Buttons And Lace Quotes

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Will." Her hands pulled at his shirt, and it came away, the buttons tearing, his head shaking free of the fabric, all wild dark hair, Heathcliff on the moors. His hands were less sure on her dress, but it came away as well, off over her head, and was cast aside, leaving Tessa in her chemise and corset. She went motionless, shocked at being so undressed in front of anyone but Sophie, and Will took a wild look at her corset that was only part desire. “How—," he said. “Does it come off?" Tessa couldn't help herself; despite everything, she giggled. “It laces," she whispered. “In the back.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill. She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Relax.” “You try to relax when a football is being shoved up your ass.” Her
Penelope Sky (Buttons & Lace (Buttons, #1))
He chuckled and leaned back into the leather seat. “You’re going to be so much fun. I love it.” Fun?
Penelope Sky (Buttons & Lace (Buttons, #1))
All you can do is button your coat, lace your boots, and trudge through the frigid business of being.
J.J. Abrams (S.)
You can't just whistle and summon sense and order back into your mind. All you can do is button your coat, lace your boots, and trudge through the frigid business of being.
Doug Dorst (S.)
Kate had dressed for battle, donning her finest pink muslin morning dress. With lace at her wrists and mother-of-pearl buttons at her throat, instead of that itchy servant's cloak, she felt capable of matching wits with anyone.
Courtney Milan (Trial by Desire (Carhart, #2))
Then he buttoned the shirt, buckled the belt, adjusted the tie, and knotted the laces,
Bonnie Garmus (Lessons in Chemistry)
The faux pearl buttons on her blouse tried desperately to hold the silk closed, but the black lace of her bra still peeked through." - excerpt from Confessions of an Internet Pornogrpaher
Luis Mario
Keir had never suspected it was possible for a woman to wear so much clothing. After they'd gone to Merritt's bedroom, he'd unfastened the back of her velvet dress and she'd stepped out of it to reveal a profusion of... Christ, he didn't know the names for them... frilly lace-trimmed undergarments that fastened with tiny hooks, ribbons, and buttons. They reminded him of the illustrations pasted on the walls of the Islay baker's shop, of wedding cakes decorated with sugar lace and marzipan pearls, and flowers made of icing. He adored the sight of her in all those pretty feminine things.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Off with our nightgowns, and on with the silks and taffetas! Velvet and damask and lace like foam! Buttoned gloves, coral beads, pearl rings, diamond bracelets! Perfumes, powders, gilt tiaras and satin dancing shoes!
Hilary McKay (Hilary McKay's Fairy Tales)
In the crush men used the women to play silent games with themselves. One stared ironically at a dark-haired girl to see if she would lower her gaze. One, with his eyes, caught a bit of lace between two buttons of a blouse, or harpooned a strap. Others passed the time looking out the window into cars for a glimpse of an uncovered leg, the play of muscles as a foot pushed break or clutch, a hand absentmindedly scratching the inside of a thigh.
Elena Ferrante (Troubling Love)
She had no criticism of his dress, which was bagged at the knees, dropping at the lapels, rucked around the buttons, while she-although she wore a flowing white cotton-appeared (she knew it and wished it was not so) as starched and pressed as a Baptist in a riding habit. They were different, and yet not ill matched. They had both grown used to the attentions that are the eccentric’s lot-the covert glances, smiles, whispers, worse. Lucinda was accustomed to looking at no one in the street. It was an out-of-focus town of men with seas of bobbing hats. But on this night she felt the streets accept them. She thought: When we are two, they do not notice us. They think us a match. What wisdom does a mob have? It is a hydra, an organism, stupid or dangerous in much of its behaviour, but could it have, in spite of this, a proper judgement about which of its component parts fit best together? They pushed past bold-eyed young women with too many ribbons and jewels, past tight-laced maidens and complacent merchants with their bellies pushing so forcefully against their waistcoats that their shirts showed above their trousers. Lucinda was happy. Her arm rested on Oscar’s arm. She thought: Anyone can see I have been crying. She thought: I have pink eyes like a dormouse. But she did not really care.
Peter Carey (Oscar and Lucinda)
Who's the Devil?" Frances crouches down as if she were talking to Trixie. "That's something I'll never tell you, Lily, no matter how old you get to be, because the Devil is shy. It makes him angry when someone recognizes him, so once they do the Devil gets after them. And I don't want the Devil to get after you." "Is the Devil after you?" "Yes." "Jesus can beat the Devil." "If God wants." "God is against the Devil." "God made the Devil." "Why?" "For fun." "No, to test us." "If you know, why are you asking me?" "Daddy says there's no such thing as the Devil, it's just an idea." "The Devil lives with us." "No he doesn't." "You see the Devil every day. The Devil hugs you and eats right next to you." "Daddy's not the Devil." "I never said he was. ..." Frances has got a dry look, tinder in the eye; her voice is a stack of hay heating up at the center, her mouth a stitched line. "I'm the Devil." This is the moment Lily stops being afraid of anything Frances could ever say or do again. Stops being afraid of anything at all. She reaches out and takes Frances's hand. The white hand that always smells of small wildflowers, lily of the valley. The hand that has always done up Lily's buttons and laces, and produced wondrous objects. She holds Frances's hand and tells her, "It's okay, Frances.
Ann-Marie MacDonald (Fall on Your Knees)
He slipped his arms into the scarlet woollen cassock and fastened the thirty-three buttons that ran from his neck to his ankles—one button for each year of Christ’s life. Around his waist he tied the red watered-silk sash of the cincture, or fascia, designed to remind him of his vow of chastity, and checked to make sure its tasselled end hung to a point midway up his left calf. Then he pulled over his head the thin white linen rochet—the symbol, along with the mozzetta, of his judicial authority. The bottom two-thirds and the cuffs were of white lace with a floral pattern. He tied the tapes in a bow at his neck and tugged the rochet down so that it extended to just below his knees. Finally he put on his mozzetta, an elbow-length nine-buttoned scarlet cape.
Robert Harris (Conclave)
Isaiah opens my car door and his warm silver eyes smile at me. “Hey.” I sweep my bangs from my eyes. “Hi.” He offers his hand and I accept. His fingers wrap around mine and heat surges up my arm, flushes my neck and settles into a blush on my face. He tugs gently and I slip out. I’m not sure if my body vibrates from the rumbling of the garage door closing or from the blood pounding in my veins. Our fingers lace together, and his other hand smoothly cups my hip. I suck in a breath, surprised that someone touches me so easily and with such care. “You look nice,” he says. “I’m in my school uniform.” White button-down blouse, maroon-and-black plaid skirt, and a pair of white Keds. Nothing spectacular. “I know.” The seductive slide in his voice causes the back of my neck to tickle.
Katie McGarry (Crash into You (Pushing the Limits, #3))
I gazed at Nina and Theodore standing now before the window about to say their vows, or as Nina had phrased it, whatever words their hearts gave them at the moment, and I thought it just as well Mother was not here. She would’ve expected Nina to be in ivory lace, perhaps blue linen, carrying roses or lilies, but Nina had dismissed all of that as unoriginal and embarked on a wedding designed to shock the masses. She was wearing a brown dress made from free-labor cotton with a broad white sash and white gloves, and she’d matched up Theodore in a brown coat, a white vest, and beige pantaloons. She clutched a handful of white rhododendrons cut fresh from the backyard, and I noticed she’d tucked a sprig in the button hole of Theodore’s coat. Mother wouldn’t have made it past the brown dress, much less the opening prayer, which had been delivered by a Negro minister.
Sue Monk Kidd (The Invention of Wings)
I’m going out for muffins.” “Give me five minutes to get my shoes on.” “I don’t have five minutes,” I said. “I have things to do. I’ve got the panic button. I’ll be fine. I’ll bring a muffin back for you. What do you want, zucchini, no fat, no sugar, extra bran?” I turned to go and Ranger scooped me up and carried me into the bedroom and tossed me onto the bed. “Five minutes,” he said, lacing his shoes. I lay there spread-eagle, waiting for him. “Very macho,” I said. He grabbed my hand and yanked me to my feet. “Sometimes you try my patience.
Janet Evanovich (Twelve Sharp (Stephanie Plum, #12))
Jackson…” she whispered. “I love to hear my name on your lips,” he rasped against her ear. “Say it again.” “Jackson…this isn’t another lesson…is it?” She had to know. She had to be sure. “It ought to be,” he growled. “God knows you didn’t learn the first one very well, or we wouldn’t be here together, alone.” When he lifted her onto the table, knocking off some of the books, she gasped. “I’ve never been good with lessons.” He brushed a kiss over her lips. “Perhaps you haven’t had the right teacher. Or the right lessons, my lady.” “Celia,” she countered, burying her hands in his thick, raven hair. He had the most beautiful hair, soft to the touch, with lovely waves that spilled wantonly over her fingers. “If I’m to call you Jackson, you must call me Celia.” His eyes turned molten gray as they locked with hers. “Celia,” he breathed. Then he brought his hands up to flick open the buttons of her redingote and pull out her lace tucker so he could toss it aside. She caught her breath. “Wha-What are you doing?” “Continuing your lessons.” He spread open her redingote gown to expose her undergarments. “I want to taste you. Will you let me, sweeting?” Sweeting? That alone would have softened her resolve, for no mad had ever called her such a lovely thing. But the fact that he was asking for what Ned had tried to force from her melted her resistance even further. “I’m willing to repeat a lesson as often as it takes to learn it,” she said, shocking her own boldness.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Getting dressed was complicated. She did not want to raise her parents’ suspicions, but she wanted to look nice on her wedding day. While Emily waited, Lisbeth spent considerable time sorting through her gowns. In addition to wanting an attractive dress, she needed one that she could remove herself. She did not know if someone would be available to help her undress. She did not allow herself to think about where or with whom she would be undressing that night, but she would have to get used to dressing herself in the future. Her new life was beginning today. Eventually she chose a Swiss dot with a light-blue background and bright-blue dots that buttoned down the front. It was not particularly tight in the bodice, so she could wear a corset that laced on the side
Laila Ibrahim (Yellow Crocus (Freedman/Johnson, #1))
It was one of Kitty’s best days. Her dress was not uncomfortable anywhere; her lace berthe did not droop anywhere; her rosettes were not crushed nor torn off; her pink slippers with high, hollowed-out heels did not pinch, but gladdened her feet; and the thick rolls of fair chignon kept up on her head as if they were her own hair. All the three buttons buttoned up without tearing on the long glove that covered her hand without concealing its lines. The black velvet of her locket nestled with special softness round her neck. That velvet was delicious; at home, looking at her neck in the looking glass, Kitty had felt that that velvet was speaking. About all the rest there might be a doubt, but the velvet was delicious. Kitty smiled here too, at the ball, when she glanced at it in the glass.
Leo Tolstoy (Anna Karenina)
I want to see what I will be getting later tonight.” I look at the nude-colored lace that sits under her belly button and shows off the cheeks of her ass. “You’re getting your hand, buddy.” She pats my chest. “I’m staying at my mom’s tonight, remember?” Fuck, I forgot about that. “Who made that stupid rule up?” “I don’t know,” she shrugs, shimmying her dress back over her hips. “You’re not leaving me tonight until I taste you; so you need to figure out how to make that happen, or your mom’s going to be pissed when I show up at her house, telling her that I need to eat her daughter’s p**sy before I go to bed or else I can’t sleep.” I watch her cheeks turn bright pink as she glares at me. “You wouldn’t dare.” “Oh, but wouldn’t I?” I smirk. I wouldn’t do that, exactly, but I would show up at her mom’s to get my nightly snack. “Trevor.” “Figure it out, babe.
Aurora Rose Reynolds (Until Trevor (Until, #2))
I don't have a girlfriend." "Right." Daniel looked at me just long enough to make me squirm, and only just avoid flattening a granny who was crossing against the light her shopping cart. "Excuse me?" I sighed. "Let me guess. She's as tall as you are and looks like she spends her leisure time in a lace bra and angel wings." "Jesus,Ella, what was in that cup?" "What? Guys like you always have girlfriends like that." He reached out and jabbed a button on the dash. It took two tries,but the music stopped. "Sounds good to me, but there's no girlfriend-" I got it, a little late. Apparently, I'm slow that way. "Ah.I get it now." I slapped my forehead. It was unsatisfactorily silent; his glove was that thick. "Slow.Okay." "You look like an ordinary girl, but in truth-" I gave him the Hand.It looked silly in his glove. "Truth: I am a completely ordinary girl. There are tons of us around.Always have been.
Melissa Jensen (The Fine Art of Truth or Dare)
More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
One of the most effective ways to quicken your story’s pace is to move from a static description of an object, place or person to an active scene. The classic method for accomplishing this is to have your character interact with the subject that’s been described. For instance, let’s say you’ve just written three paragraphs describing a wedding dress in a shop window. You’ve detailed the Belgian lace veil, the beaded bodice, the twelve-foot train, even the row of satin buttons down the sleeves. Instinctively you feel it’s time to move into an action scene, but how do you do it without making your transition obvious? A simple, almost seamless way is to initiate an action between your character (let’s call her Miranda) and the dress you’ve just described. Perhaps Miranda could be passing by on the sidewalk when the dress in the window catches her attention. Or she could walk into the shop and ask the shopkeeper how much the dress costs. This method works well to link almost any static description with a scene of action. Describe an elegant table, for instance, complete with crystal goblets, damask tablecloth, monogrammed napkins and sterling silver tableware; then let the maid pull a cloth from her apron and begin to polish one of the forks. Or describe a Superman kite lying beside a tree, then watch as a little girl grabs the string and begins to run. You will still be describing, but the nature of your description will have changed from static to active, thus quickening the story’s pace. Throughout
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso. In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
Strict Time There's a hand on a wire that leads to my mouth I can hear you knocking but I'm not coming out Don't want to be a puppet or a ventriloquist 'Cause there's no ventilation on a critical list Fingers creeping up my spine are not mine to resist Strict time Chorus: Toughen up, toughen up Keep your lip buttoned up Strict time Oh the muscles flex and the fingers curl And a cold sweat breaks out on the sweater girl Strict time Oh he's all hands, don't touch that dial The courting cold wars weekend witch trial Strict time All the boys are straight laced and the girls are frigid The talk is two-faced and the rules are rigid 'cause it's strict time Strict time You talk in hushed tones, I talk in lush tones Try to look Italian through the musical Valium Strict time Thinking of grand larceny Smoking the everlasting cigarette of chastity Cute assistants staying alive More like a hand job than the hand jive Strict time
Elvis Costello
Gavin nearly matched it when he freed enough buttons to expose her bright red lace and satin bra.
Anonymous
Tell him to stop, a voice inside her said, but all she could think was that Jeremy had never kissed her like this. He had never made her feel like this--not once in the two years they had been together. No one had ever made her feel like this. And she didn’t want the moment to end. Her brain seemed to shut down just then, leaving her body in control. Desire curled like mist through her veins. She fumbled with the buttons on the front of his denim shirt, tore one of them off in her haste to touch him. She jerked the fabric apart and slid her hands inside, pressed her trembling palms against his bare chest. Thick bands of muscle tightened. Crisp brown chest hair curled around the tips of her fingers, and ridges of muscle rippled down his flat stomach. Call made a sound in his throat and a shudder ran the length of his body. His mouth still clung to hers. He jerked up her sweatshirt, cupped her breasts over her white lace bra, and started to work the catch beneath the tiny bow at the front. “Hey, Call! You over here? Call! Is everything all right?” She whimpered as he whipped his mouth away and softly cursed. With an unsteady hand, he jerked down her sweatshirt and stepped protectively in front of her, leaving her shielded behind his body and the trunk of the tree. “Everything’s fine, Toby.” His voice sounded raspy. She wondered if his friend would notice. “I thought I heard shots,” Toby said, “but I was cooking so I didn’t pay all that much attention. Then I went into the living room and found the front door open. When I saw your rifle gone from the rack, I was afraid something bad might have happened.” “Our neighbor, Ms. Sinclair, came nose to nose with her first black bear.” Call looked her way, gave her a quick once-over, saw that she didn’t look too disheveled, and tugged her out from behind the tree. “Charity Sinclair, meet Toby Jenkins. Toby’s chief-cook-and-bottle-washer over at my place, and all-around handyman. At least he is till he leaves for college in the fall. Toby, this is Ms. Sinclair, our new neighbor.” “Nice to meet you, ma’am. I heard Mose sold the place. I’ve been meaning to come over and say hello.” “Forget the ma’am,” Charity told him. “It makes me feel too old. Charity is enough.” He nodded, smiled. He was young, maybe nineteen or twenty, with thick, dark red hair and a few scattered freckles, sort of a young John Kennedy, an attractive boy with what appeared to be a pleasant disposition. She wondered if he could tell by looking at her what had been going on when he arrived. Then she noticed Call’s shirt was open and missing a button and felt her face heating up again.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
From there he saw Fermina Daza walk in on her son's arm, dressed in an unadorned long-sleeved black velvet dress buttoned all the way from her neck to the tips of her shoes, like a bishop's cassock, and a narrow scarf of Castilian lace instead of the veiled hat worn by other widows, and even by many other ladies who longed for that condition
Gabriel García Márquez (Love in the Time of Cholera)
His fingers moved deeper and I thought that the dye may have given me new nerve endings because every hair prickled up to his touch. "We're sensualists, aren't we?" "Sensualists?" He lowered his hand to my neck and pulled me so close our foreheads touched. "What do you mean?" I asked, the tips of my lips- just slightly- against his. "Sensualism..." he repeated in his bizarre accent. He didn't press his lips against mine and I didn't dare press back. We let our mouths push and graze as we spoke. "We are passionate, you and I. We know how to give in to our senses." Then I felt the full heat of his mouth on mine and I lapped him up greedily, my hands grabbing his face and hair and shoulders. I had never thought of myself as much of a sensualist. I was a writer, a rationalist in a sensualist world. I was always worrying about what other people thought of me and more often than not I liked the company of babies and dogs instead of humans my own age. But what's rational about a man's lips on you, when he's touching you in a way that makes you feel the exquisite pleasure of belonging? Everything else is a distraction. We tussled with our shirts off, until he pulled me on top of him and slid his hands from under my hair, to my shoulders, down to my arms, and finally to the place where the top of my pants met my skin. "Leather pants, you little minx. Shall we have an encore?" he asked. By now my hair was a wild mess. I was red from the wine. The lights were sort of dark, but not dark enough. I was wearing some Kiki Montparnasse lingerie, black lace with tiny bows that were at once sweet and not so sweet. You could even describe them as naughty. He let the tip of one finger move around the edge of my pants. When he got to the button, he made a flicking motion that stressed its hold. The critical button.
Jessica Tom (Food Whore)
As he reached the landing midway down the stairs, however, his rapid steps slowed and halted at the sight of the disconsolate figure of Rose sitting on one of the carpeted steps. The sight of her, like a prim little doll in her ruffled muslin dress, plump calves encased in thick white stockings, tiny hands filled with her ever-present button string, made him smile. How different she was from the way his sister Elizabeth had been at this age. Rose was wellmannered, introspective, sweetly earnest, whereas Elizabeth had been a spirited little hellion. Holly had done a splendid job so far of sheltering her daughter in a safe, well-ordered existence, but in Zachary's opinion, Rose needed the influence of a father. Someone to help her understand about the world beyond park railings and neat brick-walled gardens, about children who did not wear clothes with lace collars, and people who toiled and sweated for their bread. About the ordinary business of living. However, Rose was not his daughter, and it was not his right to venture any opinions about her upbringing.
Lisa Kleypas (Where Dreams Begin)
His thumb stroked over the thin wool of her gown, making promises to what was concealed. She felt his other hand at her back, setting her free of all the small tokens of decency, which great factories in the north pressed into buttons, clasps and hooks that women fastened dutifully, knowing their place, knowing their role. Covered, bound, laced, wrapped, bundled away from the world like objects to be kept on a shelf. Put away from this kind of honesty and the revelations it might bring
Meredith Duran (A Lady's Code of Misconduct (Rules for the Reckless, #5))
You look nice." His words were flat and noncommittal, but his voice and gaze were laced with sex. I looked down at myself. Button-down floral shirt. Slacks. Sensible flats. Work clothes. I'd tucked my hair into a clip before I arrived and made sure none of my lunch was still stuck in my teeth, but my appearance wasn't worth mentioning. "What's a girl got to do to look like crap around here?" [...] "Be somebody else, I guess.
C.D. Reiss (HardBall)
The bodices of rich ladies were fastened with buttons rather than laces, and they took to wearing felt hats rather than hoods or veils. This outraged the more conservative members of society, who complained that it was becoming increasingly difficult to tell the two sexes apart.
Tracy Borman (The Private Lives of the Tudors: Uncovering the Secrets of Britain’s Greatest Dynasty)
I want to do exactly what he did to us—but to him.” “And what does that mean, exactly?” “I want to take someone he loves and torment them mercilessly. I want him to try to sleep every night, knowing we have them. That they are being strangled, raped, and beaten into oblivion.
Penelope Sky (Buttons & Lace (Buttons, #1))
Sometimes we’re the bug. Sometimes we’re the windshield.
Penelope Sky (Buttons & Lace (Buttons, #1))
I feel my hackles rise, however, when I hear people refer to the serial comma as the Oxford comma. Why does Oxford get all the credit? Why does the stricter, more conservative choice belong to the university that gave us the eponymous shirt with the button-down collar and the androgynous lace-up shoe? Why not the Harvard comma, or the Rutgers comma, or the Cornhusker comma?
Mary Norris (Between You & Me: Confessions of a Comma Queen)
Pinterest assured her that moms and their sons did precious crafts together with old buttons and lace scraps, and baked healthy cookies, while wearing cute matching pastel plaid shirts and jeans.
Zoe Chant (Bearly Together (Green Valley Shifters, #4))
His account books reflect a concern with fashion, as shown by periodic visits to a French tailor, and his sartorial elegance is confirmed in portraits. In one painting, he wears a double-breasted coat with brass buttons and gilt-edged lapels, his neck swathed delicately in a ruffled lace jabot.
Ron Chernow (Alexander Hamilton)
Paul Blumberg writes: "A Massachusetts Act of 1651, for example, prohibited status disguises in such matters as dress, and declared ‘our utter detestation and dislike that men and women of meane Condition should take upon themselves the garb of gentlemen, by wearing gold and silver, lace or buttons, or points at their knees or to walk in bootes or women of the same rancke to wear silke or tiffany horlles or scarfes, which though allowable to persons of greater estates, or more liberal education, yet we cannot but judge it intollerable in persons of such like condition.
Diego Gambetta (Codes of the Underworld: How Criminals Communicate)
The sky is gray and the wind is hair-whippingly bitter. My poor blouse, which only has two buttons fastened crookedly, never had a chance. It bursts open. Right in front of Pete the Pervy Garbage Man. My white lace bra is sheer as sheer can be and my nipples proclaim the arctic temperatures in all their pointy glory.
Emma Chase
Sir Graham was in his best uniform. The one that had never seen sea service, but was reserved for only the most honored of occasions, the gold buttons and lace and epaulets blindingly bright in the sun, the medal of the Nile around his neck, the broad red sash of knighthood across his right shoulder. His hands were clasped behind his back; a sailor he was, even here, and he was smiling, his eyes radiant with love as he caught sight of her and watched her move slowly down the path, toward him.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
Red-heeled shoes and silk stockings clocked in black. Gray satin breeches with silver knee buckles. Snowy linen, with Brussels lace six inches deep at cuff and jabot. The coat, a masterpiece in heavy gray with blue satin cuffs and crested silver buttons, hung behind the door, awaiting its turn.
Diana Gabaldon (Voyager (Outlander, #3))
The door she had just stepped through shut softly. Taylor faced Veris, took a deep breath and dropped the coat at her feet. Beneath she wore black lace-topped stay-up stockings, red and black French lace thong panties and a matching shelf bra, Swarovski crystals in her belly button and clipped to her nipples.
Teal Ceagh (Kiss Across Time (Kiss Across Time #1))
What is the meaning of this?” Sylvan sighed and stood up from the lumpy, uncomfortable grey couch in the far corner of the HKR building. He’d been hoping that Sophia would be in a better mood the next time he saw her but from the way her cheeks were flushed and her big green eyes were flashing with anger, it looked like his hopes were about to be dashed. “What is the meaning of what?” he asked, nodding at her courteously as she stormed up to him. “This.” Sophia reached into a large pink shopping bag she was carrying and pulled out a strange looking contraption that seemed to be made of black lacy straps. Sylvan looked at in confusion. “I’m afraid I don’t even know what that is.” “It’s a bra!” She shook it in his face in an accusing manner and Sylvan saw that there were two pocket-like cups attached to the straps that were joined in the middle. Still, it made no sense. “A what?” He attempted to take it from her but she snatched it back. “A bra—you know, to cover your, uh, chest?” Seeing that he was still clueless, Sophia put down the shopping back with an exasperated sound and held the black lace contraption up to her own chest. “Look—like this.” Today she was wearing a dark green blouse that buttoned down the front and brought out the color of her eyes. It was open enough for Sylvan to see her creamy throat and just a hint of cleavage. When she held it up, the black lace cups of the thing she’d called a bra framed her full breasts and he had a sudden mental image of her wearing it…and nothing else. Gods! His fangs sharpened and he was suddenly almost painfully hard. “I see,” he murmured, reaching out to trace the edge of the black lace where it framed the top of her breast. “It’s most…intriguing. I didn’t know human women wore such tantalizing undergarments.” Sophia’s cheeks got even redder and she shoved the bra back into the large pink shopping bag.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
After sentencing, the wife was told to bring warm clothes, as he would be sent away, to serve his five year prison term. She understood that he was going to "the white bears," to Siberia. When she brought a suit, a coat, shirts and shoes, the prison official gave her instructions to cut off all buttons, no suspenders, no shoe laces. These precautions were supposed to protect the prisoner, to prevent him from committing suicide: not to swallow the buttons and not to hang himself on the shoe laces or the suspenders. That happened in August, 1940, less than two months after the Soviet takeover. It needs little imagination to understand how a person could shield himself from the frosts of Siberia, when he could not button the shirt or coat or lace his shoes. Instances of this nature filled our first months under Stalin's regime.
Pearl Fichman (Before Memories Fade)
My back is pressed against the side of the garage, Jake's body pinning me to the wood. He looks down at my lips and back to my eyes. The rain is soaking us as we stare at each other, waiting for the other to make the first move. Jake grabs my chin in his hands, pointing my face up to his, then coldly whispers, 'I suppose you think it's selfish when I rip this dress from your body and fuck you right here in the rain.' I can't say another word. Jake's mouth finds mine and we savagely kiss each other. Our lips press hard into each other as the passion and love I have for this man comes spilling out of me. True to his word, Jake grabs ahold of my dress where the millions of buttons trail down my back and yanks. He yanks and then yanks again. The delicate lace and satin tears away from my body and falls to shreds, billowing at my feet when he says, 'You've ruined me.' He kisses me hard, bordering on painful, as he pours his torn heart out to me. 'I'm a complete fucking mess without you.
M.S. Brannon (Blind Love (Sulfur Heights, #3))
She was standing with her thin arms lifted in a pose of crucifixion as the white satin gown with its myriad pearl buttons, tucks and pleats and ingenious lace trim, was fitted onto her like an exquisite straitjacket. Mrs. Littrell had insisted upon the corset, Ariah could scarcely breathe. I take thee Gilbert. My lawfully wedded husband. A sneeze would have shattered the corset, and the wedding. At police headquarters, the bride of the “fallen” man was clearly to blame. Ariah
Joyce Carol Oates (The Falls (P.S.))
My body tensed in response. My heartbeat quickened, and I felt the burn course through my blood. Her fight, her ferocity, shined like a beacon right into my soul. It set my body on fire, making my cock hard in my trousers and my hands desperate to touch her.
Penelope Sky (Buttons & Lace (Buttons, #1))
We are the men who make up night terrors, not nightmares. We are the men who give evil a definition.
Penelope Sky (Buttons & Lace (Buttons, #1))
My heart had come to care for him, even rely on him, and for him to cruelly reject me made me feel stupid. It made me feel more than just stupid. It made me feel like a goddamn fool.
Penelope Sky (Buttons & Lace (Buttons, #1))
I was sold by a monster to another monster. And then I was snatched by a beast. The world was darker and more formidable than I ever thought possible. Everyone was innately selfish, guided by greed and power. I was just a pawn in the game like all the others. But I happened to be a lucky one.
Penelope Sky (Buttons & Lace (Buttons, #1))
Crow kissed the corner of my mouth before he guided me into his bedroom. He lay beside me in bed and wrapped his powerful arms around me, sleeping with me just the way I liked.
Penelope Sky (Buttons & Lace (Buttons, #1))
You’re very special. You’re the most special woman I’ve ever met—and I’ve met a lot.” I never knew a woman who could fight so fiercely. I never knew a woman who wouldn’t break under pressure. I never knew a woman so strong. It turned me on just thinking about it.
Penelope Sky (Buttons & Lace (Buttons, #1))
grabbed a handful of hair and yanked her head back aggressively, exposing her lips for my mouth to take. I kissed her hard, practically bruising her lips. My arm circled her waist, and I pulled her flush against me, wanting her to understand just how much my cock wanted to fuck her small cunt.
Penelope Sky (Buttons & Lace (Buttons, #1))
I grabbed a handful of hair and yanked her head back aggressively, exposing her lips for my mouth to take. I kissed her hard, practically bruising her lips. My arm circled her waist, and I pulled her flush against me, wanting her to understand just how much my cock wanted to fuck her small cunt.
Penelope Sky (Buttons & Lace (Buttons, #1))
Now I understood her darkest fear. She hated the lack of control. She hated the inability to participate in her fate.
Penelope Sky (Buttons & Lace (Buttons, #1))
Button.” He cupped my face and looked me in the eye. “Don’t go.” He kissed the corner of my mouth.
Penelope Sky (Buttons & Lace (Buttons, #1))
It’s about dominance. It’s about strength. Only those who are truly strong can find the good in the bad. When you enjoy the pleasure in the midst of pain, you’re fortified by it. You’re empowered by it. It turns me on to see a woman cry but still enjoy it. If she can handle it, then she’s a warrior.” I turned my gaze on her, my lips desperate for hers. “That’s why I’m so obsessed with you. You aren’t like the others. You breathe fire. You’re strong. Nothing can break you, not even me.
Penelope Sky (Buttons & Lace (Buttons, #1))
How did a twisted freak like him accumulate so much power? Did money really provide anything you wanted? Would people look the other way for the right price? Is that what the world came down to? Money?
Penelope Sky (Buttons & Lace (Buttons, #1))
I just hoped he didn’t waste all his time worrying about me. There was nothing he could do for me, so he may as well not think about it.
Penelope Sky (Buttons & Lace (Buttons, #1))
I wanted to cause her as much pain as possible. I wanted to make her life unbearable. She deserved a nightmare. She deserved a terror so absolute she couldn’t stop shaking. She deserved pure and utter hell.
Penelope Sky (Buttons & Lace (Buttons, #1))
The Christmas tree in Rockefeller Center still stood tall and proud, but it was quickly blanketed with a white sheet.
Penelope Sky (Buttons & Lace (Buttons, #1))
The nightgowns in my wardrobe were made of lace and gauze, cut so they would cling to the body and part in unexpected slits. I rummaged through them until I found a dressing gown of butter soft red silk. It didn't even have buttons, just a sash, but at least it was not transparent.
Rosamund Hodge (Cruel Beauty)
The ivory dress shirt she’s wearing buttons all the way up, lace trim wrapped tight around her throat.
Elsie Silver (Flawless (Chestnut Springs, #1))
I pushed the button to lower the window and inhaled the salt-laced breeze. It was a beautiful day to overreact in San Diego.
C.P. Rider (Summoned (Sundance, #2))
You must picture Mr. Thomas Marvel as a person of copious, flexible visage, a nose of cylindrical protrusion, a liquorish, ample, fluctuating mouth, and a beard of bristling eccentricity. His figure inclined to embonpoint; his short limbs accentuated this inclination. He wore a furry silk hat, and the frequent substitution of twine and shoe-laces for buttons, apparent at critical points of his costume, marked a man essentially bachelor.
H.G. Wells (The Invisible Man)
Does this car have Bluetooth?” Oliver chuckles. “Yes, Princess Estelle, is it up to par with your inspection?” I stop moving my hand over the dash and set it back on my lap, feeling a blush creep into my face. “I liked your old car better,” I say. Oliver’s eyebrows hike up and he turns to gape at me. “You like my beat-up Maxima better than this?” I shrug. “It was more cozy. This reminds me of the Batmobile, and there’s nothing wrong with the Batmobile, but I like cozy.” He shakes his head and mutters something under his breath, but starts to look for my phone to hook up to Bluetooth. He already knows it’s because I want to play my own music—I don’t even have to explain. I used to bring my own CD whenever I was in the car with him. Oliver listens to two things: heavy rock and rap, and while I’m okay with both, I prefer the classics. The Steve Miller Band hasn’t even gotten to the hook before they’re interrupted by a call from Mia. Oliver looks at me with a question in his eyes. “If you don’t mind,” I say. He presses the button, and before I say hello, Mia’s frantic voice comes through. “What underwear are you wearing?” she asks. My face goes hot for the second time this morning. From the corner of my eye, I see Oliver bite down on his lip. “What?” I ask. “Mia, you’re on speaker phone!” “I don’t care. This is an emergency. Do you not hear the shrill tone in my voice? What are you wearing under your clothes?” My eyes snap to the side of Oliver’s face, then out the front window, and finally, I pull my shirt slightly and look down, because I completely forgot what underwear I have on. “Can you disconnect the phone?” I say to Oliver, who shakes his head in refusal. “Please. This is like . . . monumentally embarrassing.” “Just answer,” he whispers. “Who’s that?” Mia asks. “Oliver. We’re in his car, and you’re on the fucking Bluetooth.” She laughs. “Oh my God! I am so sorry, Bean!” “What?” I shout. “He’s not the one being harassed!” “Oh, but now he is. So tell me—underwear?” “White lace bra and matching boy shorts,” I say, almost through my teeth, not missing the way Oliver’s eyes snap to me with an approving look. I want to slap him for it, but I know nothing good would come of that, so I just cross my arms over my chest like a petulant child.
Claire Contreras (Kaleidoscope Hearts (Hearts, #1))
Under Elizabeth, women’s clothes also began to incorporate elements that had until now been the strict preserve of men. The bodices of rich ladies were fastened with buttons rather than laces, and they took to wearing felt hats rather than hoods or veils. This outraged the more conservative members of society, who complained that it was becoming increasingly difficult to tell the two sexes apart.
Tracy Borman (The Private Lives of the Tudors: Uncovering the Secrets of Britain’s Greatest Dynasty)
Papina had grey hair and a purple face. She was like a trained mouse, one of those small white ones that sit up on their tails and then fall flat, their stomachs slapping the ground. She got up on her tail and stayed there through some miracle of balance, to the confusion of all who saw her walking around on her little bow legs and funny round feet. Yet her hands were so quick and lively that one couldn’t even feel her buttoning up a dress, lacing a belt or pulling a skirt round the hips to adjust it. As she took the blue trousers and yellow sash from the wardrobe for Irma, she walked behind Gioia and shook the girl’s shoulders. “Quickly, my lovely! If you sit there under a spell, the prince can’t carry you off to the wedding…” She’d read all the fairy stories and took delight in being irresistibly droll, so instead of wedding she’d said werewolf; she was imitating Macario, whom she’d seen at the cinema.
Augusto De Angelis (The Mystery of the Three Orchids)
It was black (of course), but it was different shades of black. The fabric was charcoal black and the trim was metallic black and the lining was obsidian black and the buttons were tiny silver raven skulls with even tinier twinkling black eyes. The sleeves were swooping and edged with black lace, but because Pins knew how Witches were, the lace could be tied back out of the way and there were very practical tight black sleeves underneath.
Ursula Vernon (Castle Hangnail)