Cab Waiting Quotes

And I told him, I said: "One day you're going to miss the subway because it's not going to come. One of these days, it's going to break down and it's not going to come around and everyone else will just wait for the next one or will take the bus, or walk, or run to the next station: they will go on with their lives. And you're not going to be able to go on with your life! You'll be standing there, in the subway station, staring at the tube. Why? Because you think that everything has to happen perfectly and on time and when you think it's going to happen! Well guess what! That's not how things happen! And you'll be the only one who's not going to be able to go on with life, just because your subway broke down. So you know what, you've got to let go, you've got to know that things don't happen the way you think they're going to happen, but that's okay, because there's always the bus, there's always the next station...you can always take a cab.

First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.

While we're waiting for a cab I'll give you your lesson for today. Don't listen to what your teachers tell ya, you know. Don't pay attention. Just, just see what they look like and that's how you'll know what life is really gonna be like.

I've got a cab waiting so we sh-" he stopped speaking as he entered the sitting room, his eyes frozen on me. "Fuck." Ellie giggled. I squinted an eye at him. "Is that a good fuck?" He grinned. "Well you're that too, babe.

We are about to part," said Neville. "Here are the boxes; here are the cabs. There is Percival in his billycock hat. He will forget me. He will leave my letters lying about among guns and dogs unaswered. I shall send him poems and he will perhaps reply with a picture post card. But it is for that that I love him. I shall propose a meeting - under a clock, by some Cross; and shall wait and he will not come. It is for that that I love him.

What were you guys doing in there?” Bill sounded perturbed. “We’ve been waiting for you forever.” “William,” David hung his arm over Bill’s shoulder, “A man always waits patiently for his ladylove.” “Are you for real?” Bill’s eyes narrowed. “What black and white movie did you pop out of?

Wait.” I looked around. “How did you get here?” “I ran.” I reached into his pocket and pulled out his phone. Scrolling through his menu, I said, “You called a cab.” “But I ran to the cab when it got to the cemetery.

I wouldn’t have waited,” Galen muttered. “Yes, but, then again, you’re no gentleman, brother,” Eryx laughed.

No blinding light or tunnels to gates of white Just our hands clasped so tight waiting for the hint of a spark

Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.

As a kid, I imagined lots of different scenarios for my life. I would be an astronaut. Maybe a cartoonist. A famous explorer or rock star. Never once did I see myself standing under the window of a house belonging to some druggie named Carbine, waiting for his yard gnome to steal his stash so I could get a cab back to a cheap motel where my friend, a neurotic, death-obsessed dwarf, was waiting for me so we could get on the road to an undefined place and a mysterious Dr. X, who would cure me of mad cow disease and stop a band of dark energy from destroying the universe.

Hello?” he said, waiting out the shrill stream on the other end of the line. He smiled, “Because I’m her husband. I can answer her phone, now.” He glanced at me, and then shoved open the cab door, offering his hand. “We’re at the airport, America. Why don’t you and Shep pick us up and you can yell at us both on the way home? Yes, the whole way home. We should arrive around three. All right, Mare. See you then.” He winced with her sharp words and then handed me the phone. “You weren’t kidding. She’s pissed.

Tonight I write this journal entry on my laptop. Other nights I have handwritten entries in notebooks. Sometimes I jot down notes as I ride home in the cab or wait for an appointment. I want all of this -- everything and everyone -- to stay with me.

I feel drawn to the word "unmoored" during this time. I look it up a few times a week. I stare at the definition on my computer screen. I love the example sentence Wikipedia uses, which says, Left unmoored, the boat gradually drifts out to sea. It pops into my head when I wake in the mornings, while I walk the streets, wait for the bus, the train, get into cabs, eat lunch alone, and browse the shelves at the library.

All right," Eric agreed. "If you were me, and your wife were sick, desperately so, with no hope of recovery, would you leave her? Or would you stay with her, even if you had traveled ten years into the future and knew for an absolute certainty that the damage to her brain could never be reversed? And staying with her would mean-" "I can see what it would mean, sir," the cab broke in. "It would mean no other life for you beyond caring for her." "That's right," Eric said. "I'd stay with her," the cab decided. "Why?" "Because," the cab said, "life is composed of reality configurations so constituted. To abandon her would be to say, I can't endure reality as such. I have to have uniquely special easier conditions." "I think I agree," Eric said after a time. "I think I will stay with her." God bless you, sir," the cab said. "I can see that you're a good man.

A real hansom-cab took him from the station to Trinity College: the vehicle, it seemed, had been waiting there especially for him, desperately holding out against extinction till that moment, and then gladly dying out to join side whiskers and the Large Copper.

Want to go wait outside? The cab should be here soon.” What the hell? “I told you I’d drive you there.” “And I said, no thank you.” “Why the hell not?” Kayla pipes up, “Because if you take us they won’t let us in after the scene you cause.” She follows up her comment with a shitty impersonation: “Hulk like Julia. Hulk smash anyone who look at Julia.

Well," I said, "I have to go." He said, "Can I call you?" I waited a long time before answering, though not, of course, as long as he'd made me wait. I let him stand there with the question in the air while I took a good long look at him, let him stand there while I stepped to the street and raised my arm for a cab. At exactly that moment, as though dispatched by some god I didn't really believe in anymore - the god of drama or god of perfect things - or maybe by my own fairy god god, a cab came. I got in, and closed the door.

Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.

William Wordsworth was said to have walked 180,000 miles in his lifetime. Charles Dickens captured the ecstasy of near-madness and insomnia in the essay “Night Walks” and once said, “The sum of the whole is this: Walk and be happy; Walk and be healthy.” Robert Louis Stevenson wrote of “the great fellowship of the Open Road” and the “brief but priceless meetings which only trampers know.” Friedrich Wilhelm Nietzsche said, “Only those thoughts that come by walking have any value.” More recently, writers who knew the benefits of striking out excoriated the apathetic public, over and over again, for its laziness. “Of course, people still walk,” wrote a journalist in Saturday Night magazine in 1912. “That is, they shuffle along on their own pins from the door to the street car or taxi-cab…. But real walking … is as extinct as the dodo.” “They say they haven’t time to walk—and wait fifteen minutes for a bus to carry them an eighth of a mile,” wrote Edmund Lester Pearson in 1925. “They pretend that they are rushed, very busy, very energetic; the fact is, they are lazy. A few quaint persons—boys chiefly—ride bicycles.

She had a smooth, low voice and a naughty, shocking sense of humour. Laughter followed in her wake; she collected admirers, both male and female, simply walking across the lobby. She had a certain knack for including everyone in her own private jokes, bending in conspiratorially to say something wickedly off-colour to one of the old stone-faced dowagers waiting for a cab. The next moment, they’d both be giggling uncontrollably

Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing. “Do you really like it? You’re just saying that so that you can check out my belly!” “And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?” “No. I just thought it would look cool…Do you have any piercings?” “Actually, I do,” Heeb replied. “Where?” “My appendix.” “Huh?” “I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?” “That’s pretty original,” she replied, amused. “Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.” Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?” “Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.

Or I go out to Gentlemen, Please. They got a cab-stand there, you know, for those who haven’t drunk themselves stupid enough to try driving home, and if I get there early, I’m usually first in line. Second or third at worst. I sit there and read on my Kindle while I wait for a fare. Hard to read a regular book once it gets dark, but the Kindle’s just fine. Great fucking invention, if you’ll pardon me for lapsing into my Native American tongue for a minute.

This is the place to which he is coming. This is the table at which he will sit. Here, incredible as it seems, will be his actual body. This table, these chairs, this metal vase with its three red flowers are about to undergo an extraordinary transformation. Already the room, with its swing-doors, its tables heaped with fruit, with cold joints, wears the wavering, unreal appearance of a place where one waits expecting something to happen. Things quiver as if not yet in being. The blankness of the white table-cloth glares. The hostility, the indifference of other people dining here is oppressive. We look at each other; see that we do not know each other, stare, and go off. Such looks are lashes. I feel the whole cruelty and indifference of the world in them. If he should not come I could not bear it. I should go. Yet somebody must be seeing him now. He must be in some cab; he must be passing some shop. And every moment he seems to pump into this room this prickly light, this intensity of being, so that things have lost their normal uses--this knife-blade is only a flash of light, not a thing to cut with. The normal is abolished.

A couple of minutes later, and the tram started to climb up from Alfama, the streets widened, heavy traffic and Lisboetas about their normal hum-drum business. We skipped off at a busy triangle where three roads converged. A handful of shoppers and workers waited in the small yellow bus shelters, or smoked against the trees that would fringe the diamond with shade when summer came again. Taxi drivers drank coffee from paper cups and ribbed an old guy shaving in his cab. Just another normal day rolling around; no problem, and life trips along no matter who dies in the night.

What I may have wanted instead, from the moment he stepped out of the cab to our farewell in Rome, was what al humans ask of one another, what makes life livable. It would have to come from him first. Then possibly from me. There is a law somewhere that says that when one person is thoroughly smitten with the other, the other must unavoidably be smitten as well. Amor ch’a null’amato amar perdona. Love, which exempts no one who’s loved from loving, Francesca’s words in the Inferno. Just wait and be hopeful. I was hopeful, though perhaps this was what I had wanted all along. To wait forever.

Let me give a simple example. The Uber map is a psychological moonshot, because it does not reduce the waiting time for a taxi but simply makes waiting 90 per cent less frustrating. This innovation came from the founder’s flash of insight (while watching a James Bond film, no less*) that, regardless of what we say, we are much bothered by the uncertainty of waiting than by the duration of a wait. The invention of the map was perhaps equivalent to multiplying the number of cabs on the road by a factor of ten – not because waiting times got any shorter, but because they felt ten times less irritating.

But before you call PETA, let me explain. I think all dogs should be off leashes, biting people! That's what they want to be doing, running in packs like the wild canines I saw in Bucharest that seem so happy to attack you, snarling and yapping when you get out of a cab. Dogs don't want to be home with their owners stuck in some sort of sick S&M relationship, sentenced to a lifetime of human caresses! How would you like to take a shit with someone following you around, waiting to pick it up with a plastic newspaper bag? Talk about humiliating! Also, I hate to tell you this, but can't you see? Your cat hates you

Sometimes the anticipation of something is scarier than the actual happening. I remember being in a cab in New York City with a friend when I was young and competing. We were playing this game: I’d look out the window and he’d slap my thigh as hard as he could. The pain wasn’t so bad, but the anticipation was unbearable. That’s fear for me most of the time. I picture the worst-case scenario unfolding and wait for that slap to come. Why do I do it? Maybe to protect myself. It’s like when you cross your fingers to ward off a jinx. If I think of the worst that could happen, it won’t happen. It’s some warped insurance policy.

A doorman peers up at the rain from under an awning. We reach Madison, where Holly waits in the drizzle while I stand in the doorway of a boutique, watching that dog walker, those Hasidic Jews, the Arab-looking businessman over there. A couple of cabs slow down, hoping to lure a fare, but Holly is gazing into the small green rectangle of Central Park at the far end of the block. Her mind must be in turmoil. To write a memoir in which psychic events irrupt occasionally is one thing, but for psychic events to dreamseed you, serve you Irish tea, and spin you a whole cosmology, that’s another. Maybe Ōshima’s right; maybe I should suasion her back to 119A.

Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect

She was overwhelmed, she would do anything. I could have it any way I wanted it, and she tried to pull me to her, but no, let's wait a while. I tell you I want to talk to you, I tell you money is no object, here's three more, that makes eight dollars, but it doesn't matter. You just keep that eight bucks and buy yourself something nice. And then I snapped my fingers like a man remembering something, something important, an engagement. 'Say!' I said. 'That reminds me. What time is it?' Her chin was at my neck, stroking it. 'Don't you worry about the time, honey. You can stay all night.' A man of importance, ah yes, now I remembered, my publisher, he was getting in tonight by plane. Out at Burbank, away out in Burbank. Have to grab a cab and taxi out there, have to hurry. Goodbye, goodbye, you keep that eight bucks, you buy yourself something nice, goodbye, goodbye, running down the stairs, running away, the welcome fog in the doorway below, you keep that eight bucks, oh sweet fog I see you and I'm coming, you clean air, you wonderful world, I'm coming to you, goodbye, yelling up the stairs, I'll see you again, you keep that eight dollars and buy yourself something nice. Eight dollars pouring out of my eyes. Oh Jesus kill me dead and ship my body home, kill me dead and make me die like a pagan fool with no priest to absolve me, no extreme unction, eight dollars, eight dollars ..

This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.

we all jumped—a cab with its light on skidded across the lane to us, throwing up a fan of sewer-smelling water. “Watch it!” said Goldie, leaping aside as the taxi plowed to a stop—and then observing that my mother had no umbrella. “Wait,” he said, starting into the lobby, to the collection of lost and forgotten umbrellas that he saved in a brass can by the fireplace and re-distributed on rainy days. “No,” my mother called, fishing in her bag for her tiny candy-striped collapsible, “don’t bother, Goldie, I’m all set—” Goldie sprang back to the curb and shut the taxi door after her. Then he leaned down and knocked on the window. “You have a blessed day,” he said. iii. I LIKE TO THINK of myself as a perceptive person (as

A labourer sat in a gin shop soon after dawn, reading his Pickwick. He was joined by a fishmonger, also with his Pickwick, whose reeking skin would normally drive men to anywhere else, but not now, for a jolly mood bonded the two and they talked of the antics on a Pickwickian page. Then came a man who parked his donkey cart outside, and, having given the beast a nosebag, he sipped gin noisily in between quoting Sam Weller; and then a milkmaid came, who put down her pails, and she too stopped for a gin and a few minutes’ talk of Pickwick. The surgeon would read Pickwick in a cab on his way to the hospital; the omnibus driver would read Pickwick while the horses were changed; the blacksmith would read Pickwick while waiting for metal in a furnace; the cook would read Pickwick when she was stirring the soup; the mother would read Pickwick when the child was at her breast. In all the unfilled gaps in people’s lives, in all those moments when it was possible for reading to overlap another activity, Pickwick appeared.

Let me,’ said Cass. ‘It’s just about the only thing that a poor white woman can still do.’ Ida looked at her, and smiled. ‘Now, don’t you be like that,’ she said, ‘because you can suffer, and you’ve got some suffering to do, believe me.’ Cass handed the driver a bill. ‘You stand to lose everything – your home, your husband, even your children.’ Cass sat very still, waiting for her change. She looked like a defiant little girl. ‘I’ll never give up my children,’ she said. ‘They could be taken from you.’ ‘Yes. It could happen. But it won’t.’ She tipped the driver, and they got out of the cab. ‘It happened,’ said Ida, mildly, ‘to my ancestors every day.’ ‘Maybe,’ said Cass, with a sudden flash of anger, and very close to tears, ‘it happened to all of us! Why was my husband ashamed to speak Polish all the years that he was growing up? – and look at him now, he doesn’t know who he is. Maybe we’re worse off than you.’ ‘Oh,’ said Ida, ‘you are. There’s no maybe about that.’ ‘Then have a little mercy.’ ‘You’re asking a lot.

Woody Allen once said that 80 percent of success is showing up. Having written and directed fifty films in almost as many years, Allen clearly knows something about accomplishment. How, when, and where you show up is the single most important factor in executing on your ideas. That’s why so many creative visionaries stick to a daily routine. Choreographer Twyla Tharp gets up at the crack of dawn every day and hails a cab to go to the gym—a ritual she calls her “trigger moment.” Painter Ross Bleckner reads the paper, meditates, and then gets to the studio by 8 a.m. so that he can work in the calm quiet of the early morning. Writer Ernest Hemingway wrote five hundred words a day, come hell or high water. Truly great creative achievements require hundreds, if not thousands, of hours of work, and we have to make time every single day to put in those hours. Routines help us do this by setting expectations about availability, aligning our workflow with our energy levels, and getting our minds into a regular rhythm of creating. At the end of the day—or, really, from the beginning—building a routine is all about persistence and consistency. Don’t wait for inspiration; create a framework for it.

YOU GO THROUGH LIFE thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. The cab was waiting outside the station. The airport, I said, but no sound came out. “The airport,” I said, and we pulled away. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.

Why would intelligent, capable British and French government officials continue to invest in what was clearly a losing proposition for so long? One reason is a very common psychological phenomenon called “sunk-cost bias.” Sunk-cost bias is the tendency to continue to invest time, money, or energy into something we know is a losing proposition simply because we have already incurred, or sunk, a cost that cannot be recouped. But of course this can easily become a vicious cycle: the more we invest, the more determined we become to see it through and see our investment pay off. The more we invest in something, the harder it is to let go. The sunk costs for developing and building the Concorde were around $1 billion. Yet the more money the British and French governments poured into it, the harder it was to walk away.3 Individuals are equally vulnerable to sunk-cost bias. It explains why we’ll continue to sit through a terrible movie because we’ve already paid the price of a ticket. It explains why we continue to pour money into a home renovation that never seems to near completion. It explains why we’ll continue to wait for a bus or a subway train that never comes instead of hailing a cab, and it explains why we invest in toxic relationships even when our efforts only make things worse. Examples

The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen

I'll tell you this,though, Frankie makes me happy. So does Sadie. I don't want to canoodle with either of them, but I love them to death." "Must you use those words in my presence?" "Sorry.But.Truth:You are dead as the spat." Edward sighed. "You're right.You're absolutely right. So I suppose you'd best go to sleep, darling Ella. It's late. And,as was famously said, 'tomorrow-'" "-is another day? Thank you, Scarlett O'Hara." "Actually-" -he scowled at me- "I was going to say, 'Tomorrow comes. Tomorrow brings, tomorrow brings love, in the shape of things.'" "Shakespeare?" I asked. "Queen," he shot back. "Not nearly as good as 'Bohemian Rhapsody' or 'Fat Bottomed Girls,' but certainly poetic." "Good night, Edward." "Good night, lovely girl." I turned off the light and climbed into bed. "Oh.By the way." "Yes?" "I think I figured out why you called Diana all those nicknames. 'Spring,' 'Cab,' 'Post'..." "Yes?" "They're all things you wait for. I think Diana was making you wait, and it was making you crazy. Am I right?" "Oh,Ella. You know I can't tell you that. I will,however, leave you with one more lovely old chestnut-" "'All good things are worth waiting for?'" "I really wish you would let me finish a thought tonight. I was going to say, 'Ain't nothing like the real thing, baby.'" "Marvin Gaye," I said. "The one and only.

I’d never been with anyone like Marlboro Man. He was attentive--the polar opposite of aloof--and after my eighteenth-month-long college relationship with my freshman love Collin, whose interest in me had been hampered by his then-unacknowledged sexual orientation, and my four-year run with less-than-affectionate J, attentive was just the drug I needed. Not a day passed that Marlboro Man--my new cowboy love--didn’t call to say he was thinking of me, or he missed me already, or he couldn’t wait to see me again. Oh, the beautiful, unbridled honesty. We loved taking drives together. He knew every inch of the countryside: every fork in the road, every cattle guard, every fence, every acre. Ranchers know the country around them. They know who owns this pasture, who leases that one, whose land this county road passes through, whose cattle are on the road by the lake. It all looked the same to me, but I didn’t care. I’d never been more content to ride in the passenger seat of a crew-cab pickup in all my life. I’d never ridden in a crew-cab pickup in all my life. Never once. In fact, I’d never personally known anyone who’d driven a pickup; the boys from my high school who drove pickups weren’t part of my scene, and in their spare time they were needed at home to contribute to the family business. Either that, or they were cowboy wannabes--the kind that only wore cowboy hats to bars--and that wasn’t really my type either. For whatever reason, pickup trucks and I had never once crossed paths. And now, with all the time I was spending with Marlboro Man, I practically lived in one.

By contrast, one company that clearly understands the stakes is Uber. In the last several years, few companies have captured the media’s attention like Uber. In my opinion, Uber has been successful because it’s perfectly nailed a Job to Be Done. Yes, Uber can often offer a nice car to take you from point A to point B, but that’s not where it’s built its competitive advantage. The experiences that come with hiring Uber to solve customers’ Jobs to Be Done are better than the existing alternatives. That’s the secret to its success. Everything about the experience of being a customer—including the emotional and social dimensions—has been thought through. Who wants to have to outmaneuver other poor schlubs on the same street corner who are trying to hail a cab? You don’t want to either pay for a car service to wait outside your meeting or be at its mercy when you’re finally ready to call it to come back and get you. With Uber, you simply push a few buttons on your mobile phone and you know that in three minutes or seven minutes a specific driver will arrive to pick you up. Now you can relax and just wait. You don’t have to worry if you have enough cash in your wallet or fear that if you swipe your credit card in that taxi machine, you’ll get a call from your bank wondering if you’ve recently made purchases in some state you’ve never even been to. Calling an Uber has even more potential to ease your anxieties about getting into a cab alone. With Uber there’s a record of your request, you know specifically who is picking you up, and you know from the driver’s ratings that he or she is reliable.

Eight o’clock. A cab will be waiting downstairs. You will wear the same dress, and no bra or panties. You will be mine for the evening. You will not talk back to me, just let me fuck you the way I want to—not because I paid for your shit, but because we both need a distraction. For every sass you give me, I will slap your pussy. For every no I hear, I will deny you an orgasm. Am I clear?

This ends now. You had no right to change the date without consulting me first.” “Enough with the dramatics. I get it. You don’t want to marry me in June. We’ll move it. Point made,” she snapped at me. “No, you don’t get it! I don’t want to marry you. Not in June. Not in July. Not two years from now. Not anytime.” I felt like I was reading from the Dr. Seuss book Laney had quoted to the little girl at Jughead’s Diner. Not in June, not on the moon, not in socks, not in a box. Never, never! “I’m done, Sloane.” There was a pause. Who was being dramatic now? “You can’t do this to me!” “Me, me, me!” I seethed. “Just because marriage starts with an m and ends with an e , it’s not all about you!” “Well, the word mistake does, too, but you can’t blame me for the one you’re making, mister. Just wait until my father—” My cab careened past Ruel’s and the other cars idling along the curb for departures and swung into the first free space. I had caught up with Laney. I breathed a sigh of relief. “Have a nice life, Sloane.

I think that one of the things that effects us most when a celebrity as important as Bowie dies, is the certain knowledge that we ourselves have just moved forwards in the cab-line, and out there somewhere, our alloted fate is circling the block…waiting to make a pick up.

Amid this social intercourse, however, he avoided sedulously a meeting with Mrs. Annice; he had decided not to see her for a while. Indeed, it was not till an evening late in February, after dinner, that he took a cab to her house near Washington Square. He found her at home, and had not waited a minute before she came into the room. She was a tall woman, and wonderfully handsome by gaslight; but she had that tiresome habit, which many women have, of talking intensely--in italics, as it were: a habit found generally in women ill brought up-women without control of their feelings, or command of the expression of them. ("The Bargain of Rupert Orange")

You can’t carry me out your front door in the middle of the day and drop me on the sidewalk!” “I wasn’t going to.” He sounded offended. “I was going to carry you to your cab.” “That’s worse!” she exclaimed, drawing a confused look from him. Good heavens, one would think he’d no idea how one got rid of a female visitor without being seen! “I can’t be seen in public looking like this, Mr. Powell. One leg of my pants is missing—and heaven knows, no respectable woman wears pants to begin with—” “You look very nice in them,” he said. She perked up at that. She didn’t think they looked so awfully bad, either. “Thank you. They’re ever so comfortable, too, and—” What was she thinking? They were drawing perilously near the front door and he still showed no signs of releasing her. “That’s beside the point! I shouldn’t be wearing them and you know it. Just as you know you can’t be seen carrying me out of your house, and no,” she answered his expression as clearly as if he’d spoken out loud, “it would not be better if you waited and carried me out tonight.

At the next street-lamp, she sees a woman with painted lips and smudged eyes waiting in a doorway. A hansom cab drives up, stops, and a man in a tail coat and a shining silk top-hat gets out. Even though the woman in the doorway wears a low-cut evening gown that might once have belonged to a lady of the gentleman’s social class, the black-clad watcher does not think the gentleman is here to go dancing. She sees the prostitute’s haggard eyes, haunted with fear no matter how much her red-smeared lips smile. One like her was recently found dead a few streets away, slit wide open. Averting her gaze, the searcher in black walks on. An unshaven man lounging against a wall winks at her. “Missus, what yer doing all alone? Don’t yer want some company?” If he were a gentleman, he would not have spoken to her without being introduced. Ignoring him, she hastens past. She must speak to no one. She does not belong here. The knowledge does not trouble her, for she has never belonged anywhere. And in a sense she has always been alone. But her heart is not without pain as she scans the shadows, for she has no home now, she is a stranger in the world’s

You used to look out the window of your daddy's truck riding to the Towne House and imagine that somewhere from one of these tract houses amid the razor grass and the industrial-maze skyline of contorted steel, a boy riding to the dance might also be pretending that he was being ferried over snowy hills in a Russian sledge. Or perhaps in another truck cab, a girl your age was rethumbing Catcher in the Rye and half believing that in the Towne House Holden Caulfield would be waiting under the exit sign in all his wounded, cynical splendor. And that very evening conversation would be struck like a flint, and endless isolate dark illuminated. But how would such a person find you unless you hung it all out there?

One last chore, I said to myself as I put on my lipstick. Aaron was already waiting for me by the front door. “It’s freezing,” I told him as I pulled my coat tighter. “The driver should be here any minute.” There were lots of positives from having the kind of money Aaron had; never having to drive and find parking or catch a cab was one of my favorites. The black car pulled in front of us moments later.

The flight attendant verified one more time that everyone’s seat belt was fastened. The passenger seated next to Lucie, a big blond fellow, had practically dug his fingers into the armrests. He stared at her with cocker spaniel eyes. “Here it comes again—I’m starting to feel like I’m dying. I really envy people like you who can sleep anywhere.” Lucie gave him a polite smile. Her mouth was pasty and she didn’t feel like making chitchat. The landing at Montreal-Trudeau airport was soft as could be. The ground temperature was about the same as a classic summer in the north of France. No real sense of disorientation, particularly since much of the population was French-speaking. Once the usual business was behind her—customs, verification of the letter rogatory, the wait at baggage claim, currency exchange—Lucie hailed a cab and let herself collapse onto the backseat. Evening was just beginning here, but across the Atlantic night was well under way.

. . . what I told Malory happened next is that when he looked over at her then it was like he'd been waiting a hundred years to see her, and this crazy ass Ledfeather girl all the way from Standing Rock, she looked off after the elk and then back at Doby through her hair, like she'd maybe been waiting for him too, but was scared a little, wanted to be sure, so Doby opened his mouth and said her name across the backseat of Junior's cab, Claire, like a flower opening in his mouth, and she held her lips together and nodded thank you to him, yes, thank you, and then swallowed what was in her throat and just let the sides of their hands touch together again some like it didn't really matter. But it did.

Oh, on the contrary, I'm plenty real, and I can prove it." "Prove it then. I'll be waiting.

It is hard to say what will happen to the people that pass in and out of life.  A simple cab driver can be just a driver, or he can be the love of one’s life.  A woman on the street waiting for a ride could become a passenger, or something much deeper.  In the end, you never know who you will meet or where.

Paul Costelloe One of the most established and experienced names in British fashion, Irish-born Paul Costelloe has maintained a highly successful design label for more than twenty-five years. He was educated in Paris and Milan, and has since become known for his expertise in fabrics, primarily crisp linen and tweed. I was commuting to London from Ireland at the time when I got a call to come to Kensington Palace. I got a minicab and threw some garments in the back of the car, and the driver drove me to Kensington Palace. The police at the gate were surprised to see a battered minicab--it was no black cab, if you know the difference between a black cab and a minicab in London (a minicab is half the price of a black cab and always more battered). Anyway, they asked me who I was. I said, “I have an appointment to see Diana,” and they told me to wait. They were reluctant to let me through the gates--it was during the major troubles in Northern Ireland, during the mid to late seventies and early eighties, when Belfast was blazing--but I was soon met at the door. I remember hauling my garments up the stairs of the palace. I fell. Diana came halfway down the stairs and gave me a hand with the garments. Then we went into the living room and had a lovely cup of tea, and I met the children, William and Harry. She tried on some of the garments right there in front of me. I (being a confirmed heterosexual) found her very attraction. I came back down the stairs, and half an hour later she made her selection. She was a perfect size 10 (that would be a U.S. size 8), except she was tall, so a few things had to be lengthened. She was an absolute delight. Afterward, I went into Hyde Park for the afternoon and sat on a bench. I just couldn’t believe what had just happened!

Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.

God could no longer see the faces of the men, only red and orange hazes. He heard taunting voices in his mind spurring him on, calling him a “pussy,” and old, hairy hands reaching out to grab him. His gripped tightened on the punk’s neck and he cocked his right arm back ready to do some serious damage. “Let him go.” God shook his head at the familiar deep voice. “I said, let him go now!” He felt two strong hands land on his shoulders and heat seeped its way into him from behind. “Put him down, God. Right now before you kill him. Listen to my voice.” Day was up on his tiptoes speaking into his ear. His breath was hot on his neck and it gave him a tingling in his spine. “Cashel, stop,” Day whispered. God put his right arm down and released the man from his grip. He didn’t wait to see the man’s body drop. He spun around and looked into his friend’s eyes, and was relieved when he didn’t see judgment, sorrow, or pity…all he saw was relief and then concern. Day grabbed him and held on to him tightly. His embrace was strong and confident…exactly what God needed to feel right then. “Come on, we gotta get out of here.” Day gripped the back of his arm and moved them quickly out of the alley and into a waiting taxi. “Wait…my truck.” “It’s taken care of.” Day kept him from getting out of the vehicle. “What do you mean?” “I mean you owe me two hundred dollars because that’s what I just paid the bartender to follow us back to my place in your truck.” God spun around and saw his huge truck’s headlights behind them. “You have a stranger driving my truck…my fucking guns are in there, Leo.” “You should’ve thought about that earlier, Cash,” Day growled right back. “If you’re going to lecture me, Leo…fucking save it.” God slid down farther and let his aching head rest on the back of the seat as the cab accelerated onto the highway. “You know me better than that, Cash. I’m not going to lecture you. I’m going to kick your ass,” Day said matter-of-factly and turned to look out the window. Neither one said anything else the rest of the ride.

Uber, a car service start-up founded by Travis Kalanick and Garrett Camp, has been giving out free rides during Austin’s SXSW conference for several years. During a single week, thousands of potential Uber customers—tech-obsessed, high-income young adults who cannot find a cab—are motivated to try out this service. One year Uber offered free rides. Another year, it offered BBQ delivery. Instead of spending millions on advertising or countless resources trying to reach these potential users in their respective cities, Uber just waited for the one week a year when they were all in one place and did something special. And Uber did this because a few years earlier they’d watched Twitter take SXSW by storm with a similar collaboration with the conference. This is thinking like a growth hacker—it’s how you get the most bang for your buck and how you get it from the right people.

I had someone in my cab yesterday who told me that they’re going to change the Redskins’ name. Do you know what they are going rename them?” The driver waited for Webb to respond. “Uh, no. What?” he asked finally. “The Washington Deadskins,” the driver said, belting out a squeaky laugh. “The Washington Deadskins.

I jumped out of the cab and flung money at the driver without counting it or waiting for change, and as I ran into the terminal I thought, Chuppah. That was the name of the Jewish wedding canopy. Remembering the word pleased me a whole lot more than it should have, and I made a mental note to think about why that mattered some other day. I

Bel Air (music) Fresh Prince". About how My life upside down backwards. I would like to take a moment. Sitting there I can tell you that I was a prince of a town called Bel Air. Born in West Philadelphia. I spent most of my court date. All is well for fun "Relaxin" Maxi. And every school to take some balls B-. When a few good ones. The problem started in my field. I had to struggle a little afraid of my mother. He said: "You went to live with her aunt and uncle in Bel Air.". I confess and diary But boxed me on my way. He kissed me and I gave him my card. I put my Walkman and said. "I can" I first layer is bad. Champagne glass of orange juice consumption. This is what people who live in Bel Air? Ah, this could be good But wait, I hear you're a prude, all middle class. This is a place where you just need to write a cool cat? I do not I do not know, but I do not understand. I hope you're ready for Prince of Bel-Air. Good landing, and I A police man at my name. However, any attempt to stop. I just moved here I grew up at a high speed, I lost. I whistled for a cab and asked him to come. Put the dice "live" and a mirror. If what I say in the cab are small. But I thought, "No, we must not forget.". -. "I'm home Bel Air". I went to the house about seven or eight. The taxi driver where I wanted to scream. "I do not smell it.". I looked at my kingdom. Eventually, I was able When he sat on the throne, Prince of Bel Air.

Tom wasn’t just mad. No, the bastard was planning on getting even. Prophet could sense the fuck out of that shit. Two days later, he was waiting on Tom to get home from the EE offices when Tom called him instead. Sounding, if not a little drunk, then definitely loose. “Hey, Proph. What’s up?” “You called me, Tom. Where are you?” “Club.” “Club?” Prophet echoed suspiciously. “Place you took Mal, I think.” What the fuck? “Jesus, T.” Tommy and a BDSM club was trouble. The kind that made his dick hard. “Come meet me for a drink,” Tom demanded belligerently. Pissed and a little drunk. Not a good combo. “Get in a cab and come home.” “Nope. You’ll have to come for a drink.” Fuck me. “Fine. Make it a shot. And then I’m dragging you home.” “And putting me over your knee?” Tommy’s deep, slightly drunk drawl jolted Prophet. How had Tommy wrapped him so thoroughly around his finger? “I’m coming.” “Yeah, you are.” “Tommy, Christ.

She was every bit of everything he remembered about her, all at once and all at the same time. That was Kerry McCrae in a nutshell, he thought. All at once, full on, 100 percent real. No bullshit. She froze on seeing him, and while the wariness in her beautiful green eyes wasn’t a surprise, the vulnerability sure was. “Starfish--” “Don’t call me that,” she said, then immediately, and less stridently, added, “Not here.” She ducked around him before he could react and was down the set of wooden steps leading off the narrow cement loading dock that ran along the back of the pub, heading across the gravel lot. He started after her. He might not have handled any of this even close to how he’d planned, but he wasn’t flying all the way back home without at least a conversation. A private conversation. You might have wanted to lead with that, you yobbo. “Kerry, wait.” “Not here,” she repeated, then opened the driver’s side door to a beat-up old navy blue truck that looked like it was more rust than actual metal. “Get in.” “I’ve got a rental. I’ll be happy to--” She swung her laser green gaze to his. “Get in.” She slammed the door without waiting for a reply, then slammed it a second time to get the handle to catch. He climbed in the passenger side, not all that surprised to find the inside of the cab surprisingly clean and as well maintained as possible, given the thing had one tire, if not two, in the grave. Kerry McCrae had never fussed about how she looked or what she wore, but when it came to property or equipment, whether it be her own or simply entrusted to her care, no matter how old or worn out, she had a dab hand at keeping it clean and neat, all systems go. Her concern was never about appearance, just functionality and getting the job done. It was sexy as hell then, and it was sexy as hell now.

And how do we know that?” I riposted. “Because they’ve screwed up so many of them! Secrecy they have plenty of. What they are crucially short of are competence and reliability. If a Soviet Premier were to order a nuclear mine built, he’d be delivered something the size of a Sherman tank, that worked one time out of four… and sure as God made little green horseflies, somebody on the very first penetration team would defect. That’s the problem they’ll never crack: if a man is intelligent enough to be worth sending abroad, they don’t dare let him out of the country.” “They build very good missiles,” she argued. “That suggests they can produce good technology if they want to badly enough.” “Says who? How often do they ever fire one at a target anyone else can monitor? I told you: esoteric weapons are one of my hobbies.” “Well, very good spaceships—that’s the same thing.” “They build shitty spaceships. Ever seen the inside of one? They look like something out of Flash Gordon, or the cab of a steam locomotive. Big knife-switches and levers and dials that’d look natural in a Nikola Tesla exhibit. No computers worth mentioning. After the Apollo-Soyuz linkup, our guys came back raving at the courage of anyone who would ride a piece of junk like that into space.” “The Soviet space program is much more substantial than America’s! It has been since long before Apollo.” “With shitty spaceships. It’s just that they don’t stop building them, the way this stupid country has. Did you ever hear the story about the first Soviet space station crew?” “Died on reentry, didn’t they? Something about an air leak?” “Leonov, the first man ever to walk in space, has been in the identical model reentry vehicle many times. He’s been quoted assaying that the crew of that mission had to have heard the air whistling out, and that any of the three of them could easily have reached out and plugged the leak with a finger. They died of a combination of bad technology and lousy education. You wait and see: if the Soviets ever open the books and let us compare duds and destructs, you’ll find out they had a failure rate much higher than ours. You know those rockets they’ve got now, that everybody admires so much, the ‘big dumb boosters’? They could have beat us to the Moon with those. But of the first eight to leave the launch pad, the most successful survived for seventeen seconds. So they used a different booster for the Moon project, and it didn’t make the nut.

The city loved labels, so there was mine. I was a cab driver. I would drive you safely to wherever you needed to be. I was underrated but essential, the backbone to all that was thriving, and the people needed me...

Come on, Noodle. Let’s head back.” Pulling my coffee closer, I hug it like it’s my last true friend. “I needed to make some changes anyway. This table is my home now. Forward my mail.” Laughing, Benny reaches into his back pocket, fishing out his wallet. “You’ll feel better after you talk to Andrew.” “Are they all waiting at the van?” He shakes his head and pulls a clean hundred-dollar bill out, dropping it on the table. “They all headed back a while ago.” He stands. “We can take a cab.” I stare at the bill on the table. “Holy Benjamin Franklin. My coffee was, like, four dollars.” “I don’t have anything smaller on me.” “Let me just pay with my debit card.” I start to stand, but he puts a hand on my arm. “Mae. I got it. It’s almost Christmas, and this nice little restaurant has kept you safe from cars and awnings and all other dangerous flying objects.” He shrugs. “You ever hear of Spotify?” “Uh, yeah?” He grins. “I got in early.” “How early?” “Early.” He lifts his chin to the door. “Let’s go.

How can it be so, this hovering sense of being both victim and perpetrator, both us and them, both me and him? Have we been expelled from an arcadia of fun where nature provided us with innocent automata, lowing and braying machines for our amusement? I doubt it. I doubt it very much. I tell you what I think, since you ask, since you dare to push your repulsive face at me, from out of the smooth paintwork of my heavily mortgaged heart. I think there was only so much fun to go round, only so much and no more available. We've used it all up country dancing in the gloaming, kissing by moonlight, eating shellfish while the sun shatters on our upturned fork and we make the bon point. And of course, the think about fun is that it exists solely in retrospect, in retroscendence; when you're having fun you are perforce abandoned, unthinking. Didn't we have fun, well, didn't we? You know we did. You're with me now, aren't you? We're leaving the party together. We pause on the stairs and although we left of our own accord, pulled our coat from under the couple entwined on the bed, we already sense that it was the wrong decision, that there was a hidden hand pushing us out, wanting to exclude us. We pause on the stairs and we hear the party going on without us, a shrill of laughter, a skirl of music. Is it too late to go back? Will we feel silly if we go back up and announce to no one in particular, 'Look, the cab hasn't arrived. We thought we'd just come back up and wait for it, have a little more fun.' Well, yes, yes, we will feel silly, bloody silly, because it isn't true. The cab has arrived, we can see it at the bottom of the stairs, grunting in anticipation, straining to be clutched and directed, to take us away. Away from fun and home, home to the suburbs of maturity. One last thing. You never thought that being grown up would mean having to be quite so - how can I put it? Quite so - grown up. Now did you? You didn't think that you'd have to work at it quite so hard. It's so relentless, this being grown up, this having to be considered, poised, at home with a shifting four-dimensional matrix of Entirely Valid Considerations. You'd like to get a little tiddly, wouldn't you? You'd like to fiddle with the buttons of reality as he does, feel it up without remorse, without the sense that you have betrayed some shadowy commitment. Don't bother. I've bothered. I've gone looking for the child inside myself. Ian, the Startrite kid. I've pursued him down the disappearing paths of my own psyche. I am he as he is me, as we are all . . . His back, broad as a standing stone . . . My footsteps, ringing eerily inside my own head. I'm turning in to face myself, and face myself, and face myself. I'm looking deep into my own eyes. Ian, is that you, my significant other? I can see you now for what you are, Ian Wharton. You're standing on a high cliff, chopped off and adumbrated by the heaving green of the sea. You're standing hunched up with the dull awareness of the hard graft. The heavy workload that is life, that is death, that is life again, everlasting, world without end. And now, Ian Wharton, now that you are no longer the subject of this cautionary tale, merely its object, now that you are just another unproductive atom staring out from the windows of a branded monad, now that I've got you where I want you, let the wild rumpus begin.

Ever tell you about my bike accident, Stu? Changed my life." He ignored her. "Changed. My. Life." He sighed and dropped his earphones onto his neck. "Okay. Make it quick." "Know why?...Because I saw something terrible." She blinked into the darkness. She'd been so scared. "You waiting for a drumroll or something?" "The truth. That's what I saw." "Wow. The Dalai Lama. In my cab. Drunk. I'm so honoured.

In my cab she waits till my white Cap drove her Home.

How I wish I could fold inward and shut down and shake off predators with one touch. What a skill, what a thrill that could be. Touch me now on the dance floor, don't you see my wedding ring? Touch me not in the subway; touch me not on the train, one the plane, in a cab or a limo. Touch me not in a funicular going up the side of a mountain, touch me not on the deck of a cruise ship, touch me not in the green room right before I go onstage, touch me not at the bar while I wait for my to-go order, touch me not at a faculty party, touch me not if you are a visiting writer, touch me not at the post office while I'm waiting to send a letter to my grandmother, let me and my children and everyone's children decide who touches them and who touches them not, touch them not, touch them now.

Meanwhile I was trying to stave off the ache I'd developed. I noticed it first at the airport, coming home from a trip. There was a crowd on the other side of customs, holding flowers, the little kids dressed up and excited, waiting for their loved ones, who were returning home. I hated walking past that gauntlet of waiting people, because none of them were waiting for me. I stood in the cab line and felt the weight of my aloneness come down on me.

How may I help, Bea?” Poppy asked, approaching her. Her younger sister handed her a length of heavy silk cord. “Tie this ’round the neck of the jar, please. Your knots are always much better than mine.” “A clove hitch?” Poppy suggested, taking the twine. “Yes, perfect.” Jake Valentine regarded the two intent young women dubiously, and looked at Harry. “Mr. Rutledge—” Harry gestured for him to be silent and allow the Hathaway sisters to proceed. Whether or not their attempt actually worked, he was enjoying this too much to stop them. “Could you make some kind of loop for a handle at the other end?” Beatrix asked. Poppy frowned. “An overhand knot, perhaps? I’m not sure I remember how.” “Allow me,” Harry volunteered, stepping forward. Poppy surrendered the end of the cord to him, her eyes twinkling. Harry tied the end of the cord into an elaborate rope ball, first wrapping it several times around his fingers, then passing the free end back and forth. Not above a bit of showmanship, he tightened the whole thing with a deft flourish. “Nicely done,” Poppy said. “What knot is that?” “Ironically,” Harry replied, “it is known as the ‘Monkey’s Fist.’ ” Poppy smiled. “Is it really? No, you’re teasing.” “I never tease about knots. A good knot is a thing of beauty.” Harry gave the rope end to Beatrix, and watched as she placed the jar atop the frame of the food lift cab. Then he realized what her plan was. “Clever,” he murmured. “It may not work,” Beatrix said. “It depends on whether the monkey is more intelligent than we are.” “I’m rather afraid of the answer,” Harry replied dryly. Reaching inside the food lift shaft, he pulled the rope slowly, sending the jar up to the macaque, while Beatrix kept hold of the silk cord. All was quiet. The group held their breath en masse as they waited. Thump. The monkey had descended to the top of the cab. A few inquiring hoots and grunts echoed through the shaft. A rattle, a silence, and then a sharp tug at the line. Offended screams filled the air, and heavy thumps shook the food lift. “We caught him,” Beatrix exclaimed.

that he was about to black out and he was glad: at that moment there was nothing he wanted more than oblivion. CHAPTER 36 Even though he was following the news closely on the radio, Dinu had trouble understanding exactly what was under way in northern Malaya. The bulletins mentioned a major engagement in the region of Jitra but the reports were inconclusive and confusing. In the meantime, there were other indications of the way the war was going, all of them ominous. One of these was an official newspaper announcement listing the closing of certain post offices in the north. Another was the increasing volume of southbound traffic: a stream of evacuees was pouring down the north–south highway in the direction of Singapore. One day, on a visit to Sungei Pattani, Dinu had a glimpse of this exodus. The evacuees seemed to consist mainly of the families of planters and mining engineers. Their cars and trucks were filled with household objects—furniture, trunks, suitcases. He came across a truck that was loaded with a refrigerator, a dog and an upright piano. He spoke to the man who was driving the truck: he was a Dutchman, the manager of a rubber plantation near Jitra. His family was sitting crowded in the truck’s cab: his wife, a newborn baby and two girls. The Dutchman said he’d managed to get out just ahead of the Japanese. His advice to Dinu was to leave as soon as possible—not to make the mistake of waiting until the last minute. That night, at Morningside, Dinu told Alison exactly what the Dutchman had said. They looked at each other in silence: they had been over the subject several times before. They knew they had very few choices. If they went by road, one of them would have to stay behind—the estate’s truck was in no shape to make the long journey to Singapore and the Daytona would not be able to carry more than two passengers over the

one of these fancy houses. But Dale might show up at the Kermex lot with the cops, and nobody could risk that. Least of all Wells. He tossed the box of fried chicken on the lawn – maybe the smell would attract raccoons. They walked for miles down Mount Vernon in rain that turned into a full-on thunderstorm. Wells forced himself to stick with Eduardo and the others, though he worried that a cop might pick them up. Sandy Springs was the richest suburb in Atlanta, and its police didn’t look kindly on brown men wandering the streets. For long stretches, the road had no shoulder or sidewalks, and twice they were forced to jump into brush to avoid speeding SUVs. Finally they reached 285 and waited interminably for a bus. From now on Wells was bringing twenty bucks and his cell phone on these jobs, so he could call a cab if he got ditched. He had been colder and hungrier plenty of times, but he couldn’t remember being quite so furious. He expected more from his country. Beside him the Guatemalans chattered away until finally Wells tapped Eduardo’s shoulder. ‘You speak English?’ Wells said. Eduardo smiled. ‘Good as you speak Spanish.’ ‘Then can I ask you something? You like it here?’ ‘Every month I send my family seven hundred dollars. They building a house in Escuintla, where I’m from,’ Eduardo said. ‘When it’s done, I go home.’ ‘You don’t want to stay?’ ‘You

Good evening, Miss Tramell.” The doorman accompanied the greeting with a tap of his fingers to the brim of his hat and waited patiently while I swiped my debit card. When I’d finished paying, I accepted his help out of the back of the cab and felt his gaze slide discreetly over my tearstained face.

The initial guiding principle was simple: “Buy the rights to a fine play, hire the biggest names available, and hope the public will listen.” But competition for big names was fierce in New York. When film stars came east—usually on a train between movies, en route to Europe—they were mobbed by agents seeking their appearances on the big variety shows. An appearance on The Rudy Vallee Hour or Shell Chateau paid more and was less demanding—a bit of fluff between musical selections, which an actor could learn in a single rehearsal. The demand for top stars was so desperate that Lux scouts created devious ways of snaring them. One “bright young fellow,” as described by Radio Guide, simply grabbed up Leslie Howard’s suitcases and led him through a gauntlet of competing agents to a waiting cab. Only when they were settled in the car did it occur to Howard to ask who he was. “I’m from The Lux Radio Theater, and you’re going to act for us tomorrow night,” said the brash young fellow. He had caught (and subsequently booked) a hot young star by knowing that “a man will always follow his suitcases.

The sun had barely come up, but the city was already full of life. Men carried dark suitcases, and women in stylish winter coats scurried along like ants in a gigantic ant farm, all of them knowing exactly where they were headed, no time needing to be wasted. Business men and women poured out of never-ending lines of yellow cabs that never had to wait long before new, hurried customers jammed themselves into the vehicles. It was Matt and Maude’s turn to scramble inside a cab Matt had successfully hailed.

That’s what I like to hear. Where are you?” “The Nugget, downtown.” “What’s the matter with Mesas? Give you casino rate.” “The Strip,” Chili said, “you have to get a cab to go anywhere. Here, you walk out the door you’re in Vegas.” Right there out the window, the Pioneer, Binion’s, Sassy Sally’s, all the grind joints, hot slots, discount prime ribs, keno, bingo, race and sports book . . . cleaning and pressing While-U-Wait . . .

And now,”she said, raising her hand for a cab, “your wish has been granted. You may go home and forget I ever existed.”A taxi swung up to the curb. “Whatever happens next is not on your conscience.” “Wait,”I said. “Gobi . . .” She leaned forward, kissing me briefly on the mouth. “Au revoir, Perry.” “Wait,”I said. But she didn’t. She climbed into the taxi. She didn’t look back.

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I’m too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She’s waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I’m eager to reunite our lives through some kind of friendship. I’m so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met?