband by some miracle. This was such a joy, so unexpected, because for two years I had heard nothing from him. And then a plane dropped some food, ammunition…And the mail…And in the mail, in this canvas bag, there was a letter—for me. Then I wrote a letter to the Central Committee. I wrote that I would do anything so long as my husband and I were together. We waited for the plane, it was nighttime and pitch-dark. And some sort of plane was circling over us, and then it dumped bombs on us. It was a Messerschmitt. The German had spotted our camp and circled back again. And at the same time our plane, a U-2, arrived and landed just by the fir tree where I was standing. The pilot barely landed and immediately began to take off again, because he saw that the German was circling back and would start shooting again. I took hold of the wing and shouted, “I must go to Moscow, I have permission.” He even swore: “Get in!” And we flew together, just the two of us. I figured out from the postal code where my husband was fighting... They said, “You know, it’s very dangerous where your husband is…” I sat there and wept, so he took pity on me and gave me the pass. “Go out to the highway,” he said. “There’ll be a traffic controller, he’ll tell you how to go.” I arrive at the unit, everybody’s surprised, “Who are you?” they ask. I couldn’t say I was a wife. I tell them—his sister. “Wait,” they tell me, “it’s a four-mile walk to the trenches.” They told him that his sister had arrived. What sister? They say, “The redhead.” His sister had black hair. So he figured out at once what sister. I don’t know how he managed to crawl out of there, but he came soon, and he and I met. What joy… Suddenly I see the superiors coming to the dugout: the major, the colonel. Everybody shakes my hand. Then we sat down and drank, and each of them said something about a wife finding her husband in the trenches. That’s a real wife! The next day my husband was wounded, badly wounded. We ran together, we waded together through some swamp, we crawled together. The machine guns kept rattling, and we kept crawling, and he got wounded in the hip. With an exploding bullet, and try bandaging that—it was in the buttock. It was all torn open, and mud and dirt all over. We were encircled and tried to break out. There was nowhere to take the wounded, and there were no medications. When we did break through, I took my husband to the hospital. I buried him on January 1, and thirty-eight days later I gave birth to a son.
Svetlana Alexievich (War's Unwomanly Face)
Jonas rubbed his eyes. “Okay, Masao, for some reason it seems the story’s being leaked anyway. First off, Danielson wasn’t my C.O., he was assigned to Guam when our mission began, then ended up overseeing the dives as they were in his waters. I had trained for the mission for several years along with three other pilots, two of which eventually dropped out. “The sub was called the Sea Cliff; the navy having refitted her to handle the Challenger Deep. Three teams of scientists were flown out to supervise the mission. I was briefed with some bullshit story about measuring deep-sea currents in the trench in order to determine if plutonium rods from nuclear power plants could be safely buried within the subduction zone. Funny thing—when we descended on that first dive the eggheads were suddenly no longer interested in currents, what they came for were rocks.” “Rocks?” “Manganese nodules. Don’t ask me why they wanted them, I haven’t a clue. My orders were to pilot the sub down to the hydrothermal plume and remain there while the geologists operated a remotely-controlled drone designed with a vacuum.” Jonas closed his eyes. “The first dive went okay; the second was three days later and by the time I had surfaced again I was seeing double.
Steve Alten (Meg (Meg, #1))
Only certain portions of the line had to undergo carnage in the French style, but knowledge of it was all-pervasive. Everything the 19th River Guard knew came from quiet meetings in the communications trenches, conversations with sleepless, bitter infantrymen who had been transferred up from the fiercer fighting in the south. If some of the River Guard were on the edge, many of the regular infantry had gone over it long before. Especially disturbing to the naval contingent were reports from down below that Italian troops now were shot quite casually for disciplinary reasons, and that the Italian generals, like their French counterparts, were executing men in decimations for crimes they had not committed. Men with families were pulled from the ranks along with equally mystified adolescents and put to death for acts attributed to others whom they had never seen.
Mark Helprin (A Soldier of the Great War)
The last time I had a similar opportunity for mass infection of the human race, it took a war to really spread myself around. All of the trenches, the enclosed spaces, the poor nutrition and cold weather were a boon to me. I couldn’t have scripted anything better. Plus, all the troop movements back and forth from their own countries to the war zones made hitching a ride all that much easier. Still, it took me months to spread to every part of the globe. They called me the Spanish Flu, but that wasn’t where I came from and wasn’t where I ended. Now they call it the killer flu of 1918, but that still is not very close to who or what I am. Killer
Theresa MacPhail (The Eye of the Virus)
Then, impossibly, another figure ran toward her. The sideburns and stiff-collared jacket looked ridiculous out of the context of Pembrook Park, though he’d stuck on a baseball cap and trench coat, trying to blend. His face was flushed from running, and when he saw Jane, he sighed with relief. Jane dropped her jaw. Literally. She had never, even in her most ridiculous daydreaming, imagined that Mr. Nobley would come after her. She took a step back, hit something slick with her boot heel, and tottered almost to the ground. Mr. Nobley caught her and set her back up on her feet. Is this why women wear heels? thought Jane. We hobble ourselves so we can still be rescued by men? She annoyed herself by having enjoyed it. Briefly. “You haven’t left yet,” Nobley said. He seemed reluctant to let go of her, but he did and took a few steps back. “I’ve been panicked that…” He saw Martin. “What are you doing here?” The brunette was watching with hungry intensity, though she kept tapping at a keyboard as though actually very busy at work. “Jane and I got close these past weeks and--” Martin began. “Got close. That’s a load of duff. It’s one thing when you’re toying with the dowagers who guess what you are, but Jane should be off limits.” He took her arm. “You can’t believe a word he says. I’m sorry I couldn’t tell you earlier, but you must know now that he’s an actor.” “I know,” Jane said. Nobley blinked. “Oh.” “So, what are you doing here?” She couldn’t help it if her tone sounded a little tired. This was becoming farcical. “I came to tell you that I--” he rushed to speak, then composed himself, looked around, and stepped closer to her so he did not need to raise his voice to be heard. The brunette leaned forward just a tad. “I apologize for having to tell you here, in this busy, dirty…this is not the scene I would set, but you must know that I…” He took off his cap and rubbed his hair ragged. “I’ve been working at Pembrook Park for nearly four years. All the women I see, week after week, they’re the same. Nearly from the first, that morning when we were alone in the park, I guessed that you might be different. You were sincere.” He reached for her hand. He seemed to gain confidence, his lips started to smile, and he looked at her as though he never wished to look away.
Shannon Hale (Austenland (Austenland, #1))
more never came home from the other trenches,’ said
Maureen Reynolds (The Sunday Girls)
In Europe, demands for expanded popular participation came on the heels of war; the rise of the British Labour Party in the 1920s, for example, was in some ways a consequence of the sufferings of the working class in the trenches of World War I. In Latin America, by contrast, elites usually pulled back from interstate conflicts precisely to avoid having to turn to the masses for help.
Francis Fukuyama (Political Order and Political Decay: From the Industrial Revolution to the Globalization of Democracy)
Judge Appleton White criticized the New England elite for not helping these new immigrants. He thought we should be educating them. These immigrants, like any new wave of immigrants, I believe, represent the values of hard work and self-reliance that founded this country. From White’s memoir, I made the connection in my lecture to the scapegoating that Latin American immigrants face today. This is an old, cyclical story in which people make it here and then they decide to close the doors behind them. The story is repeated whether you’re English, Irish, Jewish, or Latin American immigrants. But these new immigrants, whoever they are, should remind those already here, what it took to make it in America, what desire burned in these immigrants to never give up, and what kind of hope these newcomers had, despite the dangers. These are the best American values. I wanted to write about the new pilgrims of this country — nobody’s children. These people—like Turi, Molly, and Arnulfo—who represent the best values of this country. The values of trying to make it on your own. The values of fighting for your place. The values of helping each other. These are the basic values that started this country and served as its foundation. But too often we have forgotten them, and where these values came from. And this working to become American, to find your place, instead of assuming your privileged place, this is Aristotle through and through. For Aristotle, you need to work and to act to find meaning in the idea of the good. An American who is growing fat and happy in Dallas, or anywhere else, will not have that practical, in-the-trenches Aristotelian understanding of what it takes to belong after a long struggle, like a new immigrant.
Sergio Troncoso (Nobody's Pilgrims)
In Belgian Flanders, the scene of savage fighting since October, the year 1914 ended with a remarkable display of fellowship and goodwill. On Christmas morning near the ruins of Ypres, German troops in their trenches opposite the British began to sing carols and display bits of holiday evergreen. The British soldiers replied by singing in return. Gradually, unarmed soldiers from either side began to show themselves atop their trenches, and cautiously, one by one, then in groups, soldiers from both sides walked out into no man’s land and exchanged gifts of food and cigarettes. “I think I have seen one of the most extraordinary sights today that anyone has ever seen,” Second Lieutenant Dougan Chater wrote to his mother from his trench on the Western Front. “About 10 o’clock this morning I was peeping over the parapet when I saw a German, waving his arms, and presently two of them got out of their trenches and some came towards ours. We were just going to fire on them when we saw they had no rifles so one of our men went out to meet them and in about two minutes the ground between the two lines of trenches was swarming with men and officers of both sides, shaking hands and wishing each other a happy Christmas.” Christmas 1914 brought a temporary lull in the fighting on the Western Front. This German snowman is equipped with a spiked helmet and a Mauser 98 rifle. For the rest of the day, not a shot was fired, and similar scenes were repeated in a number of places along the front. The British commander, Sir John French, was not pleased. “I issued immediate orders to prevent any recurrence of such conduct,” he wrote, “and called the local commanders to strict account.” A general order was issued, directing that “such unwarlike activity must cease.” It did not happen again.
Russell Freedman (The War to End All Wars: World War I)
I had made my own calculations as the years had passed since boyhood, understanding the grim expectations of my sex. It was equally a relief and a surprise to have found myself spared by the giant tread of fate’s jackboot as it had marched towering above me, the monstrous, insensible colossus, leaving those born in my inglorious decade cowering in its path, relieved though somewhat ashamed on a bubble of untrammelled dirt. While all around us men slightly older, and mere months younger, were squashed face first, bones snapped, into the puddled trenches of its staggering tracks. Then, what an extraordinary gift from God, to see little Robert and those of his age spared too, supposing this war ended quickly and the next came late enough.
A.J. West (The Spirit Engineer)
Bryce heard their whispering anyway. Athalar’s in one of the holding cells under the Comitium, Fury said. Micah didn’t execute him? No. Justinian and Viktoria … He crucified the angel, and did some fucked-up shit to the wraith. They’re dead? Worse. Justinian’s still bleeding out in the Comitium lobby. They gave him some shit to slow his healing. He’ll be dead soon enough if he’s lucky. What about the wraith? Micah ripped her from her body and shoved her essence into a glass box. Put it at the base of Justinian’s crucifix. Rumor says he’s going to dump the box—Viktoria—into the Melinoë Trench and let her fall right to the bottom of the sea to go insane from the isolation and darkness. Fucking Hel. You can’t do anything? They’re traitors to the Republic. They were caught conspiring against it. So, no. But Athalar’s not crucified beside Justinian? I think Micah came up with a different punishment for him. Something worse. What could be worse than what the other two are enduring? A long, horrible pause. A lot of things, Ruhn Danaan. Bryce let the words wash over her. She sat on the couch and stared at the dark screen of the television. And stared into the black pit inside herself.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Bryce swallowed the dryness in her mouth. “I came back here to help everyone, not to abandon them to the mercy of the Asteri.” “Perhaps Urd sent you to that other world to establish a safe harbor. Have you considered that?” Bryce exploded, “What was all this for, then? The stealth, the ships, the Ophion contacts? What the fuck was it for if you just want to run away from the Asteri in the end?” Eyes blacker than the Melinoë Trench pinned her to the spot. “Do not dare question my dedication, girl. I have fought and sacrificed for this world when no one else would. Once, my kingdom was vaster than you can imagine—but the Asteri came, and entire islands withered into the sea in despair, taking the very heart of this world with it. The very heart of the mer, too. If there is anyone who understands how futile it is to stand against the Asteri, it is I.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
A month had passed since Roz left the island. According to her calculations, she had traveled hundreds of miles, but she still had hundreds more to go. The tireless robot continued north, on and on, toward the waters where the Ancient Shark roamed. If you travel far enough north, you’ll reach an area where the sun never sets in summer. And Roz had traveled far enough north. Up at the surface, there was constant daylight, all day, every day, until autumn. However, our robot was at a depth below the reach of the sun. And yet there were occasional glimmers. Certain deep-sea fish had glowing fins, while others had glowing teeth, and still others had spindly glowing lures that dangled from their heads. Jellyfish came in every shape imaginable, and many of them gave off a ghostly light. Most gleaming creatures kept their distance. Roz would see a flicker, and as her headlights swept toward it, the creature vanished into the murky haze. She was marching down a long slope that descended to the deepest trenches of the ocean when she felt her Survival Instincts tingling. The weight of all the water above was becoming too great. If she went much deeper, she’d be crushed from the pressure. So Roz stopped marching downhill and started swimming at a safer depth, and the ocean floor quickly faded from view. The robot’s limbs paddled automatically, which left her mind free to wander. Specks of debris floated all around, like a gentle snowfall, and suddenly she was recalling the snowfalls she’d experienced on land. She thought
Peter Brown (The Wild Robot Protects (The Wild Robot 3))
At 3 pm the Battalion shoved off 700 strong. The furthest any got was 500 yards and none came back from there. They all got mown down by machine gun fire. We lost nine officers and nearly 400 men. The Turks shelled us very heavily and the whole country, which is covered with gorse, caught fire. This split up the attack and parties got cut up. Many of our wounded were burnt alive and it was as nasty a sight as I ever want to see. Our Headquarters was very heavily shelled and then the fire surrounded the place and we all thought we were going to be burnt alive. Where the telephone was, the heat was appalling. The roar of the flames drowned the noise of the shrapnel, and we had to lie flat at the bottom of the trench while the flames swept over the top. Luckily both sides didn’t catch simultaneously, or I don’t know what would have happened. After the gorse was all burnt, the smoke nearly asphyxiated us! All this time our battalion was being cut up in the open and it really was very unpleasant trying to send down calm messages to the brigade headquarters, while you were lying at the bottom of the trench like an oven, expecting to be burnt every minute, and knowing your battalion was getting hell a hundred yards away. The telephone wires finally fused from the heat.13
Peter Hart (The Great War: A Combat History of the First World War)
Ralph Guggenheim: John, Pete Docter, Andrew Stanton, and Joe Ranft holed up in a room for a week or two and just rewrote the script. Joss Whedon came in again, too. Joss Whedon: We sort of went back in the trenches and made sure we had everything we needed and nothing we didn’t. Ralph Guggenheim: And they rewrote the script top to bottom. The script got approved. We resumed production. It could have been a total disaster. John Lasseter: From that point on, we trusted our instincts to make the movie we wanted to make. And that is when I started really giving our own people creative ownership over things, because I trusted their judgment more than the people at Disney.
Adam Fisher (Valley of Genius: The Uncensored History of Silicon Valley (As Told by the Hackers, Founders, and Freaks Who Made It Boom))
After Gavin got captured, his army lost its motivation to fight. They simply withdrew to where they came from. Our forces cheered and celebrated. The wall and trench held up, the guards and archers performed admirably, and the ground assault force completed its task. It was wins all around for us. There were some injuries, but nothing too serious.
Steve the Noob (Diary of Steve the Noob 21 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Late in this quiet meal Ann looked around curiously at her companions, suddenly awed by the spectacle of human adaptability. Here they were eating their dinner, talking over the low boom from the north, in a perfect illusion of dining-room conviviality; it might have been anywhere anytime, and their tired faces bright with some collective success, or merely with the pleasure of eating together—while just outside their chamber the broken world roared, and rockfall could annihilate them at any instant. And it came to her that the pleasure and stability of dining rooms had always occurred against such a backdrop, against the catastrophic background of universal chaos; such moments of calm were things as fragile and transitory as soap bubbles, destined to burst almost as soon as they blew into existence. Groups of friends, rooms, streets, years, none of them would last. The illusion of stability was created by a concerted effort to ignore the chaos they were imbedded in. And so they ate, and talked, and enjoyed each other’s company; this was the way it had been in the caves, on the savannah, in the tenements and the trenches and the cities huddling under bombardment.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))