Butterfly Related Quotes

Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark . . . I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship. It will keep the vultures at bay.

As soon as a Western man comes into contact with the East -- he's already confused. The West has sort of an international rape mentality towards the East. ...Basically, 'Her mouth says no, but her eyes say yes.' The West thinks of itself as masculine -- big guns, big industry, big money -- so the East is feminine -- weak, delicate, poor...but good at art, and full of inscrutable wisdom -- the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated -- because a woman can't think for herself. ...You expect Oriental countries to submit to your guns, and you expect Oriental women to be submissive to your men.

Other letters simply relate the small events that punctuate the passing of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark... I hoard all these letters like treasure.

Butterflies have always had wings; people have always had legs. While history is marked by the hybridity of human societies & the desire for movement, the reality of most of migration today reveals the unequal relations between rich & poor, between North and South, between whiteness and its others.

Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than the rest.

You’re comparing the FBI to Hitler?” “No, I’m engaging in a discussion about perspective and moral relativity.

I receive remarkable letters. They are opened for me, unfolded, and spread out before my eyes in a daily ritual that gives the arrival of the mail the character of a hushed and holy ceremony. I carefully read each letter myself. Some of them are serious in tone, discussing the meaning of life, invoking the supremacy of the soul, the mystery of every existence. And by a curious reversal, the people who focus most closely on these fundamental questions tend to be people I had known only superficially. Their small talk has masked hidden depths. Had I been blind and deaf, or does it take the harsh light of disaster to show a person's true nature? Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark... I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship. It will keep the vultures at bay.

She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.

I’ve always preferred moths to butterflies. They aren’t flashy or cocky; they mind their own business and just try to blend in with their surroundings and live their lives. They don’t want to be seen, and that’s something I can relate to.

As she died, Mary was alone on the planet as were Dwayne Hoover or Kilgore Trout. She had never reproduced. There were no friends or relatives to watch her die. So she spoke her very last words on the planet to Cyprian Ukwende. She did not have enough breath left to make her vocal cords buzz. She could only move her lips noiselessly. Here is all she had to say about death: 'Oh my, oh my.' . . . Like all Earthlings at the point of death, Mary Young sent faint reminders of herself to those who had known her. She released a small could of telepathic butterflies, and one of these brushed Dwayne Hoover, nine miles away. Dwayne heard a tired voice from somewhere behind his head, even though no one was back there. It said this to Dayne: 'Oh my, oh my." . . .

Chasing a butterfly with a hammer. - On Uncouth Diplomacy

No, I’m engaging in a discussion about perspective and moral relativity.

Quantum physics findings show that consciousness itself created order - or indeed in some way created the world - this suggested much more capacity in the human being than was currently understood. It also suggested some revolutionary notions about humans in relation to their world and the relation between all living things. What they were asking was how far our bodies extended. Did they end with what we always thought of as our own isolated persona, or ‘extend out’ so that the demarcation between us and our world was less clear-cut? Did living consciousness possess some quantum field like properties, enabling it to extend its influence out into the world? If so, was it possible to do more than simply observe? How strong was our influence? It was only a small step in logic to conclude that in our act of participation as an observer in the quantum world, we might also be an influencer, a creator. Did we not only stop the butterfly at a certain point in its flight, but also influence the path it will take - nudging it in a particular direction? This explains action at a distance, what scientists call non locality. The theory that two subatomic particles once in close proximity seemingly communicate over any distance after they are separated.

No one is alone in this world. No act is without consequences for others. It is a tenet of chaos theory that, in dynamical systems, the outcome of any process is sensitive to its starting point-or, in the famous cliche, the flap of a butterfly's wings in the Amazon can cause a tornado in Texas. I do not assert markets are chaotic, though my fractal geometry is one of the primary mathematical tools of "chaology." But clearly, the global economy is an unfathomably complicated machine. To all the complexity of the physical world of weather, crops, ores, and factories, you add the psychological complexity of men acting on their fleeting expectations of what may or may not happen-sheer phantasms. Companies and stock prices, trade flows and currency rates, crop yields and commodity futures-all are inter-related to one degree or another, in ways we have barely begun to understand. In such a world, it is common sense that events in the distant past continue to echo in the present.

A butterfly outgrows her cocoon. This doesn’t mean the cocoon was fake, meaningless, or not worth it. It means the cocoon served its purpose. In the same way, you will outgrow a job, home, friendship, relationship. Can you say goodbye without belittling the place that experience holds in your heart? In your life? In your transformation?

There was a small public library on Ninety-third and Hooper. Mrs. Stella Keaton was the librarian. We’d known each other for years. She was a white lady from Wisconsin. Her husband had a fatal heart attack in ’34 and her two children died in a fire the year after that. Her only living relative had been an older brother who was stationed in San Diego with the navy for ten years. After his discharge he moved to L.A. When Mrs. Keaton had her tragedies he invited her to live with him. One year after that her brother, Horton, took ill, and after three months he died spitting up blood, in her arms. All Mrs. Keaton had was the Ninety-third Street branch. She treated the people who came in there like her siblings and she treated the children like her own. If you were a regular at the library she’d bake you a cake on your birthday and save the books you loved under the front desk. We were on a first-name basis, Stella and I, but I was unhappy that she held that job. I was unhappy because even though Stella was nice, she was still a white woman. A white woman from a place where there were only white Christians. To her Shakespeare was a god. I didn’t mind that, but what did she know about the folk tales and riddles and stories colored folks had been telling for centuries? What did she know about the language we spoke? I always heard her correcting children’s speech. “Not ‘I is,’ she’d say. “It’s ‘I am.’” And, of course, she was right. It’s just that little colored children listening to that proper white woman would never hear their own cadence in her words. They’d come to believe that they would have to abandon their own language and stories to become a part of her educated world. They would have to forfeit Waller for Mozart and Remus for Puck. They would enter a world where only white people spoke. And no matter how articulate Dickens and Voltaire were, those children wouldn’t have their own examples in the house of learning—the library.

Beginning at dawn— with faint pink streaks across the sky— may the days be long…. Bright-white and blazing, breaking waves gild the sea at sunrise: from our bed on the bedrock I rise up singing: this the song of confidence— I am a husband…. Boys and girls splash at the sun all-dazzling on the water to catch the sun and clutch it— and flowers oftentimes possess a floating transparency you can see but cannot touch... tempered by cliffs and the inhumanness of rock I’ll stay, she promises, to watch your flower set beyond and go out, shining, of my own horizon…. A pair of butterflies in sunlight leap in breezy flutters of flight high above the seed-heads: sun-bright morning she heralds the people with fountains of melody gurgling from her voice in youth gathering siblings and elders together —to fly away with tears…. Grappling in the sweat of the ring you fall down on the net— a white-light kind of dying… to be on the bottom in a world full of others and to choose it for my place: until your window-frame be palace-clouds and glassy: I’ll wear the ring…. Then, when all was silence between us and we were to one another only a presence in the room— still I knew she was my wife: for I could recognize a relation there of age more than just the day I was born... and now here we are standing a pair meeting face to face….

She hadn't gone back in time. The idea was silly. Or had she? Had she knocked on the door of her home to see a younger version of herself answer; had there been a mutual shock of recognition (as the younger Rebecca realized that, yes, her husband's work was due to be a success, that he was not wasting his time chasing rainbows and tilting at windmills); had she slipped her arm into that of her past self (feeling a slight electric tingle as skin touched skin and a taste in her mouth as if she'd touched a nine-volt battery to her tongue) and said, We need to to talk? Had she sat in a coffee shop, conversing with a woman who everyone assumed was related to her in some way—Oh my god you two are so cute, you're mother and daughter but you look like sisters? Had she made some kind of idle remark overheard by a man on his way to spend two weeks' vacation in North Dakota; had that comment convinced that man to settle there permanently instead, and to contact those who had political sympathies similar to his own? Had that unknown man begun the slow process of taking over the state by placing his allies in the local governments if he could? Had that strategy failed, leaving brute force as a regrettable last resort?

In your struggle for freedom, justice and equality, I am with you,’ said Ali. ‘I came to Louisville because I could not remain silent while my own people, many I grew up with, many I went to school with, many my blood relatives, were being beaten, stomped and kicked in the streets simply because they want freedom, and justice and equality in housing.

You perceive and remember that to which you can relate. When you observe something aberrant, your tendency is to build a metaphor to explain what you didn't understand.

here’s how you might open up the conversation using the continual questioning approach: CHILD: A butterfly! PARENT: Ooh, what’s the butterfly doing? CHILD: It’s on that flower. And now it’s on another flower! PARENT: Why do you suppose it likes the flowers? CHILD: Because they’re pretty? PARENT: Maybe. Can you think of another reason? … etc. A conversation with a little kid can go on for a surprisingly long period of time. Continual questioning helps the child unpack what they already know and helps them figure out the next set of concepts related to what they already know. They’re learning. And your attention itself is an even greater prize.

Flower killers ( Part 2 ) And if you visit the fence and look at the metallic vampire, You will notice something strange in this tragedy’s ultimate empire, Bullets where the address is still the same: kill, Who? Just anyone do it at your free will, The flower had no name, the bee that loved it and the butterfly that romanced it, Have all died with it, forever dead with it, The garden of tragedies invokes a morbid feeling, It is as if asking the angel of death to rescue life’s last hope its last feeling, But the bullets still travel through the garden of tragedies, Only that now there are no casualties, Do you know why? Because now there is no one left to kill, and no one left to die, The young flower has fallen, others with it fell too, But a bullet with no address, still has a job to do, Because its address reads: Kill anyone at your free will, And that is what it did yesterday, it will do so today too, because it has mad man’s wish to fulfil, Who directs its anonymity and its every act, But the bullet in the fence has a different fact, The bullet is not the killer of the flower, It is someone else, whom the garden of tragedies knows as “The Bullet Lover!” Men have died, women have been killed, flowers murdered, But the mad man’s will has not surrendered, It may not ever, it may never, Because he is on a quest to find a bullet that can travel forever, Through desires, hopes, wishes and feelings of love, And kill them all one by one, for the sake of his mad love, Where exaltation is sought via phoney acts, Always feeding on a desire that never detracts, From being the seminal factor in everything related with misery, So it kills with a delusional passion bearing vigour missionary, And if you happen to visit the garden of tragedies to see the bullet in the fence, Towards the bullet, please hold not feelings of lament or any offence, Because it obeys the shooter, Who has never been a lover! That is why the bullet lies pierced in the wall, Because it no more wants to obey the mad man’s call, And be known as the killer of the young flowers, Murderer of many passionate lovers!

The great force! Few of us relate it with the dark, Many with the world unknown, A realm that erases every mark, Of every seed that in the farm of life was sown, Life fears it and hides at a place called nowhere, Yet it chases it and seeks it, Because its domain is everywhere, And life ultimately before it does submit, It rules over priests, emperors and paupers alike, A force that expects complete submission, It is not a feeling visceral that you may like, Because it enters every domain without any permission, Some say it even rules over time and its every moment, And it is not vindictive at all, Because even without the Sun its shadow is permanent, It has existed since the world witnessed the great fall, Its appearance is not due to serendipity, Because it is the final destiny of everything, It is an experience, felt just for a brevity, It appears from nothing and disappears into nothing, A force before which all kneel, Many incriminate it because it robs them entirely, Throughout one's life it seems unreal and in a moment becomes real, It leaves all sentimental and teary, It is death, the force all living shall experience one day, I wonder why flowers and butterflies do not dread it, I saw it capture and wilt a beautiful flower today, Yet the drooping and dead flower smiled as the hope of next Summer in its fading petals lit, Because death can wilt a summer flower, but it can't keep the Summer from returning again, It can kill a man and a woman, but it can never kill life’s spirit, Without life what shall it kill again and again, So you may despise it, but without it who shall renew life, if not it? There maybe no foreboding feeling about its arrival, But then it is the same about Summer’s advent too, Maybe life and death travel together for life’s continuous revival, And whose act is it who knows, because when a newly married couple says “We do!” We shower them with dead flowers, beautiful flowers, Who killed them, who hurled them, who ended their lives? Just for the sake of prolonging the romance of two lovers, I guess that is how death in mysterious ways strives, Killing all eventually but never taking the blame, So let me too pluck a beautiful rose and gift it to my beautiful lady, All for the sake of love and in the love’s name, Let me love her today and love her everyday, Because who knows when the dark force might strike, A rose too feels happier in her hands, Because it knows it makes her smile and in this act they are alike, Spreading happiness even in death forsaken lands, That is where all beautiful flowers go when they wilt here, To the land where there is everlasting Summer, And every form of beauty always looks the same everywhere, They go there to impart it colours and shades warmer, So when the flower fades and falls, Let us not blame death and curse it, Because it is the only way to climb and cross few walls, For it too ultimately before the mighty will of the Universe does submit!

Everybody knows that Billy Corgan is an asshole. Only assholes name their band something like Smashing Pumpkins. Only assholes smash pumpkins. But when he wears silver pants and closes his eyes and yells like a madman, I like him. I like him a lot. He has normal-person teeth. He’s bald. He gains weight and loses weight. Sometimes he sounds like a hippy and sometimes he sounds like thunder rattling windows. He’s like a lot people we know. A relatable asshole. Like an obnoxious uncle who smokes too much. And assholes who sing about butterflies and cherubs and melancholy are okay to hang out with every once in a while. Maybe at birthday parties. Maybe at an IHOP after working late on a Wednesday night.

The point is not to search for “true” national or regional culture, to finally discover our national identity (pulling it up, as it were, from the bottom of a stream bed or catching it in a butterfly net); but to seek out cultural difference, striving to be always different not only from others but from ourselves. Historians can contribute decisively to the collapse of the traditions and identities that imprison us, that reproduce us as a nation always looking for itself or a region always clamoring for charity. For this to happen it will be necessary that each historical work be as much a meditation on how history is written, its language and narrative and its ostensible relation with the “real,” as on history itself as past issues and processes. The thrust of historical analysis should be on the present, discovering it in its multiplicity of spaces and temporalities, considering the various pasts that are in each of us and the diverse futures that may come to pass.

If a species has cojones grandes, you can bet that males have frequent ejaculations with females who sleep around. Where the females save it for Mr. Right, the males have smaller testes, relative to their overall body mass. The correlation of slutty females with big balled males appears to apply not only to humans and other primates, but to many mammals, as well as to birds, butterflies, reptiles, and fish.

My role as an advocate for Epidermolysis Bullosa related issues, my key responsibility, were to inform, educate, and promote understanding of what we go through as individuals and as a community.

•    Be an intentional blessing to someone. Devote yourself to caring for others. Even when your own needs begin to dominate your attention, set aside time daily to tune in to others. Pray for their specific needs and speak blessings to those you encounter each day. Make them glad they met you.     •    Seek joy. Each morning ask yourself, “Where will the joy be today?” and then look for it. Look high and low—in misty sunbeams, your favorite poem, the kind eyes of your caretaker, dew-touched spiderwebs, fluffy white clouds scuttling by, even extra butterflies summoned by heaven just to make you smile.     •    Prepare love notes. When energy permits, write, videotape, or audiotape little messages of encouragement to children, grandchildren, and friends for special occasions in their future. Reminders of your love when you won’t be there to tell them yourself. Enlist the help of a friend or family member to present your messages at the right time, labeled, “For my granddaughter on her wedding day,” “For my beloved friend’s sixty-fifth birthday,” or “For my dear son and daughter-in-law on their golden anniversary.”     •    Pass on your faith. Purchase a supply of Bibles and in the front flap of each one, write a personal dedication to the child or grandchild, friend, or neighbor you intend to give it to. Choose a specific book of the Bible (the Gospels are a great place to start) and read several chapters daily, writing comments in the margin of how this verse impacted your life or what that verse means to you. Include personal notes or prayers for the recipient related to highlighted scriptures. Your words will become a precious keepsake of faith for generations to come. (*Helpful hint: A Bible with this idea in mind might make a thoughtful gift for a loved one standing at the threshold of eternity. Not only will it immerse the person in the comforting balm of scripture, but it will give him or her a very worthwhile project that will long benefit those he or she loves.)     •    Make love your legacy. Emily Dickinson said, “Unable are the loved to die. For love is immortality.” Ask yourself, “What will people remember most about me?” Meditate on John 15:12: “Love each other as I have loved you” (NIV). Tape it beside your bed so it’s the last thing you see at night and the first thing you see in the morning.     •    “Remember that God loves you and will see you through it.

It was only a small step in logic to conclude that in our act of participation as an observer in the quantum world, we might also be an influencer, a creator.8 Did we not only stop the butterfly at a certain point in its flight, but also influence the path it will take – nudging it in a particular direction? A related quantum effect suggested by

You perceive and remember that to which you can relate. When you observe something aberrant, your tendency is to build a metaphor to explain what you didn't understand.

Related to fertility, the bat was known in Zapotec as bigidiri zinnia—flesh butterfly (mariposa de carne)—and was a benign god.

Consider this famous passage from Galileo: Shut yourself up with some friend in the main cabin below decks on some large ship, and have with you there some flies, butterflies, and other small flying animals. Have a large bowl of water with some fish in it; hang up a bottle that empties drop by drop into a wide vessel beneath it. With the ship standing still, observe carefully how the little animals fly with equal speed to all sides of the cabin. The fish swim indifferently in all directions; the drops fall into the vessel beneath; and, in throwing something to your friend, you need throw it no more strongly in one direction than another, the distances being equal; jumping with your feet together, you pass equal spaces in every direction. When you have observed all these things carefully (though doubtless when the ship is standing still everything must happen in this way), have the ship proceed with any speed you like, so long as the motion is uniform and not fluctuating this way and that. You will discover not the least change in all the effects named, nor could you tell from any of them whether the ship was moving or standing still Galileo’s point is that the absolute velocity of a system of bodies is not detectable by any means available to a scientist who is part of that very system, because the relative motions of the bodies are unaffected by their overall velocity. Only by relating the bodies to some external system can the motion be detected

Many scientists and theologians believe that everything that occurs can be related to a prior cause or association.

The following day we walked again. Hiking through Truso Gorge, we followed a track lined with Siberian irises, raising their purple petals to the sun, and Prophet's Flowers, a relative of borage that is native to the Caucasus, their blooms strikingly yellow with maroon polka dots. Bubbling, iron-rich waters stained the rocks bronze, a tell-tale sign of the dozens of mineral springs buried underground. Butterflies flitted, wings shining orange and pink, past flocks of sheep and their canine guards.

In Finnish, henki designates at the same time “soul,” “breath,” and “life” and is understood as the vital force necessary for movement of the body.17 This entity disappears at our death, and when a person is close to death, the door or window is opened so that it can leave. For the same reason, in France there was the custom in many places of raising a shingle from the roof in the house where someone died. When an evil person died, the henki would leave in the form of a tempestuous wind.a The henki can leave a person’s body at times other than death. In such instances it exits from the mouth in the form of a small animal—a mouse, a butterfly, or a fly, as the forest-dwelling Finnish of Varmland believed. The henki possesses many traits of the Norse hugr, but the hugr is also related to another soul called vaimas in Finland. In the north of this country the inhabitants use this term for a quiver, such as an involuntary tremble or an eyelid that flutters suddenly, phenomena that the Carelians name elohiiri, “vital mouse,” or ihohiiri, “mouse of the skin,” the mouse being the spirit that can move throughout the whole body.

Birds tend to have similar hearing ranges that top out before 10 kHz. So either these hummingbirds have very unusual ears or they can’t actually hear what they’re saying.[*21] And if the latter is true, then why are their songs so high-pitched? Calls demand listeners. If the hummingbirds’ tunes lie beyond their own Umwelten, who’s the audience? Maybe it’s insects? Even though most insects can’t hear at all, many of those with ears can hear ultrasonic frequencies. More than half of the 160,000 species of moths and butterflies are so equipped. The greater wax moth can even hear frequencies near 300 kHz—the highest limit of any animal by some margin. Hummingbirds eat insects as well as nectar, so perhaps they produce ultrasonic calls that they can’t hear to flush out the insects that can. But why did so many insects evolve ultrasonic hearing, especially since most of them can’t hear at all? It certainly wasn’t to hear hummingbirds, which are relatively recent evolutionary arrivals. It probably wasn’t to hear each other, since many of them are silent.[*22] The most likely answer is that their ears were tuned to extremely high pitches to listen out for their nemeses, which appeared around 65 million years ago—bats. Bats evolved the ability both to call and to hear at ultrasonic frequencies, and they combined these traits into one of the most extraordinary animal senses of all.[*

We jOURney differently, but what matters most is that OUR paths relates us to the hues of being species that adapt to souls.

At night the space is filled with the scent of daphne, philadelphus and Choisya ternata. Protected by walls and hedges, the leaves still rustle in the breeze, whispering to one another or, perhaps, to me. I fancy this part is occupied by relatives of the kami, the sacred spirits of the Japanese forest, which can take the form of trees, of which the Cornus Gloria Birkett is now the most splendid, its pale bracts like a shimmer of creamy-white butterflies come to rest.

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My brother did a report in school on the Harlem Hellfighters.” “He must have attended a Negro school.” “He did. For months, everything he talked about and did was related to your unit.” Catau still had the unit’s insignia framed on his bedroom wall. Grant released a grunt. “He was so proud of you all. We all were. Are,” she corrected. And she knew he knew that when she said ‘we’ she meant all of colored America and not just her family. Behold the weight and glory of being a Negro in America. There was no such thing as being singular. You carried every colored man or woman’s pain and shame. But you also wallowed in their success.