Caitlin Moran Quotes

We've searched our database for all the quotes and captions related to Caitlin Moran. Here they are! All 100 of them:

When a woman says, ‘I have nothing to wear!’, what she really means is, ‘There’s nothing here for who I’m supposed to be today.
Caitlin Moran (How to Be a Woman)
We need to reclaim the word 'feminism'. We need the word 'feminism' back real bad. When statistics come in saying that only 29% of American women would describe themselves as feminist - and only 42% of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF THE SURVEY?
Caitlin Moran (How to Be a Woman)
I cannot understand anti-abortion arguments that centre on the sanctity of life. As a species we've fairly comprehensively demonstrated that we don't believe in the sanctity of life. The shrugging acceptance of war, famine, epidemic, pain and life-long poverty shows us that, whatever we tell ourselves, we've made only the most feeble of efforts to really treat human life as sacred.
Caitlin Moran (How to Be a Woman)
I want a Zero Tolerance policy on All The Patriarchal Bullshit.
Caitlin Moran (How to Be a Woman)
It's difficult to see the glass ceiling because it's made of glass. Virtually invisible. What we need is for more birds to fly above it and shit all over it, so we can see it properly.
Caitlin Moran (How to Be a Woman)
You can tell whether some misogynistic societal pressure is being exerted on women by calmly enquiring, ‘And are the men doing this, as well?’ If they aren’t, chances are you’re dealing with what we strident feminists refer to as ‘some total fucking bullshit’.
Caitlin Moran (How to Be a Woman)
What is feminism? Simply the belief that women should be as free as men, however nuts, dim, deluded, badly dressed, fat, receding, lazy and smug they might be. Are you a feminist? Hahaha. Of course you are.
Caitlin Moran (How to Be a Woman)
A library in the middle of a community is a cross between an emergency exit, a life-raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen instead
Caitlin Moran
Because I haven't yet learned the simplest and most important thing of all: the world is difficult, and we are all breakable. So just be kind.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Self-harm - the world will come at you with knives anyway. You do not need to beat them to it.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
But as the years went on, I realised that what I really want to be, all told, is a human. Just a productive, honest, courteously treated human.
Caitlin Moran (How to Be a Woman)
And, like all the best quests, in the end, I did it all for a girl: me.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
But, of course, you might be asking yourself, 'Am I a feminist? I might not be. I don't know! I still don't know what it is! I'm too knackered and confused to work it out. That curtain pole really still isn't up! I don't have time to work out if I am a women's libber! There seems to be a lot to it. WHAT DOES IT MEAN?' I understand. So here is the quick way of working out if you're a feminist. Put your hand in your pants. a) Do you have a vagina? and b) Do you want to be in charge of it? If you said 'yes' to both, then congratulations! You're a feminist.
Caitlin Moran (How to Be a Woman)
I’m neither ‘pro-women’ nor ‘anti-men’. I’m just ‘Thumbs up for the six billion
Caitlin Moran
For throughout history, you can read the stories of women who - against all the odds - got being a woman right, but ended up being compromised, unhappy, hobbled or ruined, because all around them, society was still wrong. Show a girl a pioneering hero - Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Joan of Arc - and you also, more often than not, show a girl a woman who was eventually crushed.
Caitlin Moran (How to Be a Woman)
We must recall the most important of humanity guidelines: Be polite. Being polite is possibly the greatest daily contribution everyone can make to life on Earth.
Caitlin Moran (How to Be a Woman)
You can always tell when a woman is with the wrong man, because she has so much to say about the fact that nothing's happening.
Caitlin Moran (How to Be a Woman)
I am getting incredibly high on a single, astounding fact: that it’s always sunny above the clouds. Always. That every day on earth—every day I have ever had—was secretly sunny, after all.
Caitlin Moran (How to Build a Girl)
Why on earth have I, because I'm a woman, got to be nice to everyone?
Caitlin Moran (How to Be a Woman)
A library in the middle of a community is a cross between an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination.
Caitlin Moran (Moranthology)
Batman doesn’t want a baby in order to feel he’s ‘done everything’. He’s just saved Gotham again! If this means that Batman must be a feminist role model above, say, Nicola Horlick, then so be it.
Caitlin Moran (How to Be a Woman)
some people aren’t just people, but a place—a whole world. Sometimes you find someone you could live in for the rest of your life.
Caitlin Moran (How to Build a Girl)
Batman doesn't have to put up with this shit--why should we?
Caitlin Moran (How to Be a Woman)
Because what you are, as a teenager, is a small, silver, empty rocket. And you use loud music as fuel, and then the information in books as maps and coordinates, to tell you where you’re going.
Caitlin Moran (How to Build a Girl)
The problem with battling yourself is that even if you win, you lose.
Caitlin Moran (How to Be a Woman)
If you want to know what's in motherhood for you, as a woman, then - in truth - it's nothing you couldn't get from, say, reading the 100 greatest books in human history; learning a foreign language well enough to argue in it; climbing hills; loving recklessly; sitting quietly, alone, in the dawn; drinking whisky with revolutionaries; learning to do close-hand magic; swimming in a river in winter; growing foxgloves, peas and roses; calling your mum; singing while you walk; being polite; and always, always helping strangers. No one has ever claimed for a moment that childless men have missed out on a vital aspect of their existence, and were the poorer, and crippled by it.
Caitlin Moran (How to Be a Woman)
In the end, I go where I always go when I need information on something baffling, poisonous, or terrifying: the library.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
These days, however, I am much calmer - since I realised that it’s technically impossible for a woman to argue against feminism. Without feminism, you wouldn’t be allowed to have a debate on women’s place in society. You’d be too busy giving birth on the kitchen floor - biting down on a wooden spoon, so as not to disturb the men’s card game - before going back to quick-liming the dunny. This is why those female columnists in the Daily Mail - giving daily wail against feminism - amuse me. They paid you £1,600 for that, dear, I think. And I bet it’s going in your bank account, and not your husband’s. The more women argue loudly, against feminism, the more they both prove it exists and that they enjoy its hard-won privileges.
Caitlin Moran (How to Be a Woman)
Any action a woman engages in from a spirit of joy, and within a similarly safe and joyous environment, falls within the city-walls of feminism. A girl has a right to dance how she wants, when her favourite record comes on.
Caitlin Moran (How to Be a Woman)
I don't want children anyway,' Caz says. 'So I'm getting nothing out of this whatsoever. I want my entire reproductive system taken out, and replaced with spare lungs, for when I start smoking. I want that option. This is pointless.
Caitlin Moran (How to Be a Woman)
And every book, you find, has its own social group--friends of its own it wants to introduce you to, like a party in the library that need never, ever end.
Caitlin Moran (How to Be a Woman)
And the question is always "When are you going to have kids?" Rather than "Do you want to have kids?
Caitlin Moran (How to Be a Woman)
I have read more about Oprah Winfrey’s ass than I have about the rise of China as an economic superpower. I fear this is no exaggeration. Perhaps China is rising as an economic superpower because its women aren’t spending all their time reading about Oprah Winfrey’s ass.
Caitlin Moran (How to Be a Woman)
Overeating is the addiction of choice of carers, and that's why it's come to be regarded as the lowest-ranking of all the addictions. It's a way of fucking yourself up while still remaining fully functional, because you have to. Fat people aren't indulging in the "luxury" of their addiction making them useless, chaotic, or a burden. Instead, they are slowly self-destructing in a way that doesn't inconvenience anyone. And that's why it's so often a woman's addiction of choice. All the quietly eating mums. All the KitKats in office drawers. All the unhappy moments, late at night, caught only in the fridge light.
Caitlin Moran (How to Be a Woman)
Feminism has had exactly the same problem that "political correctness" has had: people keep using the phrase without really knowing what it means.
Caitlin Moran (How to Be a Woman)
It's really best not to tell people when you feel bad. Growing up is about keeping secrets, and pretending everything is fine.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Because my biggest secret of all—the one I would rather die than tell, the one I wouldn’t even put in my diary—is that I really, truly, in my heart, want to be beautiful. I want to be beautiful so much—because it will keep me safe, and keep me lucky, and it’s too exhausting not to be.
Caitlin Moran (How to Build a Girl)
If you've been fat, you will always feel and see the world as a fat person; you know how difficult it is... It's the same coming from a working-class background... it never leaves you.
Caitlin Moran (Moranthology)
Feminism needs Zero Tolerance over baby angst. In the 21st century, it can't be about who we might make, and what they might do, anymore. It has to be about who we are, and what we're going to do.
Caitlin Moran (How to Be a Woman)
I wish I was Bill Murray. I hope everything I’ve read about evolution is wrong, and I eventually evolve into him. It’s one of only three plans I have.
Caitlin Moran (How to Build a Girl)
Explaining why you love something is one of the most important jobs on earth.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
But nearly every woman I know has a roughly similar story - in fact, dozens of them: stories about being obsessed with a celebrity, work colleague or someone they vaguely knew for years; living in a parallel world in their head; conjuring up endless plots and scenarios for this thing that never actually happened.
Caitlin Moran (How to Be a Woman)
If you eat enough books, you start pooping out words.
Caitlin Moran
Because I am still learning to walk and talk, and it is a million times easier to be cynical and wield a sword, than it is to be open-hearted and stand there, holding a balloon and a birthday cake, with the infinite potential to look foolish.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
But I am, personally, not a gambler. I wouldn’t spend £1 on the lottery, let alone take a punt on a pregnancy. The stakes are far, far too high. I can’t agree with a society that would force me to bet on how much I could love under duress.
Caitlin Moran (How to Be a Woman)
I can write, because writing—unlike choreography, architecture, or conquering kingdoms—is a thing you can do when you’re lonely and poor, and have no infrastructure, i.e., a ballet troupe or some cannons.
Caitlin Moran (How To Build A Girl)
Cynicism is, ultimately, fear. Cynicism makes contact with your skin, and a thick black carapace begins to grow—like insect armor. This armor will protect your heart, from disappointment—but it leaves you almost unable to walk. You cannot dance in this armor. Cynicism keeps you pinned to the spot, in the same posture, forever.
Caitlin Moran (How to Build a Girl)
And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
The people around you are mirrors, I think. You see yourself reflected in their eyes. If the mirror is true, and smooth, you see your true self. That’s how you learn who you are.
Caitlin Moran (How to Be a Woman)
I personally have a cunt. Sometimes it's 'flaps' or 'twat', but most of the time, it's my cunt. Cunt is a proper, old, historic, strong word. I like that my fire escape also doubles up as the most potent swearword in the English language. Yeah. That's how powerful it is, guys. If I tell you what I've got down there, old ladies and clerics might faint. I like how shocked people are when you say 'cunt'. It's like I have a nuclear bomb in my pants, or a tiger, or a gun. Compared to this the most powerful swearword men have got out of their privates is 'dick', which is frankly vanilla, and I believe you're allowed to use on, like, Blue Peter if something goes wrong. In a culture where nearly everything female is still seen as squeam-inducing, and/or weak - menstruation, menopause, just the sheer simple act of calling someone 'a girl' - I love that 'cunt' stands, on its own, as the supreme unvanquishable word. It has almost mystic resonance. It is a cunt - we all know it's a cunt - but we can't call it a cunt. We can't say the actual word. It's too powerful. Like Jews can never utter the Tetragrammaton - an must make do with 'Jehovah', instead.
Caitlin Moran (How to Be a Woman)
So what do you do when you build yourself up - only to realise you built yourself with the wrong things?
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
A library is such a potent symbol of a town's values: each one closed down might as well be six thousand stickers plastered over every available surface, reading "WE CHOSE TO BECOME MORE STUPID AND DULL.
Caitlin Moran
For when cynicism becomes the default language, playfulness and invention become impossible. Cynicism scours through a culture like bleach, wiping out millions of small, seedling ideas. Cynicism means your automatic answer becomes “No.” Cynicism means you presume everything will end in disappointment. And this is, ultimately, why anyone becomes cynical. Because they are scared of disappointment. Because they are scared someone will take advantage of them. Because they are fearful their innocence will be used against them—that when they run around gleefully trying to cram the whole world in their mouth, someone will try to poison them.
Caitlin Moran (How to Build a Girl)
There are some women out there who are just going to look better with a mustache: that's statistics.
Caitlin Moran (How to Be a Woman)
The world is difficult, and we are all breakable. So just be kind.
Caitlin Moran
People with no upper-body strength, who read poetry. These are my people.
Caitlin Moran (How to Build a Girl)
I have a rule of thumb that allows me to judge, when times is pressing and one needs to make a snap judgment, whether or not some sexist bullshit is afoot. Obviously, it’s not 100% infallible but by and large it definitely points you in the right direction and it's asking this question; are the men doing it? Are the men worrying about this as well? Is this taking up the men’s time? Are the men told not to do this, as it's letting the side down? Are the men having to write bloody books about this exasperating retarded, time-wasting, bullshit? Is this making Jeremy Clarkson feel insecure? Almost always the answer is no. The boys are not being told they have to be a certain way, they are just getting on with stuff.
Caitlin Moran (How to Be a Woman)
...there is the sheer emotional, intellectual, physical, chemical pleasure of your children. The honest truth is that the world holds no greater gratification than lying in bed with your children, putting your leg on top of them in a semi-crushing manner, while saying sternly, "You are a poo.
Caitlin Moran (How to Be a Woman)
what do you do when you build yourself—only to realize you built yourself with the wrong things? You rip it up and start again. That is the work of your teenage years—to build up and tear down and build up again, over and over, endlessly, like speeded-up film of cities during boom times and wars. To be fearless, and endless, in your reinventions—to keep twisting on nineteen, going bust, and dealing in again, and again. Invent, invent, invent.
Caitlin Moran (How to Build a Girl)
You can always tell when a woman is with the wrong man, because she has so much to say about the fact that nothing's happening. When women find the right person, on the other hand, they just... disappear for six months, then resurface, eyes shiny, and usually about six pounds heavier.
Caitlin Moran (How to Be a Woman)
hearing women singing about themselves - rather than men singing about women - makes everything seem wonderfully clear, and possible
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
If you would feel comfortable going around to someone's house at the end of a long day saying, "I'm just going to take my bra off," you know you are intimate friends.
Caitlin Moran (How to Be a Woman)
Don’t limit a child to your own learning, for he was born in another time.
Caitlin Moran (How to Build a Girl)
I’m learning a whole new thing: that sometimes, love isn’t observable or noisy or tangible. That sometimes, love is anonymous. Sometimes, love is silent. Sometimes, love just stands there when you’re calling it a cunt, biting its tongue and waiting.
Caitlin Moran (How to Build a Girl)
It's the silliness--the profligacy, and the silliness--that's so dizzying: a seven-year-old will run downstairs, kiss you hard, and then run back upstairs again, all in less than 30 seconds. It's as urgent an item on their daily agenda as eating or singing. It's like being mugged by Cupid.
Caitlin Moran (How to Be a Woman)
A 'sign of weakness' for a male celebrity is being found to be unfaithful, or unkind to an employee, or having crashed their car while stoned out of their tiny minds. A 'sign of weakness' for a woman, on the other hand, can be a single, unflattering picture.
Caitlin Moran (How to Be a Woman)
They made you how they need you. They built you with all they know, and love—and so they can’t see what you’re not: all the gaps you feel leave you vulnerable. All the new possibilities only imagined by your generation, and nonexistent to theirs. They have done their best, with the technology they had to hand at the time—but now it’s up to you, small, brave future, to do your best with what you have.
Caitlin Moran (How to Build a Girl)
You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone.
Caitlin Moran (How to Build a Girl)
Never feel this bad again. Never come back to this place, where only a knife will do. Live a gentle and kind life. Don't do things that make you want to hurt yourself. Whatever you do, every day, remember this - then steer away from here.
Caitlin Moran
Who doesn't have a friend who worships her lover with a passion that seems baffling to everyone that knows them? Before you met him for the first time, she'd talked him up like he was a cross between Indiana Jones, Barack Obama and The Doctor. When you finally meet him, he's a quiet little thing who looks like a baked bean in glasses, and actually says 'harumph' as spelt.
Caitlin Moran (How to Be a Woman)
I will never tell anyone when I feel bad again. I will never confide a weakness. It does not work. It makes things worse.
Caitlin Moran (How to Build a Girl)
I have a rule for working out if the root problem of something is, in fact, sexism. And it is this: asking 'Are the boys doing it? Are the boys having to worry about this stuff? Are the boys the centre of a gigantic global debate on this subject?
Caitlin Moran (Moranthology)
Because the purpose of feminism isn’t to make a particular type of woman. The idea that there are inherently wrong and inherently right “types” of women is what’s screwed feminism for so long — this belief that “we” wouldn’t accept slaggy birds, dim birds, birds that bitch, birds that hire cleaners, birds that stay at home with their kids, birds that have pink Mini Metros with POWERED BY FAIRY DUST! bumper stickers, birds in burkas or birds that like to pretend, in their heads, that they’re married to Zach Braff from Scrubs and that you sometimes have sex in an ambulance while the rest of the cast watch and, latterly, clap. You know what? Feminism will have all of you. What is feminism? Simply the belief that women should be as free as men, however nuts, dim, deluded, badly dressed, fat, receding, lazy and smug they might be. Are you a feminist? Hahaha. Of course you are.
Caitlin Moran (How to Be a Woman)
But deciding not to have children is a very, very hard decision for a woman to make: the atmosphere is worryingly inconducive to saying, "I choose not to," or "it all sounds a bit vile, tbh." We call these women "selfish" The inference of the word "childless" is negative: one of lack, and loss. We think of nonmothers as rangy lone wolves--rattling around, as dangerous as teenage boys or men. We make women feel that their narrative has ground to a halt in their thirities if they don't "finish things" properly and have children.
Caitlin Moran (How to Be a Woman)
At its best fashion is a game. But for women it's a compulsory game, like net ball, and you can't get out of it by faking your period. I know I have tried. And so for a woman every outfit is a hopeful spell, cast to influence the outcome of the day. An act of trying to predict your fate, like looking at your horoscope. No wonder there are so many fashion magazines. No wonder the fashion industry is worth an estimated 900 billion dollars a year. No wonder every woman's first thought is, for nearly every event in her life, be it work, snow or birth. The semi-despairing cry of "but what will I wear?" Because when a woman says I have nothing to wear, what she really means is there is nothing here for who I am supposed to be today.
Caitlin Moran (How to Be a Woman)
So what is the best vegetable? Well, we all know that: it's the potato. The vegetable you can't screw up. You can throw a potato into a bonfire, run away from it - and, an hour later, it's turned into a meal. Try doing that with broccoli, or a trifle, and it will laugh in your face.
Caitlin Moran (Moranthology)
A self-made man" - not of woman born but alchemized, through sheer force of will, by the man himself. This is what I want to be. I want to be a self-made woman. I want to conjure myself out of every sparkling, fast moving thing I can see. I want to be the creator of myself. I'm going to begat myself
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
So. Yes. We're all dying. We're all crumbling into the void, one cell at a time. We are disintegrating like sugar cubes in champagne. But only women have to pretend it isn't happening. Fifty-something men wander around with their guts flopped over their waistbands and their faces looking like a busted tramp's mattress in an underpass. They sprout nasal hair and chasm-like wrinkles, and go 'Ooof!' whenever they stand up or sit down. men visibly age, every day -- but women are supposed to stop the decline at around 37, 38, and live out the next 30 or 40 years in some magical bubble where their hair is still shiny and chestnut, their face unlined, their lips puffy, and their tits up on the top third of the ribcage.
Caitlin Moran (How to Be a Woman)
When Rudy Giuliani became mayor of New York in 1993, his belief in the 'Broken Windows' theory led him to implement the 'Zero Tolerance' crime policy. Crime dropped dramatically, significantly, and continued to for the next ten years. Personally, I feel the time has come for women to introduce their own Zero Tolerance policy on the Broken Windows issues in our lives - I want a Zero Tolerance policy on 'All The Patriarchal Bullshit'.
Caitlin Moran (How to Be a Woman)
Ladies, we are at a massive disadvantage in the workplace. Your male peers are flirting with their male bosses constantly. The average workplace is like f*cking Bromancing the Stone. That’s basically what male bonding is. Flirting. They’re flirting with each other playing golf, they’re flirting with each other going to the football, they’re flirting with each other chatting at the urinals – and, sadly, flirting with each other in after-hours visits to strip clubs and pubs. They are bonding with each other over their biological similarities. If the only way you can bond with them is over your biological differences, you go for it. Feel pressurised to actually f*ck them if you do? Then don’t flirt. Find it an easy way to just crack on? Then crack on – and don’t blame other women for doing it.
Caitlin Moran (How to Be a Woman)
Here’s the amazing thing about sex: you get a whole person to yourself, for the first time since you were a baby. Someone who is looking at you—just you—and thinking about you, and wanting you, and you haven’t even had to lie at the bottom of the stairs and pretend you’re dead to get them to do it.
Caitlin Moran (How to Build a Girl)
But I do have conversations about the Patriarchy and I am having them with gay men. At eighteen, I am discovering what generations of women have long known. The natural ally of the straight woman is the gay man because they are others losers too.
Caitlin Moran (How to Be a Woman)
This is the terrible thing about learning everything from books—sometimes you don’t know how to say the words. You know the ideas, but you cannot discuss them with people with any confidence. And so you stay silent. It is the curse of the autodidact. Or “autodidiact,” as I said, on the same shameful day. Oh, that was a conversation that went so wrong.
Caitlin Moran (How to Build a Girl)
Your mind is the projection screen every writer steals; it is the firing of your neurones that makes every book come alive. You are the electricity that turns it on. A book cannot live until the touch of your hand on the first page brings it alive. A writer is essentially typing blank pages – shouting out spells in the dark – until the words are read by you, and the magic explodes into your head, and no one else's.
Caitlin Moran (Moranifesto)
The motto I have penned on my knuckles is that this is the best world we have--because it's the only world we have. It's the simplest math ever. However many terrible, rankling, peeve-inducing things may occur, there are always libraries. And rain-falling-on-sea. And the moon. And love. There is always something to look back on, with satisfaction, or forward to, with joy. There is always a moment where you boggle at the world--at yourself--at the whole, unlikely, precarious business of being alive--and then start laughing
Caitlin Moran (Moranthology)
When the subject turns to abortion, cosmetic intervention, birth, motherhood, sex, love, work, misogyny, fear, or just how you feel in your own skin, women still won’t often tell the truth to each other unless they are very, very drunk. Perhaps the endlessly reported rise in female binge-drinking is simply modern women’s attempt to communicate with each other. Or maybe it is because Sancerre is so very delicious. To be honest, I’ll take bets on either.
Caitlin Moran (How to Be a Woman)
the only plan I’ve come up with is writing. I can write, because writing—unlike choreography, architecture, or conquering kingdoms—is a thing you can do when you’re lonely and poor, and have no infrastructure, i.e., a ballet troupe or some cannons. Poor people can write. It’s one of the few things poverty, and lack of connections, cannot stop you doing.
Caitlin Moran (How to Build a Girl)
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran
...it's technically impossible for a woman to argue against feminism. Without feminism you wouldn't be allowed to have a debate on a woman's place in society. You'd be too busy giving birth on the kitchen floor -- biting down on a wooden spoon, so as not to disturb the men's card game -- before going back to hoeing the rutabaga field.
Caitlin Moran (How to Be a Woman)
But the problem with battling yourself is that even if you win, you lose. At some point – scarred and exhausted – you either accept that you must become a woman – that you are a woman – or you die. This is the brutal, root truth of adolescence – that it is often a long, painful campaign of attrition. Those self-harming girls, with the latticework of razor cuts on their arms and thighs, are just reminding themselves that their body is a battlefield. If you don’t have the stomach for razors, a tattoo will do, or even just the lightning snap of the earring gun in Claire’s Accessories. There. There you are. You have just dropped a marker pin on your body, to reclaim yourself, to remind you where you are: inside yourself. Somewhere. Somewhere in there.
Caitlin Moran (How to Be a Woman)
I’m going to lie this one right on the line, right here, right now: I’m pro big pants. Strident feminism NEEDS big pants. Really big. I’m currently wearing a pair that could have been used as a fire blanket to put out the Great Fire of London at any point during the first 48 hours or so. They extend from the top of my thigh to my belly button, and effectively double up as a second property that I can escape to at weekends. If I were going to run for parliament, it would be solely on a platform of ‘Get Women In Massive Grundie’s’.
Caitlin Moran (How to Be a Woman)
When the middle classes get passionate about politics, they're arguing about their treats—their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives. Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, more animalistic. No classical music for us—no walking around National Trust properties or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful: dying in means, and slums, without literacy, or the vote. Without dignity. It was all so desperate then. That's why the present and the future is for the poor—that's the place in time for us: surviving now, hoping for better later. We live now—for our instant, hot, fast treats, to pep us up: sugar, a cigarette, a new fast song on the radio. You must never, never forget when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad post code. It's a miracle when someone from a bad post code gets anywhere, son. A miracle they do anything at all.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
When statistics come in saying that only 29 percent of American women would describe themselves as feminist - and only 42 percent of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF SURVEY?
Caitlin Moran (How to Be a Woman)
The level of matter in the universe has been constant since the Big Bang. In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare.
Caitlin Moran
And - as a woman reconciled in her own body - I feel I can argue with anyone's god about my right to end a pregnancy. My first conception - wanted so badly - ended in miscarriage, three days before my wedding. A kind nurse removed my wedding manicure with nail-polish remover, in order to fit a finger-thermometer for the subsequent D&C operation. I wept as I went in to the operating theatre, and wept as I came out. In that instance, my body had decided that the baby was not to be and had ended it. This time, it was my mind that has decided that this baby was not to be. I don't believe one's decision is more valid than the other. They both know me. They are both equally capable of deciding what is right.
Caitlin Moran (How to Be a Woman)
I've seen this idea put forward a hundred times - that a proper feminist would do her own hoovering, Germaine Greer cleans her own lavvy, and Emily Wilding Davison threw herself under that horse, hands still pine-y fresh from Mr Muscle Oven Cleaner. On this basis alone, how many women have had to conclude, sighingly, as they hire a cleaner, that they can't, then, be a feminist? But, of course, the hiring of domestic help isn't a case of women oppressing other women, because WOMEN DID NOT INVENT DUST. THE STICKY RESIDUE THAT COLLECTS ON THE KETTLE DOES NOT COME OUT OF WOMEN'S VAGINAS. IT IS NOT OESTROGEN THAT COVERS THE DINNER PLATES IN TOMATO SAUCE, FISHFINGER CRUMBS AND BITS OF MASH. MY UTERUS DID NOT RUN UPSTAIRS AND THROW ALL OF THE KIDS' CLOTHES ON THE FLOOR AND PUT JAM ON THE BANISTER. AND IT IS NOT MY TITS THAT HAVE SKEWED THE GLOBAL ECONOMY TOWARDS DOMESTIC WORK FOR WOMEN.
Caitlin Moran (How to Be a Woman)
What art should be about,' they will say, 'is revealing exquisite and resonant truths about the human condition.' Well, to be honest - no, it shouldn’t. I mean, it can occasionally, if it wants to; but really, how many penetrating insights to human nature do you need in one lifetime? Two? Three? Once you’ve realised that no one else has a clue what they’re doing, either, and that love can be totally pointless, any further insights into human nature just start getting depressing really.
Caitlin Moran (Moranthology)
At 19, I read a sentence that re-terraformed my head: “The level of matter in the universe has been constant since the Big Bang.” In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare
Caitlin Moran
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
The real problem here is that we’re all dying. All of us. Every day the cells weaken and the fibres stretch and the heart gets closer to its last beat. The real cost of living is dying, and we’re spending days like millionaires: a week here, a month there, casually spunked until all you have left are the two pennies on your eyes. Personally, I like the fact we’re going to die. There’s nothing more exhilarating than waking up every morning and going ‘WOW! THIS IS IT! THIS IS REALLY IT!’ It focuses the mind wonderfully. It makes you love vividly, work intensely, and realise that, in the scheme of things, you really don’t have time to sit on the sofa in your pants watching Homes Under the Hammer. Death is not a release, but an incentive. The more focused you are on your death, the more righteously you live your life. My traditional closing-time rant – after the one where I cry that they closed that amazing chippy on Tollington Road; the one that did the pickled eggs – is that humans still believe in an afterlife. I genuinely think it’s the biggest philosophical problem the earth faces. Even avowedly non-religious people think they’ll be meeting up with nana and their dead dog, Crackers, when they finally keel over. Everyone thinks they’re getting a harp. But believing in an afterlife totally negates your current existence. It’s like an insidious and destabilising mental illness. Underneath every day – every action, every word – you think it doesn’t really matter if you screw up this time around because you can just sort it all out in paradise. You make it up with your parents, and become a better person and lose that final stone in heaven. And learn how to speak French. You’ll have time, after all! It’s eternity! And you’ll have wings, and it’ll be sunny! So, really, who cares what you do now? This is really just some lacklustre waiting room you’re only going to be in for 20 minutes, during which you will have no wings at all, and are forced to walk around, on your feet, like pigs do. If we wonder why people are so apathetic and casual about every eminently avoidable horror in the world – famine, war, disease, the seas gradually turning piss-yellow and filling with ringpulls and shattered fax machines – it’s right there. Heaven. The biggest waste of our time we ever invented, outside of jigsaws. Only when the majority of the people on this planet believe – absolutely – that they are dying, minute by minute, will we actually start behaving like fully sentient, rational and compassionate beings. For whilst the appeal of ‘being good’ is strong, the terror of hurtling, unstoppably, into unending nullity is a lot more effective. I’m really holding out for us all to get The Fear. The Fear is my Second Coming. When everyone in the world admits they’re going to die, we’ll really start getting some stuff done.
Caitlin Moran