Visitors Here Quotes

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Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor," I muttered, "tapping at my chamber door — Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore — For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore; — 'Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door — Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning— little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
Edgar Allan Poe (The Raven)
We are visitors on this planet. We are here for one hundred years at the very most. During that period we must try to do something good, something useful, with our lives. if you contribute to other people's happiness, you will find the true meaning of life.
Dalai Lama XIV
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
We are but visitors on this planet. We are here for ninty or one hundred years at the very most. During that period, we must try to do something good, something useful with our lives. If you contibute to other people's happiness, you will find the true goal, the true meaning of life.
Dalai Lama XIV
Bout time," she huffed, but her voice sounded thick and emotional too."I was at the hospital all day yesterday, but they wouldn't let me see you. I bolted past security but they called code ninetynine and chased me down, they escorted me out in handcuffs. The way I see it, the only criminal here is your mom. No visitors? I'm your best friend, or did she not get the memo every year for the past eleven? Next time I'm over, I'm going to lay into that woman.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Reality is incredibly larger, infinitely more exciting, than the flesh and blood vehicle we travel in here. If you read science fiction, the more you read it the more you realize that you and the universe are part of the same thing. Science knows still practically nothing about the real nature of matter, energy, dimension, or time; and even less about those remarkable things called life and thought. But whatever the meaning and purpose of this universe, you are a legitimate part of it. And since you are part of the all that is, part of its purpose, there is more to you than just this brief speck of existence. You are just a visitor here in this time and this place, a traveler through it.
Gene Roddenberry
What a luxury a cat is, the moments of shocking and startling pleasure in a day, the feel of the beast, the soft sleekness under your palm, the warmth when you wake on a cold night, the grace and charm even in a quite ordinary workaday puss. Cat walks across your room, and in that lonely stalk you see leopard or even panther, or it turns its head to acknowledge you and the yellow blaze of those eyes tells you what an exotic visitor you have here, in this household friend, the cat who purrs as you stroke, or rub his chin, or scratch his head.
Doris Lessing (The Old Age of El Magnifico)
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
If you can dispense with reputation, then you are free from care. Reputation is only a visitor, but reality is here to stay.
Liezi (Lieh-tzu: A Taoist Guide to Practical Living (Shambhala Dragon Editions))
the usual graffiti on the wall. JRH WAS HERE. NICK LOVES CASS. Visitors leaving the worst parts of themselves behind in fluorescent paint.
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
We are all visitors to this time, this place. We are just passing through. Our purpose here is to observe, to learn, to grow, to love…and then we return home.” - Australian Aboriginal Proverb
A.B. Shepherd (Lifeboat)
Given the scale of life in the cosmos, one human life is no more than a tiny blip. Each one of us is a just visitor to this planet, a guest, who will only stay for a limited time. What greater folly could there be than to spend this short time alone, unhappy or in conflict with our companions? Far better, surely, to use our short time here in living a meaningful life, enriched by our sense of connection with others and being of service to them.
Dalai Lama XIV
Remember always that you are just a visitor here, a traveler passing through. Your stay is but short and the moment of your departure unknown.
Dhammavadaka.
Not many years before the Happening, one of your country's largest religious bodies officially declared that their book was holier than their God, thus simultaneously and corporately breaking several commandments of their own religion, particularly the first one. Of course they liked the book better! It was full of magic and contradictions that they could quote to reinforce their bigoted and hateful opinions, as I well know, for I chose many parts of it from among the scrolls and epistles that were lying around in caves here and there. They're correct that a god picked out the material; they just have the wrong god doing it.
Sheri S. Tepper (The Visitor)
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut - this indescribably emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner.
Hugh Howey (Visitor (Beacon 23, #5))
We are all visitors to this time, this place. We are just passing through. Our purpose here is to observe, to learn, to grow, to love… and then we return home.” —Australian Aboriginal proverb
Ian Thomas Healy (Deep Six (Just Cause Universe Book 4))
We are not alien visitors to this planet, after all but natural residents and relatives of every living entity here. This earth is where we came from and where we'll all end up when we die, and during the interim, it is our home, And there's no way we can ever hope to understand ourselves if we don't at least marginally understand our home.
Elizabeth Gilbert (The Last American Man)
Juliette,” I whisper. “What are you doing here?” I’m half-dressed, getting ready for my day, and it’s too early for visitors. These hours just before the sun rises are my only moments of peace, and no one should be in here. It seems impossible she gained access to my private quarters. Someone should’ve stopped her. Instead, she’s standing in my doorway, staring at me. I’ve seen her so many times, but this is different—it’s causing me physical pain to look at her. But somehow I still find myself drawn to her, wanting to be near her.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Look, Anna,” she says in a panic, “I’ve raised you close to center. Don’t let anyone pull you to the outer edges.” She rushes to our front-room window. “Your grandfather is here. No matter what he says, don’t let him draw you into his imaginary world.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
Above all, staring at my old bedroom ceiling, I feel safe. Cocooned from the world; wrapped up in cotton wool. No one can get me here. No one even knows I'm here. I won't get any nasty letters and I won't get any nasty phone calls and I won't get any nasty visitors. It's like a sanctuary. I feel as if I'm fifteen again, with nothing to worry about but my Homework. (And I haven't even got any of that.)
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.
Upton Sinclair (The Jungle)
Seth and I used to like to picture how our world would look to visitors someday, maybe a thousand years in the future, after all the humans are gone and all the asphalt has crumbled and peeled away. We wondered what thise visitors would find here. We liked to guess at what would last. Here the indentations suggesting a vast network of roads. Here the deposits of iron where giant steel structures once stood, shoulder to shoulder in rows, a city. Here the remnants of clothing and dishware, here the burial grounds, here the mounds of earth that were once people's homes. But among the artifacts that will never be found - among the objects that will disintegrate long before anyone from elsewhere arrives - is a certain patch of sidewalk on a Californian street where once, on a dark afternoon in summer at the waning end of the year of the slowing, two kids knelt down together on the cold ground. We dipped our fingers in the wet cement, and we wrote the truest, simplest things we knew - our names, the date, and these words: We were here.
Karen Thompson Walker (The Age of Miracles)
Kit," said a female voice, "what's wrong with the fridge? All the food's gone. No, wait, there's a really ugly alien in here disguised as a leaky lettuce. Hey, I guess I shouldn't be rude to it; it's a visitor. Welcome to our planet, Mr. Alien!" This was followed by some muffled remark that Nita couldn't make out, possibly something Kit was saying. A moment later, Kit's sister Carmela's voice came out of Nita's refrigerator again. "Hola, Nita, are your phone bills getting too big? This is a weird way to deal with it...
Diane Duane (Wizard's Holiday (Young Wizards, #7))
{Yogananda on the death of his dear friend, the eminent 20th century scientist, Luther Burbank} His heart was fathomlessly deep, long acquainted with humility, patience, sacrifice. His little home amid the roses was austerely simple; he knew the worthlessness of luxury, the joy of few possessions. The modesty with which he wore his scientific fame repeatedly reminded me of the trees that bend low with the burden of ripening fruits; it is the barren tree that lifts its head high in an empty boast. I was in New York when, in 1926, my dear friend passed away. In tears I thought, 'Oh, I would gladly walk all the way from here to Santa Rosa for one more glimpse of him!' Locking myself away from secretaries and visitors, I spent the next twenty-four hours in seclusion... His name has now passed into the heritage of common speech. Listing 'burbank' as a transitive verb, Webster's New International Dictionary defines it: 'To cross or graft (a plant). Hence, figuratively, to improve (anything, as a process or institution) by selecting good features and rejecting bad, or by adding good features.' 'Beloved Burbank,' I cried after reading the definition, 'your very name is now a synonym for goodness!
Paramahansa Yogananda (Autobiography of a Yogi)
Every Day You Play.... Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind.  The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here.  Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
The receptionist laughs. “Relax. It just means you’re a first-time visitor here at Gray Holdings.
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
Upon seeing Evie, her friends rushed toward her with unladylike squeals, and Evie let out her own laughing shriek as they collided in a circle of tightly hugging arms and exuberant kisses. In their shared excitement, the three young women continued to exclaim and scream, until someone burst into the room. It was Cam, his eyes wide, his breathing fast, as if he had come at a dead run. His alert gaze flashed across the room, taking in the situation. Slowly his lean frame relaxed. "Damn," he muttered. "I thought something was wrong." "Everything is fine, Cam," Evie said with a smile, while Annabelle kept an arm around her shoulders. "My friends are here, that's all." Glancing at Sebastian, Cam remarked sourly, "I've heard less noise form the hogs at slaughter time." There was a sudden suspicious tension around Sebastian's jaw, as if he were fighting to suppress a grin. "Mrs. Hunt, Miss Bowman, this is Mr. Rohan. You must pardon his lack of tact, as he is..." "A ruffian?" Daisy suggested innocently. This time Sebastian could not prevent a smile. "I was going to say 'unused to the presence of ladies at the club.'" "Is that what the are?" Cam asked, casting a dubious glance at the visitors, his attention lingering for a moment on Daisy's small face. Pointedly ignoring Cam, Daisy spoke to Annabelle. "I've always heard that Gypsies are known for their charm. An unfounded myth, it seems." Cam's golden eyes narrowed into tigerish slits.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
We have held the peculiar notion that a person or society that is a little different from us, whoever we are, is somehow strange or bizarre, to be distrusted or loathed. Think of the negative connotations of words like alien or outlandish. And yet the monuments and cultures of each of our civilizations merely represent different ways of being human. An extraterrestrial visitor, looking at the differences among human beings and their societies, would find those differences trivial compared to the similarities. The Cosmos may be densely populated with intelligent beings. But the Darwinian lesson is clear: There will be no humans elsewhere. Only here. Only on this small planet. We are a rare as well as an endangered species. Every one of us is, in the cosmic perspective, precious. If a human disagrees with you, let him live. In a hundred billion galaxies, you will not find another.
Carl Sagan (Cosmos)
She had forced herself to learn to read – picked up bits and pieces, here and there, from the very few teachers who had been patient with her; from looking at words while out and about; from television, and from friends. And to avoid the shouting and drug-induced moaning, and the row of male visitors her mum would entertain, she would barricade herself in her room – there'd been no lock – and lose herself in books.
Dianna Hardy (Broken Lights)
The time must come when this coast (Cape Cod) will be a place of resort for those New-Englanders who really wish to visit the sea-side. At present it is wholly unknown to the fashionable world, and probably it will never be agreeable to them. If it is merely a ten-pin alley, or a circular railway, or an ocean of mint-julep, that the visitor is in search of, — if he thinks more of the wine than the brine, as I suspect some do at Newport, — I trust that for a long time he will be disappointed here. But this shore will never be more attractive than it is now.
Henry David Thoreau (Cape Cod)
You have a visitor, my lord." I frowned, "What?" "That is why I came in here. You have a visitor waiting for you." I stood up, exasperated. "Why didn't you say so?" Lacuna looked confused. "I did. Just now. You were there." She frowned thoughtfully. "Perhaps you have brain damage." "It would not shock me in the least," I said. "Would you like me to cut open your skull and check, my lord?" she asked. Someone that short should not be that disturbing.
Jim Butcher (Cold Days (The Dresden Files, #14))
During the wait, which eventually stretched over two days and nights, my favorite visitors were the ones who said the three magic words: not “I love you,” or even, “I am praying,” but, “Here’s your latte.” Those words made me smile each time I heard them because the people who brought me lattes weren’t trying to give me answers. They were just trying to give me coffee. They sat with me and wept with me and never said a word. They were the ones who refilled my empty cup.
Laura Story (When God Doesn't Fix It: Lessons You Never Wanted to Learn, Truths You Can't Live Without)
I come by my alarmism honestly. I have learned this custom over the years as I have settled into being a true New Yorker. This is how we welcome foreigners to our shores. Because we are so often frightened by living here, we are annoyed and offended when visitors fail to show the proper signs of terror. So we try to scare the living daylights out of them.
David Rakoff (Fraud: Essays)
The world is a beautiful place A beautiful energy space to exist within as a visitor It is a joyous experience But when you get tied up in it and locked in it can become a beautiful prison It is important to realise that you do not really own anything here You borrow it from the Earth Mother You are grateful for it Always remember you are a visitor
Natasha Rendell (Nathon's Keys to Freedom)
The full tigers watched him silently. All females. Thankfully. He would be less than happy if he had to take on some territorial male. Well, this little adventure was only going to last through today. As soon as night came, he would get his furry ass out of here. Even if he had to scare some poor security guard to death. Then he would be heading to California. He had some dog butt to kick. Sighing, Nik looked up to find a small child staring at him. A small child busy picking his nose. Could this get any worse? The females stirred restlessly near him and he caught the scent they had. Oh no. Please. Not that. They stood in front of him, completely unaware of his presence and arguing like two ten-year-olds. Nik didn't bother searching for a way out. There was no way out. Those two evil witches trapped him. Trapped him in hell. Throwing up his hands in anger, Alek turned away from Ban, facing the tiger display. Alek's gold eyes stared at Nik for a moment, a frown of confusion pulling his brows down. Then he smiled. And then he just became plain hysterical. Bastard! This wasn't and never would be funny! Ban stared at Alek for several confused moments before catching sight of Nik. As his brothers literally rolled on the ground laughing hysterically--and freaking out all the zoo visitors--Nik seethed
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
Thousands of miles lay between me and Europe, mother of all demons. The demons could not reach me here—there were no telegrams, no telephone calls, no letters, no visitors. My liberated psychic forces poured blissfully back to the primeval expanses.
C.G. Jung (Memories, Dreams, Reflections)
Swinging the door open, I took a sip. All of the coffee in the world wouldn't help if more visitors showed up at my door this early in the morning but the caffeine fortification was a bonus. The delivery guy pushed his clipboard at me. I held up my cup and raided my eyebrows. We had an entire conversation in the next seven seconds with our eyes and eyebrows. I told him that I wasn't giving up my coffee for his delivery. He told me that if I'd just sign on the damned dotted line he would get the hell out of here. I replied in turn that if he'd hold the clipboard instead of shoving it at me (I threw in a nod here for good measure), I'd sign the damned line. He finally sighed, turned the clipboard around and held the pen out. I braced the door with my hip, grabbed the pen and scrawled Wilma Flinstone on the paper.
Nicole Hamlett (Huntress (Grace Murphy, #1))
We bring Kingsley comfort, by being here, but only one visitor has brought him any pleasure: Jaime. He enjoyed, he exulted in Jaime – because the dew is yet on him, the glamour is yet on him. Jaime brought his youth, in all its Conradian force (youth, that ‘mighty power’). I haven’t got any youth to offer my father. This year has closed my youth. I’m sorry, Dad: I haven’t got any . . . Sometimes I imagine that the dead are allowed to watch their children. This would be one of their privileges. But there must come a point where the dead really wouldn’t want to look. William Amis, even Rosa Amis: they wouldn’t be watching now.
Martin Amis (Experience)
Let it be clarified here that neither the Akkadians nor the Sumerians had called these visitors to Earth gods. It is through later paganism that the notion of divine beings or gods has filtered into our language and thinking. When we employ the term here, it is only because of its general acceptance and usage that we do so.
Zecharia Sitchin (The Stairway to Heaven (The Earth Chronicles, #2))
I lived here once," the author said after a moment. "Here? For a long time?" "No. For just a little while when I was young." "It must have been rather cramped." "I didn't notice." "Would you like to try it again?" "No. And I couldn't if I wanted to." He shivered slightly and closed the windows. As they went downstairs, the visitor said, half apologetically: "It's really just like all houses, isn't it?" The author nodded. "I didn't think it was when I built it, but in the end I suppose it's just like other houses after all.
F. Scott Fitzgerald (A Short Autobiography)
That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain. It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts? But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.
Julian Barnes (Flaubert's Parrot)
I know I’m committing heresy here…  But I honestly think the best SEO strategy is not to ‘do’ SEO.
Steve Scott (My Blog Traffic Sucks! 8 Simple Steps to Get 100,000 Blog Visitors without Working 8 Days a Week)
The oak was, of course, a great stealer of the surrounding pasture—its only value to provide shade for the livestock—but it was a magnificent tree. It had been there at least as long as Luxtons had owned the land. To have removed it would have been unthinkable (as well as a forbidding practical task). It simply went with the farm. No one taking in that view for the first time could have failed to see that the tree was the immovable, natural companion of the farmhouse, or, to put it another way, that so long as the tree stood, so must the farmhouse. And no mere idle visitor—especially if they came from a city and saw that tree on a summer’s day—could have avoided the simpler thought that it was a perfect spot for a picnic.
Graham Swift (Wish You Were Here)
For me life is an inn where I must stay until the carriage from the abyss calls to collect me [...] I could consider this inn to be a prison, since I’m compelled to stay here; I could consider it a kind of club, because I meet other people here. However, unlike others, I am neither impatient nor sociable. I leave those who chatter in the living room, from where the cosy sound of music and voices reaches me. I sit at the door and fill my eyes and ears with the colours and sounds of the landscape and slowly, just for myself, I sing vague songs that I compose while I wait. Night will fall on all of us and the carriage will arrive. I enjoy the breeze given to me and the soul given to me to enjoy it and I ask no more questions, look no further. If what I leave written in the visitors’ book is one day read by others and entertains them on their journey, that’s fine. If no one reads it or is entertained by it, that’s fine too.
Fernando Pessoa (The Book of Disquiet)
She felt tears suddenly gather in her eyes and laughed harshly. ‘I hate bloody hospitals.’ Her visitor stayed still and silent, bringing fresh fear to her overactive mind. ‘Sorry about the waterworks. I’m OK now. Look, just give me the facts. Life-threatening? Life-changing? I take it you know I work here, that I’m a doctor, so please don’t give me the diluted version. I’d rather know the truth.
Liz Lawler (Don't Wake Up)
A lot is riding on each individual docent. Here is the docent definition: a docent is a tour guide; a docent is a person who can cause a museum visitor to look more closely at art; a docent is a person who bring art works to life by selectively suggesting ways to look at an art piece, thereby bringing a new awareness to a museum visitor; a docent is a gate keeper; a docent is a person who volunteers hours of time equity for the recompense of a smile.
Ivy Hendy (Almost Like Us: Peoples of the Stone Age)
Most people wouldn’t be caught dead in the heart of the Florida Everglades at dusk. A treacherous land of myriad insects and predators, it kept visitors away effectively. Blood-seeking insects don’t even matter for the accidental visitor, more concerned with the few but deadly poisonous snake species, the huge pythons, and the 10-foot alligators. Here, in the Glades, only the skilled and the irresponsible venture, and the latter don’t usually make it out. Matthew
Leslie Wolfe (Dawn Girl (Tess Winnett, #1))
Laila lay there and listened, wishing Mammy would notice that she, Laila, hadn't become shaheed, that she was alive, here, in bed with her, that she had hopes and a future. But Laila knew that her future was no match for her brothers' past. They had overshadowed her in life. They would obliterate her in death. Mammy was now the curator of their lives' museum and she, Laila, a mere visitor. A receptacle for their myths. The parchment on which Mammy meant to ink their legends.
Khaled Hosseini (A Thousand Splendid Suns)
The National Air and Space Museum is unlike any other place on this planet. If you’re hosting visitors from another country and they want to know what single museum best captures what it is to be American, this is the museum you take them to. Here they can see the 1903 Wright Flyer, the 1927 Spirit of St. Louis, the 1926 Goddard rocket, and the Apollo 11 command module—silent beacons of exploration, of a few people willing to risk their lives for the sake of discovery. Without
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
Mr. Lorry came silently forward, leaving the daughter by the door. When he had stood, for a minute or two, by the side of Defarge, the shoemaker looked up. He showed no surprise at seeing another figure, but the unsteady fingers of one of his hands strayed to his lips as he looked at it (his lips and his nails were of the same pale lead-colour), and then the hand dropped to his work, and he once more bent over the shoe. The look and the action had occupied but an instant. "You have a visitor, you see," said Monsieur Defarge. "What did you say?" "Here is a visitor." The shoemaker looked up as before, but without removing a hand from his work. "Come!" said Defarge. "Here is monsieur, who knows a well-made shoe when he sees one. Show him
Charles Dickens (A Tale of Two Cities)
Around them the stubbled land was marked off by plaques and signs that explained to visitors what had happened here on a long-ago July day not unlike this one. But Peter already knew all they said and more. He looked around at the people with their noses tucked in brochures and guidebooks, and those trailing, sheeplike, after tour guides and park employees. He was used to feeling somewhat out of place most everywhere he went--at school or the barbershop, even at home, but here, where he knew everything, all the names and dates and facts, he somehow seemed to fit, and the knowledge of this welled up inside him. It was like he'd been born a blue flower in a field full of red ones and had only now been plunked down in a meadow so blue it might as well have been the ocean.
Jennifer E. Smith (You Are Here)
A dark flask dangled from the bedpost like a ripe fruit.   Someone he could not see was seated beside his bed. He turned his head and craned his neck to no avail. At last he extended a hand toward the visitor; and the visitor took it between his own, which were large and hard and warm. As soon as their hands touched, he knew. You said you weren’t going to help, he told the visitor. You said I wasn’t to expect help from you, yet here you are. The visitor did not reply, but his hands were clean and gentle and full of healing.
Gene Wolfe (Caldé of the Long Sun (The Book of the Long Sun, #3))
The Tower is not a sacred monument, and no taboo can forbid a commonplace life to develop there, but there can be no question, nonetheless, of a trivial phenomenon here; the installation of a restaurant on the Tower, for instance ... The Eiffel Tower is a comfortable object, and moreover, it is in this that it its an object wither very old (analogous, for instance, to the Circus) or very modern (analogous to certain American institutions such as the drive-in movie, in which one can simultaneously enjoy the film, the car, the food, and the freshness of the night air). Further, by affording its visitor a whole polyphony of pleasures, from technological wonder to haute cuisine, including the panorama, the Tower ultimately reunites with the essential function of all major human sites: autarchy; the Tower can live on itself: one can dream there, eat there, observe there, understand there, marvel there, shop there, as on an ocean liner (another mythic object that sets children dreaming), one can feel oneself cut off from the world and yet the owner of a world.
Roland Barthes (The Eiffel Tower and Other Mythologies)
This humanity we would claim for ourselves is the legacy, not only of the Enlightenment, but of the thousands of European peasants and poor townspeople who came here bringing their humanity and their sufferings with them. It is the absence of a stable upper class that is responsible for much of the vulgarity of the American scene. Should we blush before the visitor for this deficiency? The ugliness of American decoration, American entertainment, American literature - is not this the visible expression of the impoverishment of the European masses, a manifestation of all the backwardness, deprivation, and want that arrived here in boatloads from Europe? The immense popularity of American movies abroad demonstrates that Europe is the unfinished negative of which America is the proof. The European traveler, viewing with distaste a movie palace or a Motorola, is only looking into the terrible concavity of his continent of hunger inverted startlingly into the convex. Our civilization, deformed as it is outwardly, is still an accomplishment; all this had to come to light.
Mary McCarthy (A Bolt from the Blue and Other Essays)
[David] Salle's studio, on the second floor of a five-story loft building, is a long room lit with bright, cold overhead light. It is not a beautiful studio. Like the streets outside, it gives no quarter to the visitor in search of the picturesque. It doesn't even have a chair for the visitor to sit in, unless you count a backless, half-broken metal swivel chair Salle will offer with a murmur of inattentive apology. Upstairs, in his living quarters, it is another story. But down here everything has to do with work and with being alone.
Janet Malcolm (Forty-One False Starts: Essays on Artists and Writers)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
Tranquility is the soul of our community.” Not a quarter mile’s distance away, Susanna Finch sat in the lace-curtained parlor of the Queen’s Ruby, a rooming house for gently bred young ladies. With her were the room house’s newest prospective residents, a Mrs. Highwood and her three unmarried daughters. “Here in Spindle Cove, young ladies enjoy a wholesome, improving atmosphere.” Susanna indicated a knot of ladies clustered by the hearth, industriously engaged in needlework. “See? The picture of good health and genteel refinement.” In unison, the young ladies looked up from their work and smiled placid, demure smiles. Excellent. She gave them an approving nod. Ordinarily, the ladies of Spindle Cove would never waste such a beautiful afternoon stitching indoors. They would be rambling the countryside, or sea bathing in the cove, or climbing the bluffs. But on days like these, when new visitors came to the village, everyone understood some pretense at propriety was necessary. Susanna was not above a little harmless deceit when it came to saving a young woman’s life. “Will you take more tea?” she asked, accepting a fresh pot from Mrs. Nichols, the inn’s aging proprietress. If Mrs. Highwood examined the young ladies too closely, she might notice that mild Gaelic obscenities occupied the center of Kate Taylor’s sampler. Or that Violet Winterbottom’s needle didn’t even have thread.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
It is worth noting here how extraordinary it was for anyone to be homeless in North Korea. This was, after all, the country that had developed the most painstaking systems to keep track of its citizens. Everybody had a fixed address and a work unit and both were tied to food rations—if you left home, you couldn’t get fed. People didn’t dare visit a relative in the next town without a travel permit. Even overnight visitors were supposed to be registered with the inminban, which in turn had to report to the police the name, gender, registration number, travel permit number, and the purpose of the visit. Police conducted regular spot checks around midnight to make sure nobody had unauthorized visitors. One had to carry at all times a “citizen’s certificate,” a twelve-page passport-size booklet that contained a wealth of information about the bearer. It was modeled on the old Soviet ID. All that changed with the famine. Without food distribution, there was no reason to stay at your fixed address. If sitting still meant you starved to death, no threat the regime levied could keep people home. For the first time, North Koreans were wandering around their own country with impunity.
Barbara Demick (Nothing to Envy: Real Lives in North Korea)
welcome sign that shouted: “We love visitors in Sunshine, Texas! Stay for a while—we’ll make you smile!” Underneath that horrible threat was the number of idiots who lived here: 403. I was already claustrophobic. I preferred big cities with their bad drivers, polluted skies, shitty attitudes, and endless cheap motel and diner options.
Mandy M. Roth (Taming the Monster)
Not only are your visitors technologically advanced, they have greater social cohesion, or they would not have been able to reach your shores. They are coming into a world where tribal warfare is dominant, where one human being cannot recognize another, where everyone claims different allegiances and authorities. They are coming into a world where people are ruining their environment at a frightening pace. They are coming into a world where people are fearful, superstitious and self-indulgent and where there is great tragedy, suffering and human abuse. How would this world look to you if you were a visitor coming here for the first time? Even with your human viewpoint, you can gain a perspective of how you must look to those who are visiting. Will they be compassionate towards you? Will they attempt to help you? Will they attempt to avoid you? Will they want to have a relationship with you? Can they trust you? Can you be relied upon? Are you consistent enough in order to establish relations? These are all meaningful questions for you to ask in order to gain a Greater Community perspective, even from a human point of view. Seeing yourself from a Greater Community perspective will show you what you must accomplish and what your great disabilities are at this time. This will give you a new understanding of yourself, one that is very fair and honest.
Marshall Vian Summers (Greater Community Spirituality: A New Revelation)
Olmsted’s greatest concern, however, was that the main, Jackson Park portion of the exposition simply was not fun. “There is too much appearance of an impatient and tired doing of sight-seeing duty. A stint to be got through before it is time to go home. The crowd has a melancholy air in this respect, and strenuous measures should be taken to overcome it.” Just as Olmsted sought to conjure an aura of mystery in his landscape, so here he urged the engineering of seemingly accidental moments of charm. The concerts and parades were helpful but were of too “stated or programmed” a nature. What Olmsted wanted were “minor incidents … of a less evidently prepared character; less formal, more apparently spontaneous and incidental.” He envisioned French horn players on the Wooded Island, their music drifting across the waters. He wanted Chinese lanterns strung from boats and bridges alike. “Why not skipping and dancing masqueraders with tambourines, such as one sees in Italy? Even lemonade peddlers would help if moving about in picturesque dresses; or cake-sellers, appearing as cooks, with flat cap, and in spotless white from top to toe?” On nights when big events in Jackson Park drew visitors away from the Midway, “could not several of the many varieties of ‘heathen,’ black, white and yellow, be cheaply hired to mingle, unobtrusively, but in full native costume, with the crowd on the Main Court?
Erik Larson (The Devil in the White City)
Pirate and Osbie Feel are leaning on their roof-ledge, a magnificent sunset across and up the winding river, the imperial serpant, crowds of factories, flats, parks, smoky spires and gables, incandescent sky casting downward across the miles of deep streets and roofs cluttering and sinuous river Thames a drastic strain of burnt orange, to remind a visitor of his mortal transience here, to seal or empty all the doors and windows in sight to his eyes that look only for a bit of company, a word or two in the street before he goes up to the soap-heavy smell of the rented room and the squares of coral sunset on the floor-boards—an antique light, self-absorbed, fuel consumed in the metered winter holocaust, the more distant shapes among the threads or sheets of smoke now perfect ash ruins of themselves, nearer windows, struck a moment by the sun, not reflecting at all but containing the same destroying light, this intense fading in which there is no promise of return, light that rusts the government cars at the curbsides, varnishes the last faces hurrying past the shops in the cold as if a vast siren had finally sounded, light that makes chilled untraveled canals of many streets, and that fills with the starlings of London, converging by millions to hazy stone pedestals, to emptying squares and a great collective sleep. They flow in rings, concentric rings on the radar screens. The operators call them ‘angels.
Thomas Pynchon (Gravity's Rainbow)
There was never any doubt that the local jury would return a guilty verdict. “In due time, gentlemen of the jury,” Seward concluded, “when I shall have paid the debt of nature, my remains will rest here in your midst, with those of my kindred and neighbors. It is very possible they may be unhonored, neglected, spurned! But, perhaps years hence, when the passion and excitement which now agitate this community shall have passed away, some wandering stranger, some lone exile, some Indian, some negro, may erect over them a humble stone, and thereon this epitaph, ‘He was Faithful!’ ” More than a century afterward, visitors to Seward’s grave at the Fort Hill Cemetery in Auburn would find those very words engraved on his tombstone.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
But they had been down on all fours naked, not touching except their lips right down there on the floor where the tie is pointing to, on all fours like (uh huh, go on, say it) like dogs. Nibbling at each other, not even touching, not even looking at each other, just their lips, and when I opened the door they didn't even look for a minute and I thought the reason they are not looking up is because they are not doing that. So it's all right. I am just standing here. They are not doing that. I am just standing here and seeing it, but they are not really doing it. But then they did look up. Or you did. You did, Jude. ... And I did not know how to move my feet or fix my eyes or what. I just stood there seeing it and smiling, because maybe there was some explanation, something important that I did not know about that would have made it all right. I waited for Sula to look up at me any minute and say one of those lovely college words like aesthetic or rapport, which I never understood but which I loved because they sounded so comfortable and firm. And finally you just got up and started putting clothes on and your privates were hanging down, so soft, and you buckled your pants but forgot to button the fly and she was sitting on the bed not even bothering to put on her clothes because actually she didn't need to because somehow she didn't look naked to me, only you did. Her chin was in her hand and she sat like a visitor from out of town waiting for the hosts to get some quarreling done and over with so the card game could continue and me wanting her to leave so I could tell you privately that you had forgotten to button your fly because I didn't want to say it in front of her, Jude. And even when you began to talk, I couldn't hear because I was worried about you not knowing that your fly was open ... Remember how big that bedroom was, Jude? How when we moved here we said, Well, at least we got us a real big bedroom, but it was small then, Jude, and so shambly and maybe it was that way all along but it would have been better if I had gotten all the dust out from under the bed because I was ashamed of it in that small room. And you walked past me saying, "I'll be back for my things." And you did but you left your tie.
Toni Morrison (Sula)
In Galapagos, as elsewhere, things of the mind, including intellectual ramifications from evolutionary theory, and things of the spirit, like the feeling one gets from a Queen Anne’s lace of stars in the moonless Galapagean sky, struggle toward accommodation with an elementary desire for material comfort…because so many regard this archipelago as preeminently a terrain of the mind and spirit, a locus of biological thought and psychological rejuvenation. The sheer strength of Darwin’s insight into the development of biological life gently urges a visitor to be more than usually observant here- to notice, say, that while the thirteen Galapagean finches are all roughly the same hue, it is possible to separate them according to marked differences in the shapes of their bills and feeding habits.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
[Sir Gregory Parsloe-Parsloe] was reading a cookery book as [George] entered. Some hold the view that a sorrow's crown of sorrow is remembering happier things, but Sir Gregory found that it gave him a melancholy pleasure to be wafted back into the golden past by perusing the details of the sort of dishes where you start off with a dozen eggs and use plenty of suet for the pastry. At the moment he was deep in the chapter about Chocolate Soufflé. And he had just got to the part where the heroine takes two tablespoonfuls of butter and three ounces of Sunshine Sauce and was wondering how it all came out in the end, when he had a feeling that the air in the room had become a little close and, looking up, saw that he had a visitor. 'What the devil are you doing here?' was his kindly greeting [...].
P.G. Wodehouse
Help you?” he said without looking up. I glanced at Meg, silently double-checking that we were in the right building. She nodded. “We’re here to surrender,” I told the guard. Surely this would make him look up. But no. He could not have acted less interested in us. I was reminded of the guest entrance to Mount Olympus, through the lobby of the Empire State Building. Normally, I never went that way, but I knew Zeus hired the most unimpressible, disinterested beings he could find to guard the desk as a way to discourage visitors. I wondered if Nero had intentionally done the same thing here. “I’m Apollo,” I continued. “And this is Meg. I believe we’re expected? As in…hard deadline at sunset or the city burns?” The guard took a deep breath, as if it pained him to move. Keeping one finger in his novel, he picked up a pen and slapped it on the counter next to the sign-in book. “Names. IDs.” “You need our IDs to take us prisoner?” I asked. The guard turned the page in his book and kept reading. With a sigh, I pulled out my New York State junior driver’s license. I suppose I shouldn’t have been surprised that I’d have to show it one last time, just to complete my humiliation. I slid it across the counter. Then I signed the logbook for both of us. Name(s): Lester (Apollo) and Meg. Here to see: Nero. Business: Surrender. Time in: 7:16 p.m. Time out: Probably never. Since Meg was a minor, I didn’t expect her to have an ID, but she removed her gold scimitar rings and placed them next to my license. I stifled the urge to shout, Are you insane? But Meg gave them up as if she’d done this a million times before. The guard took the rings and examined them without comment. He held up my license and compared it to my face. His eyes were the color of decade-old ice cubes. He seemed to decide that, tragically, I looked as bad in real life as I did in my license photo. He handed it back, along with Meg’s rings. “Elevator nine to your right,” he announced. I almost thanked him. Then I thought better of it.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
The French magazine Parents says that if a baby is scared of strangers, his mother should warn him that a visitor will be coming over soon. Then, when the doorbell rings, ‘Tell him that the guest is here. Take a few seconds before opening the door . . . if he doesn’t cry when he sees the stranger, don’t forget to congratulate him.’ I hear of several cases where, upon bringing a baby home from the maternity hospital, the parents give the baby a tour of the house.9 French parents often tell babies what they’re doing to them: I’m picking you up, I’m changing your nappy, I’m going to give you a bath. This isn’t just to make soothing sounds; it’s to convey information. And since the baby is a person like any other, parents are often quite polite about all this. (Plus it’s apparently never too early to start instilling good manners.)
Pamela Druckerman (French Children Don't Throw Food)
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding.
Erik Larson (The Devil in the White City)
He thanked me with a smiling nod, measured out a few minims of the red tincture and added one of the powders. The mixture, which was at first of a reddish hue, began, in proportion as the crystals melted, to brighten in colour, to effervesce audibly, and to throw off small fumes of vapour. Suddenly and at the same moment, the ebullition ceased and the compound changed to a dark purple, which faded again more slowly to a watery green. My visitor, who had watched these metamorphoses with a keen eye, smiled, set down the glass upon the table, and then turned and looked upon me with an air of scrutiny. "And now," said he, "to settle what remains. Will you be wise? will you be guided? will you suffer me to take this glass in my hand and to go forth from your house without further parley? or has the greed of curiosity too much command of you? Think before you answer, for it shall be done as you decide. As you decide, you shall be left as you were before, and neither richer nor wiser, unless the sense of service rendered to a man in mortal distress may be counted as a kind of riches of the soul. Or, if you shall so prefer to choose, a new province of knowledge and new avenues to fame and power shall be laid open to you, here, in this room, upon the instant; and your sight shall be blasted by a prodigy to stagger the unbelief of Satan.
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgement; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye.
Ralph Ellison (Invisible Man)
What can I be thinking of? Just imagine my not having presented myself to you even yet! But as a matter of fact I do not want to tell you my name out loud; it is a romantic one, utterly inappropriate to the typically modern environment in which we now stand. Ah, if we were only on the steep side of some mountain with the moon like a great lamp above us, or by the shore of some wild ocean, there would be some glamour in proclaiming my identity in the silence of the night, or in the midst of lightning and thunder as a hurricane swept the seas! But here in a third-floor suite of the Royal Palace Hotel, surrounded by telephones and electric lights, and standing by a window overlooking the Champs Elysees-> it would be positively anachronistic!" He took a card out of his pocket and drew near the little writing desk. "Allow me, Princess, to slip my card into this drawer, left open on purpose, it would seem," and while the princess uttered a little cry she could not repress, he did just that. "And now, Princess," he went on, compelling her to retreat before him as he moved to the door of the anteroom opening on to the corridor, "you are too well bred, I am sure, not to wish to conduct your visitor to the door of your suite." His tone altered abruptly, and in a deep imperious voice that made the princess quake he ordered her: "And now, not a word, not a cry, not a movement until I am outside, or I will kill you!
Marcel Allain (Fantômas (Fantômas, #1))
The Chukchee, a people indigenous to Siberia, had their own special way of dealing with unruly winds. A Chukchee man would chant, “Western Wind, look here! Look down on my buttocks. We are going to give you some fat. Cease blowing!” The nineteenth-century European visitor who reported this ritual described it as follows: “The man pronouncing the incantation lets his breeches fall down, and bucks leeward, exposing his bare buttocks to the wind. At every word he claps his hands.
Robert Wright (The Evolution of God)
Here and there a catcall followed her, but she was used to that. Barely one in a hundred University students was female, and while the ratio was somewhat redressed by visitors who didn’t actually attend the school, Old Street still felt like the eye of a raging storm of indiscriminate masculine humors. When she first came here, Raesinia had taken such things personally, but she’d since come to understand they were more of an automatic reaction, like dogs barking at one another when they meet in the park.
Django Wexler (The Shadow Throne (The Shadow Campaigns, #2))
Speak to me about power. What is it?” I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?” Her shapely head tilts. “No time except the present.” “Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.” Immaculée Constantin is unreadable. “How?” “By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?” Security Goblin’s sneeze booms through the chapel. “You scratch the surface,” says Immaculée Constantin. I feel lust and annoyance. “Scratch deeper, then.” She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
David Mitchell (The Bone Clocks)
He glanced down at her, keeping his expression carefully impassive. “I hate to leave you.” There was a gently mocking edge to his tone. “You need someone to follow you around and keep you safe from mishaps. On the other hand, you also need someone to find a beekeeper.” Realizing he was not going to talk about Leo, Amelia followed his lead. “Will you do that for us? I would consider it a great favor.” “Of course. Although…” His eyes held a wicked glitter. “As I mentioned before, I can’t keep doing favors for you with no reward. A man needs incentive.” “If … if you want money, I’ll be glad to—” “God, no.” Rohan was laughing now. “I don’t want money.” Reaching out, he smoothed back her hair, letting the heel of his hand graze the edge of her cheekbone. The brush of his skin was light and erotic, causing her to swallow hard. “Goodbye, Miss Hathaway. I’ll see myself out.” He flashed a smile at her and advised, “Stay away from the windows.” On the way down the stairs, Rohan passed Merripen, who was ascending at a measured pace. Merripen’s face darkened at the sight of the visitor. “What are you doing here?” “It seems I’m helping with pest eradication.” “Then you can begin by leaving,” Merripen growled. Rohan only grinned nonchalantly, and continued on his way.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
What is it?” Dragon asked. “There is a man, lord, just off a ship from Normandy. He’s in the tavern over there and he’s asking for the Lady Rycca.” “Is he? What manner of man?” “Tall, slender, actually he looks rather like her ladyship. He says she is his sister and he seeks word of her.” “Does Rycca have yet another brother?” Wolf asked. He was close to Dragon and had overheard the exchange. The news had him fingering the hilt of his sword. “Yes, she does, but I gather he’s an altogether different sort. Do you mind finishing up here?” “Not at all. Go ahead.” Scant minutes later, Dragon set a horn of ale in front of the visitor from Normandy. The young man looked up, startled. He was pale skinned, with eyes like honey and hair that held the promise of fire. Had Rycca been a man, she would have looked just like him. Happy, happy day that she was not. “What brings you to Hawkforte, friend?” Dragon asked as he took the seat opposite his new acquaintance. “I seek word of my sister, the Lady Rycca of Wolscroft. I have had troubling word of her in Normandy and wish to be assured of her safety.” Trouble involving Rycca? How astonishing. Dragon hid a grin and said, “You would be called—” “Thurlow. And you are—?” This time, Dragon’s smile would not be denied. “Ah, well, as to that, therein hangs a tale.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
...Crocker, it's about property values." "It's about being in place. We -" gesturing around the Visitor's Bar and its withdrawal into seemingly unbounded shadow, "we're in place. We've been in place forever. Look around. Real estate, water rights, oil, cheap labor - all of that's ours. And you, at the end of the day, what are you? one more unit in this swarm of transients who come and go without pause here in the sunny Southland, eager to be bought off with a car of a certain make, model, and year, a blonde in a bikini, thirty seconds on some excuse for a wave - a chili dog, for Christ's sake." He shrugged. "We will never run out of you people. The supply is inexhaustible.
Thomas Pynchon
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.
Hilary Duff (Elixir (Elixir, #1))
While the Austrian crown was dissolving like jelly in your fingers, everyone wanted Swiss francs and American dollars, and large numbers of foreigners exploited the economic situation to feed on the twitching corpse of the old Austrian currency. Austria was ‘discovered’, and became disastrously popular with foreign visitors in a parody of the society season. All the hotels in Vienna were crammed full with these vultures; they would buy anything, from toothbrushes to country estates; they cleared out private collections of antiquities and the antique dealers’ shops before the owners realised how badly they had been robbed and cheated in their time of need. Hotel receptionists from Switzerland and Dutch shorthand typists stayed in the princely apartments of the Ringstrasse hotels. Incredible as it may seem, I can vouch for it that for a long time the famous, de luxe Hotel de l’Europe in Salzburg was entirely booked by unemployed members of the English proletariat, who could live here more cheaply than in their slums at home, thanks to the generous unemployment benefit they received. Anything that was not nailed down disappeared. Word gradually spread of the cheap living and low prices in Austria. Greedy visitors came from further and further afield, from Sweden, from France, and you heard more Italian, French, Turkish and Romanian than German spoken in the streets of the city centre of Vienna.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on. It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in. As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on. You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked. You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt. Where do you go from here? You do not have a clue. Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.” You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too. You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear: “Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give. Fallen Warrior, I know it’s been a while since you smiled. Fallen Warrior, I see that you are hurting, and I feel your pain. Fallen Warrior, this is not the end. This is the start of your new beginning. Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you. Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name. Fallen Warrior, you are not the victim! You are the victor! You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero. As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate. I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
It was all so very businesslike that one watched it fascinated. It was porkmaking by machinery, porkmaking by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests—and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretense of apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. One could not stand and watch very long without becoming philosophical, without beginning to deal in symbols and similes, and to hear the hog squeal of the universe. Was it permitted to believe that there was nowhere upon the earth, or above the earth, a heaven for hogs, where they were requited for all this suffering? Each one of these hogs was a separate creature. Some were white hogs, some were black; some were brown, some were spotted; some were old, some young; some were long and lean, some were monstrous. And each of them had an individuality of his own, a will of his own, a hope and a heart’s desire; each was full of self-confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it—it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?
Upton Sinclair (The Jungle)
He approached the great glass barrier dividing the room, and the speaker at the end of the table. "Cyclops?" he whispered, stepping closer, clearing his tight throat, "Cyclops, it's me, Gordon." The glow in the pearly lens was subdued. But the row of little lights still flashed--a complex pattern that repeated over and over like an urgent message from a distant ship in some lost code--ever, hypnotically, the same. Gordon felt a frantic dread rise within him, as when, during his boyhood, he had encountered his grandfather lying perfectly still on the porch swing, and feared to find that the beloved old man had died. The pattern of lights repeated, over and over. Gordon wondered. How many people would recall, after the hell of the last seventeen years, that the parity displays of a great supercomputer never repeated themselves? Gordon remembered a cyberneticist friend telling him the patterns of light were like snowflakes, none ever the same as any other. "Cyclops," he said evenly, "Answer me! I demand you answer--in the name of decency! In the name of the United St--" He stopped. He couldn't bring himself to meet this lie with another. Here, the only living mind he would fool would be himself. The room was warmer than it had seemed during his interview. He looked for, and found, the little vents through which cool air could be directed at a visitor seated in the guest chair, giving an impression of great cold just beyond the glass wall. "Dry ice," he muttered, "to fool the citizens of Oz.
David Brin (The Postman)
The visitors were allowed to wander in the corridors until they came to a closed door. “What’s in here?” Davis asked. No one answered. “Could you please open it?” “We lost the key,” Petukhov mumbled. “I’ll see if I can find a copy.” While the visitors waited impatiently, Petukhov took his time finding a “new” key. He eventually opened the door, but the room was dark. “Can you turn the light on?” Davis asked in irritation. “Not possible,” Petukhov said. “The bulb is out.” Undeterred, Davis walked right past him and pulled out a flashlight. At that moment, the façade of international cooperation ended. Petukhov lunged for the flashlight. Davis shouted. The two men tussled back and forth until someone suggested that they take the dispute back to the conference room, where I was awaiting their return.
Ken Alibek (Biohazard: The Chilling True Story of the Largest Covert Biological Weapons Program in the World--Told from the Inside by the Man Who Ran It)
Here is a little boy,” said Bingo, indicating me to the strange lady, “who wets his bed every night. Do you know what I am going to do if you wet your bed again?” she added, turning to me. “I am going to get the Sixth Form to beat you.” The strange lady put on an air of being inexpressibly shocked, and exclaimed “I-should-think-so!” And here occurred one of those wild, almost lunatic misunderstandings which are part of the daily experience of childhood. The Sixth Form was a group of older boys who were selected as having “character” and were empowered to beat smaller boys. I had not yet learned of their existence, and I mis-heard the phrase “the Sixth Form” as “Mrs. Form.” I took it as referring to the strange lady—I thought, that is, that her name was Mrs. Form. It was an improbable name, but a child has 110 judgement in such matters. I imagined, therefore, that it was she who was to be deputed to beat me. It did Dot strike me as strange that this job should be turned over to a casual visitor in no way connected with the school. I merely assumed that “Mrs. Form” was a stern disciplinarian who enjoyed beating people (somehow her appearance seemed to bear this out) and I had an immediate terrifying vision of her arriving for the occasion in full riding kit and armed with a hunting whip. To this day I can feel myself almost swooning with shame as I stood, a very small, round-faced boy in short corduroy knickers, before the two women. I could not speak. I felt that I should die if “Mrs. Form” were to beat me. But my dominant feeling was not fear or even resentment: it was simply shame because one more person, and that a woman, had been told of my disgusting offence.
George Orwell (A Collection Of Essays (Harvest Book))
The leftist is always a statist. He has all sorts of grievances and animosities against personal initiative and private enterprise. The notion of the state doing everything (until, finally, it replaces all private existence) is the Great Leftist Dream. Thus it is a leftist tendency to have city or state schools—or to have a ministry of education controlling all aspects of education. For example, there is the famous story of the French Minister of Education who pulls out his watch and, glancing at its face, says to his visitor, “At this moment in 5,431 public elementary schools they are writing an essay on the joys of winter.” Church schools, parochial schools, private schools, or personal tutors are not at all in keeping with leftist sentiments. The reasons for this attitude are manifold. Here not only is the delight in statism involved, but the idea of uniformity and equality is also decisive; i.e., the notion that social differences in education should be eliminated and all pupils should be given a chance to acquire the same knowledge, the same type of information in the same fashion and to the same degree. This should help them to think in identical or at least in similar ways. It is only natural that this should be especially true of countries where “democratism” as an ism is being pushed. There efforts will be made to ignore the differences in IQs and in personal efforts. Sometimes marks and report cards will be eliminated and promotion from one grade to the next be made automatic. It is obvious that from a scholastic viewpoint this has disastrous results, but to a true ideologist this hardly matters. When informed that the facts did not tally with his ideas, Hegel once severely replied, “Um so schlimmer für die Tatsachen”—all the worse for the facts. Leftism does not like religion for a variety of causes. Its ideologies, its omnipotent, all-permeating state wants undivided allegiance. With religion at least one other allegiance (to God), if not also allegiance to a Church, is interposed. In dealing with organized religion, leftism knows of two widely divergent procedures. One is a form of separation of Church and State which eliminates religion from the marketplace and tries to atrophy it by not permitting it to exist anywhere outside the sacred precincts. The other is the transformation of the Church into a fully state-controlled establishment. Under these circumstances the Church is asphyxiated, not starved to death. The Nazis and the Soviets used the former method; Czechoslovakia still employs the latter.
Erik von Kuehnelt-Leddihn
I am an urchin, standing in the cold, elbowed aside by the glossy rich visitors in their fur coats and ostentatious jewellery, being fussed into the hotel by pompous-looking doormen. 'No problem. I'd better get home, actually Mr – Gustav. A drink is very tempting, but maybe not such a good idea after all.' I pat my pockets. 'And I'm skint.' 'Pavements not paved with gold yet, eh?' He moves on along the facade of the grand hotel to the corner, and waits. He's staring not back at me but down St James Street. I wage a little war with myself. He's a stranger, remember. The newspaper headlines, exaggerated by the time they reach the office of Jake's local rag: Country girl from the sticks raped and murdered in London by suave conman. Even Poppy would be wagging her metaphorical finger at me by now. Blaming herself for not being there, looking out for me. But we're out in public here. Lots of people around us. He's charming. He's incredibly attractive. He's got a lovely deep, well spoken voice. And he's an entrepreneur who must be bloody rich if he owns more than one house. What the hell else am I going to do with myself when everyone else is out having fun? One thing I won't tell him is that my pockets might be empty, but my bank account is full. 'One drink. Then I must get back.' He doesn't answer or protest, but with a courtly bow he crooks his elbow and escorts me down St James. We turn right and into the far more subtle splendour of Dukes Hotel. 'Dress code?' I ask nervously, wiping my feet obediently on the huge but welcoming doormat and drifting ahead of him into the smart interior where domed and glassed corridors lead here and there. The foyer smells of mulled wine and candles and entices you to succumb to its perfumed embrace.
Primula Bond
For about 48 weeks of the year an asparagus plant is unrecognizable to anyone except an asparagus grower. Plenty of summer visitors to our garden have stood in the middle of the bed and asked, 'What is this stuff? It's beautiful!' We tell them its the asparagus patch, and they reply, 'No this, these feathery little trees.' An asparagus spear only looks like its picture for one day of its life, usually in April, give or take a month as you travel from the Mason-Dixon Line. The shoot emerges from the ground like a snub nose green snake headed for sunshine, rising so rapidly you can just about see it grow. If it doesn't get it's neck cut off at ground level as it emerges, it will keep growing. Each triangular scale on the spear rolls out into a branch until the snake becomes a four foot tree with delicate needles. Contrary to lore, fat spears are no more tender or mature than thin ones. Each shoot begins life with its own particular girth. In the hours after emergence, it lengthens but does not appreciably fatten. To step into another raging asparagus controversy, white spears are botanically no different from their green colleagues. White shoots have been deprived of sunlight by a heavy mulch pulled up over the plant's crown. European growers go to this trouble for consumers who prefer the stalks before they've had their first blush of photosynthesis. Most Americans prefer the more developed taste of green. Uncharacteristically, we're opting for the better nutritional deal here also. The same plant could produce white or green spears in alternate years, depending on how it is treated. If the spears are allowed to proceed beyond their first exploratory six inches, they'll green out and grow tall and feathery like the house plant known as asparagus fern, which is the next of kin. Older, healthier asparagus plants produce chunkier, more multiple shoots. Underneath lies an octopus-shaped affair of chubby roots called a crown that stores enough starch through the winter to arrange the phallic send-up when winter starts to break. The effect is rather sexy, if you're the type to see things that way. Europeans of the Renaissance swore by it as an aphrodisiac and the church banned it from nunneries.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
They sat islanded in their foreignness, irrelevant now that the holiday season had ended, anachronistic, outstaying their welcome, no longer necessary to anyone's plans. Priorities had shifted; the little town was settling down for its long uninterrupted hibernation. No one came here in the winter. The weather was too bleak, the snow too distant, the amenities too sparse to tempt visitors. And they felt that the backs of the residents had been turned on them with a sigh of relief, reminding them of their transitory nature, their fundamental unreality. And when Monica at last succeeded in ordering coffee, they still sat, glumly, for another ten minutes, before the busy waitress remembered their order. 'Homesick,' said Edith finally. 'Yes.' But she thought of her little house as if it had existed in another life, another dimension. She thought of it as something to which she might never return. The seasons had changed since she last saw it; she was no longer the person who could sit up in bed in the early morning and let the sun warm her shoulders and the light make her impatient for the day to begin. That sun, that light had faded, and she had faded with them. Now she was as grey as the season itself. She bent her head over her coffee, trying to believe that it was the steam rising from the cup that was making her eyes prick. This cannot go on, she thought.
Anita Brookner (Hotel du Lac)
In those days there were two dark elves who lived in a fortress by the sea. They did magic there, and feats of alchemy. Like all dwarfs, they built things, wonderful, remarkable things, in their workshop and their forge. But there were things they had not yet made, and making those things obsessed them. They were brothers, and were called Fjalar and Galar. When they heard that Kvasir was visiting a town nearby, they set out to meet him. Fjalar and Galar found Kvasir in the great hall, answering questions for the townsfolk, amazing all who listened. He told the people how to purify water and how to make cloth from nettles. He told one woman exactly who had stolen her knife, and why. Once he was done talking and the townsfolk had fed him, the dwarfs approached. “We have a question to ask you that you have never been asked before,” they said. “But it must be asked in private. Will you come with us?” “I will come,” said Kvasir. They walked to the fortress. The seagulls screamed, and the brooding gray clouds were the same shade as the gray of the waves. The dwarfs led Kvasir to their workshop, deep within the walls of their fortress. “What are those?” asked Kvasir. “They are vats. They are called Son and Bodn.” “I see. And what is that over there?” “How can you be so wise when you do not know these things? It is a kettle. We call it Odrerir—ecstasy-giver.” “And I see over here you have buckets of honey you have gathered. It is uncapped, and liquid.” “Indeed we do,” said Fjalar. Galar looked scornful. “If you were as wise as they say you are, you would know what our question to you would be before we asked it. And you would know what these things are for.” Kvasir nodded in a resigned way. “It seems to me,” he said, “that if you were both intelligent and evil, you might have decided to kill your visitor and let his blood flow into the vats Son and Bodn. And then you would heat his blood gently in your kettle, Odrerir. And after that you would blend uncapped honey into the mixture and let it ferment until it became mead—the finest mead, a drink that will intoxicate anyone who drinks it but also give anyone who tastes it the gift of poetry and the gift of scholarship.” “We are intelligent,” admitted Galar. “And perhaps there are those who might think us evil.” And with that he slashed Kvasir’s throat, and they hung Kvasir by his feet above the vats until the last drop of his blood was drained. They warmed the blood and the honey in the kettle called Odrerir, and did other things to it of their own devising. They put berries into it, and stirred it with a stick. It bubbled, and then it ceased bubbling, and both of them sipped it and laughed, and each of the brothers found the verse and the poetry inside himself that he had never let out.
Neil Gaiman (Norse Mythology)
The Mysterious Visitor Spirit, lovely guest, who are you? Whence have you flown down to us? Taciturn and without a sound Why have you abandoned us? Where are you? Where is your dwelling? What are you, where did you go? Why did you appear, Heavenly, upon the Earth? Mayhap you are youthful Hope, Who arrives from time to time Cloaked in magic From a land unknown? Merciless as Hope, Sweetest joy you show us For a moment, then Take it back and fly away. Was it Love that you enacted For us all in mystery? . . . Days of love, when one beloved Rendered this world beautiful Ah! then, sighted through the veil Earth did seem unearthly... Now the veil has lifted; Love is gone; Life is empty, joy - a dream. Was it Thought, enchanting You embodied for us here? Far removed from every worry, With a dreamy finger pointing To her lips, she sallies forth Just like you, from time to time, Ushers us without a sound Back to bygone days. Or within you dwells the sacred spirit Of Dame Poetry? . . . Just like you, she came from Heaven Veiling us twofold: Using azure for the skies, And clear white for earth; What lies near is lovely through her; All that's distant - known. Or perhaps 'twas premonition That descended in your guise And to us with clarity described All that's sacred and divine? Thus it often happens in this life: Something brilliant flies to meet us, Raises up the veil And then beckons us beyond.
Vasily Zhukovsky
At a time when moguls vied to impress people with their possessions, Rockefeller preferred comfort to refinement. His house was bare of hunting trophies, shelves of richly bound but unread books, or other signs of conspicuous consumption. Rockefeller molded his house for his own use, not to awe strangers. As he wrote of the Forest Hill fireplaces in 1877: “I have seen a good many fireplaces here [and] don’t think the character of our rooms will warrant going into the expenditures for fancy tiling and all that sort of thing that we find in some of the extravagant houses here. What we want is a sensible, plain arrangement in keeping with our rooms.”3 It took time for the family to adjust to Forest Hill. The house had been built as a hotel, and it showed: It had an office to the left of the front door, a dining room with small tables straight ahead, upstairs corridors lined with cubicle-sized rooms, and porches wrapped around each floor. The verandas, also decorated in resort style, were cluttered with bamboo furniture. It was perhaps this arrangement that tempted John and Cettie to run Forest Hill as a paying club for friends, and they got a dozen to come and stay during the summer of 1877. This venture proved no less of a debacle than the proposed sanatorium. As “club guests,” many visitors expected Cettie to function as their unlikely hostess. Some didn’t know they were in a commercial establishment and were shocked upon returning home to receive bills for their stay.
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
Alan Lightman (Einstein's Dreams)
On a sloping promontory on its wooded north shore was a modestly sized building called the National Capital Exhibition, and I called there first, more in the hope of drying off a little than from any expectation of extending my education significantly. It was quite busy. In the front entrance, two friendly women were seated at a table handing out free visitors' packs - big, bright yellow plastic bags - and these were accepted with expressions of gratitude and rapture by everyone who passed. "Care for a visitors' pack, sir?" called one of the women to me. "Oh, yes, please," I said, more thrilled than I wish to admit. The visitors' pack was a weighty offering, but on inspection it proved to contain nothing but a mass of brochures - the complete works, it appeared, of the visitors' center I had visited the day before. The bag was so heavy that it stretched the handles until it was touching the floor. I dragged it around for a while and then thought to abandon it behind a potted plant. A here's the thing. There wasn't room behind the potted plant for another yellow bag! There must have been ninety of them there. I looked around and noticed that almost no one in the room still had a plastic bag. I leaned mine up against the wall beside the plant and as I straightened up I saw that a man was advancing toward me. "Is this where the bags go?" he asked gravely. "Yes, it is." I replied with equal gravity. In my momentary capacity as director of internal operations I watched him lean the bag carefully against the wall. Then we stood for a moment together and regarded it judiciously, pleased to have contributed to the important work of moving hundreds of yellow bags from the foyer to a mustering station in the next room. As we stood, two more people came along, "Put them just there," we suggested, almost in unison, and indicated where we were sandbagging the wall. Then we exchanged satisfied nods and moved off into the museum.
Bill Bryson
In truth, “Arab” terrorism in the Holy Land originated centuries before the recent tool of “the Palestinian cause was invented.” In towns where Jews lived for hundreds of years, those Jews were periodically robbed, raped, in some places massacred, and in many instances, the survivors were obliged to abandon their possessions and run. As we have seen, beginning with the Prophet Mohammad’s edict demanding racial purity—that “Two religions may not dwell together . . .”—the Arab-Muslim world codified its supremacist credo, and later that belief was interpreted liberally enough to allow many non-Muslim dhimmis, or infidels, to remain alive between onslaughts in the Muslim world as a means of revenue. The infidel’s head tax, in addition to other extortions—and the availability of the “non-believers” to act as helpless scapegoats for the oft-dissatisfied masses—became a highly useful mainstay to the Arab-Muslim rulers. Thus the pronouncement of the Prophet Mohammad was altered in practice to: two religions may not dwell together equally. That was the pragmatic interpretation.181 In the early seventeenth century, a pair of Christian visitors to Safed [Galilee] told of life for the Jews: “Life here is the poorest and most miserable that one can imagine.” Because of the harshness of Turkish rule and its crippling dhimmi oppression, the Jews “pay for the very air they breath”.182 Reports like these could be multiplied. The audacity of Haj Amin al-Husseini’s claim that the “Jews always did live previously in Arab countries with complete freedom and liberty, as natives of the country” and that, “in fact, Muslim rule has always been tolerant . . . according to history Jews had a most quiet and peaceful residence under Arab rule,” is shown to be a cynical lie. This simply shows that Haj al-Husseini learned a lot from his visit to Nazis Germany. Adolf Hitler, whom he greatly admired, developed the propaganda tactic of “the Big Lie.
Hal Lindsey (The Everlasting Hatred: The Roots of Jihad)
A veritable pacifist when it comes to social guilds or luncheon clubs, I turn into something of a militant on the subject of the only true and living Church on the face of the earth. . . . Setting aside for a time the heavenly host we hope one day to enjoy, I still choose the church of Jesus Christ to fill my need to be needed--here and now, as well as there and then. When public problems or private heartaches come--as surely they do come--I will be most fortunate if in that hour I find myself in the company of Latter-day Saints. . . . When asked "What can I know?" a Latter-day Saint answers, "All that God knows." When asked "What ought I to do?" his disciples answer, "Follow the Master." When asked "What may I hope?" an entire dispensation declares, "Peace in this world, and eternal life in the world to come" (D&C 59:23), indeed ultimately for "all that [the] Father hath" (D&C 84:38). Depressions and identity crises have a hard time holding up under that response. . . . We cannot but wonder what frenzy the world would experience if a chapter of the Book of Mormon or a section of the Doctrine and Covenants or a conference address by President Spencer W. Kimball were to be discovered by some playful shepherd boy in an earthen jar near the Dead Sea caves of Qumran. The beneficiaries would probably build a special shrine in Jerusalem to house it, being very careful to regulate temperatures and restrict visitors. They would undoubtedly protect against earthquakes and war. Surely the edifice would be as beautiful as the contents would be valuable; its cost would be enormous, but its worth would be incalculable. Yet for the most part we have difficulty giving away copies of sacred scripture much more startling in their origin. Worse yet, some of us, knowing of the scriptures, have not even tried to share them, as if an angel were an every-day visitor and a prophet just another man in the street. We forget that our fathers lived for many centuries without priesthood power or prophetic leadership, and "dark ages" they were indeed.
Jeffrey R. Holland
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Are you Hilary Westfield?” She sounded like she hoped it wasn’t the case. Hilary nodded. “Oh. Well, I’m Philomena. I have to show you to your room.” Hilary looked wildly at Miss Greyson. “I’m Miss Westfield’s governess,” Miss Greyson said, to Hilary’s relief. Maybe talking politely to people like Philomena was something you learned at Miss Pimm’s, or maybe getting past Philomena was a sort of entrance exam. “Is there any chance we could see Miss Pimm? We’re old acquaintances. I used to go to school here, you see.” Miss Greyson smiled for the second time that day—the world was getting stranger and stranger by the minute—but Philomena didn’t smile back. “I’m terribly sorry,” said Philomena, “but Miss Pimm doesn’t receive visitors. You can leave Miss Westfield with me, and the porter will collect Miss Westfield’s bags.” She raised her eyebrows as the carriage driver deposited the golden traveling trunk on the doorstep. “I hope you have another pair of stockings in there.” “I do.” Hilary met Philomena’s stare. “I have nineteen pairs, in fact. And a sword.” Miss Greyson groaned and put her hand to her forehead. “Excuse me?” said Philomena. “I’m afraid Miss Westfield is prone to fits of imagination,” Miss Greyson said quickly. Philomena’s eyebrows retreated. “I understand completely,” she said. “Well, you have nothing to worry about. Miss Pimm’s will cure her of that nasty habit soon enough. Now, Miss Westfield, please come along with me.” Hilary and Miss Greyson started to follow Philomena inside. “Only students and instructors are permitted inside the school building,” said Philomena to Miss Greyson. “With all the thefts breaking out in the kingdom these days, one really can’t be too careful. But you’re perfectly welcome to say your good-byes outside.” Miss Greyson agreed and knelt down in front of Hilary. “A sword?” she whispered. “I’m sorry, Miss Greyson.” “All I ask is that you take care not to carve up your classmates. If I were not a governess, however, I might mention that the lovely Philomena is in need of a haircut.” Hilary nearly laughed, but she suspected it might be against the rules to laugh on the grounds of Miss Pimm’s, so she gave Miss Greyson her most solemn nod instead. “Now,” said Miss Greyson, “you must promise to write. You must keep up with the news of the day and tell me all about it in your letters. And you’ll come and visit me in my bookshop at the end of the term, won’t you?” “Of course.” Hilary’s stomach was starting to feel very strange, and she didn’t trust herself to say more than a few words at a time. This couldn’t be right; pirates were hardly ever sentimental. Then again, neither was Miss Greyson. Yet here she was, leaning forward to hug Hilary, and Hilary found herself hugging Miss Greyson back. “Please don’t tell me to be a good little girl,” she said. Miss Greyson sniffed and stood up. “My dear,” she said, “I would never dream of it.” She gave Hilary’s canvas bag an affectionate pat, nodded politely to Philomena, and walked down the steps and through the gate, back to the waiting carriage. “Come along,” said Philomena, picking up the lightest of Hilary’s bags. “And please don’t dawdle. I have lessons to finish.” HILARY FOLLOWED PHILOMENA through a maze of dark stone walls and high archways. From the inside, the building seemed more like a fortress
Caroline Carlson (Magic Marks the Spot (The Very Nearly Honorable League of Pirates, #1))