Busboy Quotes

We've searched our database for all the quotes and captions related to Busboy. Here they are! All 32 of them:

I am not a fan of people who abuse service staff. In fact, I find it intolerable. It’s an unpardonable sin as far as I’m concerned, taking out personal business or some other kind of dissatisfaction on a waiter or busboy.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
Friends come in and out of your life like busboys in a restaurant, did you ever notice that?
Stephen King
Friends come in and out of our lives, like busboys in a restaurant.
Stephen King
I said, "I'll take the T-bone steak." A soft voice mooed, "Oh wow." And I looked up and realized The waitress was a cow. I cried, "Mistake--forget the the steak. I'll take the chicken then." I heard a cluck--'twas just my luck The busboy was a hen. I said, "Okay no, fowl today. I'll have the seafood dish." Then I saw through the kitchen door The cook--he was a fish. I screamed, "Is there anyone workin' here Who's an onion or a beet? No? Your're sure? Okay then friends, A salad's what I'll eat." They looked at me. "Oh,no," they said, "The owner is a cabbage head.
Shel Silverstein
When I'm in the bathroom, he orders me a Dr Pepper, which he knows is my favorite. Before we leave, I wipe all the crumbs and used napkins from the table onto our plates and stack them, which I know he appreciates because he tries to be helpful to the busboys. When we get back out to the car, we plot how to ruin each other's lives.
Sarah Hogle (You Deserve Each Other)
Napoleon said men will die for bits of ribbon pinned to their chests, but the General understands that even more men will die for a man who remembered their names, as he does theirs. When he inspects them, he walks among them, eats with them, calls them by their names and asks about wives, children, girlfriends, hometowns. All anyone ever wants is to be recognized and remembered. Neither is possible without the other. This desire drives these busboys, waiters, janitors, gardeners, mechanics, night guards, and welfare beneficiaries to save enough money to buy themselves uniforms, boots, and guns, to want to be men again.
Viet Thanh Nguyen (The Sympathizer)
...The efficacy of psychedelics with regard to art has to do with their ability to render language weightless, as fluid and ephemeral as those famous "bubble letters" of the sixties. Psychedelics, I think, disconnect both the signifier and the signified from their purported referents in the phenomenal world - simultaneously bestowing upon us a visceral insight into the cultural mechanics of language, and a terrifying inference of the tumultuous nature that swirls beyond it. In my own experience, it always seemed as if language were a tablecloth positioned neatly upon the table until some celestial busboy suddenly shook it out, fluttering and floating it, and letting it fall back upon the world in not quite the same position as before - thereby giving me a vertiginous glimpse into the abyss that divides the world from our knowing of it. And it is into this abyss that the horror vacui of psychedelic art deploys itself like an incandescent bridge. Because it is one thing to believe, on theoretical evidence, that we live in a prison-house of language. It is quite another to know it, to actually peek into the slippery emptiness as the Bastille explodes around you. Yet psychedelic art takes this apparent occasion for despair and celebrates our escape from linguistic control by flowing out, filling that rippling void with meaningful light, laughter, and a gorgeous profusion.
Dave Hickey (Air Guitar: Essays on Art & Democracy)
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
I was a really good waitress. Waitressing takes a certain gusto. You need a good memory and an ability to connect with people fast. You have to learn how to treat the kitchen as well as you treat the customers. You have to figure out which crazy people to listen to and which crazy people to ignore. I loved waiting tables because when you cashed out at the end of the night your job was truly over. You wiped down your section and paid out your busboy and you knew your work was done.
Amy Poehler
happens. Friends come in and out of your life like busboys in a restaurant, did you ever notice that?
Stephen King (Different Seasons: Four Novellas)
Having spent the day defending myself from the slings and arrows of outrageous truck drivers and busboys, I am sometimes ill-equipped to suddenly assume an air of sensitive melancholy
Eve Babitz (I Used to Be Charming: The Rest of Eve Babitz)
The war—the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more—the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are—would be fought by men like Richards: men with faces you didn’t notice and couldn’t remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees—the subjects hadn’t changed, they never would, all coming down, after you’d boiled away the bullshit, to somebody’s quarterly earnings report and who got to sit where—but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
I stretched out on the bed and slept. It was twilight when I awakened and turned on the light. I felt better, no longer tired. I went to the typewriter and sat before it. My thought was to write a sentence, a single perfect sentence. If I could write one good sentence I could write two and if I could write two I could write three, and if I could write three I could write forever. But suppose I failed? Suppose I had lost all of my beautiful talent? Suppose it had burned up in the fire of Biff Newhouse smashing my nose or Helen Brownell dead forever? What would happen to me? Would I go to Abe Marx and become a busboy again? I had seventeen dollars in my wallet. Seventeen dollars and the fear of writing. I sat erect before the typewriter and blew on my fingers. Please God, please Knut Hamsun, don’t desert me now. I started to write and I wrote: “The time has come,” the Walrus said, “To talk of many things: Of shoes—and ships—and sealing wax— Of cabbages—and kings—” I looked at it and wet my lips. It wasn’t mine, but what the hell, a man had to start someplace.
John Fante (Dreams from Bunker Hill (The Saga of Arturo Bandini, #4))
He grinned. “You think if we play nice, you won’t wind up with my cock inside you anymore.” I shifted in my seat. “Must you be so vulgar?” “What did I say?” He seemed genuinely confused. I leaned forward and lowered my voice. “Cock. Do you have to say it like that?” He grinned. “I’m sorry. Can you say that again? I didn’t hear you.” I squinted. “You heard me. I know you did.” He leaned forward and lowered his voice. “Maybe. But I really liked hearing you say cock.” A busboy walked by our table just as Weston spoke. The guy looked our way and smirked, but kept going. “Keep your voice down.” Needless to say, he didn’t. “Is it just my cock you don’t like talking about? Or is it all cocks in general?
Vi Keeland (The Rivals)
WOMEN ARE SEGREGATED INTO THE WORST JOBS, AREN’T THEY? While we have seen that twenty-four out of the twenty-five worst jobs are male jobs36 and that many men also have low-pay jobs (busboy, doorman, dishwasher, gas station attendant, etc.), many of the lowest-paid jobs are predominantly occupied by women. Why the distinction between the “worst” and “low-paid” jobs? Because many of the low-paid jobs are low-paid because they are safer, have higher fulfillment, more flexible hours, and other desirable characteristics that make them more in demand and therefore lower in pay. When either sex chooses jobs with these desirable characteristics, they can expect low pay. Women are much more likely to choose jobs with seven of these eight characteristics—what might be called the “Female Occupations Formula.
Warren Farrell (The Myth of Male Power)
back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Though I’ve not taken anyone’s drink order in a quarter of a century, in my stress dreams I’m always sweating through my oxford shirt and poorly tied tie, deep in the weeds, having been triple seated with eight tops, thanks to a clueless seventeen-year-old hostess. The bartender’s taking forever to mix a single Rusty Nail because Sergey Brin hasn’t yet invented Google. Empty plates are stacked tall as skyscrapers on the tables, which is confusing. Why would a party of four dirty up twenty-three plates apiece, even if I were serving tapas? There’s no busboy in sight.
Jen Lancaster (Welcome to the United States of Anxiety: Observations from a Reforming Neurotic)
Inarguably, a successful restaurant demands that you live on the premises for the first few years, working seventeen-hour days, with total involvement in every aspect of a complicated, cruel and very fickle trade. You must be fluent in not only Spanish but the Kabbala-like intricacies of health codes, tax law, fire department regulations, environmental protection laws, building code, occupational safety and health regs, fair hiring practices, zoning, insurance, the vagaries and back-alley back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
We pushed the bike down past the various college hangouts and cafeterias and looked into Robbie's to see if we knew anybody. Alvah was in there, working his part-time job as busboy. Japhy and I were kind of outlandish-looking on the campus in our old clothes in fact Japhy was considered an eccentric around the campus, which is the usual thing for campuses and college people to think whenever a real man appears on the scene-colleges being nothing but grooming schools for the middleclass nonidentity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets in each living room with everybody looking at the same thing and thinking the same thing at the same time while the Japhies of the world go prowling in the wilderness to hear the voice crying in the wilderness, to find the ecstasy of the stars, to find the dark mysterious secret of the origin of faceless wonderless crapulous civilization.
Jack Kerouac (The Dharma Bums)
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,
Kelly Bryson (Don't Be Nice, Be Real)
Waiters and busboys flowed in and out of the kitchen, and walked on tightropes between the tables.
Robert Crais (The Wanted (Elvis Cole, #17; Joe Pike, #6))
Nonsense. You aren’t alive to begin with,” I pointed out. “Suck it up and make the best of it, Milo. The future is bright, I assure you.” “We come into existence, and we float through space, doomed, until we all die horribly. No reason to live at all.” Milo the busboy wept uncontrollably. He probably knew more than I did, but who can say?
Andrew Smith
Dear Clutch, I hope I see you again. Here's my number if you want to call. Thanks for last night. Your human is nice. ~D
John Inman (My Busboy)
Horst Schulze, cofounder and past president of The Ritz-Carlton Hotel Company, shares the origin of the Motto: “I started in the hotel business when I was 14 years old as a busboy. When my mother took me to the hotel to work for the first time, she said, ’We could never go to this hotel. This is only for important people. For important, fine people. So you’re lucky. Behave yourself. Wash your hands.’ She was a typical mother. I went to the hotel and the general manager talked to my mother and me for 15 minutes and told us we could never be like the guests who came to his hotel. ’So don’t ever get jealous. This is for Ladies and Gentlemen—very important people.’ “By the time I started working in the restaurant, I knew the guests were very important. But a few months later I realized that the maître d’ I watched every day was just as important because every guest was proud when he talked to them. Why? Because he was a first-class professional. He was somebody special—because of the excellence he created for the guests. So when I went to hotel school about a year and a half later, the teacher asked me to write a story describing what I felt about the business. And I wrote about the maître d’ at my hotel. I titled it, ’Ladies and Gentlemen Serving Ladies and Gentlemen.’ I wrote we could be excellent like he was. . .absolute excellence. When you walked into a room, you knew he was there. In any moment all of us who serve can be Ladies and Gentlemen, just like the guests. I think it’s a powerful thing that shouldn’t be missed by the wonderful people in this industry. They should understand that.
Joseph A. Michelli (The New Gold Standard: 5 Leadership Principles for Creating a Legendary Customer Experience Courtesy of the Ritz-Carlton Hotel Company)
Robert Johnson invented the blues, at midnight, at a crossroads, after selling his soul to the devil. Dorothy Parker invented amusing women, at 2 p.m., in New York’s best cocktail bar, after tipping a busboy 50 cents for a martini. It’s hard not to draw conclusions as to which is the brighter sex.
Caitlin Moran (How To Be A Woman)
solo last night. A busboy flagged down my cruiser when he heard the crying,” I said. “I was thinking about doing a door-to-door search for her mother
Faye Kellerman (Street Dreams (Peter Decker/Rina Lazarus, #15))
In their working outfits as busboys, waiters, gardeners, filed hands, fishermen, manual laborers, custodians, or simply the un- and underemployed, these shabby examples of the lumpen blended into the background wherever they happened to be, always seen as a mass, never noticed as individuals.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
As I started to play two Mexican busboys dressed in fancy green Shamrock Hilton green uniforms rolled out a huge fifty gallon tub filled to the rim with boiled shrimp. They parked it on the dance floor just two feet in front of me. Two feet! I could have reached out and grabbed a handful of shrimp as I was playing. I was annoyed to be singing to a tub of shrimp.
Mean Gene Kelton (Mean Gene Kelton's Gigs From Hell: Over 25 Years of Hell In The Music Business. And Its All True.)
The waiters taught me the proper way to wrap the knives and forks in napkins, and every day I emptied the ashtrays and polished the metal caddy for the hot frankfurters I sold at the station, something I learned from the busboy who was no longer a busboy because he had started waiting at tables, and you should have heard him beg and plead to be allowed to go on selling frankfurters, a strange thing to want to do, I thought at first, but I quickly saw why, and soon it was all I wanted to do too, walk up and down the platforms several times a day selling hot frankfurters for one crown eighty apiece. Sometimes the passenger would only have a twenty crown note, sometimes only a fifty, and I'd never have the change, so I'd pocket his note and go on selling until finally the customer got on the train, worked his way to a window and reached out his hand. Then I'd put down the caddy of hot frankfurters and fumble about in my pockets for the change, until the fellow would yell at me to forget about the coins and just give him the notes. Very slowly I'd start patting my pockets, and the dispatcher would blow his whistle, and very slowly I'd ease the notes out of my pocket, and the train would start moving, and I'd trot alongside it and when the train had picked up speed, reach out so that the notes would just barely brush the tips of the fellow's fingers, and sometimes he'd be leaning out so far that someone inside would have to hang on to his legs and one of my customers even beaned himself on a signal post. But then the fingers would be out of reach and I'd stand there panting, the money still in my outstretched hand, and it was all mine. They almost never came back for their change, and that's how I started having money of my own, a couple of hundred a month, and once I even got handed a thousand-crown note.
Bohumil Hrabal (I Served the King of England)
Even though this waitress likely lived in Silver Lake, drove a shit car, and roomed with busboys, she was gorgeous. More exotic, shorter, and sloppier than a model. Gorgeous, medium rare.
Lisa Taddeo (Ghost Lover)
In this country of mind-boggling diversity for its small size, there were three groups: Christians, the minority to whom the departing colonial rulers had given the power to dominate; Sunni Muslims, the traditional bourgeois merchant class, city dwellers who also swelled the ranks of the bureaucracy; and Shia Muslims, forgotten and downtrodden, who tilled the soil for potatoes or cannabis in the Beqaa Valley or picked tobacco in the south. In the cities, Shias were the shoeshine boys, the newspaper sellers, the restaurant busboys. There were Shia landowners, but they, too, lorded it over the others. There were also Shia notables and politicians like Husseini,
Kim Ghattas (Black Wave: Saudi Arabia, Iran and the Rivalry That Unravelled the Middle East)