“
He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. "She's my alpha," he murmured, with a haunting sadness in his voice.
Alpha.
Cress leaned forward, propping her elbows on her knees, "Like the star?"
"What star?"
She stiffened, instantly embarrassed, and scooted back from him again. "Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she's...like...your brightest star." Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was.
But instead of sneering or laughing, Wolf sighed, "Yes," he said, his gaze climbing up to the full moon that had emerged in the blue evening sky. "Exactly like that.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
I would love to slap you right now, but I’m currently wielding a nine pound ball and I’m afraid that would be called murder.
”
”
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
“
She wins who calls herself beautiful and challenges the world to change to truly see her.
”
”
Naomi Wolf (The Beauty Myth)
“
There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive.
This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad in a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight.
”
”
Jack London (The Call of the Wild)
“
Come! Come sit by me. It’s a nice bench. Nice and lovely on the butt.”
“You’re drunk.”
“Yeah, and you’re ugly, but do I complain about it? No! Because I don’t complain about things that I can’t change. That’s called intelligence.
”
”
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
“
Men are visually aroused by women's bodies and less sensitive to their arousal by women's personalities because they are trained early into that response, while women are less visually aroused and more emotionally aroused because that is their training. This asymmetry in sexual education maintains men's power in the myth: They look at women's bodies, evaluate, move on; their own bodies are not looked at, evaluated, and taken or passed over. But there is no "rock called gender" responsible for that; it can change so that real mutuality--an equal gaze, equal vulnerability, equal desire--brings heterosexual men and women together.
”
”
Naomi Wolf (The Beauty Myth)
“
She was a wolf who had never learned how to be a wolf, thanks to that cage humans called propriety and society. And like any maltreated animal, she bit anyone who came near.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Who am I? the monster repeated, still roaring. I am the spine that the mountains hang upon! I am the tears that the rivers cry! I am the lungs that breathe the wind! I am the wolf that kills the stag, the hawk that kills the mouse, the spider that kills the fly! I am the stag, the mouse and the fly that are eaten! I am the snake of the world devouring its tail! I am everything untamed and untameable! It brought Conor up close to its eye. I am thils wild earth, come for you, Conor O'Malley.
"You look like a tree," Conor said.
”
”
Patrick Ness (A Monster Calls)
“
It called to him, a sweet heady beacon of femininity, fertility, and fuckability. His three favorite f-words.
”
”
Christine Warren (Wolf at the Door (The Others, #9))
“
She sighed, annoyed at her restlessness. “So,” she said, disrupting Wolf in another backward glance.
“Who would win in a fight—you or a pack of wolves?”
He frowned at her, all seriousness. “Depends,” he said, slowly, like he was trying to figure out her motive for asking. “How big is the pack?”
“I don’t know, what’s normal? Six?”
“I could win against six,” he said. “Any more than that and it could be a close call.”
Scarlet smirked. “You’re not in danger of low self-esteem, at least.”
“What do you mean?”
“Nothing at all.” She kicked a stone from their path. “How about you and … a lion?”
“A cat? Don’t insult me.”
She laughed, the sound sharp and surprising. “How about a bear?”
“Why, do you see one out there?”
“Not yet, but I want to be prepared in case I have to rescue you.”
The smile she’d been waiting for warmed his face, a glint of white teeth flashing. “I’m not sure. I’ve never had to fight a bear before.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Favorite Quotations.
I speak my mind because it hurts to bite my tongue.
The worth of a book is measured by what you carry away from it.
It's not over till it's over.
Imagination is everything.
All life is an experiment.
What the caterpillar calls the end of the world, the master calls the butterfly.
”
”
Pat Frayne (Tales of Topaz the Conjure Cat: Part I Topaz and the Evil Wizard & Part II Topaz and the Plum-Gista Stone)
“
Child, child, have patience and belief, for life is many days, and each present hour will pass away. Son, son, you have been mad and drunken, furious and wild, filled with hatred and despair, and all the dark confusions of the soul - but so have we. You found the earth too great for your one life, you found your brain and sinew smaller than the hunger and desire that fed on them - but it has been this way with all men. You have stumbled on in darkness, you have been pulled in opposite directions, you have faltered, you have missed the way, but, child, this is the chronicle of the earth. And now, because you have known madness and despair, and because you will grow desperate again before you come to evening, we who have stormed the ramparts of the furious earth and been hurled back, we who have been maddened by the unknowable and bitter mystery of love, we who have hungered after fame and savored all of life, the tumult, pain, and frenzy, and now sit quietly by our windows watching all that henceforth never more shall touch us - we call upon you to take heart, for we can swear to you that these things pass.
”
”
Thomas Wolfe (You Can't Go Home Again (Perennial Library))
“
What’s your name, anyway?”
That awkward shrug again. “They call me Wolf at the fights.”
“ Wolf? ” How … predatory.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
”
”
Pat Conroy (My Losing Season: A Memoir)
“
She got to me."
"It happens to the best of us."
"Yeah? Who gets to you?" He was so strong that sometimes she worried. Everyone needed to bend a little, even a panther responsible for the lives of his entire pack.
"That damn wolf. He sent you a present last week."
Sascha smiled at the thought of Hawke's flirting. The SnowDancer alpha did it only to jerk Lucas's chain. "I never saw any present. What was it?"
"How the hell should I know? I stomped on it and threw it into the deepest crevice I could find." He smirked. "Then I called him to ask how Sienna was doing."
She burst out laughing. "Wicked, wicked man.
”
”
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
“
I am not a slow learner
I am a quick forgetter
such erasing makes one voracious
if you teach me something beautiful
I will name it quickly before it floats away
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
Sherman made the terrible discovery that men make about their fathers sooner or later... that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best he could, out of a sense of duty and, perhaps love, adopted a role called Being a Father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life.
”
”
Tom Wolfe (The Bonfire of the Vanities)
“
call me
bitch.
call me
villain.
call me
she-wolf.
call me
bad omen.
call me
your worst nightmare
wearing a
red-lipped smile.
-even better, call me by my name.
”
”
Amanda Lovelace (The Witch Doesn't Burn in This One (Women Are Some Kind of Magic, #2))
“
My name’s Oliver. Though if you want to call me Pretty Eyes Park again, I promise I’ll still come running.
”
”
Charlie Adhara (The Wolf at the Door (Big Bad Wolf, #1))
“
I love a friendly chat and a friendly glass of wine during the evening - the time they call, for some accountable reason, 'between dog and wolf'.
”
”
Alexander Pushkin (Eugene Onegin)
“
Let's say I will rip your life apart. Me and my banker friends."
How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
Don’t call me wolf when you’re pissed, wolf.
”
”
Kristen Ashley (With Everything I Am (The Three, #2))
“
Say what you will to the force that governs the universe. Perhaps we'll call it into being, and it will yet love us as we love it.
”
”
Anne Rice (The Wolf Gift (The Wolf Gift Chronicles, #1))
“
And so the Wolf of the West rose from the stone! And so he will rise again if ever the folk of the Six Duchies call to him in need.
”
”
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
“
There was once a man, Harry, called the steppenwolf. He went on two legs, wore clothes and was a human being, but nevertheless he was in reality a wolf of the steppes. He had learned a good deal of all that people of a good intelligence can, and was a fairly clever fellow. What he had not learned, however, was this: to find contentment in himself and his own life.
”
”
Hermann Hesse (Steppenwolf)
“
I'm sorry. I'm sorry. This may be me at my best
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
He called to her primal side; the ancient aspect of her animal self that wanted to submit. It wanted to submit to him; to sacrifice all of who she was at the altar of his maleness and lay herself bare for his taking.
”
”
Dianna Hardy (Releasing The Wolf (Eye Of The Storm, #1))
“
I'll have you know I do the swearing on this ship. If I need your assitance I'll call you." Capt. Wolf Larsen
”
”
Jack London (The Sea Wolf)
“
Honey, ... When a wolf watches a lamb, he's not thinking about the lamb's mommy.
”
”
Patricia Briggs
“
I lack nothing I need unless you count everything I want
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
Newsflash; not everything that
drops from your gorgeous dumb mouth is
the truth.” There’s a pause. “Ah, shit. I just called you gorgeous. Now I have to commit seppuku.”
“Don’t you dare,” I mumble into her neck.
”
”
Sara Wolf (Brutal Precious (Lovely Vicious, #3))
“
It's called the Infinity Effect.
”
”
Edward M. Wolfe (In the End)
“
My lord, what do you call a whore when she is a knight’s daughter?” “Ah,” the cardinal says, entering into the problem. “To her face, ‘my lady.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
my body follows me around asking
for things. I try to think louder, try
to be brilliant, wildly brilliant.
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
Is it all right if I call you Jenna?” he asked.
“If I can call you Wolf,” she said.
He scowled, gritting his teeth. “Could you please call me Adam?”
“All right,” she said. “I will try and think of you as a wolf called Adam.
”
”
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
“
You don’t have to call me that, you know,” she said, brushing her hair back from her shoulders. “There was a time when you called me Winter.”
He leaned his elbows on the enclosure wall. “There was also a time when I could come visit you without feeling like I was supposed to toss bread crumbs to earn your favor.”
“Bread crumbs? Do I look like a goose?”
He tilted his head to the side. “You don’t look like an arctic wolf, either, but that’s what the plaque tells me I’m looking at.”
Winter leaned back on her hands. “I will not play fetch,” she said, “but I might howl if you ask nicely.”
He grinned. “I’ve heard your howl. It’s not very wolf-like, either.”
“I’ve been practicing.”
“You won’t bite me if I come in there, will you?”
“I make no guarantees.”
Jacin hopped over the rail and came to sit beside her. She raised an eyebrow. “You don’t look like an arctic wolf, either.”
“I also don’t howl.” He considered. “Though I might play fetch, depending on the prize.”
“The prize is another game of fetch.”
“You drive a hard bargain.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
God, what is it like to be You and hear all those people all the time everywhere, begging, imploring, calling out for anything and anyone?
”
”
Anne Rice (The Wolf Gift (The Wolf Gift Chronicles, #1))
“
As for my family, my father was Danel; he died as a mercenary in the southern wars," Han went on. "My mother's name was Sarah, called Sali, and my sister was Mari. They died last summer. But then, you already knew that. Every time you forget, I'll remind you. That's the blood sacrifice I made to be here, and that's enough.
”
”
Cinda Williams Chima (The Gray Wolf Throne (Seven Realms, #3))
“
when you fall asleep in that sort of love you wake up with bruises on your neck
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
Her dark eyes sparkled in the sunlight as she stared up at me. "You are a moon child. She calls to you.
”
”
Lisa Kessler (Harvest Moon (Moon, #4))
“
Some say the Tudors transcend this history, bloody and demonic as it is: that they descend from Brutus through the line of Constantine, son of St Helena, who was a Briton. Arthur, High King of Britain, was Constantine's grandson. He married up to three women, all called Guinevere, and his tomb is at Glastonbury, but you must understand that he is not really dead, only waiting his time to come again.
His blessed descendant, Prince Arthur of England, was born in the year 1486, eldest son of Henry, the first Tudor king. This Arthur married Katharine the princess of Aragon, died at fifteen and was buried in Worcester Cathedral. If he were alive now, he would be King of England. His younger brother Henry would likely be Archbishop of Canterbury, and would not (at least, we devoutly hope not) be in pursuit of a woman of whom the cardinal hears nothing good: a woman to whom, several years before the dukes walk in to despoil him, he will need to turn his attention; whose history, before ruin seizes him, he will need to comprehend.
Beneath every history, another history.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
In video games you sometimes run into what they call a side quest, and if you don't manage to figure it out you can usually just go back into the normal world of the game and continue on toward your objective. I felt like I couldn't find my way back to the world now: like I was somebody locked in a meaningless side quest, in a stuck screen.
”
”
John Darnielle (Wolf in White Van)
“
I feel most like a person when I am forcing something to be silent,
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
I'm becoming more a vessel of memories than a person it's a myth /
that love lives in the heart it lives in the throat we push it out /
when we speak when we gasp we take a little for ourselves /
in books love can be war-ending a soldier drops his sword /
to lie forking oysters into his enemy's mouth in life we hold love up to the light /
to marvel at its impotence
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
You could see the signs of female aging as diseased, especially if you had a vested interest in making women too see them your way. Or you could see that a woman is healthy if she lives to grow old; as she thrives, she reacts and speaks and shows emotion, and grows into her face. Lines trace her thought and radiate from the corners of her eyes as she smiles. You could call the lines a network of 'serious lesions' or you could see that in a precise calligraphy, thought has etched marks of concentration between her brows, and drawn across her forehead the horizontal creases of surprise, delight, compassion and good talk. A lifetime of kissing, of speaking and weeping, shows expressively around a mouth scored like a leaf in motion. The skin loosens on her face and throat, giving her features a setting of sensual dignity; her features grow stronger as she does. She has looked around in her life and it shows. When gray and white reflect in her hair, you could call it a dirty secret or you could call it silver or moonlight. Her body fills into itself, taking on gravity like a bather breasting water, growing generous with the rest of her. The darkening under her eyes, the weight of her lids, their minute cross-hatching, reveal that what she has been part of has left in her its complexity and richness. She is darker, stronger, looser, tougher, sexier. The maturing of a woman who has continued to grow is a beautiful thing to behold.
”
”
Naomi Wolf (The Beauty Myth)
“
Hand me a picnic basket and call me Red Riding Hood. After all I was about to go meet the big bad wolf.
-Sophie
”
”
Micalea Smeltzer (Outsider (Outsider, #1))
“
All I want is to finally take off my cowboy hat and show you my jeweled horns. If we slow dance I will ask you not to tug on them but secretly I will want that very much.
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
Red?" I asked.
"I've decided I'm going to call you Red from now on."
"All right, I'll bite - no pun intended. Why?"
He snickered in a very masculine way and lowered his voice. "'Cause I like the idea of the big bad wolf visiting you and Grandma.
”
”
Linda Robertson (Vicious Circle)
“
A person with a melancholy temperament had been fated with both an awful burden and what Byron called “a fearful gift.” The burden was a sadness and despair that could tip into a state of disease. But the gift was a capacity for depth, wisdom—even genius.
”
”
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
“
He was watching me, and he chuckled.
"Do you know how a man tames a wolf?" he asked me.
"No," I said.
"You get some clothing that you've been wearing for a while, and you toss it in with her. In the cage or the cavern where she sleeps. That first one, she rips up, shreds it to nothing. The second one, she just mouths it a bit, gets a taste. Inhales, like you're doing there. The third but of clothing, she starts dragging it around, loving on it, sleeping with it. And then you've got her under your spell. She's got the scent of you, wants to keep it around. She'll follow you everywhere."
"Are you calling me a wolf?" I asked.
"Are you calling me a man?" he said.
”
”
Delilah S. Dawson (Wicked as They Come (Blud, #1))
“
We do not want to be told what we know. We do not want to call things by their names, although we're willing to call one another bad ones. We call meanness nobility and hatred honor. The way to make yourself a hero is to make me out a scoundrel. You won't admit that either, but it's true.
”
”
Thomas Wolfe (Look Homeward, Angel)
“
He is civilized, polite, a man of manners. He has tamed his wild nature, turned his wolf into a spaniel. And he calls this moderation. Its real name is mediocrity!
”
”
Irvin D. Yalom (When Nietzsche Wept: A Novel Of Obsession)
“
Don't call me babe. And next time I'm letting my Metaphysical answering meachine get it.
”
”
Dana Marie Bell (Shadow of the Wolf (Heart's Desire, #1))
“
I called you a coward! You're a fucking sheep in wolf's clothing
”
”
Susan A. Bliler
“
How long do you think it's going to take Decebel to deal with the wayward wolf who touched Sally?" Jen asked Jacque casually as they sat in the now, nearly empty, gathering room. After Sally and Costin had left, Vasile and Decebel had agreed that it was time to call it a night. Jen and Jacque had been helping clean up, but just as Jen was carrying empty cups towards the trash, she had heard Decebel tell her to park her cute butt and not move. So she had parked it, dragging Jacque along with her to an empty table.
”
”
Quinn Loftis
“
I have never had much need for companionship, unless it was the companionship of someone I could call a friend. Certainly I have seldom wished the conversation of strangers or the sight of strange faces. I believe rather that when I was alone I felt I had in some fashion lost my individuality; to the thrush and the rabbit I had been not Severian, but Man. The many people who like to be utterly alone, and particularly to be utterly alone in a wilderness, do so, I believe, because they enjoy playing that part. But I wanted to be a particular person again, and so I sought the mirror of other persons, which would show me that I was not as they were.
”
”
Gene Wolfe (The Sword of the Lictor (The Book of the New Sun, #3))
“
This is man: a writer of books, a putter-down of words, a painter of pictures, a maker of ten thousand philosophies. He grows passionate over ideas, he hurls scorn and mockery at another's work, he finds the one way, the true way, for himself, and calls all others false--yet in the billion books upon the shelves there is not one that can tell him how to draw a single fleeting breath in peace and comfort. He makes histories of the universe, he directs the destiny of the nations, but he does not know his own history, and he cannot direct his own destiny with dignity or wisdom for ten consecutive minutes.
”
”
Thomas Wolfe (You Can't Go Home Again)
“
He caught hold of my hand. “Sydney, please don’t do this,” he begged. “No matter how confident you feel, no matter how careful you think you are, things will spiral out of control.”
“They already have,” I said, opening the passenger door. “And I’m going to stop fighting them. Thank you for everything, Marcus. I mean it.”
“Wait, Sydney,” he called. “Just tell me one thing.”
I glanced back and waited.
“Where did this come from? When you called me to tell me you were coming, you said you’d realized it was the smart thing to do. What made you change your mind?”
I gave him a smile that I hoped was as dazzling as one of his. “I realized I’m in love.”
Marcus, startled, looked around as though he expected to see my object d’amour in the car with us. “And you just realized that? Did you just have some sort of vision?”
“Didn’t need to,” I said, thinking of Wolfe’s ill-fated trip to the Orkneys. “It’s always been right in front of me.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
The borderline Queen experiences what therapists call "oral greediness". The desperate hunger of the borderline Queen is akin to the behavior of an infant who had gone too long between feelings. Starved, frustrated, and beyond the ability to calm of soothe herself, she grabs, flails, and wails until at last the nipple is planted securely and perhaps too deeply in her mouth. She coughs, gags, chokes, and spits, eyeing the elusive breast like a wolf guarding her food. Similarity, the Queen holds on to what is hers, taking more than she could use, in case it might be taken away prematurely.
”
”
Christine Ann Lawson (Understanding the Borderline Mother)
“
Sir Gerald Moore: I was at dinner last evening, and halfway through the pudding, this four-year-old child came alone, dragging a little toy cart. And on the cart was a fresh turd. Her own, I suppose. The parents just shook their heads and smiled. I've made a big investment in you, Peter. Time and money, and it's not working. Now, I could just shake my head and smile. But in my house, when a turd appears, we throw it out. We dispose of it. We flush it away. We don't put it on the table and call it caviar.
”
”
Tom Wolfe (The Bonfire of the Vanities)
“
I would like [my readers] to better understand human beings and human life as a result of having read [my] stories. I'd like them to feel that this was an experience that made things better for them and an experience that gave them hope. I think that the kind of things that we talk about at this conference -- fantasy very much so, science fiction, and even horror -- the message that we're sending is the reverse of the message sent by what is called "realistic fiction." (I happen to think that realistic fiction is not, in fact, realistic, but that's a side issue.) And what we are saying is that it doesn't have to be like this: things can be different. Our society can be changed. Maybe it's worse, maybe it's better. Maybe it's a higher civilization, maybe it's a barbaric civilization. But it doesn't have to be the way it is now. Things can change. And we're also saying things can change for you in your life. Look at the difference between Severian the apprentice and Severian the Autarch [in The Book of the New Sun], for example. The difference beteween Silk as an augur and Silk as calde [in The Book of the Long Sun]. You see?
We don't always have to be this. There can be something else. We can stop doing the thing that we're doing. Moms Mabley had a great line in some movie or other -- she said, "You keep on doing what you been doing and you're gonna keep on gettin' what you been gettin'." And we don't have to keep on doing what we've been doing. We can do something else if we don't like what we're gettin'. I think a lot of the purpose of fiction ought to be to tell people that.
”
”
Gene Wolfe
“
I am less horrible than I could be
I've never set a house on fire
never thrown a firstborn off a bridge
still my whole life I answered every cry for help with a pour
with a turning away
I've given this coldness many names
thinking if it had a name it would have a solution
thinking if I called a wolf a wolf I might dull its fangs
”
”
Kaveh Akbar (Portrait of the Alcoholic)
“
The world has never had a good definition of the word liberty, and the American people, just now, are much in want of one. We all declare for liberty; but in using the same word we do not all mean the same thing. With some the word liberty may mean for each man to do as he pleases with himself, and the product of his labor; while with others the same word may mean for some men to do as they please with other men, and the product of other men’s labor. Here are two, not only different, but incompatible things, called by the same name, liberty. And it follows that each of the things is, by the respective parties, called by two different and incompatible names, liberty and tyranny. The shepherd drives the wolf from the sheep’s throat, for which the sheep thanks the shepherd as a liberator, while the wolf denounces him for the same act as the destroyer of liberty, especially as the sheep was a black one. Plainly the sheep and the wolf are not agreed upon a definition of the word liberty.
”
”
Abraham Lincoln
“
I have been so careless with the words I already have.
I don’t remember how to say home
in my first language, or lonely, or light.
I remember only
delam barat tang shodeh, I miss you,
and shab bekheir, goodnight.
How is school going, Kaveh-joon?
Delam barat tang shodeh.
Are you still drinking?
Shab bekheir.
For so long every step I’ve taken
has been from one tongue to another.
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
A robin redbreast in a cage
Puts all heaven in a rage.
A dove-house fill'd with doves and pigeons
Shudders hell thro' all its regions.
A dog starv'd at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipt and arm'd for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from hell a human soul.
”
”
William Blake (The Complete Poems)
“
It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake.
"Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence."
He thinks, Henry has been rehearsing. I suppose we all have.
The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
She's a she-wolf. Her nature demands she's dominated, even if she tries to fight it. She'll listen to an amount of force – positive force, not negative force. But leave the run wide open with no boundaries and she won't listen to you at all. All she'll listen to is the call of freedom, even if it leads her straight into a trap. Stop thinking like a human. She's a wolf.
”
”
Dianna Hardy (Blood Shadow (Blood Never Lies, #1))
“
Thinking and talking about love leads to Love, which is the enemy. Do not consort with the enemy. Even if those hot-ass actors in the movies make it look cuddly and nice and tempting, don’t fall for it. It’s the biggest bad in the world, the worst villain ever created by hormone-pumped pubescent morons. It’s the Joker, Lex Luthor, that one overweight guy who’s always messing with the Scooby-Doo gang. It’s the final boss in the massive joke of a video game you call your life.
”
”
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
“
Where woman do not fit the Iron Maiden [societal expectations/assumptions about women's bodies], we are now being called monstrous, and the Iron Maiden is exactly that which no woman fits, or fits forever. A woman is being asked to feel like a monster now though she is whole and fully physically functional. The surgeons are playing on the myth's double standard for the function of the body. A man's thigh is for walking, but a woman's is for walking and looking "beautiful." If women can walk but believe our limbs look wrong, we feel that our bodies cannot do what they are meant to do; we feel as genuinely deformed and disabled as the unwilling Victorian hypochondriac felt ill.
”
”
Naomi Wolf (The Beauty Myth)
“
During that very first conversation, about the araucaria, he called himself the Steppenwolf, and this too estranged and disturbed me a little. What an expression! However, custom did not only reconcile me to it, but soon I never thought of him by any other name; nor could I today hit on a better description of him. A wolf of the Steppes that had lost its way and strayed into the towns and the life of the herd, a more striking image could not be found for his shy loneliness, his savagery, his restlessness, his homesickness, his homelessness.
”
”
Hermann Hesse (Steppenwolf)
“
Wow,” the bobcat muttered from his desk. “Your sister’s right. Your legs really are skinny.”
Toni briefly thought about swiping all the cat’s crap off his desk, but that wasn’t something she’d do to anyone who wasn’t one of her siblings. But that was the beauty of being one of the Jean-Louis Parker clan . . . sometimes you didn’t have to do anything at all, because there was a sibling there to take care of it for you.
“It must be hard,” Kyle mused to the bobcat. “One of the superior cats. Revered and adored throughout history as far back as the ancient Egyptians. And yet here you sit. At a desk. A common drone. Taking orders from lowly canines and bears. Do your ancestors call to you from the great beyond, hissing their disappointment to you? Do they cry out in despair at where you’ve ended up despite such a lofty bloodline? Or does your hatred spring from the feline misery of always being alone? Skulking along, wishing you had a mate or a pack or pride to call your own? But all you have is you . . . and your pathetic job as a drone? Does it break your feline heart to be so . . . average? So common? So . . . human?”
Toni cringed, which helped her not laugh.
”
”
Shelly Laurenston (Wolf with Benefits (Pride, #8))
“
It was the general opinion of ancient nations, that the divinity alone was adequate to the important office of giving laws to men... and modern nations, in the consecrations of kings, and in several superstitious chimeras of divine rights in princes and nobles, are nearly unanimous in preserving remnants of it... Is the jealousy of power, and the envy of superiority, so strong in all men, that no considerations of public or private utility are sufficient to engage their submission to rules for their own happiness? Or is the disposition to imposture so prevalent in men of experience, that their private views of ambition and avarice can be accomplished only by artifice? — … There is nothing in which mankind have been more unanimous; yet nothing can be inferred from it more than this, that the multitude have always been credulous, and the few artful. The United States of America have exhibited, perhaps, the first example of governments erected on the simple principles of nature: and if men are now sufficiently enlightened to disabuse themselves of artifice, imposture, hypocrisy, and superstition, they will consider this event as an era in their history. Although the detail of the formation of the American governments is at present little known or regarded either in Europe or America, it may hereafter become an object of curiosity. It will never be pretended that any persons employed in that service had any interviews with the gods, or were in any degree under the inspiration of heaven, any more than those at work upon ships or houses, or labouring in merchandize or agriculture: it will for ever be acknowledged that these governments were contrived merely by the use of reason and the senses. As Copley painted Chatham, West, Wolf, and Trumbull, Warren and Montgomery; as Dwight, Barlow, Trumbull, and Humphries composed their verse, and Belknap and Ramzay history; as Godfrey invented his quadrant, and Rittenhouse his planetarium; as Boylston practised inoculation, and Franklin electricity; as Paine exposed the mistakes of Raynal, and Jefferson those of Buffon, so unphilosophically borrowed from the Recherches Philosophiques sur les Américains those despicable dreams of de Pauw — neither the people, nor their conventions, committees, or sub-committees, considered legislation in any other light than ordinary arts and sciences, only as of more importance. Called without expectation, and compelled without previous inclination, though undoubtedly at the best period of time both for England and America, to erect suddenly new systems of laws for their future government, they adopted the method of a wise architect, in erecting a new palace for the residence of his sovereign. They determined to consult Vitruvius, Palladio, and all other writers of reputation in the art; to examine the most celebrated buildings, whether they remain entire or in ruins; compare these with the principles of writers; and enquire how far both the theories and models were founded in nature, or created by fancy: and, when this should be done, as far as their circumstances would allow, to adopt the advantages, and reject the inconveniences, of all. Unembarrassed by attachments to noble families, hereditary lines and successions, or any considerations of royal blood, even the pious mystery of holy oil had no more influence than that other of holy water: the people universally were too enlightened to be imposed on by artifice; and their leaders, or more properly followers, were men of too much honour to attempt it. Thirteen governments thus founded on the natural authority of the people alone, without a pretence of miracle or mystery, which are destined to spread over the northern part of that whole quarter of the globe, are a great point gained in favour of the rights of mankind.
[Preface to 'A Defence of the Constitutions of the United States of America', 1787]
”
”
John Adams (A Defence of the Constitutions of Government of the United States of America)
“
I believe there is no other difference between those who are called courageous and those who are branded craven than that the second are fearful before the danger and the first after it. No one can be much frightened, certainly, during a period of great and imminent peril -- the mind is too much concentrated on the thing itself, and on the actions necessary to meet or avoid it. The coward is a coward, then, because he has brought his fear with him; persons we think cowardly will sometimes amaze us by their bravery, if they have had no forewarning of their danger.
”
”
Gene Wolfe (The Claw of the Conciliator (The Book of the New Sun, #2))
“
I see young men, my townsmen, whose misfortune it is to have inherited farms, houses, barns, cattle, and farming tools; for these are more easily acquired than got rid of. Better if they had been born in the open pasture and suckled by a wolf, that they might have seen with clearer eyes what field they were called to labor in. Who made them serfs of the soil? Why should they eat their sixty acres, when man is condemned to eat only his peck of dirt? Why should they begin digging their graves as soon as they are born?
”
”
Henry David Thoreau (Walden)
“
I got a demerit, professor." There was a kind of naughty amusement in her eyes that I found myself really liking.
I smiled slowly. "Why did you do, Miss Dearly?"
"She henpecked Elpinoy in a most spectacular fashion," Renfield offered. "I think at one point she was actually hanging on his back." Nora made a sound of annoyance. "Alas, I was looking at a computer screen with Dr. Samedi at the time, and thus I'm afraid that neither of us can vouch for this with certainty."
The laughter bubbled out of me before I could hold it back. "Were you?" I asked her.
"Define 'hanging.'"
"Bra,." Elpinoy appeared in one of the lab doorways. He gestured to the exterior doors. "Take her out. Now. Never in my life have I encountered such a little-"
"Lady?" I asked, trying to keep a straight face.
"Out."
"'Phone call,'" Nora said, affecting his tone of voice and looking right at him. "'Let-ter.'"
"Not until Wolfe orders it!" Elpinoy marched into his lab again and slammed the door behind him.
Nora stood up, her skirt bouncing a bit atop its puffy petticoat. "That man is an infuriating ponce."
"And you're an excellent judge of character.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
I'd call it a brilliant success. All those journalists are going to be so disappointed when they find out they missed it."
"They'll still have plenty to report on still. They don't need to intrude on Wolf and Scarlet's privacy anymore in order to do it."
"Are you going to hold a press conference in place of the wedding in a couple of days? Tell the world about your first foray into matrimonial officiating? Wax poetic about the historical importance of such a union?"
He turned his head and smirked down at her. "Nope. But I might tell them what an honor it was for me to be able to marry two of my closest friends, who happen to love each other very much."
Her grin widened. "That won't satisfy them at all."
"I know. That's half the appeal.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
She smoothed her skirt around her knees. “This Scarlet … you’re in love with her, aren’t you?” He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. “She’s my alpha,” he murmured, with a haunting sadness in his voice. Alpha. Cress leaned forward, propping her elbows on her knees. “Like the star?” “What star?” She stiffened, instantly embarrassed, and scooted back from him again. “Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she’s … like … your brightest star.” Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was. But instead of sneering or laughing, Wolf sighed. “Yes,” he said, his gaze climbing up to the full moon that had emerged over the city. “Exactly like that.” With a quick twist to her heart, Cress’s fear of him began to subside. She’d been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
When I thought of myself, of the feelings I had, of the things I thought I understood so well, I imagined myself somehow abstractly, because that other visual recollection was painful and unpleasant for me. No sooner would I call to mind my physical appearance than the finest, most lyrical, wonderful visions would vanish in an instant - so monstrous was its disparity with the intangible, glittering world that existed in my imagination. It seemed to me that there could be no greater contrast than that between my inner life and my outward appearance; sometimes I even imagined that I was trapped in someone else's strange, almost hateful body.
”
”
Gaito Gazdanov (Het fantoom van Alexander Wolf)
“
You are one with a crowd of men who have made what they call a government, who are masters of all the other men, and who eat the food the other men get and would like to eat themselves. You wear the warm clothes. They made the clothes, but they shiver in rags and ask you, the lawyer, or business agent who handles your money, for a job.
'But that is beside the matter,' I cried.
Not at all. It is piggishness and it is life. Of what use or sense is an immortality of piggishness? What is the end? What is it all about? You have made no food. Yet the food you have eaten or wasted might have saved the lives of a score of wretches who made the food but did not eat it. What immortal end did you serve? Or did they?
”
”
Jack London (The Sea Wolf)
“
Another tidbit you might be interested in is when it comes to chicks and open mouths, guys -" Decebel leaned over and covered Jen's mouth with his hand and warned her with a glare to swallow her words.
"Thanks, Dec. That's usually my job,"
Sally told him. "But I was in such shock that I couldn't get my limbs to move."
Decebel inclined his head. "Is that why you always seem to stand so close to her?"
"It's of utmost importance that whoever is within her reach be ready at any and all moments to intercept what might come from that wicked tongue."
en was frantically trying to talk around Decebel's hand at Sally's comment. Decebel was quickly learning how Jennifer's brain worked, and could only imagine what she wanted to voice in regards to Sally's wicked tongue comment. He leaned forward to whisper in her ear. "I'm going to uncover your mouth. It would be wise of you to just let the wicked tongue comment slide."
Jen glared at him from the corner of her eye, and after a tense moment finally nodded once in submission. Decebel slowly uncovered her mouth, ready if need be to slap it right back over her lips.
The room began to get quiet and they all directed their attention to the front of the room. As Vasile welcomed everyone for coming and began to explain about the meeting he had with the other Alphas, Jen leaned over to Decebel. "You owe me. Sally walked right into it with that whole wicked tongue thing."
Decebel chuckled and whispered back,
"For some reason, ţinere de meu inimă (one who holds my heart), I have a feeling there will be plenty of opportunities for you to embarrass your friends for questionable comments they innocently walk into."
Jen shrugged. "True enough, but you still owe me. And what are you calling me when you speak Romanian? You've said the same phrase to me twice now."
Decebel patted her leg, causing all sorts of tingling sensations. "Dar tu romaneste, Micul meu lup. (but you speak Romanian, my little wolf)"
"I know what lup is and I am not a wolf.
Whatever else you said I'm sure is a load of crap as well.
”
”
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
“
Seeing him brought in, has, I think, saved me from losing my mind; for that I do not thank him-sanity, after all is only reason applied to human affairs, and when this reason, applied over years, has resulted in disaster, destruction, despair, misery, starvation, and rot, the mind is correct to abandon it. This decision to discard reason, I see now, is not the last but the first reasonable act; and this insanity we are taught to fear consists in nothing but responding naturally and instinctively rather than with the culturally acquired, mannered thing called reason; an insane man talks nonsense because like a bird or a cat he is too sensible to talk sense.
”
”
Gene Wolfe (The Fifth Head Of Cerberus)
“
Such terrifying powers we possess, but what a sorry lot of gods some men are. And the worst of it is not the cruelty but the arrogance, the sheer hubris of those who bring only violence and fear into the animal world, as if it needed any more of either. Their lives entail enough frights and tribulations without the modern fire-makers, now armed with perfected, inescapable weapons, traipsing along for more fun and thrills at their expense even as so many of them die away. It is our fellow creatures' lot in the universe, the place assigned them in creation, to be completely at our mercy, the fiercest wolf or tiger defenseless against the most cowardly man. And to me it has always seemed not only ungenerous and shabby but a kind of supreme snobbery to deal cavalierly with them, as if their little share of the earth's happiness and grief were inconsequential, meaningless, beneath a man's attention, trumped by any and all designs he might have on them, however base, irrational, or wicked.
”
”
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
“
There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive. This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad on a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight. He was sounding the deeps of his nature, and of the parts of his nature that were deeper than he, going back into the womb of Time. He was mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exultantly under the stars and over the face of dead matter that did not move.
”
”
Jack London (The Call of the Wild)
“
I saw a moving sight the other morning before breakfast in a little hotel where I slept in the dusty fields. The young man of the house shot a little wolf called coyote in the early morning. The little heroic animal lay on the ground, with his big furry ears, and his clean white teeth, and his little cheerful body, but his little brave life was gone. It made me think how brave all living things are. Here little coyote was, without any clothes or house or books or anything, with nothing to pay his way with, and risking his life so cheerfully — and losing it — just to see if he could pick up a meal near the hotel. He was doing his coyote-business like a hero, and you must do your boy-business, and I my man-business bravely, too, or else we won't be worth as much as a little coyote.
”
”
William James
“
Once, in Thessaly, there was a poet called Simonides. He was commissioned to appear at a banquet, given by a man called Scopas, and recite a lyric in praise of his host. Poets have strange vagaries, and in his lyric Simonides incorporated verses in praise of Castor and Pollux, the Heavenly Twins. Scopas was sulky, and said he would pay only half the fee: ‘As for the rest, get it from the Twins.’ A little later, a servant came into the hall. He whispered to Simonides; there were two young men outside, asking for him by name. He rose and left the banqueting hall. He looked around for the two young men, but he could see no one. As he turned back, to go and finish his dinner, he heard a terrible noise, of stone splitting and crumbling. He heard the cries of the dying, as the roof of the hall collapsed. Of all the diners, he was the only one left alive. The bodies were so broken and disfigured that the relatives of the dead could not identify them. But Simonides was a remarkable man. Whatever he saw was imprinted on his mind. He led each of the relatives through the ruins; and pointing to the crushed remains, he said, there is your man. In linking the dead to their names, he worked from the seating plan in his head.
It is Cicero who tells us this story. He tells us how, on that day, Simonides invented the art of memory. He remembered the names, the faces, some sour and bloated, some blithe, some bored. He remembered exactly where everyone was sitting, at the moment the roof fell in.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
An economy that depends on slavery needs to promote images of slaves that “justify” the institution of slavery. The contemporary economy depends right now on the representation of women within the beauty myth. Economist John Kenneth
Galbraith offers an economic explanation for “the persistence of the view of homemaking as a ‘higher calling’”: the concept of women as naturally trapped within the Feminine Mystique, he feels, “has been forced on us by popular sociology, by magazines, and by fiction to disguise the fact that woman in her role of consumer has been essential to the development of our industrial society…. Behavior that is essential for economic reasons is transformed into a social virtue.
”
”
Naomi Wolf (The Beauty Myth)
“
our tragedy begins humid.
in a humid classroom.
with a humid text book. breaking into us.
stealing us from ourselves.
one poem. at a time.
it begins with shakespeare.
the hot wash.
the cool acid. of
dead white men and women. people.
each one a storm.
crashing. into our young houses.
making us islands. easy isolations.
until we are so beleaguered and
swollen
with a definition of poetry that is white skin and
not us.
that we tuck our scalding. our soreness.
behind ourselves and
learn
poetry.
as trauma. as violence. as erasure.
another place we do not exist.
another form of exile
where we should praise. honor. our own starvation.
the little bits of langston. phyllis wheatley.
and
angelou during black history month. are the crumbs. are the minor boats.
that give us slight rest.
to be waterdrugged into rejecting the nuances of
my own bursting
extraordinary
self.
and to have
this
be
called
education.
to take my name out of my name.
out of where my native poetry lives. in me.
and
replace it with keats. browning. dickson. wolf. joyce. wilde. wolfe. plath. bronte. hemingway. hughes. byron. frost. cummings. kipling. poe. austen. whitman. blake. longfellow. wordsworth. duffy. twain. emerson. yeats. tennyson. auden. thoreau. chaucer. thomas. raliegh. marlowe. burns. shelley. carroll. elliot…
(what is the necessity of a black child being this high off of whiteness.)
and so. we are here. brown babies. worshipping. feeding. the glutton that is white literature. even after it dies.
(years later. the conclusion:
shakespeare is relative.
white literature is relative.
that we are force fed the meat of
an animal
that our bodies will not recognize. as inherent nutrition.
is not relative.
is inert.)
”
”
Nayyirah Waheed (Nejma)
“
In particular, the virtues and ambitions called forth by war are unlikely to find expression in liberal democracies. There will be plenty of metaphorical wars—corporate lawyers specializing in hostile takeovers who will think of themselves as sharks or gunslingers, and bond traders who imagine, as in Tom Wolfe’s novel The Bonfire of the Vanities, that they are “masters of the universe.” (They will believe this, however, only in bull markets.) But as they sink into the soft leather of their BMWs, they will know somewhere in the back of their minds that there have been real gunslingers and masters in the world, who would feel contempt for the petty virtues required to become rich or famous in modern America. How long megalothymia will be satisfied with metaphorical wars and symbolic victories is an open question. One suspects that some people will not be satisfied until they prove themselves by that very act that constituted their humanness at the beginning of history: they will want to risk their lives in a violent battle, and thereby prove beyond any shadow of a doubt to themselves and to their fellows that they are free. They will deliberately seek discomfort and sacrifice, because the pain will be the only way they have of proving definitively that they can think well of themselves, that they remain human beings.
”
”
Francis Fukuyama (The End of History and the Last Man)
“
There was once a man, Harry, called the Steppenwolf. He went on two legs, wore clothes, and was a human being, but nevertheless he was in reality a wolf of the Steppes. He had learned a good deal of all that people of a good intelligence can, and was a fairly clever fellow. What he had not learned, however, was this: to find contentment in himself and his own life. The cause of this apparently was that at the bottom of his heart he knew all the time (or thought he knew) that he was in reality not a man, but a wolf of the Steppes. Clever men might argue the point whether he truly was a wolf, whether, that is, he had been changed, before birth perhaps, from a wolf into a human being, or had been given the soul of a wolf, though born as a human being; or whether, on the other hand, this belief that he was a wolf was no more than a fancy or a disease of his.
”
”
Hermann Hesse
“
I came to a sketch where the space between my arm and Greta’s arm, the shape of the place between us, had been darkened in. The negative space. That’s what Finn called it. He was always trying to get me to understand negative space. And I did. I could understand what he was saying, but it didn’t come naturally to me. I had to be reminded to look for it. To see the stuff that’s there but not there. In this sketch, Finn had colored in the negative space, and I saw that it made a shape that looked like a dog’s head. Or, no—of course, it was a wolf’s head, tilted up, mouth open and howling. It wasn’t obvious or anything. Negative space was kind of like constellations. The kind of thing that had to be brought to your attention. But the way Finn did it was so skillful. It was all in the way Greta’s sleeve draped and the way my shoulder angled in. So perfect. It was almost painful to look at that negative space, because it was so smart. So exactly the kind of thing Finn would think of. I touched my finger to the rough pencil lines, and I wished I could let Finn know that I saw what he’d done. That I knew he’d put that secret animal right between Greta and me.
”
”
Carol Rifka Brunt (Tell the Wolves I'm Home)
“
Women incorporate the values of the male sexual objectifiers within themselves. Catharine MacKinnon calls this being "thingified" in the head (MacKinnon, 1989). They learn to treat their own bodies as objects separate from themselves. Bartky explains how this works: the wolf whistle sexually objectifies a woman from without with the result that, ``"The body which only a moment before I inhabited with such ease now floods my consciousness. I have been made into an object'' (Bartky, 1990, p. 27). She explains that it is not sufficient for a man simply to look at the woman secretly, he must make her aware of his looking with the whistle.
She must, "be made to know that I am a 'nice piece of ass': I must be made to see myself as they see me'' (p. 27). The effect of such male policing behaviour is that, "Subject to the evaluating eye of the male connoisseur, women learn to evaluate themselves first and best'" (Bartky, 1990, p. 28).
Women thus become alienated from their own bodies.
”
”
Sheila Jeffreys (Beauty and Misogyny: Harmful Cultural Practices in the West)
“
Charles had tried to open the pond and called up for wolf to defeat the black magic and hadn't been able to. Brother Wolf had panicked because Charles had somehow mess up their bond—and then Anna threatened to leave them and Charles had panicked, too. If she hadn't allowed them to make love to her, to reestablish they're claim, things might have gotten... interesting, in the same way that a grizzly attack is interesting. Because neither he nor Brother Wolf was capable of letting her go.
It had been a revelation.
The bottom line was that he was selfish creature, Charles decided more cheerfully than he'd been about anything in a long time. He guided Anna around a hole in the ground with a subtle push of his hand on her hip. She probably had seen the hole, but it please him to take care of her in such a small way. He was willing to pay any price to keep safe...any price except for losing her.
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
Tenways showed his rotten teeth. ‘Fucking make me.’
‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’
Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’
And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea.
‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’
‘So what?’
‘So shall I draw?
”
”
Joe Abercrombie (The Heroes)
“
NOW this is the Law of the Jungle — as old and as true as the sky;
And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.
As the creeper that girdles the tree-trunk the Law runneth forward and back —
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.
Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.
The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter — go forth and get food of thine own.
Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.
When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken — it may be fair words shall prevail.
When ye fight with a Wolf of the Pack, ye must fight him alone and afar,
Lest others take part in the quarrel, and the Pack be diminished by war.
The Lair of the Wolf is his refuge, and where he has made him his home,
Not even the Head Wolf may enter, not even the Council may come.
The Lair of the Wolf is his refuge, but where he has digged it too plain,
The Council shall send him a message, and so he shall change it again.
If ye kill before midnight, be silent, and wake not the woods with your bay,
Lest ye frighten the deer from the crop, and your brothers go empty away.
Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!
If ye plunder his Kill from a weaker, devour not all in thy pride;
Pack-Right is the right of the meanest; so leave him the head and the hide.
The Kill of the Pack is the meat of the Pack. Ye must eat where it lies;
And no one may carry away of that meat to his lair, or he dies.
The Kill of the Wolf is the meat of the Wolf. He may do what he will;
But, till he has given permission, the Pack may not eat of that Kill.
Cub-Right is the right of the Yearling. From all of his Pack he may claim
Full-gorge when the killer has eaten; and none may refuse him the same.
Lair-Right is the right of the Mother. From all of her year she may claim
One haunch of each kill for her litter, and none may deny her the same.
Cave-Right is the right of the Father — to hunt by himself for his own:
He is freed of all calls to the Pack; he is judged by the Council alone.
Because of his age and his cunning, because of his gripe and his paw,
In all that the Law leaveth open, the word of your Head Wolf is Law.
Now these are the Laws of the Jungle, and many and mighty are they;
But the head and the hoof of the Law and the haunch and the hump is — Obey!
”
”
Rudyard Kipling (The Jungle Book (Jungle Book, #1))
“
The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!
”
”
Jordan Belfort (The Wolf of Wall Street)
“
When you enter the woods of a fairy tale and it is night, the trees tower on either side of the path. They loom large because everything in the world of fairy tales is blown out of proportion. If the owl shouts, the otherwise deathly silence magnifies its call. The tasks you are given to do (by the witch, by the stepmother, by the wise old woman) are insurmountable - pull a single hair from the crescent moon bear's throat; separate a bowl's worth of poppy seeds from a pile of dirt. The forest seems endless. But when you do reach the daylight, triumphantly carrying the particular hair or having outwitted the wolf; when the owl is once again a shy bird and the trees only a lush canopy filtering the sun, the world is forever changed for your having seen it otherwise. From now on, when you come upon darkness, you'll know it has dimension. You'll know how closely poppy seeds and dirt resemble each other. The forest will be just another story that has absorbed you, taken you through its paces, and cast you out again to your home with its rattling windows and empty refrigerator - to your meager livelihood, which demands, inevitably, that you write about it.
”
”
Elizabeth Jarrett Andrew (On The Threshold: Home, Hardwood, and Holiness)
“
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected.
He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie.
“So,” he said, as I finished the last bit, “I’m forgiven?”
“You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him.
“I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin.
I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.”
He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh.
To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.”
He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.”
It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?”
“Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.”
I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said.
He just smiled.
”
”
Patricia Briggs (Moon Called (Mercy Thompson, #1))
“
1
You said ‘The world is going back to Paganism’.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia’s fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it. By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. At the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen’s children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears …
You said it. Did you mean it? Oh inordinate liar, stop.
2
Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).
”
”
C.S. Lewis
“
The vampire live on, and cannot die by mere passing of the time, he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. “But he cannot flourish without this diet, he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him eat, never! He throws no shadow, he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand, witness again Jonathan when he shut the door against the wolves, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog, he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. “He can come in mist which he create, that noble ship’s captain proved him of this, but, from what we know, the distance he can make this mist is limited, and it can only be round himself. “He come on moonlight rays as elemental dust, as again Jonathan saw those sisters in the castle of Dracula. He become so small, we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire, solder you call it. He can see in the dark, no small power this, in a world which is one half shut from the light. Ah, but hear me through.
”
”
Bram Stoker (Dracula (Annotated))
“
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses.
Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over.
Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right.
Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who...
"Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too.
She opened her mouth and his fingers touched her wet cheeks.
"Anna," he said, his body going still. "Call on your wolf."
"You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you."
"There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf."
"You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker.
"I love you," he told her. "Now, call your wolf."
She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth.
"I'm sorry," she told him. "I'll go away—"
And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short.
Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes.
Then he snarled at her. "You are not leaving me."
It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate.
"You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke.
Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—"
His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body.
"Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))