Cabbage Patch Quotes

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Life was what you determined it to be; regardless of where fate put you, logic and free will meant you could make your cabbage patch anything the fuck you wanted.
J.R. Ward
You come out; it is still dark. The door creaks, or perhaps you sneeze, or the snow crunches under your foot, and hares start up from the far cabbage patch and leap away, leaving the snow criss-crossed with tracks. In the distance dogs begin to howl and it takes a long time before the quieten down. The cocks have finished their crowing and have nothing left to say. Then dawn breaks.
Boris Pasternak (Doctor Zhivago)
Frankly, Hadley, you look like a fucking Cabbage Patch Kid fighting Godzilla.
Katie May (Dearly Departed (Afterworld Academy, #1))
I’d come across a strap-on penis. It seemed pretty old and was Band-Aid colored, about three inches long and not much bigger around than a Vienna sausage, which was interesting to me. You’d think that if someone wanted a sex toy she’d go for the gold, sizewise. But this was just the bare minimum, like getting AAA breast implants. Who had this person been hoping to satisfy, her Cabbage Patch doll? I thought about taking the penis home and mailing it to one of my sisters for Christmas but knew that the moment I put it in my knapsack, I’d get hit by a car and killed. That’s just my luck. Medics would come and scrape me off the pavement, then, later, at the hospital, they’d rifle through my pack and record its contents: four garbage bags, some wet wipes, two flashlights, and a strap-on penis.
David Sedaris (Calypso)
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
fad is a wave in the ocean, and a trend is the tide. A fad gets a lot of hype, and a trend gets very little. Like a wave, a fad is very visible, but it goes up and down in a big hurry. Like the tide, a trend is almost invisible, but it’s very powerful over the long term. A fad is a short-term phenomenon that might be profitable, but a fad doesn’t last long enough to do a company much good. Furthermore, a company often tends to gear up as if a fad were a trend. As a result, the company is often stuck with a lot of staff, expensive manufacturing facilities, and distribution networks. (A fashion, on the other hand, is a fad that repeats itself. Examples: short skirts for women and double-breasted suits for men. Halley’s Comet is a fashion because it comes back every 75 years or so.) When the fad disappears, a company often goes into a deep financial shock. What happened to Atari is typical in this respect. And look how Coleco Industries handled the Cabbage Patch Kids. Those homely dolls hit the market in 1983 and started to take off. Coleco’s strategy was to milk the kids for all they were worth. Hundreds of Cabbage Patch novelties flooded the toy stores. Pens, pencils, crayon boxes, games, clothing. Two years later, Coleco racked up sales of $776 million and profits of $83 million. Then the bottom dropped out of the Cabbage Patch Kids. By 1988 Coleco went into Chapter 11. Coleco died, but the kids live on. Acquired by Hasbro in 1989, the Cabbage Patch Kids are now being handled conservatively. Today they’re doing quite well.
Al Ries (The 22 Immutable Laws of Marketing)
The marriage coverlet is woven and embroidered for the happy pair, the house is built in a few summer weeks by the meitheal of neighbours, the last twist and stitch is put to the thatch, and in they go, the fortunate couple, with strength and purpose – and at length the house is desolate and empty with only rain for a roof, the stranger comes and opens the rotted hope chest, and puts their fingers to the folded coverlet, which falls from their hand in mouldy fragments. And that’s all we can say about it, the shortness, the swiftness, and the strange unimportance of life. But when June is queen, eternally in the grasses, in the wood pigeons, in the dank rooks, in the potato gardens, in the cabbage patches, wild dreams are given birth to with all the mighty energy of the full-blowing year.
Sebastian Barry (Annie Dunne (Dunne Family #2))
But as yet, the neighbourhood was shy to own the Railroad. One or two bold speculators had projected streets; and one had built a little, but had stopped among the mud and ashes to consider farther of it. A bran-new Tavern, redolent of fresh mortar and size, and fronting nothing at all, had taken for its sign The Railway Arms; but that might be rash enterprise—and then it hoped to sell drink to the workmen. So, the Excavators’ House of Call had sprung up from a beer shop; and the old-established Ham and Beef Shop had become the Railway Eating House, with a roast leg of pork daily, through interested motives of a similar immediate and popular description. Lodging-house keepers were favourable in like manner; and for the like reasons were not to be trusted. The general belief was very slow. There were frowzy fields, and cow-houses, and dunghills, and dustheaps, and ditches, and gardens, and summer-houses, and carpet-beating grounds, at the very door of the Railway. Little tumuli of oyster shells in the oyster season, and of lobster shells in the lobster season, and of broken crockery and faded cabbage leaves in all seasons, encroached upon its high places. Posts, and rails, and old cautions to trespassers, and backs of mean houses, and patches of wretched vegetation stared it out of countenance. Nothing was the better for it, or thought of being so. If the miserable waste ground lying near it could have laughed, it would have laughed it to scorn, like many of the miserable neighbours.
Charles Dickens (Dombey and Son)
WINTER HAS settled down over the Divide again; the season in which Nature recuperates, in which she sinks to sleep between the fruitfulness of autumn and the passion of spring. The birds have gone. The teeming life that goes on down in the long grass is exterminated. The prairie-dog keeps his hole. The rabbits run shivering from one frozen garden patch to another and are hard put to it to find frost-bitten cabbage-stalks. At night the coyotes roam the wintry waste, howling for food. The variegated fields are all one color now; the pastures, the stubble, the roads, the sky are the same leaden gray. The hedgerows and trees are scarcely perceptible against the bare earth, whose slaty hue they have taken on. The ground is frozen so hard that it bruises the foot to walk in the roads or in the ploughed fields. It is like an iron country, and the spirit is oppressed by its rigor and melancholy. One could easily believe that in that dead landscape the germs of life and fruitfulness were extinct forever.
Willa Cather (O Pioneers!)
Most of the ingredients she cooked with came from the tiny farm immediately behind the restaurant. It was so small that the Pertinis could shout from one end of it to another, but the richness of the soil meant that it supported a wealth of vegetables, including tomatoes, zucchini, black cabbage, eggplant and several species that were unique to the region, including bitter friarielli and fragrant asfodelo. There was also a small black boar called Garibaldi, who despite his diminutive size impregnated his harem of four larger wives with extraordinary diligence; an ancient olive tree through which a couple of vines meandered; a chicken or two; and the Pertinis' pride and joy, Priscilla and Pupetta, the two water buffalo, who grazed on a patch of terraced pasture no bigger than a tennis court. The milk they produced was porcelain white, and after hours of work each day it produced just two or three mozzarelle, each one weighing around two pounds- but what mozzarelle: soft and faintly grassy, like the sweet steamy breath of the bufale themselves. As well as mozzarella, the buffalo milk was crafted into various other specialties. Ciliègine were small cherry-shaped balls for salads, while bocconcini were droplet-shaped, for wrapping in slices of soft prosciutto ham. Trecce, tresses, were woven into plaits, served with Amalfi lemons and tender sprouting broccoli. Mozzarella affumicata was lightly smoked and brown in color, while scamorza was smoked over a smoldering layer of pecan shells until it was as dark and rich as a cup of strong espresso. When there was surplus milk they even made a hard cheese, ricotta salata di bufala, which was salted and slightly fruity, perfect for grating over roasted vegetables. But the cheese the Pertinis were best known for was their burrata, a tiny sack of the finest, freshest mozzarella, filled with thick buffalo cream and wrapped in asphodel leaves.
Anthony Capella (The Wedding Officer)
At the car I took Lily Anne from Rita and placed her carefully in the aggressive car seat. But for some reason, all the practicing I had done with Astor’s old Cabbage Patch doll did not quite translate to the real baby; finally Rita had to help me get Lily Anne properly fastened in place. And so it was a completely helpless, all-thumbs Dexter who finally climbed behind the wheel and started the engine. And with many anxious glances in the mirror to make sure that the car seat had not burst into flames, I nosed the car out of the parking lot and onto the street.
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
forgive me, since this isn’t my cabbage patch
Barbara Trapido (Brother of the More Famous Jack: A Novel)
Q: Where did you find Grizz and Dotcom? A: Grizz and Dotcom were born adorable and fully clothed and found nestled in a field. They were the inspiration for the Cabbage Patch dolls and the Cabbage Patch dance.
Tina Fey (Bossypants)
Mostly you love them and you cherish their milestones but occasionally you do want to tape them to a chair. That would be child abuse, DO NOT TAPE YOUR CHILDREN TO CHAIRS. If you want to tape your baby dolls to chairs, be my guest. I am fairly certain that there isn't like a Cabbage Patch CPS.
E.A. Davis
it grows. When a larva pops out of its last skin, it becomes a pupa. The pupa stage is a short "rest stop" before it becomes an adult. Pupas don't eat, they just rest. Maybe they're saving up energy to fly. The complete change from larva to adult happens while it is a pupa. When a butterfly caterpillar sheds its last skin, its inner skin hardens into a chrysalis. A moth caterpillar doesn't make a chrysalis. It makes a cocoon. First, it hooks a silk strand to the top of twig. Next, it fastens that same thread to the bottom of the twig. Then it hangs head-down and spins threads across for the rest of the cocoon. Find a chrysalis or cocoon and watch the new butterfly or moth emerge! What It Looks Like The cabbage caterpillar is green or tan. Its skinny body grows no longer than your thumb. It looks like a tiny cucumber, so it can easily hide on a plant, and is hard to find. It is the first bug of spring, and can be found in any garden cabbage patch. What It Eats The cabbage caterpillar was named for its favorite food. It also eats broccoli,
Mel Boring (Caterpillars, Bugs and Butterflies: Take-Along Guide (Take Along Guides))
Can I ask you something?” I say quietly. I try not to get into his personal business, but I can’t help it. “You can ask. I can’t promise I’ll answer.” “What’s going on with you and Friday?” He groans. “Nothing. Why? What did she tell you?” I try to play it off. “She didn’t tell me anything. There’s just, like, this undercurrent when you’re in a room together. What did you do to her?” “I kissed her,” he blurts out. I choke. “You kissed Friday?” I thump my fist against my chest, trying to restart my heart. “Well, we kind of kissed each other.” I grin. “How was it?” “Amazing,” he breathes. But then he realizes what he said, and he sobers. “I mean, it was okay.” He’s such a bad liar. “You should ask her out,” I say. He shakes his head. “I did. She told me no. She’s been telling me no for years.” “You know she’s not a lesbian, right?” I ask. He raises one brow. “No thanks to you, yes.” I chuckle. “Sorry about that.” “No you’re not.” But he’s grinning. “She’s got some issues,” he finally says. “I would love to know what they are.” “What kind of issues?” I ask. “I don’t know. The I-don’t-have-any-family kind. The girl is completely alone. You know she doesn’t even go home in the summer?” “Well, she didn’t get picked out of a cabbage patch.” I stay quiet for a minute because it looks like he’s thinking. “What happened when you kissed her?” “Sparks,” he says. “Fucking sparks.” He blows out a breath. “What about Kelly?” His gaze jerks up. “What about her?” “I’m guessing that Friday wouldn’t like kissing you when you’re still sleeping with Kelly. Was that the problem?” Getting information out of Paul is like pulling teeth. “I haven’t slept with Kelly since you and I talked about it that morning. Haven’t slept with anybody since I kissed Friday. I can’t get her off my fucking mind.” “So go for it.” He shakes his head. “She said no way. Her exact words were no fucking way, Paul, you stupid son of a bitch. Then she told me to go fuck myself.” That’s Friday for you. You have to love her.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Alyssa shrugged. “I think we know the routine.” “You do, but there’s still a…stiffness because y’all aren’t completely comfortable with it, and it shows in your dancing.” Ashton held up a finger. “Everyone close your eyes, relax your shoulders, and just feel the breeze that’s blowing across the field right now.” Ashton closed her eyes and waved her arms around slowly. “You’re a tree, and the gentle wind is swaying your branches. Let it sway you.” What Ashton didn’t know was that no one did as she instructed. The girls and Patty stood there watching Ashton sway her arms. “Coach, you look like the inflatable tube man they have at the new carwash, and you’re scaring me,” Sophie said, looking disturbed. Ashton’s eyes flew open. “I better see some people doing the inflatable tube man pretty darn quick.” The girls all threw up their arms and flopped them around violently, and Ashton said, “Y’all are killing me. Show me how y’all would dance if you were at a party.” She covered her face with both hands when they all started twerking. “Okay, just stop. Gemma, run them through the moves again.” “What were you trying to accomplish with all that?” Patty asked with a grin. “I was trying to get them to loosen up,” Ashton said and glanced at her watch. “This day is creeping by.” “You should’ve dusted off your snake and showed them that. If you can do a smooth snake, you can make any dance move smooth. Check my snake.” Ashton shook her head. “That’s not a full-on snake. You have to roll your body from your head to your hips, use your neck like this.” “You were always better at this one than I was,” Patty said as she mimicked Ashton’s moves. “You couldn’t touch my Cabbage Patch though.” Ashton snorted. “That sounded so dirty. Come on, Patty, neck and shoulders, work them.” Ashton turned when the music stopped and realized the girls had stopped practicing to watch her and Patty. “What’re y’all doing?” Gemma asked with a laugh. “This is dancing,” Patty retorted. “Back in the day, we moved our entire bodies instead of rhythmically humping the air like y’all do. Tell you what, if y’all can learn to do the snake, I’ll buy y’all shakes at Molly’s.” Every girl on the team executed the dance move perfectly, and Gemma grinned. “Momma, we know old school moves.” Melody nodded. “Yeah, we know all those old-timey dances. Can we go to Molly’s now?” “What were you trying to accomplish with this plan?” Ashton asked Patty with a grin. “Apparently, bankruptcy.” ******* “How many times are you gonna change your clothes?” Jet asked that evening as she watched Shawna go back into her closet. Shawna groaned. “Everything I put on is pissing me off.” “Wear jeans and your light blue V-neck T-shirt. You’re just going to her house, you don’t have to dress up.” Jet sprawled out on Shawna’s bed and toyed with the TV remote.
Robin Alexander (Patty's Potent Potion)
Thomas hunkered down, taking in the crime scene. The bedraggled soaking wet doll, the wet washcloth over her face, the red plastic beach bucket half full of pool water.“Did they⁠—” “Waterboard their Cabbage Patch doll?’ August said. “Yeah, yeah, they did.
Onley James (Family & Felonies: A Necessary Evils Anthology)
What is the issue, Lucas? So they waterboarded their Cabbage Patch doll. Maybe she had it coming,” Felix said.
Onley James (Family & Felonies: A Necessary Evils Anthology)
But Ky understood. She hated how well she now understood. After all, hadn’t she kept every hurt she’d ever experienced from her own parents? Hadn’t she hidden the bullying, the name-calling, the cruel acts of strangers, the times she’d been told to go back to where she came from, the ching-chongs, the pulled-back eyelids, the blondies with the Cabbage Patch Kids, the way she was forced to play the monster, the way she was asked why she couldn’t just take a joke, the times she was told that Asian women were ugly, kinky, docile, crazy, nerdy, unworthy, the way she was dismissed by men, the way she was dismissed by white men, their comments about what Asian women were and weren’t, what Asian women could or couldn’t be, the way she smiled with her tongue pressed against her teeth even as an ache beat in tandem with her heart—hadn’t she hidden all of that? And hadn’t she lived her own ambitious, exciting, anxious, uncompromising life while knowing that she could never, ever, ever, ever tell her parents about what she had been through? Because knowing would break their hearts. Because she had to help them believe that their sacrifices had paid off. Because she had to help them believe that moving to a country where they didn’t speak the language and weren’t seen as individuals had been worth it. Because she had to convince them that they’d done right by their children, that no one had failed, that no one had been let down, that they were one of the lucky ones who’d followed the path and found success. It made perfect sense. You lied to protect. You lied because of love.
Tracey Lien (All That's Left Unsaid)
Dinky behind?” Fergie blushed. “Well, as far as I ever noticed, I can’t recall finding her posterior insignificant. I rather recall a certain satisfaction in watching her walk away.
R.L. Buck (Death in the Cabbage Patch (A Cabbageville Mystery Book 1))
The ideal set up by the Party was something huge, terrible, and glittering—a world of steel and concrete, of monstrous machines and terrifying weapons—a nation of warriors and fanatics, marching forward in perfect unity, all thinking the same thoughts and shouting the same slogans, perpetually working, fighting, triumphing, persecuting—three hundred million people all with the same face. The reality was decaying, dingy cities where underfed people shuffled to and fro in leaky shoes, in patched-up nineteenth-century houses that smelt always of cabbage and bad lavatories.
George Orwell (1984)
Yes to another child who might be sick, yes to having two children under two years old at the same time, yes to Brian. Yes, yes, yes to drool, late nights, mutual accusation, yes to euphoria, yes to the probable, the impossible, the impractical, yes to boy, yes to girl, yes, if need be, to a cabbage patch kid. Yes to the whole crazy, doomed mess. Yes, to whoever had chosen us, yes, we chose you back, yes. Yes to life, yes to the flower of the mountain, yes to yes. I say yes. Come on and come little soul. We accept you.
Heather Harpham (Happiness: The Crooked Little Road to Semi-Ever After)
Cabbage Patch Kids were the must-have toy of 1983. They were dolls that resembled Ross Perot with hair, but they were more lifelike. I read somewhere that they were designed by Ronald Reagan to get children ready to love the mutant children who would be born after the nuclear war that his policies were sure to cause, but it is possible that was just an urban legend.
David Silva (Stories)
The yellow-billed cuckoo is one of few birds that eat this caterpillar, Other birds don't like to eat such a fuzzy meal. On quiet days, if there are many cabbage caterpillars attacking a cabbage patch, you
Mel Boring (Caterpillars, Bugs and Butterflies: Take-Along Guide (Take Along Guides))
The Cabbage Patch of the Alice Hegan Rice novel was taken from a real slum in Louisville, Ky. Mrs. Wiggs was described as “a friend of every neighbor; always first to forget herself and lend a helping hand.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)