Cab Against Quotes

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Understand?” “Sure.” “Good.” “’Cause I always love a challenge.” He’d caught her with that when she was halfway in the cab. With one foot in and the other still braced against the curb, she stared at him. “What challenge?” “You’re challenging me to get you back into my life.” “No, I’m not.” “Your exact words were ‘I challenge you, Bobby Ray Smith, to get me back into your life.’” “I never said that.” “That’s what I heard.” The beauty of wolf hearing. You heard only what you wanted to, made up what was never said but should have been, and the rest meant little or nothing.
Shelly Laurenston (The Beast in Him (Pride, #2))
I’ll not tire until I’ve claimed your heart,” he whispered into my hair. “And that is both a promise and a threat.” I could feel his warm breath against my cheek as he spoke.
Nely Cab (Creatura (Creatura, #1))
He cupped my face and closed the gap between us nestling his nose next to mine. I felt my heart in my throat, beating at full speed. “No.” I restrained him, raising my right arm against his chest. David moved slightly back, staring deep into my eyes. “You’ll be the death of me. I swear it.
Nely Cab (Creatura (Creatura, #1))
Are you sure about that, Mrs. Maddox?” “Are you ever going to stop calling me that? You’ve said it a hundred times since we left the chapel.” He shook his head as he held the cab door open for me. “I’ll quit calling you that when it sinks in that this is real.” “Oh, it’s real all right,” I said, sliding to the middle of the seat to make room. “I have wedding night memories to prove it. He leaned against me, running his nose up the sensitive skin of my neck until he reached my ear. “We sure do.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I lost you, baby. I lost you the morning I got into that cab and left you crying on the porch.” He pulls me against him, his embrace constricting and his mouth at my ear. “I’m not giving up. I’m letting you go.
Pam Godwin (Three is a War (Tangled Lies, #3))
Yet the laboriously sought musical epiphany rarely compares to the unsought, even unwanted tune whose ambush is violent and sudden: the song the cab driver was tuned to, the song rumbling from the speaker wedged against the fire-escape railing, the song tingling from the transistor on the beach blanket. To locate those songs again can become, with age, something like a religious quest, as suggested by the frequent use of the phrase "Holy Grail" to describe hard-to-find tracks. The collector is haunted by the knowledge that somewhere on the planet an intact chunk of his past still exists, uncorrupted by time or circumstance.
Geoffrey O'Brien (Sonata for Jukebox: An Autobiography of My Ears)
A real hansom-cab took him from the station to Trinity College: the vehicle, it seemed, had been waiting there especially for him, desperately holding out against extinction till that moment, and then gladly dying out to join side whiskers and the Large Copper.
Vladimir Nabokov (The Real Life of Sebastian Knight)
He cupped my chin with his big hand and watched me. He breathed hard through his nose. His shoulders heaved way harder than they should have after a few minutes of kissing. I was about to suggest some additional conditioning exercises before football season started. I opened my mouth to tell him. He kissed me again. His tongue passed my lips and played across my teeth. We’d only been kissing like this for a week, but it seemed very natural when I kissed him back the same way. My body was on autopilot as I reached blindly for his waist and dragged him even closer, his torso skin-to-skin with mine against the tree. Who were we? I was turning into any of the assorted older girls who’d been seen leaving the cab of Sean’s truck at night. I’d always viewed those girls with a mixture of awe and derision. Sexual attraction was funny. Lust was hilarious. Now, not so much. Those girls had my sympathy, because I totally got it. I ran my fingers lightly up Adam’s bare back. He gasped. I opened my eyes to see if I’d done something wrong. He still touched the tree, but his muscles were taut, holding on to it for dear life. His eyes were closed. He rubbed his rough cheek slowly against mine. I had done nothing wrong. He was savoring. I knew how he felt. Tracing my fingernails down his back again, I whispered, “Stubble or what?” Eyes still closed, he chuckled. “I’m not shaving until our parents let us date again.” He kissed my cheek. “What if it takes… a… while?” I asked, struggling to talk.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
The cab moves for a moment but then I see the blurry, glowing red lights through the downpour against my face and heavy lens of tears covering my eyes. The cab's brake lights. The car has stopped, as have I-and then I see the back door open. It's my Jack Henry. He gets out of the cab and stands in the heavy rain looking back at me. I don't know how-because my body has turned to mush-but I'm off my knees and running toward him. ...I touch his face because I can't believe he's real. "You sort of have a beard. Almost. I love it. It's sexy.
Georgia Cates (Beauty from Surrender (Beauty, #2))
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
Why did she want to stay in England? Because the history she was interested in had happened here, and buried deep beneath her analytical mind was a tumbled heap of Englishness in all its glory, or kings and queens, of Runnymede and Shakespeare's London, of hansom cabs and Sherlock Holmes and Watson rattling off into the fog with cries of 'The game's afoot,' of civil wars bestrewing the green land with blood, of spinning jennies and spotted pigs and Churchill and his country standing small and alone against the might of Nazi Germany. It was a mystery to her how this benighted land had produced so many great men and women, and ruled a quarter of the world and spread its language and law and democracy across the planet.
Elizabeth Aston (Writing Jane Austen)
It was a wild, tempestuous night, towards the close of November. Holmes and I sat together in silence all the evening, he engaged with a powerful lens deciphering the remains of the original inscription upon a palimpsest, I deep in a recent treatise upon surgery. Outside the wind howled down Baker Street, while the rain beat fiercely against the windows. It was strange there, in the very depths of the town, with ten miles of man’s handiwork on every side of us, to feel the iron grip of Nature, and to be conscious that to the huge elemental forces all London was no more than the molehills that dot the fields. I walked to the window, and looked out on the deserted street. The occasional lamps gleamed on the expanse of muddy road and shining pavement. A single cab was splashing its way from the Oxford Street end.
Arthur Conan Doyle (The Adventure of the Golden Pince-Nez - a Sherlock Holmes Short Story)
Do you want to have some hot sex instead of getting into a cold cab and driving away?" She looked up and grinned. "I'm awake. You're awake. We've only gone three rounds. Why not make it an even four? I'm already undressed." She took his hand and drew it down between her legs. "You don't even have to waste time with foreplay. This is what you do to me. I'm all ready to go." "I shouldn't..." "Don't tell me you don't want to." She ground her hips against his cock, now rock hard beneath his boxers. "I simply won't believe you." Jay groaned. "I do, but..." "But what?" She dropped to her knees in front of him and drew his boxers down to his ankles. His cock, thick and hard, bounced gently in her direction. "You don't like soft wet lips, firm hands, and skills honed by years of beer funnels." She flicked her tongue over the swollen head of his shaft. "Say yes. Say you'll stay long enough for me to chase your demons away." His hand dropped to her head and he swallowed hard. "Yes, but I'll do the chasing.
Sara Desai (The Singles Table (Marriage Game, #3))
A cab pulled up to the curb, and Sloane joined Dex inside. On the ride home, Sloane thought he was going to lose his mind. All he could think about was Dex, the way he’d moved against Sloane’s body, the softness of his skin, the feel of his hair, the warmth of his breath, and the taste of his lips. Dex laced his fingers with Sloane’s, giving his hand a squeeze. When Sloane looked over, their eyes met. Dex’s pupils were dilated, the heat and want in his gaze unmistakable. The
Charlie Cochet (Smoke & Mirrors (THIRDS, #7))
Will the captaincy ever feel right?" ... "That's the secret, Sophie, we're all afraid. Gabriel's in his room right now wondering if the loss against the US will be his legacy. I was afraid I'd managed a fluke win and wouldn't be able to do it again. You have your own fears. They didn't pick you because you didn't have them. They picked you because you know how to play through them." Oh. A cab pulls up alongside them. "So, I don't have to be perfect." "None of us are, kid. But together, we can get close.
K.R. Collins (Home Ice Advantage (Sophie Fournier, #4))
Grazer and Cohn - two outsiders with learning disabilities-played a trick. They bluffed their way into professions that would have been closed to them. The man in the cab assumed that no one would be so audacious as to say he knew how to trade options if he didn't. And it never occurred to the people Brian Grazer called that when he said he was Brian Grazer from Warner Brothers, what he meant was that he was Brian Grazer who pushed the mail cart around at Warner Brothers. What they did is not "right," just as it is not "right" to send children against police dogs. But we need to remember that our definition of what right is, often as not, simply the way that people in positions of privilege close the door on those on the outside. David has nothing to lose, and because he has nothing to lose, he has the freedom to thumb his nose at the rules set by others. That's how people with brains a little bit different from the rest of ours get jobs as options traders and Hollywood producers-and a small band of protesters armed with nothing but their wits have a chance against the likes of Bull Connor
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
A couple of minutes later, and the tram started to climb up from Alfama, the streets widened, heavy traffic and Lisboetas about their normal hum-drum business. We skipped off at a busy triangle where three roads converged. A handful of shoppers and workers waited in the small yellow bus shelters, or smoked against the trees that would fringe the diamond with shade when summer came again. Taxi drivers drank coffee from paper cups and ribbed an old guy shaving in his cab. Just another normal day rolling around; no problem, and life trips along no matter who dies in the night.
Gerard Cappa (Black Boat Dancing (Con Maknazpy, #2))
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
Most people who bother with the matter at all would admit that the English language is in a bad way, but it is generally assumed that we cannot by conscious action do anything about it. Our civilization is decadent and our language—so the argument runs—must inevitably share in the general collapse. It follows that any struggle against the abuse of language is a sentimental archaism, like preferring candles to electric light or hansom cabs to aeroplanes. Underneath this lies the half-conscious belief that language is a natural growth and not an instrument which we shape for our own purposes. —George Orwell, 1946
Phil Simon (Message Not Received: Why Business Communication Is Broken and How to Fix It)
an old mother with whom he shares the thirty or forty francs allocated to him per month. “If he’s a man, why do you call him ‘old greatcoat’?” said Simonnin, with the expression of a schoolboy catching his teacher out. And he went back to eating his bread and cheese, leaning his shoulder against the stile of the window, since he took his rest standing up, like the cab-horses of Paris, with one of his legs bent and propped on his other shoe’s toe. “Think of the fun we could have with that old codger!” muttered the third clerk, Godeschal by name, as he paused in the middle of a line of argument he was developing in a petition to be copied out in a fair hand by the fourth clerk, the draft copies of which were
Honoré de Balzac (Colonel Chabert)
You may note the irony. In the context of the cab problem, the neglect of base-rate information is a cognitive flaw, a failure of Bayesian reasoning, and the reliance on causal base rates is desirable. Stereotyping the Green drivers improves the accuracy of judgment. In other contexts, however, such as hiring or profiling, there is a strong social norm against stereotyping, which is also embedded in the law. This is as it should be. In sensitive social contexts, we do not want to draw possibly erroneous conclusions about the individual from the statistics of the group. We consider it morally desirable for base rates to be treated as statistical facts about the group rather than as presumptive facts about individuals. In other words, we reject causal base rates.
Daniel Kahneman (Thinking, Fast and Slow)
What never crossed my mind was that someone else who lived under our roof, who played cards with my mother, at breakfast and supper at our table, recited the Hebrew blessing on Fridays for the sheer fun of it, slept in one of our beds, used our towels, shared our friends, watched TV with us on rainy days when we sat in the living room with a blanket around us because it got cold and we felt so snug being all together as we listened to the rain patter against the windows—that someone else in my immediate world might like what I liked, want what I wanted, be who I was. It would never have entered my mind because I was still under the illusion that, barring what I'd read in books, inferred from rumors, and overheard in bawdy talk all over, no one my age had ever wanted to be both man and woman—with men and women. But before he'd stepped out of the cab and walked into our home, it would never have seemed remotely possible that someone so thoroughly okay with himself might want me to share his body as much as I ached to yield mine.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
What never crossed my mind was that someone else who lived under our roof, who played cards with my mother, ate breakfast and supper at our table, recited the Hebrew blessing on Fridays for the sheer fun of it, slept in one of our beds, used our towels, shared our friends, watched TV with us on rainy days when we sat in the living room with a blanket around us because it got cold and we felt so snug being all together as we listened to the rain patter against the windows—that someone else in my immediate world might like what I liked, want what I wanted, be who I was. It would never have entered my mind because I was still under the illusion that, barring what I'd read in books, inferred from rumors, and overheard in bawdy talk all over, no one my age had ever wanted to be both man and woman—with men and women. But before he'd stepped out of the cab and walked into our home, it would never have seemed remotely possible that someone so thoroughly okay with himself might want me to share his body as much as I ached to yield mine.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air. “No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street. A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears. A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more. That must be Mrs. Harris’s coach. I’m really going to do this. But as I make my way toward it, a white ghost of fabric darts in front of me. My eyes widen. I missed a pair of knickers. Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop. I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind. Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.” “Let me get your things,” he says, stepping into the snow and reaching for my handbag. “Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is. “Very well, then.” He turns back toward the coach and stops. Artist, no. My heart drops to my shoes. “Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?” Death would be a mercy right about now. I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!” He stares at me a long moment. “I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it. “Here, why don’t I—” He reaches out to help detangle the fabric from the door. “No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands. Why. Why, why, why, why, why? Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp. The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible. He clears his throat. “Should we—ah—go after them?” “No,” I say faintly. “I—I think I’ll manage without…
Jessica S. Olson (A Forgery of Roses)
Most people who bother with the matter at all would admit that the English language is in a bad way, but it is generally assumed that we cannot by conscious action do anything about it. Our civilization is decadent and our language — so the argument runs — must inevitably share in the general collapse. It follows that any struggle against the abuse of language is a sentimental archaism, like preferring candles to electric light or hansom cabs to aeroplanes. Underneath this lies the half-conscious belief that language is a natural growth and not an instrument which we shape for our own purposes. Now, it is clear that the decline of a language must ultimately have political and economic causes: it is not due simply to the bad influence of this or that individual writer. But an effect can become a cause, reinforcing the original cause and producing the same effect in an intensified form, and so on indefinitely. A man may take to drink because he feels himself to be a failure, and then fail all the more completely because he drinks. It is rather the same thing that is happening to the English language. It becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts. The point is that the process is reversible. Modern English, especially written English, is full of bad habits which spread by imitation and which can be avoided if one is willing to take the necessary trouble. If one gets rid of these habits one can think more clearly, and to think clearly is a necessary first step toward political regeneration: so that the fight against bad English is not frivolous and is not the exclusive concern of professional writers. I will come back to this presently, and I hope that by that time the meaning of what I have said here will have become clearer. Meanwhile, here are five specimens of the English language as it is now habitually written.
Anonymous
I have come across this deterrent phenomenon many times in my own work. While serving as chief economist at the United States Sentencing Commission during the late 1980s, I read hundreds of trial transcripts in which criminals testified against their accomplices. So many cases fit the exact same pattern. These criminals were frequently asked the exact same questions about why they had chosen a particular victim. Robbers would relate how they had considered several opportunities for stealing a lot of money, such as a drug dealer who had made a big score or a taxi cab driver who would have cash on him. But the criminals would then decide against those options because the drug dealer would naturally be well armed, or the cab driver would possibly have a gun. Frequently the criminals would then relate how they had come across a potential victim viewed as an easy target, a male of unimpressive build, or a woman, or an elderly person—all of them far less likely than the drug dealer or cab driver to be carrying a weapon.
John R. Lott Jr. (The Bias Against Guns: Why Almost Everything You'Ve Heard About Gun Control Is Wrong)
So I come to the abiding paradox that defines our predicament. An affluent, well-educated, hyper-connected public is in revolt against the system that has bestowed all of this bounty upon it. The great motive power of the revolt isn’t economic resentment but outrage over distance and failure. Everyday life is increasingly digital and networked. From dating to hailing a cab, most social and commercial transactions occur at the speed of light. This mode of life incessantly collides with the lumbering hierarchies we have inherited from the industrial age. Modern government, above all, is institutionally unable to grasp that it has lost its monopoly over political reality. It behaves as if imposture and depravity will never be found out: but under the digital dispensation, everything is found out. The public is accustomed to proximity but finds the exercise of power removed an impossible distance away: reasons are never given, questions are never answered, and in this way begins the long, foul rant that is our moment in history.
Martin Gurri (The Revolt of the Public and the Crisis of Authority in the New Millennium)
saw exactly how it had happened: Sara had called him despite Kate telling her not to and he’d called a cab right away. Lena had given him hell last time he drove alone to Long Island, and he promised her he’d never do it again if she wasn’t okay with it. He’d kept his promise. Kate considered turning around and calling to say she’d been delayed, that there was a storm that was too heavy to drive through. There really had been a storm. That part wouldn’t be a lie. But then he was at the window, a silhouette against a bright backdrop, his hand cupped to the glass, peering out. Where the drive there had been fragile with hope, a crystal ball they handled tenderly as they tried to make out the scenes inside, the drive home was hazed over with
Mary Beth Keane (Ask Again, Yes)
Her voice has given me a headache. I can feel the heat of her body through our clothes. It’s reminded me of just after Hannah was born, of those late-night phone calls where my sister cried and told me that she wished she had terminated the pregnancy. I don’t know why I wanted this. I didn’t know what to say. It’ll be all right. Women have babies all the time. I ask Hannah to get me water but Donato volunteers. “Silvia,” he calls out. “Come downstairs with me.” I feel every cell bristle. Of course, they are together, and why should that matter to me anyway? Hannah puts her head on my shoulder. “Do you think Silvia is very pretty?” Tiny lights strung across the terrace turn on and I can see her watery eyes. Below I hear Donato’s laugh. “She’s a lot older than him,” I say. “Only by five years.” Her body starts to shake, tears fall on my shoulder. “Hush,” I tell her. “Hush.” Instinctively I look around to see if any of their friends are watching. “Come on.” I pull her up from the settee. “Call us a ride, and I’ll get your backpack. We can pick up a pizza on the way home.” I wipe the smeared mascara from under her eyes and point her toward the stairs. I say goodbye to her friends, making up an excuse that Paul wants us home. He’s made dinner. I can tell Donato doesn’t believe this, but he doesn’t say so. When he kisses my cheek, I cannot help it, I press him against me. He feels broader than I thought he would, and that liquid fire at the center of me rejoices. In the cab Hannah gives in. She is bawling. “I miss Mom,” she chokes out. “I miss her so much.” Letting her drink was probably a bad idea, but isn’t she old enough to know her limit? Or at least learn what it is?
Liska Jacobs (The Worst Kind of Want)
In only the first two months of 1991, Washington, D.C., cab drivers were robbed more often than in all of 1988 (the police did not have statistics for 1989 or 1990). A reporter interviewed more than a dozen city cabbies—all black—and found a near-uniform policy of not picking up young black men at night. The drivers knew they risked a $500 fine for discrimination, but as one explained, “I’d rather be fined than have my wife a widow.” The head of the D.C. Taxicab Commission said that robberies and violence against drivers were a pity but that she would enforce the law. “Discrimination in this city, and that is what that is, blatant discrimination, will not be tolerated,” explained Carrolena Key.178 The very notion of racial discrimination takes on a strange new flavor when blacks who refuse to pick up other blacks because they fear for their lives are accused of it.
Jared Taylor (Paved With Good Intentions: The Failure of Race Relations in Contemporary America)
A fucking cop.” “What do you have against cops, man? They protect and serve,” Doug argued. “Yeah they serve and protect other people, not people like me.” “What do you mean, people like you?” Furi pushed his fists into his eyes and winced at the memories. “When I was first beaten by Patrick. He’d cracked two ribs, busted my lip and given me a black eye. I had other bruises on my legs and back from being kicked repeatedly. All because that motherfucker thought it would make him a man. After sex he had to do something to feel like he was in control. I got myself to the hospital and after I was released I took a cab to the police station. I was going to file a restraining order against Patrick. But the cops, they, they ...” Doug noticed Furi was shaking and scooted closer to put his arm around him. “Shhh. It’s okay. You don’t have to talk about it.” Doug rubbed soothing circles on Furi’s shoulder. Furi nuzzled in close to Doug and was immediately calmed by the contact with his friend. “It’s fine. The cops there wouldn’t help me. It was because I was gay, I know it was. They looked at me with disgust on their faces. Cops are fucking homophobic as hell. There I was, all banged up, begging for help but all they were concerned about was my sexual preference. The bruises meant nothing. Like they felt I deserved it.
A.E. Via
I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I’m too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She’s waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I’m eager to reunite our lives through some kind of friendship. I’m so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met?
F.K. Preston
Where Do I Begin,” Shirley Bassey; “Swing Life Away,” Rise Against; “I’ve Got a Crush on You,” Frank Sinatra; “My Best Friend’s Girl,” The Cars; “Mr. Brightside,” The Killers; “What Sarah Said,” Death Cab for Cutie; “The Scientist,” Coldplay; “Everlong,” Foo Fighters; “Wild Horses,” The Sundays; “One Love,” U2; “Criminal,” Fiona Apple; “Bleeding Love,” Leona Lewis; “Again,” Janet Jackson; “I Think That She Knows,” Justin Timberlake; “Let’s Get it On,” Marvin Gaye; “Let’s Stay Together,” Al Green; “Save the Last Dance for Me,” The Drifters.
Penny Reid (Friends Without Benefits (Knitting in the City, #2))
I pull the fire escape door open, scoop my eyeshadow palette off the ground and slip back inside. For a moment, I pause in the corridor and catch my breath. Adrenaline is surging through me. Rage. A normal woman would call the police at this point. But a normal woman would never have been paranoid enough in the first place to pretend to go to the toilet, only to sneak out of the fire escape and spy through a window to watch what her date does when he has five minutes alone with her drink. Nope. A normal woman would have gone to the loo, done a pee and topped up her lipstick. Or she’d have texted a friend about her hot date, feeling giddy with hope and excitement. Now, let’s think about what would have happened to a normal woman. A normal woman would have headed back to her date, smiling prettily, before sitting down and drinking her drugged drink. Then, a short while later, that normal woman would have started feeling far more drunk than she normally does after just a couple of drinks, but she’d probably blame herself. She’d wonder if maybe she’d drunk too much. Or maybe she’d blame herself for having not eaten earlier in the day because she didn’t want to look fat in her dress. Or maybe she’d blame herself because that’s just what she does; she blames herself. And then, just as she started to feel woozy and a bit confused, her date would take her outside for some fresh air and she’d be grateful to him. She’d think he was caring and responsible, when really, he was just whisking her out of sight, before she started to look less like she was drunk and more like she’d been drugged. And then the next thing she’d know, she’d be staggering into the back of a cab and her date would be asking her to tell the driver where she lived. And when she’d barely be able to get the words out and her date made a joke to the driver about how drunk she was, she’d feel small and embarrassed. And then she’d find herself slumping into her date’s open arms, flopping against his big manly body, and she’d feel grateful once more that this man was taking care of her and getting her home safe. And then, once the taxi slowed down and she blinked her eyes open and found they’d pulled up outside her flat, she’d notice in a fleeting moment of clarity that when the driver asked for the fare, her date thrust two crisp ten-pound notes towards him in a weirdly premeditated move, as though he’d known this moment was going to happen all along. As though he’d had the cash lined up, the plan set, and she’d feel something. Something. But then she’d be staggering out of the taxi, even sloppier than when she got in, and her legs would be buckling, and she’d cling to her date for support, her make-up now smudged, her eyes half-closed, her hair messy. She’d look a state and he’d ask her which flat was hers, and she’d walk with him to her front door, to the flat where she lives alone. To the place that’s full of books and cute knick-knacks from charity shops and colourful but inexpensive clothes. She’d unlock her front door, her hand sliding drunkenly over the lock, and she’d lead him into the place she’s been using as a base to try to get ahead in life, and then he’d look around, keen-eyed, until he spotted her bedroom and he’d draw her in. And then all of a sudden he’d be in her bedroom and she wouldn’t be able to remember if she’d asked him back or not or quite how this happened, and it would all be moving so fast and her thoughts would be unable to keep up – they’d keep sliding away – and he’d be kissing her and she’d be unsure what was happening as he pulled off her dress and she’d wonder, did she ask for this? Does she want this? Has she been a ‘slut’ again? But the thoughts would be weak, they’d keep falling away and he’d be confident and he’d be certain and he’d be good-looking and he’d be pulling off her bra and taking off her knickers. He’d be pushing himself inside her. The next day, he’d be gone by the time she woke up. She’d be blocked, unmatched...
Zoe Rosi
But when I landed in college, I noticed what looked like a gleaming. A goofy, doofy, curly-haired man with broad shoulders brushed by me in the hallway one day. He smelled like cinnamon. He had teddy-brown eyes and performed in the college’s improv group. He was the best one by far, made big gestures, made jokes from a place of kindness and whimsy, pulled ripples of laughter out of this cold, hard world. I used to sit in the audience and marvel. He seemed like an impossibility. It took years. Years of slowly befriending him through mutual friends. Years of calling into his late-night, freestyle-rap radio show, daring my tongue to try… to rhyme on the fly! I even joined the improv group. And eventually, one night I told him how I felt and instead of flinching away, as I had assumed he would, as the boys in the hallway had made it seem that he would, he kissed me. After graduating college, we moved in together, to a small one-bedroom apartment in Brooklyn with a red Formica table and a great front stoop. I finagled my way into a job helping produce a radio program all about science and wonder. He was continuing with comedy—stand-up and improv and writing—and working as a yellow-cab driver to support himself. We stayed up late into the night, sipping beers on the stoop, talking about our days, turning awkward moments and missteps into jokes. I felt like I had found the thing I had thought could never exist. Refuge. It smelled like cinnamon and its walls were made of bad puns and cheap rhymes, piling higher and higher against the chill of the world. My head became full of visions for the future. The TV shows we would write, the tree houses we would build, the way the grass would curl between our toes as we chased our kids through the yard. Until, seven years into it, I toppled the whole thing. Late one night on a beach five hundred miles away from him, possessed by moonlight and red wine and the smell of a bonfire, I reached out for the bouncing blond girl I had been trying not to eye all night. She was wet from swimming; she was prickled in goose bumps, hundreds of goose bumps, that I wanted to press flat with my tongue. She smiled as I placed my hand on her waist, as I touched my lips to her neck. The stars wrapped around us. Her steam became mine. When I told the curly-haired man what I had done, he told me it was over.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
Shea parked her truck at the village petrol station and slipped from the cab. Almost immediately she was uneasy, not certain why. Few villagers were out and about at such an early hour. She leaned casually against the truck, taking a long look around. She could detect no one, but she felt eyes on her, someone or something watching her. The feeling was strong. Lifting her chin, she forced herself to ignore her overactive imagination while she filled the truck, its reserve tank, and the two tanks for her generator. The feeling of being watched became so strong, it made her skin crawl. Without warning something pushed at her mind. Not Jacques. It wasn’t his familiar touch. Fear slammed into her, but she kept her cool, professional mask, her single-minded purpose to finish her tasks as quickly as possible. Whatever it was retreated, unable to penetrate. Shea drove down the nearly deserted street and parked close to the small medical clinic. This time, as she slid from the seat, she searched the shadows around her carefully, using every sense she could. Sight. Smell. Hearing. Instinct. There was someone, something. It had followed her, was near. She could feel it, but she couldn’t find it. Jacques? She touched his mind gently, suddenly afraid she was feeling something that was happening to him. I am awaiting your return. She sensed his tiredness. The morning light was even harder on him than on her. She hated being away from him. I will come soon. Shea took another deep breath and looked around, determined to find what was making her so uneasy. A man lounged lazily in the shade of a tree. He was tall, dark, and motionless, like a hunter. She felt the impact of his eyes as his gaze casually found her.
Christine Feehan (Dark Desire (Dark, #2))
As we inched by Worli Naka Monita screamed and pointed to a hoarding above us. I peered out of the window, almost bumping my head against the roof of the cab. It showed a chubby girl cartoon with wildly curling black hair standing nose to nose with a dark, scowling boy cartoon in India cricket blues. The girl was smilingly offering a slice of buttered bread to the boy. The line on top advised, 'Don't skip her breakfast, Skipper,' and underneath it a legend read, 'LUCKILY, BUTTERLY DELICIOUS - AMUL!
Anuja Chauhan (The Zoya Factor)
At the next street-lamp, she sees a woman with painted lips and smudged eyes waiting in a doorway. A hansom cab drives up, stops, and a man in a tail coat and a shining silk top-hat gets out. Even though the woman in the doorway wears a low-cut evening gown that might once have belonged to a lady of the gentleman’s social class, the black-clad watcher does not think the gentleman is here to go dancing. She sees the prostitute’s haggard eyes, haunted with fear no matter how much her red-smeared lips smile. One like her was recently found dead a few streets away, slit wide open. Averting her gaze, the searcher in black walks on. An unshaven man lounging against a wall winks at her. “Missus, what yer doing all alone? Don’t yer want some company?” If he were a gentleman, he would not have spoken to her without being introduced. Ignoring him, she hastens past. She must speak to no one. She does not belong here. The knowledge does not trouble her, for she has never belonged anywhere. And in a sense she has always been alone. But her heart is not without pain as she scans the shadows, for she has no home now, she is a stranger in the world’s
Nancy Springer (The Case of the Missing Marquess (Enola Holmes, #1))
Shut the fuck up,” he growled, his hand going to the back of my neck. Then he did it. He ruined me. His lips crashed against mine, his huge body, shoving me against the cab, pinning me to it as he pried my lips open with his tongue. His hot, delicious, tongue. My mouth fell open, letting him in, and I was kissing him back with the same urgency. I couldn’t control it. A sound ripped from him, causing my insides to quiver. It was rough, uncontrolled, dark…
Brittany Ann (Breathe for Me (The Langston Brothers Duet #1))
He felt it coming. He needed to be more to this woman than just the guy who showed up begging her to sing his songs. He... He had no time to make a move before she came across the cab and planted her lips against his.
Bernadette Marie (Love Songs (Keller Family, #6))
The voice was the tip of a long cold stiletto, inserting itself into Stephen’s belly with infinite, almost lackadaisical, slowness. The voice was a forkload of maggoty flesh, pressed insistently against his lips. The voice was a Checker cab, wheeling suddenly around some corner and straight toward him, with its bright eyes glaring over the ravenous, grinning grill. The voice was a train. A long, cold train. Upon him now. And he was powerless before it.
Chet Williamson (A Haunting of Horrors: A Twenty-Novel eBook Bundle of Horror and the Occult)
By contrast, one company that clearly understands the stakes is Uber. In the last several years, few companies have captured the media’s attention like Uber. In my opinion, Uber has been successful because it’s perfectly nailed a Job to Be Done. Yes, Uber can often offer a nice car to take you from point A to point B, but that’s not where it’s built its competitive advantage. The experiences that come with hiring Uber to solve customers’ Jobs to Be Done are better than the existing alternatives. That’s the secret to its success. Everything about the experience of being a customer—including the emotional and social dimensions—has been thought through. Who wants to have to outmaneuver other poor schlubs on the same street corner who are trying to hail a cab? You don’t want to either pay for a car service to wait outside your meeting or be at its mercy when you’re finally ready to call it to come back and get you. With Uber, you simply push a few buttons on your mobile phone and you know that in three minutes or seven minutes a specific driver will arrive to pick you up. Now you can relax and just wait. You don’t have to worry if you have enough cash in your wallet or fear that if you swipe your credit card in that taxi machine, you’ll get a call from your bank wondering if you’ve recently made purchases in some state you’ve never even been to. Calling an Uber has even more potential to ease your anxieties about getting into a cab alone. With Uber there’s a record of your request, you know specifically who is picking you up, and you know from the driver’s ratings that he or she is reliable.
Clayton M. Christensen (Competing Against Luck: The Story of Innovation and Customer Choice)