“
It's despair at the lack of feeling, of love, of reason in the world. It's despair that anyone can even contemplate the idea of dropping a bomb or ordering that it should be dropped. It's despair that so few of us care. It's despair that there's so much brutality and callousness in the world. It's despair that perfectly normal young men can be made vicious and evil because they've won a lot of money. And then do what you've done to me.
”
”
John Fowles (The Collector)
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
This metropolitan world, then, is a world where flesh and blood is less real than paper and ink and celluloid. It is a world where the great masses of people, unable to have direct contact with more satisfying means of living, take life vicariously, as readers, spectators, passive observers: a world where people watch shadow-heroes and heroines in order to forget their own clumsiness or coldness in love, where they behold brutal men crushing out life in a strike riot, a wrestling ring or a military assault, while they lack the nerve even to resist the petty tyranny of their immediate boss: where they hysterically cheer the flag of their political state, and in their neighborhood, their trades union, their church, fail to perform the most elementary duties of citizenship.
Living thus, year in and year out, at second hand, remote from the nature that is outside them and no less remote from the nature within, handicapped as lovers and as parents by the routine of the metropolis and by the constant specter of insecurity and death that hovers over its bold towers and shadowed streets - living thus the mass of inhabitants remain in a state bordering on the pathological. They become victims of phantasms, fears, obsessions, which bind them to ancestral patterns of behavior.
”
”
Lewis Mumford (The Culture of Cities (Book 2))
“
What your fairy tales never tell you is that often, moya lyubimaya, it is the villain who wins, because it is the villain who is willing to fight, no matter the cost, for what he wants.
”
”
Zoe Blake (Sweet Brutality (Ruthless Obsession, #4))
“
Small boys were a mystery to Sylvie. The satisfaction they gained from throwing sticks or stones for hours on end, the obsessive collection of inanimate objects, the brutal destruction of the fragile world around them, all seemed at odds with the men they were supposed to become.
”
”
Kate Atkinson (Life After Life (Todd Family, #1))
“
I wrote the word: love. I did consider using another one. It's a curious notion, love; difficult to identify and define. There are so many degrees and variations. I could have contented myself with saying that I was smitten (and it is true that Thomas knew how to make me weaken), or infatuated (he could conquer, clatter, even bewitch like no one else), or obsessed (he often provoked a mixture of bewilderment and excitement, turning everything upside down), or seduced (once he caught me in his net, there was so no escaping), or taken with (I was stupidly joyful, I could heat up over nothing), or even blinded (anything that embarrassed me, I pushed to the side, minimizing his defects, putting his good qualities on a pedestal), or disturbed (no longer was I ever quite myself), which would have had less positive connotations. I could have explained it away as a mere affection, having a 'crush,' an explanation vague enough to mean anything. But those would just have been words. The truth, the brutal truth, was that I was in love. Enough to use the right word.
All the same, I wondered if this could be a complete invention. As you already know, I invented stories all the time, with so much authenticity that people usually ended up believing me sometimes even I was no longer able to disentangle the true from the false). Could I have made this story up from scratch? Could I have turned an erotic obsession into a passion? Yes, it's possible.
”
”
Philippe Besson (Lie With Me)
“
What he doesn’t know is that he’s been digging his grave in my chest for weeks, and me in his. We’re going to trade one day. My heart for his. An even exchange.
”
”
S. Massery (Brutal Obsession)
“
Every cell and molecule of who I am desires, needs and covets Layla. Humans call that love. I call it obsession. Same thing, I suppose, but I am a demon, Trinity. I'm brutally selfish and there are very few things I truly care about. While I may randomly commit acts of perceived kindness, I do them only so that Layla is happy. Because when she's not happy, it makes me want to do really, really bad things to whatever and whoever has upset her.
”
”
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
“
I don’t care if she catches me staring. She already knows how I feel about her. Obsessed. In love.
”
”
S. Massery (Brutal Obsession)
“
She’s mine. That’s what plays on repeat, underneath the current of how I can keep her bound to me.
”
”
S. Massery (Brutal Obsession)
“
You’re my favorite person on this planet, Violet Reece.” My confession meets her pulse point. “And we’re going to wake up next to each other for the rest of our fucking lives.
”
”
S. Massery (Brutal Obsession)
“
I didn’t give her a choice—and she’s not going to get one. There’s no going back.
”
”
S. Massery (Brutal Obsession)
“
From the open French windows Sylvie watched Maurice erecting a makeshift tennis net, which mostly seemed to involve whacking everything in sight with a mallet. Small boys were a mystery to Sylvie. The satisfaction they gained from throwing sticks or stones for hours on end, the obsessive collection of inanimate objects, the brutal destruction of the fragile world around them, all seemed at odds with the men they were supposed to become.
”
”
Kate Atkinson (Life After Life (Todd Family, #1))
“
brutal, media-obsessed ISIS commander in Anbar Province notorious for killing Shiite truck drivers and other civilians
”
”
Joby Warrick (Black Flags: The Rise of ISIS)
“
Violet Reece is totally in love with me.
”
”
S. Massery (Brutal Obsession)
“
I’m fucking telling you, Vi. It’s you and me. Only us. I’m not letting anyone or anything come between us again. You can count on that.
”
”
S. Massery (Brutal Obsession)
“
Ruin her for anyone else.
”
”
S. Massery (Brutal Obsession)
“
Doesn’t matter how hard I fuck you, baby. I still hate your guts.
”
”
S. Massery (Brutal Obsession)
“
Maybe because she’s finally realizing she’s the prey and I’m the predator. And even though I promised to cut her free, beasts like me don’t tell the truth.
”
”
S. Massery (Brutal Obsession)
“
One date and I’m already craving everything, Bexley. Especially from these gorgeous lips. Put them on me,” he grunts.
“Was it… was it the way I ate my gummy bears?”
He laughs, the noise went from his mouth into mine and I sigh dreamily, leaning into him. He’s too potent for me to resist. How can I leave it at one date after he’s said all that sweet stuff? I’m a woman, not a robot. Anyone’s resolve would melt like water on sugar if a sexy as sin guy talks about being obsessed with kissing them.
“You were pretty brutal nibbling their ears off first.
”
”
V. Theia (Manhattan Storm (From Manhattan #3))
“
I blinked several times, still unable to trust my vision. The man didn't have a penis. He had a damn battering ram. And worse... I blinked again. Yuupp. He had a freaking reverse Prince Albert piercing.
”
”
Zoe Blake (Sweet Brutality (Ruthless Obsession, #4))
“
My obsession with her is getting worse. I can’t stop thinking about her. Bloody. Bruised. Brutalized. I want to push my limits, yes, but I want to push her limits. See how far I can take things until we both crumble.
”
”
S. Massery (Brutal Obsession)
“
If you’re going downstairs, I want everyone to know that you were just thoroughly fucked. I want them to smell it on your skin and see it in the flush in your cheeks. I want them to know my cum is seeping out of your cunt.
”
”
S. Massery (Brutal Obsession)
“
He wanted to take what’s mine. He wanted to hurt her in the worst way he could think of. He wanted to steal and take and destroy her. But she has a meaner, scarier, crazier stalker. Me. And I’ll protect her with every breath in my body.
”
”
S. Massery (Brutal Obsession)
“
I post Instagram photos that I think of as testaments to my beauty and then obsessively check the likes to see if the internet agrees. I collect this data more than I want to admit, trying to measure my allure as objectively and brutally as possible. I want to calculate my beauty to protect myself, to understand exactly how much power and lovability I have.
”
”
Emily Ratajkowski (My Body)
“
The writing life is brutal on a wounded mind. It really is. So much time spent alone. So much time spent in self-reflection. Emotional wounds heal in other people’s hearts but you have to reopen yours and examine them in order to re-create their painful feelings on the page. Ugly, twisted, vicious thoughts flitter through other people’s minds, but you have to seize yours and hold them to the light in order to understand the soul’s shadowy corners. You have to shred your comfortable pieties. You have to tear your illusions to feathers and rags. When you’re working well, you become bad company, inward-turning, querulous, obsessed.
”
”
Andrew Klavan (The Great Good Thing: A Secular Jew Comes to Faith in Christ)
“
A white male in a dark fisherman’s hat and dark jacket was all they could say for sure. He’d brutally punched their poodle in the eye.
”
”
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
“
industry without art is brutality”.
”
”
Simon Garfield (Timekeepers: How the World Became Obsessed with Time)
“
That was the last dick you’re ever going to touch that isn’t mine,” I inform her.
”
”
S. Massery (Brutal Obsession)
“
The man is possessive with a capital P.
”
”
S. Massery (Brutal Obsession)
“
She’d gone far beyond being my temptation and had become my obsession.
”
”
Caroline Peckham (Kings of Lockdown (Brutal Boys of Everlake Prep, #2))
“
How do I compete with a broken heart?
”
”
S. Massery (Brutal Obsession)
“
We got our dreams and each other. Perfect, right?
”
”
S. Massery (Brutal Obsession)
“
We’re going to be together forever.
”
”
S. Massery (Brutal Obsession)
“
I can love her, and I won’t lose her.
”
”
S. Massery (Brutal Obsession)
“
We’re connected, you and I. There’s nothing I wouldn’t do for you.
”
”
S. Massery (Brutal Obsession)
“
You’re so fucking perfect for me,” he says,
”
”
S. Massery (Brutal Obsession)
“
Promise you’ll stay with me forever,” I say in her ear.
”
”
S. Massery (Brutal Obsession)
“
I was never raised to fall in love like this. Without reason or choice. Only wild, intense obsession. I never meant for this to happen. But now that it has, there’s no escaping. I belong to Dante. And he belongs to me.
”
”
Sophie Lark (Bloody Heart (Brutal Birthright, #4))
“
When I break you, it won’t be your leg. Or your ribs. Or your vocal cords. It’s your mind I’m after, Violet. Your mind and your soul, because that black heart that beats behind your ribcage? That already belongs to me.
”
”
S. Massery (Brutal Obsession)
“
Saint Paul lives in the Christian imagination as the chief sponsor of Christian contempt for Jews, the avatar of law versus grace, flesh versus spirit, works versus faith, Moses versus Jesus, the Old Covenant versus the New. This brutal dichotomizing was attributed to Paul most influentially by Martin Luther, who used a perceived Jewish legalism, materialism, and obsession with externals as stand-ins for the decadence of his nemesis, the pope. “Because the Papists, like the Jews,” he wrote, “insist that anyone wishing to be saved must observe their ceremonies, they will perish like the Jews.”39 After Luther, both Protestants and Catholics read Paul as the preeminent tribune of Jewish corruption—a misreading that had terrible consequences, especially in Luther’s Germany, where the Volk were defined in ontological opposition to Juden. Paul’s
”
”
James Carroll (Christ Actually: The Son of God for the Secular Age)
“
9 October 1943
Regarding the Jewish question, he [Himmler] gives a very unadorned and frank picture. He is of the conviction that the Jewish question can be solved by the end of this year. He advocates the most radical and most severe solution, namely to exterminate Jewry, bag and baggage. Of course, if brutal, this is a consistent solution. Because we must take on the responsibility of entirely solving this question in our time. Subsequent generations will doubtlessly no longer dare address this problem with the courage and obsession as we are able to do today.
”
”
Joseph Goebbels (The Goebbels Diaries 1942-1943)
“
Nothing provokes more cynicism than a great love that was not shared, but nothing produces more modesty either; I was utterly surprised to feel loved. The truth is: a passion that fully preoccupies a man draws women to him when he least wants them. Even if he is sentimental and tender by nature, when he is obsessed with another he becomes indifferent and almost brutal. Because he is unhappy, he sometimes allows himself to be temped by the offer of affection. As soon as he has tasted this affection, he tires of it and does not disguise the fact. Without wishing to and without even realizing it, he plays the most appalling game. He becomes dangerous and conquers because he himself has been vanquished. This was the case with me. I had never been more convinced of my own inability to attract women, I had never felt less desire to attract them, and I had never received so much clear proof of devotion and love.
”
”
André Maurois (Climats)
“
Some writers supply the solid virtues of a husband: reliability, intelligibility, generosity, decency. There are other writers in whom one prizes the gifts of a lover, gifts of temperament rather than of moral goodness. Notoriously, women tolerate qualities in a lover — moodiness, selfishness, unreliability, brutality — that they would never countenance in a husband, in return for excitement, an infusion of intense feeling. In the same way, readers put up with unintelligibility, obsessiveness, painful truths, lies, bad grammar — if, in compensation, the writer allows them to savor rare emotions and dangerous sensations.
”
”
Susan Sontag (Against Interpretation and Other Essays)
“
No, for some unknown reason, I feel more at home in the Italian Alps than I do in the brutal heat of Puglia. I like brisk autumns, snowy winters, rainy springs, and temperate summers. The change of seasons allows for a change in one’s wardrobe (I’m sartorially obsessed) and, most important, one’s diet. A boeuf carbonnade tastes a thousand times better in the last days of autumn than when it’s eighty degrees and the sun is shining. An Armagnac is the perfect complement to a snowy night by the fire but not to an August beach outing, just as a crisp Orvieto served with spaghetti con vongole is ideal “al fresco” on a sunny summer afternoon but not nearly as satisfying when eaten indoors on a cold winter’s night. One thing feeds the other. (Pun intended.) So a visit to Iceland to escape the gloom of what is known in London as “winter” was an exciting prospect. However, my greatest concern, as you can probably guess, if you’re still reading this, was the food.
”
”
Stanley Tucci (Taste: My Life Through Food)
“
I have always been intrigued by this obsession with so-called black-on-black violence, as if black-on-white violence was somehow more acceptable. And why had no one ever described what happened in Northern Ireland or in Bosnia, Kosovo, et al. with its vicious brutality as examples of white-on-white violence? There it was just violence - then why black-on-black violence?
”
”
Greg Marinovich (The Bang-Bang Club, movie tie-in: Snapshots From a Hidden War)
“
Greatness needs courage (above all) and willpower, charisma, intelligence and creativity but it also demands characteristics that we often associate with the least admirable people: reckless risk-taking, brutal determination, sexual thrill-seeking, brazen showmanship, obsession close to fixation and something approaching insanity. In other words, the qualities required for greatness and wickedness, for heroism and monstrosity are not too far distant from each other. The Norwegians alone have a word for this: stormannsgalskap – the madness of great men.
”
”
Simon Sebag Montefiore (Titans of History)
“
exciting time in the age of computers, when the machines first became personal and later, fashionable accessories. It is also a textbook study of the rise and fall and rise of Apple and the brutal clashes that destroyed friendships and careers. And it is a gadget lover’s dream, with fabulous, inside accounts of how the Macintosh, iPod, iPhone and iPad came into being. But more than anything, Isaacson has crafted a biography of a complicated, peculiar personality—Jobs was charming, loathsome, lovable, obsessive, maddening—and the author shows how Jobs’s character was instrumental in shaping some of the greatest technological innovations of our time.
”
”
Walter Isaacson (Steve Jobs)
“
Isaacson’s biography can be read in several ways. It is on the one hand a history of the most exciting time in the age of computers, when the machines first became personal and later, fashionable accessories. It is also a textbook study of the rise and fall and rise of Apple and the brutal clashes that destroyed friendships and careers. And it is a gadget lover’s dream, with fabulous, inside accounts of how the Macintosh, iPod, iPhone and iPad came into being. But more than anything, Isaacson has crafted a biography of a complicated, peculiar personality—Jobs was charming, loathsome, lovable, obsessive, maddening—and the author shows how Jobs’s character was instrumental in shaping some of the greatest technological innovations
”
”
Walter Isaacson (Steve Jobs)
“
Isaacson’s biography can be read in several ways. It is on the one hand a history of the most exciting time in the age of computers, when the machines first became personal and later, fashionable accessories. It is also a textbook study of the rise and fall and rise of Apple and the brutal clashes that destroyed friendships and careers. And it is a gadget lover’s dream, with fabulous, inside accounts of how the Macintosh, iPod, iPhone and iPad came into being. But more than anything, Isaacson has crafted a biography of a complicated, peculiar personality—Jobs was charming, loathsome, lovable, obsessive, maddening—and the author shows how Jobs’s character was instrumental in shaping some of the greatest technological innovations of our time.
”
”
Walter Isaacson (Steve Jobs)
“
By those who get a kick out of this sort of thing (and they are very numerous) inhumanity is enjoyed for its own sake, but often, nonetheless, with a bad conscience. To allay their sense of guilt, the bullies and the sadists provide themselves with a creditable excuses for their favorite sport. Thus, brutality toward children is rationalized as discipline, as obedience to the Word of God - "he that spareth the rod, hateth his son". Brutality toward criminals is a corollary of the Categorical Imperative. Brutality toward religious or political heretics is a blow for the True Faith. Brutality toward members of an alien race is justified by arguments drawn from what may once have passed for Science. Once universal, brutality toward the insane is not yet extinct - the mad are horribly exasperating. But this brutality is no longer rationalized, as it was in the past, in theological terms. The people who tormented Surin and the other victims of hysteria or psychosis did so, first, because they enjoyed being brutal and, second, because they were convinced that they did well to be brutal. And they believed that they did well, because, ex hypthesi, the mad had always brought their own troubles upon themselves. For some manifest or obscure sin, they were being punished by God, who permitted devils to besiege or obsess them. Both as God's enemies and as temporary incarnations of radical evil, they deserved the be maltreated. And maltreated they were - with a a good conscience and a heart-warming sense that the divine will was being done on earth, as in heaven.
”
”
Aldous Huxley (The Devils of Loudun)
“
One of the first examples of forensic science solving a murder appears in a book called The Washing Away of Wrongs, published in 1247 by Song Ci, a Chinese coroner and detective. The author relates a story about a peasant found brutally hacked to death with a hand sickle. The local magistrate, unable to make headway in the investigation, calls for all the village men to assemble outside with their sickles; they’re instructed to place their sickles on the ground and then take a few steps back. The hot sun beats down. A buzz is heard. Metallic green flies descend in a chaotic swarm and then, as if collectively alerted, land on one sickle, crawling all over it as the other sickles lie undisturbed. The magistrate knew traces of blood and human tissue attract blowflies. The owner of the fly-covered sickle hung his head in shame. The case was solved.
”
”
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
“
The fixation with Israel/Palestine does sometimes return, but the magnitude of what is going on elsewhere has finally enabled at least some observers to understand that the problems of the region are not down to the existence of Israel. That was a lie peddled by the Arab dictators as they sought to deflect attention from their own brutality, and it was bought by many people across the area and the dictators’ useful idiots in the West. Nevertheless the Israeli/Palestinian joint tragedy continues, and such is the obsession with this tiny piece of land that it may again come to be considered by some to be the most pressing conflict in the world. The Ottomans had regarded the area west of the River Jordan to the Mediterranean Coast as a part of the region of Syria. They called it Filistina. After the First World War, under the British Mandate this became Palestine.
”
”
Tim Marshall (Prisoners of Geography: Ten Maps That Tell You Everything You Need to Know About Global Politics)
“
When people become famous, they are often objectified, discussed, and ridiculed with little consideration for who they are as people. Fans and critics feel as though they have the right to comment on everything celebrities do with little regard to the costs that those in the crosshairs of attention will bear. The cost that celebrities pay for the supposed benefits of being rich and famous is ongoing scrutiny and a lack of privacy. Most people do not understand or appreciate the pressure that results from fame, even though public meltdowns—such as the night that Britney Spears shaved her head in front of numerous photographers—are highly publicized. The public’s obsession with obtaining information about the famous puts serious pressure on those people’s lives, as the paparazzi’s role in Princess Diana’s death so brutally reminds us.20 Few people have sympathy for the kinds of stress that gossip places on public figures who have high status and wealth. At a distance, famous people seem invulnerable.
”
”
Danah Boyd (It's Complicated: The Social Lives of Networked Teens)
“
I know what the cynics will say. I know how the scoffers will sneer. I know the non-dreamers believing only in the brutal ways of force will laugh me off as impossibly naive. But I don’t care. I’ve grown immune to their strain of unbelief. I’ve turned a corner. I believe that what Isaiah dreamed of, Jesus died for. I believe that what Isaiah said would come to pass in the last days, Jesus inaugurated in his resurrection. I’ve caught a glimpse of the better world that can be—a world that Jesus came to give and continues to offer us. I believe the world of peace is possible in Christ. I won’t let the doomsday preppers with their Armageddon obsession talk me out of it. Jesus has already spoken the first word of a new world—the word peace. So things have changed. I have changed. I’ve prayed my last war prayer and preached my last war sermon. I’ve given up bellicose flag waving and singing lustily about bombs bursting in air. I’ve bid a final farewell to Mars. From now on I follow the Prince of Peace. I know others will come with me. Maybe you will be one of them. I hope so.
”
”
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
“
He perceived too in these still hours how little he had understood her hitherto. He had been blinded, — obsessed. He had been seeing her and himself and the whole world far too much as a display of the eternal dualism of sex, the incessant pursuit. Now with his sexual imaginings newly humbled and hopeless, with a realization of her own tremendous minimization of that fundamental of romance, he began to see all that there was in her personality and their possible relations outside that. He saw how gravely and deeply serious was her fine philanthropy, how honest and simple and impersonal her desire for knowledge and understandings. There is the brain of her at least, he thought, far out of Sir Isaac's reach. She wasn't abased by her surrenders, their simplicity exalted her, showed her innocent and himself a flushed and congested soul. He perceived now with the astonishment of a man newly awakened just how the great obsession of sex had dominated him — for how many years? Since his early undergraduate days. Had he anything to put beside her own fine detachment? Had he ever since his manhood touched philosophy, touched a social question, thought of anything human, thought of art, or literature or belief, without a glancing reference of the whole question to the uses of this eternal hunt? During that time had he ever talked to a girl or woman with an unembarrassed sincerity? He stripped his pretences bare; the answer was no. His very refinements had been no more than indicative fig-leaves. His conservatism and morality had been a mere dalliance with interests that too brutal a simplicity might have exhausted prematurely. And indeed hadn't the whole period of literature that had produced him been, in its straining purity and refinement, as it were one glowing, one illuminated fig-leaf, a vast conspiracy to keep certain matters always in mind by conspicuously covering them away? But this wonderful woman — it seemed — she hadn't them in mind! She shamed him if only by her trustful unsuspiciousness of the ancient selfish game of Him and Her that he had been so ardently playing.... He idealized and worshipped this clean blindness. He abased himself before it.
”
”
H.G. Wells (The Wife of Sir Isaac Harman)
“
...we realized with astonishment that whereas our group—or to use Gustav's favorite expression: our detachment—as monsters of forward progress was playing the role of pioneers in a world only hesitatingly liberating itself from the controlling machinery of goodness, "Herman" had all this while been acting as a fanatic obsessed with the centripetal forces of restraint. And whereas our techniques—having realized in the wake of our sorry experiences that we were not questing heroes but merely dumb victims of the thinking mind—were based on paraphiliac fulfillment, unbridled pursuit of pleasure, the ceaseless apocatastasis of an Eden missing from primal imagination, and took refuge in transgression, Herman's deliberately paltry means were called into being by hubris, a hubris that believed in the invincibility of weakness. We realized that even as we (again only Gustav managed to find the right words) brutalized things, violating their frail integrity precisely because of their perfection, "Herman," driven by the pressures of ancient ingrained compulsions, managed to monumentalize destructiveness.
”
”
László Krasznahorkai (The Death of a Craft)
“
As a boy, he had been obsessed with the tales of King Arthur’s court and the chivalric code, had dreamed of leading a heroic life. In the reality of war, however, Lawrence had seen men blown to bits, often by his own handiwork, had left wounded behind to die, and had ordered prisoners to be killed. Just as any thoughtful person before or after him, what Lawrence had discovered on the battlefield was that while moments of heroism might certainly occur, the cumulative experience of war, its day-in, day-out brutalization, was utterly antithetical to the notion of leading a heroic life.
”
”
Scott Anderson (Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East)
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It is my argument that American liberalism is a totalitarian political religion, but not necessarily an Orwellian one. It is nice, not brutal. Nannying, not bullying. But it is definitely totalitarian--or "holistic", if you prefer--in that liberalism today sees no realm of human life that is beyond political significance, from what you eat to what you smoke to what you say. Sex is political. Food is political. Sports, entertainment, your inner motives and outer appearance, all have political salience for liberal fascists. Liberals place their faith in priestly experts who know better, who plan, exhort, badger, and scold. They try to use science to discredit traditional notions of religion and faith, but they speak the language of pluralism and spirituality to defend "nontraditional" beliefs. Just as with classical fascism, liberal fascists speak of a "Third Way" between right and left where all good things go together and all hard choices are "false choices".
The idea that there are no hard choices--that is, choices between competing goods--is religious and totalitarian because it assumes that all good things are fundamentally compatible. The conservatives or classical liberal vision understands that life is unfair, that man is flawed, and that the only perfect society, the only real utopia, waits for us in the next life.
Liberal fascism differs from classical fascism in many ways. I don't deny this. Indeed, it is central to my point. Fascisms differ from each other because they grow out of different soil. What unites them are their emotional or instinctual impulses, such as the quest for community, the urge to "get beyond" politics, a faith in the perfectibility of man and the authority of experts, and an obsession with the aesthetics of youth, the cult of action, and the need for an all powerful state to coordinate society at the national or global level. Most of all, they share the belief--what I call the totalitarian temptation--that with the right amount of tinkering we can realize the utopian dream of "creating a better world".
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Jonah Goldberg (Liberal Fascism: The Secret History of the American Left from Mussolini to the Politics of Meaning)
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Capitalism is obsessed with death. The unconscious fear of death is what spurs it on. The threat of death is what stirs its compulsion of accumulation and growth. This compulsion drives us towards not only ecological but also mental catastrophe. The destructive compulsion to perform combines self-affirmation and self-destruction in one. We optimize ourselves to death. Relentless self-exploitation leads to mental collapse. Brutal competition ends in destruction. It produced an emotional coldness and indifference towards others as well as towards one's own self.
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Byung-Chul Han
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We realize that we inherit great personal suffering as a result of this weakened condition and from our inadequate but incessant attempts to regain the lost parts of Self. It is from our problematic and often futile attempts to regain Selfhood that life takes on its odd and distasteful complexion. It is the reason we become sadistic and/or masochistic. It is why we become troubled, morose, withdrawn, envious, compulsive, defensive, aggressive, insensitive, obsessive, suspicious, paranoid, acquisitive, competitive, delinquent, criminal, violent, warlike, brutal and tyrannous. Any external event that threatens or compromises the authority of our fragile and impaired Self is a source of fright and conflict. Our penchant for pleasure and terror of discomfort, challenge and pain stem from this dynamic. This is the reason soldiers cry out for their mothers at the moment of death in the trenches and on the battlefield. It is why the image of the female is so captivating, and why violence toward women is prevalent in history. It accounts for the over-sexualization of media and culture, for perversity, fetishism and fascination for womb symbols. It is the reason for child abuse, and explains our heinous desecration of nature and abominable treatment of animals. It explains the manufacture of supernatural gods and apollonian refuges where the cares of mortality cease. It accounts for our penchant for antihuman technology and our desire to build a sterile, post-psychological, post-philosophical dystopia in which we will not be troubled by emotions of any kind.
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Michael Tsarion (Dragon Mother: A New Look at the Female Psyche)
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Think Brutal.No need to be mean, just brutally honest—and avoid the partial truths while you’re at it. Ask those you interact with to do the same. People will be more focused, more positive, and more productive when they don’t have to guess what you’re thinking. Positive or negative, make honesty the basis of all interactions. You’ll avoid wasting valuable time and energy later.
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Ken Segall (Insanely Simple: The Obsession That Drives Apple's Success)
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You’re not her soulmate, asshole.” His eyes roll, finding my face. “I swear to God—” “You better hope God is on your side.” I lean in, making sure he can see just how fucking dark I’ll go. “Because the Devil’s on mine.
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S. Massery (Brutal Obsession)
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You—” smack “asshole—” smack “you—” smack “make me—” smack “CRAZY!
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S. Massery (Brutal Obsession)
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I notice my own flaws more than anyone’s—I can be cold and unwelcoming. Obsessive. Quick to get angry and slow to forgive. Worst of all, I’m easily annoyed.
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Sophie Lark (Broken Vow (Brutal Birthright, #5))
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You’re on birth control.” My jaw drops. “You’re just now thinking about that?” He shrugs. “I saw the pills in your bathroom once. But I’m not worried.” “Why not?” “If you get pregnant, that’s just another thing keeping us together.
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S. Massery (Brutal Obsession)
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You’re delusional.” “Am I?” He laughs. “Doesn’t matter how hard I fuck you, baby. I still hate your guts.” My chest tightens, and my eyes burn. Again. Shit.
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S. Massery (Brutal Obsession)
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My body will heal.” She meets my eyes. “Unless you’re planning on breaking me again.” I smile, too. I can’t help it. “When I break you, it won’t be your leg. Or your ribs. Or your vocal cords. It’s your mind I’m after, Violet. Your mind and your soul, because that black heart that beats behind your ribcage? That already belongs to me.
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S. Massery (Brutal Obsession)
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I didn't think I could even feel something like the things I feel for you. I didn't think there was enough good in me for it. And my love isn't something light and freeing, it’s obsessive and toxic, controlling and insatiable. But I feel it all for you.
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Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
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I don’t have to fucking like you to own you. There’s no affection between us. You’re mine. Your mouth is mine. Your cunt is mine. Every fucking thought that runs through your head belongs to me.
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S. Massery (Brutal Obsession)
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You don’t fucking own me.” He smiles. “No?” “No.” “We’ll see about that.” He straightens and backs away.
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S. Massery (Brutal Obsession)
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Do that tonight, and I’ll do whatever you want… until midnight. My cock stirs. Fuck. And if I don’t? Well, I guess we could try celibacy…
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S. Massery (Brutal Obsession)
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And me? I’m the worst fucking nightmare you could imagine.
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S. Massery (Brutal Obsession)
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I want to see you at your worst,” he replies. “And your best. And everything in between.
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S. Massery (Brutal Obsession)
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We got our dreams and each other.
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S. Massery (Brutal Obsession)
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Love is overrated. I want to torment her until she breaks.
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S. Massery (Brutal Obsession)
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This is what I want,” he breathes. “I didn’t know it until just now. But your fear is better than any drug. I thought I wanted to torment you. But now I just want this. Over and over again.
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S. Massery (Brutal Obsession)
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His hand slides out, and he brings his wet fingers up to his mouth.
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S. Massery (Brutal Obsession)
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He tastes me, and I freeze.
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S. Massery (Brutal Obsession)
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And he licks his fingers, cleaning them and seeming to enjoy
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S. Massery (Brutal Obsession)
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I take what I want, Violet. Remember that.
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S. Massery (Brutal Obsession)
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Come play with me, Violet.
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S. Massery (Brutal Obsession)
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I suppose I’ll go to the game. But I’ll only meet you after if you win,
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S. Massery (Brutal Obsession)
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I step back, ignoring the urge to carry her away now. That caveman instinct is going to get me in trouble. I’ve got to be patient.
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S. Massery (Brutal Obsession)
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Why do girls always go for the bad guy?
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S. Massery (Brutal Obsession)
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Even if you hadn’t come along, as you said…” He gets even closer. “Even then, we were destined to find each other.
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S. Massery (Brutal Obsession)
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See? You’re as bloodthirsty as me. Another reason why I love you.
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S. Massery (Brutal Obsession)
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If you don’t want people to see your awful kissing skills, you probably should stick to doing it in private. Or forget lips altogether and keep your mouth on a cock. Judging from the rest of the video, you do that well…
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S. Massery (Brutal Obsession)
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eye combination my mother always made a fuss about. Maybe that’s why my skin crawled every time someone commented on how attractive a couple we were. It was more a reflection on me than us. He lifts his hand and moves my hair off my forehead. The gesture is intimate, but I’m too stunned to stop him. He brushes his thumb over the scar on my temple. “I was worried about you. You wouldn’t let me see you in the hospital. Or after?” A sigh escapes before I can school my features into something a little more… regretful. “Well, I was embarrassed.” That’s a lie. I just didn’t want to face whatever the fuck emotional roller coaster I was riding the last six months. Seriously. My life went from normal to shit in a split second. Adding Jack—and the life that I thought I had, the one that seemed to go up in a puff of smoke when I woke up in the hospital—would’ve been more pain than I was ready to accept. “Violet!” I step away from Jack, ignoring his wounded expression, and turn to my other friends. Half the dance team is here, and they all crowd around me. Someone pulls at my coffee-stained blouse, and another swoops in to clean the floor where my cup dropped. I had forgotten, in my Jack-shock. “Lucky it wasn’t hot.” Willow nudges me. “Luck and I aren’t on speaking terms.” She visited faithfully every day while I was stuck in the hospital. Kept me sane, kept me looped in to the gossip. She’s the only one who knows what I went through, and I’m keeping it that way. I’m not in the habit of airing my dirty laundry—or my newfound nightmares. I’ve been plagued by bright lights, crunching metal, and snapping bones. She rolls her eyes at my luck comment. “You need to change. We’re taking you out.” Oh boy. My first instinct is to say no, but honestly? I could use a bit of normalcy. My therapist—the talk one, not the physical one—said something about getting back into a routine. Well, for the last two years, I’ve gone out with my girls on Friday nights. There’s nothing more normal than that. I’m actually looking forward to it. She leads the way to the bedroom I haven’t been in since… before. She steps aside and lets me do the honors. Opening the door is like cracking into a time capsule. Fucking devastating. Willow stands behind me, her hand on my shoulder, as I stare around at the remnants of the person I used to be. If I wasn’t aware of how different I was after six months away, I am now. Mentally, physically. There are still clothes that I left on the floor. My chair is pulled out and covered in clothes. There’s a pile of books that I had planned to conquer over the summer in the center of the desk. My bed is made. “I kept the door open
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S. Massery (Brutal Obsession)
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We mix our blood and saliva and love together.
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S. Massery (Brutal Obsession)
S. Massery (Brutal Obsession)
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Yes. I almost say it out loud. I want another thing binding us together. And what’s better than blood? I love that he knows it automatically. That he followed my line of thinking all the way through my fucked-up mind and ended up with the same conclusion.
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S. Massery (Brutal Obsession)
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She swallows. Her throat works, and she kisses the tip of my dick when she straightens back up. She’s definitely the first person to do that. I choke on my laugh.
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S. Massery (Brutal Obsession)
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Sometimes I think we’ll never be close enough,” I admit softly. “Is that strange?
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S. Massery (Brutal Obsession)
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I think I know what you want,” he says. “You want my blood and yours. Together.
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S. Massery (Brutal Obsession)
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I want to spend the rest of my life pulling Violet apart piece by piece, inspecting how she works, how she was made, and then putting her back together again.
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S. Massery (Brutal Obsession)
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He’s letting his demons out. Showing me that I can bare mine, too.
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S. Massery (Brutal Obsession)
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God, I couldn’t have predicted how obsessed I’d be with her. How much I’d enjoy all of what she gives me. Even the irritating parts.
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S. Massery (Brutal Obsession)
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meant it when I said I loved her, but it’s terrifying, too. I felt, in that moment, like I was offering my heart out for her to do with what she pleased.
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S. Massery (Brutal Obsession)
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But she didn’t stomp on it. She looked scared, and I can fucking relate to that. I didn’t want to tell her I’m terrified.
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S. Massery (Brutal Obsession)