Call The Midwife Quotes

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Their devotion showed me there were no versions of love there was only... Love. That it had no equal and that it was worth searching for, even if that search took a lifetime.
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
The shell must be broken before the bird can fly.
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
Circumstances bring people together, and take them apart. One cannot keep up with everyone in a lifetime.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
But life is made of happiness and tragedy in equal proportions, and we will never change that.
Jennifer Worth (Call the Midwife: Farewell to the East End (The Midwife Trilogy Book 3))
Now and then in life, love catches you unawares, illuminating the dark corners of your mind, and filling them with radiance. Once in a while you are faced with a beauty and a joy that takes your soul, all unprepared, by assault.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
I am forced to the conclusion that modern medicine does not know it all.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
The Director's Role: You are the obstetrician. You are not the parent of this child we call the play. You are present at its birth for clinical reasons, like a doctor or midwife. Your job most of the time is simply to do no harm. When something does go wrong, however, your awareness that something is awry--and your clinical intervention to correct it--can determine whether the child will thrive or suffer, live or die.
Frank Hauser (Notes on Directing)
Her constant phrase, "Go with God", had puzzled me a good deal. Suddenly it became clear. It was a revelation - acceptance. It filled me with joy. Accept life, the world, Spirit, God, call it what you will, and all else will follow.
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
I’ve not sat down for twelve hours, let alone rested my eyes, my dinner’s sitting uneaten in my locker and I’ve just called a midwife ‘Mum’ by accident.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
Now that’s what I call magic—seein’ all that, dealin’ with all that, and still goin’ on. It’s sittin’ up all night with some poor old man who’s leavin’ the world, taking away such pain as you can, comfortin’ their terror, seein’ ‘em safely on their way…and then cleanin’ ‘em up, layin’ ‘em out, making ‘em neat for the funeral, and helpin’ the weeping widow strip the bed and wash the sheets—which is, let me tell you, no errand for the fainthearted—and stayin’ up the next night to watch over the coffin before the funeral, and then going home and sitting down for five minutes before some shouting angry man comes bangin’ on your door ‘cuz his wife’s havin’ difficulty givin’ birth to their first child and the midwife’s at her wits’ end and then getting up and fetching your bag and going out again…We all do that, in our own way, and she does it better’n me, if I was to put my hand on my heart. That is the root and heart and soul and center of witchcraft, that is. The soul and center!
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
I would not have described myself as a committed atheist for whom all spirituality was nonsense, but as an agnostic in whom large areas of doubt and uncertainty resided.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
It did not occur to me at the time that her radiance had a spiritual dimension, owing nothing to the values of the temporal world.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
I have a theory that all human babies are born prematurely. Given the human life span – three score years and ten – to be comparable with other animals of similar longevity, human gestation should be about two years. But the human head is so big by the age of two that no woman could deliver it. So our babies are born prematurely, in a state of utter helplessness.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
So we bloom where we are planted, turning our faces to the sun. - From the 2013 Call the Midwife Christmas Special
Heidi Thomas
Socrates called himself a midwife of ideas. A great book is often such a midwife, delivering to full existence what has been coiled like an embryo in the dark, silent depths of the brain.
Clifton Fadiman
I did not regard it as a moral issue, but as a medical issue. A minority of women will always want an abortion. Therefore it must be done properly.
Jennifer Worth (Call the Midwife: Farewell to the East End (The Midwife Trilogy Book 3))
Therefore…‘Sing, my darlings, sing, Before your petals fade, To feed the flowers of another spring.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
What's it like here? There's a biscuit factory next door. We get the broken ones.
Hiedi Thomas Jennifer Worth
The Pill was introduced in the early 1960s and modern woman was born. Women were no longer going to be tied to the cycle of endless babies; they were going to be themselves. With the Pill came what we now call the sexual revolution. Women could, for the first time in history, be like men, and enjoy sex for its own sake. In the late 1950s we had eighty to a hundred deliveries a month on our books. In 1963 the number had dropped to four or five a month. Now that is some social change!
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Now and then in life, love catches you unawares, illuminating the dark corners of your mind, and filling them with radiance. Once in a while you are faced with a beauty and a joy that takes
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Obstetricians also doubted the female intellectual capacity to grasp the anatomy and physiology of childbirth, and suggested that they could not therefore be trained. But the root fear was – guess what? – you’ve got it, but no prizes for quickness: money.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Why aren’t midwives the heroines of society that they should be? Why do they have such a low profile? They ought to be lauded to the skies, by everyone.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
is there a difference between being the midwife of truth, or the midwife of legends?
Amin Maalouf (Ports of Call)
Someone once said that youth is wasted on the young.* Not a bit of it. Only the young have the impulsive energy to tackle the impossible and enjoy it; the courage to follow their instincts and brave the new; the stamina to work all day, all night and all the next day without tiring. For the young everything is possible. None of us, twenty years later, could do the things we did in our youth. Though the vision burns still bright, the energy has gone.
Jennifer Worth (Call the Midwife: Farewell to the East End (The Midwife Trilogy Book 3))
Of course not,” she snapped sharply. “How can you love ignorant, brutish people whom you don’t even know? Can anyone love filth and squalor? Or lice and rats? Who can love aching weariness, and carry on working, in spite of it? One cannot love these things. One can only love God, and through His grace come to love His people.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
So, like Jane Austen, who in all her writing never recorded a conversation between two men alone, because as a woman she could not know what exclusively male conversation would be like, I cannot record much about the men of Poplar, beyond superficial observation.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
The impact Sister Julienne made upon me – and, I discovered, most people – was out of all proportion to her words or her appearance. She was not imposing or commanding, nor arresting in any way. She was not even particularly clever. But something radiated from her and, ponder as I might, I could not understand it. It did not occur to me at the time that her radiance had a spiritual dimension, owing nothing to the values of the temporal world.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.
Marlon James (The Book of Night Women)
Her constant phrase, "Go with God", had puzzled me a good deal. Suddenly it became clear. It was a revelation ― acceptance. It filled me with joy. Accept life, the world, Spirit, God, call it what you will, and all else will follow. I had been groping for years to understand, or at least to come to terms with the meaning of life. These three small words, "Go with God", were for me the beginning of faith.
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
Poverty is such a relative thing; but no man is really poor till life becomes a desert island that gives him neither food nor shelter nor hope.
Jennifer Worth (Call the Midwife: Farewell to the East End (The Midwife Trilogy Book 3))
Now and then in life, love catches you unawares, illuminating the dark corners of your mind, and filling them with radiance.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Most houses had a wireless, but I did not see a single TV set during my time in the East End, which may well have contributed to the size of the families.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Three Bs – Bullshit Baffles Brains,
Jennifer Worth (The Complete Call the Midwife Stories: True Stories of the East End in the 1950s)
I, that have neither pity, love, nor fear. Indeed, 'tis true that Henry told me of; For I have often heard my mother say I came into the world with my legs forward: Had I not reason, think ye, to make haste, And seek their ruin that usurp'd our right? The midwife wonder'd and the women cried 'O, Jesus bless us, he is born with teeth!' And so I was; which plainly signified That I should snarl and bite and play the dog. Then, since the heavens have shaped my body so, Let hell make crook'd my mind to answer it. I have no brother, I am like no brother; And this word 'love,' which graybeards call divine, Be resident in men like one another And not in me: I am myself alone.
William Shakespeare (King Henry VI, Part 3)
Goldie?" Jack asked. "What is it?" "Jack, my water just broke," Goldilocks said. "I'm going into labor!" All the characters glanced at one another in panic. This was such an anticipated moment, but no one was prepared for it. They were characters from children's stories - none of them knew how to deliver a baby! "Quick! We need scissors, boiling water, and recycled paper!" Red shouted. "Or is that for papier-mâché?" Trollbella covered her eyes. "Keep it inside while I'm in the room!" she said. "I don't want to see a baby come out of you.!" "CALL THE MIDWIFE AND WET NURSE!" Robin Hood yelled. "BUT DON'T TELL THEM I SENT YOU!
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
It is nearly impossible to believe: God shrinking down to the size of a zygote, implanted in the soft lining of a woman’s womb. God growing fingers and toes. God kicking and hiccupping in utero. God inching down the birth canal and entering this world covered in blood, perhaps into the steady, waiting arms of a midwife. God crying out in hunger. God reaching for his mother’s breasts. God totally relaxed, eyes closed, his chubby little arms raised over his head in a posture of complete trust. God resting in his mother’s lap. “On the days and nights when I believe this story that we call Christianity, I cannot entirely make sense of the storyline: God trusted God’s very self, totally and completely and in full bodily form, to the care of a woman. God needed women for survival. Before Jesus fed us with the bread and the wine, the body and the blood, Jesus himself needed to be fed, by a woman. He needed a woman to say: ‘This is my body, given for you.
Rachel Held Evans (Wholehearted Faith)
Mahmoud Darwish dice player Dice player Mahmoud Darwish Who am I to tell you What do I tell you? And I was not a stone polished by water He became a face Nor did the wind pierce him It became Naya ... I'm a dice player, We win and lose our time I am like you Or slightly less ... I was born beside the well And the three single trees as nuns She was born without a flap and without a midwife I was called by chance I belonged to a family coincidence , And inherited its features and qualities And diseases
Mahmoud Darwish
Today, antibiotics are as common as a cup of coffee. In the 1950s they were relatively new. Today, over-use has reduced their efficacy but in the 1950s they really were a miracle drug. Sister Monica Joan had never had penicillin before, and responded immediately.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Twenty-five years later, a shy young girl called Lady Diana Spencer became engaged to marry Prince Charles, heir to the throne. I saw several film clips of her arriving at various engagements. Each time when the car stopped, the front nearside door would open, and her bodyguard would step out and open the rear door for Lady Diana. Then he would stand, jaw thrust forward, legs slightly apart, and look coolly around him at the crowds, a mature Jack, still practising the skills he had acquired in childhood, looking after his lady.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Sister Evangelina shared this robust humour. Before an enema: “Now then, Dad, we’re going to put a squib up your arse, shake your insides about a bit. Got the jerry ready, Mother, and the clothes pegs to clip on our noses.” Laughter would continue about how he hadn’t “been” for a fortnight, and there must be a turd inside as big as an elephant’s. And no one was the slightest bit embarrassed, least of all the patient. No,
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
The guinea earned by doctors for a delivery was a significant part of their income. The threat of being undercut by trained midwives had to be resisted.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
The constant temperature of his mother’s skin kept his body temperature stable. Possibly the constant rise and fall of her breathing helped him over the first critical weeks.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
down to Cubitt Town on the Isle of
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
I believe that we are called upon to do things in this life that we would not do in an ideal life. I believe that to reach that ideal, one must be prepared to sacrifice.
Jodi Daynard (The Midwife's Revolt (Midwife, #1))
God loves greatly those whom he requires to suffer greatly.
Jennifer Worth (Call the Midwife: Farewell to the East End (The Midwife Trilogy Book 3))
These older generation mothers knew that they were absolutely indispensable at times like these, and it gave them a great sense of fulfilment, an ongoing purpose in life.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Tis better to travel hopefully than to arrive?” I
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
It was in the early Renaissance that the art of the joke was reborn, and the midwife was a man called Poggio.
Jim Holt (Stop Me If You've Heard This: A History and Philosophy of Jokes)
Once in a while you are faced with a beauty and a joy that takes your soul, all unprepared, by assault.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
How sweet. Old enough to know it all, and young enough to blush. Perfectly charming.
Jennifer Worth (Call The Midwife: A True Story Of The East End In The 1950s)
years professed nun, nurse and midwife in the East
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
month on our books. In 1963 the number had dropped to four or five a month. Now that is some social change!
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
To say that a fart cleared the air may seem a contradiction in terms, but life is full of contradictions.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
No one can give you faith. It is a gift from God alone. Seek and ye shall find.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
One of the obvious implications is that a person will have to face the fact that she cannot meet other people’s expectations. This signals the end of what might be called the “camel” phase of human development. I believe it was Nietschze who suggested that for the first part of life, we are camels, trudging through the desert, accepting on our backs everybody’s “shoulds” and “don’ts.” Camels only know how to spit; they don’t think for themselves or talk back. As the camel dies, a lion is born in its place. Lions discover both their roar and the art of preening. The lion may be a little shaky at first, so support and encouragement are vital. But once the camel begins to die (e.g., signaled by depression), there is no turning back. Symptoms occupy the space between the death of the camel and the birth of the lion. A therapist can be a good midwife during this liminal phase.
Stephen Gilligan (The Courage to Love: Principles and Practices of Self-Relations Psychotherapy)
Whoever heard of a midwife as a literary heroine? Yet midwifery is the very stuff of drama. Every child is conceived either in love or lust, is born in pain, followed by joy or sometimes remorse. A midwife is in the thick of it, she sees it all.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
For ten miles Mother rehearsed with me what I was to say if the worst happened and the Feds came. Under no circumstances was I to tell them that my mother was a midwife. If they asked why we were there, I was to say nothing. Mother called it “the art of shutting up.
Tara Westover (Educated)
It was funny, I thought, the way women let men think they ruled the world. That was the bargain they made: you take the world, and we’ll take life and death. Sure, fight wars. Make up countries. Call them whatever you want. Make up laws. It all sounds good. But that was only to distract them so that they wouldn’t try to participate in the women’s work, which was the pulling of souls out from the darkness and the projection of light into the future." Dear Fang, with love Rufi Thorpe --(as a midwife this quote really hit home for me)
Rufi Thorpe (Dear Fang, With Love)
A new midwife supervisor, Tracy, has started this week and seems absolutely lovely - calm, experienced and sensible. She is now the second midwife supervisor on the unit called Tracy, the current one being a flappy, angry nightmare. To avoid confusion, we have nicknamed them 'Reassuring Trace' and 'Non-reassuring Trace'.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
I have a theory that all human babies are born prematurely. Given the human life span – three score years and ten – to be comparable with other animals of similar longevity, human gestation should be about two years. But the human head is so big by the age of two that no woman could deliver it. So our babies are born prematurely, in a state of utter helplessness. I
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Alyce," she breathed. Alyce sounded clean and smart. You could love someone maned Alyce. She looked back at the face in the water. "This is me, Alyce." It was right. So the newly called Alyce shifted the pack on her shoulders, and with her head back and bare feet solid on the ground, she headed back to the midwife's cottage and never noticed when it grew dark, for heat and light were within her.
Karen Cushman (The Midwife's Apprentice)
Obstetricians also doubted the female intellectual capacity to grasp the anatomy and physiology of childbirth, and suggested that they could not therefore be trained. But the root fear was – guess what? – you’ve got it, but no prizes for quickness: money. Most doctors charged a routine one guinea for a delivery. The word got around that trained midwives would undercut them by delivering babies for half a guinea! The knives were out.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
The Poor Law Act of 1834 started the workhouse system. The Act was repealed in 1929, but the system lingered on for several decades because there was nowhere else for the inmates to go, and long-term residents had lost the capacity to make any decisions or look after themselves in the outside world. It was intended as a humane and charitable Act, because hitherto the poor or destitute could be hounded from place to place, never finding shelter, and could lawfully be beaten to death by their pursuers. To the chronically poor of the 1830s the workhouse system must have seemed like heaven: a shelter each night; a bed or communal bed to sleep in; clothing; food – not lavish, but enough, and, in return, work to pay for your keep. The system must have seemed like an act of pure Christian goodness and charity. But, like so many good intentions, it quickly turned sour.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
A horror story. Patient GL, whose genetic make-up appears to be 50 per cent goji berry recipes and 50 per cent Mumsnet posts, has announced she wants to eat her placenta. The midwife and I both pretend not to hear this – firstly because we don’t know what the hospital protocol is, and secondly because it’s completely revolting. GL calls it ‘placentophagia’ to make it sound more official, which doesn’t particularly wash; you can make anything sound official by translating it into the ancient Greek.*
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
She sold her hair; she sold her teeth, but it was never enough. The baby became lethargic and ceased to thrive. She called it “wasting fever”. When the baby died no money could be spared for burial, so she sealed him in an orange box weighed down with stones, and slipped him into the river. That furtive journey in the middle of the night with her dead baby was the moment when she finally accepted defeat, and knew that the inevitable had come. She and the children would have to go to the workhouse.”.
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
A creatrix is not simply a performer or entertainer – though these are elements of what she does – she is a dedicated shaper of consciousness and energy, a culture weaver, a dreamer and midwife of new worlds. She is an asker of uncomfortable questions and a liver of taboos in a world that expects conformity. She is answerable to her own intuition and sense of authenticity, and The Work itself. She follows the call of her soul above the demands of the world. She knows herself more deeply and sees herself more clearly through The Work.
Lucy H. Pearce (Creatrix: She Who Makes)
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
You have to imagine what it was like to be on the receiving end of vicious antagonism: sneering, contempt, ridicule, slights about one’s intelligence, integrity and motives. In those days, women even ran the risk of dismissal for their opinions. And this treatment came from other women, as well as men. In fact, “in-fighting” between various schools of nurses who had some sort of training in midwifery was particularly nasty. One eminent lady – the matron of St Bartholomew’s Hospital – branded the aspiring midwives as “anachronisms, who would in the future be regarded as historical curiosities”. The medical opposition seems to have arisen mainly from the fact that “women are striving to interfere too much in every department of life”.* Obstetricians also doubted the female intellectual capacity to grasp the anatomy and physiology of childbirth, and suggested that they could not therefore be trained. But the root fear was – guess what? – you’ve got it, but no prizes for quickness: money. Most doctors charged a routine one guinea for a delivery. The word got around that trained midwives would undercut them by delivering babies for half a guinea! The knives were out.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
The following books can be recommended: The Muvver Tongue, by Robert Balthrop and Jim Woolveridge, The Journeyman Press, 1980 The Cockney, by Julian Franklyn, Andre Deutsch, 1953 Dictionary of Rhyming Slang, by Julian Franklyn, Routledge, 1975 An unrivalled record of Cockney speech is to be found in Mayhew’s London and the other following books can be recommended: Balthrop, Robert and Jim Woolveridge, The Muvver Tongue (The Journeyman Press, London, 1980). Franklyn, Julian, The Cockney (Andre Deutsch, 1953). Franklyn, Julian, Dictionary of Rhyming Slang (Andre Deutsch, 1961). Harris, Charles, Three Ha’Pence to the Angel (Phoenix House, London, 1950). Jones, Jack, Rhyming Cockney Slang (Abson Books, London, 1971). Lewey, F., Cockney Campaign (Heffer, 1944). Matthews, Professor William, Cockney Past and Present (Routledge, London, 1940). O’London, Jack (Wilfred Whitten), London Stories (TC & EC Jack Ltd, Bristol, 1948). Quennell, Peter, ed., Mayhew’s London (Hamlyn, London, 1969). Robbins, G., Fleet Street Blitzkrieg Diary (Ernest Benn Ltd, London, 1942). Upton, Clive and David Parry, The Dictionary of English Grammar: Survey of English Dialects (Routledge, London, 1994).
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Total neglect of women in pregnancy and childbirth had been the norm. Among many primitive societies, women menstruating or with child, or in labour or suckling the child, were regarded as unclean, polluted. The woman was isolated and frequently could not be touched, even by another woman. She had to go through the whole ordeal alone. Consequently only the fittest survived, and by the processes of mutation and adaptation, inherited abnormalities, such as disproportion in the size of the pelvis and the foetal head, died out of the race, particularly in remote parts of the world, and labour became easier. In Western society, which we call civilisation, this did not occur, and a dozen or more complications, some of them deadly, were superimposed on the natural hazards: overcrowding, staphylococcal and streptococcal infection; infectious diseases such as cholera, scarlet fever, typhoid and tuberculosis; venereal disease; rickets; multiple and frequent childbirth; the dangers from infected water. If you add to all this the attitude of indifference and neglect that often surrounded childbirth it is not hard to understand how childbirth came to be known as “the curse of Eve”, and how women could often expect to die in order to bring forth new life.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
Also suggest they place this message on their answering machine/cell phone and on the front door: “We had the baby, it’s a _____, we’re fine but tired, enjoying our babymoon. Please call in a few days so we can plan to have you over.
Elizabeth Davis (Heart & Hands: A Midwife's Guide to Pregnancy and Birth)
The fashion, or trend, is reversing slightly today, and the home birth rate is around two per cent. Perhaps this is because hospital delivery presents new and totally unexpected risks for mother and baby, and people are getting wise to this fact.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
I called Nora “Nora” because she was thirty-four, more like a girl, though now that I’m thirty-six, I don’t feel at all girlish.
Patricia Harman (The Midwife of Hope River)
I did not do a vaginal examination, because any such intrusion could risk infection, and, unless absolutely essential, should be avoided.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Well, your mater is an ass.
Jennifer Worth (Call the Midwife: Farewell to the East End (The Midwife Trilogy Book 3))
Whoever heard of a midwife as a literary heroine? Yet midwifery is the very stuff of drama. Every child is conceived either in love or lust, is born in pain, followed by joy or sometimes remorse. A midwife is in the thick of it, she sees it all. Why then does she remain a shadowy figure, hidden behind the delivery room door?
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
withal vain-glorious, proud and inconstant. He whose arms are very short in respect to the stature of his body, is thereby signified to be a man of high and gallant spirit, of a graceful temper, bold and warlike. He whose arms are full of bones, sinews and flesh, is a great desirer of novelties and beauties, and one that is very credulous and apt to believe anything. He whose arms are very hairy, whether they be lean or fat, is for the most part a luxurious person, weak in body and mind, very suspicious and malicious withal. He whose arms have no hair on them at all, is of a weak judgment, very angry, vain, wanton, credulous, easily deceived himself, yet a great deceiver of others, no fighter, and very apt to betray his dearest friends. CHAPTER IV Of Palmistry, showing the various Judgments drawn from the Hand. Being engaged in this fourth part to show what judgment may be drawn, according to physiognomy, from the several parts of the body, and coming in order to speak of the hands, it has put me under the necessity of saying something about palmistry, which is a judgment made of the conditions, inclinations, and fortunes of men and women, from the various lines and characters nature has imprinted in their hands, which are almost as serious as the hands that have them. The reader should remember that one of the lines of the hand, and which indeed is reckoned the principal, is called the line of life; this line encloses the thumb, separating it from the hollow of the hand. The next to it, which is called the natural line, takes its
Pseudo-Aristotle (The Works of Aristotle the Famous Philosopher Containing his Complete Masterpiece and Family Physician; his Experienced Midwife, his Book of Problems and his Remarks on Physiognomy)
Whoever heard of a midwife as a literary heroine? Yet midwifery is the very stuff of drama. Every child is conceived either in love or lust, is born in pain, followed by joy or sometimes remorse.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Most hospitals in England, even in the 1950s, were converted workhouses, so the buildings alone had an aura of degradation and death for people who had lived all their lives with the terror of being sent to the workhouse.
Jennifer Worth (Call The Midwife: A True Story Of The East End In The 1950s)
To an Unknown God I sang to you In the day of my bliss And you were near I thought of you In my lover’s kiss And felt you there I turned to you When our love was too brief And found your strength. I needed you In the years of my grief And knew you, at length.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
The area was densely populated and most families had lived there for generations, often not moving more than a street or two away from their birthplace. Family life was lived at close quarters and children were brought up by a widely extended family of aunts, grandparents, cousins and older siblings, all living within a few houses, or at the most, streets of each other. Children would run in and out of each other’s homes all the time and when I lived and worked there, I cannot remember a door ever being locked, except at night. Children were everywhere, and the streets were their playgrounds. In the 1950s there were no cars in the back streets, because no one had a car, so it was perfectly safe to play there.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
They would start at five in the morning and end around ten at night. No wonder they fell into the pubs and drank themselves silly at the end of it. Boys started in the docks at the age of fifteen, and they were expected to work as hard as any man.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Early marriage was the norm. There was a high sense of sexual morality, even prudery, amongst the respectable people of the East End. Unmarried partners were virtually unknown, and no girl would ever live with her boyfriend.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Families were large, often very large, and divorce was rare. Intense and violent family rows were common, but husband and wife usually stuck together. Few women went out to work.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Once the babies started coming, it was impossible: an endless life of child-rearing, cleaning, washing, shopping and cooking would be her lot. I often wondered how these women managed, with a family of up to thirteen or fourteen children in a small house, containing only two or three bedrooms
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
A midwife is in the thick of it, she sees it all. Why then does she remain a shadowy figure, hidden behind the delivery room door?
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Sadly, in nursing, and particularly in hospital nursing, you meet people during some of the most profound moments in their lives, and then they are gone from you for ever.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
The soul, being stronger than we think, can survive all mutilations. And the marks upon it make it perfect and complete.
Call the Midwife
attend L’Alliance
Jennifer Worth (Letters to the Midwife: Correspondence with Jennifer Worth, the Author of Call the Midwife)
The ceremony of Mexican baptism, which was beheld with astonishment by the Spanish Roman Catholic missionaries, is thus strikingly described in Prescott's Conquest of Mexico:--"When everything necessary for the baptism had been made ready, all the relations of the child were assembled, and the midwife, who was the person that performed the rite of baptism, was summoned. At early dawn, they met together in the court-yard of the house. When the sun had risen, the midwife, taking the child in her arms, called for a little earthen vessel of water, while those about her placed the ornaments, which had been prepared for baptism, in the midst of the court. To perform the rite of baptism, she placed herself with her face toward the west, and immediately began to go through certain ceremonies....After this she sprinkled water on the head of the infant, saying, "O my child, take and receive the water of the Lord of the world, which is our life, which is given for the increasing and renewing of our body. It is to wash and to purify. I pray that these heavenly drops may enter into your body, and dwell there; that they may destroy and remove from you all the evil and sin which was given you before the beginning of the world, since all of us are under its power.'.... She then washed the body of the child with water, and spoke in this manner: "Whencesoever thou comest, thou that art hurtful to this child, leave him and depart from him, for he now liveth anew, and is BORN ANEW; now he is purified and cleansed afresh, and our mother Chalchivitlycue [the goddess of water] bringeth him into the world.' Having thus prayed, the midwife took the child in both hands, and, lifting him towards heaven, said, "O Lord, thou seest here thy creature, whom thou hast sent into the world, thus place of sorrow, suffering, and penitence. Grant him, O Lord, thy gifts and inspiration, for thou art the Great God, and with thee is the great goddess.'" Here is the opus operatum without mistake. Here is baptismal regeneration and exorcism too, as thorough and complete as any Romish priest or lover of Tractarianism could desire.
Alexander Hislop (The Two Babylons)
Hey, there,” Jack said. “How you doing?” Paul got right up close to Jack. “Listen, Jack, you have no idea what she wants me to do,” he said under his breath. “Yeah, I do. She told everyone. Mel will be right out to get you as soon as Vanni’s settled.” “You’d be better at this than me,” he said. “Yeah, I probably would.” Jack grinned. “But I wasn’t asked.” “I can’t do this,” he whispered. Jack clamped a hand on his back. “Sure you can. You’ll be fine. Count your lucky stars—at least you have a midwife in there with you.” Jack smiled. “It’ll be a good experience for you.” “I’m sure you’re wrong about that.” “Paul!” Mel called. “We’re ready for you.” “Aw, Jesus.” Jack leaned toward him. “Man-up, pal. Or they’ll never let you hear the end of it.” Reluctantly Paul went down the hall. Mel, grinning very happily, met him outside Vanni’s bedroom door. “How we doing?” she asked. “Not so good, Mel. I’m pretty sure I’m not up to this. I’m very inexperienced.” “All right, Paul, don’t worry. It’s going to be a while before the baby comes, and right now all Vanni really needs is someone to rub her back, help her remember to breathe through the contractions, maybe give her a damp cloth for her forehead, or the back of the neck really helps sometimes. That’s all.” “I can do that part.” “That’s good. If you can’t go the distance, that’s okay. Just get us that far, okay?” “I’ll do what I can,” he said. When he got into the room he was very relieved to see Vanni, clothed in a gown that didn’t reveal anything, sitting up in the bed, cross-legged, smiling. So he smiled back. “How are you feeling?” “Fine at the moment, thanks.” “Vanni, you should have told me this was what you wanted a long time ago. I’m totally unprepared to do this.” “Don’t worry, Paul. You’ll be fine.” “Probably
Robyn Carr (Whispering Rock (Virgin River, #3))
Was it love of people?” I asked her. “Of course not,” she snapped sharply. “How can you love ignorant, brutish people whom you don’t even know? Can anyone love filth and squalor? Or lice and rats? Who can love aching weariness, and carry on working, in spite of it? One cannot love these things. One can only love God, and through His grace come to love His people.” I
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
Congress had passed several acts of dubious constitutionality. One made it difficult for foreigners to attain citizenship and allowed for deportation of immigrants deemed inimical to peace. Another, called the Sedition Act, criminalized the making of false or scandalous statements against the government or criticizing its leaders.
Jodi Daynard (A More Perfect Union (Midwife, #3))
Was it then or was it later that the thought came to me: if God really does exist, and is not just a myth, it must have consequence for the whole of life. It was not a comfortable thought.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
My wife," he said eventually, slowly, as if it pained him to speak the words. "She nearly died in childbed, delivering our son. A wise woman in our village saved both their lives. Beatrice, she was called. I said nothing, when they accused her. She was hanged." He took a velvet pouch from his breeches and pressed it into my hands, before melting away into the throng. I looked inside the pouch and saw gold coins. I understood, then, that I had this man---or the woman who saved his family---to thank for my life.
Emilia Hart (Weyward)
La pillola venne introdotta nei primi anni Sessanta. Nacque così la donna moderna. Le donne non erano più condannate a un ciclo di gravidanze infinite; finalmente avrebbero potuto vivere la propria vita. Insieme alla pillola scoppiò quella che viene definita rivoluzione sessuale. Le donne potevano, per la prima volta nella storia, essere come gli uomini e fare sesso per puro piacere. Verso la fine degli anni Cinquanta i nostri registri contavano dagli ottanta ai cento parti al mese. Nel 1963 il numero era calato drasticamente, fino a quattro o cinque al mese. Questa sì che è una rivoluzione sociale!
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times)
A un primo sguardo capisco subto che Muriel è vicina alla seconda fase del travaglio: il sudore, il respiro lievemente affannato, quel curioso aspetto assorto che tutte le donne hanno in quei momenti, quando le loro forze, fisiche e mentali, sono concentrate sul loro corpo e sul miracolo che sta per compiersi.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times)
Ma il travaglio non va mai come vorresti tu!
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times)
Onestamente, un neonato, nei suoi primi minuti di vita, ancora coperto di sangue, lievemente cianotico, gli occhi strizzati, non si può definire esattamente una bellezza. Ma la madre non lo vede allo stesso modo. Per lei quell'esserino è la perfezione.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times)