Cake And Tea Quotes

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When evening fell the boy would bring the girl a glass of tea, a slice of lemon cake, an apple blossom floating in a blue cup. He would kiss her neck and whisper new names in her ear: beauty, beloved, cherished, my heart.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
You have filled my tea with lumps of sugar, and though I asked most distinctly for bread and butter, you have given me cake. I am known for the gentleness of my disposition, and the extraordinary sweetness of my nature, but I warn you, Miss Cardew, you may go too far.
Oscar Wilde (The Importance of Being Earnest)
In Britain, a cup of tea is the answer to every problem. Fallen off your bicycle? Nice cup of tea. Your house has been destroyed by a meteorite? Nice cup of tea and a biscuit. Your entire family has been eaten by a Tyrannosaurus Rex that has travelled through a space/time portal? Nice cup of tea and a piece of cake. Possibly a savoury option would be welcome here too, for example a Scotch egg or a sausage roll.
David Walliams (Mr Stink)
Tea would arrive, the cakes squatting on cushions of cream, toast in a melting shawl of butter, cups agleam and a faint wisp of steam rising from the teapot shawl.
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? But though I have wept and fasted, wept and prayed, Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet--and here's no great matter; I have seen the moment of my greatness flicker, I have seen the eternal Footman hold my coat, and snicker, And in short, I was afraid.
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
Cake and tea or death?
Eddie Izzard (Dress to Kill)
Mrs Forrester ... sat in state, pretending not to know what cakes were sent up, though she knew, and we knew, and she knew that we knew, and we knew that she knew that we knew, she had been busy all the morning making tea-bread and sponge-cakes.
Elizabeth Gaskell (Cranford)
Fenworth nodded. "Yes, yes. Urgent, deadly, insidious. The world is in peril and we must rise against evil." The old wizard released the general and patted him on the shoulder. "Tea and cake first, don't you think?
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Tea at the Ritz is the last delicious morsel of Edwardian London. The light is kind, the cakes are frivolous and the tempo is calm, confident and leisurely.
Helen Simpson (The London Ritz Book of Afternoon Tea)
Tea Cake, the son of the Evening Sun, had to die for loving her.
Zora Neale Hurston (Their Eyes Were Watching God)
There aren’t many things in life better than books, tea and cake
Jen Campbell (The Bookshop Book)
Mia stayed where she was, distrust plain in her eyes. "I've got tea," Mercurio sighed. "And cake." The girl covered her growling belly with both palms. ". . . What kind of cake?" "The free kind." Mia pouted. Licked her lips and tasted blood. "My favorite." And she took the old man's hand.
Jay Kristoff (Nevernight (The Nevernight Chronicle, #1))
Those dripping crumpets, I can see them now. Tiny crisp wedges of toast, and piping-hot, flaky scones. Sandwiches of unknown nature, mysteriously flavoured and quite delectable, and that very special gingerbread. Angel cake, that melted in the mouth, and his rather stodgier companion, bursting with peel and raisins. There was enough food there to keep a starving family for a week.
Daphne du Maurier (Rebecca)
If teachers and grammar school editors find my jawbreaker sentences shatter their mushmilk teeth, let them eat stale cake dunked in weak tea of their own ungodly manufacture.
Ray Bradbury
We're a team like tea and milk, or cake and custard, or pork and apple.
Gail Carriger (Manners & Mutiny (Finishing School, #4))
Now they got to look into me loving Tea Cake and see whether it was done right or not! They don't know if life is a mess of corn-meal dumplings, and if love is a bed-quilt!
Zora Neale Hurston (Their Eyes Were Watching God)
We'd been waltzing and eating tea cakes with a murderer.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
Afternoon tea should be provided, fresh supplies, with thin bread-and-butter, fancy pastries, cakes, etc., being brought in as other guests arrive.
Isabella Beeton (Mrs Beeton's Book of Household Management)
You cannot go around in grief and panic every day; people will not let you, they will coax you with tea and tell you to move on, bake cakes and paint walls. [...] So what you do is you let them coax you. You bake the cake and paint the wall and smile; you buy a new freezer as if you now had a plan for the future. And secretly--in the early morning--you sew a pocket in your skin. At the hollow of your throat. So that every time you smile, or nod your head at a teacher meeting, or bend over to pick up a fallen spoon, it presses and pricks and stings and you know you’ve not moved on. You never even planned to.
Andrew Sean Greer (The Story of a Marriage)
When evening fell, the boy would bring the girl a glass of tea, a slice of lemon cake, an apple blossom floating in a blue cup. He would kiss her neck and whisper new names in her ear: beauty, beloved, cherished, my heart. They had an ordinary life, full of ordinary things—if love can ever be called that.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
This one day her mother gave her a basket of wine and cake to take to her grandmother because she was ill. Wine and cake? Where's the aspirin? The penicillin? Where's the fruit juice? Peter Rabbit got camomile tea. But wine and cake it was.
Anne Sexton (Transformations)
I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.
Anna Quindlen (Lots of Candles, Plenty of Cake)
As Remus sat at the Potter’s big wooden kitchen table eating cake and sipping a huge mug of tea, listening to James and Sirius chatter nineteen to the dozen about the term so far, he couldn’t resist sighing contentedly to himself. Two whole weeks of this.
MsKingBean89 (All The Young Dudes - Volume One: Years 1 - 4 (All The Young Dudes, #1))
The best thing about being a writer is that 'work' is always something you love, plus usually accompanied by tea, coffee and cakes of some sort.
Jamie L. Harding
Once upon uh time, Ah never ’spected nothin’, Tea Cake, but bein’ dead from the standin’ still and tryin’ tuh laugh. But you come ’long and made somethin’ outa me. So Ah’m thankful fuh anything we come through together.” “Thanky, Ma’am.
Zora Neale Hurston (Their Eyes Were Watching God)
For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangutan or dolphin, nuclear-head or water conservationalist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics. The real world is the playing ground for each and every group, to make or unmake laws. But the tip of the nose of my book or stories or poems is where their rights end and my territorial imperatives begin, run and rule. If Mormons do not like my plays, let them write their own. If the Irish hate my Dublin stories, let them rent typewriters. If teachers and grammar school editors find my jawbreaker sentences shatter their mushmilk teeth, let them eat stale cake dunked in weak tea of their own ungodly manufacture. If the Chicano intellectuals wish to re-cut my "Wonderful Ice Cream Suit" so it shapes "Zoot," may the belt unravel and the pants fall.
Ray Bradbury
Ah'll clean 'em, you fry 'em and let's eat,' he said with the assurance of not being refused. They went out into the kitchen and fixed up the hot fish and corn muffins and ate. Then Tea Cake went to the piano without so much as asking and began playing blues and singing, and throwing grins over his shoulder. The sounds lulled Janie to soft slumber and she woke up with Tea Cake combing her hair and scratching the dandruff from her scalp. It made her more comfortable and drowsy.
Zora Neale Hurston (Their Eyes Were Watching God)
though she knew, and we knew, and she knew that we knew, and we knew that she knew that we knew, she had been busy all the morning making tea-bread and sponge-cakes.
Elizabeth Gaskell (Cranford)
The next morning he boarded the train for the six-hour journey south that would bring him to the strange gothic spires and arches of St. Pancras Station. His mother gave him a small walnut cake that she had made for the journey and a thermos filled with tea; and Richard Mayhew went to London feeling like hell.
Neil Gaiman (Neverwhere (London Below, #1))
Rachell believed passionately in the value of beauty. If she was pressed for time she considered the filling of her bowl with flowers more important for her family's welfare than the making of a cake for tea. On this point her family entirely disagreed with her.
Elizabeth Goudge (Island Magic)
the method of drinking tea at this stage was primitive in the extreme. The leaves were steamed, crushed in a mortar, made into a cake, and boiled together with rice, ginger, salt, orange peel, spices, milk, and sometimes with onions!
Kakuzō Okakura (The Book of Tea)
They’s mighty particular how dese dead folks goes tuh judgment,” Tea Cake observed to the man working next to him. “Look lak dey think God don’t know nothin’ ’bout de Jim Crow law.
Zora Neale Hurston (Their Eyes Were Watching God)
Tain't no trouble tuh say whut's already so.
Zora Neale Hurston (Their Eyes Were Watching God)
Hello pretties, I’ve come for tea. Is there cake? I do like cake. But only when it’s served with a side of murder.
Caroline Peckham (The Death Club (Dead Men Walking, #1))
By the way, I may have misled you by using the word 'tea'. None of your wafer slices of bread-and-butter. We're good trencher-men, we of the Revolution. What we shall require will be something on the order of scrambled eggs, muffins, jam, ham, cake and sardines. Expect us at five sharp." "But, I say, I'm not quite sure - " "Yes, you are. Silly ass, don't you see that this is going to do you a bit of good when the Revolution breaks loose? When you see old Rowbotham sprinting up Piccadilly with a dripping knife in each hand, you'll be jolly thankful to be able to remind him that he once ate your tea and shrimps.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
Good cooking is a form of benevolence. Molly gladly sacrificed a fine afternoon to give pleasure by a cake at tea-time. She would lay her afternoon and fresh air on the table with the cake and be rewarded by the glow of pleasure she felt when they enjoyed it.
Dorothy Whipple (Because of the Lockwoods)
They sat for several hours over a pot of tea and a plate of cake, and then they wandered the streets, impervious to time. By the end of the day, both realised that their lives had altered course.
Penelope Lively (Consequences)
He’d never liked tea. It seemed somewhat ridiculous to him, to interrupt his day with miniature cakes and dry, crustless sandwiches, and fragile china that always seemed about to snap in half between his fingers. Tea, Kimber reasoned, was a feminine invention, ruled by females of a certain type: ruffled, beribboned, and iron-willed.
Shana Abe (Queen of Dragons (Drakon, #3))
Mrs. Turner was a milky sort of a woman that belonged to child-bed. Her shoulders rounded a little, and she must have been conscious of her pelvis because she kept it stuck out in front of her so she could always see it. Tea Cake made a lot of fun about Mrs. Turners shape behind her back. He claimed that she had been shaped up by a cow kicking her from behind. She was an ironing board with things throwed at it. Then that same cow took and stepped in her mouth when she was a baby and left it wide and flat with her chin and nose almost meeting.
Zora Neale Hurston (Their Eyes Were Watching God)
What does she even eat, do you think?" "Tea fungus,"Ruth says. "Unsweetened. From an eye dropper. Is what I picture. either that or some sort of sea vegetable." "Sad," I say. "It is," Ruth muses. We decide to order two skim milk cappuccinos and split a gluten-free carrot cake cupcake.
Mona Awad (13 Ways of Looking at a Fat Girl)
Dear Gaffsie, believe me, we are so very small and insignificant, and so are our tea cakes and carpets and all those things, you know, and still they're so important, but always they're threatened by mercilessness.
Tove Jansson (Tales from Moominvalley (The Moomins, #7))
Richard found himself, on otherwise sensible weekends, accompanying her to places like the National Gallery and the Tate Gallery, where he learned that walking around museums too long hurts your feet, that the great art treasures of the world all blur into each other after a while, and that it is almost beyond the human capacity for belief to accept how much museum cafeterias will brazenly charge for a slice of cake and a cup of tea.
Neil Gaiman (Neverwhere)
Oh Shnorhk, how beautifully you speak Armenian, the third thing I miss most about you. The second thing I miss most about you: how beautifully you play." Shnorhk not say anything. What trying to say only take away. Shnorhk just scald throat with more tea and eat cake after cake. Grateful still, in the end, that Mnatsagan, always kind, is kind enough not to say the first thing he miss so much.
Mark Z. Danielewski (One Rainy Day in May (The Familiar, #1))
Café Mortel, an opportunity to discuss one’s mortality over tea and cake.
Anthony Horowitz (The Word is Murder (Hawthorne & Horowitz #1))
There’s nothing that can’t be solved with a pot of tea, a slice of cake, and a very dear friend.
Andy Sagar (Yesterday Crumb and the Storm in a Teacup)
Tea Cake went out and wandered around. Saw the hand of horror on everything.
Zora Neale Hurston (Their Eyes Were Watching God)
Ladies bathed before noon, after their three o-clock naps, and by nightfall were like soft tea-cakes with frosting of sweat and sweet talcolm.
Harper Lee (To Kill a Mockingbird)
She tasted like Earl Grey tea and lemon cake, a feast for my senses. It was blasphemy for a creature like me to touch a being as heavenly as her, but I relished the sin.
Harley Laroux (Soul of a Witch (Souls Trilogy, #3))
Tea had been set out on the table, ready for our arrival. It was simple but delicious: muffins, ham, boiled eggs, and toast and butter, with Christmas cake for dessert.
Robin Stevens (Mistletoe and Murder (Murder Most Unladylike, #5))
The sounds lulled Janie to soft slumber and she woke up with Tea Cake combing her hair
Zora Neale Hurston (Their Eyes Were Watching God)
One of the more tiring aspects of hitchhiking is a need to be sociable and make conversation with whoever is driving you. It would be considered poor form to accept a ride, hop into the passenger seat and then simply to crash out until you reached your destination. How I longed to do just that, but instead I chatted merrily away, energy ebbing from me with each sentence, until Chris dropped me at the address of the lady who had offered me free B&B. One of the more tiring aspect of accepting an offer of free accommodation is a need to be sociable and make conversation with whoever had offered it to you. It would be considered poor form to turn up, dumb your bags, crawl into your bedroom and order an early morning alarm call. How I longed to do just that, but instead I chatted merrily away to Marjorie, energy ebbing from me with each sentence, until the tea was drunk, the cake was eaten and I finally plucked up the courage to mention just how exhausted I was. I apologised and said that I simply had to grab a couple of hours sleep, and Marjorie understandingly showed me to my room.
Tony Hawks (Round Ireland with a Fridge)
Shall I get the brandy?” she asked. “I think I need something stronger.” “Tea, then,” she said grimly, “and cake, I think.” “Such recklessness in one so young! But yes. Most definitely.
Christina Baehr (Drake Hall (The Secrets of Ormdale, #2))
And twelve more white men had stopped whatever they were doing to listen and pass on what happened between Janie and Tea Cake Woods, and as to whether things were done right or not. That was funny too. Twelve strange men who didn’t know a thing about people like Tea Cake and her were going to sit on the thing. Eight or ten white women had come to look at her too. They wore good clothes and had the pinky color that comes of good food. They were nobody’s poor white folks. What need had they to leave their richness to come look on Janie in her overalls?
Zora Neale Hurston (Their Eyes Were Watching God)
Here, my lady. I’ll help you back to bed and send for some tea. And a cinnamon cake, perhaps?” Rielle leaned heavily into Evyline’s broad body. “Perhaps three cakes would do the trick.” “Three cakes are, generally speaking, much more effective than one, my lady.” Rielle’s smile was faint and brought prickling tears to her eyes. “Bless you, Evyline. I’ve taught you well.
Claire Legrand (Furyborn (Empirium, #1))
My first port of call was ReadingLasses Bookshop & Café. There aren’t many things in life better than books, tea and cake (if you disagree, I’m afraid we can never be friends), and at ReadingLasses, where you can get all three at the same time, you soon lose any desire to leave.
Jen Campbell (The Bookshop Book)
Three days passed before Andrée could find time to see me again; we arranged to meet at the tea shop at Au Printemps. All around me, women wearing perfume ate cakes and talked about the cost of living. Since the day she was born, Andrée was destined to be like them: but she wasn’t
Simone de Beauvoir (Inseparable)
She smiled as she poured tea into his cup. “I hope you find your rooms comfortable?” “Quite.” He took a too-hasty sip of tea and scalded his tongue. “The view is to your liking?” He had a view of a brick wall. “Indeed.” She fluttered her eyelashes at him over the rim of her teacup. “And the bed. Is it soft and… yielding?” He nearly choked on the bite of cake he’d just taken. “Or do you prefer a firmer bed?” she asked sweetly. “One that refuses to yield too soon?” “I think”—he narrowed his eyes at her—“whatever mattress I have on the bed you gave me is perfect. But tell me, my lady, what sort of mattress do you prefer? All soft goose down or one that’s a bit… harder?” It was very fast, but he saw it: Her gaze flashed down to the juncture of his thighs and then up again. If there hadn’t been anything to see there before, there certainly was now. “Oh, I like a nice stiff mattress,” she purred. “Well warmed and ready for a long ride.
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
Her tea basket was still lost, but that didn’t seem to matter now. People used to eat loose tea on long journeys. They’d pack it into hard little cakes they’d pull out later, to gnaw on while they warmed their hands by a fire. The tea provided physical sustenance, but it was also considered good for the soul.
L.L. Barkat (The Novelist)
Women are generally responsible for all the cooking and planning of meals in private households, but I have never known any to bother about "proper meals" without a man around. Left to ourselves, we glory in "feasting" - standing at the kitchen table, or wrapped in blankets before the fire - on whatever wild assortment we can forage from the larder, or delight in a "nursery tea" of soft-boiled eggs with bread and butter; or dine on tea and cakes, or apples and cheese, while reading." The Curious Affair of the Dead Wives
Lisa Tuttle (Rogues)
It was full of the most delicious displays, piled high with pink and white fancies, cakes piped with cream and scattered with nuts, and absolutely heaps of swirled golden-brown buns. They were studded with raisins and dripping with syrup. My mouth watered. It had been hours since those train sandwiches, their cheese slightly warm and their chutney gluey. Beyond the buns I saw tables full of people enjoying splendid teas. My stomach gurgled.
Robin Stevens (Mistletoe and Murder (Murder Most Unladylike, #5))
He would go to the bakery for a cake, and somewhere in the shop-I had never discovered where; it was one of the few secrets I had not fathomed-he kept a candle, which came out on this day every year, was lit, and which I blew out, with as good an impression of happiness as I could muster. Then we ate the cake, with tea, and settled down to quiet digestion and cataloging.
Diane Setterfield
If she moved her head all the way up against the wall and tilted it to the left she could just see the edge of the moon through the bars. Just a silver sliver, almost close enough to eat. A sliver of cheese, a sliver of cake, a cup of tea to be polite. Someone had given her a cup of tea once, someone with blue-green eyes and long ears. Funny how she couldn't remember his face, though. All that part was hazy, her memory of him wrapped in smoke but for the eyes and ears. And the ears were long and furry.
Christina Henry (Alice (The Chronicles of Alice, #1))
He says, "It's just a hat." But it's not just a hat. It makes Jess think of racism and hatred and systemic inequality, and the Ku Klux Klan, and plantation-wedding Pinterest boards, and lynchings, and George Zimmerman, and the Central Park Five, and redlining, and gerrymandering and the Southern strategy, and decades of propaganda and Fox News and conservative radio, and rabid evangelicals, and rape and pillage and plunder and plutocracy and money in politics and the dumbing down of civil discourse and domestic terrorism and white nationalists and school shootings and the growing fear of a nonwhite, non-English-speaking majority and the slow death of the social safety net and conspiracy theory culture and the white working class and social atomism and reality television and fake news and the prison-industrial complex and celebrity culture and the girl in fourth grade who told Jess that since she--Jess--was "naturally unclean" she couldn't come over for birthday cake, and executive compensation, and mediocre white men, and the guy in college who sent around an article about how people who listen to Radiohead are smarter than people who listen to Missy Elliott and when Jess said "That's racist" he said "No,it's not," and of bigotry and small pox blankets and gross guys grabbing your butt on the subway, and slave auctions and Confederate monuments and Jim Crow and fire hoses and separate but equal and racist jokes that aren't funny and internet trolls and incels and golf courses that ban women and voter suppression and police brutality and crony capitalism and corporate corruption and innocent children, so many innocent children, and the Tea Party and Sarah Palin and birthers and flat-earthers and states' rights and disgusting porn and the prosperity gospel and the drunk football fans who made monkey sounds at Jess outside Memorial Stadium, even though it was her thirteenth birthday, and Josh--now it makes her think of Josh.
Cecilia Rabess (Everything's Fine)
Jaka to rozkosz, jaka słodycz życia – siedzieć w chłodnym domu, pić herbatę, pogryzać ciasto i czytać. Przeżuwać długie zdania, smakować ich sens, odkrywać nagle w mgnieniu sens głębszy, zdumiewać się nim i pozwalać sobie zastygać z oczami wklejonymi w prostokąt szyby. Herbata stygnie w delikatnej filiżance; nad jej powierzchnią unosi się koronkowy dymek, który znika w powietrzu zostawiając ledwie uchwytny zapach. Sznureczki liter na białej stronie książki dają schronienie oczom, rozumowi, całemu człowiekowi. Okruszki ciasta wysypują się na serwetę, zęby dzwonią leciutko o porcelanę. W ustach zbiera się ślina, bo mądrość jest apetyczna jak drożdżowe ciasto, ożywiająca jak herbata.
Olga Tokarczuk (House of Day, House of Night)
I think how heavenly it must be to nibble on tiny cakes and swirled caramels and plum ginger puffs all day. Tea with lemon petit fours in the afternoon; after-dinner mint truffles with butterscotch coffee in the evening. My mind swims with the notion of it. The easy, sugar-induced lull that would follow me into candy-tinted dreams each night. Life here, in Valentine's Town, would surely be simple and uncomplicated.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Why, Tea Cake? Whut good do combin’ mah hair do you? It’s mah comfortable, not yourn.” “It’s mine too. Ah ain’t been sleepin’ so good for more’n uh week cause Ah been wishin’ so bad tuh git mah hands in yo’ hair. It’s so pretty. It feels jus’ lak underneath uh dove’s wing next to mah face.
Zora Neale Hurston (Their Eyes Were Watching God)
He had every prejudice and aspiration of every American Common Man. He believed in the desirability and therefore the sanctity of thick buckwheat cakes with adulterated maple syrup, in rubber trays for the ice cubes in his electric refrigerator, in the especial nobility of dogs, all dogs, in the oracles of S. Parkes Cadman, in being chummy with all waitresses at all junction lunch rooms, and in Henry Ford (when he became President, he exulted, maybe he could get Mr. Ford to come to supper at the White House), and the superiority of anyone who possessed a million dollars. He regarded spats, walking sticks, caviar, titles, tea-drinking, poetry not daily syndicated in newspapers and all foreigners, possibly excepting the British, as degenerate.
Sinclair Lewis (It Can't Happen Here)
It’s bad bein’ strange niggers wid white folks. Everybody is aginst yuh.” “Dat sho is de truth. De ones de white man know is nice colored folks. De ones he don’t know is bad niggers." Janie said this and laughed and Tea Cake laughed with her. "Janie, Ah done watched it time and time again; each and every white man think he know all de GOOD darkies already. He don't need tuh know no mo'. So far as he's concerned, all dem he don't know oughta be tried and sentenced tuh six months behind the United States privy house at hard smellin'." "How come de United States privy house, Tea Cake?" "Well, you know Old Uncle Sam always do have de biggest and de best of everything.
Zora Neale Hurston (Their Eyes Were Watching God)
Meanwhile, the cake had cooled and Grace started to spread the chocolate frosting. “Suppose you two go into the living room and wait,” she suggested. “I’ll bring in the cake and tea.” Nancy followed Allison to the adjoining room. Although it was comfortable, the room did not contain much furniture. The floor had been painted and was scantily covered with handmade rag rugs. With the exception of an old-fashioned sofa, an inexpensive table, a few straight-backed chairs and an old oil stove which furnished heat in cold weather, there was little else in the room. However, dainty white curtains covered the windows, and Nancy realized that although the Hoovers were poor, they had tried hard to make their home attractive.
Carolyn Keene (The Secret of The Old Clock (Nancy Drew Mystery, #1))
Dusk in Autumn" The moon is like a scimitar, A little silver scimitar, A-drifting down the sky. And near beside it is a star, A timid twinkling golden star, That watches likes an eye. And thro’ the nursery window-pane The witches have a fire again, Just like the ones we make,— And now I know they’re having tea, I wish they’d give a cup to me, With witches’ currant cake.
Sara Teasdale
And the afternoon, the evening, sleeps so peacefully! Smoothed by long fingers, Asleep … tired … or it malingers, Stretched on on the floor, here beside you and me. Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? But though I have wept and fasted, wept and prayed, Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet—and here’s no great matter; I have seen the moment of my greatness flicker, And I have seen the eternal Footman hold my coat, and snicker, And in short, I was afraid.
T.S. Eliot
…But Jessica changed all that. Richard found himself, on otherwise sensible weekends, accompanying her to places like the National Gallery and the Tate Gallery, where he learned that walking around museums too long hurts your feet, that the great art treasures of the world all blur into each other after a while, and that it is almost beyond the human capacity for belief to accept how much museum cafeterias will brazenly charge for a slice of cake and a cup of tea. "Here's your tea and your éclair," he told her. "It would have cost less to buy one of those Tintorettos." "Don't exaggerate," said Jessica cheerfully. "Anyway, there aren't any Tintorettos at the Tate." "I should have had that cherry cake," said Richard. "Then they would have been able to afford another Van Gogh.
Neil Gaiman (Neverwhere (London Below, #1))
But we liked Miss Stein and her friend, although the friend was frightening, and the paintings and the cakes and the eau-devie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married—time would fix that—and when my wife invited them to tea, they accepted.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
on. Then Tea Cake would help get supper afterwards. “You don’t think Ah’m tryin’ tuh git outa takin’ keer uh yuh, do yuh, Janie, ’cause Ah ast yuh tuh work long side uh me?” Tea Cake asked her at the end of her first week in the field. “Ah naw, honey. Ah laks it. It’s mo’ nicer than settin’ round dese quarters all day. Clerkin’ in dat store wuz hard, but heah, we ain’t got nothin’ tuh do but do our work and come home and love.
Zora Neale Hurston (Their Eyes Were Watching God)
It is the way in which the Dark returns, Harrier. I will explain, if you like." "Oh, no," Harrier said. "I'd much rather not know a thing about what we're facing. Let me get dressed first." A few minutes later Harrier came back, dressed for the day. He made another cup of hot cordial for Tiercel, refilled the kettle and started the water brewing for tea, and set some dried fruit to soak for griddle-cakes. "Okay. Now. Ruin my day," he invited.
Mercedes Lackey (The Phoenix Endangered (Enduring Flame, #2))
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
She takes in the sight of a cake with thick frosting, covered in edible silver stars. I call it Princess Cake, and little girls love it. One of my regular mums says it is magic; it keeps her daughter quiet for at least twenty minutes.
Hannah Tunnicliffe (The Color of Tea)
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
I may not read tea leaves or palms, my lady, but it is easy enough to read faces. Yours is a questioning face, always looking for answers, always seeking the truth, for yourself and for others.” I smiled at her. “I think that is a very polite way of saying I am curious as a cat. And we all know what happened to the cat—curiosity killed her.” Rosalie took the last slice of cake onto her plate. “Yes, but you forget the most important thing about the little cat,” she said, giving me a wise nod. “She had eight lives left to live.
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
Then Tea Cake came prancing around her where she was and the song of the sigh flew out of the window and lit in the top of the pine trees. Tea Cake, with the sun for a shawl. Of course he wasn't dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.
Zora Neale Hurston (Their Eyes Were Watching God)
not long ago I sat down to dinner with an American woman who told me how disappointed she had been to finally read Middlemarch and find that it was “Just this long, whiny, trawling search for a man!” Those who read Middlemarch in that way will find little in Their Eyes Were Watching God to please them. It’s about a girl who takes some time to find the man she really loves. It is about the discovery of self in and through another. It implies that even the dark and terrible banality of racism can recede to a vanishing point when you understand, and are understood by, another human being. Goddammit if it doesn’t claim that love sets you free. These days “self-actualization” is the aim, and if you can’t do it alone you are admitting a weakness. The potential rapture of human relationships to which Hurston gives unabashed expression, the profound “self-crushing love” that Janie feels for Tea Cake, may, I suppose, look like the dull finale of a “long, whiny, trawling search for a man.” For Tea Cake and Janie, though, the choice of each other is experienced not as desperation, but as discovery, and the need felt on both sides causes them joy, not shame.
Zadie Smith (Changing My Mind: Occasional Essays)
But no matter how loudly we called out for our mother we knew she could not hear us, so we tried to make the best of what we had. We cut out pictures of cakes from magazines and hung them on the walls. We sewed curtains out of bleached rice sacks. We made Buddhist altars out of overturned tomato crates that we covered with cloth, and every morning we left out a cup of hot tea for our ancestors. And at the end of the harvest season we walked ten miles into town and bought ourselves a small gift: a bottle of Coke, a new apron, a tube of lipstick, which we might one day have occasion to wear.
Julie Otsuka (The Buddha in the Attic)
Business was doing well, because all the locals knew that dishes made from the flowers that grew around the apple tree in the Waverley garden could affect the eater in curious ways. The biscuits with lilac jelly, the lavender tea cookies, and the tea cakes made with nasturtium mayonnaise the Ladies Aid ordered for their meetings once a month gave them the ability to keep secrets. The fried dandelion buds over marigold-petal rice, stuffed pumpkin blossoms, and rose-hip soup ensured that your company would notice only the beauty of your home and never the flaws. Anise hyssop honey butter on toast, angelica candy, and cupcakes with crystallized pansies made children thoughtful. Honeysuckle wine served on the Fourth of July gave you the ability to see in the dark. The nutty flavor of the dip made from hyacinth bulbs made you feel moody and think of the past, and the salads made with chicory and mint had you believing that something good was about to happen, whether it was true or not.
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman
What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES
Valentina Hepburn (A Dish of Stones)
Zenia,” he said, “I’m not good at it—tea and cakes. I have no patience with it.” She looked directly at him. “I suppose you would prefer to eat on the ground with your fingers?” Her dry remark seemed to take him aback. He looked at her with a faint frown. “Shall I sprinkle some sand on the butter,” she asked, “to put you more at ease?” He tilted up one corner of his mouth. “No.” He lifted his cup, extending his little finger with an exaggerated delicacy. “I can play, if I must. How does your dear aunt do, Lady Winter? I hear she has the vapors once an hour. I have a receipt for a rhubarb plaster—most efficacious! Of course, if you prefer a more permanent cure, nothing can surpass a fatal dose of arsenic.
Laura Kinsale (The Dream Hunter)
In a little wind-lull, Tea Cake touched Janie and said, ‘Ah reckon you wish now you had of stayed in yo’ big house ’way from such as dis, don’t yuh?’ ‘Naw.’ ‘Naw?’ ‘Yeah, naw. People don't die till dey time come nohow, don't keer where you at. Ah’m wid mah husband in uh storm, dat’s all.’ ‘Thanky, Ma’am. But ’sposing you wuz tuh die, now. You wouldn’t git mad at me for draggin’ yuh heah?’ ‘Naw. We been tuhgether round two years. If you kin see de light at daybreak, you don’t keer if you die at dusk. It’s so many people never seen de light at all. Ah wuz fumblin’ round and God opened de door.’ He dropped to the floor and put his head in her lap. ‘Well then, Janie, you meant whut you didn’t say, ’cause Ah never knowed you wuz so satisfied wid me lak dat, Ah kinda thought—’ The wind came back with triple fury, and put out the light for the last time. They sat in company with the others in other shanties, their eyes straining against crude walls and their souls asking if He meant to measure their puny might against His. They seemed to be staring at the dark, but their eyes were watching God.
Zora Neale Hurston
While Mr Loveday aired my lady's sheets, I set to scratching up a supper. With not even time to change from my own damp clothes I had in one-half hour some welcoming tea steaming and hot brandy to mix a punch. Our bill of fare was the remnants of Mrs Garland's Yorkshire Pie, still sound and savory, fried bacon, and a hillock of roasted rabbits that disappeared as quickly as I made them. The last of the seed cake was eaten too, with a douse of brandy sprinkled over it to warm us. 'She will not eat those beggarly scraps,' said Jesmire, the spiteful old cat, when I took a tray of food to my lady's door. Yet I did see a slice of brandied cake disappear. I knew my mistress well enough by then, and she was a slave to her sugar tooth.
Martine Bailey (An Appetite for Violets)
FOOD Adobo (uh-doh-boh)---Considered the Philippines's national dish, it's any food cooked with soy sauce, vinegar, garlic, and black peppercorns (though there are many regional and personal variations) Almondigas (ahl-mohn-dee-gahs)---Filipino soup with meatballs and thin rice noodles Baon (bah-ohn)---Food, snacks and other provisions brought on to work, school, or on a trip; food brought from home; money or allowance brought to school or work; lunch money (definition from Tagalog.com) Embutido (ehm-puh-tee-doh)---Filipino meatloaf Ginataang (gih-nih-tahng)---Any dish cooked with coconut milk, sweet or savory Kakanin (kah-kah-nin)---Sweet sticky cakes made from glutinous rice or root crops like cassava (There's a huge variety, many of them regional) Kesong puti (keh-sohng poo-tih)---A kind of salty cheese Lengua de gato (lehng-gwah deh gah-toh)---Filipino butter cookies Lumpia (loom-pyah)---Filipino spring rolls (many variations) Lumpiang sariwa (loom-pyahng sah-ree-wah)---Fresh Filipino spring rolls (not fried) Mamón (mah-MOHN)---Filipino sponge/chiffon cake Matamis na bao (mah-tah-mees nah bah-oh)---Coconut jam Meryenda (mehr-yehn-dah)---Snack/snack time Pandesal (pahn deh sahl)---Lightly sweetened Filipino rolls topped with breadcrumbs (also written pan de sal) Patis (pah-tees)---Fish sauce Salabat (sah-lah-baht)---Filipino ginger tea Suman (soo-mahn)---Glutinous rice cooked in coconut milk, wrapped in banana leaves, and steamed (though there are regional variations) Ube (oo-beh)---Purple yam
Mia P. Manansala (Arsenic and Adobo (Tita Rosie's Kitchen Mystery, #1))
Lizzie was leaving for Ever After High, and Shuffle was going with her, like it or not. Good-bye, family. Good-bye, hedgerow. Good-bye, tea cakes, sugar hearts, and Cheshire chocolates! Shuffle's dream about that fateful day faded away and was replaced by the image of a big bowl of Farmer-in-the-Dell brand granola. Granola was so boring! But ever since coming to Ever After High, Lizzie had insisted that Shuffle eat healthy snacks.
Suzanne Selfors (Once Upon A Pet : A Collection of Little Pet Stories)
Dear Lily Don't think me silly, but I forget what time you said. Are we meeting at two thirty? It's gone right from my head. Did you say Monday or Thursday? I have quite forgotten what day. Was it late lunch, or afternoon tea? Tell me, what did you say? I think I would like to do Tuesday. Let's go for a lovely lunch. Or, if you prefer we could even go early, and settle for brunch. A lovely Bistro or Cafe Bar, or maybe a country pub. I don't really mind that much, as long as we get some grub. Dear Maisie, Are you going crazy? We didn't set a date. You needed to check your diary. I think you are losing it, mate. But since you are free on Tuesday, and that day suits me fine. Could we meet, about twelve…ish? Its early I like to dine. You mentioned the pub, or Bistro, or some fancy Cafe Bar. Not sure I like the sound of that, and I'm not coming in the car. If the weather is bright and sunny, we could always dine al fresco. Failing that, we could just go get a cake and a cuppa in Tesco.
Mrs A. Perry
All next day in the house and store she thought resisting thoughts about Tea Cake. She even ridiculed him in her mind and was a little ashamed of the association. But every hour or two the battle had to be fought all over again. She couldn’t make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom—a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God.
Zora Neale Hurston (Their Eyes Were Watching God)
SOOOOOOOO… THESE ARE DISAPPOINTING.” Keefe took a second bite from a round Digestive biscuit and crinkled his nose. “Are they supposed to suck up all the spit in your mouth and turn it into a paste? Is that, like, something humans find delicious?” “Maybe you’re supposed to dunk them in milk?” Sophie suggested, trying not to spray crumbs as she struggled to swallow the bite she’d taken. They really did win the prize for Driest. Cookies. Ever. “Actually, I think you’re supposed to eat them with tea.” “You think?” Keefe asked, shaking his head and stuffing the rest of the Digestive into his mouth. “You’re failing me with your human knowledge, Foster.” “For the thousandth time, I grew up in the U.S., not the U.K.!” she reminded him. “We had Chips Ahoy! and Oreos and E.L. Fudges!” “Hm. Those do sound more fun than a Digestive,” Keefe conceded. “I’m sure you’d especially enjoy the E.L. Fudges,” Sophie told him. “They’re shaped like tiny elves.” Keefe dropped the package of Jaffa Cakes he’d been in the process of opening and scanned the beach in front of them. “Okay, where’s the nearest cliff? You need to teleport me somewhere to get some of those immediately.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
sighed. “I can’t say that you weren’t expected.” “I’m just going to be walking around here and taking some measurements. It says here… you own eighty acres? That is one of the most gorgeous mansions I have ever seen,” he rambled on. “It must have cost you millions. I could never afford such a beauty. Well, heck, for that matter I couldn’t afford the millions of dollars in taxes a house like this would assess, let alone such a pricey property. Do you have an accountant?” Zo opened her mouth to respond, but he continued, “For an estate this size, I would definitely have one.” “I do have an accountant,” she cut in, with frustration. “Furthermore, I have invested a lot of money bringing this mansion up to speed. You can see my investment is great.” “Of course, it would be. The fact of the matter is, Mrs. Kane, a lot of people are in over their heads in property. You still have to pay up, or we take the place. Well, I’ll get busy now. Pay no mind to me.” He walked on, taking notes. “Clairrrrre!” Zo called as soon as she entered the house. “Bring your cell phone!” Two worry-filled months went by and many calls were made to lawyers, before Zoey finally picked one that made her feel confident. And then the letter came with the totals and the due date. “There is no way we can pay this, Mom, even if we sold off some of our treasures, because a lot of them are contracted to museums anyway. I am feeling awfully poor all of a sudden, and insecure.” “Yes, and I did some research, thinking I’d be forced to sell. It’s unlikely that anyone else around here can afford this place. It looks like they are going to get it all; they aren’t just charging for this year. What we have here is a value about equal to a little country. And all the new construction sites for housing developments suddenly popping up on this side of the river, does not help. Value is going up.” Zo put her head in her hands. “Ohhh, oh, oh, oh!” “Yeah, bring out the ice-cream and cake. I need comforting,” sighed Claire. The cell phone rang. “Yes, tonight? You guys have become pretty good to us, haven’t you?! You know, Bob, Mom and I thought we were just going to pig out on ice cream and cake. We found out we are losing this estate and are going to be poor again and we are bummed out.” There was a long pause. “No, that’s okay, I understand. Yeah, okay, bye.” “Well?” Zo ask dryly. “He was appropriately sorry, and he got off the phone fast, saying he remembered he had other business to take care of. Do you want to cry? I do…” “I’ll get the cake and dish the ice cream. You make our tea and we’ll cry together.” A pitter patter began to drum on the window. “Rain again. It seems softer though, dear.” “I thought you said this was going to be a softer rain!” It started to pour. “At least this is not a thunder storm… What was that?” “Thunder,” replied Claire, unmoved and resigned. An hour had gone by when there was a rapping at the door. “People rarely use the doorbell, ever notice that?” Zo asked on the way to the door. She opened it to reveal two wet guys holding a pizza, salad, soft drink, and giant chocolate chip cookies in a plastic container. In a plastic
Zoey Kane (The Riddles of Hillgate (Z & C Mysteries #1))
My Lover Who Lives Far..... My lover, who lives far away, opens the door to my room and offers supper in a bowl made of his breath. The stew has boiled and I wonder at the cat born from its steam. The cat is in the bedroom now, mewling. The cat is indecent and I, who am trying to be tidy, I, who am trying to do things the proper way, I, who am sick from the shedding, I am undone. My lover, who lives far away, opens the door to my room and offers pastries in a basket spun from his vision. It is closely woven, the kind of container some women collect. I have seen these in many colors, but the basket he brings is simple: only black, only nude. The basket he brings is full of sweet scones and I eat even the crumbs. As if I've not dined for days. My lover, who lives far away, opens the door to my room and offers tea made from the liquid he's crying. I do not want my lover crying and I am sorry I ever asked for tea. My lover, who lives far away, opens the door to my room pretending he never cried. He offers tea and cold cakes. The tea is delicious: spiced like the start of our courtship, honeyed and warm. I drink every bit of the tea and put aside the rest. My lover, who lives far away, opens the door to my room like a man loving his strength. The lock I replaced this morning will not keep him away. My lover, who lives far away, opens the door to my room and brings me nothing. Perhaps he has noticed how fat I've grown, indulged. Perhaps he is poor and sick of emptying his store. It is no matter to me any longer, he has filled me, already, so full. My lover who is far away opens the door to my room and tells me he is tired. I do not ask what he's tired from for my lover, far away, has already disappeared. The blankets are big with his body. The cat, under the covers, because it is cold out and she is not stupid, mews.
Camille T. Dungy
She was too narcoleptic to speak. Or move. How long had this been going on? Was she like this yesterday? Had I missed her illness in my quest to prove to my brain that my dick wasn’t the one behind this train wreck’s wheel? I touched her forehead again. It sizzled. “Sweetheart.” “Please get out.” The words clawed past her throat. “Someone needs to take care of you.” “That someone definitely isn’t you. You made that clear these past couple days.” I said nothing. She was right. I hadn’t bothered to check on her. Perhaps I’d wished she’d check on me. In truth, she’d already gone beyond any expectations in trying to make whatever it was between us work. Meanwhile, I’d shut her down. Repeatedly. “Shortbread, let me get you some medicine and tea.” “I don’t want you to nurse me to health. Do you hear me?” She must have hated that I’d seen her like this. Weak and ill. “Call Momma and Frankie. It’s them I want by my side.” I swallowed but didn’t argue. I understood she didn’t want to feel humiliated. To be taken care of by the man who ensured she understood her insignificance to him. How did her bullshit meter not fry? How could she think I really felt nothing toward her? “First, I’ll get you medicine, tea, and water. Then I’ll call for Hettie to stay with you. Then I’ll notify your mother.” I tugged her comforter up to her chin. “No arguments.” She tried to wave me out, groaning at the slightest movement. “Whatever. Just go. I don’t want to see your face.” I gave her what she wanted, though as always, not in the way she expected. The sequence of actions didn’t proceed as promised. First, I contacted Cara to dispatch the private jet to Georgia. Then I called my mother-in-law and Franklin—separately—demanding their presence. Only then did I enter the kitchen to grab water, tea, and ibuprofen for Shortbread’s fever. Naturally, like the chronic idler he often proved to be, Oliver still sat at the island, now enjoying an extra-large slice of red velvet cake I was pretty sure was meant to be consumed by Dallas. “What are you still doing here?” I demanded, collecting the things I needed for her. He scratched his temple with the handle of his fork, brows pulled together. “You invited me here. You wanted to watch a soccer game, remember?” I did not remember. I didn’t even remember my own address right now. “Get out.” “What about the—” I snatched the plate from his fingers, admitting to myself that I’d treaded into feral grounds. “This cake wasn’t for you to eat.” “You’ve gone insane in the ten minutes you were gone.” Oliver gawked at me, wide-eyed. “What happened to you? Did Durban not get her hands on the latest Henry Plotkin book and take her anger out on you?” Shit. The Henry Plotkin book. I shoved Oliver out with a fork still clutched in his grimy fist, dialing Hettie with my free hand. She half-yawned, half-spoke. “Yes?” “Dallas is ill. You need to come here and take care of her until my in-laws arrive in about two hours.” “Oh, yeah?” Her energy returned tenfold. “And what the hell are you gonna do during this time?” “Freeze my balls off.”(Chapter 58)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
From Life, Volume III, by Unspiek, Baron Bodissey: I am constantly startled and often amused by the diverse attitudes toward wealth to be found among the peoples of the Oikumene. Some societies equate affluence with criminal skill; for others wealth represents the gratitude of society for the performance of valuable services. My own concepts in this regard are easy and clear, and I am sure that the word ‘simplistic’ will be used by my critics. These folk are callow and turgid of intellect; I am reassured by their howls and yelps. For present purposes I exclude criminal wealth, the garnering of which needs no elaboration, and a gambler’s wealth which is tinsel. In regard, then, to wealth: Luxury and privilege are the perquisites of wealth. This would appear a notably bland remark, but is much larger than it seems. If one listens closely, he hears deep and far below the mournful chime of inevitability. To achieve wealth, one generally must thoroughly exploit at least three of the following five attributes: Luck. Toil, persistence, courage. Self-denial. Short-range intelligence: cunning, improvisational ability. Long-range intelligence: planning, the perception of trends. These attributes are common; anyone desiring privilege and luxury can gain the precursory wealth by making proper use of his native competence. In some societies poverty is considered a pathetic misfortune, or noble abnegation, hurriedly to be remedied by use of public funds. Other more stalwart societies think of poverty as a measure of the man himself. The critics respond: What an unutterable ass is this fellow Unspiek! I am reduced to making furious scratches and crotchets with my pen! — Lionel Wistofer, in The Monstrator I am poor; I admit it! Am I then a churl or a noddy? I deny it with all the vehemence of my soul! I take my bite of seed-cake and my sip of tea with the same relish as any paunchy plutocrat with bulging eyes and grease running from his mouth as he engulfs ortolans in brandy, Krokinole oysters, filet of Darango Five-Horn! My wealth is my shelf of books! My privileges are my dreams! — Sistie Fael, in The Outlook … He moves me to tooth-chattering wrath; he has inflicted upon me, personally, a barrage of sheer piffle, and maundering insult which cries out to the Heavens for atonement. I will thrust my fist down his loquacious maw; better, I will horsewhip him on the steps of his club. If he has no club, I hereby invite him to the broad and convenient steps of the Senior Quill-drivers, although I must say that the Inksters maintain a superior bar, and this shall be my choice since, after trouncing the old fool, I will undoubtedly ask him in for a drink. — McFarquhar Kenshaw, in The Gaean
Jack Vance (Demon Princes (Demon Princes #1-5))
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))