Bus Window Seat Quotes

How bitterly glad I am to see you. You bring joy and pain in equal measure. Joy because you are with me, but pain because it won't be for long. What do you know about the sea? Nothing. What do I know about the sea? Nothing. Without a driver this bus is lost. Our lives are over. Come aboard if your destination is oblivion-- It should be our next stop. We can sit together. You can have the window seat, if you want. But it's a sad view. Oh enough of this disembling. Let me say plainly: I love you, I love you, I love you. I love you, I love you, I love you. Not the spiders, please.

A bus came. I climbed aboard and sat on the plastic seat while the things of our city turned in the windows like the images in a slot machine.

Without a driver this bus is lost. Our lives are over. Come aboard if your destination is oblivion - it should be our next stop. We can sit together. You can have the window seat, if you want. But it's a sad view.

My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .

When I get on the bus, I like to sit in the seat that has the emergency exit window next to it. That way, in case of an emergency, I can choose who gets to get out alive, and who dies.

That night in my apartment, and other nights, too, burrowed under the covers, I watch the shadows on the wall and think of meeting men, meeting men like in movies, and meeting men like Alice and her mysterious friends seem to - seem to at least in Alice’s stories - men met on buses between stops, in the frozen foods aisle, at Woolworth’s when buying a spool of thread, at the newsstand, perusing Look, in hotel lobbies, at supper clubs, while hailing cabs or looking in shop windows. Men with smooth felt hats and pencil mustaches, men with Arrow shirts and shiny hair, men eager to rush ahead for the doors and to steady your arm as you step over a wet patch on the road, men with umbrellas just when you need them, men who hold you up with a firm grip as the bus lurches before you can reach a seat, men with flickering eyes who seem to know just which coat you are trying to reach off the rack in the coffee shop, men with smooth cheeks smelling of tangy lime aftershave who would order you a gin and soda before you even knew you wanted one.

not much chance, completely cut loose from purpose, he was a young man riding a bus through North Carolina on the way to somewhere and it began to snow and the bus stopped at a little cafe in the hills and the passengers entered. he sat at the counter with the others, he ordered and the food arrived. the meal was particularly good and the coffee. the waitress was unlike the women he had known. she was unaffected, there was a natural humor which came from her. the fry cook said crazy things. the dishwasher. in back, laughed, a good clean pleasant laugh. the young man watched the snow through the windows. he wanted to stay in that cafe forever. the curious feeling swam through him that everything was beautiful there, that it would always stay beautiful there. then the bus driver told the passengers that it was time to board. the young man thought, I'll just sit here, I'll just stay here. but then he rose and followed the others into the bus. he found his seat and looked at the cafe through the bus window. then the bus moved off, down a curve, downward, out of the hills. the young man looked straight forward. he heard the other passengers speaking of other things, or they were reading or attempting to sleep. they had not noticed the magic. the young man put his head to one side, closed his eyes, pretended to sleep. there was nothing else to do - just to listen to the sound of the engine, the sound of the tires in the snow." - Charles Bukowski, "Nirvana

When you are traveling by bus, it is always difficult to decide whether you should sit in a seat by the window, a seat on the aisle, or a seat in the middle. If you take an aisle seat, you have the advantage of being able to stretch your legs whenever you like, but you have the disadvantage of people walking by you and they can accidentally step on your toes or spill something on your clothing. If you take a window seat, you have the advantage of getting a clear view of the scenery, but you have the disadvantage of watching insects die as they hit the glass. If you take a middle seat, you have neither of these advantages, and you have the added disadvantage of people leaning all over you when they fall asleep. You can see at once why you should always arrange to hire a limousine or rent a mule rather than take the bus to your destination.

Then there was the time when he picked up a two-by-four on the side of the road and put it in the front seat by me and stuck it out the window. He told me to hold it, which I did, but when the wind hit the board, it turned around and hit me in the head and knocked me out. Another time, when a friend of Daddy’s bought a brand-new Buick, Daddy pressed the push-button window up on my neck. But that time I think it was just a matter of him not being familiar with the equipment. The main thing Momma bases her theory on is once Daddy, who is very artistic, wanted to make a life mask of my face. He put plaster of paris on me but forgot the breathing holes. On top of that he also forgot to put Vaseline on my face. He had to crack the plaster off with a hammer. Momma didn’t speak to him for a week on that one. I myself was sorry that it didn’t turn out. She also says he is going to ruin my nervous system because of the time he sneaked up on me when I was listening to Inner Sanctum on the radio. Just as the squeaking door opened, he grabbed me and yelled, “Got ya,” real loud, which caused me to faint. She also didn’t like him telling me Santa Claus had been killed in a bus accident and making me throw up. The Pettibones have very delicate nervous systems. That’s true. Momma is nervous all the time. She’s worn a hole in the floor on the passenger’s side of Daddy’s car from putting on the brakes. Momma always looks like she is on the verge of a hissy fit, but that’s mainly because when she was eighteen, she stuck her head in a gas oven looking at some biscuits and blew her eyebrows off. So she paints them on like little half-moons. People love to talk to her because she always looks interested, even if she isn’t.

And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it. Nobody knows how to just shut the fuck up and look out the window anymore. The bathrooms are tiny and filthy and you have no choice but to piss all over yourself when the bus swerves, but the streetlights look like blurred stars exploding in the window when it rains at night, and you can sleep knowing that if there’s an accident and everyone on the bus dies it wasn’t your fault. Someone fat and snoring will sometimes sit beside you and sweat on your shoulder even though it’s twelve degrees outside, and someone else with a big head shaped like an onion and dirty hair that smells like fish sticks will sit in front of you and recline their seat into your lap. And you’ll be trapped and sleepless and sad for the entire ride. But then other times you get two whole seats to yourself, and when that becomes your idea of luxury you know you’ve found something that no one else is even looking for, and if you gave it to them for Christmas they’d return it the next morning as soon as the stores opened. And then you get to think of yourself like the little drummer boy, playing for Jesus even though he’s too young to understand, even though nobody in Bethlehem really likes percussion and they think you’re a cheap ass for not bringing gold or frankincense. And it’s a shame when you realize that you won’t get to be in the Bible, and it doesn’t seem right. But then nobody gets to be in the Bible anymore, no matter who they are or what they do, and the sooner you realize that the easier it all becomes. But it’s still a shame.

Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.

Nope- it was not! Ava and her girls that day went, and they cut a class at some point in the day and broke into my baby. Then Ava- ‘Rubbed one out!’ that means that she masturbated, and squirted her lady- juices all over the inside of my car. Yes- and I mean it went all over. It was on my seat on the dash, on the floor, and Ava smeared what creaminess that was on her two fingers on the windows, and driver’s side vent. As her clan, sisters pissed all over the carpet on the floor, and took their dumps on the seat, and left their thongs behind. Alison, she wrote a note on her undies saying- ‘Now you have some pairs to wear!’ It was so nasty! Plus- the outside was covered and wrapped with toilet paper as well as littered with Ava and her sisters used feminine products. What is wrong with these girls? What did I do to deserve this one? Likewise, the other kids thought it was the most humorous thing, which they ever witnessed at the end of the school day. When I discovered it- You know, I was utterly sick to my stomach. I think I screamed so loudly it echoed throughout the land, and started to cry and ran while being pushed around bouncing around off their bodies, I cannot remember- I was so upset, and then the kids were all around me kicking, and pushing me from one place to another. I was just like a hacky sack for them, until I passed out, and dropped to the hard ground. That gave them time for them to spit on me, and dump things like glue in my hair or whatever that shit was. Then what gets me is that she signed her name- Ava on the dashboard with a black permanent sharpie marker, and It reads, ‘Suck on this- Nevaeh- lick, what I gave you all up!’ and she drew a heart, with a line through it also. She wanted me to know because there was not a thing I could do about it. Depressed- to say that her juicy sprays were more yellowish, and a thick sticky white, then clear on my blue and white cloth seats. Yet, Hope had the car towed and cleaned for me inside and out, she could not believe what kids do these days. Therefore, that was the first time that I drove my car to school and the last. That whole thing cost me a lot. I guess it is back to the bus. That is what everyone wants is it not. This completely sucked; I have a car that I cannot drive anywhere other than at home or have locked up in the barn- with the other rust bucket car.

EVEN BEFORE HE GOT ELECTROCUTED, Jason was having a rotten day. He woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know. That wasn’t necessarily the rotten part. The girl was cute, but he couldn’t figure out who she was or what he was doing there. He sat up and rubbed his eyes, trying to think. A few dozen kids sprawled in the seats in front of him, listening to iPods, talking, or sleeping. They all looked around his age…fifteen? Sixteen? Okay, that was scary. He didn’t know his own age. The bus rumbled along a bumpy road. Out the windows, desert rolled by under a bright blue sky. Jason was pretty sure he didn’t live in the desert. He tried to think back…the last thing he remembered… The girl squeezed his hand. “Jason, you okay?” She wore faded jeans, hiking boots, and a fleece snowboarding jacket. Her chocolate brown hair was cut choppy and uneven, with thin strands braided down the sides. She wore no makeup like she was trying not to draw attention to herself, but it didn’t work. She was seriously pretty. Her eyes seemed to change color like a kaleidoscope—brown, blue, and green. Jason let go of her hand. “Um, I don’t—” In the front of the bus, a teacher shouted, “All right, cupcakes, listen up!” The guy was obviously a coach. His baseball cap was pulled low over his hair, so you could just see his beady eyes. He had a wispy goatee and a sour face, like he’d eaten something moldy. His buff arms and chest pushed against a bright orange polo shirt. His nylon workout pants and Nikes were spotless white. A whistle hung from his neck, and a megaphone was clipped to his belt. He would’ve looked pretty scary if he hadn’t been five feet zero. When he stood up in the aisle, one of the students called, “Stand up, Coach Hedge!” “I heard that!” The coach scanned the bus for the offender. Then his eyes fixed on Jason, and his scowl deepened. A jolt went down Jason’s spine. He was sure the coach knew he didn’t belong there. He was going to call Jason out, demand to know what he was doing on the bus—and Jason wouldn’t have a clue what to say. But Coach Hedge looked away and cleared his throat. “We’ll arrive in five minutes! Stay with your partner. Don’t lose your worksheet. And if any of you precious little cupcakes causes any trouble on this trip, I will personally send you back to campus the hard way.

EVEN BEFORE HE GOT ELECTROCUTED, Jason was having a rotten day. He woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know. That wasn’t necessarily the rotten part. The girl was cute, but he couldn’t figure out who she was or what he was doing there. He sat up and rubbed his eyes, trying to think. A few dozen kids sprawled in the seats in front of him, listening to iPods, talking, or sleeping. They all looked around his age…fifteen? Sixteen? Okay, that was scary. He didn’t know his own age. The bus rumbled along a bumpy road. Out the windows, desert rolled by under a bright blue sky. Jason was pretty sure he didn’t live in the desert. He tried to think back…the last thing he remembered… The girl squeezed his hand. “Jason, you okay?” She wore faded jeans, hiking boots, and a fleece snowboarding jacket. Her chocolate brown hair was cut choppy and uneven, with thin strands braided down the sides. She wore no makeup like she was trying not to draw attention to herself, but it didn’t work. She was seriously pretty. Her eyes seemed to change color like a kaleidoscope—brown, blue, and green. Jason let go of her hand. “Um, I don’t—” In the front of the bus, a teacher shouted, “All right, cupcakes, listen up!” The guy was obviously a coach. His baseball cap was pulled low over his hair, so you could just see his beady eyes. He had a wispy goatee and a sour face, like he’d eaten something moldy. His buff arms and chest pushed against a bright orange polo shirt. His nylon workout pants and Nikes were spotless white. A whistle hung from his neck, and a megaphone was clipped to his belt. He would’ve looked pretty scary if he hadn’t been five feet zero. When he stood up in the aisle, one of the students called, “Stand up, Coach Hedge!” “I heard that!” The coach scanned the bus for the offender. Then his eyes fixed on Jason, and his scowl deepened. A jolt went down Jason’s spine. He was sure the coach knew he didn’t belong there. He was going to call Jason out, demand to know what he was doing on the bus—and Jason wouldn’t have a clue what to say. But Coach Hedge looked away and cleared his throat. “We’ll arrive in five minutes! Stay with your partner. Don’t lose your worksheet. And if any of you precious little cupcakes causes any trouble on this trip, I will personally send you

inhabited by hopeless, motor-mouthed simpletons, drifting from a bad place to somewhere even worse. If you’re lucky, people on the bus will wake you in order to borrow a cigarette. The man occupying the window seat is likely to introduce himself with the line “What the hell are you staring at?

At that same moment Jack Reacher was seventy miles away, in a Greyhound bus, on the interstate highway. He was on the left side of the vehicle, toward the rear, in the window seat over the axle. There was no one next to him. Altogether there were twenty-nine other passengers. The usual mixture. Nothing special. Except for one particular situation, which was mildly interesting. Across the aisle and one row in front was a guy asleep with his head hanging down. He had gray hair overdue for a trim, and loose gray skin, as if he had lost a lot of weight. He could have been seventy years old. He was wearing a short blue zip jacket. Some kind of heavy cotton. Maybe waterproof. The butt end of a fat envelope was sticking out of the pocket. It

The first explosion detonated in the road directly in front of our bus. There was a blinding flash of light and then a concussion of air that shattered the windshield and knocked me flat. The bus was thrown sideways like a Matchbox car and slammed into the rock face. Dust and debris ballooned through the gap in the window, coating me, Alexander, and everyone in the first three rows. Someone screamed in terror next to me. I thought it was one of the girls in my class, but when I sat up and wiped the dust from my eyes, I found it was Nate Mackey. He was on the floor in the fetal position, white as a sheet. “We’re going to die!” he screamed. “We’re going to die!” I looked to Woodchuck for help. Unfortunately, he was slumped in his seat, unconscious. Perhaps he’d been clocked in the head by a piece of flying debris. Or maybe he’d simply fainted in fear. Whatever the case, he wasn’t going to be any help. A second explosion went off in the road behind the bus. Out the back window, I saw part of the road crumble and plummet into the gorge, cutting off our escape route.

Neither the weather nor the bus’s tardiness, however, had done anything to dampen Driggs’s exuberant mood. Not only had he never been to New York City (or any large city, for that matter), but this particular form of transportation was also a first for him. “I have a bus ticket!” he exclaimed upon boarding. The driver did not share his enthusiasm. “Yes. You do.” “Where do we sit?” “Right here,” Lex said, shoving him into the nearest open seat. “Now shut up before we get stabbed.” “What do you mean?” “I mean,” she said through gritted teeth, “that probably half the people on this bus are carrying weapons. So just sit down— no, sit down!” He had gotten up to look inside the overhead storage compartment. She grabbed his shoulders and forcefully pushed him onto the seat. “Sit down, look out the window, and eat your candy.” Driggs took out a Snickers bar and happily munched away, occasionally pausing to marvel at the appearance of roadkill. “Flat as a pancake,” he’d say to the window

I’m in such high spirits when we leave the train in the charming town of Delta, Utah, that I don’t even fight Yuki for a window seat on the bus that will take us the rest of the way to Topaz City.

Seat Belts. Welcome to Psi Bus Services. I'm Zack, and I'll be your driver on this epic quest to freedom. If you look out your windows--but obviously don't, because Ruby just told you not to--you can give Nevada the finger as we pull away.

On the bus, make sure you choose a good seat, you know, because people are creatures of habit, and the seat you pick in the beginning could be your seat for the rest of the year, you know? Get a window seat, honey, ’cause there’s so much to see. —LORELAI GILMORE

I just feel like I need more time… I really just fell ambushed, you know? I mean, I thought I had so much more…time. I thought I had all summer to impart my wisdom about work and life and your future, and I just feel like I had something to tell you. Oh! On the bus, make sure you choose a good seat, you know, because people are creatures of habit, and the seat you pick in the beginning could be the seat for the rest of the year, you know? Get a window seat, honey, ‘cause there’s so much to see.’ -Lorelai Gilmore

I just feel like I need more time.… I really just feel ambushed, you know? I mean, I thought I had so much more… time. I thought I had all summer to impart my wisdom about work and life and your future, and I just feel like I had something to tell you. Oh! On the bus, make sure you choose a good seat, you know, because people are creatures of habit, and the seat you pick in the beginning could be your seat for the rest of the year, you know? Get a window seat, honey, ’cause there’s so much to see. —LORELAI GILMORE

The next morning, Roy traded seats on the school bus to be closer to the front door. When the bus turned onto the street where he had seen the running boy, Roy slipped his backpack over his shoulders and scouted out the window, waiting. Seven rows back, Dana Matherson was tormenting a sixth grader named Louis. Louis was from Haiti and Dana was merciless. As the bus came to a stop at the intersection, Roy poked his head out the window and checked up and down the street. Nobody was running. Seven kids boarded the bus, but the strange shoeless boy was not among them. It was the same story the next day, and the day after that. By Friday, Roy had pretty much given up. He was sitting ten rows from the door, reading an X-Man comic, as the bus turned the familiar corner and began to slow down. A movement at the corner of his eye made Roy glance up from his comic book—and there he was on the sidewalk, running again! Same basketball jersey, same grimy shorts, same black-soled feet. As the brakes of the school bus wheezed, Roy grabbed his backpack off the floor and stood up. At that instant, two big sweaty hands closed around his neck. “Where ya goin’, cowgirl?” “Lemme go,” Roy rasped, squirming to break free. The grip on his throat tightened. He felt Dana’s ashtray breath on his right ear: “How come you don’t got your boots on today? Who ever heard of a cowgirl wearing Air Jordans?” “They’re Reeboks,” Roy squeaked. The bus had stopped, and the students were starting to board. Roy was furious. He had to get to the door fast, before the driver closed it and the bus began to roll. But Dana wouldn’t let go, digging his fingers into Roy’s windpipe. Roy was having trouble getting air, and struggling only made it worse. “Look at you,” Dana chortled from behind, “red as a tomato!” Roy knew the rules against fighting on the bus, but he couldn’t think of anything else to do. He clenched his right fist and brought it up blindly over his shoulder, as hard as he could.

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

The good-to-great leaders did not pursue an expedient “try a lot of people and keep who works” model of management. Instead, they adopted the following approach: “Let’s take the time to make rigorous A+ selections right up front. If we get it right, we’ll do everything we can to try to keep them on board for a long time. If we make a mistake, then we’ll confront that fact so that we can get on with our work and they can get on with their lives.” The good-to-great leaders, however, would not rush to judgment. Often, they invested substantial effort in determining whether they had someone in the wrong seat before concluding that they had the wrong person on the bus entirely. When Colman Mockler became CEO of Gillette, he didn’t go on a rampage, wantonly throwing people out the windows of a moving bus. Instead, he spent fully 55 percent of his time during his first two years in office jiggering around with the management team, changing or moving thirty-eight of the top fifty people. Said Mockler, “Every minute devoted to putting the proper person in the proper slot is worth weeks of time later.”49 Similarly, Alan Wurtzel of Circuit City sent us a letter after reading an early draft of this chapter, wherein he commented:

a beat-up red van pulled off onto the shoulder of the highway right in front of us. The side door slid open. Beth and I jumped inside the van and slammed the door shut. The van was full of black people. A man and woman were in the front seat. We were in the back with an old woman and two small children. I said, “Hey.” There was no response. I continued, “I hope you’re heading for Dallas. That’s where we were heading. Thanks for stopping.” The man driving didn’t say a word. He just looked at me in the rearview mirror. He started the engine. I repeated, “You are going to Dallas, aren’t you?” He just looked at me again in the rearview, put the car into gear, and off we went. I watched the bus get smaller and smaller out the back window and I thought how clever we were. I started talking to the people in the back of the van. The old woman put her hand on one of the children to quiet any urge to speak. Silence. No one looked at Beth or me. It was tense. Now I wondered how this ride would end. Around sundown, the van pulled off the road in the outskirts of Dallas. The man driving said, “We’re not going any farther. You have to get out here.” I nodded and opened the van door. “Hey, thanks for the lift,” I said. “I was afraid no one would pick up hitchhikers anymore.” “What? You were hitchhiking? We never even saw you. We had just pulled over to change drivers. You jumped into the car and said, ‘Drive us to Dallas.’ We thought you were kidnappers.

He fell into the empty seat at the back of the bus, half-wishing the lightning zigzagging out of the sky would come through the window and hit him right in the head.

I move one seat closer to the couple on the bus. They are holding hands but she is looking out her window and he is looking at his lap. They don’t seem to be mad at each other.

wanted to talk.’ ‘So I do. Outside, though,’ Tess said firmly. ‘Unless you want Marianne hanging on your every word, of course.’ They ate bacon sandwiches and drank tea, and then Andy put on his long, navy-blue overcoat and Tess put on her dark-brown one with the fur collar, and they set off, into the chilly and uninspiring morning. ‘I told Marianne we’d be out for lunch,’ Tess said rather guiltily. ‘But in for an evening meal. It’s too cold for a picnic, but I thought – I thought we might buy a pie each or something.’ ‘You do want us out of your house, don’t you?’ Andy said quizzically. ‘Now I wonder why?’ ‘I’ve told you. Because of Marianne,’ Tess said. She could not bring herself to admit that she thought Ashley would turn up on the doorstep and make them both uncomfortable. For one thing, it would give Andy the impression that Ashley was a person of some significance in her life and for another, it would make her seem such a ninny. ‘Now, where shall we go?’ ‘The Broad isn’t iced up any more but I don’t fancy boating,’ Andy said as they stood in Deeping Lane, looking up and down it. ‘Shall we walk up to the bus stop and go into the city? Or we could walk to Stalham, I suppose.’ ‘We’ll catch a bus into the city,’ Tess decided. She was certain that Ashley would find them in Stalham without any trouble; Norwich would be a whole lot more difficult. She had no idea just what she expected Ash to do, except that it would be something embarrassing and unpleasant both for herself and for Andy. Ashley was so proprietorial, that was the trouble. He seemed to think he owned her. The bus came and the two of them jumped aboard and went right down to the front, for it wasn’t full by any means. Tess sat in the front seat against the window and Andy sat down beside her. ‘What luxury, a bus not crammed with office workers,’ she said, turning to Andy. ‘The bus Cherie and I catch in the mornings . . . oh!’ ‘Why Oh?’ Andy asked curiously. ‘Got a pain?’ ‘No, I just remembered . . . something I’d forgotten,’ Tess said confusedly. ‘It doesn’t matter . . . tell me what you did after that summer, the one you spent in Barton.’ She did not think it necessary to explain that she had just seen Ashley, in his snarling sports car, driving in the opposite direction. He had not, she was sure, seen her, which was one blessing, anyway. ‘School, then Russia, then school again,’ Andy said. ‘Now what I want to know is, did you ever discover about your mother and your dream and everything? You kept hinting mysteriously but you never actually came out with much.’ ‘No. Well, I wasn’t any better than you at putting things down in writing. But I really have found out more than I bargained for, Andy. D’you mind if I don’t tell you right away, though? I’ll save it for when we’re alone, later.’ ‘Being alone in the city isn’t easy,’ Andy said. He sounded rather disgruntled. ‘We could go to the flicks, I suppose, but then you can’t talk. People keep hushing you

On the bus ride home, Brad and T.J. shared a seat in back. Snow flurries dusted the air outside, flakes wetting the dark window. He and Brad were fraternal twins. While no one would mistake them for identical, they looked related with their athletic builds and longish blond hair that spilled out the back of their helmets. T.J. spent more time on his, combing fingers through it when the locks were semi-dry, guiding it to the side and coaxing a tendril across his forehead. Brad just swept his hair off his face and let it flow in tousled waves.

Boarding the waiting bus, I saw that it was about half full of what appeared to be apprehensive young men. Although I didn’t know who he was, Bo’sun Vernon Haskell, wearing a well-worn officer’s cap, was seated behind the wheel. Carpenter Bill Cooms was sitting with his legs up next to the window, taking up both of the front right-hand seats. Boarding, I asked, “Is this the bus to Maine Maritime Academy?” To which the Bo’sun answered with another question, “Were you expecting the bus to Davy Jones’ locker?” I would get to know both of them much better in time, but for now their gruff manner caught me off balance. Some of the things Bo’sun Haskell would say baffled me at first, but the twinkle in his eye always gave him away. “Half of you seven men will work loading the ship, the other half will work with chipping hammers and the rest will come with me,” or “Three of you two men, come with me,” were some of his favorite statements. There was always a little humor in how he said things, but he got the job done! Noticing that I was not sure of myself, they both smiled, which immediately put me at ease. “Find a place to sit, son. We still have some more men coming in from Augusta by car.” The fact that he used the term “men” in reference to us, was also new! It didn’t take long before everyone they expected had arrived, and were seated aboard the bus. We started east on the bumpy ride to the Academy.