Bye Autumn Quotes

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Air in the chateau clammy like laundry that won't dry. Door-banging drafts down the passageways. Autumn is leaving its mellowness behind for its spiky, rotted stage. Don't remember summer even saying good-bye.
David Mitchell (Cloud Atlas)
The first sorrow of autumn is the slow good-bye of the garden that stands so long in the evening—a brown poppy head, the stalk of a lily, and still cannot go. The second sorrow is the empty feet of a pheasant who hangs from a hook with his brothers. The woodland of gold is folded in feathers with its head in a bag. And the third sorrow is the slow good-bye of the sun who has gathered the birds and who gathers the minutes of evening, the golden and holy ground of the picture. The fourth sorrow is the pond gone black, ruined, and sunken the city of water—the beetle's palace, the catacombs of the dragonfly. And the fifth sorrow is the slow good-bye of the woodland that quietly breaks up its camp. One day it's gone. It has only left litter—firewood, tent poles. And the sixth sorrow is the fox's sorrow, the joy of the huntsman, the joy of the hounds, the hooves that pound; till earth closes her ear to the fox's prayer. And the seventh sorrow is the slow good-bye of the face with its wrinkles that looks through the window as the year packs up like a tatty fairground that came for the children.
Ted Hughes
And the others were thinking equally gloomy thoughts, although when they had said good-bye to Elrond in the high hope of a midsummer morning, they' had spoken gaily of the passage of the mountains, and of riding swift across the lands beyond. They had thought of coming to the secret door in the Lonely Mountain, perhaps that very next first moon of Autumn - 'and perhaps it will be Durin's Day' they had said. Only Gandalf had shaken his head and said nothing.
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
the cold in the spring and the cold in the autumn, but they were opposite in their basic nature—one filled with promises of the future, the other filled with good-byes.
Emily Bleeker (Working Fire)
After bidding her family good-bye, Beatrix went out to the front drive with Christopher. He had changed from his uniform, with its gleaming jangle of medals, and wore simple tweed and broadcloth, with a simple white cravat tied at his neck. She much preferred him this way, in rougher, simpler clothing- the splendor of Christopher in military dress was nearly too dazzling to bear. The sun was a rich autumn gold, lowering into the black nest of treetops. Instead of the carriage Beatrix had expected, there was a single horse on the drive, Christopher's large bay gelding. Beatrix turned to give him a questioning look. "Don't I get a horse? A pony cart? Or am I to trot along behind you?" His lips twitched. "We'll ride together, if you're willing. I have a surprise for you." "How unconventional of you." "Yes, I thought that would please you." He helped her to mount the horse, and swung up easily behind her. No matter what the surprise was, Beatrix thought as she leaned back into his cradling arms, this moment was bliss. She savored the feel of him, all his strength around her, his body adjusting easily to every movement of the horse. He bade her to close her eyes as they went into the forest. Beatrix relaxed against his chest. The forest air turned sweeter as it cooled, infused with scents of resin and dark earth.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))