Cabin In The Woods Quotes

We've searched our database for all the quotes and captions related to Cabin In The Woods. Here they are! All 100 of them:

We can't..." he told me. "I know," I agreed. Then his mouth was on mine again, and this time, I knew there would be no turning back. There were no walls this time. Our bodies wrapped together as he tried to get my coat off, then his shirt, then my shirt. ... It really was a lot like when we'd fought out on the quad earlier-that same passion and heat. I think at the end of the day, the instincts that power fighting and sex aren't so different. They all come from an animal side of us. Yet, as more and more clothes came off, it went beyond just animal passion. It was sweet and wonderful at the same time. When I looked into his eyes, I could see without a doubt that he loved me more than anyone else in the world, that I was his salvation, the same way that he was mine. I'd never expected my first time to be in a cabin in the woods, but I realized the place didn't matter. The person did. With someone you loved, you could be anywhere, and it would be incredible. Being in the most luxurious bed in the world wouldn't matter if you were with someone you didn't love.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
I'd never expected my first time to be in a cabin in the woods, but I realized the place didn't matter. The person did. With someone you loved, you could be anywhere, and it would be incredible. Being in the most luxurious bed in the world wouldn't matter if you were with someone you didn't love.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
... home was not just a cabin in a deep woods that overlooked a placid cove. Home was a state of mind, the peace that came from being who you were and living an honest life.
Kristin Hannah (The Great Alone)
Nothing is more often misdiagnosed than our homesickness for Heaven. We think that what we want is sex, drugs, alcohol, a new job, a raise, a doctorate, a spouse, a large-screen television, a new car, a cabin in the woods, a condo in Hawaii. What we really want is the person we were made for, Jesus, and the place we were made for, Heaven. Nothing less can satisfy us.
Randy Alcorn (Heaven: A Comprehensive Guide to Everything the Bible Says About Our Eternal Home)
...invite a person to a log cabin in the woods for a weekend. The true personality emerges every time.
Anne LaBastille (Woodswoman I: Living Alone in the Adirondack Wilderness)
You have grudged the very fire in your house because the wood cost overmuch!" he cried. "You have grudged life. To live cost overmuch, and you have refused to pay the price. Your life has been like a cabin where the fire is out and there are no blankets on the floor." He signaled to a slave to fill his glass, which he held aloft. "But I have lived. And I have been warm with life as you have never been warm. It is true, you shall live long. But the longest nights are the cold nights when a man shivers and lies awake. My nights have been short, but I have slept warm
Jack London (To Build a Fire and Other Stories)
It’s never a nice cottage in the woods. If I ever find a witch with a house made of sweets, I’ll give her a hug.
Rebecca Crunden (The Man and the Crow (Enlil & Aris #1))
if you're a teenaged babysitter caring for a mute toddler in a remote Maine cabin during a once-in-a-century blizzard while and escaped killers (bearing a strange resemblance to the handicapped boy you and your friends bulled of an embankment and left for dead all those years ago) roams the woods, you're probably in a horror movie.
Seth Grahame-Smith (How to Survive a Horror Movie (How to Survive))
Back in the cabin I light the fire and sit sighing and there are leaves skittering on the tin roof, it's August in Big Sur --- I fall asleep in the chair and when I wake up I'm facing the thick little tangled woods outside the door and I suddenly remember them from long ago
Jack Kerouac (Big Sur)
If ever you have had a romantic, uncalculating friendship, - a boundless worship and belief in some hero of your soul, - if ever you have so loved, that all cold prudence, all selfish worldly considerations have gone down like drift-wood before a river flooded with new rain from heaven, so that you even forgot yourself, and were ready to cast your whole being into the chasm of existence, as an offering before the feet of another, and all for nothing, - if you awoke bitterly betrayed and deceived, still give thanks to God that you have had one glimpse of heaven. The door now shut will open again. Rejoice that the noblest capability of your eternal inheritance has been made known to you; treasure it, as the highest honor of your being, that ever you could so feel, -that so divine a guest ever possessed your soul.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Because every minute spent pining for that cabin in the woods is a minute lost on creating something beautiful in the actual life you are living.
Ashlee Gadd (Create Anyway: The Joy of Pursuing Creativity in the Margins of Motherhood)
People open shops in order to sell things, they hope to become busy so that they will have to enlarge the shop, then to sell more things, and grow rich, and eventually not have to come into the shop at all. Isn't that true? But are there other people who open a shop with the hope of being sheltered there, among such things as they most value - the yarn or the teacups or the books - and with the idea only of making a comfortable assertion? They will become a part of the block, a part of the street, part of everybody's map of the town, and eventually of everybody's memories. They will sit and drink coffee in the middle of the morning, they will get out the familiar bits of tinsel at Christmas, they will wash the windows in spring before spreading out the new stock. Shops, to these people, are what a cabin in the woods might be to somebody else - a refuge and a justification.
Alice Munro (Carried Away: A Personal Selection of Stories)
Back in the day, I had this plan for the off chance that I was around for the whole end-of-the-world business. It involved climbing up on my roof and blasting R.E.M.’s “It’s the End of the World as We Know It (And I Feel Fine),” but real life never turns out that cool. It was happening—everything about the world as we knew it was ending, and it sure as hell did not feel fine. Opening my eyes, I inched back the flimsy white curtain. I peered outside, beyond the porch and the cleared yard, into the thick woods surrounding the cabin Luc had stashed in the forests of Coeur d’Alene, a city in Idaho I couldn’t even begin to pronounce or spell.
Jennifer L. Armentrout (Opposition (Lux, #5))
They entered the wild country. Broken fences. Ruined castles. Stretches of bogland. Wooded headlands. Turfsmoke rose from cabins, thin and mean. On the muddy paths, they glimpsed moving rags. The rags seemed more animate than the bodies within. As they passed, the families regarded them. The children appeared marooned with hunger.
Colum McCann (TransAtlantic)
He dreamed that he and Elvira Campos lived together in a cabin in the mountains. The cabin didn't have electricity or running water or anything to remind them of civilization. The slept on bearskin, with a wolf skin over them. And sometimes Elvira Campos laughed, a ringing laugh, as she went running into the woods and he lost sight of her.
Roberto Bolaño (2666)
Maybe that proves I was right about books and people: books are fantastic and probably come into their own in a cabin in the woods, but how fun is it to read a fantastic book if you can’t tell others about it, talk about it, quote from it constantly?
Katarina Bivald (The Readers of Broken Wheel Recommend)
The cabin in the woods is to the American Gothic what the haunted castle is to the European - the seed from which everything else ultimately grows.
Bernice M. Murphy (The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness)
Dear god what if you are a cabin in the woods?
Nils-Øivind Haagensen (God morgen og god natt)
He’s taking you to a cabin in the woods. What is this, a horror movie?” “You wouldn’t say that if you knew him.” “Really?” “Look, I said I was sorry. And I am. I should’ve been here at nine.
Ana Reyes (The House in the Pines)
Think of all the requirements writers imagine for themselves: A cabin in the woods A plain wooden table Absolute silence A favorite pen A favorite ink A favorite blank book A favorite typewriter A favorite laptop A favorite writing program A large advance A yellow pad A wastebasket A shotgun The early light of morning The moon at night A rainy afternoon A thunderstorm with high winds The first snow of winter A cup of coffee in just the right cup A beer A mug of green tea A bourbon Solitude Sooner or later the need for any one of these will prevent you from writing. Anything you think you need in order to write— Or be “inspired” to write or “get in the mood” to write— Becomes a prohibition when it’s lacking. Learn to write anywhere, at any time, in any conditions, With anything, starting from nowhere. All you really need is your head, the one indispensable
Verlyn Klinkenborg (Several Short Sentences About Writing)
[Thoreau's] famous night in jail took place about halfway through his stay in the cabin on Emerson's woodlot at Walden Pond. His two-year stint in the small cabin he built himself is often portrayed as a monastic retreat from the world of human affairs into the world of nautre, though he went back to town to eat with and talk to friends and family and to pick up money doing odd jobs that didn't fit into Walden's narrative. He went to jail both because the town jailer ran into him while he was getting his shoe mended and because he felt passionately enough about national affairs to refuse to pay his tax. To be in the woods was not to be out of society or politics.
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
Sometimes, Laura World wasn't a realm of log cabins or prairies, it was a way of being. Really, a way of being happy. I wasn't into the flowery sayings, but I was nonetheless in love with the idea of serene rooms full of endless quiet and time, of sky in the windows, of a life comfortably cluttered and yet in some kind of perfect feng shui equilibrium, where all the days were capacious enough to bake bread and write novels and perambulate the wooded hills deep in thought (though truthfully, I'd allow for the occasional Rose-style cocktail party as well).
Wendy McClure (The Wilder Life: My Adventures in the Lost World of Little House on the Prairie)
The happier ending is Twin Peaks is still out there. Waiting, watchful, alive. Haunted, full of shivers and delights, a candle glimpsed in a log cabin window, while passing through a few and darkening wood. Some dreams survive.
Mark Frost (The Secret Diary of Laura Palmer)
That’s the ultimate anonymity. Me in a cabin in the woods somewhere. I imagine I’ll go to town once a week for groceries, make small talk with pleasant people that I will never get any closer to, and then go home.” “It sounds lonely,” he said. In the back of his head, he wondered if she didn’t have the right idea. “You can be lonely in a room full of people. And perfectly content in a cabin by yourself. It all depends on what you’re looking for in life.
B.E. Sanderson (Accidental Death: A Dennis Haggarty Mystery)
We’ve already figured it out. The solution is isolating me in a cabin in the woods and making sure I never use my magic around people I care about. Making sure my magic never even knows there are people I care about. That’s the solution
Rachel Griffin (The Nature of Witches)
I encountered a glowing green raccoon riding a neon orange motorcycle at my cabin in the woods of northern California around midnight one night in 1985. The raccoon proceeded to metamorphose into a singing dolphin at the stroke of midnight.
Kary Mullis
It was like that hush of spirit which we feel amid the bright, mild woods of autumn, when the bright hectic flush is on the trees, and the last lingering flowers by the brook; and we joy in it all the more, because we know that soon it will all pass away. The
Harriet Beecher Stowe (Uncle Tom's Cabin)
A tiny spark in the dry desert wood can grow to a blaze and run wild, burning bright orange and red. It devours the land and exhales thick black smoke that overtakes the sky, dimming the sun for miles, ash falling like snow. Habitats—brush and shrubs and trees—and homes—cabins and mansions and bungalows, ranches and vineyards and farms—go up in smoke and leave behind a scorched earth. But that land is young once again, ready to grow something new. Destruction. And renewal, rising from the ashes. The story of fire. •
Taylor Jenkins Reid (Malibu Rising)
Fireworks exploded to life overhead: Hercules killing the Nemean lion, Artemis chasing the boar, George Washington (who, by the way, was a son of Athena) crossing the Delaware. ‘Hey, Grover,’ I called. He turned at the edge of the woods. ‘Wherever you’re going – I hope they make good enchiladas.’ Grover grinned, and then he was gone, the trees closing around him. ‘We’ll see him again,’ Annabeth said. I tried to believe it. The fact that no searcher had ever come back in two thousand years… well, I decided not to think about that. Grover would be the first. He had to be. July passed. I spent my days devising new strategies for capture-the-flag and making alliances with the other cabins to keep the banner out of Ares’s hands. I got to the top of the climbing wall for the first time without getting scorched by lava. From time to time, I’d walk past the Big House, glance up at the attic windows and think about the Oracle. I tried to convince myself that its prophecy had come to completion. You shall go west, and face the god who has turned. Been there, done that – even though the traitor god had turned out to be Ares rather than Hades.
Rick Riordan (Percy Jackson and the Lightning Thief (Percy Jackson, #1))
Your Kentuckian of the present day is a good illustration of the doctrine of transmitted instincts and peculiarities. His fathers were mighty hunters, - men who lived in the woods, and slept under the free, open heavens, with the stars to hold their candles; and their descendant to this day always acts as if the house were his camp, - wears his hat at all hours, tumbles himself about, and puts his heels on the tops of chairs or mantel-pieces, just as his father rolled on the green sward, and put his upon trees or logs, - keep all the windows and doors open, winter and summer, that he may get air enough for his great lungs, - calls everybody "stranger", with nonchalant bonhommie, and is altogether the frankest, easiest, most jovial creature living.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Mystic The air is a mill of hooks - Questions without answer, Glittering and drunk as flies Whose kiss stings unbearably In the fetid wombs of black air under pines in summer. I remember The dead smell of sun on wood cabins, The stiffness of sails, the long salt winding sheets. Once one has seen God, what is the remedy? Once one has been seized up Without a part left over, Not a toe, not a finger, and used, Used utterly, in the sun’s conflagrations, the stains That lengthen from ancient cathedrals What is the remedy? The pill of the Communion tablet, The walking beside still water? Memory? Or picking up the bright pieces of Christ in the faces of rodents, The tame flower- nibblers, the ones Whose hopes are so low they are comfortable - The humpback in his small, washed cottage Under the spokes of the clematis. Is there no great love, only tenderness? Does the sea Remember the walker upon it? Meaning leaks from the molecules. The chimneys of the city breathe, the window sweats, The children leap in their cots. The sun blooms, it is a geranium. The heart has not stopped.
Sylvia Plath (The Collected Poems)
My parents kept a small cabin the mountains. It was a simple thing, just four walls, and very dark inside. A heavy felt curtain blotted out whatever light made it through the canopy of huge pines and down into the cabin's only window. There was a queen-size bed in there, an armchair, and a wood-burning stove. It wasn't an old cabin. I think my parents built it in the seventies from a kit. In a few spots the wood beams were branded with the word HOME-RITE. But the spirit of the place me think of simpler times, olden days, yore, or whenever it was that people rarely spoke except to say there was a store coming or the berries were poisonous or whatnot, the bare essentials. It was deadly quiet up there. You could hear your own heart beating if you listened. I loved it, or at least I thought I ought to love it - I've never been very clear on that distinction.
Ottessa Moshfegh (Homesick for Another World)
His chief form of entertainment was reading. The last moments he was in a cabin were usually spent scanning bookshelves and nightstands. The life inside a book always felt welcoming to Knight. It pressed no demands on him, while the world of actual human interactions was so complex. Conversations between people can move like tennis games, swift and unpredictable. There are constant subtle visual and verbal cues, there's innuendo, sarcasm, body language, tone. Everyone occasionally fumbles an encounter, a victim of social clumsiness. It's part of being human. To Knight, it all felt impossible. His engagement with the written word might have been the closest he could come to genuine human encounters. The stretch of days between thieving raids allowed him to tumble into the pages, and if he felt transported he could float in bookworld, undisturbed, for as long as he pleased.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
Edward Abbey said you must "brew your own beer; kick in your Tee Vee; kill your own beef; build your own cabin and piss off the front porch whenever you bloody well feel like it.
Bernd Heinrich (A Year in the Maine Woods)
I was at Hollow’s Grove. My father couldn’t touch me. Couldn’t punish me when I disobeyed him on the weekends he brought me to his cabin.
Harper L. Woods (The Coven (Coven of Bones, #1))
The sanatorium itself was charming, a group of cabins in the woods, a place for overworked urbanites to feel pleasantly melancholic. A slackertorium.
Keith Gessen (All the Sad Young Literary Men)
The air smelled like the inside of the cabins at the summer camp in Maine: must from the off-season, wet wood and mold, bug spray and sunscreen, sunshine and sweaty kids. The essence of summertime.
Jennifer Weiner (Big Summer)
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
Everything was white. The pale wood floor. The white velvet sofa. The long raw-silk curtains. The flawless walls. It was spectacularly impractical for a public vessel–deliberately so, I had to assume.
Ruth Ware (The Woman in Cabin 10 (Lo Blacklock, #1))
Every night we stopped in a cabin where wood had been stacked, matches left, and canned goods laid out for the chance traveler. All the unknown host received in return was a scribbled note giving our thanks, any news we could think of, and our names. This whole system of northern hospitality was a gigantic chain, for while we were eating this man’s beans, he was undoubtedly farther up the trail, eating somebody else’s.
Benedict Freedman (Mrs. Mike (Mrs. Mike, #1))
Somewhere along the line the American love affair with wilderness changed from the thoughtful, sensitive isolationism of Thoreau to the bully, manly, outdoorsman bravado of Teddy Roosevelt. It is not for me, as an outsider, either to bemoan or celebrate this fact, only to observe it. Deep in the male American psyche is a love affair with the backwoods, log-cabin, camping-out life. There is no living creature here that cannot, in its right season, be hunted or trapped. Deer, moose, bear, squirrel, partridge, beaver, otter, possum, raccoon, you name it, there's someone killing one right now. When I say hunted, I mean, of course, shot at with a high-velocity rifle. I have no particular brief for killing animals with dogs or falcons, but when I hear the word 'hunt' I think of something more than a man in a forage cap and tartan shirt armed with a powerful carbine. In America it is different. Hunting means 'man bonding with man, man bonding with son, man bonding with pickup truck, man bonding with wood cabin, man bonding with rifle, man bonding above all with plaid'.
Stephen Fry (Stephen Fry in America)
now would be great exercise.” But Kennie wasn’t listening. She ping-ponged over to the sectional couch with the rust-colored, cabin-in-the-woods pattern, where she fell face down into the nappy cloth. She twitched and wriggled
Jess Lourey (August Moon: Humor and Hijinks (Murder-by-Month Mystery, #4))
Small change of plan. One of the counselors got sick. He’s going to be delayed by a day or two. I need you to sub in until he gets here.” “What?” Nate said, blinking. “It’s the Jackals, cabin 12. The kids are nine years old. You’ll be working with Dylan and staying in that cabin until the other counselor gets here. Can you go join him over at that table when you’re done eating?” “Oh no,” he whispered dryly. “No. How did everything fall apart so quickly?
Maureen Johnson (The Box in the Woods (Truly Devious, #4))
An Encounter with the Man-Eating Savages of Ahwoo-Ahwoo, as Told by the Cabin Boy and Sole Survivor of a Gruesomely Failed Seafaring Expedition Through Parts Unknown: Absolutely Not to Be Read by Children Under Any Circumstances, and That Means You,
Maryrose Wood (The Unseen Guest (The Incorrigible Children of Ashton Place, #3))
The smile that curled his lips was as arrogant as it was beautiful. “You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me. “I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?” Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—” He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.” “You said you would help me,” I whispered. He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.” I looked away. “Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.” His finger caught the stretched-out collar of my shirt and gave it a tug. “Stop it.” I was proud of how steady my voice was. As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine. “I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…” My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out. “Ruby! Wait, I didn’t mean—!” A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her. “Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Take me away to a Deep-wood cabin; Hide me from these Carbon skies. Bring me back my Paper boats; Save me from these Virtual highs. Show me all the Hippie trails; Rid me of these Dollar-sign eyes. Help me recall my Childhood laugh; Make me forget these Urban lies.
Akash Mandal
Murder is a high-pressure squad and a small one, only twenty permanent members and under any added strain (anyone leaving, anyone new, too much work, too little work), it tends to develop a tinge of cabin-fevery hysteria, full of complicated alliances and frantic rumors.
Tana French (In the Woods (Dublin Murder Squad, #1))
Alice haunted the mossy edge of the woods, lingering in patches of shade. She was waiting to hear his Austin-Healey throttle back when he careened down the utility road separating the state park from the cabins rimming the lake, but only the whistled conversation of buntings echoed in the branches above. The vibrant blue males darted deeper into the trees when she blew her own 'sweet-sweet chew-chew sweet-sweet' up to theirs. Pine seedlings brushed against her pants as she pushed through the understory, their green heads vivid beneath the canopy. She had dressed to fade into the forest; her hair was bundled up under a long-billed cap, her clothes drab and inconspicuous. When at last she heard his car, she crouched behind a clump of birch and made herself as small as possible, settling into a shallow depression of ferns and leaf litter.
Tracy Guzeman (The Gravity of Birds)
never seen real darkness, not in the city, but how, if you stood peeing off the cabin porch on a moonless night, or took a walk through the woods where the treetops stitched out the stars, you could almost forget you were there, you felt invisible. Country dark, his mother called it.
Tom Franklin (Crooked Letter, Crooked Letter)
After Nikki left, I was alone in the woods again, which I love. I wasn't sure if I could be someone who lived in a cabin by themselves in the middle of the forest for months, but turns out, I very much am and it may be necessary in order for me to get to the bottom of my own brain. I had to be isolated, I had to not be something to someone or someone to something. I'd exhausted myself, trying with all of me to figure out what was wrong, running from one place to the next, fooling myself into thinking I could find it. But the answer was in the silence, the answer would only come when I chose to listen.
Elliot Page (Pageboy)
That afternoon she was wearing a yellow dress the same shade as her hair, and again his throat tightened when he saw her, and again he could not speak. But when the first moment passed and words came, it was all right, and their thoughts flowed together like two effervescent brooks and coursed gaily through the arroyo of the afternoon. This time when they parted, it was she who asked, "Will you be here tomorrow?"—though only because she stole the question from his lips—and the words sang in his ears all the way back through the woods to the cabin and lulled him to sleep after an evening spent with his pipe on the porch.
Robert F. Young (The Dandelion Girl)
Yes, it’s too much to ask,” Alexander said when he returned with no ice (“Tomorrow”) but with an ax, a hammer and nails, a saw, a wood plane, and a kerosene-burning Primus stove. “I didn’t marry you so we could go over there every night.” He laughed. “You invited them inside? That’s very brave of you, my wife. Did you at least make the bed before they came in?” He laughed harder. Tatiana was sitting down on the cool iron hearth, shaking her head. “You’re just impossible.” “I’m impossible? I’m not going there for dinner, forget it. Why don’t you just invite them here afterward then, for the post-dinner vaudeville—” “Vaudeville?” “Never mind.” He dropped all of his goods on the floor in the corner of the cabin. “Invite them here for the entertainment hour. Go ahead. As I make love to you, they can walk around the hearth, clucking to their hearts’ content. Naira will say, ‘Tsk, tsk, tsk. I told her to go with my Vova. I know he could do it better.’ Raisa will want to say, ‘Oh, my, oh, my,’ but she’ll be shaking too much. Dusia will say, ‘Oh, dear Jesus, I prayed to You to spare her from the horrors of the marriage bed!’ And Axinya will say—” “‘Wait till I tell the whole village about his horrors,’” said Tatiana. Alexander laughed and then went to the water to swim.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Still, I did not regret for a moment leaving the bright lights of Manhattan behind in favour of night skies so dark the stars seemed close enough to be street lights. In the recycled cabin air of the long flight back, I physically longed for Rwanda, its rich red earth, the smell of its wood fires and its vibrant humanity.
Roméo Dallaire (Shake Hands with the Devil)
The trouble with Hemingway’s cabin in the woods is that it’s a cabin and it’s in the woods. The Beatles didn’t get good by renting a self-storage garage in the boonies and doing their ten thousand hours in solitude. There seems to be an audience component to getting good, even if the audience happens to be in a Hamburg strip club. Yes, young writers need to log long hours with their tools, but once their solitary work’s done, they need to talk and compare notes with other apprentices, as well as mentors. With others, they need to test their sense of what’s working and what isn’t. Hearing even drunken applause is important; it helps you keep going.
Richard Russo (The Destiny Thief: Essays on Writing, Writers and Life)
M-m-master, when I was on the Quasar I had a paracoita, a doll, you see, a genicon, so beautiful with her great pupils as dark as wells, her i-irises purple like asters or pansies blooming in summer, Master, whole beds of them, I thought, had b-been gathered to make those eyes, that flesh that always felt sun-warmed. Wh-wh-where is she now, my own scopolagna, my poppet? Let h-h-hooks be buried in the hands that took her! Crush them, master, beneath stones. Where has she gone from the lemon-wood box I made for her, where she never slept at all, for she lay with me all night, not in the box, the lemon-wood box where she waited all day, watch-and-watch, Master, smiling when I laid her in so she might smile when I drew her out. How soft her hands were, her little hands. Like d-d-doves. She might have flown with them about the cabin had she not chosen instead to lie with me. W-w-wind their guts about your w-windlass, snuff their eyes into their mouths. Unman them, shave them clean below so their doxies may not know them, their lemans may rebuke them, leave them to the brazen laughter of the brazen mouths of st-st-strumpets. Work your will upon those guilty. Where was their mercy on the innocent? When did they tremble, when weep? What kind of men could do as they have done—thieves, false friends, betrayers, bad shipmates, no shipmates, murderers and kidnappers. W-without you, where are their nightmares, where are their restitutions, so long promised? Where are their abacinations, that shall leave them blind? Where are the defenestrations that shall break their bones, where is the estrapade that shall grind their joints? Where is she, the beloved whom I lost?
Gene Wolfe (The Shadow of the Torturer (The Book of the New Sun, #1))
You shouldn’t come here alone, nekanoh.” Startled, she turned. Red Shirt stood behind her, his hazel eyes on her and everything else at once. Was he remembering how she’d nearly drowned? “Nekanoh?” She echoed the strange word back to him. “It means ‘friend’ in Shawnee.” Did he say that to soothe her, in case she felt frightened alone with him? Standing on the bank beside him, she was struck by how tall he was. Why, she didn’t even reach his shoulder. Even outdoors he was physically imposing, dominating the woods as well as the cabin. “I didn’t hear you,” she said, then flushed at her foolishness. It was his habit not to be heard. A flicker of amusement seemed to lighten his intensity. “I know. I’ve followed you since you left the barn.
Laura Frantz (Courting Morrow Little)
I took her hands in both of mine. “Darlin’, what happened in those woods does not define the rest of your life. People might look at you and say, ‘There’s that woman that was taken to the cabin in Kentucky.’ But God doesn’t look at you that way. He says, ‘There’s my daughter. There’s my spotless bride that my Son died for.’ What happened out there does not have to follow you.
Chris Fabry (Almost Heaven)
Naomi: ‘And when we die we become an onion, a cabbage, a carrot, or a squash, a vegetable.’ I come downtown from Columbia and agree. She reads the Bible, thinks beautiful thoughts all day. ‘Yesterday I saw God. What did he look like? Well, in the afternoon I climbed up a ladder—he has a cheap cabin in the country, like Monroe, N.Y. the chicken farms in the wood. He was a lonely old man with a white beard. ‘I cooked supper for him. I made him a nice supper—lentil soup, vegetables, bread & butter—miltz—he sat down at the table and ate, he was sad. ‘I told him, Look at all those fightings and killings down there, What’s the matter? Why don’t you put a stop to it? ‘I try, he said—That’s all he could do, he looked tired. He’s a bachelor so long, and he likes lentil soup.
Allen Ginsberg (Kaddish and Other Poems)
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
Jason grins. “I’d never miss your birthday. Remember last year?” “Ugh! I thought I’d never thaw out after we went skiing in a blizzard. We were stranded for three days in that cabin we found in the woods.” “Aw, come on, you didn’t even get frostbite. I took care of you.” “At least I didn’t end up with any broken limbs. That time.” “I still can’t believe we went snow-boarding on East Pillar Mountain Loop. That’s a tough trail, and then you broke your arm slipping in the parking lot on the way to the truck.” My muscles were exhausted, and carrying my board on my shoulder, I wasn’t watching where I was going. I didn’t see the patch of ice. “Remember when you took me spelunking?” “I had no idea that bear was in there.” “I can’t remember ever being that scared.” “But it was fun! Come on. We can’t break tradition.
Rita J. Webb (Playing Hooky (Paranormal Investigations, #1))
Many of the domestic violence survivors had to work jobs an hour away from where they lived to save money to buy generators. That way they could move into cabins in the middle of the woods and not have any bills so their exes couldn't find them. Before living off the grid was an environmentally friendly, small-footprint thing or something that right-wing Armageddon preppers did, battered women were already doing it. For them, the apocalypse was every day.
Kathleen Hanna (Rebel Girl: My Life as a Feminist Punk)
I really doubt my parents are going to let me stay the night in a remote cabin with a bunch of boys.” “Oh, please, Snow White, Mike’s dad’ll be there. He’s actually kinda funny…you know, in a weird dad kind of way. Don’t worry, your purity will remain intact. Scout’s honor.” She made some sort of gesture with her fingers that Violet assumed was supposed to be an oath, but since Chelsea had never actually been a Girl Scout, it ended up looking more like a peace sign. Or something. Violet maintained her dubious expression. But Chelsea wasn’t about to be discouraged, and she tried to be the voice of reason. “Come on, I think Jay’s checking to see if he can get the time off work. The least you can do is ask your parents. If they say no, then no harm, no foul, right? If they say yes, then we’ll have a kick-ass time. We’ll go hiking in the snow and hang out in front of the fireplace in the evening. We’ll sleep in sleeping bags and maybe even roast some marshmallows. It’ll be like we’re camping.” She beamed a superfake smile at Violet and clasped her hands together like she was begging. “Do it for me. Ple-eease.” Jules came back with their milk shake. It was strawberry, and Chelsea flashed Violet an I-told-you-so grin. Violet finished her tea, mulling over the idea of spending the weekend in a snowy cabin with Jay and Chelsea. Away from town. Away from whoever was leaving her dead animals and creepy notes. It did sound fun, and Violet did love the snow. And the woods. And Jay. She could at least ask. Like Chelsea said, No harm, no foul.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Think of the future, she whispers. Jumbled images in primary colours. White and red swastika flags waving in the wind; gleaming rockets flying into the air; skyscrapers rise above the Danube, the Thames, the Volga and the Rhine, blond children play under a bright African sun, their uniforms ironed to perfection by their servant-slaves nearby, modern women work at factories assembling Volkswagens, in the mountains in a wood cabin Maria and Erich and their three children go on a skiing holiday, laughing, holding hands…
Lavie Tidhar (The Violent Century)
Looking at them now as folks chased in and out, getting ready, it was hard for Cora to image a time when the fourteen cabins hadn't been there. For all the wear, the complaints from deep in the wood at every step, the cabins had the always-quality of the hills to the west, of the creek that bisected the property. The cabins radiated permanence and in turn summed timeless feelings in those who lived and died in them: envy and spite. If they'd left more space between the old cabins and the new cabins it would have spared a lot of grief over the years.
Colson Whitehead (The Underground Railroad)
Yesterday I saw God. What did he look like? Well, in the afternoon I climbed up a ladder—he has a cheap cabin in the country, like Monroe, N.Y. the chicken farms in the wood. He was a lonely old man with a white beard. ‘I cooked supper for him. I made him a nice supper—lentil soup, vegetables, bread & butter—miltz—he sat down at the table and ate, he was sad. ‘I told him, Look at all those fightings and killings down there, What’s the matter? Why don’t you put a stop to it? ‘I try, he said—That’s all he could do, he looked tired. He’s a bachelor so long, and he likes lentil soup.
Allen Ginsberg (KADDISH. For Naomi Ginsberg, 1894-1956. With Two Other Related Poems WHITE SHROUD and BLACK SHROUD. Limited Edition.)
They turned a corner and there ahead of them was the end of the passage. Another short flight of steps led to a door just like the one hidden behind Ariana’s portrait. Neville pushed it open and climbed through. As Harry followed, he heard Neville call out to unseen people: “Look who it is! Didn’t I tell you?” As Harry emerged into the room beyond the passage, there were several screams and yells: “HARRY!” “It’s Potter, it’s POTTER!” “Ron!” “Hermione!” He had a confused impression of colored hangings, of lamps and many faces. The next moment, he, Ron, and Hermione were engulfed, hugged, pounded on the back, their hair ruffled, their hands shaken, by what seemed to be more than twenty people: They might just have won a Quidditch final. “Okay, okay, calm down!” Neville called, and as the crowd backed away, Harry was able to take in their surroundings. He did not recognize the room at all. It was enormous, and looked rather like the interior of a particularly sumptuous tree house, or perhaps a gigantic ship’s cabin. Multicolored hammocks were strung from the ceiling and from a balcony that ran around the dark wood-paneled and windowless walls, which were covered in bright tapestry hangings: Harry saw the gold Gryffindor lion, emblazoned on scarlet;
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
had found the only hippie-opera-singer-dream-cabin-in-the-woods in Westchester! It was perfection, and I knew exactly what to do to bring it to life. I took it on like I was an interior designer on one of those makeover shows. I picked out and paid for every piece of brand-new furniture, all the knickknacks and accouterments. I chose every detail, from light fixtures to paint colors, all in “Pat’s palette.” I hung wooden flower boxes outside and filled them with romantic wildflowers. I got photo prints made of her Irish family members and Irish crests, had them mounted and framed, and hung them ascending the wall along the staircase.
Mariah Carey (The Meaning of Mariah Carey)
Wait, you said one. Does that mean there’s a two? And does this two have anything to do with why your brother and Noah are crashing our anniversary?” Atticus rolled his eyes. “They’re not, I promise. I just needed them to…babysit your present.” “Babysit my present?” Jericho repeated slowly. Atticus grinned. “You’ll see.” Jericho studied Atticus’s face. “Did you, like, adopt a baby without telling me? I think we’ve already got a full house at home.” “Yes, I adopted an infant and asked my brother and his fiancé to drive it out to the middle of the woods so I could present it to you in our murder cabin as a surprise.” When Jericho continued to stare, Atticus laughed.
Onley James (Moonstruck (Necessary Evils, #3))
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.
Hilary Duff (Elixir (Elixir, #1))
Gregory was in the walls, in the crawl space between the board floor of the cabin and the bitter ground. He was gone, but he was everywhere. He was on the small pantry shelf where canning was removed. The air of the cabin still held Gregory. He filled and expanded every dark corner, tight, to exploding. He was jammed between her legs so that no matter how she moved, he was inside of Agnes. She couldn't shake him from her vestments or burn him from the stove. He nested in the books, of course. She couldn't stand to touch their pages. He was in the sweet, fragrant wood Mary Kashpaw chopped, split, and piled. In the cloth of curtains, the clasp of doors, he waited. She turned the handle, let the light in, and he came, too, solid and good and alive.
Louise Erdrich (The Last Report on the Miracles at Little No Horse)
As she hurried on deck, her mind was awhirl. All that time that Mr. Grayson had been touching her, teasing her…she’d been consorting with a pirate. If he had the slightest inkling that she carried hundreds of pounds beneath her stays, he’d surely stop at nothing to get it. And yet, she could not bid caution to overtake the gothic thrill. For Heaven’s sake, a pirate. She could be in danger, she admonished herself. She could be plundered. The possibility really ought to have frightened her more than it did. Perhaps she could not escape the man, but she had to tamp down this response he incited in her. There was only one thing for it. She would go to her cabin and sketch. Something simple, innocent. Rosebuds, apples, blocks of wood. Anything but him.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Wings. Ryker had fucking wings. Big leathery wings like a bat but with a deep gray-green coloring. I fell backwards onto the floor of the loft, my ass hitting the wood but my eyes staying locked on Ryker. A comment from my second day here surfaced. Something about not wearing shirts because they got in the way. No fucking wonder they got in the way if he could pop out a pair of wings. The thin membrane that stretched to allow light through it was a lighter, paler gray than the rest, snagging on whatever breeze the morning brought with it and tempting Ryker to open them up wider to catch the wind. They were big enough to that he'd have to duck down quite a bit to even attempt entering the doorway of the cabin, even if he had them tucked in tight to his back.
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
A CANINE EULOGY TO THE TITANIC: The ship’s log says that twelve dogs boarded The Titanic Airedales a King Charles Spaniel Fox Terrier Chow Chow a Poodle French Bulldog Great Dane a Newfoundland. Two Pomeranians and a Pekingese were smuggled off in lifeboats concealed in blankets a Scottish Deerhound de-boarded moments before leaving port the captain returning the dog to his young daughter. One woman lived the rest of her life haunted by the memory of her Poodle clinging to her pajamas as she left her cabin. The rip of fabric. The panicked cry. The scritch of nails on the wood of the cabin door. Another left a lifeboat after being told her Great Dane was too large to be permitted to join her. Their bodies were found, days later. The woman frozen, still clutching her dog. Who made the right choice?
Sassafras Patterdale (With Me)
After we've stuffed ourselves, we scatter around the living room, falling into a comfortable quiet. The living room is a majestic place - I mean, it is massive - with vaulted log ceilings and old wood floors covered in wide woven rugs. Along one long wall, the fire crackles and snaps, heating the room to just below too warm. It's wood from town and nothing smells like it. I want to find a candle of this, incense, room spray. I want every living room in every house I live in for the rest of time to smell like the Hollis cabin does on December evenings. The hearth is expansive; when we were about seven, our chore was sweeping out the fireplace at the end of the holiday, Theo and I could almost stand up inside it. The flames actually roar to life. Even once they mellow into a rumbling, crackling simmer, the blaze still feels like a living, breathing creature in here with us.
Christina Lauren (In a Holidaze)
I left the woods for as good a reason as I went there. Perhaps it seemed to me that I had several more lives to live, and could not spare any more time for that one. It is remarkable how easily and insensibly we fall into a particular route, and make a beaten track for ourselves. I had not lived there a week before my feet wore a path from my door to the pond-side; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear, that others may have fallen into it, and so helped to keep it open. The surface of the earth is soft and impressible by the feet of men; and so with the paths which the mind travels. How worn and dusty, then, must be the highways of the world, how deep the ruts of tradition and conformity! I did not wish to take a cabin passage, but rather to go before the mast and on the deck of the world, for there I could best see the moonlight amid the mountains. I do not wish to go below now. I learned this, at least, by my experiment: that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary; new, universal, and more liberal laws will begin to establish themselves around and within him; or the old laws be expanded, and interpreted in his favor in a more liberal sense, and he will live with the license of a higher order of beings. In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.
Henry David Thoreau (Walden)
I left the woods for as good a reason as I went there. Perhaps it seemed to me that I had several more lives to live, and could not spare any more time for that one. It is remarkable how easily and insensibly we fall into a particular route, and make a beaten track for ourselves. I had not lived there a week before my feet wore a path from my door to the pond-side; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear, that others may have fallen into it, and so helped to keep it open. The surface of the earth is soft and impressible by the feet of men; and so with the paths which the mind travels. How worn and dusty, then, must be the highways of the world, how deep the ruts of tradition and conformity! I did not wish to take a cabin passage, but rather to go before the mast and on the deck of the world, for there I could best see the moonlight amid the mountains. I do not wish to go below now.
Henry David Thoreau (Walden)
At last disgusted by war and its killing fields, Wilhelm Dinesen fled to America, where he lived alone in a log cabin in the deep woods outside Oshkosh, Wisconsin. There he became a friend of the Chippewa and the Fox and Sauk Indians. He came to admire their grave dignity and “natural arrogance,” their unquestioning submission to elemental things, to landscape and weather and the vagaries of fate. Years later back in Denmark, disillusioned and stricken with syphilis, he hanged himself from the rafters of his apartment not far from the national legislature. He had become a politician; disillusioned with politics, he married and fathered five children—his favorite, Tanne, was ten when he killed himself—but he had never been able to settle down. A congenital restlessness led him inexorably to his death as it has led to the premature deaths of many other similar types: from Clive of India to Lord Byron and General Eaton, hero of the Barbary Wars, to Jim Morrison of the Doors. Tanne
Robert Gaudi (African Kaiser: General Paul von Lettow-Vorbeck and the Great War in Africa, 1914-1918)
The land was part of a grant made to a minister, Carter, to bring him to the nearby town of Oakfield: five hundred acres, of which, in the past two decades, he’d cleared a bit more than a dozen. How happily he parted with the bosky uplands that rose behind his farm! As to the cabin, we could find no clue to its prior inhabitants. It was not of any form common to the Natives who had lived there before the town had claimed it, while the custom of the recent settlers of the country was to raise a wooden frame. Nor could I find any record of it at the County, where the tract maps showed only a few trees and a fanciful decorative panther. But besides the pacing beast, nothing. Sometimes, said the Register of Deeds, they turned up abandoned homesteads; the land was hard, and few endured upon their errands. But I had no need to worry about another claimant. In the eye of the Great and General Court of Massachusetts, the deed was clear, the cabin did not exist. Perhaps among the Indians there was someone who knew the answer, but most of them were gone
Daniel Mason (North Woods)
It was a quiet revolution. Most downshifters dressed quite a bit like everyone else and lived in ordinary neighborhoods rather than communes or cabins in the woods. Seattle emerged as the nexus of voluntary simplicity as the growing tech industry-Microsoft's headquarters were there-made the city synonymous with the overworked, conspicuously consuming yuppie, while many other residents were still mixed in a lingering recession. The result was perhaps the most deliberate experiment in stopping shopping in modern times: a whole city in which the rejection of consumerism entered the mainstream. For nearly a decade, few aspects of daily life in Seattle were left unchanged by its shadow culture....For a few rare years, the consumer lifestyle was uncooled. 'We were sure in the '90s that we were the up-and-coming lifestyle choice,' Vicki Robin, coauthor of the downshifting classic 'Your Money or Your Life' told me....Then the global economy came roaring back to life, Seattle became better known for billionaires than plain living, and downshifting faded.
J.B. MacKinnon (The Day the World Stops Shopping: How Ending Consumerism Saves the Environment and Ourselves)
Mr. Grayson was just…explaining the workings of the ship.” She attempted to tug her hand from Gray’s grasp, shooting him a pained look when he refused to relinquish his prize. Gray said smoothly, “Actually, we were discussing debts. Miss Turner still owes me her fare, and I-“ “And I told you, you’ll have it today.” Beneath that abomination of a skirt wrapped about his leg, she planted her heel atop his booted toe and transferred all her weight onto it. Firmly. Once again, Gray regretted trading his old, sturdy boots for these foppish monstrosities. Her little pointed heel bit straight through the thin leather. With a tight grimace, Gray released her hand. He’d been about to say, and I have her handkerchief to return. But just for that, he wouldn’t. “Good afternoon, then.” A sweet smile graced her face as she stomped down on his foot again, harder. Then she turned and flounced away. He made an amused face at Jonas. “I think she likes me.” “In my cabin, Gray.” Gray gritted his teeth and followed Joss down the hatch. Whether he liked being Gray’s half brother or not, Joss was damn lucky right now that he was. Gray wouldn’t have suffered that supercilious command for any bond weaker than blood. “You gave me your word, Gray.” “Did I? And what word was that?” Joss tossed his hat on the wood-framed bed and stripped off his greatcoat with agitated movements. “You know damn well what I mean. You said you wouldn’t pursue Miss Turner. Now you’re kissing her hand and making a spectacle in front of the whole ship. Bailey’s already taking bets from the sailors as to how many days it’ll take you to bed her.” “Really?” Gray rubbed the back of his neck. “I hope he’s giving even odds on three. Two, if you’ll send young Davy up the mast again. That got her quite excited.” Joss glared at him. “Need I remind you that this was your idea? You wanted a respectable merchant vessel. I’m trying to command it as such, but that’ll be a bit difficult if you intend to stage a bawdy-house revue on deck every forenoon.” Gray smiled as Joss slung himself into the captain’s chair. “Be careful, Joss. I do believe you nearly made a joke. People might get the idea you have a sense of humor.” “I don’t see anything humorous about this. This isn’t a pleasure cruise around the Mediterranean.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The Outer Cape is famous for a dazzling quality of light that is like no other place on Earth. Some of the magic has to do with the land being surrounded by water, but it’s also because that far north of the equator, the sunlight enters the atmosphere at a low angle. Both factors combine to leave everything it bathes both softer and more defined. For centuries writers, poets, and fine artists have been trying to capture its essence. Some have succeeded, but most have only sketched its truth. That’s no reflection of their talent, because no matter how beautiful the words or stunning the painting, Provincetown’s light has to be experienced. The light is one thing, but there is also the way everything smells. Those people lucky enough to have experienced the Cape at its best—and most would agree it’s sometime in the late days of summer when everything has finally been toasted by the sun—know that simply walking on the beach through the tall seagrass and rose hip bushes to the ocean, the air redolent with life, is almost as good as it gets. If in that moment someone was asked to choose between being able to see or smell, they would linger over their decision, realizing the temptation to forsake sight for even one breath of Cape Cod in August. Those aromas are as lush as any rain forest, as sweet as any rose garden, as distinct as any memory the body holds. Anyone who spent a week in summer camp on the Cape can be transported back to that spare cabin in the woods with a single waft of a pine forest on a rainy day. Winter alters the Cape, but it doesn’t entirely rob it of magic. Gone are the soft, warm scents of suntan oil and sand, replaced by a crisp, almost cruel cold. And while the seagrass and rose hips bend toward the ground and seagulls turn their backs to a bitter wind, the pine trees thrive through the long, dark months of winter, remaining tall over the hibernation at their feet. While their sap may drain into the roots and soil until the first warmth of spring, their needles remain fragrant through the coldest month, the harshest storm. And on any particular winter day on the Outer Cape, if one is blessed enough to take a walk in the woods on a clear, cold, windless day, they will realize the air and ocean and trees all talk the same language and declare We are alive. Even in the depths of winter: we are alive. It
Liza Rodman (The Babysitter: My Summers with a Serial Killer)
The buzzards over Pondy Woods Achieve the blue tense altitudes Black figments that the woods release, Obscenity in form and grace, Drifting high through the pure sunshine Till the sun in gold decline. (...) By the buzzard roost Big Jim Todd Listened for hoofs on the corduroy road Or for the foul and sucking sound A man's foot makes on the marshy ground. Past midnight, when the moccasin Slipped from the log and, trailing in Its obscured waters, broke The dark algae, one lean bird spoke, (...) "[Big Jim] your breed ain't metaphysical." The buzzard coughed, His words fell In the darkness, mystic and ambrosial. "But we maintain our ancient rite, Eat the gods by day and prophesy by night. We swing against the sky and wait; You seize the hour, more passionate Than strong, and strive with time to die -- With time, the beaked tribe's astute ally. "The Jew-boy died. The Syrian vulture swung Remotely above the cross whereon he hung From dinner-time to supper-time, and all The people gathered there watched him until The lean brown chest no longer stirred, Then idly watched the slow majestic bird That in the last sun above the twilit hill Gleamed for a moment at the height and slid Down the hot wind and in the darkness hid. [Big Jim], regard the circumstance of breath: Non omnis moriar, the poet sayeth." Pedantic, the bird clacked its gray beak, With a Tennessee accent to the classic phrase; Jim understood, and was about to speak, But the buzzard drooped one wing and filmed the eyes. At dawn unto the Sabbath wheat he came, That gave to the dew its faithless yellow flame From kindly loam in recollection of The fires that in the brutal rock one strove. To the ripe wheat he came at dawn. Northward the printed smoke stood quiet above The distant cabins of Squiggtown. A train's far whistle blew and drifted away Coldly; lucid and thin the morning lay Along the farms, and here no sound Touched the sweet earth miraculously stilled. Then down the damp and sudden wood there belled The musical white-throated hound. In pondy Woods in the summer's drouth Lurk fever and the cottonmouth. And buzzards over Pondy Woods Achieve the blue tense altitudes, Drifting high in the pure sunshine Till the sun in gold decline; Then golden and hieratic through The night their eyes burn two by two.
Robert Penn Warren
I thought of calling this piece “In Memoriam,” because “in memoriam” has always suggested a place to me—Memoriam, Oklahoma, say, or Memoriam, Tennessee—and because, to my tinker’s brain, “in memoriam,” sounds like “in memory am.” Which I am, now more than ever. Lost, basically, wandering that ancestral home, all polished wood and anecdote, wishing that I could unload it somehow, knowing I never will. Like it or not, I have an investment in Memoriam now. My father’s casket between the potted palms is the cornerstone. Welcome home, kid. It’s an odd, slightly ghostly predicament. Lacking brothers and sisters, aunts and uncles, with my mother’s memory having long ago lost any trace of me, I find myself the sole surviving owner of ten thousand names, stories, jokes, associations—that time the raccoon reached up through the knothole in the cabin floor when I was four; those Friday nights when the three of us would watch “The Man from U.N.C.L.E.”; that evening, a memorable night in 1966, when my dad, with his professorial air and his Czech accent and his horn-rims, put on my mother’s shoulder-length blond wig on a dare and went out to pick up the pizza—that mean nothing, except that they were the soil of our lives.
Mark Slouka
He could also be terrible romantic and thoughtful. My job was a real challenge. The work was difficult and the boss demanding: he thought nothing of calling or emailing at odd hours, even on the weekend; you ignored him at your peril. There was a point at which everything got to me. And it was exactly at that moment that Chris stepped in and planned a weekend getaway. He found a little cabin out in the woods where there was no cell phone reception-yes!-and without telling anyone, we made our getaway. Almost. I actually called the boss and told him my cell reception was giving out, and so I wouldn’t be able to check messages, something he expected even on the weekends. As soon as we got to the cabin, I headed to the bedroom. Inside, I opened my suitcase and changed into sexy white Victoria’s Secret-style lingerie, complete with corset and thigh-highs. Feeling a little shy and silly, I walked out and leaned against the doorway of the living room where he was sitting. “Hey!” “Yeah?” he mumbled from the couch, not bothering to look up from the magazine he was reading. “Turn around,” I said. He turned around-slowly at first. But as soon as he caught sight of me in that lingerie, he hopped clear over the couch and chased me down the hall to the bedroom. I squealed and giggled the whole way.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Our father was a rumor, an echo, something only to be seen out of the corner of your eye. Our father was a woodsman, arms like tree limbs, beard as if born from bear, disappearing for days, for weeks, returning with so many things—tiny bird skulls, beads on a string, flowers for mother with purple blossoms and veiny leaves. The wood was stacked along one side of the cabin as high as it could go, the steady chop, the split of the timber, just part of the day, or so we were told. Our father was the cold creek that ran south of our home, filled with silver-backed fish with blood-orange meat, whispering every time we neared it, quenching our thirst, promises of sleepy peace if only we'd step a bit closer. Our father was the frosty moon that pasted the land with silence as our breath formed clouds of pain, feet bruised and bleeding, his laughter running over the mountain, guiding us down one ravine and up the other, wandering from hill to valley and back, some elusive destination always out of reach. Our father was time, stretched in every direction, elastic as a rubber band, as slow and anchored as a wall of granite, our eyes closing, waking up sore, grey where black had been. All lies. Everything she had ever told us was a lie. She never loved us, or it wouldn't be like this. (from "Asking for Forgiveness.")
Richard Thomas (Tribulations)
Kristen- Matt kidnapped me! He was planning to kill me! He said that he was going to put my dead body in the woods, that he had the perfect spot. That he could cover me over with the brush, that was there… out in the middle of nowhere. So, no one would find me until my body would rot and smell to the high heavens. Will I live or will I die? He said that he wanted to do it slowly and diligently over some time to make sure I would feel as much pain that could be felt. In the car, his first stop along this journey through hell was a small one-room cabin out in the woods, with no power, no main roads, nothing, nothing for me to think about other than death. That is where we went first, and he tied me down in that shack, to the one old lone bed, as well as flopped on top nonstop on me for many days. Of course, for many days I laid on top of that bed so vulnerable, for him at any time to do as he wanted. Never able to move, as he had that zeal glimmer in his eyes, all I could do is shake and squirm slightly in my pee and other substances like that. Yes, he loved to shine the light off of that large shiny knife blade in my face, to show me what he was capable of doing also if I did not give it all up to him when he wanted it. Oh, how he would, inject sedation drugs into me every chance he got, I could not fight him off, I could not beat him off enough, so he would put me to sleep, so he could be as rough as he wanted to be. He had me worn out!
Marcel Ray Duriez
In the white bowl, the paper caught fire, burning like a desperate flower, blooming and dying at the same time. Its scents came on tendrils of smoke, wrapping themselves around me. We missed you. I inhaled, and Victoria's kitchen disappeared around me. It was early morning in the cabin, winter; I could smell the woodstove working to keep the frost at bay. My father had fed the sourdough starter, and the tang of it played off the warm scent of coffee grounds. I could smell my own warmth in the air, rising from the blankets I'd tossed aside. I remembered that morning. It was the first time I ever saw the machine. I must have been three, maybe four years old. I'd woken up and seen my father, standing in the middle of the room, a box in his hands, bright and shiny and magical. I remembered racing across the floor, my bare feet tingling from the chill. What is it, Papa? It's wonderful. I want to know. And he'd put the shiny box aside and lifted me up high and said, You are the most wonderful thing in the world, little lark. The last of the paper crumbled to ash. I stood there, trying to remember what had happened next- but I couldn't. Did my father show me the machine, or did we go outside and chop wood? You'd think I'd remember, but I didn't. What I remembered was how it felt to be held in his arms. To be loved that way, before everything else happened. And in that moment, I felt whole. "Oh," I heard Victoria say, and when I turned to her, her eyes were filled with tears.
Erica Bauermeister (The Scent Keeper)
What I’d do, I figured, I’d go down to the Holland Tunnel and bum a ride, and then I’d bum another one, and another one, and another one, and in a few days I’d be somewhere out West where it was very pretty and sunny and where nobody’d know me and I’d get a job. I figured I could get a job at a filling station somewhere, putting gas and oil in people’s cars. I didn’t care what kind of a job it was, though. Just so people didn’t know me and I didn’t know anybody. I thought what I’d do was, I’d pretend I was one of those deaf-mutes. That way I wouldn’t have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they’d have to write it on a piece of paper and shove it over to me. They’d get bored as hell doing that after a while, and then I’d be through with having conversations for the rest of my life. Everybody’d think I was just a poor deaf-mute bastard and they’d leave me alone. They’d let me put gas and oil in their stupid cars, and they’d pay me a salary and all for it, and I’d build me a little cabin somewhere with the dough I made and live there for the rest of my life. I’d build it right near the woods, but not right in them, because I’d want it to be sunny as hell all the time. I’d cook all my own food, and later on, if I wanted to get married or something, I’d meet this beautiful girl that was also a deaf-mute and we’d get married. She’d come and live in my cabin with me, and if she wanted to say anything to me, she’d have to write it on a goddam piece of paper, like everybody else. If we had any children, we’d hide them somewhere. We could buy them a lot of books and teach them how to read and write by ourselves.
J.D. Salinger (The Catcher in the Rye)
it’s one of the great sunrises in all literature. Mark Twain: from The Adventures of Huckleberry Finn . . . then we set down on the sandy bottom where the water was about knee deep, and watched the daylight come. Not a sound anywheres—perfectly still—just like the whole world was asleep, only sometimes the bull-frogs a-cluttering, maybe. The first thing to see, looking away over the water, was a kind of dull line—that was the woods on t’other side—you couldn’t make nothing else out; then a pale place in the sky; then more paleness, spreading around; then the river softened up, away off, and warn’t black any more, but gray; you could see little dark spots drifting along, ever so far away—trading scows, and such things; and long black streaks—rafts; sometimes you could hear a sweep screaking; or jumbled-up voices, it was so still, and sounds come so far; and by-and-by you could see a streak on the water which you know by the look of the streak that there’s a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log cabin in the edge of the woods, away on the bank on t’other side of the river, being a woodyard, likely, and piled by them cheats so you can throw a dog through it anywheres; then the nice breeze springs up, and comes fanning you from over there, so cool and fresh, and sweet to smell, on account of the woods and the flowers; but sometimes not that way, because they’ve left dead fish laying around, gars, and such, and they do get pretty rank; and next you’ve got the full day, and everything smiling in the sun, and the song-birds just going it!
Ursula K. Le Guin (Steering The Craft: A Twenty-First-Century Guide to Sailing the Sea of Story)
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
Comus. The Star that bids the Shepherd fold, Now the top of Heav'n doth hold, And the gilded Car of Day, [ 95 ] His glowing Axle doth allay In the steep Atlantick stream, And the slope Sun his upward beam Shoots against the dusky Pole, Pacing toward the other gole [ 100 ] Of his Chamber in the East. Mean while welcom Joy, and Feast, Midnight shout, and revelry, Tipsie dance and Jollity. Braid your Locks with rosie Twine [ 105 ] Dropping odours, dropping Wine. Rigor now is gone to bed, And Advice with scrupulous head, Strict Age, and sowre Severity, With their grave Saws in slumber ly. [ 110 ] We that are of purer fire Imitate the Starry Quire, Who in their nightly watchfull Sphears, Lead in swift round the Months and Years. The Sounds, and Seas with all their finny drove [ 115 ] Now to the Moon in wavering Morrice move, And on the Tawny Sands and Shelves, Trip the pert Fairies and the dapper Elves; By dimpled Brook, and Fountain brim, The Wood-Nymphs deckt with Daisies trim, [ 120 ] Their merry wakes and pastimes keep: What hath night to do with sleep? Night hath better sweets to prove, Venus now wakes, and wak'ns Love. Com let us our rights begin, [ 125 ] Tis onely day-light that makes Sin, Which these dun shades will ne're report. Hail Goddesse of Nocturnal sport Dark vaild Cotytto, t' whom the secret flame Of mid-night Torches burns; mysterious Dame [ 130 ] That ne're art call'd, but when the Dragon woom Of Stygian darknes spets her thickest gloom, And makes one blot of all the ayr, Stay thy cloudy Ebon chair, Wherin thou rid'st with Hecat', and befriend [ 135 ] Us thy vow'd Priests, till utmost end Of all thy dues be done, and none left out, Ere the blabbing Eastern scout, The nice Morn on th' Indian steep From her cabin'd loop hole peep, [ 140 ] And to the tel-tale Sun discry Our conceal'd Solemnity. Com, knit hands, and beat the ground, In a light fantastick round.
John Milton (Comus and Some Shorter Poems of Milton: Harrap's English Classics)
Ready yourselves!' Mullone heard himself say, which was strange, he thought, for he knew his men were prepared. A great cry came from beyond the walls that were punctuated by musket blasts and Mullone readied himself for the guns to leap into action. Mullone felt a tremor. The ground shook and then the first rebels poured through the gates like an oncoming tide. Mullone saw the leading man; both hands gripping a green banner, face contorted with zeal. The flag had a white cross in the centre of the green field and the initials JF below it. John Fitzstephen. Then, there were more men behind him, tens, then scores. And then time seemed to slow. The guns erupted barely twenty feet from them. Later on, Mullone would remember the great streaks of flame leap from the muzzles to lick the air and all of the charging rebels were shredded and torn apart in one terrible instant. Balls ricocheted on stone and great chunks were gouged out by the bullets. Blood sprayed on the walls as far back as the arched gateway, limbs were shorn off, and Mullone watched in horror as a bloodied head tumbled down the sloped street towards the barricade. 'Jesus sweet suffering Christ!' Cahill gawped at the carnage as the echo of the big guns resonated like a giant's beating heart. Trooper O'Shea bent to one side and vomited at the sight of the twitching, bleeding and unrecognisable lumps that had once been men. A man staggered with both arms missing. Another crawled back to the gate with a shattered leg spurting blood. The stench of burnt flesh and the iron tang of blood hung ripe and nauseating in the oppressive air. One of the low wooden cabins by the wall was on fire. A blast of musketry outside the walls rattled against the stonework and a redcoat toppled backwards onto the cabin's roof as the flames fanned over the wood. 'Here they come again! Ready your firelocks! Do not waste a shot!' Johnson shouted in a steady voice as the gateway became thick with more rebels. He took a deep breath. 'God forgive us,' Corporal Brennan said. 'Liberty or death!' A rebel, armed with a blood-stained pitchfork, shouted over-and-over.
David Cook (Liberty or Death (The Soldier Chronicles #1))
There was an infinity of firmest fortitude, a determinate unsurrenderable wilfulness, in the fixed and fearless, forward dedication of that glance. Not a word he spoke; nor did his officers say aught to him; though by all their minutest gestures and expressions, they plainly showed the uneasy, if not painful, consciousness of being under a troubled master-eye. And not only that, but moody stricken Ahab stood before them with a crucifixion in his face; in all the nameless regal overbearing dignity of some mighty woe. Ere long, from his first visit in the air, he withdrew into his cabin. But after that morning, he was every day visible to the crew; either standing in his pivot-hole, or seated upon an ivory stool he had; or heavily walking the deck. As the sky grew less gloomy; indeed, began to grow a little genial, he became still less and less a recluse; as if, when the ship had sailed from home, nothing but the dead wintry bleakness of the sea had then kept him so secluded. And, by and by, it came to pass, that he was almost continually in the air; but, as yet, for all that he said, or perceptibly did, on the at last sunny deck, he seemed as unnecessary there as another mast. But the Pequod was only making a passage now; not regularly cruising; nearly all whaling preparatives needing supervision the mates were fully competent to, so that there was little or nothing, out of himself, to employ or excite Ahab, now; and thus chase away, for that one interval, the clouds that layer upon layer were piled upon his brow, as ever all clouds choose the loftiest peaks to pile themselves upon. Nevertheless, ere long, the warm, warbling persuasiveness of the pleasant, holiday weather we came to, seemed gradually to charm him from his mood. For, as when the red-cheeked, dancing girls, April and May, trip home to the wintry, misanthropic woods; even the barest, ruggedest, most thunder-cloven old oak will at least send forth some few green sprouts, to welcome such glad-hearted visitants; so Ahab did, in the end, a little respond to the playful allurings of that girlish air. More than once did he put forth the faint blossom of a look, which, in any other man, would have soon flowered out in a smile.
Herman Melville (Moby-Dick or, The Whale)
You never asked. How would I like you to kill it? You are a captain in the Red Army, for goodness’ sake. What do they teach you there?” “How to kill human beings. Not mice.” She barely touched her food. “Well, throw a grenade at it. Use your rifle. I don’t know. But do something.” Alexander shook his head. “You went out into the streets of Leningrad while the Germans were throwing five-hundred-kilo bombs that blew arms and legs off the women standing ahead of you in line, you stood fearless in front of cannibals, you jumped off a moving train to go and find your brother, but you are afraid of mice?” “Now you got it,” Tatiana said defiantly. “It doesn’t make sense,” Alexander said. “If a person is fearless in the big things—” “You’re wrong. Again. Are you done with your questions? Anything else you want to ask? Or add?” “Just one thing.” Alexander kept his face serious. “It looks like,” he said slowly, his voice calm, “we’ve found three uses for that too-high potato countertop I built yesterday.” And he burst out laughing. “Go ahead, laugh,” Tatiana said. “Go ahead. I’m here for your amusement.” Her eyes twinkled. Putting his own plate on the bench, Alexander took the plate out of her hands and brought her to him to stand between his legs. Reluctantly she came. “Tania, do you have any idea how funny you are?” He kissed her chest, looking up at her. “I adore you.” “If you really adored me,” she said, trying to twist herself out of his arms, unsuccessfully, “you wouldn’t be sitting here idly flirting when you could be militarizing that cabin.” Alexander stood up. “Just to point out,” he said, “it’s not called flirting once you’ve made love to the girl.” After Alexander went inside, a smiling Tatiana sat on the bench and finished her food. In a few minutes he emerged from the cabin holding his rifle in one hand, his pistol in the other, and a bayonet attachment between his teeth. The dead mouse was swinging at the end of the bayonet. He spoke out of the corner of his mouth. “How did I do?” Tatiana failed to keep a straight face. “All right, all right,” she said, chortling. “You didn’t have to bring out the spoils of war.” “Ah, but I know you wouldn’t believe in a dead mouse unless you saw it with your own eyes.” “Will you stop quoting me back to me? Shura, you tell me, I will believe it,” said Tatiana. “Now, go on, get out of here with that thing.” “One last question.” “Oh, no,” said Tatiana, covering her face, trying not to laugh. “Do you think this dead mouse is worth the price of a…killed mouse?” “Will you just go?” Tatiana heard his boisterous laughter all the way to the woods and back.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
But if I ever do, I’m either going to take him to the cabin in the woods, or I’m going to promise to take him and then not take him. But the one thing that I will never do is not tell him that I’m taking him to a cabin in the woods, and then not take him!
GOB-Arrested Development
her boots and bundled up in her jacket and a cozy scarf. Then she silenced her phone—ringing once again—and left it on the table as she closed the door firmly behind her. Relaxing did not include talking to her brother. Jenna trudged through the snow until she found the trail sign to the left of the lodge. The snow didn’t look too deep. Besides, it would do her good to get some real fresh air and clear her head. And if she happened, as she passed by, to get a good glimpse of the hunky innkeeper chopping wood on the other side of the clearing, so much the better to fuel her holiday fantasies. Isaac stopped chopping for a minute and listened. He thought he’d heard something, but all was quiet now. It had sounded like a scream. He remembered seeing the woman from Cabin #3 set off for a walk, but surely she wasn’t still out there. It had been almost
C.J. Hunt (Silver Bells (Rivers End Romance))
Why not? Wait…how did you now my name?” Jon asked taking a step back. The shit had started to get creepy, and much more quickly than he had first thought possible. ​“Stay out of the woods. Stay away from the cabin. Go back where you came from. The woods is sour, Jon. SOUR!
Dennis Freeman (The Terrorverse: Slasher Survival School)
She turned as he got closer and pasted a phony-looking smile on her face. “Well, Mr. Hawkins. How nice of you to come over for another neighborly chat.” “This isn’t a neighborly chat, sweetheart, and you know it. What the hell is happening over here? I thought I told you I liked peace and quiet.” “Yes, I believe you did. Unfortunately for you, I like being able to use my bathroom for something other than a place to hang wet towels and I prefer to cook my meals without rainwater dripping into my food.” He’d seen her walking back and forth to the outhouse in her rain slicker. He’d wondered if she’d ever even seen one before. He glanced up at the sagging cabin roof. He figured it would start leaking sooner or later. “That bad, huh?” He tried to keep the satisfaction out of his voice, but he could see by her pinched expression she had heard it. “Let’s just say Mr. Flanagan had good reason to move.” “How long till they finish the repairs?” “Since the men seem to be working on ‘Klondike time,’ I have no idea. I guess it depends on whether or not the sun comes out.” He ignored a flicker of amusement, clamped down on his jaw instead. “Well, the sooner they get done, the better. All that hammering is driving me crazy.” Her smile remained frozen in place. “Maude tells me you own quite a lot of property along the creek. Perhaps you should think of relocating your house someplace farther back in the woods.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
Carol built her cabin in the wilderness for many of the same reasons as Thoreau, who went to the woods “to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach, and not, when I come to die, discover that I had not lived.” Like Thoreau, Carol was a student of nature and a geographical extension of the wilderness that surrounded her. Both explored a life stripped down to its essentials. They wanted “to live deep and suck out all the marrow of life.” Thoreau believed wilderness provided a necessary counterbalance to the materialism and urbanization of industrialized America. It was a place of self-renewal and contact with the raw material of life. “In wildness is the preservation of the world,” he famously wrote. Thoreau was among the first to advocate for protecting America’s vanishing wildlands, proposing that the nation formally preserve “a certain sample of wild nature . . . a network of national preserves in which the bear and the panther may still exist and not be civilized off the face of the earth.” Wilderness preserves could provide a perpetual frontier to keep overindustrialized Americans in contact with the primitive honesty of the woods. In 1872—the same year that Tom and Andy founded Carnegie Steel—America designated its first national park: over two million acres in northwest Wyoming were set aside as Yellowstone National Park. A second national park soon followed, thanks to the inspiration of Sierra Club founder John Muir. He so loved the Sierra that he proposed a fifteen-hundred-square-mile park around Yosemite Valley and spent decades fighting for it. When Yosemite National Park was finally signed into law in 1890, Muir
Will Harlan (Untamed: The Wildest Woman in America and the Fight for Cumberland Island)
Nellie the horse and her trips to town, or a cow named Molly Blue, or the Indian who came out of the woods. I wish you could have known Arleta’s grandma, Mabel. You would have loved her. She was born well over one hundred years ago on a little farm in Michigan. What a long, long time ago! Is it hard to imagine anyone that old ever being a little girl? But of course she was, and she remembered very well. Arleta never saw the little log house where Grandma Mabel was born, but she could imagine how it looked. It had one big room that was warmed by a fireplace and a big cookstove. Her brothers slept in a loft overhead, and Mabel slept in a trundle bed beside her parents’ bed. (A trundle bed is a little cot that slides under a bigger bed during the day.) The cabin sat in a small clearing in the woods, and even though there were no neighbors close by, the family felt safe and protected in its little home. By the time Mabel was ready to go to school, the log cabin had been replaced by the big farmhouse that still stood two generations later when Arleta was a little girl. Arleta’s trips to Grandma Mabel’s old home were so much fun. She explored from the attic to the root cellar, from the barn to the meadow brook. Everywhere she looked, she found a story! The attic was dusty and creaky, but what marvelous things it contained: a funny-looking wire thing that turned out to be something to wear, the button basket—a
Arleta Richardson (In Grandma's Attic (Grandma's Attic, #1))