“
Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of "Don't Forget!"s and "Remember!"s over us. We don't have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents' meetings or out in the street, and realize with horror that everyone else seems to know exactly what they're doing. We're the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else's children can swim.
”
”
Fredrik Backman (Anxious People)
“
I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
We, more than others, should carry jumper and tow cables not only in our cars, but also in our hearts, by which means we can send the needed boost or charge of encouragement or the added momentum to mortal neighbors.
”
”
Neal A. Maxwell (All These Things Shall Give Thee Experience)
“
If you choose to believe me, good. Now I will tell you how Octavia, the spider-web city, is made. There is a precipice between two steep mountains: the city is over the void, bound to the two crests with ropes and chains and catwalks. You walk on the little wooden ties, careful not to set your foot in the open spaces, or you cling to the hempen strands. Below there is nothing for hundreds and hundreds of feet: a few clouds glide past; farther down you can glimpse the chasm's bed.
This is the foundation of the city: a net which serves as passage and as support. All the rest, instead of rising up, is hung below: rope ladders, hammocks, houses made like sacks, clothes hangers, terraces like gondolas, skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers, trapezes and rings for children's games, cable cars, chandeliers, pots with trailing plants.
Suspended over the abyss, the life of Octavia's inhabitants is less uncertain than in other cities. They know the net will only last so long.
”
”
Italo Calvino (Invisible Cities)
“
The Pomegranate
The only legend I have ever loved is
the story of a daughter lost in hell.
And found and rescued there.
Love and blackmail are the gist of it.
Ceres and Persephone the names.
And the best thing about the legend is
I can enter it anywhere. And have.
As a child in exile in
a city of fogs and strange consonants,
I read it first and at first I was
an exiled child in the crackling dusk of
the underworld, the stars blighted. Later
I walked out in a summer twilight
searching for my daughter at bed-time.
When she came running I was ready
to make any bargain to keep her.
I carried her back past whitebeams
and wasps and honey-scented buddleias.
But I was Ceres then and I knew
winter was in store for every leaf
on every tree on that road.
Was inescapable for each one we passed.
And for me.
It is winter
and the stars are hidden.
I climb the stairs and stand where I can see
my child asleep beside her teen magazines,
her can of Coke, her plate of uncut fruit.
The pomegranate! How did I forget it?
She could have come home and been safe
and ended the story and all
our heart-broken searching but she reached
out a hand and plucked a pomegranate.
She put out her hand and pulled down
the French sound for apple and
the noise of stone and the proof
that even in the place of death,
at the heart of legend, in the midst
of rocks full of unshed tears
ready to be diamonds by the time
the story was told, a child can be
hungry. I could warn her. There is still a chance.
The rain is cold. The road is flint-coloured.
The suburb has cars and cable television.
The veiled stars are above ground.
It is another world. But what else
can a mother give her daughter but such
beautiful rifts in time?
If I defer the grief I will diminish the gift.
The legend will be hers as well as mine.
She will enter it. As I have.
She will wake up. She will hold
the papery flushed skin in her hand.
And to her lips. I will say nothing.
”
”
Eavan Boland
“
Paradise is not the place in which you arrive but the journey toward it. Sometimes I think victories must be temporary or incomplete; what kind of humanity would survive paradise? The industrialized world has tried to approximate paradise in its suburbs, with luxe, calme, volupté, cul-de-sacs, cable television and two-car garages, and it has produced a soft ennui that shades over into despair and a decay of the soul suggesting that Paradise is already a gulag. Countless desperate teenagers will tell you so. For paradise does not require of us courage, selflessness, creativity, passion: paradise in all accounts is passive, is sedative, and if you read carefully, soulless.
”
”
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
“
I never knew I never knew that everything was falling through That everyone I knew was waiting on a cue To turn and run when all I needed was the truth But that's how it's got to be It's coming down to nothing more than apathy I'd rather run the other way than stay and see The smoke and who's still standing when it clears Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Let's rearrange I wish you were a stranger I could disengage Just say that we agree and then never change Soften a bit until we all just get along But that's disregard Find another friend and you discard As you lose the argument in a cable car Hanging above as the canyon comes between Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind She's on your ... And suddenly I become a part of your past I'm becoming the part that don't last I'm losing you and its effortless Without a sound we lose sight of the ground In the throw around Never thought that you wanted to bring it down I won't let it go down till we torch it ourselves And everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind Everyone knows She's on your mind Everyone knows I'm in over my head I'm in over my head I'm over my... Everyone knows I'm in Over my head
Over my head With eight seconds left in overtime She's on your mind
She's on your mind.
”
”
The Fray
“
And so we picked up our bags, he the trunk with his one good arm and I the rest, and staggered to the cable-car stop; in a moment rolled down the hill with our legs dangling to the sidewalk from the jiggling shelf, two broken-down heroes of the Western night.
”
”
Jack Kerouac (On the Road (The Viking Critical Library))
“
You've passed like three stores that sell batteries," she says. "We need to get one now in case it's too late on our way back."
“You don’t need a battery. Your battery is fine,” I say.
I avoid looking over at her but I can see her watching me, waiting for more explanation.
I don’t immediately respond. I flick the blinker on and turn onto my grandparent’s street. When I pull into their driveway, I turn the car off and tell her the truth. What harm could it do at this point?
“I unhooked your battery cable before you tried to leave today.” I don’t wait for her reaction as I get out of the car and slam the door. I’m not sure why I slam the car door. I’m not mad at her, I’m just frustrated. Frustrated that she doubts me after all this time.
“You what!?” she yells. When she gets out of the car, she slams her door intentionally.
I keep walking, shielding the wind and snow with my jacket until I reach the front door. She rushes after me. I almost walk inside without knocking but remember how it feels, so I knock.
“I said I unhooked your battery cable. How else was I going to convince you to ride with me?”
"That's real mature, Will.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
(Regarding the Roosevelt Tram along Queensboro Bridge):
"They had it renovated by the French. French cars. French cables. Cables that surrender! Would you ride in a tram that surrenders? I sure as hell wouldn't!
”
”
Camilla Monk (Beating Ruby (Spotless, #2))
“
The Major Smiths of this world don't drive over the edge of a cliff. Quotation from the future Mrs. Schaffer. The Major Smiths of this world don't fall off the roofs of cable cars. Quotation from the future Mrs. Schaffer's future husband.
”
”
Alistair MacLean (Where Eagles Dare)
“
I watch these kids.
They don't seem entirely unhappy. A few times I've even circled the Free Clinic on foot, trying to catch a closer glimpse of these kids and their lives as they pop in and out of the clinic's Sputnik-era, gone-to-seed building--Lancaster's future trolls and Popeyes loitering out back having hushed paranoid conversations. And once I even went to have a look where they hang out in a big way, out in the delivery bay behind the now-closed Donut Hut, the delivery bay grotto out back with a floor spongy with pigeon shit, chewing gum, cigarette ashes, and throat oysters--dank and sunless. I went to visit this place once when all the druggies were away, having their druggy lives downtown doing their druggy things: yelling at parked cars and having conversations with amber lights. I visited this place and I was confused: confused and attracted. Who do these people think they are? How can they not care about the future or hot running water or clean sheets or cable TV? These people. And on the walls down at the delivery bay, do you know what they had written? Written in letters several hands high, letters built of IV needles attached to the cement with soiled bandages and wads of chewing gum? They had written the words WE LIKE IT.
”
”
Douglas Coupland
“
But the cable cars did not last long. They had disappeared from the streets of most cities by 1900 and from Chicago by 1906, and they remain to this day only in the single city of San Francisco, where they are primarily a tourist attraction.
”
”
Robert J. Gordon (The Rise and Fall of American Growth: The U.S. Standard of Living since the Civil War (The Princeton Economic History of the Western World Book 60))
“
And so we picked up our bags, he the trunk with his one good arm and I the rest, and staggered up to the cable-car stop; in a moment rolled down the hill with our legs dangling to the sidewalk from the jiggling shelf, two broken-down heroes of the Western night.
”
”
Jack Kerouac (On the Road)
“
And suddenly…there was a wind. No, not a wind. A blur of motion… Bending the steel of their weapons and changing the very course of the might river below. Even before the bystanders freed themselves from the cable car, they know. We all did. We knew… and remembered.
”
”
Alex Ross (Kingdom Come)
“
Every morning a great wall of fog descends upon the city of San Francisco. It begins far out at sea. It forms over the Farallons, covering the sea lions on their rocks, and then it sweeps onto Ocean Beach, filling the long green bowl of Golden Gate Park. The fog obscures the early morning joggers and the lone practitioners of tai chi. It mists up the windows of the Glass Pavilion. It creeps over the entire city, over the monuments and movie theaters, over the Panhandle dope dens and the flophouses in the Tenderloin. The fog covers the pastel Victorian mansions in Pacific Heights and shrouds the rainbow-colored houses in the Haight. It walks up and down the twisting streets of Chinatown; it boards the cable cars, making their clanging bells sound like buoys; it climbs to the top of Coit Tower until you can’t see it anymore; it moves in on the Mission, where the mariachi players are still asleep; and it bothers the tourists. The fog of San Francisco, that cold, identity-cleansing mist that rolls over the city every day, explains better than anything else why that city is what it is.
”
”
Jeffrey Eugenides (Middlesex)
“
Twenty million people live and work in Tokyo. It’s so big that nobody really knows where it stops. It’s long since filled up the plain, and now it’s creeping up the mountains to the west and reclaiming land from the bay in the east. The city never stops rewriting itself. In the time one street guide is produced, it’s already become out of date. It’s a tall city, and a deep one, as well as a spread-out one. Things are always moving below you, and above your head. All these people, flyovers, cars, walkways, subways, offices, tower blocks, power cables, pipes, apartments, it all adds up to a lot of weight. You have to do something to stop yourself caving in, or you just become a piece of flotsam or an ant in a tunnel. In smaller cities people can use the space around them to insulate themselves, to remind themselves of who they are. Not in Tokyo. You just don’t have the space, not unless you’re a company president, a gangster, a politician or the Emperor. You’re pressed against people body to body in the trains, several hands gripping each strap on the metro trains. Apartment windows have no view but other apartment windows.
”
”
David Mitchell (Ghostwritten)
“
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding.
”
”
Erik Larson (The Devil in the White City)
“
it’s easy to feel ashamed when you fail at a basic adult task like paying the cable bill, meeting a friend for coffee, or acknowledging that all the rooms in your house exist. It’s easy to get personal, call yourself mean names, and throw in the towel. But you still have to fix it, just like you have to take the car to the mechanic.
”
”
Jaclyn Paul (Order from Chaos: The Everyday Grind of Staying Organized with Adult ADHD)
“
By the middle of the afternoon it had rained so much that the drains were overflowing, clogged up with leaves and newspapers.
The water built up until it was sliding across the road in great sheets, rippled by the wind and parted like a football crowd by passing cars.
I was shocked by the sheer volume of water that came pouring out of the darkness of the sky.
Watching the weight of it crashing into the ground made me feel like a very young child, unable to understand what was really happening.
Like trying to understand radio waves, or imagining computers communicating along glass cables.
I leant my face against the window as the rain piled upon it, streaming down in waves, blurring my vision, making the shops opposite waver and disappear.
There was a time when I might have found this exhilarating, even miraculous, but not that day.
That day it made me nervous and tense, unable to concentrate on anything while the noise of it clattered against the windows and the roof.
I kept opening the door to look for clear skies, and slamming it shut again.
And then around teatime, from nowhere, I smashed all the dirty plates and mugs into the washing-up bowl.
Something swept through me, swept out of and over me, something unstoppable, like water surging from a broken tap and flooding across the kitchen floor.
I don't quite understand why I felt that way, why I reacted like that.
I wanted to be saying it's just something that happens.
But I was there, that day, slamming the kitchen door over and over again until the handle came loose.
Smacking my hand against the worktop, kicking the cupboard doors, throwing the plates into the sink.
Going fuckfuckfuck through my clenched teeth.
I wanted someone to see me, I wanted someone to come rushing in, to take hold of me and say hey hey what are you doing, hey come on, what's wrong.
But there was no one there, and no one came.
”
”
Jon McGregor (If Nobody Speaks Of Remarkable Things)
“
The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo—any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
After all, the media have been and are the major dispenser of the ideals and norms surrounding motherhood: Millions of us have gone to the media for nuts-and-bolts child-rearing advice. Many of us, in fact, preferred media advice to the advice our mothers gave us. We didn't want to be like our mothers and many of us didn't want to raise our kids the way they raised us (although it turns out they did a pretty good job in the end). Thus beginning in the mid-1970s, working mothers became the most important thing you can become in the United States: a market. And they became a market just as niche marketing was exploding--the rise of cable channels, magazines like Working Mother, Family Life, Child, and Twins, all supported by advertisements geared specifically to the new, modern mother. Increased emphasis on child safety, from car seats to bicycle helmets, increased concerns about Johnny not being able to read, the recognition that mothers bought cars, watched the news, and maybe didn't want to tune into one TV show after the next about male detectives with a cockatoo or some other dumbass mascot saving hapless women--all contributed to new shows, ad campaigns, magazines, and TV news stories geared to mothers, especially affluent, upscale ones. Because of this sheer increase in output and target marketing, mothers were bombarded as never before by media constructions of the good mother. The good mother bought all this stuff to stimulate, protect, educate, and indulge her kids. She had to assemble it, install it, use it with her child, and protect her child from some of its features.
”
”
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
“
He worried that too much alone time was a bad thing. Socializing was therapeutic and was a cure for most mental issues in the world. Of course, I argued so was a double dose of Adderall, a personal phone call from Jesus and electric shock therapy. However, soon after, my cell phone died and the jumper cables for my car went missing.
”
”
Shannon L. Alder
“
He drives a Saab. He’s the kind of man who points at people he doesn’t like the look of, as if they were burglars and his forefinger a policeman’s flashlight. He stands at the counter of a shop where owners of Japanese cars come to purchase white cables. Ove eyes the sales assistant for a long time before shaking a medium-sized white box at him.
”
”
Fredrik Backman (A Man Called Ove)
“
Cradled on the bed of that trailer was a small wooden dory. The boat’s profile was distinctive—an upturned prow that terminated in a sharp point, and a hull whose bottom was curved like the blade of a scimitar. Lashed to her decks were two sets of ten-foot oars hewn from straight-grained Oregon ash, and tucked into the footwell at the center of the boat lay a cable connecting a car battery to a pair of powerful search lamps, the kind of devices that jacklighters use when hunting deer in the dark. There was just enough light to make out her colors—a beryl-green hull and bright red gunwales. And if you looked closely, you could discern the black-and-gold lettering emblazoned along the right side of her bow that spelled her name: Emerald Mile.
”
”
Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
“
Sometimes I wander round and round in circles, going over the same ground, getting lost, sometimes for hours, or days, or even weeks....But I know that if I immerse myself in it long enough, things will clarify, simplify. I can count on that. When it happens, it happens fast. Boom ba boom ba boom! One thing after the other, taking the breath away. And then, you know, I feel like I'm walking out in some remote corner of space, where no mortal's ever been, all alone with something beautiful....Once, when I was in Switzerland some friends took me up in some very high cable cars, climbing up a mountain....There was a restaurant on top and the view was supposed to be sublime. When we got up it was a great disappointment because the clouds were obscuring everything. But suddenly there was a rent in the clouds and there were the Jungrau and two other peaks towering right in front of us....That's what it's like.
”
”
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
“
Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of "Don't Forget!"s and "Remember!"s over us. We don't have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents' meetings or out in the street, and realize with horror that everyone else seems to know exactly what they're doing. We're the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else's children can swim.
”
”
Fredrik Backman (Anxious People)
“
Online’ sales on the Internet are only an improvement of the old mail order catalogues, which were introduced in . . . 1850; they do not represent a structural change. Similarly, the Internet, multimedia cell phones, cable television, smartcards and the general computerisation of society — even genetic engineering — do not represent structural changes. They are all only developments of what already existed. There is nothing in all this to compare with inventions that really turned the world upside down, the real techno-economic metamorphoses introduced between 1860 and 1960 that revolutionised society and the framework of life: internal combustion engines, electricity, the telephone, telegraph, radio (which was more revolutionary than television), trains, cars, airplanes, penicillin, antibiotics, and so forth. The ‘new economy’ is behind us! No fundamental innovation has taken place since 1960. Computers only allow us to accomplish differently, faster and more cheaply (but with much greater fragility) what was already being done. On the other hand, the automobile, antibiotics, telecommunications and air travel were authentic revolutions that made possible what before had been impossible.
”
”
Guillaume Faye (Convergence of Catastrophes)
“
Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of “Don’t Forget!”s and “Remember!”s over us. We
”
”
Fredrik Backman (Anxious People)
“
grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of “Don’t Forget!”s and “Remember!”s over us. We don’t have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents’ meetings or out in the street, and realize with horror that everyone else seems to know exactly what they’re doing. We’re the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else’s children can swim.
”
”
Fredrik Backman (Anxious People)
“
My sisters and I giggled at “Dance: Ten; Looks: Three” (“Tits and ass / bought myself a fancy pair / tightened up the derriere”) while our parents sat in the front of the car—my father at the wheel, my mom in the passenger seat—both distracted and nonplussed. We flipped through the Jacqueline Susann and Harold Robbins hardbacks in my grandmother’s bookshelf and watched The Exorcist on the Z Channel (the country’s first pay-cable network that premiered in LA in the mid-’70s) after our parents sternly told us not to watch it, but of course we did anyway and got properly freaked out. We saw skits about people doing cocaine on Saturday Night Live, and we were drawn to the allure of disco culture and unironic horror movies. We consumed all of this and none of it ever triggered us—we were never wounded because the darkness and the bad mood of the era was everywhere, and when pessimism was the national language, a badge of hipness and cool. Everything was a scam and everybody was corrupt and we were all being raised on a diet of grit. One could argue that this fucked us all up, or maybe, from another angle, it made us stronger. Looking back almost forty years later, it probably made each of us less of a wuss. Yes, we were sixth and seventh graders dealing with a society where no parental filters existed. Tube8.com was not within our reach, fisting videos were not available on our phones, nor were Fifty Shades of Grey or gangster rap or violent video games, and terrorism hadn’t yet reached our shores, but we were children wandering through a world made almost solely for adults. No one cared what we watched or didn’t, how we felt or what we wanted, and we hadn’t yet become enthralled by the cult of victimization. It was, by comparison to what’s now acceptable when children are coddled into helplessness, an age of innocence.
”
”
Bret Easton Ellis (White)
“
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other.
I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear.
Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
What is most dystopian about all of the digital houses designed for customized consumption is the implication that the entire landscape could be covered with new houses lacking any social or economic neighborhood context. Designers minimize the need for family or neighborhood interaction if they plan for digital surveillance as a route to ordering mass-produced commodities as well as handling work and civic life. If many external activities, such as paid work, exercise, shopping, seeking entertainment, and voting, are able to be done in-house through the various electronic communications systems, reasons for going outside decrease. The residents become isolated, although the house continues to function as a container for mass-produced goods and electronic media. In a landscape bristling with tens of thousands of digital houses and cell towers, where the ground is laced with hundreds of thousands of miles of fiber-optic cable, neighborhoods may not exist. Car journeys involving traffic problems may disappear, although the roads will be clogged with delivery vans.
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”
Dolores Hayden (Building Suburbia: Green Fields and Urban Growth, 1820-2000)
“
the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of “Don’t Forget!”s and “Remember!”s over us. We don’t have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents’ meetings or out in the street, and realize with horror that everyone else seems to know exactly what they’re doing. We’re the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else’s children can swim. But we weren’t ready to become adults. Someone should have stopped us.
”
”
Fredrik Backman (Anxious People)
“
Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of “Don’t Forget!”s and “Remember!”s over us. We don’t have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents’ meetings or out in the street, and realize with horror that everyone else seems to know exactly what they’re doing. We’re the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else’s children can swim. But we weren’t ready to become adults. Someone should have stopped us.
”
”
Fredrik Backman (Anxious People)
“
Triggers include: Abortion (backstory) Anal sex Autassassinophilia Attempted sexual assault Bullying Cannabis growing (and dealing) Car accident Castration Child assassins (backstory) Child porn (secondary character backstory) Child sexual abuse (backstory) Choking Collaring Coprophilia (brief mention) Cults Date rape drugs (by minor antagonist) Desecration of a corpse Desecration of a grave Dismemberment Doxxing Erotophonophilia Execution Fear play Financial abuse (by minor antagonist) Forced abortion (backstory) Gang rape (to side character) Gaslighting Grooming (backstory) Hallucinations Human centipede (on minor villains) Humiliation Imprisonment Improper use of a thigh bone Improper use of extension cables Improper use of holy water Knife play Mask play Medical misconduct Medication tampering Memory loss Mental illness Miscarriage (backstory) Murder Online harassment Osteophilia Phrogging Pornography Primal kink Rape (of rapists) Sadism Sexual harassment Snuff movies Somnophilia Spanking Stalking Suicide Suspension bondage Teacher-student relationship (backstory) Torture Trauma Victim blaming (by minor antagonist) Vigilante justice Reader discretion is advised. If you find any of these topics distressing, please choose a different book. Your mental health matters.
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”
Gigi Styx (I Will Break You (Pen Pals Duet, #1))
“
The truth? The truth is that the bank robber was an adult. There’s nothing more revealing about a bank robber’s personality than that. Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of “Don’t Forget!”s and “Remember!”s over us. We don’t have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents’ meetings or out in the street, and realize with horror that everyone else seems to know exactly what they’re doing. We’re the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else’s children can swim. But we weren’t ready to become adults. Someone should have stopped us.
”
”
Fredrik Backman (Anxious People)
“
The truth? The truth is that the bank robber was an adult. There’s nothing more revealing about a bank robber’s personality than that. Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tyres on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of ‘Don’t Forget!’s and ‘Remember!’s over us. We don’t have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents’ meetings or out in the street, and realize with horror that everyone else seems to know exactly what they’re doing. We’re the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else’s children can swim. But we weren’t ready to become adults. Someone should have stopped us.
”
”
Fredrik Backman (Anxious People)
“
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed.
At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.
In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang:
Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
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Thomas Pynchon (The Crying of Lot 49)
“
Moore’s Law, the rule of thumb in the technology industry, tells us that processor chips—the small circuit boards that form the backbone of every computing device—double in speed every eighteen months. That means a computer in 2025 will be sixty-four times faster than it is in 2013. Another predictive law, this one of photonics (regarding the transmission of information), tells us that the amount of data coming out of fiber-optic cables, the fastest form of connectivity, doubles roughly every nine months. Even if these laws have natural limits, the promise of exponential growth unleashes possibilities in graphics and virtual reality that will make the online experience as real as real life, or perhaps even better. Imagine having the holodeck from the world of Star Trek, which was a fully immersive virtual-reality environment for those aboard a ship, but this one is able to both project a beach landscape and re-create a famous Elvis Presley performance in front of your eyes. Indeed, the next moments in our technological evolution promise to turn a host of popular science-fiction concepts into science facts: driverless cars, thought-controlled robotic motion, artificial intelligence (AI) and fully integrated augmented reality, which promises a visual overlay of digital information onto our physical environment. Such developments will join with and enhance elements of our natural world. This is our future, and these remarkable things are already beginning to take shape. That is what makes working in the technology industry so exciting today. It’s not just because we have a chance to invent and build amazing new devices or because of the scale of technological and intellectual challenges we will try to conquer; it’s because of what these developments will mean for the world.
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”
Eric Schmidt (The New Digital Age: Reshaping the Future of People, Nations and Business)
“
New trout, having never seen rain on the river, rise eagerly to ripples on the Mink. Some windows close against the moist and some open for the music. Rain slips and slides along hawsers and chains and ropes and cables and gladdens the cells of mosses and weighs down the wings of moths. It maketh the willow shiver its fingers and thrums on doors of dens in the fens. It falls on hats and cats and trucks and ducks and cars and bars and clover and plover. It grayeth the sand on the beach and fills thousands of flowers to the brim. It thrills worms and depresses damselflies. Slides down every window rilling and murmuring. Wakes the ancient mud and mutter of the swamp, which has been cracked and hard for months. Falls gently on leeks and creeks and bills and rills and the last shriveled blackberries like tiny dried purple brains on the bristles of bushes. On the young bear trundling through a copse of oaks in the woods snorffling up acorns. On ferns and fawns, cubs and kits, sheds and redds. On salmon as long as your arm thrashing and roiling in the river. On roof and hoof, doe and hoe, fox and fence, duck and muck. On a slight man in a yellow slicker crouched by the river with his recording equipment all covered against the rain with plastic wrap from the grocery store and after he figures out how to get the plastic from making crinkling sounds when he turns the machine on he settles himself in a little bed of ferns and says to the crow huddled patiently in rain, okay, now, here we go, Oral History Project, what the rain says to the river as the wet season opens, project number …something or other … where’s the fecking start button? …I can’t see anything … can you see a green light? yes? is it on? damn my eyes … okay! there it is! it’s working! rain and the river! here we go!
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Brian Doyle (Mink River: A Novel)
“
Last Wednesday Vince Cable, the UK business secretary, invited British cities to express their interest in being used as testing grounds for driverless cars. The hope is that the UK will gain an edge in this promising new industry. (German autonomous cars were being tested on German, French and Danish public roads 20 years ago, so the time is surely ripe for the UK to leap into a position of technological leadership.)
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Anonymous
“
Two days later, on June 19, Tobias and Chappell arrived on the island. Chappell had never been on the island when the pump was running and he was delighted. So delighted, in fact, that he agreed to extend Dad’s contract until the end of the year. Tobias agreed to cover the fuel costs during that time. Everyone was happy.
The next day, Dad and Bobby resumed drilling in the Money Pit and, almost immediately, instead of encountering hard clay, they hit beach sand. That caused great excitement, as it indicated that their drill had found the spot where the original inlet water tunnel joined the Money Pit.
But the next day, the pump shaft snapped and water immediately began to rise in the Money Pit. Bobby and Dad had to evacuate immediately. Later, in a letter to Frank Sparham, Dad described the event:
Today we took the diamond (drill) and everything needed down. We got all set up and in the same hole and only a few inches of progress when the shaft snapped. Mildred heard the change of racket at once and nearly had a fit. We got everything out of the way and loaded in the (hoist) car in time. Could have done it faster but you know how these sudden emergencies are, both of us tried to do what the other fellow had been doing. We soon saw that was no good so we just went back to loading the (hoist) car as if we were through for the day and let the hoist bring up the electric cable.
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Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
“
city – from the beach to the Olympic hillside. For tourists who don’t want to grapple with public transport, there is the Barcelona Bus Turistic made up of three bus lines – blue, red and green routes that explore different parts of the city. You can get on and off at any point. Normally, I stay away from these double‐decker tourist explorers, but for a city as large as Barcelona, the system makes getting from beach to cathedrals to hillside parks very easy. There are also walking tours for those with very comfortable shoes. Barcelona offers so much to visitors that I couldn’t possibly tell you what to visit. But items not to miss are, in my opinion, the architecture of Antoni Gaudi which includes his unique cathedral, La Sagrada Familia which remains unfinished, his apartment building, La Pedrera which has no straight lines on its exterior, and his idealistic Parc Guell, a colourful complex on a high hillside. Within the city of Barcelona you could spend a day or more walking Los Ramblas, a wide pedestrian tree‐lined promenade that is a wonderful place to watch people, taste great food, wine and enjoy life. Nearby is the Placa de Catalunya, the main square with fountains, street artists and restaurants. The Gothic Quarter is walking distance with its network of squares that stretch back to Medieval and Roman times. This city offers so much – a medieval city, art museums, flamenco dancing, cable car to the top of Montjuïc, need I go on? Tours to local vineyards are available as are boat trips that will show you the local coastline. And let’s not forget that Barcelona is a city with beautiful beaches – all relaxed, lined with cafes and restaurants. The
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Dee Maldon (The Solo Travel Guide: Just Do It)
“
What in the—? My begonias!” he heard someone say behind him. Nick looked over his shoulder. A small but muscular woman in sweaty workout clothes was stepping out of a big shiny car in the neighbor’s driveway. She was gaping in horror at the chewed-up flowerbed and the smoking lawn mower. Scowling, she turned toward Uncle Newt’s house. And the scowl didn’t go away when she noticed Nick looking back at her. In fact, it got scowlier. Nick smiled weakly, waved, and hurried into the house. He closed the door behind him. “Whoa,” he said when his eyes adjusted to the gloom inside. Cluttering the long hall in front of him were dozens of old computers, a telescope, a metal detector connected to a pair of bulky earphones, an old-fashioned diving suit complete with brass helmet, a stuffed polar bear (the real, dead kind), a chainsaw, something that looked like a flamethrower (but couldn’t be … right?), a box marked KEEP REFRIGERATED, another marked THIS END UP (upside down), and a fully lit Christmas tree decorated with ornaments made from broken beakers and test tubes (it was June). Exposed wires and power cables poked out of the plaster and veered off around every corner, and there were so many diplomas and science prizes and patents hanging (all of them earned by Newton Galileo Holt, a.k.a. Uncle Newt) that barely an inch of wall was left uncovered. Off to the left was a living room lined with enough books to put some libraries to shame, a semitransparent couch made of inflated plastic bags, and a wide-screen TV connected by frayed cords to a small trampoline.
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Bob Pflugfelder (Nick and Tesla and the High-Voltage Danger Lab: A Mystery with Gadgets You Can Build Yourself ourself)
“
Poor neighborhoods provided their residents with quite a lot. In the trailer park, residents met people who knew how to pirate cable, when the best food pantries were open, and how to apply for SSI. All over the city, people who lived in distressed neighborhoods were more likely to help their neighbors pay bills, buy groceries, fix their car, or lend a hand in other ways, compared to their peers in better-off areas.6 These exchanges helped people on the receiving end meet basic material needs; and they helped those on the delivering end feel more fully human. But
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Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
Batteries, Bug repellent, Belts, Bags , Barbecue equipment, Boots, Bath towels. Bikes, Bike rack. C - Cash and credit cards, Cell phones & chargers, Camera and film/memory cards, Coffee pot, Can opener, Cups, Cutlery, Computer, Clock, Cleaning utensils, Clothes and coats, Camping Guides, Condiments (salt, sugar, pepper). D - Dishes, Drainers, Disinfectant. F - First Aid kit, Fire Extinguishers G - Glasses, (drinking, reading, sun), Games. H -Herbs, Hair brushes, Headphones. K -Keys (house, RV, Lockers), Kindle & cable, Kitchen Gadgets. M - Medication. Money belts, Measuring implements, Maps, P - PERSONAL DOCUMENTS: Passports, Health Certificates, Insurance, Driving License, RV documents, Power adapters, Pens, Pets:
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Catherine Dale (RV Living Secrets For Beginners. Useful DIY Hacks that Everyone Should Know!: (rving full time, rv living, how to live in a car, how to live in a car van ... camping secrets, rv camping tips, Book 1))
“
I tucked my laptop into a big enough handbag with my purse, phone, and keys, along with the other essentials like just-in-case sanitary products, a lip balm, a charge cable, a hairbrush, three pens, one pack of chewing gum, a half-empty bottle of water, three hundred receipts from the past two years, four car park tickets, the dried liver of a goat, six crow’s feet, and the blood of a virgin.
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Emma Hart (Love Language (The Aristocrat Diaries, #1))
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...while Colbert wrote in the back seat of the Comedy Central Car, Media spun out of control. Back when Colbert was working Second City weird comedians had little competition. TV news seemed sane, its anchors staid, and the greying men behind the desk considered themselves journalists, not entertainers. In those final pre-Web years, newspapers were mostly reliable, free of the cluttered competition of websites, tweets and blogs. But a decade later with 24-7 cable spreading, and every poll and pundit saying whatever it took to get attention, the comic could scarcely be more outrageous than the media circus. As the age of Fox News and the Drudge Report dawned, opinion replaced fact, rumor was treated as truth, and no conspiracy, however trivial or trumped up, went unnoticed.
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Bruce Watson (Stephen Colbert: Beyond Truthiness)
“
Indeed, leading Airbus engineer Bernard Ziegler – an evangelist for fly-by-wire – was reputed to have exclaimed on one occasion, ‘My cleaning lady could fly it!’ (He could be forgiven for being more cautious than others, too; as a French air force pilot he had flown his jet fighter under a cable car in the ski resort of Chamonix, severing the cable and killing the occupants of three cars which crashed 500ft to ground.) The
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Macarthur Job (Air Disaster 3: Terror In The Sky)
“
Before she was evicted, Larraine had $164 left over after paying the rent. She could have put some of that away, shunning cable and Walmart. If Larraine somehow managed to save $50 a month, nearly one-third of her after-rent income, by the end of the year she would have $600 to show for it—enough to cover a single month’s rent. And that would have come at considerable sacrifice, since she would sometimes have had to forgo things like hot water and clothes. Larraine could have at least saved what she spent on cable. But to an older woman who lived in a trailer park isolated from the rest of the city, who had no car, who didn’t know how to use the Internet, who only sometimes had a phone, who no longer worked, and who sometimes was seized with fibromyalgia attacks and cluster migraines—cable was a valued friend.
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Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
As it turns out, skiing trips are pretty bloody annoying anyway. It’s mostly about queuing, skiing. You queue to get your breakfast in the stupid wooden hotel, you queue to get on the minibus or find a taxi to take you to the stupid skiing place at the bottom of the stupid hill. You queue to buy a pass, which you lose later in the day and then you get down to the serious queuing, at the point where you get on the lift at the bottom of the mountain to take you to the top. This, technically, isn’t queuing, it’s something more akin to fighting, so I preferred this bit. You hang around in a big crowd on a sort of train platform. Except there are no tracks, just a big wire overhead. Eventually, the cable car device lumbers into view and disgorges a load of really annoying people with stupid smiles under their stupid hats on to the other side of the platform. The car never stops; it just swings around the bottom of the platform on a huge, horizontal wheel until it comes up the side on which you and several million Germans are loitering, ready to get on board. Then there is a really massive fight, lots of shouting, some vicious pushing and, the next thing you know, you’re on the cable car, face pressed to the frosted glass, staring through it at crying kids back on the platform, disappointed mothers and bereft lovers waving mournfully as the other half of their life is transported away on the carriage that someone, usually you, prevented them from getting on by elbowing them in the face and jabbing a ski pole into their groin. It’s really rather good fun. But only that part is fun; the rest of it is terrible.
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Richard Hammond (As You Do: Adventures With Evel, Oliver, and The Vice-President Of Botswana)
“
And just like the Soviet Union bankrupted itself trying to keep up with the United States technologically, the West was almost there. Wars in Afghanistan and Iraq, plus an out of control security apparatus in most Western nations demanding more and more funding to protect against a perceived threat, had almost bankrupted the mighty Western economies. A few more attacks, each using different methods, would soon tip them over the edge, and into the abyss of a global Great Depression the likes the world had never seen. The Dirty Thirties were terrible, but people were never used to living well. A good life meant food on the table and a warm bed to sleep in. Now a good life meant two cars, a large house, multiple televisions, computers, cellphones, tablets, Internet, cable, restaurants and vacations. This time when the economy collapsed, they would have a hell of a time trying to get out of it. And Islam would continue to spread. Hassan knew their birthrate was two to three times that of the West, and they would eventually win. But in the meantime, the West would be looking for a way out of their economic calamity. And a way would be offered, by the military industrial complex and the security apparatus that had sprung up around 9/11. War.
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J. Robert Kennedy (The Templar’s Relic (James Acton Thrillers, #4))
“
Where is God? I used to take some comfort from the image of cable cars in San Francisco. What enables those cable cars to move up and down the steep hills of San Francisco? There are powerful cables that run underneath these ups and downs. When the cable car wants to move, it latches on to the cable, which pulls it up or down the hills. If you look down into the opening that runs down the middle of all these streets, you will see that, underneath, the cable is always running. God is the force of life that runs through our lives, day in and day out—in the inexplicable force that gives a person the simple, heroic courage to open the door.
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Dov Peretz Elkins (Yom Kippur Readings: Inspiration, Information and Contemplation)
“
Three cable lines are still active in SF and these are as follows: California and the two Powell Cable Lines. The last two are most popular among locals and tourists as they even travel to the sheer area in the north, including the Lombard Street. Riding these cars can be pretty fun, but lines tend to be long at times especially during late mornings and afternoons.
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Jennifer Bean (San Francisco Travel Guide: Top Attractions, Hotels, Food Places, Shopping Streets and Everything You Need to Know)
“
We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My
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Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
The mechanism of the clock was enclosed in a box resembling a large cupboard, but I was disappointed with the workings. They were much smaller than I had anticipated. The clock was worked by heavy weights suspended on long cables. My father picked up a handle like the crank handle of a car and wound them up. There were two of them. One to work the hands, the other controlling the hammer which struck out the hours on a large bell. Then the mousetraps were set, Not to catch mice, but to control the lighting. Previously my father had to make a special trip each evening to switch on the lights of the clock, returning near midnight to switch them off. To obviate this he invented a method of light control which may have been unique. Two switches, one for switching on and the other for switching off were used. They were fixed on the inside wall of the tower. A mousetrap mounted near each switch was so arranged that when the trap sprung, the arc traversed by the closing trap enabled the switch to be flicked on or off as required. Adjustable sleeves were set along the the cables for required times. The sleeves on the descending cables tripped the mouse traps which actuated the switches.
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William Perry (The End of an Era: Life in Old Eaglehawk and Bendigo)
“
The original KDF-wagen as it was called was basic and rudimentary, but essentially the same as the later post war production cars that followed. Features of this vehicle included cable operated brakes (!!) and a tiny 800cc flat four motor with a single exhaust, 16 inch tires and the KDF twin glove compartment (without lids) dash.
Oh, and last but not least – probably the most famous and sought-after rear window in automotive history!
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Christina Engela (Bugspray)
“
How was I supposed to know it was going to turn on Halsted? Are you trying to pick a fight?” “Maybe.” “Why?” “Because this area is full of dissipation and refuse and disease,” he said. “And, like it or not, you’re a female and he’s a babe. The cable car provides protection and the both of you should stay on it for as long as possible.” Tightening her hold on the infant, she stepped into the street and wove between traffic. “Ah, but we have with us a big Texas Ranger and his ominous-looking gun.” He narrowed his eyes. “Are you baiting me?” “Maybe.” “Why?” “Because, like it or not, you’re an overbearing male who thinks I’m made out of porcelain.” Reaching the boardwalk on the other side, she squared up to him. “Well, I’m not made of porcelain or crystal or any other fragile material.
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Deeanne Gist (Fair Play)
“
Would my head were a head of lettuce. I drove the last car over the Sagamore Bridge before the state police closed it off. The Cape Cod Canal all atempest beneath. No cars coming, no cars going. The bridge cables flapping like rubber bands. You think in certain circumstances a few thousand feet of bridge isn’t a thousand miles? The hurricane wiped out Dennis. Horace thanked God for insurance. I saved our little girl. You want me to say, Hurrah! Hurrah! but I can’t, I won’t, because to save her once isn’t to save her, and still she thumps as if the world was something thumpable. As if it wasn’t silence on a fundamental level. Yap on, wife, yap on. Thump, daughter, thump. Louder, Orangutan, louder. I can’t hear you.
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Peter Orner (Last Car Over the Sagamore Bridge: Stories)
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It took me a while to realize--but thankfully realized before it was too late--that a fancy house, car, and cable television don't bring much happiness if you're dead. If you're at the weight that I was--or close to it--and you put your love of food and laziness ahead of the love of your family, you're being selfish. Nothing else you've ever done will matter if your family is left alone with that fancy house, car, and cable television when you're gone. It's one thing to leave this world unexpectedly in some tragic accident, but it's stupid and selfish when you're packing your bags every time you sit at the dinner table.
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Shawn Weeks
“
The Czechs hated the Germans so bitterly that they would not answer any foreigner who spoke German to begin with. Yet, at that time they sympathized with the Russians, who had liberated them from the German fascists. The strategy worked, they explained to us, Mary and myself, how to reach the Hias. The older people stayed behind, at the Railroad station. But we had no money for the fare on the street car. According to the instructions, we were supposed to take two street cars to reach the address. We told the person that we did not have the change for car fare, since we had just arrived from Romania. The second person, whom we asked again offered us the car fare. Soon after we arrived at the Hias, somebody came to the office. There was a cable instructing them to pick us up at Wilson Station. We reached the others and were eventually put up at a hotel, where we also took our meals and were told that we would leave in five days, on a direct train to Paris.
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Pearl Fichman (Before Memories Fade)
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In America, my father began working as a clerk for a government agency. He rented an apartment in a place called Queens, New York. A year after he left us, he sent airplane tickets.
The Delhi of the seventies is hard to imagine: the quietness, the streets empty of traffic, children playing cricket in the middle of the street and rarely having to move out of the way to let cars by, the vegetable vendors who came pushing their carts down the streets in the late afternoon, crying out their wares in tight, high-pitched voices. There weren't VCRs back then, let alone cable channels. A movie would play for twenty-five or fifty weeks in huge auditorium theaters, and then once the movie was gone, it was gone forever. I remembered feeling grief when the enormous billboards for Sholay at the end of our street were taken down. It was like somebody had died.
It is also hard to remember how frugal we were. We saved the cotton that comes inside pill bottles. Our mothers used it to make wicks. This frugality meant that we were sensitive to the physical reality of the world in a way most people no longer are. When my mother bought a box of matches, she had my brother sit at a table and use a razor to split the matches in half. When we had to light several things, we would use the match to set a twist of paper on fire and then walk around the apartment lighting the stove, the incense stick, the mosquito coil. This close engagement with things meant that we were conscious that the wood of a match is soft, that a bit of spit on paper split on paper slows down how it burns.
By the time our airplane tickets arrived, not every family hired a band to play outside their house on the day of the departure to a foreign country. Still, many families did.
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Akhil Sharma
“
San Francisco is still the loveliest city in the world for my money, despite how they've tried to ruin her. Yeah, it attracts all the weirdos, and some of them aren't harmless like they used to be in days gone by, but for the most part the people are lovely and easygoing, and there is a romanticism that exists in San Francisco that you can genuinely feel as you walk around. The wonderful things about her still remain; the wharf and fabled Pier 39; the little cable cars climbing upward toward the stars; the Painted Ladies of Victorian Row; the thousand or so acres of Golden Gate Park; and the up-and-down streets where Steve McQueen once hopped in his '68 Mustang and chased the bad guys in their '68 Dodge Charger. Tony Bennett left his heart here for good reason.
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Bobby Underwood (Gypsy Summer)
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and Hiking: Madeira's stunning landscapes and network of hiking trails make walking and hiking popular activities for visitors. The island is crisscrossed with Levada walks, mountain trails, and coastal paths, offering opportunities to explore its natural beauty on foot. Guided hiking tours are available for those looking for expert guidance and insight into Madeira's flora, fauna, and geology. Cable Cars and Funiculars: In certain areas of Madeira, such as Funchal and Monte, cable cars and funiculars provide scenic rides and convenient access to viewpoints, gardens, and other attractions. The Monte Cable Car, for example, takes passengers from Funchal to the hillside village of Monte, offering panoramic views of the city and harbor along the way.
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Frankie C. Warre (Madeira Pocket Travel Guide 2024-2025: Exploring the Enchanting Island of Madeira: A Journey of Discovery)
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The most somber group of all, however, were the Ryersons of Haverford, Pennsylvania, who were returning home for the funeral of their twenty-one-year-old son, Arthur, a Yale student who been thrown from an open car while motoring on the Easter weekend. The family had received word by telegram in Paris, and Arthur Ryerson Sr. had cabled back to arrange his son’s funeral for April 19, two days after the Titanic was to arrive. His wife, Emily, was being given comfort by two of her daughters, Suzette, aged twenty-one, and Emily, aged eighteen, while thirteen-year-old Jack Ryerson was tended by his tutor, Grace Bowen. The Ryersons were part of Philadelphia Main Line society, named for the fashionable suburban towns built along the Main Line of the Pennsylvania Railroad and a group that would be well represented on the Titanic’s first-class passenger list.
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Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
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Crossing the Golden Gate Bridge represents a transition, in the metaphysics of the region, there to be felt even by travelers unwary as Zoyd. When the busful of northbound hippies first caught sight of it, just at sundown as the fog was pouring in, the towers and cables ascending into pale gold otherworldly billows, you heard a lot of ''Wow,'' and ''Beautiful,'' though Zoyd only found it beautiful the way a firearm is, because of the bad dream unreleased inside it, in this case the brute simplicity of height, the finality of what swept below relentlessly out to sea. They rose into the strange gold smothering, visibility down to half a car length. . . .
Trees. Zoyd must have dozed off. He woke to rain coming down in sheets, the smell of redwood trees in the rain through the open bus windows, tunnels of unbelievably tall straight red trees whose tops could not be seen pressing in to either side. . . . The storm lashed the night, dead trees on slow log trucks reared up in the high-beams shaggy and glistening, the highway was interrupted by flooding creeks and minor slides that often obliged the bus to creep around inches from the edge of Totality. Aislemates struck up conversations, joints appeared and were lit, guitars came down from overhead racks and harmonicas out of fringe bags, and soon there was a concert that went on all night, a retrospective of the times they'd come through more or less as a generation, the singing of rock and roll, folk, Motown, fifties oldies, and at last, for about an hour just before the watery green sunrise, one guitar and one harmonica, playing the blues.
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Thomas Pynchon (Vineland)
“
When Mom says “bong,” she means her nebulizer. It turns water into vapor, and she huffs it all day like a singer breathing hot mist before a performance. Except Mom’s machine is handheld. I’m surprised she doesn’t carry it in a gun sling. But my mom is not just inhaling water. “Let’s get some colloidal silver in those lungs,” she says. Second to prayer, colloidal silver is Mom’s insurance policy on life. She makes her own, soaking two silver rods in a glass vat of water that sits next to her kitchen sink. I’ll let her explain it. This is from one of her emails telling me how to live forever: “I use distilled water and 99% pure silver rods. The rods are connected to a positive and negative charge (think of a jumper cable for your car) and they are immersed in the distilled water. Some people leave the rods in the water 2–4 hours. I leave mine in for 8–12 hours so my silver water is extra strength and powerful…I drink ¼ cup colloidal silver in a glass of water before bed, and have for years and years. RARELY am I ever sick. I take a bottle of colloidal silver on every trip (especially overseas) in case I pick up a stomach bug or am around anyone who is sick. I use it on wounds, use it for pink eye, ear infections, the flu, and more because it kills over 600 viruses and most bacteria, including MRSA. There are also studies that show the benefits of colloidal silver against cancer.” Every time I’m home, she gives me a bottle of the stuff to take back to Los Angeles. I, like a good millennial, googled its effectiveness. The scientific establishment seems to believe that colloidal silver does approximately nothing good, and in large quantities, some bad. Perhaps you’ve seen the viral meme of the old blue man? He consumed so much colloidal silver that his skin dyed blue from the inside. He looks like a Smurf with a white beard. Well, he looked like a Smurf. He’s dead. Maybe from something common like heart failure, but… When I told my mother this, she wouldn’t hear it. “I know it works. I’ve been using it for years. I don’t care what those articles say. I’ve read hundreds of articles about it.
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Jedidiah Jenkins (Mother, Nature: A 5,000-Mile Journey to Discover if a Mother and Son Can Survive Their Differences)
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None of us likes our electric utility or our cell-phone provider or our cable-broadband company in the way we love Apple or enjoy Ben & Jerry’s ice cream. Behind all of these unpopular institutions and sectors lies a frustrating combination of onerous regulations, quasi-monopolistic franchises (often government sanctioned) or ownership of scarce real estate (radio spectrum, medallions, permits, etc.), and politically powerful special interests.
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Vivek Wadhwa (The Driver in the Driverless Car: How Your Technology Choices Create the Future)
“
Gulmarg in December is a winter wonderland nestled in the heart of the Indian Himalayas. As the first snowflakes blanket the landscape, the entire region transforms into a picturesque paradise. The quaint town of Gulmarg becomes a hub for snow enthusiasts, offering a myriad of activities such as skiing, snowboarding, and snowshoeing. The Gulmarg Gondola, one of the highest cable cars in the world, provides breathtaking views of the snow-capped peaks. Adventure-seekers can also explore the pristine forests on snowmobiles or enjoy a serene horse-drawn sledge ride. The cozy hotels and cottages offer warm hospitality and delicious Kashmiri cuisine, making Gulmarg in December an idyllic destination for a winter getaway amidst nature's splendor.
click here to book now-
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”
Winter Wonderland Gulmarg in December
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How to Freelance
Could it be said that you are fed up with being a representative encountering the monotonous routine? Assuming that your response is indeed, this present time would be the opportunity to consider outsourcing your experience and abilities. Outsourcing is rapidly turning Into the calling which is carrying specialists into what's in store.
Organizations are starting to downsize on costs, including their labor force, and they are going to the outsourcing business sector for help. Assuming you have involvement with any of the above regions, or something else, there is an incredible opportunity that you can embed your skill into the outsourcing industry without any problem. There are an astounding measure of clients out there searching for your abilities and ready to pay great cash to use them please visit here how to freelancing for more details.
Freelance composing is an extremely complicated interaction that relies upon, and just on the essayist. While this vocation decision is difficult to get into, it is strikingly simple to transform the composing field and earn substantial sums of money simultaneously. There are three essential things about freelance composing that each essayist, new or not, should be aware or have a grasping of. We check out at them exhaustively here:
The when of freelance composition
There is no when to freelance composition. A capable essayist can compose whenever of the day or night; one glimmer of motivation and he's up and composing on the pc. However, this is valid just for a couple of essayists. A large number of us compose at explicit times, with the end goal that our innovativeness becomes restricted to those hours as it were. A work at home mother will rise and shine right on time to get in a couple of hours before the children wake up. An undergrad will work in the nights after talks. However, with freelance composition, it's best not to get into a groove to such an extent that your innovativeness endures.
The where of freelance composition
Here, most essayists have a decision. A few of us need clear walls around us with zero commotion levels to have The option to work capably. Others need a boisterous climate. Others can work anyplace; from the middle of a well of lava emission to a path seat on a cable car in london. You get to choose where you are generally agreeable, and work from that point.
The how of freelance composition
Once more, there is no how to freelance composition. You should simply sit at your pc or type-essayist, and get moving. Those dealing with a particular task as of now have some thought of what they will compose, while others sit before their clear screens and get their dream together. In the cutting edge world, however, this approach is becoming old, since each essayist worth his time and energy is charging constantly.
A typical slip-UP freelancers make is having powerless correspondence with their clients. You should know about this in light of the fact that continually rehashing this error can set you back huge load of cash as long as possible. You should be certain that you impart successfully while getting the task and furthermore during the venture. you want to construct and keep up with trust with your clients.
The following mix-up you should know can occur with an extremely normal benefit you can have as a freelancer, how much tasks you can have. You can have many undertakings for yourself as you can deal with. However, you'll have to genuinely check what you can deal with.
At long last, let's talk about recurrent business. That is when clients utilize your administrations again and again. At the point when you get you first clients, you might begin imagining that since you got work from them that you'll continue to get work from them. This is an unfortunate mix-up on your part. You believe that should conquer this by keeping up with great terms with your client and staying in contact with them.
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amazingtechbangla
“
They board a cable car to head back down the mountain but are stopped suddenly by Jaws, who has located the control room and bitten through a cable (which was actually made of liquorice – fact).
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John Rain (Thunderbook: The World of Bond According to Smersh Pod)
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Person 1 Person 2 I am a hardworking person, married for 25 years, and have two wonderful boys. Please let me explain why I need help. I would use the $2,000 loan to fix our roof. Thank you, God bless you, and I promise to pay you back. While the past year in our new place has been more than great, the roof is now leaking, and I need to borrow $2,000 to cover the cost of the repair. I pay all bills (e.g., car loans, cable, utilities) on time. But Person #2 is more likely to pay the money back. While Person #1 might have seemed more compelling, they’re actually around 8 times more likely to default.
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Jonah Berger (Magic Words)
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Tho was Buffalo Bill Cody? Most people know, at the very least, that he was a hero of the Old West, like Daniel Boone, Davy Crockett, and Kit Carson-one of those larger-than-life figures from which legends are made. Cody himself provided such a linkage to his heroic predecessors in 1888 when he published a book with biographies of Boone, Crockett, Carson-and one of his own autobiographies: Story of the Wild West and Campfire Chats, by Buffalo Bill (Hon. W.F. Cody), a Full and Complete History of the Renowned Pioneer Quartette, Boone, Crockett, Carson and Buffalo Bill. In this context, Cody was often called "the last of the great scouts."
Some are also aware that he was an enormously popular showman, creator and star of Buffalo Bill's Wild West, a spectacular entertainment of the late nineteenth and early twentieth centuries.
It has been estimated that more than a billion words were written by or about William Frederick Cody during his own lifetime, and biographies of him have appeared at irregular intervals ever since. A search of "Buffalo Bill Cody" on amazon.com reveals twenty-seven items. Most of these, however, are children's books, and it is likely that many of them play up the more melodramatic and questionable aspects of his life story; a notable exception is Ingri and Edgar Parin d'Aulaire's Buffalo Bill, which is solidly based on fact. Cody has also shown up in movies and television shows, though not in recent years, for whatever else he was, he was never cool or cynical. As his latest biographer, I believe his life has a valuable contribution to make in this new millennium-it provides a sense of who we once were and who we might be again. He was a commanding presence in our American history, a man who helped shape the way we look at that history. It was he, in fact, who created the Wild West, in all its adventure, violence, and romance.
Buffalo Bill is important to me as the symbol of the growth of our nation, for his life spanned the settlement of the Great Plains, the Indian
Wars, the Gold Rush, the Pony Express, the building of the transcontinental railroad, and the enduring romance of the American frontier-especially the Great Plains. Consider what he witnessed in his lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth Cavalry rode hell-for-leather across the prairie in pursuit of hostile Indians. Nor, though it is not usually considered
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Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
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lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth
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Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
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And so we visit the past as tourists. Sometimes this is literally so, when we take in Colonial Williamsburg and Plymouth Plantation, or travel around to Civil War battlefields. But it is also true in a metaphorical sense. The past has become a strange and distant country, full of odd people and mysterious customs. And thought seeing how these people built their homes or raised their children can broaden the mind, most of us don’t go back home determined to learn how to use an axe or a hickory stick. Knowledge about those strange customs might be interesting, but it is not essential–it does not change our way of doing things. In the end we will always prefer our own land in the present. At the end of the tour there is an air-conditioned car and a comfortable hotel room waiting, complete with cable television and refrigerated food.
There is nothing intrinsically wrong with enjoying the past this way–it can be a lot of fun, in fact. But it could be so much more. The thousands of people who visit Boston and have only a few days to walk the Freedom Trail, visit Fenway Park, and eat a lobster dinner cannot even scratch the surface of what the city is really like. They have not inhaled the comforting mixture of exhaust fumes and roasted cashews that hangs in the city subways on humid summer days, or learned to love the particular slant of the New England sun on a winter afternoon.
The same would be true of a Bostonian on a day trip to Chicago, Tokyo, Budapest, or Khartoum. The visit would be exciting, but would not make them cosmopolitan. Becoming something more than a casual time-tourist requires a willingness to be challenged and changed, just as living in India or Ghana or Peru will upend any American’s assumptions about money and wealth. (pp 26-27)
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Margaret Bendroth (The Spiritual Practice of Remembering)
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It’s like San Francisco,” Paige breathes at our incredible first view of Venice.
Which breaks the spell for a moment. We wrench our eyes away from the Grand Canal and turn to gawk at her instead.
“San Francisco?” I ask. “Really?”
I mean, I haven’t been to San Francisco, but I’ve seen it in lots of films. Amazingly steep streets, cable cars, Alcatraz Island out in the bay, a huge red bridge they call Golden for some reason. Does she mean Venice is like San Francisco because of the bridge?
“Never a dull moment with Paige,” I mutter to Kelly as an aside.
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Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
“
27 Places Where You Won't Find Love
1. The spoon with which you measure salt
2. Plastic plates stacked neatly on a shelf
3. Flowers - marigolds and chrysanthemums and roses - and the shop that sells these
4. Earrings lost in the backseat of a tuktuk while looking for the Malayalam translation of "I love you" in the dark
5. Bookshelves with borrowed books, never read
6. Fifty watches, three of which were for sale
7. Coffee whose flavor was slightly off
8. A red bridge that goes by gold, which has replicas everywhere
9. The replicas themselves
10. The rearview mirror of a car
11. The burnt sienna pavement where you hurt yourself
12. A protein shake whose taste grew on you thanks to someone else. With eggs and coconut and toast
13. An island untouched by civilization
14. Another ravaged by war
15. A declined invitation to brunch
16. Dinner gone cold after a long wait, and thrown away the next day
17. An unacknowledged text message
18. Laughter ringing through a movie hall during a scene that didn't warrant it
19. Retainers stored in a box next to baby oil in the medicine cabinet
20. A gold pendant
21. A white and red cable car
22. A helmet too small for your head and another too large
23. Dreams with their own background score
24. Misplaced affection
25. A smile between strangers, with you standing on the outside looking in
26. Your bed
27. The future
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Sreesha Divakaran
“
Buffalo Bill is important to me as the symbol of the growth of our nation, for his life spanned the settlement of the Great Plains, the Indian
Wars, the Gold Rush, the Pony Express, the building of the transcontinental railroad, and the enduring romance of the American frontier-especially the Great Plains. Consider what he witnessed in his lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth Cavalry rode hell-for-leather across the prairie in pursuit of hostile Indians. Nor, though it is not usually considered a milestone in American history, should we forget Joseph F. Glidden's 1874 invention of barbed wire, which, more than the rifle or the plow, transformed Buffalo Bill's Great Plains by insuring the survival of thousands of family farms, and making possible the growth of enormous-and enormously profitable-cattle ranches.
In addition, I feel a personal connection.
In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal.
On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where
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Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
“
What, I see a pretty girl with a dead car battery, and I’m just supposed to walk away and not offer her my perfectly useful jumper cables?
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Allie Otoski (More Than Just Us)
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the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of “Don’t Forget!”s and “Remember!”s over us. We don’t have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents’ meetings or out in the street, and realize with horror that everyone else seems to know exactly what they’re doing. We’re the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else’s children can swim.
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Fredrik Backman (Anxious People)