Buttercup Quotes

We've searched our database for all the quotes and captions related to Buttercup. Here they are! All 100 of them:

Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me. Entrails. No hissing. This is the closest we will ever come to love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Her heart was a secret garden and the walls were very high.
William Goldman (The Princess Bride)
I am your Prince and you will marry me," Humperdinck said. Buttercup whispered, "I am your servant and I refuse." "I am you Prince and you cannot refuse." "I am your loyal servant and I just did." "Refusal means death." "Kill me then.
William Goldman (The Princess Bride)
She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead, you stupid cat. She's dead.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Buttercup's mother whirled on him. 'Did you forget to pay your taxes?' (This was after taxes. But everything is after taxes. Taxes were here even before stew.)
William Goldman (The Princess Bride)
you were already more beautiful than anything I dared to dream. In our years apart, my imaginings did their best to improve on you perfection. At night, your face was forever behind my eyes. And now I see that that vision who kept me company in my loneliness was a hag compared to the beauty now before me.” –Westley Enough about my beauty.” Buttercup said. “Everybody always talks about how beautiful I am. I’ve got a mind, Westley. Talk about that.
William Goldman (The Princess Bride)
I must be overtired', Buttercup managed. 'The excitement and all.' 'Rest then', her mother cautioned. 'Terrible things can happen when you're overtired. I was overtired the night your father proposed.
William Goldman (The Princess Bride)
Hey, we've all got problems, chum. I'm overly talkative. You look like a field of buttercups in a suit.
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
Wow,” said Adrian. He sat down on the bed and tested its bounciness, giving it a nod of approval. “This is amazing. What do you think, buttercup?” “I have no words,” I said honestly. He patted the spot beside him. “Want to try it out?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
William Goldman (The Princess Bride)
Enough about my beauty," Buttercup said. "Everybody always talks about how beautiful I am. I've got a mind, Westley. Talk about that.
William Goldman (The Princess Bride)
Tumbling-hair picker of buttercups violets dandelions And the big bullying daisies through the field wonderful with eyes a little sorry Another comes also picking flowers
E.E. Cummings (Poems, 1905-1962)
And what have I done?" What? WHAT?...You've stolen them." With that, Cornelia fled, but Buttercup understood; she knew who "them" was. The boys. The beef-witted featherbrained rattledskulled clodpated dim-domed noodle-noggined sapheaded lunk-knobbed BOYS.
William Goldman (The Princess Bride)
Torveld favoured Laurent with another of those long, admiring looks that were starting to come with grating frequency. Damen frowned. Laurent was a nest of scorpions in the body of one person. Torveld looked at him and saw a buttercup.
C.S. Pacat (Captive Prince (Captive Prince, #1))
The Prince found Buttercup waiting unhappily outside his chamber doors. It's my letter,' she began. 'I cannot make it right.' Come in, come in,' the Prince said gently. 'Maybe we can help you.' She sat down in the same chair as before. 'All right, I'll close my eyes and listen; read to me.' Westley, my passion, my sweet, my only my own. Come back, come back. I shall kill myself otherwise. Yours in torment, Buttercup.' She looked at Humperdinck. 'Well? Do you think I'm throwing myself at him?
William Goldman (The Princess Bride)
While he was watching the ships, Buttercup shoved him with all her strength remaining. Down went the man in black. "You can die too for all I care," she said, and then she turned away. Words followed her. Whispered from afar, weak and warm and familiar. "As...you...wish...
William Goldman (The Princess Bride)
Everyone had told her, since she became a princess-in-training, that she was very likely the most beautiful woman in the world. Now she was going to be the richest and the most powerful as well. Don't expect too much from life, Buttercup told herself as she rode along. Learn to be satisfied with what you have.
William Goldman (The Princess Bride)
There’s always that one guy who gets a hold on you. Not like your best friend’s brother who gets you in a headlock kind of hold. Or the little kid you’re babysitting who attaches himself to your leg kind of hold. I’m talking epic. Life changing. The “can’t eat, can’t sleep, can’t do your homework, can’t stop giggling, can’t remember anything but his smile” kind of hold. Like, Wesley and Buttercup proportions. Harry and Sally. Elizabeth Bennet and Mr. Darcy. The kind of hold in all your favorite ’80s songs, like the “Must Have Been Love”s, the “Take My Breath Away”s, the “Eternal Flame”s—the ones you sing into a hairbrush-microphone at the top of your lungs with your best friends on a Saturday night.
Jess Rothenberg (The Catastrophic History of You and Me)
Buttercup's mother hesitated, then put her stew spoon down. (This was after stew, but so is everything. When the first man first clambered from the slime and made his first home on land, what he had for supper that first night was stew.)
William Goldman (The Princess Bride)
And when she at last came out, her eyes were dry. Her parents stared up from their silent breakfast at her. They both started to rise but she put a hand out, stopped them. ‘I can care for myself, please,’ and she set about getting some food. They watched her closely. In point of fact, she had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, and an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering. She was eighteen. She was the most beautiful woman in a hundred years. She didn’t seem to care. ‘You’re all right?’ her mother asked. Buttercup sipped her cocoa. ‘Fine,’ she said. ‘You’re sure?’ her father wondered. ‘Yes,’ Buttercup replied. There was a very long pause. ‘But I must never love again.’ She never did.
William Goldman (The Princess Bride)
Somebody is smitten with my Buttercup.
R.K. Lilley (In Flight (Up in the Air, #1))
That suit has gone to your head." "It's not the suit, buttercup." "I don't do pet names." "Do you do werewolves?" "Okay, I'm not talking to you anymore.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
It is the strangest yellow, that wallpaper! It makes me think of all the yellow things I ever saw - not beautiful ones like buttercups, but old foul, bad yellow things.
Charlotte Perkins Gilman (The Yellow Wall-Paper)
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
Wildflower: Don't let people walk all over you, Buttercup. It's your life. If you want something, you need to get out there and grab it by the horns because no one is going to give you what you want on a plate. Good girls always come second.
Cecelia Ahern (Where Rainbows End)
Flailing and thrashing, Buttercup wept and tossed and paced and wept some more, and there have been three great cases of jealousy since David of Galilee was first afflicted with the emotion when he could no longer stand the fact that his neighbor Saul's cactus outshone his own. (Originally, jealousy pertained solely to plants, other people's cactus or ginkgoes, or, later, when there was grass, grass, which is why, even to this day, we say that someone is green with jealousy.) Buttercup's case rated a close fourth on the all-time list. It was a very long and very green night.
William Goldman (The Princess Bride)
The tears that kept Buttercup company the remainder of the day were not at all like those that had blinded her into the tree trunk. Those were noisy and hot; they pulsed. These were silent and steady and all they did was remind her that she wasn’t good enough. She was seventeen, and every male she’d ever known had crumbled at her feet and it meant nothing. The one time it really mattered, she wasn’t good enough.
William Goldman (The Princess Bride)
Entrails. No hissing. This is the closest we will ever come to love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. "I should've drowned you when I had the chance." His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
But just as he knew the sun was obliged to rise each morning in the east, no matter how much a western arisal might have pleased it, so he knew that Buttercup was obliged to spend her love on him. Gold was inviting, and so was royalty, but they could not match the fever in his heart, and sooner or later she would have to catch it. She had less choice than the sun.
William Goldman (The Princess Bride)
I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive." You are only alive now because you said 'to the pain.' I want that phrase explained." My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said. Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!" The sword crashed to the floor.
William Goldman (The Princess Bride)
Westley: Hear this now: I will always come for you. Buttercup: But how can you be sure? Westley: This is true love-you think this happens every day? Westley: I told you I would always come for you. Why didn't you wait for me? Buttercup: Well...you were dead. Westley: Death cannot stop true love. All it can do is delay it for a while. Buttercup: i will never doubt again. Westley: There will never be a need.
William Goldman
Why do you call me Buttercup?
Mia Sheridan (Stinger)
I must court her now,' said the Prince. 'Leave us alone for a minute.' He rode the white expertly down the hill. Buttercup had never seen such a giant beast. Or such a rider. 'I am your Prince and you will marry me,' Humperdinck said. Buttercup whispered, 'I am your servant and I refuse.' 'I am your Prince and you cannot refuse.' 'I am your loyal servant and I just did.' 'Refusal means death.' 'Kill me then.' 'I am your Prince and I’m not that bad — how could you rather be dead than married to me?' 'Because,' Buttercup said, 'marriage involves love, and that is not a pastime at which I excel. I tried once, and it went badly, and I am sworn never to love another.' 'Love?' said Prince Humperdinck. 'Who mentioned love? Not me, I can tell you. Look: there must always be a male heir to the throne of Florin. That’s me. Once my father dies, there won’t be an heir, just a king. That’s me again. When that happens, I’ll marry and have children until there is a son. So you can either marry me and be the richest and most powerful woman in a thousand miles and give turkeys away at Christmas and provide me a son, or you can die in terrible pain in the very near future. Make up your own mind.' 'I’ll never love you.' 'I wouldn’t want it if I had it.' 'Then by all means let us marry.
William Goldman (The Princess Bride)
The first morning after Westley's departure, Buttercup thought she was entitled to do nothing more than sit around moping and feeling sorry for herself. After all, the love of her life had fled, life had no meaning, how could you face the future, et cetera, et cetera.
William Goldman (The Princess Bride)
You're hideous, you know that, right?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I suppose I was dying again, so I asked the Lord of Permanent Affection for the strength to live the day. Clearly, the answer came in the affirmative." "I didn't know there was such a Fellow," Buttercup said. "Neither did I, in truth, but if He didn't exist, I didn't much want to either.
William Goldman (The Princess Bride)
Well, I’m an abridger, so I’m entitled to a few ideas of my own. Did they make it? Was the pirate ship there? You can answer it for yourself, but, for me, I say yes it was. And yes, they got away. And got their strength back and had lots of adventures and more than their share of laughs. But that doesn’t mean I think they had a happy ending, either. Because, in my opinion, anyway, they squabbled a lot, and Buttercup lost her looks eventually, and one day Fezzik lost a fight and some hot-shot kid whipped Inigo with a sword and Westley was never able to really sleep sound because of Humperdinck maybe being on the trail. I’m not trying to make this a downer, understand. I mean, I really do think that love is the best thing in the world, next to cough drops. But I also have to say, for the umpty-umpth time, that life isn’t fair. It’s just fairer than death, that’s all.
William Goldman (The Princess Bride)
I reach for Prim in the twilight, clamp my hand on her leg and pull myself over to her. Her voice remains steady as she croons to Buttercup. "It's all right, baby, it's all right. We'll be OK down there." My mother wraps her arms around us. I allow myself to feel young for a moment and rest my head on her shoulder.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Before anyone can ask anything, I empty my game bag and it becomes 18:00 - Cat Adoration. Prim just sits on the floor weeping and rocking that awful Buttercup, who interrupts his purring only for an occasional hiss at me. He gives me a particularly smug look when she ties the blue ribbon around his neck.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I love you,” Buttercup said. “I know this must come as something of a surprise, since all I’ve ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more.
William Goldman (The Princess Bride)
This is the closest we will ever come to love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Chin up, buttercup.
Harper Sloan (Locke (Corps Security, #5))
Duhhhhhhh, tanks, Buttercup.
William Goldman (The Princess Bride)
I have never been a fast walker, or a conqueror of mountain peaks, but I can plod along for miles. And that's what I've been doing all my life—plodding along, singing my song, telling my tales in my own unhurried way. I have lived life at my own gentle pace, and if as a result I have failed to get to the top of the mountain (or of anything else), it doesn't matter, the long walk has brought its own sweet rewards; buttercups and butterflies along the way.   Ruskin Bond Landour, March 2005  
Ruskin Bond (Roads to Mussoorie)
Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches! If your love were-" "I don't understand that first one yet," Buttercup interrupted. She was starting to get very excited now. "Let me get this straight. Are you saying my love is a grain of sand and yours is this other thing? Images confuse me so - is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we're on the verge of something just terribly important.
William Goldman (The Princess Bride)
I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. 'I should have drowned you when I had the chance.' His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt. In retaliation, he gives a helpless kitten mew that brings my sister immediately to his defense. 'Oh, Katniss, don't tease him,' she says, folding him back in her arms. 'He's already so upset.' The idea that I've wounded the brute's tiny cat feelings just invites further taunting. But Prim's genuinely distressed for him. So instead, I visualize Buttercup's fur lining a pair of gloves, an image that has helped me deal with him over the years.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
So perished the hope founded on the wonderful being who thus ceased to be. In the study room to which he was never to return, the water buttercups he had brought from the country were still fresh.
Marie Curie
Buttercup, miserable even with Prim’s constant attention, huddles in the cube and exhales cat breath in my face.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
As you wish, Buttercup.
R.K. Lilley
Hey Meg! Communication implies sound. Communion doesn't.' He sent her a brief image of walking silently through the woods, the two of them alone together., their feet almost noiseless on the rusty carpet of pine needles. They walked without speaking, without touching, and yet they were as close as it is possible for two human beings to be. They climbed up through the woods, coming out into the brilliant sunlight at the top of the hill. A few sumac trees showed their rusty candles. Mountain laurel, shiny, so dark a green the leaves seemed black in the fierceness of sunlight, pressed toward the woods. Meg and Calvin had stretched out in the thick, late-summer grass, lying on their backs, gazing up into the shimmering blue of sky, a vault interrupted only by a few small clouds. And she had been as happy, she remembered, as it is possible to be, and as close to Calvin as she had ever been to anybody in her life, even Charles Wallace, so close that their separate bodies, daisies and buttercups joining rather than dividing them, seemed a single enjoyment of summer and sun and each other. That was surely the purest kind of thing. Mr. Jenkins had never had that kind of communion with another human being, a communion so rich and full that silence speaks more powerfully than words.
Madeleine L'Engle (A Wind in the Door (Time Quintet, #2))
Everyone is weird
Matthew Gray Gubler (Rumple Buttercup: A Story of Bananas, Belonging, and Being Yourself)
We have more than hope,” Buttercup said. “There is true love.
William Goldman (The Princess Bride)
Buttercup’s parents did not have exactly what you might call a happy marriage. All they ever dreamed of was leaving each other.
William Goldman (The Princess Bride)
I elbowed James as he shot my army guy in the head yet again. “This game is so sexist,” I complained. “I can’t believe that there isn’t even an option for me to play as a girl.” “Do you think that if you were playing as a busty blonde it would distract me?” James asked, amused. “It couldn’t hurt.” He tossed his controller on the ground. I gave a little embarrassing shriek as he tossed me over his shoulder. “We’re done, guys. Buttercup wants to distract me. Consider me distracted.
R.K. Lilley (Grounded (Up in the Air, #3))
There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do.
William Goldman
I’m sorry, buttercup,” he murmured, cuddling her spent and trembling form against his. “You deserve time and privacy, and consideration. Not to be fondled in the library over the tea service.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I remember once walking out hand in hand with a boy I knew, and it was summer, and suddenly before us was a field of gold. Gold as far as you could see. We knew we'd be rich forever. We filled our pockets and our hair. We were rolled in gold. We ran through the field laughing and our legs and feet were coated in yellow dust, so that we were like golden statues or golden gods. He kissed my feet, the boy I was with, and when he smiled, he had a gold tooth. It was only a field of buttercups, but we were young.
Jeanette Winterson (The PowerBook)
He's come on foot then, all the way from 13. Maybe they kicked him out or maybe he just couldn't stand it there without her, so he came looking. "It was the waste of a trip. She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead." I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. "She's dead, you stupid cat. She's dead.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
He'd practically saved her life! It was so....romantic. Just like in fairy tales. Just like Westley saved Buttercup in The Princess Bride. Like Superman saved Lois Lane. Like James Bond saved...well....everyone
Jennifer Ziegler (Sass & Serendipity)
Buttercup dried her tears and began to smile. She took a deep breath, heaved a sigh. It was all part of growing up. You got these little quick passions, you blinked, and they were gone. You forgave faults, found perfection, fell madly; then the next day the sun came up and it was over. Chalk it up to experience, old girl, and get on with the morning.
William Goldman (The Princess Bride)
So you can’t marry Harry, Mom! Not if you still love Daddy!” I sound like a ten-year-old, but I can’t help it. Buttercup comes over to me and puts her head on my lap. “Love gets used up, Chastity,” Mom says gently, reaching up to smooth my hair. “If it’s not returned, it gets used up.
Kristan Higgins (Just One of the Guys)
One morning, very early, when the sun was up,I rose and found the shiny dew on every buttercup
Robert Louis Stevenson
He captured my chin, holding me firm. “You are me. And I am you. We might have separate thoughts and minds, Buttercup, but we have the same heart and soul.
Pepper Winters (Sin & Suffer (Pure Corruption MC, #2))
Buttercup?” Trace looked concerned. “You’ve named the cows?” “Not all of them … yet. I’ll give them each a name when the perfect name pops up.” He scratched his head. “You do know the fate of most beef cattle, right?” 
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
She grew up in the ordinary paradise of the English countryside. When she was five she walked to school, two miles, across meadows covered with cowslips, buttercups, daisies, vetch, rimmed by hedges full of blossom and then berries, blackthorn, hawthorn, dog-roses, the odd ash tree with its sooty buds.
A.S. Byatt (Ragnarok)
The dweam of wuv wapped wiffin the gweater dweam of everwasting west. Eternity is our fwiend, wemember that, and wuv wiw fowwow you fowever.
William Goldman (The Princess Bride)
I am Buttercup. Peeta, the thing I want so badly to secure, is the light. As long as Buttercup feels he has the chance of catching the elusive light under his paws, he’s bristling with aggression.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
A word drops into the mist like a child's ball into high grass where it remains seductively flashing and glinting until the gold bursts are revealed to be simply field buttercups. Word/mist, word/mist: thus it was with me.
Louise Glück (Faithful and Virtuous Night)
If he just wanted sex from her, everyone knew the fastest approach to that end was just to enquire bluntly if she was interested. She was either willing to kill some time, or she was too busy killing. 
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
Valkyrie? Well, well, aren’t you full of surprises? Not just another blonde bimbo. You’re like a collector’s edition Barbie, with your gold accessories and rather snazzy boots.
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
The idea that I’ve wounded the brute’s tiny cat feelings just invites further taunting. But Prim’s genuinely distressed for him. So instead, I visualize Buttercup’s fur lining a pair of gloves, an image that has helped me deal with him over the years.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
...delayed gratification? “Is that where I tie you to the bed, go out and kill a platoon of ogres before returning to have my wicked way with you?” “Sounds like we have our first anniversary plans already locked and loaded.
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
...she was faced with an annoying, irritating Demon. One she wasn’t allowed to kill. Unless she made it look like an accident. But she had a feeling that even the lazy heifers in the Legal Department would get suspicious if she wrote under cause of death; fell on my hatchets seventeen times.
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
Buttercup could picture Westley rounding the final corner. There were four guards outside waiting. At ten seconds per guard, she began figuring, but then stopped, because numbers had always been her enemy. She looked down at her hands. Oh, I hope he still thinks I’m pretty, she thought; those nightmares took a lot out of me.
William Goldman (The Princess Bride)
That night, I fell into a deep, travel-weary sleep, lulled by the familiar sound of the waterfall beyond the window. I dreamed of the beck fairies, a blur of lavender and rose-pink and buttercup-yellow light, flitting across the glittering stream, beckoning me to follow them toward the woodland cottage. There, the little girl with flame-red hair picked daisies in the garden, threading them together to make a garland for her hair. She picked a posy of wildflowers- harebell, bindweed, campion, and bladderwort- and gave them to me.
Hazel Gaynor (The Cottingley Secret)
He nodded, took a step away. “I’ll send for you soon. Believe me." “Would my Westley ever lie?” He took another step. “I’m late. I must go. I hate it but I must. The ship sails soon and London is far.” “I understand.” He reached out with his right hand. Buttercup found it very hard to breathe. “Good-by.” She managed to raise her right hand to his. They shook. “Good-by,” he said again. She made a little nod. He took a third step, not turning. She watched him. He turned. And the words ripped out of her: "Without one kiss?” They fell into each other’s arms.
William Goldman (The Princess Bride)
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?
Cecelia Ahern (Love, Rosie)
People often ask where I get my ideas from, sometimes as often as eighty-seven times a day. This is a well-known hazard for writers, and the correct response to the question is first to breathe deeply, steady your heartbeat, fill your mind with peaceful, calming images of birdsong and buttercups in spring meadows, and then try to say, "It's very interesting you ask that..." before breaking down and start to whimper uncontrollably.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
No one wants a dandelion. They crop up all over the place, ugly and unfortunate, an average blossom in a world desperatly seeking beauty. They're weeds, people say. They're uninteresting and offer no fragrance and there are too many of them, too much of them, we don't want them, destroy them. Dandelions are a nuisance, We desire the buttercups, the daffodils, the morning glories. We want the azalea, the poinsettia, the calla lily. We pluck them from our gradens and plant them in our homes and we don't seem to remember their toxic nature. We don't seem to care that if you get too close? if you take a small bite? The beauty is replaced wit pain and laced with a posion that laughs in your blood, destroys your organs, infevts your heart. But pick a dandelion. Pick a dandelion and make a salad, eat the leaves, the flower, the stem. Thread it in your hair, plant it in the ground and watch it thrive. Pick a dandelion and close your eyes make a wish blow it into the wind. Watch it change the world.
Tahereh Mafi (Unite Me (Shatter Me, #1.5-2.5))
Just like joy and pain coexist, so can discomfort and humor. Which is why you gotta buckle up buttercup, because I can go from comedy to tragedy in three seconds flat. And that’s not damaged or not normal. I hope culturally we can continue to normalize the idea that being a survivor is so much more common than anyone realizes and we all deserve to be heard, but more importantly are deserving of a recovery full of love, laughter, and light.
Jonathan Van Ness (Over the Top: A Raw Journey to Self-Love)
The more time I spent in his arms, the more whole I felt. I could live in the moment. Right here. Right now. I’m home.
Pepper Winters (Sin & Suffer (Pure Corruption MC, #2))
He took everything and I let him. Demanding. Feral. Consuming. Arthur was everywhere at once. In my mind. My heart. My soul. His taste. His scent. His heat.
Pepper Winters (Sin & Suffer (Pure Corruption MC, #2))
Everyone is weird!
Matthew Gray Gubler (Rumple Buttercup: A Story of Bananas, Belonging, and Being Yourself)
A word?" the Sicilian said, raising his arms. His mile was more angelic than his face Buttercup halted. "Speak." "We are but poor circus performers," the Sicilian explained, "It is dark and we are lost. We were told there was a village nearby that might enjoy our skills." "You were misinformed," Buttercup told him, "There is no one, not for many miles." "Then there will be no one to hear you scream.
William Goldman (The Princess Bride)
My Shadow I have a little shadow that goes in and out with me, And what can be the use of him is more than I can see. He is very, very like me from the heels up to the head; And I see him jump before me, when I jump into my bed. The funniest thing about him is the way he likes to grow -- Not at all like proper children, which is always very slow; For he sometimes shoots up taller like an india-rubber ball, And he sometimes goes so little that there's none of him at all. He hasn't got a notion of how children ought to play, And can only make a fool of me in every sort of way. He stays so close behind me, he's a coward you can see; I'd think shame to stick to nursie as that shadow sticks to me! One morning, very early, before the sun was up, I rose and found the shining dew on every buttercup; But my lazy little shadow, like an arrant sleepy-head, Had stayed at home behind me and was fast asleep in bed.
Robert Louis Stevenson
[...] An old burial ground. And so it may be. I dare say, sir, our whole country is this way. A fine green valley. A pleasant copse in the springtime. Dig its soil, and not far beneath the daisies and buttercups come the dead. And I don't talk, sir, only of those who received Christian burial. Beneath our soil lie the remains of old slaughter. Horace and I, we've grown weary of it. Weary and we no longer young.
Kazuo Ishiguro (The Buried Giant)
It appears to me as if we’re doomed, then,” Buttercup said. Westley looked at her. “Doomed, madam?” “To be together. Until one of us dies.” “I’ve done that already, and I haven’t the slightest intention of ever doing it again,” Westley said. Buttercup looked at him. “Don’t we sort of have to sometime?” “Not if we promise to outlive each other, and I make that promise now.” Buttercup looked at him. “Oh my Westley, so do I.
William Goldman (The Princess Bride)
Stephanie had never had to put any real effort into seducing a man before, but she had faith in her innate abilities. She was a highly trained Valkyrie; they didn’t know how to fail. No doubt when faced with even a small fraction of her effort, Galen would fold immediately. Just like a Jokaltist Demon when you punctured their throat sac.
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
Killing the Demon right now? What would she do with a decomposing Demon corpse stinking up the place, his blood ruining the carpets? Sure, she could use the fridge to store the corpse, but what about all the food?  Until she found a way out of this hell hole, the Demon would have to remain breathing. Damn it. “I’m Galen by the way. Galen Darvyn.” And now she knew what name to carve on his tombstone, handy.
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
Is it fair to call The Princess Bride a classic? The storybook story about pirates and princesses, giants and wizards, Cliffs of Insanity and Rodents of Unusual Size? It's certainly one of the most often quoted films in cinema history, with lines like: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." "Inconceivable?" "Anybody want a peanut?" "Have fun storming the castle." "Never get involved in a land war in Asia." "Life is pain, Highness. Anyone who says differently is selling something." "Rest well, and dream of large women." "I hate for people to die embarrassed." "Please consider me as an alternative to suicide." "This is true love. You think this happens every day?" "Get used to disappointment." "I'm not a witch. I'm your wife." "Mawidege. That bwessed awangement." "You seem a decent fellow. I hate to kill you."... You seem a decent fellow. I hate to die." "Death cannot stop true love. All it can do is delay it for a while." "Never go in against a Sicilian when death is on the line!" "There's a shortage of perfect breasts in this world. It would be a pity to damage yours." And of course... "As you wish.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
Stephanie wasn’t one for getting chatty after sex, or before, for that matter. Silent, disposable partners were kind of her sweet spot. But she’d often found the male of the species did not get the value of quiet time. They were all - that was amazing. You are amazing. That thing you did with your leg? above your head? amazing. When can I see you again? Let me give you my digits. Hey, why are you just walking away?
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
People often ask me where I get my ideas from, sometimes as often as eighty-seven times a day. This is a well-known hazard for writers, and the correct response to the question is first to breathe deeply, steady your heartbeat, fill your mind with peaceful, calming images of birdsong and buttercups in spring meadows, and then try to say, “Well, it’s very interesting you ask that . . .” before breaking down and starting to whimper uncontrollably. The fact is that I don’t know where ideas come from, or even where to look for them. Nor does any writer. This is not quite true, in fact. If you were writing a book on the mating habits of pigs, you’d probably pick up a few goodish ideas by hanging around a barnyard in a plastic mac, but if fiction is your line, then the only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
Douglas Adams (The Salmon of Doubt)
It’s on the third night, during our game, that I answer the question eating away at me. Crazy Cat becomes a metaphor for my situation. I am Buttercup. Peeta, the thing I want so badly to secure, is the light. As long as Buttercup feels he has the chance of catching the elusive light under his paws, he’s bristling with aggression. (That’s how I’ve been since I left the arena, with Peeta alive.) When the light goes out completely, Buttercup’s temporarily distraught and confused, but he recovers and moves on to other things. (That’s what would happen if Peeta died.) But the one thing that sends Buttercup into a tailspin is when I leave the light on but put it hopelessly out of his reach, high on the wall, beyond even his jumping skills. He paces below the wall, wails, and can’t be comforted or distracted. He’s useless until I shut the light off. (That’s what Snow is trying to do to me now, only I don’t know what form his game takes.)
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Advice" I must do as you do? Your way I own Is a very good way, and still, There are sometimes two straight roads to a town, One over, one under the hill. You are treading the safe and the well-worn way, That the prudent choose each time; And you think me reckless and rash to-day Because I prefer to climb. Your path is the right one, and so is mine. We are not like peas in a pod, Compelled to lie in a certain line, Or else be scattered abroad. 'T were a dull old world, methinks, my friend, If we all just went one way; Yet our paths will meet no doubt at the end, Though they lead apart today. You like the shade, and I like the sun; You like an even pace, I like to mix with the crowd and run, And then rest after the race. I like danger, and storm, and strife, You like a peaceful time; I like the passion and surge of life, You like its gentle rhyme. You like buttercups, dewy sweet, And crocuses, framed in snow; I like roses, born of the heat, And the red carnation's glow. I must live my life, not yours, my friend, For so it was written down; We must follow our given paths to the end, But I trust we shall meet--in town.
Ella Wheeler Wilcox
Not a dandelion in sight here, the lawns are picked clean. I long for one, just one, rubbishy and insolently random and hard to get rid of and perennially yellow as the sun. Cheerful and plebeian, shining for all alike. Rings, we would make from them, and crowns and necklaces, stains from the bitter milk on our fingers. Or I'd hold one under her chin: Do you like butter? Smelling them, she'd get pollen on her nose. Or was that buttercups? Or gone to seed: I can see her, running across the lawn, that lawn there just in front of me, at two, three years old, waving one like a sparkler, a small wand of white fire, the air filling with tiny parachutes. Blow, and you tell the time. All that time, blowing away in the summer breeze. It was daisies for love though, and we did that too. ***
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
You ought to make something for Easter. You know. Eggs and stuff. Chocolate hens, rabbits, things like that. Like the shops in Agen." I remember them from my childhood; the Paris chocolateries with their baskets of foil-wrapped eggs, shelves of rabbits and hens, bells, marzipan fruits and marrons glacés, amourettes and filigree nests filled with petits fours and caramels, and a thousand and one epiphanies of spun-sugar magic carpet rides more suited to an Arabian harem than the solemnities of the Passion. "I remember my mother telling me about the Easter chocolates." There was never enough money to buy those exquisite things, but I always had my own cornet-surprise, a paper cone containing my Easter gifts, coins, paper flowers, hard-boiled eggs painted in bright enamel colors, a box of colored papier-mâché- painted with chickens, bunnies, smiling children among the buttercups, the same every year and stored carefully for the next time- encasing a tiny packet of chocolate raisins wrapped in cellophane, each one to be savored, long and lingeringly, in the lost hours of those strange nights between cities, with the neon glow of hotel signs blink-blinking between the shutters and my mother's breathing, slow and somehow eternal, in the umbrous silence.
Joanne Harris (Chocolat (Chocolat, #1))
One of the remarkable things about Life After Life is the way that this formal experimentation is combined with a consistently involving plot. It is as if the writing of B. S. Johnson had been crossed with the better novels of Anthony Trollope. An entire world emerges but shows itself again and again in different lights. It’s an unusual book in many ways: in part a tribute to England and to the resilience of the English character revealed under the stress of wartime; in part a book about love that doesn’t contain a love story but instead celebrates the bond between siblings. It’s a book full of horror vividly described, as in the repeated image of a dress with human arms still inside it, seen in a bombed building. Yet the most memorable passages are those which describe the prewar English countryside before suburbia encroached upon “the flowers that grew in the meadow beyond the copse—flax and larkspur, buttercups, corn poppies, red campion and oxeye daisies.” Above all, it’s a book about the act of reading itself. As you read it, it asks you to think about your expectations of plot and outcome. The reader desires happiness for certain characters, and Atkinson both challenges and rewards that tendency.
Kate Atkinson (Life After Life)
-Te amo -le dijo Buttercup-. Sé que esto debe resultarte sorprendente, puesto que lo único que he hecho siempre ha sido mofarme de tí, degradarte y provocarte, pero llevo ya varias horas amándote, y cada segundo que pasa te amo más. Hace una hora, creí que te amaba más de lo que ninguna mujer ha amado nunca a un hombre; media hora más tarde, supe que lo que había sentido entonces no era nada comparado con lo que sentí después. Mas al cabo de diez minutos, comprendí que mi amor anterior era un charco comparado con el mar embravecido antes de la tempestad. A eso se parecen tus ojos, ¿lo sabías? Pues sí. ¿Cuántos minutos hace de eso? ¿Veinte? ¿Serían mis sentimientos tan encendidos entonces? No importa. -Buttercup no podía morarlo. El sol comenzó a asomar entonces a sus espaldas y le infundió valor -. Ahora te amo más que hace veinte minutos, tanto que no existe comparación posible. Te amo mucho más en este momento que cuando abriste la puerta de tu choza. En mi cuerpo no hay sitio más que para tí. Mis brazos te aman, mis orejas te adoran, mis rodillas tiemblan de ciego afecto. Mi mente te suplica que le pidas algo para que pueda obedecerte. ¿Quieres que te siga para el resto de tus días? Lo haré. ¿Quieres que me arrastre? Me arrastraré. Por tí me quedaré callada, por tí cantaré, y si tienes hambre, deja que te traiga comida, y si tienes sed y sólo el vino árabe puede saciarla, iré a Arabia, aunque esté en el otro confín del mundo, y te traeré una botella para el almuerzo. Si hay algo que sepa hacer por tí, lo haré; y si hay algo que no sepa, lo aprenderé. Pero recuera, por favor, que ella es vieja y tiene otros intereses, mientras que yo tengo diecisiete años y para mí sólo existes tú. Mi querido Westley... nunca te había llamado por tu nombre, ¿verdad...? Westley, Westley, Westley, Westley... querido Westley, adorado Westley, mi dulce, mi perfecto Westley, dime en un susurro que tendré la oportunidad de ganarme tu amor.
William Goldman (The Princess Bride)