“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
”
”
Bob Marley
“
May I see you again?" he asked. There was an endearing nervousness in his voice.
I smiled. "Sure."
"Tomorrow?" he asked.
"Patience, grasshopper," I counseled. "You don't want to seem overeager.
"Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said.
"You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?"
"But you don't even have my phone number," he said.
"I strongly suspect you wrote it in this book."
He broke out into that goofy smile. "And you say we don't know each other.
”
”
John Green (The Fault in Our Stars)
“
and when nobody wakes you up in the morning, and when nobody waits for you at night, and when you can do whatever you want. what do you call it, freedom or loneliness?
”
”
Milan Kundera
“
Death is a strange thing. People live their whole lives as if it does not exist, and yet it's often one of the great motivations for living. Some of us, in time, become so conscious of it that we live harder, more obstinately, with more fury. Some need its constant presence to even be aware of its antithesis. Others become so preoccupied with it that they go into the waiting room long before it has announced its arrival. We fear it, yet most of us fear more than anything that it may take someone other than ourselves. For the greatest fear of death is always that it will pass us by. And leave us there alone.
”
”
Fredrik Backman (A Man Called Ove)
“
Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn.
In his house at R'lyeh dead Cthulhu waits dreaming.
”
”
H.P. Lovecraft (The Call of Cthulhu)
“
I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
While I can’t have you, I long for you. I am the kind of person who would miss a train or a plane to meet you for coffee. I’d take a taxi across town to see you for ten minutes. I’d wait outside all night if I thought you would open the door in the morning. If you call me and say ‘Will you…’ my answer is ‘Yes’, before your sentence is out. I spin worlds where we could be together. I dream you. For me, imagination and desire are very close.
”
”
Jeanette Winterson
“
I won't telephone him. I'll never telephone him again as long as I live. He'll rot in hell, before I'll call him up. You don't have to give me strength, God; I have it myself. If he wanted me, he could get me. He knows where I am. He knows I'm waiting here. He's so sure of me, so sure. I wonder why they hate you, as soon as they are sure of you.
”
”
Dorothy Parker (The Portable Dorothy Parker)
“
God made the world for the delight of human beings-- if we could see His goodness everywhere, His concern for us, His awareness of our needs: the phone call we've waited for, the ride we are offered, the letter in the mail, just the little things He does for us throughout the day. As we remember and notice His love for us, we just begin to fall in love with Him because He is so busy with us -- you just can't resist Him. I believe there's no such thing as luck in life, it's God's love, it's His.
”
”
Mother Teresa
“
I don't care what it's called. I just want to be with her at the end. I'm not giving up. Meghan, I'll be with you soon. Please, wait for me.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
In his house at R'lyeh, dead Cthulu waits dreaming
”
”
H.P. Lovecraft (The Call of Cthulhu and Other Weird Stories)
“
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact I called to give you the good news. I asked you daughter to marry me. Now, do you want me to call you Mum straightaway, or wait until after the wedding?
”
”
Jeaniene Frost (At Grave's End (Night Huntress, #3))
“
I think you smoke them so you have something to do while thinking up your next witty line."
He choked on the smoke, caught between inhaling and laughing. "Rose Hathaway, I can't wait to see you again. If you're this charming while tired and annoyed and this gorgeous while bruised and in ski clothes, you must be devastating at your peak."
"If by 'devastating' you mean that you should fear for your life, then yeah. You're right." I jerked open the door. "Good night, Adrian."
"I'll see you soon."
"Not likely. I told you, I'm not into older guys."
I walked into the lodge. As the door closed, I just barely heard him call behind me, "Sure, you aren't.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
He grabbed my arm. "Wait. You're mad?"
I yanked my coat from his grip. "You know...I don't even know why I'm surprised."
His eyebrows pulled in. "I can't win with you. I can't win with you! You say you're done...I'm fucking miserable over here! I had to break my phone into a million pieces to keep from calling you every minute of the damn day-I've had to play it off like everything is just fine at school so you can be happy...and you're fucking mad at me? You broke my fuckin' heart!" His last words echoed into the night.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... just... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
”
”
Greg Behrendt
“
What man actually needs is not a tensionless state but rather the striving and struggling for some goal worthy of him. What he needs is not the discharge of tension at any cost, but the call of a potential meaning waiting to be fulfilled by him.
”
”
Viktor E. Frankl
“
I'll call you," he repeated.
"If you call me, I won't pick up the phone."
"You will wait by the phone for my call, and when it rings, you will pick it up and you will speak to me in a civil manner. If you don't know how, ask someone.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
The clock is running. Make the most of today. Time waits for no man. Yesterday is history. Tomorrow is a mystery. Today is a gift. That's why it is called the present.
”
”
Alice Morse Earle
“
Sometimes fate or life or whatever you want to call it, leaves a door a little open and you walk through it. But sometimes it locks the door and you have to find the key, or pick the lock, or knock the damn thing down. And sometimes, it doesn't even show you the door, and you have to build it yourself. But if you keep waiting for the doors to be opened for you... I think you'll have a hard time finding single happiness, let alone that double portion.
”
”
Gayle Forman (Just One Year (Just One Day, #2))
“
Some women wait for themselves around the next corner and call the empty spot peace but the opposite of living is only not living and the stars do not care.
”
”
Audre Lorde
“
There is a law somewhere that says that when one person is thoroughly smitten with the other, the other must unavoidably be smitten as well. Amor ch’a null’amato amar perdona. Love, which exempts no one who’s loved from loving, Francesca’s words in the Inferno. Just wait and be hopeful. I was hopeful, though perhaps this was what I had wanted all along. To wait forever.
”
”
André Aciman (Call Me by Your Name)
“
I like it when you ask me to come!” he called after me. “I can’t wait to come tonight, Ziggy! Should I come around eight? Or do you want me to come around ten? Maybe I’ll come both times?
”
”
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
“
You’re not going to handle me?” I call after him, shock raising my brows.
“Not tonight!” he tosses over his shoulder.
I scoff. “What are you waiting for?”
“It’s no fun if you expect it,” he answers, striding into the darkness. “Now, get back to bed before your wingleader realizes you’re out after curfew.”
“What?” I gawk after him. “You’re my wingleader!
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
He tried to tell me week after week to accept things as they were and move on with my life. But if there was one man who had put his life on hold to wait for something or someone, it was him.
”
”
Cecelia Ahern (A Place Called Here)
“
You forgot to call,' he says.
I throw open my arms. He pulls me into them, and we kiss, and his lips are cold, and I think he's crying, and I'm definitely crying, and I pull back to say, 'I am so in love with you, Joshua Wasserstein. Of course I'll wait for you.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
There’s nothing like that feeling of waiting for a guy. It’s the loneliest feeling in the world. Holding that cell phone in your hand as you take out the trash, use the bathroom, change the litter box. Fearful that the one second you aren’t looking will be when they call. Pathetic. And something I have done as recently as last week.
”
”
Hilary Winston (My Boyfriend Wrote a Book About Me)
“
Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you'll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn't really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved.
”
”
Charlie Kaufman (Synecdoche, New York: The Shooting Script)
“
Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!
”
”
Henry Scott Holland (Death is Nothing at All)
“
1. I’m lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. You’re a ghost town I’m too patriotic to leave.
6. I stay because you’re the beginning of the dream I want to remember.
7. I didn’t call him back because he likes his girls voiceless.
8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
9. I couldn’t love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didn’t want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. I’m not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, I’m insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didn’t work out.
21. My dad walked out one afternoon and never came back.
22. I can’t sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didn’t want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. You’re the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said “I love you so bad.”
29. His heart wasn’t as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. I’m a lover without a lover.
33. I’m lovely and lonely.
34. I belong deeply to myself .
”
”
Warsan Shire
“
Oh, see then, the Simi is not in trouble. I just kill the Greek god and all’s fine. (Simi)
You can’t kill a Greek god, Simi. It’s not allowed. (Acheron)
There you go again, akri, saying no to the Simi. Don’t eat that, Simi. Don’t kill that, Simi. Stay here, Simi. Go to Katoteros, Simi, and wait for me to call you. I don’t like being told no, akri. (Simi)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
He called me a pie!” she announced, defensively. There was a pause. “Wait. That’s not right.”
“A tart?”
“Yes! That’s it!
”
”
Sarah MacLean (Eleven Scandals to Start to Win a Duke's Heart (Love By Numbers, #3))
“
You never let things go unanswered for too long. Emails. Phone calls. Questions. As if you know the waiting is the hardest part for me.
”
”
David Levithan (The Lover's Dictionary)
“
You'd better hurry up, they'll be waiting for 'the Chosen Captain' — 'The Boy Who Scored'— whatever they call you these days.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Have you ever met someone and felt . . . I don't know how to describe it, felt a chance at having something that eluded you? I don't know . . . Forget I said anything."
I knew what he meant. He was describing that moment when you realize that you are lonely. For a time you can be alone and doing fine and never give a thought to living any other way and then you meet someone and suddenly you become lonely. It stabs at you, almost like a physical pain, and you feel both deprived and angry, deprived because you wish to be with that person and angry, because their absence brings you misery. It's a strange feeling, akin to desperation, a feeling that makes you wait by the phone even though you know that the call is an hour away. I was not going to lose my balance. Not yet.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
Who knows the end? What has risen may sink, and what has sunk may rise. Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men.
”
”
H.P. Lovecraft (The Complete Works of H.P. Lovecraft)
“
That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
Wait!' called Blue. 'Will you tell me about my father?"
"No," Gwenllian replied. "I will get mayonnaise.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Well, Ma, see... there's this girl."
Silence.
He checked to make sure the call hadn't been dropped. "You still there, Ma?"
A sniffle.
"You can't be crying already," he said. "I haven't told you anything about her yet."
"It doesn't matter, Nick," his mother said through her tears. "Those are the three words I've been waiting thirty-four years to hear.
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
Because ‘boys will be boys’ is a self-fulfilling prophecy,” said Lundy. “They’re too loud, on the whole, to be easily misplaced or overlooked; when they disappear from the home, parents send search parties to dredge them out of swamps and drag them away from frog ponds. It’s not innate. It’s learned. But it protects them from the doors, keeps them safe at home. Call it irony, if you like, but we spend so much time waiting for our boys to stray that they never have the opportunity. We notice the silence of men. We depend upon the silence of women.
”
”
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
“
The king sleeps still, under a mountain , and around him is assembled
his warriors and his herds and his riches. By his right hand is his cup,
filled with possibility. On his breast nestles his sword, waiting, too, to wake.
Fortunate is the soul who finds the king and is brave enough to call him to wakefulness, for the king will grant him a favour, as wondrous as can be imagined by a mortal man.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
She sighed, annoyed at her restlessness. “So,” she said, disrupting Wolf in another backward glance.
“Who would win in a fight—you or a pack of wolves?”
He frowned at her, all seriousness. “Depends,” he said, slowly, like he was trying to figure out her motive for asking. “How big is the pack?”
“I don’t know, what’s normal? Six?”
“I could win against six,” he said. “Any more than that and it could be a close call.”
Scarlet smirked. “You’re not in danger of low self-esteem, at least.”
“What do you mean?”
“Nothing at all.” She kicked a stone from their path. “How about you and … a lion?”
“A cat? Don’t insult me.”
She laughed, the sound sharp and surprising. “How about a bear?”
“Why, do you see one out there?”
“Not yet, but I want to be prepared in case I have to rescue you.”
The smile she’d been waiting for warmed his face, a glint of white teeth flashing. “I’m not sure. I’ve never had to fight a bear before.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Kronos couldn't have risen if it hadn't been for a lot of demigods who felt abandoned by their parents," I said. "They felt angry, resentful, and unloved, and they had a good reason."
Zeus's royal nostrils flared. "You dare accuse-"
"No more undetermined children," I said. "I want you to promise to claim your children-all your demigod children-by the time they turn thirteen. They won't be left out in the world on their own at the mercy of monsters. I want them claimed and brought to camp so they can be trained right, and survive."
"Now, wait just a moment," Apollo said, but I was on a roll.
"And the minor gods," I said. "Nemesis, Hecate, Morpheus, Janus, Hebe--they all deserve a general amnesty and a place at Camp Half-Blood. Their children shouldn't be ignored. Calypso and the other peaceful Titan-kind should be pardoned too. And Hades-"
"Are you calling me a minor god?" Hades bellowed.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Will!”
He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind — she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him.
His own heart leaped up at the sight of her. “Tess,” he called. But she was still such a distance away — she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest.
At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her —
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Want to make out?”
“With who?” she asks, not bothering to look up.
“Me.”
She lifts her head from her book just long enough to give me a once-over. “No, thanks,” she says, then goes back to her homework.
She’s fuckin’ with me. She’s got to be fuckin’ with me, right?
“Because of that pendejo Tuck?”
“No. Because I don’t want Madison’s leftovers.”
Wait. Un. Momento. I’ve been called a lot of things before, but . . .
“You callin’ me leftovers?”
“Yeah. Besides, Tuck is a great kisser. I wouldn’t want you to feel bad when there’s no way you can compete.”
That guy hardly owns a pair of lips. “Wanna bet?
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
Kami said, "I want you to go in there and vamp that receptionist."
"What?" Ash said blankly.
"You know," Kami said. "Dazzle her with your charms. Rock her world. Go on."
[...] "What," Ash said, "all of us?"
"Do you want to stand around trying to guess if she likes pretty boys or rough trade?" Jared asked, gesturing lazily from Ash to himself.
"Excuse me, what did you just call yourself?" Ash demanded. "No, wait a second, I don't care. What did you just call me?
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
You know" - Hale's breath was warm against Kat's ear in the chilly ballroom- "I don't know that both of us really have to be here...."
The slide changed. While hundreds of mathematicians waited with baited breath, the boy beside Kat whispered,
"I could go make some calls... check on some things..."
"Play some blackjack?"
"Well, when in Rome..."
"Rome is tomorrow, babe," Kat reminded him.
He nodded. "Right.
”
”
Ally Carter (Heist Society (Heist Society, #1))
“
Wait,” Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my
wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one
woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back.
“What are you doing?”
“I...” He appeared to have no idea himself. “I wanted to see your freckle.”
A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to
beg for one last kiss. As fast as his expression had softened, it was back to stone again.
“What do you want from me, Kai?”
“For starters?” His voice lowered to sexy, dangerous depths. “I want to introduce myself to every freckle on your body.”
A powerful shiver ripped through me.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Archer?” I asked, raising my eyebrows. Hey, you might be able to take away my magical powers, but the power of sarcasm was still at my disposal. “Is your last name Newport or Vanderbilt? Maybe followed by some numbers? Ooh!” I said, widening my eyes, “or maybe even Esquire!”
I’d hoped to hurt his feelings or, at the very least, make him angry, but he just kept smiling at me. “Actually, it’s Archer Cross, and I’m the first one. Now what about you?” He squinted. “Let’s see . . . brown hair, freckles, whole girl-next-door vibe going on . . . Allie? Lacie? Definitely something cutesy ending in ie.”
You know those times when your mouth moves but no sound actually comes out? Yeah, that’s pretty much what happened. And then, of course, my mom took that opportunity to end her conversation with Justin’s parents and call out, “Sophie! Wait up.”
“I knew it.” Archer laughed. “See you, Sophie,” he called over his shoulder as he disappeared into the house.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
We are all a part of the divine spark. All have a purpose in creation and that purpose is called Love. That love, however, shouldn't be concentrated in just one person, it should be scattered throughout the world, waiting to be discovered. Wake up that love. What is gone cannot return. What is about to arrive needs to be recognized.
”
”
Paulo Coelho (The Winner Stands Alone)
“
Wait, wait, wait," Breckin says, interrupting the story. "You called her Cinderella? What the hell for?"
Daniel shrugs. "We were in a janitor's closet. I didn't know her name and there were all these mops and brooms and shit and it reminded me of Cinderella, okay? Give me a break.
”
”
Colleen Hoover (Losing Hope (Hopeless, #2))
“
The road of life is strewn with the bodies of promising people. People who show promise, yet lack the confidence to act. People who make promises they are unable to keep. People who promise to do tomorrow what they could do today. Promising young stars, athletes, entrepreneurs who wait for promises to come true. Promise without a goal and a plan is like a barren cow. You know what she could do if she could do it, but she can't. Turn your promise into a plan. Make no promise for tomorrow if you are able to keep it today. And if someone calls you promising, know that you are not doing enough today.
”
”
Iyanla Vanzant (Acts of Faith: Daily Meditations for People of Color)
“
She gave his hand a small squeeze. "Jason, if we're going to try this then I'd like to
take things slow." He frowned. "What I mean is nothing beyond the level we were at
last night." She worried her lip between her teeth. "What I mean is no actual sex."
He narrowed his eyes on her. "But, you'll still sleep with me naked and let me do a
hundred other naughty things to you?" he asked in a serious tone.
"Yes."
He brushed his lips against hers again and moved back a few inches to look into her
eyes. "And you'll still cook for me and call me Master?"
Her lips twitched. "Yes to the cooking and not a chance in hell for the other."
He sighed wearily. "Fine, how about Lord and Master?"
"Uh...no."
"God?"
"Nope."
"My liege?"
"Wait.....no."
He gave her one of his lopsided smiles. "I'll wear you down eventually.
”
”
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
“
Passion isn't a path through the woods. Passion is the woods. It's the deepest, wildest part of the forest; the grove where the fairies still dance and obscene old vipers snooze in the boughs. Everybody but the most dried up and dysfunctional is drawn to the grove and enchanted by its mysteries, but then they just can't wait to call in the chain saws and bulldozers and replace it with a family-style restaurant or a new S and L. That's the payoff, I guess. Safety. Security. Certainty. Yes, indeed. Well, remember this, pussy latte: we're not involved in a 'relationship,' you and I, we're involved in a collision. Collisions don't much lend themselves to secure futures...
”
”
Tom Robbins (Half Asleep in Frog Pajamas)
“
I enjoy the wild things,
Call me at 3 am and tell me you're waiting at my door. Give me sunsets in different cities and road trips on dirt tracks not sighted on maps.
Whiskey for breakfast & cheap thrills for dinner.
Give me happiness in a smile and nothing of certainty but the way we make eachother feel.
There so much life in living while you're alive & id give absolutely anything to have it all with you.
”
”
Nikki Rowe
“
Death is nothing at all,
I have only slipped into the next room
I am I and you are you
Whatever we were to each other, that we are still.
Call me by my old familiar name,
Speak to me in the easy way which you always used
Put no difference in your tone,
Wear no forced air of solemnity or sorrow
Laugh as we always laughed at the little jokes we enjoyed together.
Play, smile, think of me, pray for me.
Let my name be ever the household world that it always was,
Let it be spoken without effect, without the trace of shadow on it.
Life means all that it ever meant.
It it the same as it ever was, there is unbroken continuity.
Why should I be out of mind because I am out of sight?
I am waiting for you, for an interval, somewhere very near,
Just around the corner.
All is well.
”
”
Henry Scott Holland
“
I called. Why wasn't anyone here?"- Elena
We were here." Clay said. "Around, anyway. You should have left a message."
I did. Two hours ago." - Elena
Well that explains it. I've been out, by the gate all day, waiting for you, and you know Jer never checks the machine."- Clayton
I didn't know how Clay had known I was coming back today when I hadn't left a message. Nor did I question why he'd spent the entire day waiting at the gate. Clay's behavior couldn't be measured by human standard's of normalcy... or by any standards of normalcy at all.
Bitten
”
”
Kelley Armstrong (Bitten (Otherworld, #1))
“
Do you think you should warn him (the guard) that I'm going to kiss you?"
He loved the flush that appeared on her face, and there was an intake of breath from the girls.
"Aldron," she said clearing her throat,"if he agrees to become king, I'm going to let him kiss me. Please don't stop him."
Aldron thought for a moment and sighed, holding up his hand. "Wait there and do not move," he ordered Finnikin, before calling out to one of the other guards who stood on the platform. "Ask Perri if he's allowed to touch her if he's agreed to be king.
”
”
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
“
I have always loved everything about you. Even what I didn’t understand. And I have always known that, at heart, I would have you no different. But most people don’t know how to love. Nothing is enough for them. They must have their dreams. It’s the only thing they do well. Dreaming. They dream up obligations. New ones every day. They long for undiscovered countries, fresh demands, another call. While some of us are left with the knowledge that love can never wait. A shared bed, a hand in yours, that’s the only thing that matters. The worst thing of all is fear. The fear of being alone.
”
”
Albert Camus
“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
To me, at least in retrospect, the really interesting question is why dullness proves to be such a powerful impediment to attention. Why we recoil from the dull. Maybe it’s because dullness is intrinsically painful; maybe that’s where phrases like ‘deadly dull’ or ‘excruciatingly dull’ come from. But there might be more to it. Maybe dullness is associated with psychic pain because something that’s dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient, low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from feeling, or at least from feeling directly or with our full attention. Admittedly, the whole thing’s pretty confusing, and hard to talk about abstractly…but surely something must lie behind not just Muzak in dull or tedious places any more but now also actual TV in waiting rooms, supermarkets’ checkouts, airport gates, SUVs’ backseats. Walkman, iPods, BlackBerries, cell phones that attach to your head. This terror of silence with nothing diverting to do. I can’t think anyone really believes that today’s so-called ‘information society’ is just about information. Everyone knows it’s about something else, way down.
”
”
David Foster Wallace
“
Jesus waited three days to come back to life. It was perfect! If he had only waited one day, a lot of people wouldn't have even heard he died. They'd be all, "Hey Jesus, what up?" and Jesus would probably be like, "What up? I died yesterday!" and they'd be all, "Uh, you look pretty alive to me, dude..." and then Jesus would have to explain how he was resurrected, and how it was a miracle, and the dude'd be like "Uhh okay, whatever you say, bro..." And he's not gonna come back on a Saturday. Everybody's busy, doing chores, workin' the loom, trimmin' the beard, NO. He waited the perfect number of days, three. Plus it's Sunday, so everyone's in church already, and they're all in there like "Oh no, Jesus is dead", and then BAM! He bursts in the back door, runnin' up the aisle, everyone's totally psyched, and FYI, that's when he invented the high five. That's why we wait three days to call a woman, because that's how long Jesus wants us to wait.... True story.
”
”
Matt Kuhn
“
It’s called Yes Please because it is the constant struggle and often the right answer. Can we figure out what we want, ask for it, and stop talking? Yes please. Is being vulnerable a power position? Yes please. Am I allowed to take up space? Yes please. Would you like to be left alone? Yes please. I love saying “yes” and I love saying “please.” Saying “yes” doesn’t mean I don’t know how to say no, and saying “please” doesn’t mean I am waiting for permission. “Yes please” sounds powerful and concise. It’s a response and a request. It is not about being a good girl; it is about being a real woman. It’s also a title I can tell my kids. I like when they say “Yes please” because most people are rude and nice manners are the secret keys to the universe.
”
”
Amy Poehler (Yes Please)
“
Uh-oh,' said Gazzy, but Angel was so nauseated she didn't have time to leap to a safe distance, or grab a gas mask
Bbbbbrrrrrrrttthhhhhhttttttt.
'Mother of God, no!' Total cried, doing a fast belly-crawl to the pool and throwing himself in. 'You said it wasn't your digestive system!'
'What was that?' Dylan asked. He winced and threw an arm oer his nose and mouth.
...
'Sorry,' Gazzy said miserably, but he couldn't help a tiny grin.
Nudge was clawing at a stack of towels to cover her face.
'Nice one, Gaz,' said Iggy.
...
'Wait-that was Gazzy? Is that why you call him...Oh, crap,' Dylan said weakly.
”
”
James Patterson (Fang (Maximum Ride, #6))
“
This is beautiful," I said, ignoring the shop window to trace the gleaming stone walls fronting another boutique.
"You know what's funny?" Jacob asked. He didn't wait for my answer. "You can see beauty in everything, except for yourself."
***
I swallowed hard. Erik thought my body was beautiful, Karin that it was enviable. At random times, people had noted that my hands were beautiful, or my hair. The Twisted Sisters had called my art beautiful. Mom had the best intentions and always told me before and after my laser surgeries that I would be beautiful. But no one had ever said that I was beautiful, all my parts taken together, not just the bits and pieces.
”
”
Justina Chen (North of Beautiful)
“
When you throw a rock into the water, it will speed on the fastest course to the bottom of the water. This is how it is when Siddhartha has a goal, a resolution. Siddhartha does nothing, he waits, he thinks, he fasts, but he passes through the things of the world like a rock through water, without doing anything, without stirring; he is drawn, he lets himself fall. His goal attracts him, because he doesn't let anything enter his soul which might oppose the goal. This is what Siddhartha has learned among the Samanas. This is what fools call magic and which they think is effected by demons. Nothing is effected by demons, there are no demons. Everyone can perform magic, everyone can reach his goals, if he is able to think, if he is able to wait, if he is able to fast.
”
”
Hermann Hesse (Siddhartha)
“
Patience is not passive resignation, nor is it failing to act because of our fears. Patience means active waiting and enduring. It means staying with something and doing all that we can - working, hoping, and exercising faith; bearing hardship with fortitude, even when the desires of our hearts are delayed. patience is not simply enduring; it is enduring well!
Impatience, on the other hand, is a symptom of selfishness. It is a trait of the self-absorbed. It arises from the all too-prevalent condition called "center of the universe" syndrome, which leads people to believe that the world revolves around them and that all others are just supporting cast in the grand theater of mortality in which only they have the starring role.
”
”
Dieter F. Uchtdorf
“
A lang, lang time ago…” MacPhee began, ignoring St.Vincent’s low groan, “there was a bonnie maid called Malvina. She was the betrothed of Oscar, the braw warrior who won her heart. Oscar bade his beloved tae wait for him while he went tae seek his fortune. But one black day Malvina received word that her lover had been killed in battle. He would lie forever in eternal rest in the faraway hills…lost in endless slumber…”
“God, I envy him,” St. Vincent said feelingly, rubbing his own dark-circled eyes.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again. In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered. The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion. So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate. The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so. Occasionally Fate can pull itself together again. And Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
You want me to list characteristics of a … ?”
“Potential mate, yes, that would be helpful..."
Without meaning to, I looked sideways at Patch. He was eased back in his seat, one notch above a slouch, studying me with satisfaction. He flashed his pirate smile and mouthed, We’re waiting.
I stacked my hands on the table, hoping I lookedmore composed than I felt. “I’ve never thought about it before.”
“Well, think fast.”
“Could you call on someone else first?”
Coach gestured impatiently to my left. “You’re up, Patch.”
Unlike me, Patch spoke with confidence. He had himself positioned so his body was angled slightly toward mine, our knees mere inches apart.
“Intelligent. Attractive. Vulnerable
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Thus it can be seen that mental health is based on a certain degree of tension, the tension between what one has already achieved and what one still ought to accomplish, or the gap between what one is and what one should become. Such a tension is inherent in the human being and therefore is indispensable to mental well-being. We should not, then, be hesitant about challenging man with a potential meaning for him to fulfill. It is only thus that we evoke his will to meaning from its state of latency. I consider it a dangerous misconception of mental hygiene to assume that what man needs in the first place is equilibrium or, as it is called in biology "homeostasis", i.e., a tensionless state. What man actually needs is not a tensionless state but rather the striving and struggling for a worthwhile goal, a freely chosen task. What he needs is not the discharge of tension at any cost but the call of a potential meaning waiting to be fulfilled by him.
”
”
Viktor E. Frankl (Man’s Search for Meaning)
“
We found that trees could communicate, over the air and through their roots. Common sense hooted us down. We found that trees take care of each other. Collective science dismissed the idea. Outsiders discovered how seeds remember the seasons of their childhood and set buds accordingly. Outsiders discovered that trees sense the presence of other nearby life. That a tree learns to save water. That trees feed their young and synchronize their masts and bank resources and warn kin and send out signals to wasps to come and save them from attacks. “Here’s a little outsider information, and you can wait for it to be confirmed. A forest knows things. They wire themselves up underground. There are brains down there, ones our own brains aren’t shaped to see. Root plasticity, solving problems and making decisions. Fungal synapses. What else do you want to call it? Link enough trees together, and a forest grows aware.
”
”
Richard Powers (The Overstory)
“
It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listens to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is the whole thing. What is most beautiful is least acknowledged. What is worth dying for is barely noticed.
”
”
Laura McBride (We Are Called to Rise)
“
I was only then, when I knew I was alone, at least for the moment, that I reached under my gown into the pocket of my dress. As I pulled out my key from the yellow house, which I'd kept on my bureau since the day Nate left, I traced the shape one last time before folding my hand tightly around it.
Behind me, Cora was calling again. My family was waiting. Looking down at the pond, all I could think was that it is an incredible thing, how a whole world can rise from what seems like nothing at all. I stepped closer to the edge, keeping my eyes on my reflection as I dropped the key into the water, where it landed with a splash. At first, the fish darted away, but as it began to sink they circled back, gathering around. Together, they followed it down, down until it was gone.<3
”
”
Sarah Dessen (Lock and Key)
“
So here's how it went in God's heart: The six or seven or ten of us walked/wheeled in, grazed at a decrepit selection of cookies and lemonade, sat down in the Circle of Trust, and listened to Patrick recount for the thousandth time his depressingly miserable life story-how he had cancer in his balls and they thought he was going to die but he didn't die and now here he is, a full-grown adult in a church basement in the 137th nicest city in America, divorced, addicted to video games, mostly friendless, eking out a meager living by exploiting his cancertastic past, slowly working his way toward a master's degree that will not improve his career prospects, waiting, as we all do, for the sword of Damocles to give him the relief that he escaped lo those many years ago when cancer took both of his nuts but spared what only the most generous soul would call his life.
AND YOU TOO MIGHT BE SO LUCKY!
”
”
John Green (The Fault in Our Stars)
“
There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.
”
”
Sherwood Anderson (Winesburg, Ohio: A Group of Tales of Ohio Small Town Life)
“
So you want to be a writer
if it doesn’t come bursting out of you
in spite of everything,
don’t do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don’t do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don’t do it.
if you’re doing it for money or
fame,
don’t do it.
if you’re doing it because you want
women in your bed,
don’t do it.
if you have to sit there and
rewrite it again and again,
don’t do it.
if it’s hard work just thinking about doing it,
don’t do it.
if you’re trying to write like somebody
else,
forget about it.
if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.
if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you’re not ready.
don’t be like so many writers,
don’t be like so many thousands of
people who call themselves writers,
don’t be dull and boring and
pretentious, don’t be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don’t add to that.
don’t do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don’t do it.
unless the sun inside you is
burning your gut,
don’t do it.
when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.
there is no other way.
and there never was.
”
”
Charles Bukowski
“
Then, suddenly again, Christopher Robin, who was still looking at the world, with his chin in his hand, called out "Pooh!" "Yes?" said Pooh. "When I'm--when--Pooh!" "Yes, Christopher Robin?" "I'm not going to do Nothing any more." "Never again?" "Well, not so much. They don't let you." Pooh waited for him to go on, but he was silent again. "Yes, Christopher Robin?" said Pooh helpfully. "Pooh, when I'm--you know--when I'm not doing Nothing, will you come up here sometimes?" "Just me?" "Yes, Pooh." "Will you be here too?" "Yes Pooh, I will be really. I promise I will be Pooh." "That's good," said Pooh. "Pooh, promise you won't forget about me, ever. Not even when I'm a hundred." Pooh thought for a little. "How old shall I be then?" "Ninety-nine." Pooh nodded. "I promise," he said. Still with his eyes on the world Christopher Robin put out a hand and felt Pooh's paw. "Pooh," said Christopher Robin earnestly, "if I--if I'm not quite--" he stopped and tried again-- "Pooh, whatever happens, you will understand, won't you?" "Understand what?" "Oh, nothing." He laughed and jumped to his feet. "Come on!" "Where?" said Pooh. "Anywhere." said Christopher Robin.
So, they went off together. But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the Forest, a little boy and his Bear will always be playing.
”
”
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
“
All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it has rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on the black stuff that used to be a life, takes its energy for its own. It germinates,. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel....Readers are fools. They believe all writing is autobiographical. And so it is, but not in the way they think. The writer's life needs time to rot away before it can be used to nourish a work of fiction. It must be allowed to decay.
”
”
Diane Setterfield (The Thirteenth Tale)
“
Real love feels less like a throbbing, pulsing animal begging for its freedom and beating against the inside of my chest and more like, 'Hey, that place you like had fish tacos today and i got you some while i was out', as it sets a bag spotted with grease on the dining room table. It's not a game you don't understand the rules of, or a test you never got the materials to study for. It never leaves you wondering who could possibly be texting at 3 am. Or what you could possibly do to make it come home and stay there. It's fucking boring, dude. I don't walk around mired in uneasiness, waiting for the other shoe to drop. No parsing through spun tales about why it took her so long to come back from the store. No checking her emails or calling her job to make sure she's actually there. No sitting in my car outside her house at dawn, to make sure she's alone when she leaves. This feels safe, and steadfast, and predictable. And secure. It's boring as shit. And it's easily the best thing I've ever felt.
”
”
Samantha Irby (We Are Never Meeting in Real Life.)
“
But—let me tell you my cat joke. It's very short and simple. A hostess is giving a dinner party and she's got a lovely five-pound T-bone steak sitting on the sideboard in the kitchen waiting to be cooked while she chats with the guests in the living room—has a few drinks and whatnot. But then she excuses herself to go into the kitchen to cook the steak—and it's gone. And there's the family cat, in the corner, sedately washing it's face."
"The cat got the steak," Barney said.
"Did it? The guests are called in; they argue about it. The steak is gone, all five pounds of it; there sits the cat, looking well-fed and cheerful. "Weigh the cat," someone says. They've had a few drinks; it looks like a good idea. So they go into the bathroom and weigh the cat on the scales. It reads exactly five pounds. They all perceive this reading and a guest says, "okay, that's it. There's the steak." They're satisfied that they know what happened, now; they've got empirical proof. Then a qualm comes to one of them and he says, puzzled, "But where's the cat?
”
”
Philip K. Dick (The Three Stigmata of Palmer Eldritch)
“
Go after her. Fuck, don’t sit there and wait for her to call, go after her because that’s what you should do if you love someone, don’t wait for them to give you a sign cause it might never come, don’t let people happen to you, don’t let me happen to you, or her, she’s not a fucking television show or tornado. There are people I might have loved had they gotten on the airplane or run down the street after me or called me up drunk at four in the morning because they need to tell me right now and because they cannot regret this and I always thought I’d be the only one doing crazy things for people who would never give enough of a fuck to do it back or to act like idiots or be entirely vulnerable and honest and making someone fall in love with you is easy and flying 3000 miles on four days notice because you can’t just sit there and do nothing and breathe into telephones is not everyone’s idea of love but it is the way I can recognize it because that is what I do. Go scream it and be with her in meaningful ways because that is beautiful and that is generous and that is what loving someone is, that is raw and that is unguarded, and that is all that is worth anything, really.
”
”
Helena Kvarnstrom
“
For all its material advantages, the sedentary life has left us edgy, unfulfilled. Even after 400 generations in villages and cities, we haven’t forgotten. The open road still softly calls, like a nearly forgotten song of childhood. We invest far-off places with a certain romance. This appeal, I suspect, has been meticulously crafted by natural selection as an essential element in our survival. Long summers, mild winters, rich harvests, plentiful game—none of them lasts forever. It is beyond our powers to predict the future. Catastrophic events have a way of sneaking up on us, of catching us unaware. Your own life, or your band’s, or even your species’ might be owed to a restless few—drawn, by a craving they can hardly articulate or understand, to undiscovered lands and new worlds.
Herman Melville, in Moby Dick, spoke for wanderers in all epochs and meridians: “I am tormented with an everlasting itch for things remote. I love to sail forbidden seas…”
Maybe it’s a little early. Maybe the time is not quite yet. But those other worlds— promising untold opportunities—beckon.
Silently, they orbit the Sun, waiting.
”
”
Carl Sagan
“
Can I borrow your phone?" she asked.
I frowned, unsure what she would do. "Sure." I pulled my phone from my pocket, handing it to her.
She fingered the buttons for a moment, and then dialed, closing her eyes as she waited.
"I'm sorry for calling you so early," she stammered, "but this couldn't wait. I . . . can't go to dinner with you on Wednesday."
She had called Parker. My hands trembled with apprehension, wondering if she was going to ask him to pick her up - to save her - or something else.
She continue, "I can't see you at all, actually. I'm . . . pretty sure I'm in love with Travis."
My whole world stopped. I tried to replay her words over. Had I heard them correctly? Did she really just say what I thought she had, or was it just wishful thinking?
Abby handed the phone back to me, and then reluctantly peered up into my eyes.
"He hung up," she said with a frown.
"You love me?"
"It's the tattoos," she said, flippant and shrugging, as if she hadn't just said the one thing I'd ever wanted to hear.
Pigeon loved me.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
When Hades decided he loved this girl
he built for her a duplicate of earth,
everything the same, down to the meadow,
but with a bed added.
Everything the same, including sunlight,
because it would be hard on a young girl
to go so quickly from bright light to utter darkness
Gradually, he thought, he’d introduce the night,
first as the shadows of fluttering leaves.
Then moon, then stars. Then no moon, no stars.
Let Persephone get used to it slowly.
In the end, he thought, she’d find it comforting.
A replica of earth
except there was love here.
Doesn’t everyone want love?
He waited many years,
building a world, watching
Persephone in the meadow.
Persephone, a smeller, a taster.
If you have one appetite, he thought,
you have them all.
Doesn’t everyone want to feel in the night
the beloved body, compass, polestar,
to hear the quiet breathing that says
I am alive, that means also
you are alive, because you hear me,
you are here with me. And when one turns,
the other turns—
That’s what he felt, the lord of darkness,
looking at the world he had
constructed for Persephone. It never crossed his mind
that there’d be no more smelling here,
certainly no more eating.
Guilt? Terror? The fear of love?
These things he couldn’t imagine;
no lover ever imagines them.
He dreams, he wonders what to call this place.
First he thinks: The New Hell. Then: The Garden.
In the end, he decides to name it
Persephone’s Girlhood.
A soft light rising above the level meadow,
behind the bed. He takes her in his arms.
He wants to say I love you, nothing can hurt you
but he thinks
this is a lie, so he says in the end
you’re dead, nothing can hurt you
which seems to him
a more promising beginning, more true.
”
”
Louise Glück
“
I KNEW IT WAS OVER
when tonight you couldn't make the phone ring
when you used to make the sun rise
when trees used to throw themselves
in front of you
to be paper for love letters
that was how i knew i had to do it
swaddle the kids we never had
against january's cold slice
bundle them in winter
clothes they never needed
so i could drop them off at my mom's
even though she lives on the other side of the country
and at this late west coast hour is
assuredly east coast sleeping
peacefully
her house was lit like a candle
the way homes should be
warm and golden
and home
and the kids ran in
and jumped at the bichon frise
named lucky
that she never had
they hugged the dog
it wriggled
and the kids were happy
yours and mine
the ones we never had
and my mom was
grand maternal, which is to say, with style
that only comes when you've seen
enough to know grace
like when to pretend it's christmas or
a birthday so
she lit her voice with tiny
lights and pretended
she didn't see me crying
as i drove away
to the hotel connected to the bar
where i ordered the cheapest whisky they had
just because it shares your first name
because they don't make a whisky
called baby
and i only thought what i got
was what
i ordered
i toasted the hangover
inevitable as sun
that used to rise
in your name
i toasted the carnivals
we never went to
and the things you never won
for me
the ferris wheels we never
kissed on and all the dreams
between us
that sat there
like balloons on a carney's board
waiting to explode with passion
but slowly deflated
hung slave
under the pin-
prick of a tack
hung
heads down
like lovers
when it doesn't
work, like me
at last call
after too many cheap
too many sweet
too much
whisky makes me
sick, like the smell of cheap,
like the smell of
the dead
like the cheap, dead flowers
you never sent
that i never threw
out of the window
of a car
i never
really
owned
”
”
Daphne Gottlieb (Final Girl)
“
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
”
”
Toni Morrison (Love)
“
The Doors
The End
This is the end, beautiful friend
This is the end, my only friend
The end of our elaborate plans
The end of ev'rything that stands
The end
No safety or surprise
The end
I'll never look into your eyes again
Can you picture what will be
So limitless and free
Desperately in need of
some strangers hand
In a desperate land
Lost in a Roman wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain
There's danger on the edge of town
Ride the king's highway
Weird scenes inside the goldmine
Ride the highway West baby
Ride the snake
Ride the snake
To the lake
To the lake
The ancient lake baby
The snake is long
Seven miles
Ride the snake
He's old
And his skin is cold
The west is the best
The west is the best
Get here and we'll do the rest
The blue bus is calling us
The blue bus is calling us
Driver, where you taking us?
The killer awoke before dawn
He put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived
And then he paid a visit to his brother
And then he walked on down the hall
And he came to a door
And he looked inside
Father?
Yes son
I want to kill you
Mother, I want to.............
Come on, baby, take a chance with us
Come on, baby, take a chance with us
Come on, baby, take a chance with us
And meet me at the back of the blue bus
This is the end, beautiful friend
This is the end, my only friend
The end
It hurts to set you free
But you'll never follow me
The end of laughter and soft lies
The end of nights we tried to die
This is the end
”
”
Jim Morrison (The Doors: The Complete Lyrics)
“
I brought you this." Gale holds up a sheath. When I take it, I notice it holds a single, ordinary arrow. "It's
supposed to be symbolic. You firing the last shot of the war."
"What if I miss?" I say. "Does Coin retrieve it and bring it back to me? Or just shoot Snow through the head herself?"
"You won't miss." Gale adjusts the sheath on my shoulder.
We stand there, face-to-face, not meeting each other's eyes. "You didn't come see me in the hospital." He doesn't answer, so finally I just say it. "Was it your bomb?"
"I don't know. Neither does Beetee," he says. "Does it matter? You'll always be thinking about it."
He waits for me to deny it; I want to deny it, but it's true. Even now I can see the flash that ignites her, feel
the heat of the flames. And I will never be able to separate that moment from Gale. My silence is my answer.
"That was the one thing I had going for me. Taking care of your family," he says. "Shoot straight, okay?" He touches my cheek and leaves. I want to call him back and tell him that I was wrong. That I'll figure out a way to
make peace with this. To remember the circumstances under which he created the bomb. Take into account my own inexcusable crimes. Dig up the truth about who dropped the parachutes. Prove it wasn't the rebels. Forgive him. But since I can't, I'll just have to deal with the pain.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
What good does it do me, after all, if an ever-watchful authority keeps an eye out to ensure that my pleasures will be tranquil and races ahead of me to ward off all danger, sparing me the need even to think about such things, if that authority, even as it removes the smallest thorns from my path, is also absolute master of my liberty and my life; if it monopolizes vitality and existence to such a degree that when it languishes, everything around it must also languish; when it sleeps, everything must also sleep; and when it dies, everything must also perish?
There are some nations in Europe whose inhabitants think of themselves in a sense as colonists, indifferent to the fate of the place they live in. The greatest changes occur in their country without their cooperation. They are not even aware of precisely what has taken place. They suspect it; they have heard of the event by chance. More than that, they are unconcerned with the fortunes of their village, the safety of their streets, the fate of their church and its vestry. They think that such things have nothing to do with them, that they belong to a powerful stranger called “the government.” They enjoy these goods as tenants, without a sense of ownership, and never give a thought to how they might be improved. They are so divorced from their own interests that even when their own security and that of their children is finally compromised, they do not seek to avert the danger themselves but cross their arms and wait for the nation as a whole to come to their aid. Yet as utterly as they sacrifice their own free will, they are no fonder of obedience than anyone else. They submit, it is true, to the whims of a clerk, but no sooner is force removed than they are glad to defy the law as a defeated enemy. Thus one finds them ever wavering between servitude and license.
When a nation has reached this point, it must either change its laws and mores or perish, for the well of public virtue has run dry: in such a place one no longer finds citizens but only subjects.
”
”
Alexis de Tocqueville (Democracy in America)
“
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees.
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her.
Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling.
Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees.
Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet.
Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart.
She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure.
She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard...
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!”
There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace.
My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble
something down or risk being ridiculed by my aunt.
Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the
yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!”
“Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.
But if I hated something then I had to be force-fed.
As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.”
“Yes Ma’am,” I said once again.
”
”
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
ROSE of all Roses, Rose of all the World!
The tall thought-woven sails, that flap unfurled
Above the tide of hours, trouble the air,
And God’s bell buoyed to be the water’s care;
While hushed from fear, or loud with hope, a band
With blown, spray-dabbled hair gather at hand.
Turn if you may from battles never done,
I call, as they go by me one by one,
Danger no refuge holds, and war no peace,
For him who hears love sing and never cease,
Beside her clean-swept hearth, her quiet shade:
But gather all for whom no love hath made
A woven silence, or but came to cast
A song into the air, and singing past
To smile on the pale dawn; and gather you
Who have sought more than is in rain or dew
Or in the sun and moon, or on the earth,
Or sighs amid the wandering starry mirth,
Or comes in laughter from the sea’s sad lips;
And wage God’s battles in the long grey ships.
The sad, the lonely, the insatiable,
To these Old Night shall all her mystery tell;
God’s bell has claimed them by the little cry
Of their sad hearts, that may not live nor die.
Rose of all Roses, Rose of all the World!
You, too, have come where the dim tides are hurled
Upon the wharves of sorrow, and heard ring
The bell that calls us on; the sweet far thing.
Beauty grown sad with its eternity
Made you of us, and of the dim grey sea.
Our long ships loose thought-woven sails and wait,
For God has bid them share an equal fate;
And when at last defeated in His wars,
They have gone down under the same white stars,
We shall no longer hear the little cry
Of our sad hearts, that may not live nor die.
The Sweet Far Thing
”
”
W.B. Yeats (The Collected Poems of W.B. Yeats)
“
Is that all?” he blurted out.
Crowley and Halt exchanged slightly puzzled glances. Then Crowley pursed his lips thoughtfully.
“Um…it seems to be…Listed your trainging, mentioned a few achievements, made sure you know which end of an arrow is the sharp part…decided your new name…I think that’s…” Then it seemed that understanding dawned on him and his eyes opened wide.
“Of course! You have to have you Silver…whatsis, don ‘t you?” He took hold of the chain that held his own Silver Oakleaf around his throat and shook it lightly. It was a badge of a Graduate Ranger. Then he began to search through his pockets, frowning.
“Had it here! Had it here! Where the devil is it…wait. I heard something fall on the boards as I came in! Must have dropped it. Just check outside the front door, will you, Will?”
Too stunned to talk, Will rose and went to the door. As he set his hand on the latch, he looked back at the two Rangers, still seated at the table. Crowley made a small shooing motion with the back of his hand, urging him to go outside. Will was still looking back at them when he opened the door and stepped through on the verandah.
“Congratulations!”
The massive cry went up from at least forty throats. He swung around in shock to find all his friends gathered in the clearing outside around the table laid for a feast, their faces beaming with smiles. Baron Arald, Sir Rodney, Lady Pauline and Master Chubb were all there. So were Jenny and George, his former wardmates. There were a dozen others in the Ranger uniform – men he had met worked with over the past five years. And wonder of wonders, there were Erak and Svengal , bellowing his name and waving their huge axes overhead in his praise. Close by them stood Horace and Gilan, both brandishing their swords overhead as well. It looked like a dangerous section of the crowd to be in, Will thought.
After the first concerted shout, people began cheering and calling his name, laughing and waving to him.
Halt and Crowley joined him on the verandah. The Commandant was doubled over with laughter.
“Oh, if you could have seen yourself!” he wheezed. “Your face! Your face! It was priceless! ‘Is that all?’” He mimicked Will’s plaintive tones and doubled over again.
Will tuned to Halt accusingly. His teacher grinned at him.
“Your face was a study,” he said.
“Do you so that to all apprentices?” Will asked.
Halt nodded vigorously. “Every one. Stops them getting a swelled head at the last minute. You have to swear never to let an apprentice in on the secret.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
”
”
Leonard Cohen (Flowers for Hitler)
“
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?"
The word sprang from my lips without thought. "No!"
"Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?"
I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste."
I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public.
And I'd said it on live television.
I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely.
"Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?"
I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face.
He really wanted to know.
And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him.
A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life.
"Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject."
I saw Maxon swallow, and I lowered my eyes.
"America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell."
I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Dear Son,
I would call you by name, but I’m waiting for your mother to decide. I only hope she is joking when she calls you Albert Dalbert.
For weeks now I have watched your mother zealously gather her tokens for this box. She’s so afraid of you not knowing anything about her, and it bothers me greatly that you’ll never know her strength firsthand. I’m sure by the time you read this, you’ll know everything I do about her.
But you’ll never know her for yourself and that pains me most of all. I wish you could see the look on her face whenever she talks to you. The sadness she tries so hard to hide. Every time I see it, it cuts through me.
She love you so much. You’re all she talks about. I have so many orders from her for you. I’m not allowed to make you crazy the way I do your Uncle Chris. I’m not allowed to call the doctors every time you sneeze and you are to be allowed to tussle with your friends without me having a conniption that someone might bruise you.
Nor am I to bully you about getting married or having kids. Ever.
Most of all, you are allowed to pick your own car at sixteen. I’m not supposed to put you in a tank. We’ll see about that one. I refuse to promise her this last item until I know more about you. Not to mention, I’ve seen how other people drive on the roads. So if you have a tank, sorry. There’s only so much changing man my age can do.
I don’t know what our futures will hold. I only hope that when all is said and done, you are more like your mother than you are like me. She’s a good woman. A kind woman. Full of love and compassion even though her life has been hard and full of grief. She bears her scars with a grace, dignity, and humor that I lack.
Most of all, she has courage the likes of which I haven’t witnessed in centuries. I hope with every part of me that you inherit all her best traits and none of my bad ones.
I don’t really know what more to say. I just thought you should have something of me in here too.
Love,
Your father (Wulf)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
This poem is very long
So long, in fact, that your attention span
May be stretched to its very limits
But that’s okay
It’s what’s so special about poetry
See, poetry takes time
We live in a time
Call it our culture or society
It doesn’t matter to me cause neither one rhymes
A time where most people don’t want to listen
Our throats wait like matchsticks waiting to catch fire
Waiting until we can speak
No patience to listen
But this poem is long
It’s so long, in fact, that during the time of this poem
You could’ve done any number of other wonderful things
You could’ve called your father
Call your father
You could be writing a postcard right now
Write a postcard
When was the last time you wrote a postcard?
You could be outside
You’re probably not too far away from a sunrise or a sunset
Watch the sun rise
Maybe you could’ve written your own poem
A better poem
You could have played a tune or sung a song
You could have met your neighbor
And memorized their name
Memorize the name of your neighbor
You could’ve drawn a picture
(Or, at least, colored one in)
You could’ve started a book
Or finished a prayer
You could’ve talked to God
Pray
When was the last time you prayed?
Really prayed?
This is a long poem
So long, in fact, that you’ve already spent a minute with it
When was the last time you hugged a friend for a minute?
Or told them that you love them?
Tell your friends you love them
…no, I mean it, tell them
Say, I love you
Say, you make life worth living
Because that, is what friends do
Of all of the wonderful things that you could’ve done
During this very, very long poem
You could have connected
Maybe you are connecting
Maybe we’re connecting
See, I believe that the only things that really matter
In the grand scheme of life are God and people
And if people are made in the image of God
Then when you spend your time with people
It’s never wasted
And in this very long poem
I’m trying to let a poem do what a poem does:
Make things simpler
We don’t need poems to make things more complicated
We have each other for that
We need poems to remind ourselves of the things that really matter
To take time
A long time
To be alive for the sake of someone else for a single moment
Or for many moments
Cause we need each other
To hold the hands of a broken person
All you have to do is meet a person
Shake their hand
Look in their eyes
They are you
We are all broken together
But these shattered pieces of our existence don’t have to be a mess
We just have to care enough to hold our tongues sometimes
To sit and listen to a very long poem
A story of a life
The joy of a friend and the grief of friend
To hold and be held
And be quiet
So, pray
Write a postcard
Call your parents and forgive them and then thank them
Turn off the TV
Create art as best as you can
Share as much as possible, especially money
Tell someone about a very long poem you once heard
And how afterward it brought you to them
”
”
Colleen Hoover (This Girl (Slammed, #3))