Cactus Thorns Quotes

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Cress?" "It's beautiful out there." A hesitation, before, "Could you be more specific?" "The sky is gorgeous, intense blue color." She pressed her fingers to the glass and traced the wavy hills on the horizon. "Oh, good. You've really narrowed it down for me." "I'm sorry, it's just..." She tried to stamp down the rush of emotion. "I think we're in a desert." "Cactuses and tumbleweeds?" "No just a lot of sand. It's kind of orangish-gold, with hints of pink, and I can see tiny clouds of it floating above the ground, like...like smoke." "Piles up in lots of hills?" "Yes, exactly! And it's beautiful." Thorne snorted. "If this is how you feel about a desert, I can't wait until you see your first real tree. Your mind will explode.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I’m erased. I’m gone. I’m nothing. And then the world is free to flow into me like water into an empty bowl…. And… I see. I hear. But not with eyes and ears. I’m not outside my world anymore, and I’m not really inside it either. The thing is, there’s no difference between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain. I like that most of all, being rain.
Jerry Spinelli (Stargirl (Stargirl, #1))
Sometimes I try to erase myself. And then, if I've done a good job, I'm erased. I'm nothing. And then the world is free to flow into me like water into an empty bowl. And I see. I hear. But not with eyes and ears. I'm not outside my world anymore, and I'm not really inside it either. The thing is, there's no difference between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain.
Jerry Spinelli (Stargirl (Stargirl, #1))
And I see. I hear. But not with eyes and ears. I'm not outside my world anymore, and I'm not really inside it either. The thing is, there's no difference anymore between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain.
Jerry Spinelli (Stargirl (Stargirl, #1))
Both a rose and a cactus have thorns, and while the rose may say, "I love you," the cactus says, "Fuck off." I think that's important to remember, and it's the ideal way to farm ducks.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
The cactus of the high desert is a small grubby, obscure and humble vegetable associated with cattle dung and overgrazing, interesting only when you tangle with it the wrong way. Yet from this nest of thorns, this snare of hooks and fiery spines, is born once each year a splendid flower. It is unpluckable and except to an insect almost unapproachable, yet soft, lovely, sweet, desirable, exemplifying better than the rose among thorns the unity of opposites
Edward Abbey
It's hard to do nothing totally. Even just sitting here, like this, our bodies are churning, our minds are chattering. There's a whole commotion going on inside us." "That's bad?" I said. "It's bad if we want to know what's going on outside ourselves." "Don't we have eyes and ears for that?" She nodded. "They're okay most of the time. But sometimes they just get in the way. The earth is speaking to us, but we can't hear because of all the racket our senses are shaking. Sometimes we need to erase them, erase our senses. Then-maybe- the earth will touch us. The universe will speak. The stars will whisper." The sun was glowing orange now, clipping the mountains' purple crests. "So how do I become this nothing?" "I'm not sure,"she said "There's no one answer to that. You have to find your own way. Sometimes I try to erase myself. I imagine a big pink soft soap eraser, and it's going back and forth, back and forth, and it starts down at my toes, back and forth, back and forth, and there they go-poof!-my toes are gone. And then my feet. And then my ankles. But that's the easy part. The hard part is erasing my senses-my eyes,my ears,my nose, my tongue. And last to go is my brain. My thoughts, memories, all the voices inside my head. That's the hardest, erasing my thoughts." She chuckled faintly. "My pumpkin. And then, if I've done a good job, I'm erased. I'm gone. I'm nothing. And then the world is free to flow into me like water into and empty bowl." "And?" I said. "And I see. I hear. But not with eyes and ears. I'm not outside my world anymore, and I'm not really inside it either. The thing is, there's no difference anymore between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain." She smiled dreamily. "I like that most of all, being rain.
Jerry Spinelli (Stargirl (Stargirl, #1))
Using a cactus thorn, they “pricked the skin in small regular rows on our chins with a very sharp stick,” Olive wrote, “until they bled freely. They then dipped these same sticks in the juice of a certain weed that grew on the banks of the river, and then in the powder of a blue stone that was to be found in low water.” The stone was burned, then pulverized, then applied to the pinprick patterns that had been etched into their faces.29 The procedure took a few hours, but it was most painful during the healing process of the next three days, when they could eat only soft foods like roasted pumpkin so the wounds would not open. Because the Mohaves prized broad faces, tattoo patterns were designed to create or enhance this impression
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
realized that this cactus with its withered arms symbolized what my life would be. It would consist of thorns and fruit, pain and beauty. My body would age; my soul would expand.
Mary Pipher (Women Rowing North: Navigating Life’s Currents and Flourishing As We Age)
Hands shaking, she walked around the desk. Picked up the postcard, gritty with dirt from the floorboards. Not a cactus. A canyon. Red and gold and burnt umber. She turned it over. Roses are so overdone. And when it comes to thorns, they’re second best.
Chandra Blumberg (Stirring Up Love (Taste of Love, #2))
Lists (3) alcohol, fasting, thirsting, sweat lodges, self-mutilation, sleep deprivation, dance, bleeding, mushrooms, immersion in ice water, kava, flagellation with thorns or animal teeth, cactus flesh, tobacco, exposure to the elements, long-distance running, hypnosis, meditation, rhythmic drumming and chanting, jimsonweed, nightshade, Salvia divinorum, pungent or aromatic scents, toad sweat, tantric sex, spinning in circles, amphetamines, sedatives, opioids, hallucinogens, nitrous oxide, oxytocin, holding one’s breath, jumping off cliffs, nitrites, kratom, coca leaves, cocoa, caffeine, entheogens— ethylene, an entheogenic gas, escapes from the ground under Delphi
Kim Stanley Robinson (2312)
Below cascading breaths of storming sighs Shudder the petals of the desert skies; Gentle blossom, nestled flame atop thorns Savors languid sunbeams after gust storms, Breeze parted clouds afford warmth to the bud Softly caressing limbs windswept in mud, Draped spider tinsel on pin blades verdant Peacefully swing in the mellowed current, As raised arms pine for the sun’s strengthened gaze That’s nurtured generations long lost days, From arid desert sands, to seeds in soil From rainfall of winter, to summer’s toil, Stemmed firm to withstand changing tides time brings Cactus being ‘neath the winds flowing wings.
Marie Helen Abramyan
...I'm erased. I'm gone. I'm nothing. And then the world is free to flow into me like water into an empty bowl'...'I'm not outside my world anymore, and I'm not really inside it either. The thing is, there's no difference anymore between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain...I like that most of all, being rain.
Jerry Spinelli (Stargirl (Stargirl, #1))
Cactus are most horrible plant by hurting you with their thorn. But its the only thing which make you survive in Dessert.
Bhoopal M
The Gloriosa Superba is native to South India. During the autumn rains you find it shooting in the lane bordered thickly by huge cactus and aloe. Here and there you see it in the open field. In the field it will have a chance, you think; but in the lane, crowded down by cactus and aloe, great assertive things with most fierce thorn and spike, what can a poor lily do but give in and disappear? A few weeks afterward you see a punch of color on the field, you go and gather handfuls of lovely lilies, and your revel in the tangle of color, a little bewilderment of delight.
Amy Carmichael (That Way and No Other: Following God through Storm and Drought (Plough Spiritual Guides: Backpack Classics))
What would have happened, I wondered, if Clover and Jotter never ran the river—if they had listened to the critics and doomsayers, or to their own doubts? They brought knowledge, energy, and passion to their botanical work, but also a new perspective. Before them, men had gone down the Colorado to sketch dams, plot railroads, dig gold, and daydream little Swiss chalets stuck up on the cliffs. They saw the river for what it could be, harnessed for human use. Clover and Jotter saw it as it was, a living system made up of flower, leaf, and thorn, lovely in its fierceness, worthy of study for its own sake. They knew every saltbush twig and stickery cactus was, in its own way, as much a marvel as Boulder Dam—shaped to survive against all the odds. In the United States, half of all bachelor’s degrees in science, engineering, and mathematics go to women, yet these women go on to earn only 74 percent of a man’s salary in those fields. A recent study found that it will be another two decades before women and men publish papers at equal rates in the field of botany, a field traditionally welcoming to women. It may take four decades for chemistry, and three centuries for physics. Stereotypes linger of scientists as white-coated, wild-haired men, and they limit the ways in which young people envision their futures. In a famous, oft-replicated study, 70 percent of six-year-old girls, asked to draw a picture of a scientist, draw a woman, but only 25 percent do so at the age of sixteen.
Melissa L. Sevigny (Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon)
Not all love is a bed of rose, And not every flower glows. Even the cactus with its thorn Can make an impact to reborn! Nem todo amor é um mar de rosa, nem toda flor é assim tao cheirosa. Mas até o cacto com tanto espinho causa um impacto em seu caminho!
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
I’m erased. I’m gone. I’m nothing. And then the world is free to flow into me like water into an empty bowl . . .I see. I hear. But not with eyes and ears. I’m not outside my world anymore, and I’m not really inside it either. The thing is, there’s no difference between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain. I like that most of all, being rain.
Jerry Spinelli (Stargirl (Stargirl, #1))
Power lived everywhere, beneath cactus thorns, secreted in sparkles of dew, and hidden in the flecks of moonlight that silvered the sage. By calling upon that Power, Singers could pull clouds together and awaken the soaring
Kathleen O'Neal Gear (People of the Silence (North America's Forgotten Past, #8))
He looked at his cactus again, the enormous green phallus, the thorned phallus.
Janwillem van de Wetering (Outsider in Amsterdam (Grijpstra & de Gier Mystery #1))