Bus Conductor Quotes

At times a person will make eye contact with Marianne, a bus conductor or someone looking for change, and she’ll be shocked briefly into the realisation that this is in fact her life, that she is actually visible to other people. This feeling opens her to certain longings: hunger and thirst, a desire to speak Swedish, a physical desire to swim or dance.

Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.

But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin.

Experience has taught me," said Peter (...) "that no situation finds Bunter unprepared. That he should have procured The Times this morning by the simple expedient of asking the milkman to request the postmistress to telephone to Broxford and have it handed to the 'bus-conductor to be dropped at the post-office and brought up by the little girl who delivers the telegrams is a trifling example of his resourceful energy.

When he caught his breath, he said, “My whole life, I have been treated like a donkey. All I want is that one son of mine—at least one—should live like a man.” What it meant to live like a man was a mystery. I thought it meant being like Vijay, the bus conductor. The

Welcome to the Knight Bus, emergency transport for the stranded witch or wizard. Just stick out your wand hand, step on board, and we can take you anywhere you want to go. My name is Stan Shunpike, and I will be your conductor this eve —

Should a black woman carrying her "madam's" white baby travel in the "whites only" or the "nonwhites" section of the train? Or would a Japanese visitor who used a "whites only" public toilet be breaking the law? Or what was a bus conductor to do when he ordered a brown-skinned passanger to get off a whites-only bus and the passanger refused, insisting that he was a white man with a deep suntan?

As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.

Smiley himself was one of those solitaires who seem to have come into the world fully educated at the age of eighteen. Obscurity was his nature, as well as his profession. The byways of espionage are not populated by the brash and colourful adventurers of fiction. A man who, like Smiley, has lived and worked for years among his country's enemies learns only one prayer: that he may never, never be noticed. Assimilation is his highest aim, he learns to love the crowds who pass him in the street without a glance; he clings to them for his anonimity and his safety. His fear makes him servile - he could embrace the shoppers who jostle him in their impatience, and force him from the pavement. He could adore the officials, the police, the bus conductors, for the terse indifference of their attitudes. (ch. 9)

People have seemed to her like coloured paper shapes, not real at all. At times a person will make eye contact with Marianne, a bus conductor or someone looking for change, and she’ll be shocked briefly into the realisation that this is in fact her life, that she is actually visible to other people. This feeling opens her to certain longings [...] But these fade away again quickly.

A snake charmer was travelling in a bus. He asked for 21 tickets from bus conductor. On being asked “why”, he replied, “Whenever I open my basket and bring out the snake, 20 people also come out to see it. So I have 20 people in my basket.” That should be the mindset of a meditator. Enjoy this world as long as you want but when you want to meditate, you should be able to realize that all the people and things around you are all in your head. You should be able to wrap it all up and put it back in the basket.

Listening Without Thought I do not know whether you have listened to a bird. To listen to something demands that your mind be quiet—not a mystical quietness, but just quietness. I am telling you something, and to listen to me you have to be quiet, not have all kinds of ideas buzzing in your mind. When you look at a flower, you look at it, not naming it, not classifying it, not saying that it belongs to a certain species—when you do these, you cease to look at it. Therefore, I am saying that it is one of the most difficult things to listen—to listen to the communist, to the socialist, to the congressman, to the capitalist, to anybody, to your wife, to your children, to your neighbor, to the bus conductor, to the bird—just to listen. It is only when you listen without the idea, without thought, that you are directly in contact; and being in contact, you will understand whether what he is saying is true or false; you do not have to discuss. JANUARY 4

Reporters of each channel smudging into each other to get that exclusive sound byte. It looked like BEST bus passengers circling the conductor to buy tickets.

It’s no more normal to be a bank-manager or a bus-conductor, than to be Baudelaire or Genghis Khan,’ Moreland had once remarked. ‘It just happens there are more of the former types.

A few moments later the bus pulled up. It was an old-fashioned red double-decker bus that you could jump on at the back. I went to sit on the bench at the back of the bus and was placing my guitar case in the storage space near where the conductor was standing when, behind me, I saw a sudden flash of ginger fur. Before I knew it, Bob had jumped up and plonked himself on the seat next to where I was sitting.

We humans like to make out we’re in charge of things even when we’re not. A good example is an orchestra conductor. Would the orchestra really not know what to do without the fella waving that stick about? It wouldn’t be so bad if he played the maracas or tambourine whilst he waved the stick but he does nothing. If he got hit by a bus on the way to the gig, would it all have to be cancelled because he wasn’t there? There’s a band called Polyphonic Spree that has over twenty members and they ain’t got a conductor. He’s as unnecessary as the bloke who wears white gloves on the national lottery programme.

During my stay in London I resided for a considerable time in Clapham Road in the neighbourhood of Clapham Common... One fine summer evening I was returning by the last bus 'outside' as usual, through the deserted streets of the city, which are at other times so full of life. I fell into a reverie (Träumerei), and 10, the atoms were gambolling before my eyes! Whenever, hitherto, these diminutive beings had appeared to me, they had always been in motion: but up to that time I had never been able to discern the nature of their motion. Now, however, I saw how, frequently, two smaller atoms united to form a pair: how the larger one embraced the two smaller ones: how still larger ones kept hold of three or even four of the smaller: whilst the whole kept whirling in a giddy dance. I saw how the larger ones formed a chain, dragging the smaller ones after them but only at the ends of the chain. I saw what our past master, Kopp, my highly honoured teacher and friend has depicted with such charm in his Molekular-Welt: but I saw it long before him. The cry of the conductor 'Clapham Road', awakened me from my dreaming: but I spent part of the night in putting on paper at least sketches of these dream forms. This was the origin of the 'Structural Theory'.

Smiley himself was one of those solitaries who seem to have come into the world fully educated at the age of eighteen. Obscurity was his nature, as well as his profession. The byways of espionage are not populated by the brash and colourful adventurers of fiction. A man who, like Smiley, has lived and worked for years among his country’s enemies learns only one prayer: that he may never, never be noticed. Assimilation is his highest aim, he learns to love the crowds who pass him in the street without a glance; he clings to them for his anonymity and his safety. His fear makes him servile—he could embrace the shoppers who jostle him in their impatience, and force him from the pavement. He could adore the officials, the police, the bus conductors, for the terse indifference of their attitudes. But this fear, this servility, this dependence, had developed in Smiley a perception for the colour of human beings: a swift, feminine sensitivity to their characters and motives. He knew mankind as a huntsman knows his cover, as a fox the wood. For a spy must hunt while he is hunted, and the crowd is his estate. He could collect their gestures and their words, record the interplay of glance and movement, as a huntsman can record the twisted bracken and the broken twig, or as a fox detects the signs of danger.

Voldemort caught up with you?” said Lupin sharply. “What happened? How did you escape?” Harry explained briefly how the Death Eaters pursuing them had seemed to recognize him as the true Harry, how they had abandoned the chase, how they must have summoned Voldemort, who had appeared just before he and Hagrid had reached the sanctuary of Tonks’s parents. “They recognized you? But how? What had you done?” “I . . .” Harry tried to remember; the whole journey seemed like a blur of panic and confusion. “I saw Stan Shunpike . . . . You know, the bloke who was the conductor on the Knight Bus? And I tried to Disarm him instead of—well, he doesn’t know what he’s doing, does he? He must be Imperiused!” Lupin looked aghast. “Harry, the time for Disarming is past! These people are trying to capture and kill you! At least Stun if you aren’t prepared to kill!” “We were hundreds of feet up! Stan’s not himself, and if I Stunned him and he’d fallen, he’d have died the same as if I’d used Avada Kedavra! Expelliarmus saved me from Voldemort two years ago,” Harry added defiantly. Lupin was reminding him of the sneering Hufflepuff Zacharius Smith, who had jeered at Harry for wanting to teach Dumbledore’s Army how to Disarm. “Yes, Harry,” said Lupin with painful restraint, “and a great number of Death Eaters witnessed that happening! Forgive me, but it was a very unusual move then, under imminent threat of death. Repeating it tonight in front of Death Eaters who either witnessed or heard about the first occasion was close to suicidal!” “So you think I should have killed Stan Shunpike?” said Harry angrily. “Of course not,” said Lupin, “but the Death Eaters—frankly, most people!—would have expected you to attack back! Expelliarmus is a useful spell, Harry, but the Death Eaters seem to think it is your signature move, and I urge you not to let it become so!” Lupin was making Harry feel idiotic, and yet there was still a grain of defiance inside him. “I won’t blast people out of my way just because they’re there,” said Harry. “That’s Voldemort’s job.

For the longest time, the crucial importance to health of just moving around was hardly appreciated. But in the late 1940s a doctor at Britain’s Medical Research Council, Jeremy Morris, became convinced that the increasing occurrence of heart attacks and coronary disease was related to levels of activity, and not just to age or chronic stress, as was almost universally thought at the time. Because Britain was still recovering from the war, research funding was tight, so Morris had to think of a low-cost way to conduct an effective large-scale study. While traveling to work one day, it occurred to him that every double-decker bus in London was a perfect laboratory for his purposes because each had a driver who spent his entire working life sitting and a conductor who was on his feet constantly. In addition to moving about laterally, conductors climbed an average of six hundred steps per shift. Morris could hardly have invented two more ideal groups to compare. He followed thirty-five thousand drivers and conductors for two years and found that after he adjusted for all other variables, the drivers—no matter how healthy—were twice as likely to have a heart attack as the conductors. It was the first time that anyone had demonstrated a direct and measurable link between exercise and health.

I want to introduce you to Jay, a 'bus-conductor and an idealist. She is not the heroine, but the most constantly apparent woman in this book. I cannot introduce you to a heroine because I have never met one.

The gentleness of the English civilisation is perhaps its most marked characteristic. You notice it the moment you set foot on English soil. It is a land where bus conductors are good-tempered and policemen carry no revolvers. In no country inhabited by white men is it easier to shove people off the pavement.

Soon my body will perish but my work will continue to create doctors with character and accountability - teachers with character and accountability - politicians with character and accountability - civil servants with character and accountability - scientists with character and accountability - preachers with character and accountability - janitors, bus conductors, waitresses and construction workers with character and accountability - in short, my body will perish but my work will continue to create human beings of character and accountability.

In the last 120 years, coronary artery disease has exploded more than two-and-a-half-fold to become a leading cause of death worldwide.38 Since Jeremy Morris’s pioneering study on London bus conductors first pointed the way, it has become indisputable that coronary artery disease is a largely preventable mismatch caused by a combination of formerly rare risk factors: high cholesterol, high blood pressure, and chronic inflammation.39 These harbingers of disease, in turn, are affected by genes but are mostly caused by the same interrelated behavioral risk factors we keep encountering: smoking, obesity, bad diets, stress, and physical inactivity.

He was convinced that if the attack on Omando had caused such interest in the world it was not so much because of the victim’s importance, but because fear, resentment and repeated disillusion in the age of slavery and radiation death had in the end branded the hearts of millions of human beings with an edge of misanthropy, which made them follow with sympathy, and perhaps some feeling of personal re- venge, the story of '‘the man who had changed species.” He turned toward Laurent with sympathy. It was difficult not to like that generous, slightly sing-song voice, not to like that black giant who spoke so frankly about himself when he thought he was speaking only of the African fauna. inclined to a gentle skepticism which usually sufficed to protect him both against excessive illusions about human nature and against excessive doubt of it a sort of Saint Francis of Assisi, only more energetic, more dashing, more muscular he had the greatest respect for humor, because it was one of the best weapons ever forged by man for the struggle against himself. devoured by some ravenous dream of hygiene and universal health who desperately pursue a certain ideal of human decency, call it tolerance, justice or liberty The idea, too, that people who have suffered too much aren’t any longer capable of ... of complicity with you, for that’s what it amounts to. That they aren’t any longer capable of playing ball with us. The idea that they’ve somehow been spoiled once for all. It was partly on account of this idea that the German theorists of racialism preached the extermination of the Jews; they had been made to suffer too much, and therefore they could not be anything after that but enemies of the human race. A man can’t spend his life in Africa without acquiring something pretty close to a great affection for the elephants. Those great herds are, after all, the last symbol of liberty left among us. It s something that’s fast disappearing, from more points of view than one. Every time you come upon them in the open, moving their trunks and their great ears, an irresistible smile rises to your lips. I defy anyone to look upon elephants without a sense of wonder. Their very enormity, their, clumsiness, their giant stature, represent a mass of liberty that sets you dreaming. They’re . . . yes, they’re the last individuals. a trace of superiority, of condescension toward me, as though to point out to me that this was obviously something I could not understand, a private and secret world which I was not permitted to enter. Yes, there are some among us who are fighting for the independence of Africa. But why? To protect the elephants. To take the protection of African fauna into their own hands. Perhaps for them elephants are only an image of their own liberty. That suits me: liberty always suits me. Personally, I have no patience with nationalism: the new or the old, the white or the black, the red or the yellow. They aim between the eyes, just because it’s big, free and beautiful. That’s what they call a fine shot. A trophy. people have been seized by such a need for friendship and company that the dogs can’t manage it. We’ve been asking too much of them. The job has broken them down— they’ve had it. Just think how long they’ve been doing their damnedest for us, wagging their tails and holding out their paws— they’ve had enough . . .’ It’s natural: they’ve seen too much. And the people feel lonely and deserted, and they need something bigger that can really take the strain. Dogs aren’t enough any more; men need elephants. ‘Look here, my friend, for three years I was a bus conductor in Paris. I recommend it during rush hours; it gave me what you might call a knowledge of human nature— a good, solid knowledge which prompted me to change sides and go over to the elephants. there was around him an air of authenticity impossible to disregard: the authenticity of sheer physical nobility

The philosopher Ernst Mach once got on a bus, and saw a scruffy unkempt bookish-looking person at the far end. He thought to himself (1) That man is a shabby pedagogue. In fact, Mach was seeing himself in a large mirror at the far end of the bus, of the sort conductors used to help keep track of things. He eventually realized this, and thought to himself: (2) I am that man. (3) I am a shabby pedagogue.

for a while I was a bus conductor and one day my Dad got on my bus and sat on the long seat next to my cubby hole he was proud to see me in a uniform and a job and in a loud voice he said to everyone do you remember the bus conductor's outfit you had when you were a boy John? and I said no Dad but I remember how you used to enjoy beating me - On the bus

It's no more normal to be a bank-manager or a bus-conductor, than to be Baudelaire or Genghis Khan,’ Moreland had once remarked. ‘It just happens there are more of the former types.

I used to hear an awful lot of vague talk about the temptations of a poor girl’s life in London. Where do they come in? Nobody ever tempts me. The only temptations I have are to steal some of my worthy employeress’s terribly expensive bath salts when I’m allowed to enter her bathroom to wash my hands, and – there must be something else – yes, not to give the bus conductor my penny when he doesn’t ask for it. What chance have I then to be really virtuous or to be wicked either?

But it was his speaking voice that would be famous, first on The Children’s Hour, later as announcer on the Metropolitan Opera Broadcasts. The show was heavily musical, following Cross’s deep interest in classical music and opera. There might be an opening hymn, sung by Audrey Egan; then a poem; then a song from one of the youngest children. “And who is standing here with her ticket ready to pay for a ride on the White Rabbit Bus?” Cross would ask; and a small voice would chirp, “It’s Jeannie Elkins, Mr. Conductor.” Then came another song, and the members of the Peter Pig Club would clamor for a story, which Cross would narrate and the cast act out. Among the notables to emerge from the show were Metropolitan Opera star Rise Stevens and screen actress Ann Blyth. Vivian Smolen, Jackie Kelk, Walter Tetley, and the Halops had distinguished radio careers as adults.

Look here, my friend, for three years I was a bus conductor in Paris. I recommend it during rush hours; it gave me what you might call a knowledge of human nature — a good, solid knowledge which prompted me to change sides and go over to the elephants. I hope that’ll do for you, as an explanation.