Cab Protest Quotes

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Grazer and Cohn - two outsiders with learning disabilities-played a trick. They bluffed their way into professions that would have been closed to them. The man in the cab assumed that no one would be so audacious as to say he knew how to trade options if he didn't. And it never occurred to the people Brian Grazer called that when he said he was Brian Grazer from Warner Brothers, what he meant was that he was Brian Grazer who pushed the mail cart around at Warner Brothers. What they did is not "right," just as it is not "right" to send children against police dogs. But we need to remember that our definition of what right is, often as not, simply the way that people in positions of privilege close the door on those on the outside. David has nothing to lose, and because he has nothing to lose, he has the freedom to thumb his nose at the rules set by others. That's how people with brains a little bit different from the rest of ours get jobs as options traders and Hollywood producers-and a small band of protesters armed with nothing but their wits have a chance against the likes of Bull Connor
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
Stanley Perlman. She hurried out of the building at One Market Plaza, stepped off the curb, and hailed a cab. It occurred to her, as it always did, that one of these days when she met with him, it would really be for the last time. He always said it was. She had begun to expect him to live forever, despite his protests, and in spite of the realities of time. Her law firm had handled his affairs for more than half a century. She had been his estate and tax attorney for the past three years. At thirty-eight, Sarah had been a partner of the firm for the past two years, and had inherited Stanley as a client when his previous attorney died. Stanley had outlived them all. He was ninety-eight years old. It was hard to believe sometimes. His mind was as sharp as it had ever been, he read voraciously, and he was well aware of every nuance and change in the current tax laws. He was a challenging and entertaining client. Stanley Perlman had been a genius in business all his life. The only thing that had changed over the years was that his body had betrayed him, but never once his mind. He was bedridden now, and had been for nearly seven years. Five nurses attended to him, three regularly in eight-hour shifts, two as relief. He was comfortable, most of the time, and hadn't left his house in years. Sarah had always liked and admired him, although others thought he was irascible and cantankerous. She thought he was a remarkable man. She gave the cabdriver Stanley's Scott Street address. They made their way through the downtown traffic in San Francisco's financial district, and headed west uptown, toward Pacific Heights, where he had lived in the same house for seventy-six years. The sun was shining brightly as they climbed Nob Hill up California Street, and she knew it might be otherwise when they got uptown. The fog often sat heavily on the residential
Danielle Steel (The House)
Leave . . . town? Really, Mr. Skukman, that might be taking matters a bit far. Why, the social season has just begun, and ticket sales have been quite brisk. Besides that, everyone knows that Mr. Grimstone, that oh-so-mysterious playwright of The Lady in the Tower, specifically requested that I play the part of the lead heroine. He’s certainly not going to be pleased if I abandon the role before the season gets into full swing. Why, he, as well as the theater, could suffer extensive losses.” “Losses or not, Mr. Grimstone will have no say in this, Miss Plum. Quite honestly, given his obvious esteem for you and your acting abilities, I have to imagine he’d prefer to find out you’ve gone missing over finding out you’ve stopped breathing.” “Silas doesn’t want to kill me, Mr. Skukman. He wants to acquire me.” “You and I both know you’d never allow him to acquire you, and from what I just saw down in the lobby, the man seems to be on the verge of losing his sanity. There’s a look in his eyes I don’t care for at all, which is why we’re going to get you into a hansom cab and on your way to Mrs. Hart’s brownstone. Once you’re there, I need you to pack as quickly as possible. I’ll be around to fetch you just as soon as I’m able.” “You want me to hire a cab instead of traveling to Abigail’s in my own carriage?” “Indeed. It’s not a complete secret that you now live with Mrs. Hart, which means it won’t be too difficult for Silas to discover your direction after he learns you no longer reside in the Lower East Side. I’m going to try and feed him a false trail that will hopefully allow us precious time to get away.” Before Lucetta had an opportunity to voice another protest, she found herself sitting in a musty smelling hansom cab, barreling down Broadway at a high rate of speed, the speed brought about from the extra money she’d seen Mr. Skukman hand the driver. Feeling
Jen Turano (Playing the Part (A Class of Their Own, #3))
Another woman has been arrested and thrown in jail because she refused to get up out of her seat on the bus for a white person to sit down. It is the second time since the Claudette Colvin case that a Negro woman has been arrested for the same thing. This has to be stopped. Negroes have rights too, for if Negroes did not ride the buses, they could not operate. Three-fourths of the riders are Negro, yet we are arrested, or have to stand over empty seats. If we do not do something to stop these arrests, they will continue. The next time it may be you, or your daughter, or mother. This woman’s case will come up on Monday. We are, therefore, asking every Negro to stay off the buses Monday in protest of the arrest and trial. Don’t ride the buses to work, to town, to school, or anywhere on Monday. You can afford to stay out of school for one day if you have no other way to go except by bus. You can also afford to stay out of town for one day. If you work, take a cab, or walk. But please, children and grown-ups, don’t ride the bus at all on Monday. Please stay off all buses Monday.
John Nichols (The "S" Word: A Short History of an American Tradition...Socialism)
Tony glanced over at Jade’s expression and laid a hand on his shoulder. “All right. This nun gets into a cab, and the cabdriver asks her what’s up with the celibacy vow thing, right? So the nun says, ‘Well, maybe I’d consider having an affair, but the man would have to be Catholic, unmarried, and not have any children.’ So the cabbie says, ‘Well that describes me perfectly. Why don’t you come on up here?’ And the nun goes in the front seat and gives him a blow job.” “That was quick.” “Indeed. So she finishes up and the guy starts laughing, and she asks him, ‘What’s so funny?’ And he says, ‘Well, I’m Protestant, and I’m married with two kids.’ And the nun looks at him for a moment, then shrugs and says, ‘Well, that’s okay, my name’s Fred and I’m on my way to a costume party.’ 
Gregg Andrew Hurwitz (The Tower)
I'm not going to ride in a ghost hack!" Lazlo protested. "I'm a real cabby! Besides, I'm not going to leave my cab. We have to go back and–"   Talaith was close enough now for us to hear her voice, and she shrieked, furious at Jack's sudden appearance. She gestured and a bolt of lightning crashed to the ground less than three yards from where we stood.   "I'm going to shut my mouth and get inside," Lazlo finished.
Tim Waggoner (The Nekropolis Archives)
Taylor—” I started. “No.” she shook her head. “Maybe it would be better if I left. I have to start fending for myself, Victor. Have to get out in the world and live on my own.” “No, you don’t.” I pulled over to the side of the road and turned to face her. The protective possessiveness was rolling over me again, an instinct too strong to deny. “Look at me,” I demanded. She turned toward me, her arms crossed protectively over her breasts. “What?” “Taylor… God, how do I say this?” I muttered, running a hand through my hair. “Look, I don’t mind letting you drink from me. I thought I would but I don’t, okay? And I don’t want you going anywhere—you belong in my house with me—nowhere else.” “Victor—” she started to protest but I held up a hand to stop her. “When the three months is over, you can go where you want and do what you want. But until then…” I leaned forward, looking intently into her eyes. “Until then, Taylor, you’re mine. Mine to protect. Mine to cherish. Mine to nourish. Just like the vows we took said—vows I don’t intend to break. Do you understand? Mine.” The last word was a low growl, more animal than human. It came from deep inside me—from the wolf wanting to protect its mate. She looked at me for a long time and I could hear her heart racing in the silence of the cab. Probably, I was scaring her to death but I couldn’t help myself, couldn’t stop myself from laying claim to her. She was mine, damn it. Mine. “All right,” she whispered at last, nodding. “I get it.” “No.” I shook my head. I needed more than just a simple acknowledgement that she’d heard me. “Say it, Taylor,” I told her. “I want to hear you say that you’re mine.” “I…” she licked her lips nervously. “I’m yours, Victor,” she said in a trembling voice. “Only… only yours.” “Good.” I nodded, feeling something inside my chest loosen. But there was something else to clear up. “And I want to hear you say you’ll drink from me every time you’re thirsty,” I told her. “Every Goddamn time.” “I…” For some reason she hesitated, her eyes wide as she looked at me. Why was this a problem? She needed my blood and I wanted her to take it—no, I needed her to take it, damn it! “Say it,” I demanded. I tried to make my voice a little softer but I couldn’t help the intensity of my gaze as I looked at her. “Say you’ll drink from me, baby,” I urged her. “I want you to.” “I… I’ll drink from you,” she whispered at last. “Good.” At last, I felt satisfied. Turning back to the road, I started the truck again. “I’m glad we cleared that up.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
Darling, don't you think we've played detective long enough tonight?" Milo protested as we got out of the cab.
Ashley Weaver (The Essence of Malice (Amory Ames, #4))