Calling A Spade A Spade Quotes

Call a jack a jack. Call a spade a spade. But always call a whore a lady. Their lives are hard enough, and it never hurts to be polite.

Kitten, this is my best mate, Charles, but you can call him Spade. Charles, this is Cat, the woman I’ve been telling you about. You can see for yourself that everything I’ve said is…an understatement.

I hate vulgar realism in literature. The man who would call a spade a spade should be compelled to use one.

Call a jack a jack. Call a spade a spade. But always call a whore a lady.

Growing up, I realized quite quickly that people hate being called racist more than they hate racism itself.

Sometimes he used a spade in his garden, and sometimes he read and wrote. He had but one name for these two kinds of labor; he called them gardening. ‘The Spirit is a garden,’ said he

Cecily. This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade. Gwendolen. [Satirically.] I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different.

The man who could call a spade a spade should be compelled to use one.

To-day I think Only with scents, - scents dead leaves yield, And bracken, and wild carrot's seed, And the square mustard field; Odours that rise When the spade wounds the root of tree, Rose, currant, raspberry, or goutweed, Rhubarb or celery; The smoke's smell, too, Flowing from where a bonfire burns The dead, the waste, the dangerous, And all to sweetness turns. It is enough To smell, to crumble the dark earth, While the robin sings over again Sad songs of Autumn mirth." - A poem called DIGGING.

At a conference of sociologists in America in 1977, love was defined as "the cognitive-affective state characterized by intrusive and obsessive fantasizing concerning reciprocity of amorant feelings by the object of the amorance." That is jargon - the practice of never calling a spade a spade when you might instead call it a manual earth-restructuring implement - and it is one of the great curses of modern English.

When I remember you, Randy, I'm going to smile, not cry. You're a part of me. One of the best parts. I just wanted to tell you that." She stopp up, brushing the headstone once more. "And if you meet someone called Giselda," she whispered, "tell her she's still part of Spade, too. A beautiful part. Please thank her for that.

I'm glad you're still upright, Charles, and the only reason you are is because she didn't have any silver. She'd have staked you right and proper otherwise. She has a tendency to shrivel someone first and then introduce herself afterwards." "That's uncalled for!" I said, insulted at the suggestion that I was homicidal. "Right." Bones let that go. "Kitten, this is my best mate, Charles, but you can call him Spade. Charles, this is Cat, the woman I've been telling you about. You can see for yourself that everything I've said is... an understatement.

No matter what I do, no matter how much I iron down the hair that springs from my scalp, or work as hard as I can, I’m always going to be other to them. Not good enough for this place I’ve tried to call home all my life.

When I see a spade I call it a spade. I'm glad to say I have never seen a spade!

And here is the alternative in which man risks himself, even if almost unconsciously: either you face reality wide open, loyally, with the bright eyes of a child, calling a spade a spade, embracing its entire presence, even its meaning; either this, or you place yourself in front of reality, defend yourself against it, almost with your arms flung in front of your eyes to ward off unwelcomed and unexpected blows.

How much to make her go to her room and stop talking to me?” Cal asked. While I gaped at his rudeness, Gigi coughed a rather obvious “douchebag!” into her fist. I caught her eye and shook my head emphatically. Douche-coughing someone with superhearing was not a responsible choice.

As my father used to say: “Call a jack a jack. Call a spade a spade. But always call a whore a lady. Their lives are hard enough, and it never hurts to be polite.

I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.

I like to call a spade a spade in politics and in everything else. That's why the zionists and the americans... The top officials hate Saddam Hussein. The White House is lying once again. He's a liar. He's the world's number one liar. He said there were chemical weapons in Iraq, and that Iraq is connected with terrorism. Later he declared: 'We didn't find any of this in Iraq.' What I want to say is that he also declared that what Saddam Hussein says is not true... This is defamation of your president of thirty five years.

It is a sad truth, but we have lost the faculty of giving lovely names to things. Names are everything. I never quarrel with actions. My one quarrel is with words. That is the reason why I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.

I don’t trust white people like you do. I obviously don’t think they are all murderers, but I think they are all racist.” “All?” I say, eyebrows raised. “It sounds wild, I know, but racism is a spectrum and they all participate in it in some way. They don’t all have white hoods or call us mean things; I know that. But racism isn’t just about that—it’s not about being nice or mean. Or good versus bad. It’s bigger than that. We’re all in this bubble being affected by the past. The moment they decided they got to be white and have all the power and we got to be Black and be at the bottom, everything changed. If we can’t talk about it honestly, and I mean really talk about it, then what’s the point? I read some Malcom X last year, and I agree with him. Some might even treat you good, like an owner might treat a pet.” “That’s wild,” I say. “Yeah, it is. I think anyone can be nice, but it’s not about being nice. You can’t escape a history like that and not be affected. Us Blacks, we start hating ourselves, and them whites start thinking they’re all better than us. Even if they aren’t thinking it constantly, it’s in there somewhere.

I can see him now in his cart pulled by two deer, followed by a couple of servants. Once carried enough wine to kill Liu Ling, and the other carried a spade to bury him on the spot – so much for Confucian ceremony. When I came to call, he’d greet me stark naked and I can still hear him scream, “The universe is my dwelling place and my house is my only clothes! Why are you entering into my pants?

Before you call a spade a spade, dig a big hole for yourself.

This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.

Oh, did I mention I’m a stripper? Some dudes prefer “male entertainer” or “exotic dancer,” but I call a spade a spade. I spend two nights a week shaking my crotch in happy women’s faces and stripping down to a G-string. Ergo, I’m a stripper.

It was frustrating, the way this siblings worshipped their parents. What part of their worlds would crumble if they took a good look at their parents' flaws? If there was no trauma, why not talk about the everyday, human elements of their upbringing? Call a spade a spade.

I saw to the south a man walking. He was breaking ground in perfect silence. He wore a harness and pulled a plow. His feet trod his figure's blue shadow, and the plow cut a long blue shadow in the field. He turned back as if to check the furrow, or as if he heard a call. Again I saw another man on the plain to the north. This man walked slowly with a spade, and turned the green ground under. Then before me in the near distance I saw the earth itself walking, the earth walking dark and aerated as it always does in every season, peeling the light back: The earth was plowing the men under, and the space, and the plow. No one sees us go under. No one sees generations churn, or civilizations. The green fields grow up forgetting. Ours is a planet sown in beings. Our generations overlap like shingles. We don't fall in rows like hay, but we fall. Once we get here, we spend forever on the globe, most of it tucked under. While we breathe, we open time like a path in the grass. We open time as a boat's stem slits the crest of the present.

...good she had been. Not nice, not merely molto simpatico – how charmingly and effectively these foreign tags assist one in calling a spade by some other name! – but good. You felt the active radiance of her goodness when you were near her…. And that feeling, was that less real and valid than two plus two?

America's industrial success produced a roll call of financial magnificence: Rockefellers, Morgans, Astors, Mellons, Fricks, Carnegies, Goulds, du Ponts, Belmonts, Harrimans, Huntingtons, Vanderbilts, and many more based in dynastic wealth of essentially inexhaustible proportions. John D. Rockefeller made $1 billion a year, measured in today's money, and paid no income tax. No one did, for income tax did not yet exist in America. Congress tried to introduce an income tax of 2 percent on earnings of $4,000 in 1894, but the Supreme Court ruled it unconstitutional. Income tax wouldn't become a regular part of American Life until 1914. People would never be this rich again. Spending all this wealth became for many a more or less full-time occupation. A kind of desperate, vulgar edge became attached to almost everything they did. At one New York dinner party, guests found the table heaped with sand and at each place a little gold spade; upon a signal, they were invited to dig in and search for diamonds and other costly glitter buried within. At another party - possibly the most preposterous ever staged - several dozen horses with padded hooves were led into the ballroom of Sherry's, a vast and esteemed eating establishment, and tethered around the tables so that the guests, dressed as cowboys and cowgirls, could enjoy the novel and sublimely pointless pleasure of dining in a New York ballroom on horseback.

Antonia: I meant to tell you, and then forgot: call a spade a spade, and say 'arse', 'prick', 'cunt', and 'fuck', otherwise the only people who'll understand you will be the scholars of the Capranica think tank - you and your 'rose in the ring', your 'obelisk in the arsenal' your 'leek in the garden', your 'bolt in the door', your 'key in the lock', your 'pestle in the mortar', your 'nightingale in the nest', your 'sapling in the ditch', your 'syringe in the flap-valve', your 'sword in the sheath'; and the same goes for 'the stake', 'the crozier', the parsnip', 'the little monkey', 'his thingummy', 'her thingummy', 'the apples', 'the leaves of the mass book', 'that thingy', 'the graceful whatyamacallit', 'that whatsit', 'that doings', 'that latest news', 'the handle', 'the dart', 'that carrot', 'the root' and all the other shit that comes out of your mouth, but there you go, pussyfooting around. Let your yes mean yes, your no, no, and otherwise, just shut it.

Therefore I call a spade a spade, and not a flat bladed instrument for the redistribution of granular matter.

It reminded me that, for all that you love to call a spade a spade, the spade is always a symbol for something else.

I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one.

The function of a writer is to call a spade a spade. If words are sick, it is up to us to cure them. Instead of that, many writers live off this sickness. In many cases modern literature is a cancer of words. ... There is nothing more deplorable than the literary practice which, I believe, is called poetic prose and which consists of using words for the obscure harmonics which reosund about them and which are made up of vague meanings which are in contradiction with the clear meaning. .... That is not all: we are living in an age of mystifications. Some are fundamental ones which are due to the structure of society; some are secondary. At any rate, the social order today rests upon the mystification of consciousness, as does disorder as well.

He blinks, then chuckles a little, relaxing as if Bronca calling a spade a spade has finally made him feel better about the whole thing. Probably gets laid a lot with that face, but no idea how to do an actual relationship. Also figures that the personification of Manhattan is two-spirit, too. She snorts a little at the thought. Maybe Stonewall was worth something after all. Anyway.

Names are everything. I never quarrel with actions. My one quarrel is with words. That is the reason I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.

Who came up with the password Quasimodo?” Spade muttered as he got out of his car. “Hello, Spade,” I called out, shaking the debris off the rake I’d made from thin strips of metal and a truck axle. Spade stared up at me, revulsion and disbelief competing on his handsome face. “Lucifer’s hairy ball sack. You’ve become a Morlock.

When the words are suspicious, go after them, insist they tell us what they mean. Go after the meaning of the words. And if the speakers say they are the kind who call things as they see them, that they don’t mince words, and call a spade a spade if not a bloody shovel, go after them even harder. They’re often the worst liars of the lot.

This is in thee a nature but infected; A poor unmanly melancholy sprung From change of fortune. Why this spade? this place? This slave-like habit? and these looks of care? Thy flatterers yet wear silk, drink wine, lie soft; Hug their diseased perfumes, and have forgot That ever Timon was. Shame not these woods, By putting on the cunning of a carper. Be thou a flatterer now, and seek to thrive By that which has undone thee: hinge thy knee, And let his very breath, whom thou'lt observe, Blow off thy cap; praise his most vicious strain, And call it excellent: thou wast told thus; Thou gavest thine ears like tapsters that bid welcome To knaves and all approachers: 'tis most just That thou turn rascal; hadst thou wealth again, Rascals should have 't. Do not assume my likeness.

The open society, it is asserted, is actually impossible. Its possibility is not proved at all by what is called the progress toward the open society. For that progress is largely fictitious or merely verbal. Certain basic facts of human nature which have been honestly recognized by earlier generations who used to call a spade a spade, are at the present time verbally denied, superficially covered over by fictions legal and others, e.g., by the belief that one can abolish war by pacts not backed by military forces punishing him who breaks the pact, or by calling ministries of war ministries of defense or by calling punishment sanctions, or by calling capital punishment das höchste Strafmaß. The open society is morally inferior to the closed society also because the former is based on hypocrisy.

Black milk of daybreak we drink it at sundown we drink it at noon in the morning we drink it at night we drink and we drink it we dig a grave in the breezes there one lies unconfined A man lives in the house he plays with the serpents he writes he writes when dusk falls to Germany your golden hair Margarete he writes it and steps out of doors and the stars are flashing he whistles his pack out he whistles his Jews out in earth has them dig for a grave he commands us strike up for the dance Black milk of daybreak we drink you at night we drink in the morning at noon we drink you at sundown we drink and we drink you A man lives in the house he plays with the serpents he writes he writes when dusk falls to Germany your golden hair Margarete your ashen hair Shulamith we dig a grave in the breezes there one lies unconfined He calls out jab deeper into the earth you lot you others sing now and play he grabs at the iron in his belt he waves it his eyes are blue jab deeper you lot with your spades you others play on for the dance Black milk of daybreak we drink you at night we drink you at noon in the morning we drink you at sundown we drink and we drink you A man lives in the house your golden hair Margarete your ashen hair Shulamith he plays with the serpents He calls out more sweetly play death death is a master from Germany he calls out more darkly now stroke your strings then as smoke you will rise into air then a grave you will have in the clouds there one lies unconfined Black milk of daybreak we drink you at night we drink you at noon death is a master from Germany we drink you at sundown and in the morning we drink and we drink you death is a master from Germany his eyes are blue he strikes you with leaden bullets his aim is true a man lives in the house your golden hair Margarete he sets his pack on to us he grants us a grave in the air he plays with the serpents and daydreams death is a master from Germany your golden hair Margarete your ashen hair Shulamith ("Death Fugue")

She wasn’t going to let them make her cry. She’d cried enough self-pitying tears in her life to drown a goat, and all it had gotten her was a big fat nothing. She made herself take a deep breath, but it didn’t help break the traffic jam in her throat. Might as well call a spade a spade. That traffic jam came from shame. There was a big difference between knowing people still hated your guts and seeing it in their faces.

We know from Moses that the world was not in existence before 6,000 years ago. . . . He calls “a spade a spade,” i.e., he employs the term “day” and “evening” without allegory, just as we customarily do . . . we assert that Moses spoke in the literal sense, not allegorically or figuratively, i.e., that the world, with all its creatures, was created within six days, as the words read. If we do not comprehend the reason for this, let us remain pupils and leave the job of the teacher to the Holy Spirit.

That girl didn’t have a moment’s peace from the day Adriano Dardano set foot in Galway and started chasing her.” Sister Brannigan said, as she led them around the convent garden. “Nice of Francesca to stay still for him to catch her then wasn’t it?” Alessandro remarked dryly. “Mmph,” the nun responded. “My grandfather loved Francesca,” Alessandro insisted. “Far be it from me to speak ill of the dead. But let’s call a spade a spade, hmm? Your grandfather was a charmer. Now perhaps he didn’t realize just how naïve our Francesca was and how besotted with him she was.” “Mmm, very generous of you,” Alessandro grumbled. “I will say that on the times he brought some food he had made with Francesca up to the convent, it was clear he had a wonderful talent in the kitchen. Now mind ye, the Italian food was a bit rich for my taste but still, rather good.” “I’m sure my grandfather’s resting easier in his grave now that the holy sister has complimented his cooking,” Alessandro whispered in Bree’s ear making, her laugh out loud and Sister Brannigan turn to her in question.

French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.

When I was a young man, I loved to write poems And I called a spade a spade And the only only thing that made me sing Was to lift the masks at the masquerade. I took them off my own face, I took them off others too And the only only wrong in all my song Was the view that I knew what was true. Now I am older and tireder too And the tasks with the masks are quite trying. I’d gladly gladly stop if I only only knew A better way to keep from lying, And not get nervous and blue When I said something quite untrue: I looked all around and all over To find something else to do: I tried to be less romantic I tried to be less starry-eyed too: But I only got mixed up and frantic Forgetting what was false and what was true. But tonight I am going to the masked ball, Because it has occurred to me That the masks are more true than the faces: —Perhaps this too is poetry? I no longer yearn to be naïve and stern And masked balls fascinate me: Now that I know that most falsehoods are true Perhaps I can join the charade? This is, at any rate, my new and true view: Let live and believe, I say. The only only thing is to believe in everything: It’s more fun and safer that way!

Data that did not fit the commonly accepted assumptions of a discipline would either be discounted or explained away for as long as possible. The more contradictions accumulated, the more convoluted the rationalizations became. 'In science, as in the playing card experiment, novelty emerges only with difficulty,' Kuhn wrote. But then, finally, someone came along who was willing to call a red spade a red spade. Crisis led to insight, and the old framework gave way to a new one. This is how great scientific discoveries or, to use the term Kuhn made so popular, 'paradigm shifts' took place.

So you're not upset about the fact that I was...tracking you?" He flashed his dimple at me. "Think we can call a spade a spade. You were stalking me." I grunted, not agreeing but not denying it either. "But no." Matty smiled shyly, toying with a button on my shirt. My cock twitched as his fingertip grazed my skin. "I'm not upset about that. Actually, I think it's quite...flattering. Like maybe you were thinking of me as much as I was thinking of you." Fuck. I was on dangerous ground here. "You shouldn't look at it that way. It's toxic, red flag behaviour." His teeth sank into his lower lip as he looked up at me from under his lashes. "Did I ever tell you I'm colour blind?

When I graduated from college and joined Spade Hotels, my father pulled me aside. He said there are two things anyone can control when they’re starting a new job. The first is your reputation. How you treat others, how you demand respect. How dedicated you are to the job. Maybe a coworker doesn’t end up liking you, maybe your personalities clash, but don’t give them a chance to call you lazy or for them to question your work ethic. In a work environment, your reputation is all you have.” I paused as the waitress dropped off another round of drinks, and I downed the rest of mine before I handed her the empty. “The second is punctuality. Neither my father nor Walter tolerates anyone being late.

lucky.” I didn’t like his joke, not at all. “I’m serious, Fritz. Something bad is going to happen.” “It’s only leftover worries from yesterday.” Fritz stared at me a moment too long, as if trying to convince himself of his own words. “Now let’s get to work.” Things went fine for a few hours. I was in the garden, clearing more weeds, and had already emptied out a lot of the dirt from the basement. But then I saw Fritz at the basement window, hissing at me to come inside, and to hurry. His eyes were so wide, I could see the whites from here. The reason for the pit in my gut. I dropped the spade and hurried for the building, careful not to make it look like anything was unusual, if anyone was watching. But when I ducked inside, Fritz had already returned to the shelter, and I breathlessly raced to follow. “What’s the matter?” I called while descending the ladder. My answer came as soon as I entered the tunnel. Water trickled beneath my feet and sank into the soil, creating a dense mud. The farther I walked, the more water there was. At the back of the tunnel, Fritz had exposed a pipe that was now spurting out pressurized water like a fireman’s hose. The hole in it wasn’t large, but it was enough to cause significant damage and was getting worse. The streams of water tore dirt from the walls and sent it in chunks to the ground. Our tunnel was flooding, and if we didn’t find a way to stop the water, it would collapse entirely. “How

I don’t trust white people like you do. I obviously don’t think they are all murderers, but I think they are all racist.” “All?” I say, eyebrows raised. “It sounds wild, I know, but racism is a spectrum and they all participate in it in some way. They don’t all have white hoods or call us mean things; I know that. But racism isn’t just about that—it’s not about being nice or mean. Or good versus bad. It’s bigger than that. We’re all in this bubble being affected by the past. The moment they decided they got to be white and have all the power and we got to be Black and be at the bottom, everything changed. If we can’t talk about it honestly, and I mean really talk about it, then what’s the point? I read some Malcom X last year, and I agree with him. Some might even treat you good, like an owner might treat a pet.

The great self-limitation practiced by man for ten centuries yielded, between the fourteenth and seventeenth centuries, the whole flower of the so-called "Renaissance." The root, usually, does not resemble the fruit in appearance, but there is an undeniable connection between the root's strength and juiciness and the beauty and taste of the fruit. The Middle Ages, it seems, have nothing in common with the Renaissance and are opposite to it in every way; nonetheless, all the abundance and ebullience of human energies during the Renaissance were based not at all on the supposedly "renascent" classical world, nor on the imitated Plato and Virgil, nor on manuscripts torn from the basements of old monasteries, but precisely on those monasteries, on those stern Franciscians and cruel Dominicans, on Saints Bonaventure, Anselm of Canterbury, and Bernard of Clairvaux. The Middle Ages were a great repository of human energies: in the medieval man's asceticism, self-abnegation, and contempt for his own beauty, his own energies, and his own mind, these energies, this heart, and this mind were stored up until the right time. The Renaissance was the epoch of the discovery of this trove: the thin layer of soil covering it was suddenly thrown aside, and to the amazement of following centuries dazzling, incalculable treasures glittered there; yesterday's pauper and wretched beggar, who only knew how to stand on crossroads and bellow psalms in an inharmonious voice, suddenly started to bloom with poetry, strength, beauty, and intelligence. Whence came all this? From the ancient world, which had exhausted its vital powers? From moldy parchments? But did Plato really write his dialogues with the same keen enjoyment with which Marsilio Ficino annotated them? And did the Romans, when reading the Greeks, really experience the same emotions as Petrarch, when, for ignorance of Greek, he could only move his precious manuscripts from place to place, kiss them now and then, and gaze sadly at their incomprehensible text? All these manuscripts, in convenient and accurate editions, lie before us too: why don't they lead us to a "renascence" among us? Why didn't the Greeks bring about a "renascence" in Rome? And why didn't Greco-Roman literature produce anything similar to the Italian Renaissance in Gaul and Africa from the second to the fourth century? The secret of the Renaissance of the fourteenth-fifteenth centuries does not lie in ancient literature: this literature was only the spade that threw the soil off the treasures buried underneath; the secret lies in the treasures themselves; in the fact that between the fourth and fourteenth centuries, under the influence of the strict ascetic ideal of mortifying the flesh and restraining the impulses of his spirit, man only stored up his energies and expended nothing. During this great thousand-year silence his soul matured for The Divine Comedy; during this forced closing of eyes to the world - an interesting, albeit sinful world-Galileo was maturing, Copernicus, and the school of careful experimentation founded by Bacon; during the struggle with the Moors the talents of Velasquez and Murillo were forged; and in the prayers of the thousand years leading up to the sixteenth century the Madonna images of that century were drawn, images to which we are able to pray but which no one is able to imitate. ("On Symbolists And Decadents")

He was digging in his garden--digging, too, in his own mind, laboriously turning up the substance of his thought. Death--and he drove in his spade once, and again, and yet again. And all our yesterdays have lighted fools they way to dusty death. A convincing thunder rumbled through the words. He lifted another spadeful of earth. Why had Linda died? Why had she been allowed to become gradually less than human and at last... He shuddered. A good kissing carrion. He planted his foot on his spade and stamped it fiercely into the tough ground. As flies to wanton boys are we to the gods; they kills us for their sport. Thunder again; words that proclaimed themselves true--truer somehow than truth itself. And yet that same Gloucester had called them ever-gentle gods. Besides, thy best of rest is sleep, and that thou oft provok'st; yet grossly fear'st thy death which is no more. No more than sleep. Sleep. Perchance to dream. His spade struck against a stone; he stooped to pick it up. For in that sleep of death, what dreams...?

The Duration Here they are are on the beach where the boy played for fifteen summers, before he grew too old for French cricket, shrimping and rock pools. Here is the place where he built his dam year after year. See, the stream still comes down just as it did, and spreads itself on the sand into a dozen channels. How he enlisted them: those splendid spades, those sunbonneted girls furiously shoring up the ramparts. Here they are on the beach, just as they were those fifteen summers. She has a rough towel ready for him. The boy was always last out of the water. She would rub him down hard, chafe him like a foal up on its legs for an hour and trembling, all angles. She would dry carefully between his toes. Here they are on the beach, the two of them sitting on the same square of mackintosh, the same tartan rug. Quality lasts. There are children in the water, and mothers patrolling the sea's edge, calling them back from the danger zone beyond the breakers. How her heart would stab when he went too far out. Once she flustered into the water, shouting until he swam back. He was ashamed of her then. Wouldn't speak, wouldn't look at her even. Her skirt was sopped. She had to wring out the hem. She wonders if Father remembers. Later, when they've had their sandwiches she might speak of it. There are hours yet. Thousands, by her reckoning.

Mr. Fish told my mother that he would make a “gift” of Sagamore’s body—to my grandmother’s roses. He implied that a dead dog was highly prized, among serious gardeners; my grandmother wished to be brought into the discussion, and it was quickly agreed which rosebushes would be temporarily uprooted, and replanted, and Mr. Fish began with the spade. The digging was much softer in the rose bed than it would have been in Mr. Fish’s yard, and the young couple and their baby from down the street were sufficiently moved to attend the burial, along with a scattering of Front Street’s other children; even my grandmother asked to be called when the hole was ready, and my mother—although the day had turned much colder—wouldn’t even go inside for a coat. She wore dark-gray flannel slacks and a black, V-necked sweater, and stood hugging herself, standing first on one foot, then on the other, while Owen gathered strange items to accompany Sagamore to the underworld. Owen was restrained from putting the football in the burlap sack, because Mr. Fish—while digging the grave—maintained that football was still a game that would give us some pleasure, when we were “a little older.” Owen found a few well-chewed tennis balls, and Sagamore’s food dish, and his dog blanket for trips in the car; these he included in the burlap sack, together with a scattering of the brightest maple leaves—and a leftover lamb chop that Lydia had been saving for Sagamore (from last night’s supper).

I think one of the reasons my family survived its difficult times and is so close today is because we are always laughing at one another’s faults and mistakes, and despite whatever injustices are done, we have a good time doing it. We aren’t afraid to poke fun at one another and no one ever takes it personal for long. My brothers and I are highly competitive and world-class trash-talkers, and if you ever walk in while we are playing cards or dominoes--just like our games with Granny and Pa--you probably would think someone is fixing to die. Our neighbor, who was about my parents’ age, came over to our house once looking for my mom. She found my brothers and me playing the card game hearts. She offered to be the fourth. But about midway through the second hand, we looked up and she had tears streaming down her face. She threw her cards in the middle of the table, declared she didn’t want to play anymore, and left the house. We were a bit miffed about it and didn’t realize until later that our trash talking had led to her emotional exit. Another time, I brought a girl from high school down to my parents’ house for supper and cards because she told me she was quite the spades player. Halfway through the game, she was crying hysterically. Her sister later stood nose to nose with me and gave me quite the tongue-lashing. I came to realize that our banter was a bit extreme to people outside of our family. Maybe that is one of the reasons I married a woman who couldn’t care less about winning or losing any game.

Then one night he brought home a beautiful red-haired woman and took her into our bed with me. She was a high-class call girl employed by the well-known Madame Claude. It never occurred to me to object. I took my cues from him and threw myself into the threesome with the skill and enthusiasm of the actress that I am. If this was what he wanted, this was what I would give him—in spades. As feminist poet Robin Morgan wrote in Saturday’s Child on the subject of threesomes, “If I was facing the avant-garde version of keeping up with the Joneses, by god I’d show ’em.” Sometimes there were three of us, sometimes more. Sometimes it was even I who did the soliciting. So adept was I at burying my real feelings and compartmentalizing myself that I eventually had myself convinced I enjoyed it. I’ll tell you what I did enjoy: the mornings after, when Vadim was gone and the woman and I would linger over our coffee and talk. For me it was a way to bring some humanity to the relationship, an antidote to objectification. I would ask her about herself, trying to understand her history and why she had agreed to share our bed (questions I never asked myself!) and, in the case of the call girls, what had brought her to make those choices. I was shocked by the cruelty and abuse many had suffered, saw how abuse had made them feel that sex was the only commodity they had to offer. But many were smart and could have succeeded in other careers. The hours spent with those women informed my later Oscar-winning performance of the call girl Bree Daniel in Klute. Many of those women have since died from drug overdose or suicide. A few went on to marry high-level corporate leaders; some married into nobility. One, who remains a friend, recently told me that Vadim was jealous of her friendship with me, that he had said to her once, “You think Jane’s smart, but she’s not, she’s dumb.” Vadim often felt a need to denigrate my intelligence, as if it would take up his space. I would think that a man would want people to know he was married to a smart woman—unless he was insecure about his own intelligence. Or unless he didn’t really love her.

In the tumultuous business of cutting-in and attending to a whale, there is much running backwards and forwards among the crew. Now hands are wanted here, and then again hands are wanted there. There is no staying in any one place; for at one and the same time everything has to be done everywhere. It is much the same with him who endeavors the description of the scene. We must now retrace our way a little. It was mentioned that upon first breaking ground in the whale’s back, the blubber-hook was inserted into the original hole there cut by the spades of the mates. But how did so clumsy and weighty a mass as that same hook get fixed in that hole? It was inserted there by my particular friend Queequeg, whose duty it was, as harpooneer, to descend upon the monster’s back for the special purpose referred to. But in very many cases, circumstances require that the harpooneer shall remain on the whale till the whole flensing or stripping operation is concluded. The whale, be it observed, lies almost entirely submerged, excepting the immediate parts operated upon. So down there, some ten feet below the level of the deck, the poor harpooneer flounders about, half on the whale and half in the water, as the vast mass revolves like a tread-mill beneath him. On the occasion in question, Queequeg figured in the Highland costume—a shirt and socks—in which to my eyes, at least, he appeared to uncommon advantage; and no one had a better chance to observe him, as will presently be seen. Being the savage’s bowsman, that is, the person who pulled the bow-oar in his boat (the second one from forward), it was my cheerful duty to attend upon him while taking that hard-scrabble scramble upon the dead whale’s back. You have seen Italian organ-boys holding a dancing-ape by a long cord. Just so, from the ship’s steep side, did I hold Queequeg down there in the sea, by what is technically called in the fishery a monkey-rope, attached to a strong strip of canvas belted round his waist. It was a humorously perilous business for both of us. For, before we proceed further, it must be said that the monkey-rope was fast at both ends; fast to Queequeg’s broad canvas belt, and fast to my narrow leather one. So that for better or for worse, we two, for the time, were wedded; and should poor Queequeg sink to rise no more, then both usage and honor demanded, that instead of cutting the cord, it should drag me down in his wake. So, then, an elongated Siamese ligature united us. Queequeg was my own inseparable twin brother; nor could I any way get rid of the dangerous liabilities which the hempen bond entailed. So strongly and metaphysically did I conceive of my situation then, that while earnestly watching his motions, I seemed distinctly to perceive that my own individuality was now merged in a joint stock company of two; that my free will had received a mortal wound; and that another’s mistake or misfortune might plunge innocent me into unmerited disaster and death. Therefore, I saw that here was a sort of interregnum in Providence; for its even-handed equity never could have so gross an injustice. And yet still further pondering—while I jerked him now and then from between the whale and ship, which would threaten to jam him—still further pondering, I say, I saw that this situation of mine was the precise situation of every mortal that breathes; only, in most cases, he, one way or other, has this Siamese connexion with a plurality of other mortals. If your banker breaks, you snap; if your apothecary by mistake sends you poison in your pills, you die. True, you may say that, by exceeding caution, you may possibly escape these and the multitudinous other evil chances of life. But handle Queequeg’s monkey-rope heedfully as I would, sometimes he jerked it so, that I came very near sliding overboard. Nor could I possibly forget that, do what I would, I only had the management of one end of it.

It was music first of all that brought us together. Without being professionals or virtuosos, we were all passionate lovers of music; but Serge dreamed of devoting himself entirely to the art. All the time he was studying law along with us, he took singing lessons with Cotogni, the famous baritone of the Italian Opera; while for musical theory, which he wanted to master completely so as to rival Moussorgsky and Tchaikovsky, he went to the very source and studied with Rimsky-Korsakov. However, our musical tastes were not always the same. The quality our group valued most was what the Germans call Stimmung, and besides this, the power of suggestion and dramatic force. The Bach of the Passions, Gluck, Schubert, Wagner and the Russian composers – Borodin in ‘Prince Igor’, Rimsky and, above all, Tchaikovsky, were our gods. Tchaikovsky’s ‘Queen of Spades’ had just been performed for the first time at the Opera of St Petersburg, and we were ecstatic about its Hoffmannesque element, notably the scene in the old Countess’s bedroom. We liked the composer’s famous Romances much less, finding them insipid and sometimes trivial. These Romances, however, were just what Diaghilev liked. What he valued most was broad melody, and in particular whatever gave a singer the chance to display the sensuous qualities of his voice. During the years of his apprenticeship he bore our criticisms and jokes with resignation, but as he learned more about music – and about the history of art in general – he gained in self-confidence and found reasons to justify his predilections. There came a time when not only did he dare to withstand our attacks but went on to refute our arguments fiercely.

However, my sense of hospitality decreases in direct proportion to the number of glasses of wine that I've had, so by dessert and coffee time I am usually far too relaxed (all right then, far too drunk, if you will insist on calling a spade a spade) and no longer feel any need to clear the table.

St Cuthbert was called to be a hermit on Lindis­farne. This was more than a thousand years ago. There were only small wooden huts there then, and the wind and the wild sea and everything that lived in the wild sea. Cuthbert went out there to the mon­astery, but the monastery was not far enough and he was called out further. He rowed to an empty island, where he ate onions and the eggs of seabirds and stood in the sea and prayed while sea otters played around his ankles. He lived there alone for years, but then he was called back. The King of Northumbria came to him with some churchmen, and they told him he had been elected Bishop of Lindisfarne and they asked him to come back and serve. There’s a Victorian painting of the king and the her­mit. Cuthbert wears a dirty brown robe and has one calloused hand on a spade. The king is offering him a bishop’s crosier. Behind him, monks kneel on the sands and pray he will accept it. Behind them are the beached sailboats that brought them to the island. The air is filled with swallows. Cuthbert’s head is turned away from the king, he looks down at the ground and his left hand is held up in a gesture of refusal. But he didn’t refuse, in the end. He didn’t refuse the call. He went back. We head out because the emptiness negates us. We leave the cities and we go to the wild high places to be dissolved and to be small. We live and die at once, the topsoil is washed away and the rock is exposed and it is not possible to play the games anymore. Now I am exposed rock. Like Cuthbert, I have been washed clean. What do I see?

Jimmy’s goal since childhood, he explained to Siegel, had been to join the cast of Saturday Night Live. He was endearing. After a two-hour call, Siegel offered to represent him. She had one question, however. “Why don’t you stay and graduate?” Jimmy was a semester shy of a degree. Siegel suggested that they get started in the summer, so he’d have a bachelor’s degree to fall back on, just in case. “No, no,” Jimmy insisted. “I need to get on Saturday Night Live, and you’re going to make it happen, because you know Adam Sandler! I don’t want to do anything else.” Siegel knew this was a long shot—and a long-term endeavor—especially for an out-of-town kid with zero acting credits. But for some reason, she couldn’t turn him down; she had never met someone as focused and passionate about a single dream as this grinning bumpkin from the tiny town of Saugerties, New York. And though his skills were rough, given some time in the industry, she thought he might just make it. “OK, let’s do this,” she said. So, in January 1996 Jimmy quit college and moved to Los Angeles. For six months, Siegel booked him gigs on small, local stand-up comedy stages. Then, without warning, SNL put a call out for auditions; three cast members would be leaving the show. Having worked with one of the departing actors, David Spade, Siegel pulled a few strings and arranged a Hail Mary for the young Jimmy Fallon: an audition at The Comic Strip. SO HERE HE WAS. Fresh-faced, sweating in his light shirt, holding his Troll doll. In front of Lorne Michaels and a phalanx of Hollywood shakers. When Jimmy ended his three-minute bit, the audience clapped politely. True to his reputation, Michaels didn’t laugh. Not once. Jimmy went home and awaited word. Finally, the results came: SNL had invited Tracy Morgan, Ana Gasteyer, and Chris Kattan, each of whom had hustled in the comedy scene for years, to join the cast. Jimmy—the newbie whose well-connected manager had finagled an invite—was crushed. “Was he completely raw? A hundred percent,” Siegel says. But, the SNL people said, “Let’s keep an eye on him.

Now, that is what I call flying!” Spade said. “No,

All implements of war or industry known to the early Hawaiians were made either of wood, stone, or bone, as the islands are destitute of metals; but with these rude helps they laid up hewn-stone walls, felled trees, made canoes and barges, manufactured cloths and cordage, fashioned weapons, constructed dwellings and temples, roads and fish-ponds, and tilled the soil. They had axes, adzes and hammers of stone, spades of wood, knives of flint and ivory, needles of thorn and bone, and spears and daggers of hardened wood. They wove mats for sails and other purposes, and from the inner bark of the paper mulberry-tree beat out a fine, thin cloth called kapa, which they ornamented with colors and figures.

That was the problem with the whole goddamn world; nobody had balls enough to call a spade a spade. Dead was dead; it was a hell of a lot more permanent than a milquetoast “not being here.

Among the organizational means that humans have used to commit aggression against each other, those recognized as governments have been by far the most harmful. However they have not been the only institutional instruments of aggression. Other institutions – churches, corporations, groups such as the mafia and the narco-cartels, etc. – have also committed aggression on a scale that exceeds the individual capacity for evil. Although they did not call themselves governments, one could say they acted governmentally. Meanwhile, though rarely, some governments have mostly left people in peace. Therefore I say that government is as government does.

The greatest fart ive herd of all time came from a man called big al bundy. As we were leaving work, he was in full momentum walking with great pace and a spring in his step telling every one a story. And then came straight outa crapton, RUMPA, PUMP, THUMP!. In a 3 part fart it hesitated to exit big al on first and second attempt, but on the 3rd and final push he flexed his right leg giving more rev than a Ferrari. He let off an atomic bomb, it could have welded the titanic back together. Best part about it, bundy just kept on bobbing along outa work with his spade in hand and wife beater tucked into levies.

The casting had been more difficult. Macdonnell and Meston both wanted William Conrad for the lead, but CBS objected. Conrad was known as a heavy from his movie roles (Body and Soul; Sorry, Wrong Number; The Killers). He was also a busy radio actor (Escape, Suspense, The Adventures of Sam Spade, many others) with a distinctive air presence. As Conrad told Hickman: “I think when they started casting for it, somebody said, ‘Good Christ, let’s not get Bill Conrad, we’re up to you-know-where with Bill Conrad.’ So they auditioned everybody, and as a last resort they called me. And I went in and read about two lines … and the next day they called me and said, ‘Okay, you have the job.

I want to call you but I can't because this thing we have has an expiration date...

We need not be afraid of being portrayed as unswayed fellows. Calling a spade a spade is no hate speech, rather it will likely dissuade the inexperienced from joining the parade of immorality that invade them.

Plus, he was a plainspoken man. Four decades later, when former Mistys were interviewed, they to a man spoke of Day’s bluntness. “He called a spade a fucking spade,” one said.

is a tradition they call social eugenics.

It was a power grab, plain and simple. I had seen it a thousand times throughout history. Hardly anyone had other people’s best interests at heart. It wasn’t the way of the world. Not to say hope was lost or anything, but let’s call a spade a spade: people could be douches.

Beyond these, illuminated by past summers, one summer remained that stayed the sun long into the night after you had watched the others; others with their fathers knee-deep, belly-button unconcerned, roly-poly mothers stretching out of the sea. Whiter than starch hands on bat and ball, you failed to catch. Tents, buckets, spades; others that went on digging barricades. You castle-bound, spying on princesses, honey-gold, singing against the blue, if touched surely their skin would ooze? Aware of own smell, skin-texture, sun in eyes, lips, toes, the softness underneath, in between, wondering what miracle made you, the sky, the sea. Conscious of sound, gulls hovering, crying, or silent at rarer intervals, their swift turns before being swallowed by the waves. Then no sound, all suddenly would be soundless, treading softly, dividing rocks with fins, and sword-fish fingers plucking away clothes, that were left with your anatomy, huddled like ruffled birds waiting. A chrysalis heart formed on the water’s surface, away from the hard-polished pebbles, sand-blowing and elongated shadows. Away, faster than air itself, dragon-whirled. Be given to, the sliding of water, to forget, be forgotten; premature thoughts—predetermined action. In a moment fixed between one wave and the next, the outline of what might be ahead. On your back, staring into space, becoming part of the sky, a speckled bird’s breast that opened up at the slightest notion on your part. But the hands, remember the hands that pulled your legs, that doubled you up, and dragged you down? Surprised at non-resistance. Voices that called, creating confusion. Cells tighter than shells, you spinning into spirals, quick-silver, thrashing the water, making stars scatter. Narcissus above, staring at a shadow-bat spreading out, finally disappearing into the very centre of the ocean. They were always there waiting by the edge, behind them the cliffs extended. Your head disembodied, bouncing above the separate force of arms and legs, rhythmical, the glorious sensation of weightlessness, moon-controlled, and far below your heart went on exploring, no matter how many years came between, nor how many people were thrust into focus. That had surely been the beginning, the separating of yourself from the world that no longer revolved round you, the awareness of becoming part of, merging into something else, no longer dependent upon anyone, a freedom that found its own reality, half of you the constant guardian, watching your actions, your responses, what you accepted, what you might reject.

I’m so tortured. I listen to The 1975. I dyed my hair pink to be ironic since, you know, my soul is black, and my Christian name is Peter, but my clan calls me Tortured Stone—because I’m obviously tortured but really badass.

Come on now, Reverend. Let’s be realistic about this matter! I mean—well, to call a spade a spade—” He halted. “I mean—Hell, you know what I mean.” “Yes,” I said. “I know I’m going to be hung.

You’re more selfish for stringing along someone who thinks you are willing to make sacrifices for them than you would be for calling a spade a spade and living your life unapologetically.

When I called you cocky on the plane, I had no idea you were this cocky.

In thinking about my success as a scientist, I do not attribute it to any especially great intelligence. I have met many people far more intelligent than I am who have been much less successful. I believe that two specific attributes have made me successful. First is the intense and uncontrollable passion that I have for doing research. I do not know where this passion comes from, but it has always been there. The second attribute is what in recent years has been called “grit” and refers to attributes of perseverance and resilience. I believe that I have grit in spades.

It was that spark in her—the innate fight that stiffened her spine—that drove me wild. She stood up for herself and those around her, calling a spade a spade without apology. Her ferocity called to an elemental part of me that wanted to coerce the lioness to show me her soft underside. To convince her to walk beside me rather than battle against me. It was madness. A sickness in my bloodstream that I was powerless against.

my father used to say: “Call a jack a jack. Call a spade a spade. But always call a whore a lady. Their lives are hard enough, and it never hurts to be polite.

It is about time that, atheist or no, we call a spade a spade, and outed lies, and suspicious statements are placed against the backdrop of a linguistic litmus test.

During NASA’s first fifty years the agency’s accomplishments were admired globally. Democratic and Republican leaders were generally bipartisan on the future of American spaceflight. The blueprint for the twenty-first century called for sustaining the International Space Station and its fifteen-nation partnership until at least 2020, and for building the space shuttle’s heavy-lift rocket and deep spacecraft successor to enable astronauts to fly beyond the friendly confines of low earth orbit for the first time since Apollo. That deep space ship would fly them again around the moon, then farther out to our solar system’s LaGrange points, and then deeper into space for rendezvous with asteroids and comets, learning how to deal with radiation and other deep space hazards before reaching for Mars or landings on Saturn’s moons. It was the clearest, most reasonable and best cost-achievable goal that NASA had been given since President John F. Kennedy’s historic decision to land astronauts on the lunar surface. Then Barack Obama was elected president. The promising new chief executive gave NASA short shrift, turning the agency’s future over to middle-level bureaucrats with no dreams or vision, bent on slashing existing human spaceflight plans that had their genesis in the Kennedy, Johnson, Nixon, Ford, Carter, Reagan, Bush, Clinton, and Bush White Houses. From the starting gate, Mr. Obama’s uncaring space team rolled the dice. First they set up a presidential commission designed to find without question we couldn’t afford the already-established spaceflight plans. Thirty to sixty thousand highly skilled jobs went on the chopping block with space towns coast to coast facing 12 percent unemployment. $9.4 billion already spent on heavy-lift rockets and deep space ships was unashamedly flushed down America’s toilet. The fifty-year dream of new frontiers was replaced with the shortsighted obligations of party politics. As 2011 dawned, NASA, one of America’s great science agencies, was effectively defunct. While Congress has so far prohibited the total cancellation of the space agency’s plans to once again fly astronauts beyond low earth orbit, Obama space operatives have systematically used bureaucratic tricks to slow roll them to a crawl. Congress holds the purse strings and spent most of 2010 saying, “Wait just a minute.” Thousands of highly skilled jobs across the economic spectrum have been lost while hundreds of billions in “stimulus” have been spent. As of this writing only Congress can stop the NASA killing. Florida’s senior U.S. Senator Bill Nelson, a Democrat, a former spaceflyer himself, is leading the fight to keep Obama space advisors from walking away from fifty years of national investment, from throwing the final spade of dirt on the memory of some of America’s most admired heroes. Congressional committees have heard from expert after expert that Mr. Obama’s proposal would be devastating. Placing America’s future in space in the hands of the Russians and inexperienced commercial operatives is foolhardy. Space legend John Glenn, a retired Democratic Senator from Ohio, told president Obama that “Retiring the space shuttles before the country has another space ship is folly. It could leave Americans stranded on the International Space Station with only a Russian spacecraft, if working, to get them off.” And Neil Armstrong testified before the Senate’s Commerce, Science & Transportation Committee that “With regard to President Obama’s 2010 plan, I have yet to find a person in NASA, the Defense Department, the Air Force, the National Academies, industry, or academia that had any knowledge of the plan prior to its announcement. Rumors abound that neither the NASA Administrator nor the President’s Science and Technology Advisor were knowledgeable about the plan. Lack of review normally guarantees that there will be overlooked requirements and unwelcome consequences. How could such a chain of events happen?

Call a jack a jack. Call a spade a spade. But always call a whore a lady. Their lives are hard enough, and it never hurts to be polite.” Hetera

Discoverer of Göbekli Tepe and its chief excavator, Dr Klaus Schmidt, famously warned against what he called ‘Holy Land Syndrome,’ which is the propensity for archaeologists to head out into the field with a spade in one hand and a Bible in the other. Holy Land Syndrome precludes the finding of something you didn’t already expect to find.

The mother of a student in Europe who was between his junior and senior years of high school called Motto in a frantic state. She had just read somewhere that college admissions offices looked for kids who had spent their summers in enriching ways, ideally doing charity work, and her son was due to be on vacation with the rest of the family in August. “Should we ditch our plans,” she asked Motto, “and have him build dirt roads?” Motto reminded her that she lived in a well-paved European capital. “Where would these dirt roads be?” he said. “India?” she suggested. “Africa?” She hadn’t worked it out. But if Yale might be impressed by an image of her son with a small spade, large shovel, rake or jackhammer in his chafed hands, she was poised to find a third-world setting that would produce that sweaty and ennobling tableau.

...Why haven’t we had sex in six days?” “Because you have a bullet wound.” She cocked her head. Devin braced himself for the barrage of bullshit she was about to spew. “Last I checked, I didn’t get shot in the pussy; I got shot in the arm. And since you’re not into armpit fucking, there shouldn’t be a problem.” Her gaze dropped to his crotch. “Or is there?

Free to call a spade a spade (and a cock a cock).

It’s another reason I fight. When you’re someone like me, there’s nowhere to go for depression. Hell, I don’t need some fucking head shrink to call a spade a spade. My wiring is fucked up and fighting cures all my evils. A

There is no greater will on earth than the will to survive. These fine people, answering my father's call to arms, had the will in spades and droves. - Lord Tristan Dracanburh, Ethandun

is a sad truth, but we have lost the faculty of giving lovely names to things. Names are everything. I never quarrel with actions. My one quarrel is with words. That is the reason I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.

Skipping Rhyme for Graduates I’ve got the motive. I’ve got the stamina. I’m going to kill The external examiner. Let crows and vultures Pick at the carcass After I’ve murdered The stingiest of markers. Bring out the bin-bags. Bring out the spades. Bring down the evil sod Who brings down the grades. Give me an alibi. Give me a gun. Wanted a first But I got a two-one. Just missed a first By a fragment of a fraction. Justice is called for, Justice and action. What a bloody miser! What a bloody crook! Won’t mark another paper. Won’t write another book. Won’t see his bloody name In another bloody journal. Bye-bye, examiner. Bye-bye, external.

learned the sordid inner workings of the royal court in Modeg from a . . . courtesan. As my father used to say: “Call a jack a jack. Call a spade a spade. But always call a whore a lady. Their lives are hard enough, and it never hurts to be polite.

Growing up, I realized quite quickly that people hate being called racist than they hate racism itself.

I've been guilty of losing myself & forgetting my worth in friendships and relationships at times. I saw things but denied what I was seeing simply because I couldn't believe it was coming from them. But each situation has taught me to hold onto me, trust myself and my intuitive nature. Remember who you are, see things clearly and call a spade a spade..

So many “emotional affairs” are pulsing with sexual tension, regardless of whether genitals have made contact, and giving them a new label seems to me to promote erotic reductionism. Clearly, affairs can be sexual without involving a penis entering a vagina, and in such cases, it is more helpful to call a spade a spade.

We are unlike the Christians of New Testament times. Our approach to life is conventional and static; theirs was not. The thought of "safety first" was not a drag on their enterprise as it is on ours. By being exuberant, unconventional and uninhibited in living by the gospel they turned their world upside down, but you could not accuse us twentieth-century Christians of doing anything like that. Why are we so different? Why, compared with them, do we appear as no more than halfway Christians? Whence comes the nervous, dithery, take-no-risks mood that mars so much of our discipleship? Why are we not free enough from fear and anxiety to allow ourselves to go full stretch in following Christ? One reason, it seems, is that in our heart of hearts we are afraid of the consequence of going the whole way into the Christian life. We shrink from accepting burdens of responsibility for others because we fear we should not have the strength to bear them. We shrink from accepting a way of life in which we forfeit material security because we are afraid of being left stranded. We shrink from being meek because we are afraid that if we do not stand up for ourselves we shall be trodden down and victimized, and end up among life's casualties and failures. We shrink from breaking with social conventions in order to serve Christ because we fear that if we did, the established structure of our life would collapse all around us, leaving us without a footing anywhere. It is these half-conscious fears, this dread of insecurity, rather than any deliberate refusal to face the cost of following Christ, which make us hold back. We feel that the risks of out-and-out discipleship are too great for us to take. In other words, we are not persuaded of the adequacy of God to provide for all the needs of those who launch out wholeheartedly on the deep sea of unconventional living in obedience to the call of Christ. Therefore, we feel obliged to break the first commandment just a little, by withdrawing a certain amount of our time and energy from serving God in order to serve mammon. This, at the bottom, seems to be what is wrong with us. We are afraid to go all the way in accepting the authority of God, because of our secret uncertainty as to his adequacy to look after us if we do. Now, let us call a spade a spade. The name of the game we are playing is unbelief.....

Poor Frank had had almost no experience in talking to anyone, having spent a furtive childhood as Secret Agent X-9. Now, hoping to be hearty and persuasive, he said tinny things to me, things like, “I like the cut of your jib!” and “I want to talk cold turkey to you, man to man!” And he took me down to what he called his “den” in order that we might, “. . . call a spade a spade, and let the chips fall where they may.

I’m always going to be other to them. Not good enough for this place I’ve tried to call home all my life. I can “fix” the kinks in my hair, but not the kinks in this whole system that hates me and Devon and everyone who looks like us.

After Hurricane Irma, a local sheriff announced that, “If you go to a shelter for Irma and you have a warrant, we’ll gladly escort you to the safe and secure shelter called the Polk County Jail.