C++ Int Quotes

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First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
Here each of us must ask: Have I any religious experience and immediate relation to God, and hence that certainty which will keep me, as an individual, from dissolving int he crowd?
C.G. Jung (The Undiscovered Self/Symbols and the Interpretation of Dreams)
I don't know, Benes. I'm not sure I've ever really understood women for that kind of commitment.' He flipped his beer mat up int the air with his index finger and caught it in his hand.
F.C. Malby (Take Me to the Castle)
assignment in addition to the copy constructor: Click here to view code image Vector& Vector::operator=(const Vector& a)       // copy assignment {     double* p = new double[a.sz];     for (int i=0; i!=a.sz; ++i)          p[i] = a.elem[i];     delete[] elem;        // delete old elements     elem = p;     sz = a.sz;     return *this; } The name this is predefined in a member function and points to the object for which the member function is called. 4.6.2. Moving Containers We can control copying by defining
Bjarne Stroustrup (Tour of C++, A (C++ In-Depth))
– Jag tror att du skulle kunna prata tie timmar i ett sträck om du bara vågade. Om du inte var så rädd för att komma igång. Reine välte åt sidan och blev liggande bredvid Nora i fosterställning. – Vad är du rädd för? – Att jag inte ska vara jag längre om jag börjar snacka för mycket. Om det som är viktigt.
P.C. Jersild (Children's Island (Modern Scandinavian Literature in Translation))
Pathfinder LOG: SOL 0 BOOT SEQUENCE INITIATED TIME 00:00:00 LOSS OF POWER DETECTED, TIME/DATE UNRELIABLE LOADING OS… VXWARE OPERATING SYSTEM (C) WIND RIVER SYSTEMS PERFORMING HARDWARE CHECK: INT. TEMPERATURE: −34°C EXT. TEMPERATURE: NONFUNCTIONAL BATTERY: FULL HIGAIN: OK LOGAIN: OK WIND SENSOR: NONFUNCTIONAL METEOROLOGY: NONFUNCTIONAL ASI: NONFUNCTIONAL IMAGER: OK ROVER RAMP: NONFUNCTIONAL SOLAR A: NONFUNCTIONAL SOLAR B: NONFUNCTIONAL SOLAR C: NONFUNCTIONAL HARDWARE CHECK COMPLETE BROADCASTING STATUS LISTENING FOR TELEMETRY SIGNAL… LISTENING FOR TELEMETRY SIGNAL… LISTENING FOR TELEMETRY SIGNAL SIGNAL ACQUIRED…
Andy Weir (The Martian)
int main(void) is something you'll find in every C program. Every program has a main function. Generally, the main function is where a program begins. However, one C program can be scattered across multiple files, so you won't always find a main function in every file.
Wiki Books (C Programming)
int at the beginning means that main will return an integer to the operating system
Wiki Books (C Programming)
noncontradicţiei este fals -, n - a r putea f i gândit sau comunicat. Or, în fapt, toată lumea gândeşte ş i comunică ceva anume , i n c l u s i v sofiştii, cei c a r e cont e s t ă pr inc ipiul noncontrad iqi e i . Altminteri, dacă nu a r comunica, omul a r fi, zice Aristotel, "aidoma unei l e gume " . Iar dacă nu ar comunica ceva determinat, omul nu ar comuni c a , în fapt, n imi c . R ealitatea comunicării unu i subiea determinat, aşadar, pr e supune acceptarea une i con­ sistenţe a gândirii, a unei determinări coerente a gândului gândit ş i apoi comunicat, ceea ce, la rândul său, impl i c ă pr inc ipiul noncont r adiqi e i . Pentru ca omul s ă rămână în domeniul logos-ului , al g ândului coe r ent ş i al expresiei ve rba l e ne e chi ­ voc e , e necesar c a el să ut i l i z e z e imp l i c i t pr inc ipiul noncontra­ dicţiei, fie şi atunci când, explicit, el ar dori să-I conteste. Chiar da c ă - aşa cum crede de e x emplu J. Lukasiewicz - acest pr inc ipiu nu este o "lege a l o g i c i i " ş i nu arc valoare logică ca atare, el întemeiază orice l im b aj omenesc ş i înfiinţează orice responsabilitate pentru spusele rostite şi faptele comise. Iar dacă el nu este încă logic, cu siguranţă că el întemeiază logica. Or, pe de altă parte, după cum s-a spus, e pl auz ibi l ca orice consistenţă a gândirii să fie un reflex al consistenţei lumii. (Prin­ c ipiul noncontradicţiei nu poate funcţiona în cazul unor obiecte imaginare inconsistente, precum un triunghi dreptunghic cehi­ lateral.) I a r o lume consistentă este o lume unde există Fi inţ ă . Aş ada r , pr int r -un f e l de " a r gument ontologic" imp l i c it, subt i l ş i ma i p u ţ i n pretenţios decât cel " c la s i c " al l u i An s e lm din Cantcrbury, Aristotel deduce, din faptul incontestabil a l comu­ nicării umane, că trebuie să existe Fiinţă. Unde este Fiinţa ? Dar, chiar dacă acum ş t im că trebuie să existe Fi inţ a , încă n u ş t im unde s e află ea, sau ce anume este ea - altfel spus, cu ce porţiune din realitate s e identifică ea. Problema pare etern ă : " iată subiectul cercetat şi controversat şi în vechime, şi a cum, ş i p u r u re a : ce e s t e ceea-ce-este, adi c ă ce e s t e F i i nţa ? " - scrie Aristotel. Într-adevăr, filozofii, predecesorii săi, au identificat Fiinţa - adică porţiunea de stabilitate şi coerenţă din lume -
Anonymous
noncontradicţiei este fals -, n - a r putea f i gândit sau comunicat. Or, în fapt, toată lumea gândeşte ş i comunică ceva anume , i n c l u s i v sofiştii, cei c a r e cont e s t ă pr inc ipiul noncontrad iqi e i . Altminteri, dacă nu a r comunica, omul a r fi, zice Aristotel, "aidoma unei l e gume " . Iar dacă nu ar comunica ceva determinat, omul nu ar comuni c a , în fapt, n imi c . R ealitatea comunicării unu i subiea determinat, aşadar, pr e supune acceptarea une i con­ sistenţe a gândirii, a unei determinări coerente a gândului gândit ş i apoi comunicat, ceea ce, la rândul său, impl i c ă pr inc ipiul noncont r adiqi e i . Pentru ca omul s ă rămână în domeniul logos-ului , al g ândului coe r ent ş i al expresiei ve rba l e ne e chi ­ voc e , e necesar c a el să ut i l i z e z e imp l i c i t pr inc ipiul noncontra­ dicţiei, fie şi atunci când, explicit, el ar dori să-I conteste. Chiar da c ă - aşa cum crede de e x emplu J. Lukasiewicz - acest pr inc ipiu nu este o "lege a l o g i c i i " ş i nu arc valoare logică ca atare, el întemeiază orice l im b aj omenesc ş i înfiinţează orice responsabilitate pentru spusele rostite şi faptele comise. Iar dacă el nu este încă logic, cu siguranţă că el întemeiază logica. Or, pe de altă parte, după cum s-a spus, e pl auz ibi l ca orice consistenţă a gândirii să fie un reflex al consistenţei lumii. (Prin­ c ipiul noncontradicţiei nu poate funcţiona în cazul unor obiecte imaginare inconsistente, precum un triunghi dreptunghic cehi­ lateral.) I a r o lume consistentă este o lume unde există Fi inţ ă . Aş ada r , pr int r -un f e l de " a r gument ontologic" imp l i c it, subt i l ş i ma i p u ţ i n pretenţios decât cel " c la s i c " al l u i An s e lm din Cantcrbury, Aristotel deduce, din faptul incontestabil a l comu­ nicării umane, că trebuie să existe Fiinţă. Unde este Fiinţa ? Dar, chiar dacă acum ş t im că trebuie să existe Fi inţ a , încă n u ş t im unde s e află ea, sau ce anume este ea - altfel spus, cu ce porţiune din realitate s e identifică ea. Problema pare etern ă : " iată subiectul cercetat şi controversat şi în vechime, şi a cum, ş i p u r u re a : ce e s t e ceea-ce-este, adi c ă ce e s t e F i i nţa ? " - scrie Aristotel. Într-adevăr, filozofii, predecesorii săi, au identificat Fiinţa - adică porţiunea de stabilitate şi coerenţă din lume
Anonymous
// ptrnote.cpp // array accessed with pointer notation #include using namespace std; int main()    {                                       //array    int intarray[5] = { 31, 54, 77, 52, 93 };    for(int j=0; j<5; j++)                  //for each element,       cout << *(intarray+j) << endl;       //print value    return 0;    } The expression
Robert Lafore (Object-Oriented Programming in C++)
// passarr.cpp // array passed by pointer #include using namespace std; const int MAX = 5;           //number of array elements int main()    {    void centimize(double*);  //prototype    double varray[MAX] = { 10.0, 43.1, 95.9, 59.7, 87.3 };    centimize(varray);        //change elements of varray to cm    for(int j=0; j
Robert Lafore (Object-Oriented Programming in C++)
// ptrnote.cpp // array accessed with pointer notation #include using namespace std; int main()    {                                       //array    int intarray[5] = { 31, 54, 77, 52, 93 };    for(int j=0; j<5; j++)                  //for each element,       cout << *(intarray+j) << endl;       //print value    return 0;    }
Robert Lafore (Object-Oriented Programming in C++)
In addi t ion, the pr a c - t i t ione r should compl e t e the pr e l imina ry pr a c t i c e s and achieve a thorough grounding in the founda t iona l pa ths of the sut r a s , whi ch includes the deve lopment of the a l t rui s t i c int ent ion to a t t a in enl ight enment (bodhicitta), the deve lopment of c a lm abiding- the s t abi l i s a t ion of a t t ent ion on an int e rna l obj e c t of medi t a t ion- and the deve lopment of pene t r a t ive ins ight - an ana lyt i c a l medi t a t ive s t a t e tha t dissects the na tur e of its obj e c t , its r e l a t ionships , cha r a c - teristics and func t ion. The deve lopment of c a lm abiding and pene t r a t ive ins ight a r c the me ans by whi ch the pr a c t i t ione r c an cul t iva t e his or he r unde r s t anding of empt ine s s , whi ch is an appr e c i a t ion of the tot a l abs enc e of inhe r ent exi s t enc e and selfident i ty wi th r e spe c t to all phenomena
Anonymous
//empmult.cpp //multiple inheritance with employees and degrees #include using namespace std; const int LEN = 80;           //maximum length of names //////////////////////////////////////////////////////////////// class student                 //educational background    {    private:       char school[LEN];       //name of school or university       char degree[LEN];       //highest degree earned    public:       void getedu()          {          cout << "   Enter name of school or university: ";          cin >> school;          cout << "   Enter highest degree earned \n";          cout << "   (Highschool, Bachelor's, Master's, PhD): ";          cin >> degree;          }       void putedu() const          {          cout << "\n   School or university: " << school;          cout << "\n   Highest degree earned: " << degree;          }    }; //////////////////////////////////////////////////////////////// class employee    {    private:       char name[LEN];         //employee name       unsigned long number;   //employee number    public:       void getdata()          {          cout << "\n   Enter last name: "; cin >> name;          cout << "   Enter number: ";      cin >> number;          }       void putdata() const          {          cout << "\n   Name: " << name;          cout << "\n   Number: " << number;          }    }; //////////////////////////////////////////////////////////////// class manager : private employee, private student  //management    {    private:       char title[LEN];        //"vice-president" etc.       double dues;            //golf club dues    public:       void getdata()          {          employee::getdata();          cout << "   Enter title: ";          cin >> title;          cout << "   Enter golf club dues: "; cin >> dues;          student::getedu();          }       void putdata() const          {          employee::putdata();          cout << "\n   Title: " << title;          cout << "\n   Golf club dues: " << dues;          student::putedu();          }    }; //////////////////////////////////////////////////////////////// class scientist : private employee, private student  //scientist    {    private:       int pubs;     //number of publications    public:       void getdata()          {          employee::getdata();          cout << "   Enter number of pubs: "; cin >> pubs;          student::getedu();          }       void putdata() const          {          employee::putdata();          cout << "\n   Number of publications: " << pubs;          student::putedu();          }    }; //////////////////////////////////////////////////////////////// class laborer : public employee             //laborer    {    }; //////////////////////////////////////////////////////////////// int main()    {    manager m1;    scientist s1, s2;    laborer l1;    cout << endl;    cout << "\nEnter data for manager 1";    //get data for    m1.getdata();                            //several employees    cout << "\nEnter data for scientist 1";    s1.getdata();    cout << "\nEnter data for scientist 2";    s2.getdata();    cout << "\nEnter data for laborer 1";    l1.getdata();    cout << "\nData on manager 1";           //display data for    m1.putdata();                            //several employees    cout << "\nData on scientist 1";    s1.putdata();    cout << "\nData on scientist 2";    s2.putdata();    cout << "\nData on laborer 1";    l1.putdata();    cout << endl;    return 0;    }
Robert Lafore (Object-Oriented Programming in C++)
Butterfly Blues poem But–tɘr–flƴ, flu–teʁs bý, P○int– Ö’– light, ’Gainst gƦeen ␥ g ␥ r ␥ a ␥ s ␥ s␥ əƨ ␥flʎ. Cn ◠ nect ◡ the ◠ dts ◡  ⍨ Blks ⤻ ṡtart⤺ stṍƥ. Jag eˊd wht, Flash bleu (pale) flight. Zzles the i, Glit wht bl. hi/ Wht-wht blu h\i Slyc bl silvr
Douglas M. Laurent
Butterfly Blues Poem con't But–tɘr–flƴ, flu–teʁs bý, P○int– Ö’– light, ’Gainst gƦeen ␥ g ␥ r ␥ a ␥ s ␥ s␥ əƨ ␥flʎ. Cn ◠ nect ◡ the ◠ dts ◡  ⍨ Blks ⤻ ṡtart⤺ stṍƥ. Jag eˊd wht, Flash bleu (pale) flight. Zzles the i, Glit wht bl. hi/ Wht-wht blu h\i Slyc bl silvr
Douglas M. Laurent
Butterfly Blues Poem con't But–tɘr–flƴ, flu–teʁs bý, P○int– Ö’– light, ’Gainst gƦeen ␥ g ␥ r ␥ a ␥ s ␥ s␥ əƨ ␥flʎ. Cn ◠ nect ◡ the ◠ dts ◡  ⍨ Blks ⤻ ṡtart⤺ stṍƥ. Jag eˊd wht, Flash bleu (pale) flight. Zzles the i, Glit wht bl. hi/ Wht-wht blu h\i Slyc bl silvr
Douglas M. Laurent
Bomba världen med musik, pizza och poesi era idioter, inte Semtex, C4 och RDX.
Abhijit Naskar (Visvavictor: Kanima Akiyor Kainat)
Activists from all over the world--the known & the unknown--would find their way to the Kochiyamas' Fri & Sat night open houses. 'People were everywhere, eating, talking, laughing, spilling out into the hallway [outside their apt]. People were even int he bathroom. You couldn't close the front door bc there were so many people inside,' recalled Herman Ferguson. The Kochiyamas' apt also became a central meeting place for the Movement.
Diane C. Fujino (Heartbeat of Struggle: The Revolutionary Life of Yuri Kochiyama (Critical American Studies))