“
Every minute you spend with someone gives them a part of your life and takes part of theirs.
”
”
Ally Condie (Matched (Matched, #1))
“
You don't think I can fight." Tessa said, drawing back and matching his silvery gaze with her own. "Because I'm a girl."
"I don't think you can fight because you're wearing a wedding dress", said Jem. "For what it's worth, I don't think Will could fight in that dress either."
"Perhaps not," said Will, who had ears like a bat'a. "But I would make a radiant bride.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
The goal of life is to make your heartbeat match the beat of the universe, to match your nature with Nature.
”
”
Joseph Campbell (A Joseph Campbell Companion: Reflections on the Art of Living)
“
When what you hear and what you see don't match, trust your eyes.
”
”
Dale Renton
“
You're not a Quaker, Jeremy. I happen to know you put beer on your cornflakes.
”
”
Kyle Keyes (Matching Configurations (Quantum Roots, #3))
“
If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.
”
”
Ray Bradbury
“
Sometimes when you pick up your child you can feel the map of your own bones beneath your hands, or smell the scent of your skin in the nape of his neck. This is the most extraordinary thing about motherhood - finding a piece of yourself separate and apart that all the same you could not live without.
”
”
Jodi Picoult (Perfect Match)
“
So watch me strike a match on all my wasted time. As far as I'm concerned you're just another picture to burn.
”
”
Taylor Swift
“
You cannot change your journey if you are unwilling to move at all.
”
”
Ally Condie (Reached (Matched, #3))
“
Envy, after all, comes from wanting something that isn't yours. But grief comes from losing something you've already had.
”
”
Jodi Picoult (Perfect Match)
“
Why was the blind guy playing with matches, you ask? Because he's good at it. Anything to do with fire, igniting things, exploding things, things with fuses, wicks, accelerants . . . Iggy's your man. It's one of those good/bad things.
”
”
James Patterson (The Angel Experiment (Maximum Ride #1))
“
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
You said you were a victim. That's why...that's why ultimately, you and I aren't matched for each other. In spite of everything that's happened, I've never though of myself that way. Being a victim means you're powerless. That you won't take action. Always...always I've done something to fight for myself...for others. No matter what.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Rae burned me. She has matches or something. Look, look..." Tori pulled down the collar of her T-shirt.
"Leave your cloths on, Tori," Simon said, raising his hands to his eyes. "Please.
”
”
Kelley Armstrong (The Summoning (Darkest Powers, #1))
“
What is it about your voice that
makes me want to hear you speak?
”
”
Ally Condie (Matched (Matched, #1))
“
That's a poor match, Sean Kendrick," says a voice at my elbow. It's the other sister from Fathom & Sons, and she follows my gaze to Puck. "Neither of you are a housewife."
I don't look away from Puck. "I think you assume too much, Dory Maud."
"You leave nothing to assumption," Dory Maud says. "You swallow her with your eyes. I'm surprised there's any of her left for the rest of us to see.
”
”
Maggie Stiefvater (The Scorpio Races)
“
You want to watch the world burn?"
"Let me guess, you'll set it on fire?" I ask.
He chuckles, the sound vibrating through me settling into my bones.
"No, darling. I'll hand you the match, and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
and when love came to us twice
and lied to us twice
we decided to never love again
that was fair
fair to us
and fair to love itself.
we ask for no mercy or no
miracles;
we are strong enough to live
and to die and to
kill flies,
attend the boxing matches, go to the racetrack,
live on luck and skill,
get alone, get alone often,
and if you can't sleep alone
be careful of the words you speak in your sleep;
and
ask for no mercy
no miracles;
and don't forget:
time is meant to be wasted,
love fails
and death is useless.
”
”
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
“
It's delicious to have people adore you, but it's exhausting, too. Particularly when your own feelings don't match theirs.
”
”
Tasha Alexander (A Fatal Waltz (Lady Emily, #3))
“
If you let hope inside, it takes you over. It feeds on your insides and uses your bones to climb and grow. Eventually it becomes the thing that is your bones, that holds you together. Holds you up until you don't know how to live without it anymore. To pull it out of you would kill you entirely.
”
”
Ally Condie (Reached (Matched, #3))
“
Wear that scarf," he said, pointing to a blue cashmere scarf hanging on a peg. "It matches your eyes."
Alec looked at it. Suddenly he was filled with hate - for the scarf, for Magnus, and most of all for himself. "Don't tell me," he said. "The scarf's a hundred years old, and it was given to you by Queen Victoria right before she died, for special services to the Crown or something."
Magnus sat up. "What's gotten into you?"
Alec stared at him. "Am I the newest thing in this apartment?"
"I think that honor goes to Chairman Meow. He's only two."
"I said newest, not youngest," Alec snapped.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Books can ignite fires in your mind, because they carry ideas for kindling, and art for matches.
”
”
Gary D. Schmidt (Lizzie Bright and the Buckminster Boy)
“
You deserve a lover who wants you disheveled, with everything and all the reasons that wake you up in a haste and the demons that won’t let you sleep.
You deserve a lover who makes you feel safe, who can consume this world whole if he walks hand in hand with you; someone who believes that his embraces are a perfect match with your skin.
You deserve a lover who wants to dance with you, who goes to paradise every time he looks into your eyes and never gets tired of studying your expressions.
You deserve a lover who listens when you sing, who supports you when you feel shame and respects your freedom; who flies with you and isn’t afraid to fall.
You deserve a lover who takes away the lies and brings you hope, coffee, and poetry.
”
”
Estefanía Mitre
“
She studied me with concern. She touched the new streak of gray in my hair that matched hers exactly—our painful souvenir from holding Atlas's burden. There was a lot I'd wanted to say to Annabeth, but Athena had taken the confidence out of me. I felt like I'd been punched in the gut.
I do not approve of your friendship with my daughter.
"So," Annabeth said. "What did you want to tell me earlier?"
The music was playing. People were dancing in the streets. I said, "I, uh, was thinking we got interrupted at Westover Hall. And… I think I owe you a dance."
She smiled slowly. "All right, Seaweed Brain."
So I took her hand, and I don't know what everybody else heard, but to me it sounded like a slow dance: a little sad, but maybe a little hopeful, too.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
This is a cruel thing to do because when someone knows your story they know you. And they can hurt you. It's why I give mine away in pieces, even to Cassia.
”
”
Ally Condie (Crossed (Matched, #2))
“
Allow yourself to think only those thoughts that match your principles and can bear the bright light of day. Day by day, your choices, your thoughts, your actions fashion the person you become. Your integrity determines your destiny.
”
”
Heraclitus
“
Disagreements over money are the biggest cause of divorce."
She waved her hand. "Absolutely no problem. Your money is our money. My money is my money." She wrote away.
"I should make you negotiate with Phoebe.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
According to this law [the law of Dharma], you have a unique talent and a unique way of expressing it. There is something that you can do better than anyone else in the whole world--and for every unique talent and unique expression of that talent, there are also unique needs. When these needs are matched with the creative expression of your talent, that is the spark that creates affluence. Expressing your talents to fulfill needs creates unlimited wealth and abundance.
”
”
Deepak Chopra
“
Why did she do it? Nobody dared to ask. Because - what courage! Who had the courage to burn herself? Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.
What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration?
I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer.
She lit the match.
”
”
Susanna Kaysen (Girl, Interrupted)
“
To the Dark Lord,
I know I will be dead long before you read this but I want you to know that it was I who discovered your secret. I have stolen the real Horcrux and intend to destroy it as soon as I can. I face death in the hope that when you meet your match, you will be mortal once more.
R.A.B
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
After the first glass of vodka
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called La Petite and comes from Sweden
for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there?
”
”
Frank O'Hara (The Collected Poems of Frank O'Hara)
“
Hey, corpse-breath, why don't you do everyone a favor and sew your lips shut? It'll match the rest of your face AND be an improvement. - Puck
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
You are only as invincible as your smallest weakness, and those are tiny indeed - the length of a sleeping baby's eyelash, the span of a child's hand. Life turns on a dime, and - it turns out - so does one's conscience.
”
”
Jodi Picoult (Perfect Match)
“
It is not until you change your identity to match your life blueprint that you will understand why everything in the past never worked.
”
”
Shannon L. Alder
“
Burns from dropped matches, Ms. Lane? Matches one might have dropped while flirting with a pernicious
Fae, Ms. Lane? Have you any idea the value of this rug?”
I didn’t think his nostrils could flare any wider. His eyes were black flame. “Pernicious? Good grief, is English
your second language? Third?” Only someone who’d learned English from a dictionary would use such a word.
“Fifth,” he snarled. “Answer me.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
Light a match inside your heart.
”
”
Rainbow Rowell (Carry On (Simon Snow, #1))
“
You’re an arrogant bastard.”
“And you’re a haughty witch. We’re evenly matched.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
You will one day experience joy that matches this pain. You will cry euphoric tears at the Beach Boys, you will stare down at a baby’s face as she lies asleep in your lap, you will make great friends, you will eat delicious foods you haven’t tried yet, you will be able to look at a view from a high place and not assess the likelihood of dying from falling. There are books you haven’t read yet that will enrich you, films you will watch while eating extra-large buckets of popcorn, and you will dance and laugh and have sex and go for runs by the river and have late-night conversations and laugh until it hurts. Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can. Life is always worth it.
”
”
Matt Haig (Reasons to Stay Alive)
“
I'm telling you, you really should stick to mating within your species, whatever that is.'
'I would,' I said, 'but unfortunately, there are no gorgeous, all-powerful, all-knowing gods around here. I'd even settle for a demigod. It's a step down, I know. But alas, there are nothing but low-brained mortals here. And half-brains, like you.
”
”
Kristin Walker (A Match Made in High School)
“
Some people think the stars must look closer from up here. They don't. When you're up here, you realize how distant they really are—how impossible to reach.
”
”
Ally Condie (Reached (Matched, #3))
“
Transferring your passion to your job is far easier than finding a job that happens to match your passion.
”
”
Seth Godin (Linchpin: Are You Indispensable?)
“
Lebedeva’s eyes shone. “Masha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy, and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied.
”
”
Catherynne M. Valente (Deathless)
“
She was so fed up with unrequited love and platonic love and all the other kinds of love that weren’t passionate, romantic, can’t-live-without-you, I-have-to-have-you-right-now, the-beat-of-your-heart-matches-the-beat-of-mine love.
”
”
Sarra Manning (You Don't Have to Say You Love Me)
“
Once time is lit, it will burn whether or not you're breathing it in. Even after smoke becomes air, there is the memory of smoke. I am seeing as if by the light of a match, a glimpse of my life and having it feel right.
”
”
David Levithan (The Realm of Possibility)
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?
”
”
Irvine Welsh (Trainspotting)
“
My friend, you had horses, and deed of arms, and the free fields; but she, being born in the body of a maid, had a spirit and courage at least the match of yours. Yet she was doomed to wait upon an old man, whom she loved as a father, and watch him falling into a mean dishonoured dotage; and her part seemed to her more ignoble than that of the staff he leaned on.
-Gandalf to Eomer, of Eowyn
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Your name?"The movements of the man's mouth didn't quite match what he was saying, so seeing him speak was a bit like watching a badly dubbed film.
"Alex Gardiner," Alex said.
"Your real name?"
"I just told you."
"You lied. Your real name is Alex Rider."
"Why ask if you think you know?
”
”
Anthony Horowitz (Skeleton Key (Alex Rider #3))
“
You don't actually do a project; you can only do action steps related to it. When enough of the right action steps have been taken, some situation will have been created that matches your initial picture of the outcome closely enough that you can call it "done.
”
”
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
“
You're to be my wife." Catching up to her in two strides, I reached out to grab her arm, but stopped short of touching her. "That means you'll obey me."
"Does it?" She raised her brows, still grinning. " I suppose that means you'll honor and protect me, then? If we're adhering to the dusty old roles of your patriarchy?"
I shortened my pace to match hers. "Yes."
She clapped her hands together. "Excellent. At least this will be entertaining. I have many enemies.
”
”
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
“
I've got this." Apollo stepped forward. His fiery armor was so bright it was hard to look at, and his matching Ray-Bans and perfect smile made him look like a male model for battle gear. "God of medicine, at your service."
He passed his hand over Annabeth's face and spoke an incantation. Immediately the bruises faded. Her cuts and scars disappeared. Her arm straightened, and she sighed in her sleep.
Apollo grinned. "She'll be fine in a few minutes. Just enough time for me to compose a poem about our victory: 'Apollo and his friends save Olympus.' Good, eh?"
Thanks, Apollo," I said. "I'll, um, let you handle the poetry.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
I've been down by the stream collecting berries. Would you care for some?"
I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers.
My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach."
Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Because he's three thousand times the human being you'll ever be,' said Alec. 'Now get out of here before I risk his life by waking him up so he can turn you into a garbage fire. Something that would match your personality.'
'Oh!', said Zara. 'So rude!
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
How many loves do you get in a lifetime?
How many people do you get to call yours? There are all sorts of loves in this world, not all of them, but most of them are beautiful. Some are old, some noble, some brave. Others are dishonourable and weak and make you so by association. Some are a low whisper on a sombre night, some are maddening. Some you can’t ignore—they slow-burn inside of you, never quite going out completely but you’re too scared to dare try to fan that flame. Some loves you pretend you don’t feel, even when you can, even when you know you do, even if he’s the first thing you think of in the morning, even if he’s like a match in the darkened room of your heart—because loving something how you love him is a painful love that puts rocks in your pockets and melancholy in your eyeballs and if time has taught you anything it’s that it doesn’t matter. You’ll love him forever anyway.
”
”
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
“
I told him your loins were clearly burning, and he should man up and make a move."
"You did not!"
"I did. And if he doesn't, then I suggest you jump his bones."
...
I finally register what he's wearing. It's a handsome skinny black suit with a shiny sheen. The pants are too short - on purpose, of course - exposing his usual pointy shoes and a pair of blue socks that match my dress exactly.
And I totally want to jump him.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Marriage is a wrestling match where you hold on tight while your mate changes into a hundred different things. The trick is that you're changing into a hundred other things, but you can't let go. You can only try to match up and never turn into a wolf while he's a rabbit, or a mouse while he's still busy being an owl, a brawny black bull while he's a little blue crab scuttling for shelter. It's harder than it sounds.
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
You're beautiful, every part of you. I love your hair, the way it looks, the way it feels. I love touching it, smelling it. I love the way you wrinkle your nose when you laugh. It makes me laugh, too, every time. And I love watching you eat. Sometimes you can't shovel it in fast enough, but when you get interested in a conversation, you forget there's anything in front of you. God knows, I love making love with you. I can't even talk about that without wanting you. I love your pathetic attachment to those seniors. I love how hard you work.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
I miss God. I miss the company of someone utterly loyal. I still don't think of God as my betrayer. The servants of God, yes, but servants by their very nature betray. I miss God who was my friend. I don't even know if God exists, but I do know that if God is your emotional role model, very few human relationships will match up to it.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
Mare,” he whispers. “Choose me.”
Choose a crown. Choose another king’s cage. Choose a betrayal to everything you’ve bled for.
I find my thread of steel too. Thin but unbreakable.
“I am in love with you, and I want you more than anything else in the world.” His words sound hollow coming from me. “Anything else in this world.”
Slowly, my eyelids flutter open. He finds the spine to match my gaze.
“Think what we could do together,” he murmurs, trying to pull me closer. My feet hold firm. “You know what you are to me. Without you, I have no one. I am alone. I have nothing left. Don’t leave me alone.”
My breathing turns ragged.
I kiss him for what could be, what might be, what will be—the last time. His lips feel strangely cold as we both turn to ice.
“You aren’t alone.” The hope in his eyes cuts deeply. “You have your crown.
”
”
Victoria Aveyard (King's Cage (Red Queen, #3))
“
This is a, uh, friendship ring right?”
“Yeah, don’t worry. If I propose, you’ll know it. For one thing, I’ll be hyperventilating.” A sly smile—surprisingly sexy—turned up his lips. “And it’ll be a ruby.”
“Rubies? No diamonds? Too expensive for the old writer’s salary, huh?”
He made a disparaging grunt at that. “No, I just think diamonds are common, that’s all. If I get married, it’ll be because something uncommon is occurring. Besides, you wear a lot of red, right? I know how important it is for your accessories to match.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
But where was God now, with heaven full of astronauts, and the Lord overthrown? I miss God. I miss the company of someone utterly loyal. I still don't think of God as my betrayer. The servants of God, yes, but servants by their very nature betray. I miss God who was my friend. I don't even know if God exists, but I do know that if God is your emotional role model, very few human relationships will match up to it. I have an idea that one day it might be possible, I thought once it had become possible, and that glimpse has set me wandering, trying to find the balance between earth and sky. If the servants hadn't rushed in and parted us, I might have been disappointed, might have snatched off the white samite to find a bowl of soup.
As it is, I can't settle, I want someone who is fierce and will love me until death and know that love is as strong as death, and be on my side for ever and ever. I want someone who will destroy and be destroyed by me. There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name. Romantic love has been diluted into paperback form and has sold thousands and millions of copies. Somewhere it is still in the original, written on tablets of stone. I would cross seas and suffer sunstroke and give away all I have, but not for a man, because they want to be the destroyer and never the destroyed.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
Oh, come on, just this once," Eve said. "Protects your neck. As in your arteries and veins?
That's kind of crucial, right?"
"Thanks for the thought, but it doesn't go with my shoes."
"You're seriously going to worry about what people think right now?"
"No, I'm worrying about people taking pictures and putting them on Facebook. That crap never dies. Kind of like you, Mikey."
Michael, straight-faced, said, "He's got a point, because I would definitely take pictures. So would you."
Eve had to grin. "Yeah, I would. Okay, then. But you'd look glam. I could fix you up with silver eye shadow to match.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
Percy and Reyna occupied matching praeters' chairs on the dais, which made Percy self-conscious. It wasn't easy looking dignified wearing a bedsheet and a purple cape. "The camp is safe," Octavian continued. " I'll be the first to congragulate our heroes for bringing back the legion's eagle and so much Imperial gold! Truly we have been blessed with good fortune. But why do more? Why tempt fate?"
"I'm glad you asked." Percy stood, taking the question as an opening. Octavian stammered, " I wasn't--"
"--Part of the quest," Percy said. "Yes I know. And your'e wise to let me explain, since I was.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Beatrix puts a distance between herself and the rest of the world. She’s very engaging, but also quite private in nature. I see the same qualities in Captain Phelan.”
“Yes,” Amelia said. “You’re absolutely right, Catherine. Put that way, the match does seem more appropriate.”
“I still have reservations,” Leo said.
“You always do,” Amelia replied. “If you’ll recall, you objected to Cam in the beginning, but now you’ve accepted him.”
“That’s because the more brothers-in-law I acquire,” Leo said, “the better Cam looks by comparison.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I guess what I’m trying to say is, you just can’t tell who you’re going to end up with. You might spend your whole life dreaming about one type of person, only to find happiness with somebody completely different. Someone you figured you had nothing in common with just might turn out to be your dream guy. And you know he’s your dream guy because you become a better person. He brings out all these great things in you that you never knew or believed were there. And if you’re really lucky you do the same for him. It makes it even more incredible that people find each other, considering most of them are looking in the wrong places to begin with.
”
”
Kristin Walker (A Match Made in High School)
“
Any other questions?"
"Just one," I say. "What color are your eyes?" I want to know what he thinks, how he sees himself - the real Ky - when he dares to look.
"Blue," he says sounding surprised, "they've always been blue."
"Not to me."
"What do they look like to you?" he says puzzled, amused. Not looking at my mouth anymore, looking into my eyes.
"Lots of colors," I say. "At first I thought they were brown. Once I thought they were green..."
"What are they now?" he asks. He widens his eyes a little, leans closer, lets me look as long and deep as I want.
"Well?"
"Everything," I tell him, "They're everything.
”
”
Ally Condie (Matched (Matched, #1))
“
The War Has Been Declared.
Your Ally Been Ensnared.
It Is Now Or It Is Never.
Break The Code Or Die Forever.
Time Is Running Out
Running Out
Running Out
To the Warrior Give My Blade
By His Hand Your Fate Is Made
But Do Not Forget the Ticking
Or the Clicking, Clicking, Clicking
While a Rat's Tongue May Be Flicking
With Its Feet It Does the Tricking
For the Paw and Not the Jaw
Makes the Code of Claw
Time Is Standing Still
Standing Still
Standing Still
Since the Princess Is the Key
To Unlock the Treachery
She Cannot Avoid the Matching or the Scratching, Scratching, Scratching
When a Secret Plot is Hatching
In the Naming Is the Catching
What She Saw, It Is the Flaw
Of the Code of Claw
Time is Turning Back
Turning Back
Turning Back
When the Monster's Blood Is Spilled
When the Warrior Has Been Killed
You Must Not Ingore the Rapping
Or the Tapping, Tapping, Tapping
If the Gnawers Find you Napping
You Will Rot While They Are Mapping
Out the Law of Those Who Gnaw
In the Code of Claw
”
”
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
99% of all addicts are liars and thieves. This might sound unfair and even close-minded, but it's the truth. There are some exceptions to the rules, but they are incredibly rare. Most people are no match for their addictions. They will be driven to do things they would normally never have considered all in the name of getting high. Sad, but true. So if you're thinking of trying drugs, keep in mind that all the people you will be dealing with are likely to steal from you and lie to you at your own expense.
”
”
Ashly Lorenzana
“
Leave the dishes.
Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don't patch the cup.
Don't patch anything. Don't mend. Buy safety pins.
Don't even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.
Don't keep all the pieces of the puzzles
or the doll's tiny shoes in pairs, don't worry
who uses whose toothbrush or if anything
matches, at all.
Except one word to another. Or a thought.
Pursue the authentic-decide first
what is authentic,
then go after it with all your heart.
Your heart, that place
you don't even think of cleaning out.
That closet stuffed with savage mementos.
Don't sort the paper clips from screws from saved baby teeth
or worry if we're all eating cereal for dinner
again. Don't answer the telephone, ever,
or weep over anything at all that breaks.
Pink molds will grow within those sealed cartons
in the refrigerator. Accept new forms of life
and talk to the dead
who drift in though the screened windows, who collect
patiently on the tops of food jars and books.
Recycle the mail, don't read it, don't read anything
except what destroys
the insulation between yourself and your experience
or what pulls down or what strikes at or what shatters
this ruse you call necessity.
”
”
Louise Erdrich (Original Fire)
“
I don’t run for trains.” Snub your destiny. I have taught myself to resist running to keep on schedule. This may seem a very small piece of advice, but it registered. In refusing to run to catch trains, I have felt the true value of elegance and aesthetics in behavior, a sense of being in control of my time, my schedule, and my life. Missing a train is only painful if you run after it! Likewise, not matching the idea of success others expect from you is only painful if that’s what you are seeking. You stand above the rat race and the pecking order, not outside of it, if you do so by choice.
”
”
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable (Incerto, #2))
“
I’m Ron Redish, one of the many news puppets that tell you what to believe and what to think. If a run-of-the-mill person, who isn’t a trusted and official news anchor like myself, says something that differs from the official news, you can be sure it’s misinformation or a flat-out lie. Such a person is for sure one or more of the following: a sexist; a racist; a misogynist; a Nazi; is part of a different political party than yourself; a terrorist, domestic or otherwise; a conspiracy theorist—or whatever label works best for you in shutting down your freethinking mind and hating the person so you won’t listen to them. Take your pick. Feel free to mix and match.
”
”
Jasun Ether (The Beasts of Success)
“
When did my house turn into a hangout for every grossly overpaid, terminally pampered professional football player in northern Illinois?"
"We like it here," Jason said. "It reminds us of home."
"Plus, no women around." Leandro Collins, the Bears' first-string tight end emerged from the office munching on a bag of chips. "There's times when you need a rest from the ladies."
Annabelle shot out her arm and smacked him in the side of the head. "Don't forget who you're talking to."
Leandro had a short fuse, and he'd been known to take out a ref here and there when he didn't like a call, but the tight end merely rubbed the side of his head and grimaced. "Just like my mama."
"Mine, too," Tremaine said with happy nod.
Annabelle spun on Heath. "Their mother! I'm thirty-one years old, and I remind them of their mothers."
"You act like my mother," Sean pointed out, unwisely as it transpired, because he got a swat in the head next.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
Sophos, you sleep with a knife under your pillow? I'm hurt."
"I'm sorry," said Sounis, afraid that he had made contact with his wild swing.
"I was joking. Wake up the rest of the way, would you?"
"Gen, it's the middle of the night."
"I know," said the king of Attolia.
Sounis tried to rub the sleep out of his eyes. He was sitting up in his bed. The sky was still entirely dark, and he couldn't have been asleep for long. He suspected that he had just dropped off. The bare knife was still in his hand, he realized, and he rooted under his pillow for the sheath.
"Don't you trust my palace security?"
"Yes, of course," Sounis said, trying to think of some other reason besides mistrust to sleep with a knife. He heard Eugenides laugh.
"My queen and I sleep with a matched set under our pillows, as well as handguns in pockets on the bedposts. Don't be embarrassed.
”
”
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
“
Nix and Lothaire:
When the collar dropped to the ground, Lothaire rolled his head on his neck. But instead of disappearing immediately, he traced to stand mere feet from Nïx.
A towering vampire with skin like marble and chillingly flawless features was staring down a petite Valkyrie with crazed eyes and a cryptic smile.
The tension between the two was palpable. Even on the verge of flipping the fuck out, Regin couldn’t look away.
“The Accession grinds on, does it not?” Lothaire said.
“Just like old times.” Nïx winked. “Alas, Dorada will come for you once she rises again.”
“I’ll be ready.” He narrowed his red eyes. “You’ve likely foreseen this moment. Tell me, are we to fight now? As in the past?”
“You defy foresight, Lothaire.”
“That’s only fair, Phenïx, since you’ve long defied insight.” Phenïx?
Nïx canted her head. “What does your Endgame tell you?”
“That white queen will never take black king.” He gave her a formal bow. “Until our next match.”
“There won’t be a next match, vampire.”
His brow creased into a frown, the Enemy of Old disappeared.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
I wonder if you know yet that you’ll leave me. That you
are a child playing with matches and I have a paper body.
You will meet a girl with a softer voice and stronger arms and she
will not have violent secrets or an affection for red wine or eyes
that never stay dry. You will fall into her bed and I’ll go back
to spending Friday nights with boys who never learn my last name.
I have chased off every fool who has tried to sleep beside me
You think it’s romantic to fuck the girl who writes poems about you.
You think I’ll understand your sadness because I live inside my own.
But I will show up at your door at 2 am, wild-eyed and sleepless.
and try and find some semblance of peace in your breastbone
and you will not let me in. You will tell me to go home.
”
”
Clementine von Radics
“
We were in such good moods, we even decided to hit Todd's house for candy. Sam rang the doorbell, and when it opened, this hideous, rubber monster face roared at us. Sam screamed. Todd started laughing and took off the mask. I yelled, "Put it back on! Put it back on! Your hideousness is terrifying!"
Todd did a fake yuk-yuk-yuk at my joke. "What are you guys supposed to be? Is it Prom Night Massacre or something?"
Sam sighed at Todd's obvious stupidity. "We're zombie princesses, Todd. Can't you tell?" She stuck her arms straight out in front of her and said, "BRAINS! BRAINS!"
I patted Sam on the head and said, "Sorry, Sam. You're wasting your time with this one.
”
”
Kristin Walker (A Match Made in High School)
“
Miracles are like meatballs, because nobody can exactly agree on what they are made of, where they come from, or how often they should appear. Some people say that a sunrise is a miracle, because it is somewhat mysterious and often very beautiful, but other people say it is simply a fact of life, because it happens every day and far too early in the morning. Some people say that a telephone is a miracle, because it sometimes seems wondrous that you can talk with somebody who is thousands of miles away, and other people say it is merely a manufactured device fashioned out of metal parts, electronic circuitry, and wires that are very easily cut. And some people say that sneaking out of a hotel is a miracle, particularly if the lobby is swarming with policemen, and other people say it is simply a fact of life, because it happens every day and far too early in the morning. So you might think that there are so many miracles in the world that you can scarcely count them, or that there are so few that they are scarcely worth mentioning, depending on whether you spend your mornings gazing at a beautiful sunset or lowering yourself into a back alley with a rope made of matching towels.
”
”
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
“
Grief is not linear. People kept telling me that once this happened or that passed, everything would be better. Some people gave me one year to grieve. They saw grief as a straight line, with a beginning, middle, and end. But it is not linear. It is disjointed. One day you are acting almost like a normal person. You maybe even manage to take a shower. Your clothes match. You think the autumn leaves look pretty, or enjoy the sound of snow crunching under your feet. Then a song, a glimpse of something, or maybe even nothing sends you back into the hole of grief. It is not one step forward, two steps back. It is a jumble. It is hours that are all right, and weeks that aren't. Or it is good days and bad days. Or it is the weight of sadness making you look different to others and nothing helps.
”
”
Ann Hood (Comfort: A Journey Through Grief)
“
Ellen drank long and deep from her water bottle and wiped her mouth with her gauntleted arm. "Are you feeling all right, Jack? Your play's flat, all in all. I was hoping to give Seph more of a show."
Jack tested the edge of his blade with his thumb. "Actually, Ellen, I wondered if you were coming down with something. You were downright lethargic. I nearly dozed off once or twice."
"Well, that explains it. You looked like you were asleep."
With that, they threw down their weapons and it dissolved into a wrestling match. In the end they were kissing each other.
It was certainly a different kind of courtship, but there was a chemistry, an understanding, a kinship between Jack and Ellen that Seph envied.
”
”
Cinda Williams Chima (The Wizard Heir (The Heir Chronicles, #2))
“
Kipple is useless objects, like junk mail or match folders after you use the last match or gum wrappers or yesterday's homeopape. When nobody's around, kipple reproduces itself. For instance, if you go to bed leaving any kipple around your apartment, when you wake up the next morning there's twice as much of it. It always gets more and more."
"I see." The girl regarded him uncertainly, not knowing whether to believe him. Not sure if he meant it seriously.
"There's the First Law of Kipple," he said. "'Kipple drives out nonkipple.' Like Gresham's law about bad money. And in these apartments there's been nobody here to fight the kipple."
"So it has taken over completely," the girl finished. She nodded. "Now I understand."
"Your place, here," he said, "this apartment you've picked--it's too kipple-ized to live in. We can roll the kipple-factor back; we can do like I said, raid the other apts. But--" He broke off.
"But what?"
Isidore said, "We can't win."
"Why not?" [...]
"No one can win against kipple," he said, "except temporarily and maybe in one spot, like in my apartment I've sort of created a stasis between the pressure of kipple and nonkipple, for the time being. But eventually I'll die or go away, and then the kipple will again take over. It's a universal principle operating throughout the universe; the entire universe is moving toward a final state of total, absolute kippleization.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Listen up, ’cause I’m only gonna say this once,” Ty muttered as they walked to their gate. “I don’t talk when I fly. I sleep. And I don’t listen when I eat, understand? I don’t wanna be buddies. I don’t wanna chat,” he said with a sarcastic lilt to the word. “I don’t wanna know about your childhood or how your momma whipped you with a rubber glove or how much therapy you had to go through ’cause you flunked out of preschool. I don’t wanna hear about how you want to be Director someday or how many collars you got chasin’ those Internet freaks or how proud you are of your bowel movements. I don’t wanna go shopping at Barney’s with you, and I’m not gonna help you pick out your ties to match your socks and, I swear to God, if you get me shot, I’ll kill you.
”
”
Abigail Roux (Cut & Run (Cut & Run, #1))
“
Finally, the last point that can kill your spark is Isolation. As you grow older you will realize you are unique. When you are little, all kids want Ice cream and Spiderman. As you grow older to college, you still are a lot like your friends. But ten years later and you realize you are unique. What you want, what you believe in, what makes you feel, may be different from even the people closest to you. This can create conflict as your goals may not match with others. And you may drop some of them. Basketball captains in college invariably stop playing basketball by the time they have their second child. They give up something that meant so much to them. They do it for their family. But in doing that, the spark dies. Never, ever make that compromise. Love yourself first, and then others.
”
”
Chetan Bhagat
“
I started getting Mal's texts just before lunch.
Mal: Awake
Anne: Morning
Mal: Going for a run with Jim
Anne: Have fun!
Mal: Back from run having lunch
...
Mal:Your taste in music sucks
Anne: Thanks
Mal: Seriously, we need to talk it's that bad. Everything apart from Stage Dive needs to go.
Anne: Wait. What are you doing?
Mal:Fixing it.
Anne: Mal, WTH are you doing?
Mal: Making you new playlist wih decent shit. Relay
Anne: K Thanks
Mal: Bored again
Mal: Ben's coming over to play Halo
Anne: Great! But you don't have to tell me everything you do, Mal
Mal: Davie says communication's important
Mal: When are you on the rag? Davie said to find out if you want cupcakes or ice cream
Anne: I want to not talk about this ever
Mal: Bored. Ben's late
Mal: Let's get a dog
Anne: Apartment has no pets rule
Mal: Nice green lace bra
Anne: Get out of my drawers, Mal.
Mal: Matching panties?
Anne: GET OUT NOW.
Mal: :)
Mal: sext me
Mal: Some on it'll be funny
Mal: Plz?
Mal: High level of unhealthy codependency traits exhibited by both parties relationship possibly bordeing on toxic
Anne: WTF?
Mal: Did magazine quiz. We need help- Especially you
Anne:...
Mal: Booking us couples counseling. Tues 4:15 alright?
Anne: We are not going to counseling.
Mal: What's wrong? Don't you love me anymore?
Anne: Turning phone off now.
”
”
Kylie Scott (Play (Stage Dive, #2))
“
I think sexy is a grown-up word to describes a person who's confident that she is already exactly who she was made to be. A sexy woman knows herself and she likes the way she looks, thinks & feels. She doesn't try to change to match anybody else. She's a good friend herself kind and patient. and she knows how to use her words to tell people she trusts about what's going on inside of her-her fears and anger, love, dreams the mistakes, and needs. When she's angry she expresses her anger in healthy ways. When she's joyful, she does the same thing. She doesn't hide her true self because she is not ashamed. She knows she's just human-exactly how God made her and that's good enough. She's brave enough to be honest and kind enough to except others when they're honest. When two people are sexy enough to be brave and kind with each other, that's love. Sexy is more about how you feel and how you look. Real sexy is letting your true self come out of hiding and find love in safe places. That kind of sexy is good, really good, because we all we want and need love more than anything else
”
”
Glennon Doyle Melton (Love Warrior)
“
Diana gave her a measured look and ducked down behind the counter. She came up a moment later with a sword about the length of Clary's forearm. "What do you think of this?"
Clary stared at the weapon. It was undoubtedly beautiful. The cross-guard, grip and pommel were gold chased with obsidian, the blade a silver so dark it was nearly black.
"It's a shortsword. You might want to look at the other side," said Diana, and she flipped the sword over. On the opposite side of the blade, down the center ridge, ran a pattern of black stars.
"Oh." Clary's heart thumped painfully; she took a step away and nearly bumped into Jace, who had come up behind her, frowning. "That's a Morgenstern sword."
"Yes, it is." The sword-seller's eyes were shrewd. "Long ago the Morgensterns commissioned two blades from Wayland the Smith-a matched set. You have doubtless seen the the larger sword already, for Valentine Morgenstern carried it, and now his son carries it after him."
"You know who we are," Jace said. It wasn't a question. "Who Clary is."
"The Shadowhunter world is small," said Diana, and she looked from one of them to the other. "I'm on the Council. I've seen you give testimony, Valentine's daughter."
Clary looked doubtfully at the blade. "I've seen two men bear the larger version of that sword, and I hated them both. There are no Morgensterns in this world now who are dedicated to anything but evil."
Jace said, "There's you."
"I'll give it to you," said Diana. "You're right that people hate the Morgensterns; it's not the sort of item I could sell elsewhere. Or would necessarily want to. It should go to good hands."
"I don't want it," Clary said.
"If you flinch from it, you give it power over you," said Diana. "Take it, and cut your brother's throat with it, and reclaim the honor of your blood.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool
belt, Ray-Ban sunglasses, and a porkpie hat.
“God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.”
“Hey, shut up!”
“I think he looks good,” said Coach Hedge. “’Course, I look better.”
The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a
matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate.
“Well,” Jason said, “at least your mom overlooked me.”
Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like
he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s
message was clear: This one needs no improvement.
And Piper agreed.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
She can sense things . . . Things the rest of us can't.She only knew there was a strange feel to you, and she'd only ever felt that around one other person. So she brought you to me."
"Seems like she could have done that without me having to carry a household's worth of stuff."
This made him laugh. "Don't take it personally. She was testing you. She wanted to see if you're a worthy match for her grandson."
"What's the point? He's dead now." I nearly choked on the words.
"True, but for her, it's still important. And, by the way, she does think you're worthy."
"She has a funny way of showing it."
[..]
Paul stuck his head out the back door. "Grandmother wants to leave now," he told me. "She wants to know why you're taking so long and said to ask why you'd make someone as old as her keep waiting and suffering with her back."
I recalled how fast Yeva had been walking while I struggled to keep up with my load. Her back hadn't seemed all that bad to me.
"Okay. I'll be right there." When he was gone, I shook my head. "It's hard being worthy.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I first started liking you when we went to talk to the rulers of the low Courts,” I say. “You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you’d been the one to get us out of the brugh after Dain’s coronation, right before I put that knife to your throat.”
He doesn’t try to interrupt, so I have no choice but to barrel on.
“After I tricked you into being the High King,” I say. “I thought once you hated me, I could go back to hating you. But I didn’t. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile—” I take a ragged breath. “I hid a lot, I guess. I thought if I didn’t, if I let myself love you, I would burn up like a match. Like the whole matchbook.”
“But now you’ve explained it,” he says. “And you do love me.”
“I love you,” I confirm.
“Because I am clever and funny,” he says, smiling. “You didn’t mention my handsomeness.”
“Or your deliciousness,” I say. “Although those are both good qualities.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Damen said, with helpless honesty, "Laurent, I am your slave."
The words laid him open, truth exposed in the space between them. He wanted to prove it, as though, inarticulate, he could make up for what divided them. He was aware of the shallowness of Laurent's breath, it matched his own; they were breathing each other's air.
He reached out, watching for any hesitation in Laurent's eyes. The touch he offered was accepted as it had not been last time, fingers gentle on Laurent's jaw, thumb passing over his cheekbone, soft. Laurent's controlled body was hard with tension, his rapid pulse urgent for flight, but he closed his eyes in the last seconds before it happened. Damen's palm slid over Laurent's warm nape; slowly, very slowly, making his height an offering, not a threat, Damen leaned in and kissed Laurent on the mouth.
The kiss was barely a suggestion of itself, with no yielding of the rigidity in Laurent, but the first kiss became a second, after a fraction of parting in which Damen felt the flicker of Laurent's shallow breathing against his own lips.
It felt, in all the lies between them, as if this was the only true thing. It didn't matter that he was leaving tomorrow. He felt remade with the desire to give Laurent this: to give him all he would allow, and to ask for nothing, this careful threshold something to be savoured because it was all Laurent would let himself have.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just
crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which
is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!”
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
”
”
Jonathan Safran Foer
“
Fire
i
The morning you were made to leave
she sat on the front steps,
dress tucked between her thighs,
a packet of Marlboro Lights
near her bare feet, painting her nails
until the polish curdled.
Her mother phoned–
What do you mean he hit you?
Your father hit me all the time
but I never left him.
He pays the bills
and he comes home at night,
what more do you want?
Later that night she picked the polish off
with her front teeth until the bed you shared
for seven years seemed speckled with glitter
and blood.
ii
On the drive to the hotel, you remember
“the funeral you went to as a little boy,
double burial for a couple who
burned to death in their bedroom.
The wife had been visited
by her husband’s lover,
a young and beautiful woman who paraded
her naked body in the couple’s kitchen,
lifting her dress to expose breasts
mottled with small fleshy marks,
a back sucked and bruised, then dressed herself
and walked out of the front door.
The wife, waiting for her husband to come home,
doused herself in lighter fluid. On his arrival
she jumped on him, wrapping her legs around
his torso. The husband, surprised at her sudden urge,
carried his wife to the bedroom, where
she straddled him on their bed, held his face
against her chest and lit a match.
iii
A young man greets you in the elevator.
He smiles like he has pennies hidden in his cheeks.
You’re looking at his shoes when he says
the rooms in this hotel are sweltering.
Last night in bed I swear I thought
my body was on fire.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
my final piece
We’re born into the world
As just one small piece to the puzzle
That makes up an entire life.
It’s up to us throughout our years,
to find all of our pieces that fit.
The pieces that connect who we are
To who we were
To who we’ll one day be.
Sometimes pieces will almost fit.
They’ll feel right.
We’ll carry them around for a while,
Hoping they’ll change shape.
Hoping they’ll conform to our puzzle.
But they won’t.
We’ll eventually have to let them go.
To find the puzzle that is their home.
Sometimes pieces won’t fit at all.
No matter how much we want them to.
We’ll shove them.
We’ll bend them.
We’ll break them.
But what isn’t meant to be,
won’t be.
Those are the hardest pieces of all to
accept.
The pieces of our puzzle
That just don’t belong.
But occasionally . . .
Not very often at all,
If we’re lucky,
If we pay enough attention,
We’ll find a
perfect match.
The pieces of the puzzle that slide right in
The pieces that hug the contours of our own
pieces.
The pieces that lock to us.
The pieces that we lock to.
The pieces that fit so well, we can’t tell
where our piece begins
And that piece ends.
Those pieces we call
Friends.
True loves.
Dreams.
Passions.
Beliefs.
Talents.
They’re all the pieces that complete our
puzzles.
They line the edges,
Frame the corners,
Fill the centers,
Those pieces are the pieces that make us
who we are.
Who we were.
Who we’ll one day be.
Up until today,
When I looked at my own puzzle,
I would see a finished piece.
I had the edges lined,
The corners framed,
The center filled.
It felt like it was complete.
All the pieces were there.
I had everything I wanted.
Everything I needed.
Everything I dreamt of.
But up until today,
I realized I had collected all
but one piece.
The most vital piece.
The piece that completes the picture.
The piece that completes my whole life.
I held this girl in my arms
She wrapped her tiny fingers around mine.
It was then that I realized
She was the fusion.
The glue.
The cement that bound all my pieces
together.
The piece that seals my puzzle.
The piece that completes my life.
The element that makes me who I am.
Who I was.
Who I’ll one day be.
You, baby girl.
You’re my final piece.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
MY MOTHER GETS DRESSED
It is impossible for my mother to do even
the simplest things for herself anymore
so we do it together,
get her dressed.
I choose the clothes without
zippers or buckles or straps,
clothes that are simple
but elegant, and easy to get into.
Otherwise, it's just like every other day.
After bathing, getting dressed.
The stockings go on first.
This time, it's the new ones,
the special ones with opaque black triangles
that she's never worn before,
bought just two weeks ago
at her favorite department store.
We start with the heavy, careful stuff of the right toes
into the stocking tip
then a smooth yank past the knob of her ankle
and over her cool, smooth calf
then the other toe
cool ankle, smooth calf
up the legs
and the pantyhose is coaxed to her waist.
You're doing great, Mom,
I tell her
as we ease her body
against mine, rest her whole weight against me
to slide her black dress
with the black empire collar
over her head
struggle her fingers through the dark tunnel of the sleeve.
I reach from the outside
deep into the dark for her hand,
grasp where I can't see for her touch.
You've got to help me a little here, Mom
I tell her
then her fingertips touch mine
and we work her fingers through the sleeve's mouth
together, then we rest, her weight against me
before threading the other fingers, wrist, forearm, elbow, bicep
and now over the head.
I gentle the black dress over her breasts,
thighs, bring her makeup to her,
put some color on her skin.
Green for her eyes.
Coral for her lips.
I get her black hat.
She's ready for her company.
I tell the two women in simple, elegant suits
waiting outside the bedroom, come in.
They tell me, She's beautiful.
Yes, she is, I tell them.
I leave as they carefully
zip her into
the black body bag.
Three days later,
I dream a large, green
suitcase arrives.
When I unzip it,
my mother is inside.
Her dress matches
her eyeshadow, which matches
the suitcase
perfectly. She's wearing
coral lipstick.
"I'm here," she says, smiling delightedly, waving
and I wake up.
Four days later, she comes home
in a plastic black box
that is heavier than it looks.
In the middle of a meadow,
I learn a naked
more than naked.
I learn a new way to hug
as I tighten my fist
around her body,
my hand filled with her ashes
and the small stones of bones.
I squeeze her tight
then open my hand
and release her
into the smallest, hottest sun,
a dandelion screaming yellow at the sky.
”
”
Daphne Gottlieb (Final Girl)
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)
“
You'll want all your strength for the wedding night."
I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there."
"Naked," he said grimly.
"Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee."
"The what?"
"It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination."
Jessica heard him suck in his breath, felt the muscular thigh tense against hers.
"But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--"
"What color?" he asked. His low voice had roughened.
"Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---"
"Jess." Her name was a strangled whisper.
"--slippers to match," she continued." Black mules with--"
"Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
”
”
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney
“
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie.
All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
”
”
Virginia Woolf (A Room of One’s Own)
“
There was nothing left for me to do, but go.
Though the things of the world were strong with me still.
Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain.
Pearls, rags, buttons, rug-tuft, beer-froth.
Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse.
Geese above, clover below, the sound of one’s own breath when winded.
The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger.
Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
Goodbye, I must now say goodbye to all of it.
Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day.
Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left.
Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac.
None of it was real; nothing was real.
Everything was real; inconceivably real, infinitely dear.
These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth.
And now we must lose them.
I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant.
Goodbye goodbye good-
”
”
George Saunders (Lincoln in the Bardo)