β
One person's craziness is another person's reality.
β
β
Tim Burton
β
For me, literacy means freedom. For the individual and for society.
β
β
LeVar Burton
β
Little islands are all large prisons; one cannot look at the sea without wishing for the wings of a swallow.
β
β
Richard Francis Burton
β
Everything in this room is edible. Even I'm edible. But, that would be called canibalism. It is looked down upon in most societies.
β
β
Tim Burton (Charlie and the Chocolate Factory (Charlie Bucket, #1))
β
Stick Boy liked Match Girl,
He liked her a lot.
He liked her cute figure,
he thought she was hot.
But could a flame ever burn
for a match and a stick?
It did quite literally;
he burned up quick.
β
β
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
β
Day followed day, each one a little different from the one before...but the little house stayed just the same.
β
β
Virginia Lee Burton (The Little House)
β
We all know interspecies romance is weird.
β
β
Tim Burton
β
Visions are worth fighting for. Why spend your life making someone else's dreams?
β
β
Tim Burton
β
Good morning starshine the earth says hello....
β
β
Tim Burton (Charlie and the Chocolate Factory (Charlie Bucket, #1))
β
But she knows she has a curse on her,
a curse she cannot win.
For if someone gets too close to her,
the pins stick further in.
β
β
Tim Burton
β
Mad Matter: "Have I gone mad?"
Alice: "I'm afraid so. You're entirely bonkers. But I'll tell you a secret. All the best people are.
β
β
Tim Burton (Alice in Wonderland: Based on the Motion Picture Directed by Tim Burton)
β
Every woman is the architect of her own fortune.
β
β
Jessie Burton (The Miniaturist (The Miniaturist, #1))
β
You're entirely bonkers. But I'll tell you a secret. All the best people are.
β
β
Tim Burton (Alice in Wonderland: Based on the Motion Picture Directed by Tim Burton)
β
I am the shadow on the moon at night/Filling your dreams to the brim with fright.
β
β
Tim Burton
β
Movies are like an expensive form of therapy for me.
β
β
Tim Burton
β
The more I study religions the more I am convinced that man never worshiped anything but himself.
β
β
Richard Francis Burton (The Book of a Thousand Nights and One Night: 17 Volumes, Complete)
β
Son, are you happy?
I don't mean to pry,
but do you dream of Heaven?
Have you ever wanted to die?
β
β
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
β
When you donβt have many friends and you donβt have a social life youβre kind of left looking at things, not doing things. Thereβs a weird freedom in not having people treat you like youβre part of society or where you have to fulfill social relationships.
β
β
Tim Burton
β
[T]hou canst not think worse of me than I do of myself.
β
β
Robert Burton (The Anatomy of Melancholy)
β
In suffering we find our truest selves.
β
β
Jessie Burton (The Miniaturist (The Miniaturist, #1))
β
How long is forever?
Sometimes just one second
β
β
Lewis Carroll (Alice's Adventures in Wonderland)
β
I am not a dark person and I don't consider myself dark.
β
β
Tim Burton
β
I've always been misrepresented. You know, I could dress in a clown costume and laugh with the happy people but they'd still say I'm a dark personality.
β
β
Tim Burton
β
For some of us, Halloween is everyday.
β
β
Tim Burton (Tim Burton)
β
Certain things leave you in your life and certain things stay with you. And that's why we're all interested in movies- those ones that make you feel, you still think about. Because it gave you such an emotional response, it's actually part of your emotional make-up, in a way.
β
β
Tim Burton (Burton on Burton)
β
People told me I couldn't kill Nicholson, so I cast him in two roles and killed him off twice.
β
β
Tim Burton
β
I was never interested in what everybody else was interested in. I was very interiorized. I always felt kind of sad.
β
β
Tim Burton
β
My name is Jimmy,
but my friends just call me
the hideous penguin boy.
β
β
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
β
Voodoo Girl
Her skin is white cloth,
and she's all sewn apart
and she has many colored pins
sticking out of her heart.
She has many different zombies
who are deeply in her trance.
She even has a zombie
who was originally from France.
But she knows she has a curse on her,
a curse she cannot win.
For if someone gets
too close to her,
the pins stick farther in.
β
β
Tim Burton
β
The Girl With Many Eyes
One day in the park
I had quite a surprise.
I met a girl
who had many eyes.
She was really quite pretty
(and also quite shocking!)
and I noticed she had a mouth,
so we ended up talking.
We talked about flowers,
and her poetry classes,
and the problems she'd have
if she ever wore glasses.
It's great to know a girl
who has so many eyes,
but you really get wet
when she breaks down and cries.
β
β
Tim Burton
β
He that increaseth wisdom, increaseth sorrow.
β
β
Robert Burton (The Anatomy of Melancholy)
β
I have a problem when people say something's real or not real, or normal or abnormal. The meaning of those words for me is very personal and subjective. I've always been confused and never had a clearcut understanding of the meaning of those kinds of words.
β
β
Tim Burton
β
Half the fun is plan to plan
β
β
Tim Burton
β
They took a baseball bat
and whacked open his head.
Mummy Boy fell to the ground;
he finally was dead.
Inside of his head
were no candy or prizes,
just a few stray beetles
of various sizes.
β
β
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
β
And I Jack, the Pumpkin King, have grown so tired of the same old thing...
β
β
Tim Burton (The Nightmare Before Christmas)
β
If you canβt laugh together in bed, the chances are you are incompatible, anyway. Iβd rather hear a girl laugh well than try to turn me on with long, silent, soulful, secret looks. If you can laugh with a woman, everything else falls into place.
β
β
Richard Francis Burton
β
I wouldn't know a good script if it bit me in the face.
β
β
Tim Burton
β
If you've ever had that feeling of loneliness, of being an outsider, it never quite leaves you. You can be happy or successful or whatever, but that thing still stays within you.
β
β
Tim Burton
β
What cannot be cured must be endured.
β
β
Robert Burton (The Anatomy of Melancholy)
β
Maybe itβs just in America, but it seems that if youβre passionate about something, it freaks people out. Youβre considered bizarre or eccentric. To me, it just means you know who you are.
β
β
Tim Burton
β
Men are obtuse. You have to beat them over the head with a frying pan to get them to notice things.
β
β
Jaci Burton (Changing the Game (Play by Play, #2))
β
Growing older does not seem to make you more certain, Nella thinks. It simply presents you with more reasons for doubt.
β
β
Jessie Burton (The Miniaturist)
β
I love you, asshole."
Then Gavin laughed. "Right back at you, dickhead.
β
β
Jaci Burton (The Perfect Play (Play by Play, #1))
β
My diagnosis," he said
"for better or worse,
is that your son is the result
of an old pharaoh's curse.
β
β
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
β
Most people say about graveyards: "Oh, it's just a bunch of dead people. It's creepy." But for me, there's an energy to it that it not creepy, or dark. It has a positive sense to it.
β
β
Tim Burton
β
Granted, physical attraction is what gets you in the door. But there has to be something beyond that to want to keep you there.
β
β
Jaci Burton (The Perfect Play (Play by Play, #1))
β
That which others hear or read of, I felt and practised myself; they get their knowledge by books, I mine by melancholizing.
β
β
Robert Burton (The Anatomy of Melancholy)
β
Pity, unlike hate, can be boxed and put away.
β
β
Jessie Burton (The Miniaturist (The Miniaturist, #1))
β
Can a heart break, once it's stopped beating?
β
β
Tim Burton (Tim Burton's Corpse Bride: The Illustrated Story)
β
One of the things that we were trying to do with this show was the complexities of relationships and love. There is both passion and longing and a bittersweet quality to it that is a part of life.
β
β
Tim Burton (Tim Burton's Corpse Bride: An Invitation to the Wedding)
β
If on a friendβs bookshelf
You cannot find Joyce or Sterne
Cervantes, Rabelais, or Burton,
You are in danger, face the fact,
So kick him first or punch him hard
And from him hide behind a curtain.
β
β
Alexander Theroux
β
If you like not my writing, go read something else.
β
β
Robert Burton (The Anatomy of Melancholy)
β
Do what thy manhood bids thee do,
from none but self expect applause.
He noblest lives and noblest dies
who makes and keeps his self-made laws.
β
β
Richard Francis Burton
β
You don't know whether chimps are going to kill you or kiss you. They're very open on some levels and much more evil in a certain way.
β
β
Tim Burton
β
Stick Boy liked Match Girl,
he liked her a lot.
He liked her cute figure,
he thought she was hot.
β
β
Tim Burton
β
Sometimes your world falls apart. And itβs okay for you to let people in and let them see you crumble
β
β
Jaci Burton (Changing the Game (Play by Play, #2))
β
Fate will unwind as it must!
β
β
Burton Raffel (Beowulf)
β
Melancholy can be overcome only by melancholy.
β
β
Robert Burton (The Anatomy of Melancholy)
β
Let us cry for the spilt milk, by all means, if by doing so we learn how to avoid spilling any more. Let us cry for the spilt milk, and remember how, and where, and why, we spilt it. Much wisdom is learnt through tears, but none by forgetting our lessons.
β
β
MarΓa Amparo Ruiz de Burton (The Squatter and the Don (Recovering the U.S. Hispanic Literary Heritage))
β
Everything Man sees he takes for a toy.
Thus is he always, forever a boy.
β
β
Jessie Burton (The Miniaturist (The Miniaturist, #1))
β
A lifetime isn't enough to know how a person will behave.
β
β
Jessie Burton (The Miniaturist (The Miniaturist, #1))
β
Staring Girl
I once knew a girl
who would just stand there and stare.
At anyone or anything,
she seemed not to care
She'd stare at the ground,
She'd stare at the sky.
She'd stare at you for hours,
and you'd never know why.
But after winning the local staring contest,
she finally gave her eyes
a well-deserved rest.
β
β
Tim Burton
β
And in that one grey hair I saw my whole life and I said "I think I need a hair.
β
β
Tim Burton (Charlie and the Chocolate Factory (Charlie Bucket, #1))
β
It's in our genetics. It's why women are the master species. We give birth and we can walk in heels.
β
β
Jaci Burton (Taking a Shot (Play by Play, #3))
β
Of the gladdest moments in human life, methinks, is the departure upon a distant journey into unknown lands. Shaking off with one mighty effort the fetters of Habit, the leaden weight of Routine, the cloak of many Cares and the slavery of Civilization, man feels once more happy.
β
β
Richard Francis Burton
β
Mr. Smith yelled at the doctor,
What have you done to my boy?
He's not flesh and blood,
he's aluminum alloy!"
The doctor said gently,
What I'm going to say
will sound pretty wild.
But you're not the father
of this strange looking child.
You see, there still is some question
about the child's gender,
but we think that its father
is a microwave blender.
β
β
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
β
I think reading is part of the birthright of the human being
β
β
LeVar Burton
β
Every story has a beginning, a middle, and an end. Not necessarily in that order.
β
β
Tim Burton
β
You are sunlight through a window, which I stand in, warmed. My darling.
β
β
Jessie Burton (The Miniaturist)
β
Home is where the books are
β
β
Richard Francis Burton
β
I think youβre worth fighting for, Elizabeth. Even if Iβm fighting you for you.
β
β
Jaci Burton (Changing the Game (Play by Play, #2))
β
Bastard."
"You love me."
"Yes, I do. Now let me come.
β
β
Jaci Burton (The Perfect Play (Play by Play, #1))
β
Why would you want to go up there, when people are dying to get down here?
β
β
Tim Burton (Tim Burton's Corpse Bride: The Illustrated Story)
β
Minister: Welcome, brother! Do you reject Satan and all his works?
Bunny Breckinridge: Sure.
β
β
Tim Burton
β
A quiet mind cureth all.
β
β
Robert Burton
β
Every man for himself, the devil for all.
β
β
Robert Burton (The Anatomy of Melancholy)
β
See, that's the problem with men and women and relationshits. Shit. Relasinsips. Dammit. Relationships. There, I got it.
β
β
Jaci Burton (Changing the Game (Play by Play, #2))
β
Unwisely, Santa offered a teddy bear to James, unaware
he had been mauled by a grizzly earlier this year.
β
β
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
β
Mayor: How horrible our Christmas will be!
Jack Skellington: *No.*
[the Mayor switches to his upset face]
Jack Skellington: How *jolly*!
Mayor: Oh. How *jolly* our Christmas will be
β
β
Tim Burton
β
She was like his favorite candy - hard on the outside but a soft surprise on the inside.
β
β
Jaci Burton (Changing the Game (Play by Play, #2))
β
Human beings are the laziest creatures in the history of creation. We would rather not do anything if we could avoid it.
β
β
LeVar Burton
β
If you want something to last forever, you treat it differently. You shield it and protect it. You never abuse it. You donβt expose it to the elements. You donβt make it common or ordinary. If it ever becomes tarnished, you lovingly polish it until it gleams like new. It becomes special because you have made it so, and it grows more beautiful and precious as time goes by.
β
β
F. Burton Howard
β
Love is like farm work. It requires consistency, and imagination. Your body will ache and you will be fatigued, but there is no greater reward than seeing the fruits of your labor.
β
β
Hilarie Burton Morgan (The Rural Diaries: Love, Livestock, and Big Life Lessons Down on Mischief Farm)
β
Depression: the healthy suspicion that modern life has no meaning and that modern society is absurd and alienating.
β
β
Neel Burton (The Meaning of Madness)
β
Let thy fortune be what it will, 'tis thy mind alone that makes thee poor or rich, miserable or happy.
β
β
Robert Burton
β
The Boy with Nails in His Eyes
put up his aluminum tree.
It looked pretty strange
because he couldn't really see.
β
β
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
β
I am not poor, I am not rich; nihil est, nihil deest, I have little, I want nothing: all my treasure is in Minervaβs tower...I live still a collegiate student...and lead a monastic life, ipse mihi theatrum [sufficient entertainment to myself], sequestered from those tumults and troubles of the world...aulae vanitatem, fori ambitionem, ridere mecum soleo [I laugh to myself at the vanities of the court, the intrigues of public life], I laugh at all.
β
β
Robert Burton (The Anatomy of Melancholy)
β
What a glut of books! Who can read them?
β
β
Robert Burton (The Anatomy of Melancholy)
β
What no wife of a writer understands is that a writer is working when he's staring out the window.
β
β
Burton Rascoe
β
Indeed. I have often thought that when a man selects one word over another he often reveals far more of himself than he intended.
β
β
Mark Hodder (The Strange Affair of Spring Heeled Jack (Burton & Swinburne, #1))
β
Gus: There are still bears out here. Black bears who feel no kinship to black men.
β
β
Burton Guster (Psych's Guide to Crime Fighting for the Totally Unqualified)
β
Quickly, the dragon came at him, encouraged
As Beowulf fell back; its breath flared,
And he suffered, wrapped around in swirling
Flames -- a king, before, but now
A beaten warrior. None of his comrades
Came to him, helped him, his brave and noble
Followers; they ran for their lives, fled
Deep in a wood. And only one of them
Remained, stood there, miserable, remembering,
As a good man must, what kinship should mean.
β
β
Burton Raffel (Beowulf)
β
No cord or cable can draw so forcibly, or bind so fast, as [love] can do with a single thread.
β
β
Robert Burton (The Anatomy of Melancholy)
β
I'd like to be born the son of a duke with 90,000 pounds a year, on an enormous estate.... And I'd like to have the most enormous library, and I'd like to think that I could read those books forever and forever, and die unlamented, unknown, unsung, unhonored - and packed with information.
β
β
Richard Francis Burton
β
That dead-eyed anhedonia is but a remora on the ventral flank of the true predator, the Great White Shark of pain. Authorities term this condition clinical depression or involutional depression or unipolar dysphoria. Instead of just an incapacity for feeling, a deadening of soul, the predator-grade depression Kate Gompert always feels as she Withdraws from secret marijuana is itself a feeling. It goes by many names β anguish, despair, torment, or q.v. Burton's melancholia or Yevtuschenko's more authoritative psychotic depression β but Kate Gompert, down in the trenches with the thing itself, knows it simply as It.
It is a level of psychic pain wholly incompatible with human life as we know it. It is a sense of radical and thoroughgoing evil not just as a feature but as the essence of conscious existence. It is a sense of poisoning that pervades the self at the self's most elementary levels. It is a nausea of the cells and soul. It is an unnumb intuition in which the world is fully rich and animate and un-map-like and also thoroughly painful and malignant and antagonistic to the self, which depressed self It billows on and coagulates around and wraps in Its black folds and absorbs into Itself, so that an almost mystical unity is achieved with a world every constituent of which means painful harm to the self. Its emotional character, the feeling Gompert describes It as, is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency β sitting or standing, doing or resting, speaking or keeping silent, living or dying β are not just unpleasant but literally horrible.
It is also lonely on a level that cannot be conveyed. There is no way Kate Gompert could ever even begin to make someone else understand what clinical depression feels like, not even another person who is herself clinically depressed, because a person in such a state is incapable of empathy with any other living thing. This anhedonic Inability To Identify is also an integral part of It. If a person in physical pain has a hard time attending to anything except that pain, a clinically depressed person cannot even perceive any other person or thing as independent of the universal pain that is digesting her cell by cell. Everything is part of the problem, and there is no solution. It is a hell for one.
The authoritative term psychotic depression makes Kate Gompert feel especially lonely. Specifically the psychotic part. Think of it this way. Two people are screaming in pain. One of them is being tortured with electric current. The other is not. The screamer who's being tortured with electric current is not psychotic: her screams are circumstantially appropriate. The screaming person who's not being tortured, however, is psychotic, since the outside parties making the diagnoses can see no electrodes or measurable amperage. One of the least pleasant things about being psychotically depressed on a ward full of psychotically depressed patients is coming to see that none of them is really psychotic, that their screams are entirely appropriate to certain circumstances part of whose special charm is that they are undetectable by any outside party. Thus the loneliness: it's a closed circuit: the current is both applied and received from within.
β
β
David Foster Wallace (Infinite Jest)
β
Stain Boy
Of all the super heroes,
the strangest one by far,
doesn't have a special power,
or drive a fancy car.
next to Superman and batman, I guess he must seem tame.
But to me he is quite special,
and Stain Boy is his name.
He can't fly around tall buildings,
or outrun a speeding train,
the only talent he seems to have
is to leave a nasty stain.
Sometimes I know it bothers him,
that he can't run or swim or fly,
and because of this one ability,
his dry cleaning bill is sky-high.
β
β
Tim Burton
β
You dance really well.β
βI took ballet lessons.β
She tilted her head back to search his face, certain he was joking. βYou did not.β
βI did. Several of us on the team did. Good for coordination.β
Resisting the laugh that bubbled up in her throat, she said, βSomehow I canβt picture you in tights and a tutu.β
But he did laugh. βWe made sure no one with a camera got within miles of the studio.
β
β
Jaci Burton (The Perfect Play (Play by Play, #1))
β
Robot Boy
Mr. an Mrs. Smith had a wonderful life.
They were a normal, happy husband and wife.
One day they got news that made Mr. Smith glad.
Mrs. Smith would would be a mom
which would make him the dad!
But something was wrong with their bundle of joy.
It wasn't human at all,
it was a robot boy!
He wasn't warm and cuddly
and he didn't have skin.
Instead there was a cold, thin layer of tin.
There were wires and tubes sticking out of his head.
He just lay there and stared,
not living or dead.
The only time he seemed alive at all
was with a long extension cord
plugged into the wall.
Mr. Smith yelled at the doctor,
"What have you done to my boy?
He's not flesh and blood,
he's aluminum alloy!"
The doctor said gently,
"What I'm going to say
will sound pretty wild.
But you're not the father
of this strange looking child.
You see, there still is some question
about the child's gender,
but we think that its father
is a microwave blender."
The Smith's lives were now filled
with misery and strife.
Mrs. Smith hated her husband,
and he hated his wife.
He never forgave her unholy alliance:
a sexual encounter
with a kitchen appliance.
And Robot Boy
grew to be a young man.
Though he was often mistaken
for a garbage can.
β
β
Tim Burton
β
You see, people in the depressive position are often stigmatised as βfailures' or βlosers'. Of course, nothing could be further from the truth. If these people are in the depressive position, it is most probably because they have tried too hard or taken on too much, so hard and so much that they have made themselves βill with depression'. In other words, if these people are in the depressive position, it is because their world was simply not good enough for them. They wanted more, they wanted better, and they wanted different, not just for themselves, but for all those around them. So if they are failures or losers, this is only because they set the bar far too high. They could have swept everything under the carpet and pretended, as many people do, that all is for the best in the best of possible worlds. But unlike many people, they had the honesty and the strength to admit that something was amiss, that something was not quite right. So rather than being failures or losers, they are just the opposite: they are ambitious, they are truthful, and they are courageous. And that is precisely why they got βill'. To make them believe that they are suffering from some chemical imbalance in the brain and that their recovery depends solely or even mostly on popping pills is to do them a great disfavour: it is to deny them the precious opportunity not only to identify and address important life problems, but also to develop a deeper and more refined appreciation of themselves and of the world around themβand therefore to deny them the opportunity to fulfil their highest potential as human beings.
β
β
Neel Burton
β
[E]very man hath liberty to write, but few ability. Heretofore learning was graced by judicious scholars, but now noble sciences are vilified by base and illiterate scribblers, that either write for vain-glory, need, to get money, or as Parasites to flatter and collogue with some great men, they put out trifles, rubbish and trash. Among so many thousand Authors you shall scarce find one by reading of whom you shall be any whit better, but rather much worse; by which he is rather infected than any way perfectedβ¦
What a catalogue of new books this year, all his age (I say) have our Frankfurt Marts, our domestic Marts, brought out. Twice a year we stretch out wits out and set them to sale; after great toil we attain nothingβ¦What a glut of books! Who can read them? As already, we shall have a vast Chaos and confusion of Books, we are oppressed with them, our eyes ache with reading, our fingers with turning. For my part I am one of the numberβone of the manyβI do not deny it...
β
β
Robert Burton (The Anatomy of Melancholy)