Burst Out Quotes

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You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
Max: "Fang! This is a huge break! Of course we should go check it out!" Fang: "But we're grounded." Max and Fang: (stare at each other for a second and burst out laughing)
James Patterson (School's Out—Forever (Maximum Ride, #2))
In a way, you are poetry material; You are full of cloudy subtleties I am willing to spend a lifetime figuring out. Words burst in your essence and you carry their dust in the pores of your ethereal individuality.
Franz Kafka (Letters to Milena)
I hope you will go out and let stories, that is life, happen to you, and that you will work with these stories... water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
But this is touching, Severus,” said Dumbledore seriously. “Have you grown to care for the boy, after all?” “For him?” shouted Snape. “Expecto Patronum!” From the tip of his wand burst the silver doe. She landed on the office floor, bounded once across the office, and soared out of the window. Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears. “After all this time?” “Always,” said Snape.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I always wonder about raindrops. I wonder about how they're always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It's like someone is emptying their pockets over the earth and doesn't seem to care where the contents fall, doesn't seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors. I am a raindrop. My parents emptied their pockets of me and left me to evaporate on a concrete slab.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
We're, ah, taking a break to evaluate things, and, um, reexamine our relationship, so I stuffed him in a closet!" I burst out in shame. Timmie's eyes goggled. Is he still there?
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
In everyone's life, at some time, our inner fire goes out. It is then burst into flame by an encounter with another human being. We should all be thankful for those people who rekindle the inner spirit.
Albert Schweitzer
Then you remember the dream,” Mencheres stated. “That bodes ill.”   The fear of that made my reply snappy. “Hey, Walks Like An Egyptian, how about for once you drop the formal stuff and talk like you live in the twenty-first century?”   The shit’s gonna splatter, start buggin’, yo,” Mencheres responded instantly.   I stared at him, then burst out laughing, which was highly inappropriate considering the very grave warning he’d just conveyed.
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
Ash brushed the hair from my neck and leaned close to my ear, his voice so soft not even Grimalkin could’ve heard it. “I love you,” he murmured, and my heart nearly burst out of my chest. “Whatever happens, we’re together now. Always.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
If Christ spent an anguished night in prayer, if He burst out from the Cross, 'My God, my God, why have you forsaken me?' then surely we are also permitted doubt. But we must move on. To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.
Yann Martel (Life of Pi)
No one expects Will Herondale to live past nineteen, and no one will be sorry to see him go, either -" That was too much for Tessa. Without thinking about it she burst out indignantly, "What a thing to say!" Gabriel, interrupted midrant, looked as shocked as if one of the tapestries had suddenly started talking. "Pardon me?" "You heard me. Telling someone you wouldn't be sorry if they died! It's inexcusable!" She took hold of Will by the sleeve. "Come along, Will. This - this person - obviously isn't worth wasting your time on." Will looked hugely entertained. "So true." ... Tessa frowned at Gabriel. "I think you owe Will an apology." "I," said Gabriel, "would rather have my entrails yanked out and tied in a knot in front of my own eyes than apologize to such a worm." "Goodness," said Jem mildly. "You can't mean that. Not the Will being a worm part, of course. The bit about the entrails. That sounds dreadful.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
Donna Tartt (The Secret History)
Nereus spun and expanded, turning into a killer whale, but I grabbed his dorsal fin as he burst out of the water. A whole bunch of tourists went, "Whoa!" I managed to wave at the crowd. Yeah, we do this every day here in San Francisco.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
There are random moments - tossing a salad, coming up the driveway to the house, ironing the seams flat on a quilt square, standing at the kitchen window and looking out at the delphiniums, hearing a burst of laughter from one of my children's rooms - when I feel a wavelike rush of joy. This is my true religion: arbitrary moments of of nearly painful happiness for a life I feel privileged to lead.
Elizabeth Berg (The Art of Mending)
This evening I spied her in the back orchard. I decided to sacrifice one of my better old shirts and carried it out to her. The weather’s been warm of late. Buds on the apple trees are ready to burst. Usually by this time of the year, at that time of day, the back orchard is full of screaming children. Damut’s boys were the only two. They were on the terrace below her, running through the slanted sunlight, chasing each other around tree trunks. She stood above them, like a merlin watching rabbits play.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him. "Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?" "No reason. Just no reason." Ronan slammed his door. Gansey asked Adam, "Sorry. You still have that suit for the party?" Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!" Ronan's voice sang out from behind his closed door: "You're already dead!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
if it doesn't come bursting out of you in spite of everything, don't do it. unless it comes unasked out of your heart and your mind and your mouth and your gut, don't do it.
Charles Bukowski
But now and then, a woman walks up, full blossom, a woman just bursting out of her dress…a sex creature, a curse, the end of it all.
Charles Bukowski (Post Office)
He [Riptide] sighed. "I said, 'What are you doing all the way out here?' and you said, 'Hey, sparkling teeth, I totally love three of your claws but not the others, and I wish your nose was a herrig so I could eat it, and also your wings sound like sharks snoring.'" Tsunami burst out laughing.
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
Lex malla, lex nulla,” said Julian with a regretful wave of his hand. It was the Blackthorn family motto: A bad law is no law. “I wonder what other family mottoes are,” Emma mused. “Do you know any?” “The Lightwood family motto is ‘We mean well.’ ” “Very funny.” Julian looked over at her. “No, really, it actually is.” “Seriously? So what’s the Herondale family motto? ‘Chiseled but angsty’?” He shrugged. ‘If you don’t know what your last name is, it’s probably Herondale’?” Emma burst out laughing. “What about Carstairs?” she asked, tapping Cortana. “ ‘We have a sword’? ‘Blunt instruments are for losers’?” “Morgenstern,” offered Julian. “ ‘When in doubt, start a war’?
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Elinor could sit still no longer. She almost ran out of the room, and as soon as the door was closed, burst into tears of joy, which at first she thought would never cease.
Jane Austen (Sense and Sensibility)
We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more. Heaven only knows why we love it so...
Michael Cunningham (The Hours)
She had known happiness, exquisite happiness, intense happiness, and it silvered the rough waves a little more brightly, as daylight faded, and the blue went out of the sea and it rolled in waves of pure lemon which curved and swelled and broke upon the beach and the ecstasy burst in her eyes and waves of pure delight raced over the floor of her mind and she felt, It is enough! It is enough!
Virginia Woolf (To the Lighthouse)
They're betting on how long I'll live!' I burst out. 'They're not my friends!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Best thing that ever happened to me, that shredded washer," he whispered. "Too bad I didn't know what a washer was or I would have shredded it myself," I whispered back and he burst out laughing.
Kristen Ashley (Law Man (Dream Man, #3))
Ancient eyes had stared at me, filled with ancient grief. And something more. Something so alien and unexpected that I'd almost burst into tears. I'd seen many things in his eyes in the time that I'd known him: lust, amusement, sympathy, mockery, caution, fury. But I had never seen this. Hope. Jericho Barrons had hope, and I was the reason for it. I would never forget his smile. It had illuminated him from the inside out.
Karen Marie Moning (Shadowfever (Fever, #5))
Your tears come easy, when you're young, and beginning the world. Your tears come easy, when you're old, and leaving it. I burst out crying.
Wilkie Collins (The Moonstone)
Burst down those closet doors once and for all, and stand up and start to fight.
Harvey Milk
I have realized; it is during the times I am far outside my element that I experience myself the most. That I see and feel who I really am, the most! I think that's what a comet is like, you see, a comet is born in the outer realms of the universe! But it's only when it ventures too close to our sun or to other stars that it releases the blazing "tail" behind it and shoots brazen through the heavens! And meteors become sucked into our atmosphere before they burst like firecrackers and realize that they're shooting stars! That's why I enjoy taking myself out of my own element, my own comfort zone, and hurling myself out into the unknown. Because it's during those scary moments, those unsure steps taken, that I am able to see that I'm like a comet hitting a new atmosphere: suddenly I illuminate magnificently and fire dusts begin to fall off of me! I discover a smile I didn't know I had, I uncover a feeling that I didn't know existed in me... I see myself. I'm a shooting star. A meteor shower. But I'm not going to die out. I guess I'm more like a comet then. I'm just going to keep on coming back.
C. JoyBell C.
I spend a lot of time wondering what dying feels like. What dying sounds like. If I’ll burst like those notes, let out my last cries of pain, and then go silent forever. Or maybe I’ll turn into a shadowy static that’s barely there, if you just listen hard enough.
Jasmine Warga (My Heart and Other Black Holes)
I hope you will go out and let stories, that is life, happen to you,and that you will work with these stories from your life--not someone else's life--water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom. That is the work. The only work.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
I paused with the pen in my hand. "He burst into flames?" "He became engulfed in fire." "Was his buddy made out of orange rocks and at any point yell, 'It's clobbering time'?
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
I bet him and all his Guy brothers had burst through the nightclub entrance, poured an insane amount of alcohol into their systems, and snatched at anything with a pulse that wandered past their sloshed eyes. I bet after all the hoopla subsided, the demented Guys spilled out of the nightclub at some ungodly hour, intoxicated blood pumping, gallivanting around the city like foul beasts seeking their next series of exploitations.
Jasun Ether (The Beasts of Success)
The world...is full of resurrections... Every night that folds us up in darkness is a death; and those of you that have been out early, and have seen the first of the dawn, will know it - the day rises out of the night like a being that has burst its tomb and escaped into life.
George MacDonald (The Seaboard Parish)
Don't you believe in flying saucers, they ask me? Don't you believe in telepathy? — in ancient astronauts? — in the Bermuda triangle? — in life after death? No, I reply. No, no, no, no, and again no. One person recently, goaded into desperation by the litany of unrelieved negation, burst out "Don't you believe in anything?" Yes", I said. "I believe in evidence. I believe in observation, measurement, and reasoning, confirmed by independent observers. I'll believe anything, no matter how wild and ridiculous, if there is evidence for it. The wilder and more ridiculous something is, however, the firmer and more solid the evidence will have to be.
Isaac Asimov
They're betting on how long I'll live!" I burst out. "They're not my friends!" "Well, try and pretend!" snaps Effie. Then she composes herself and beams at me. "See, like this. I'm smiling at you even though you're aggravating me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I know,” I told him. “It sounds insane. It is insane.” His eyes fixed on mine. “You killed someone,” he said, his voice barely audible. “With a shoe.” “He had a sword,” I fired back and then, to my shock, David burst out laughing.
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
Then he kissed her, not just a brush of lips as she'd done, but a kiss a kiss that scalded her tongue. The tree burst into full blooms. The garden fluttered around her. A riot of flowers shot out of the earth. She was mud-covered as he pulled back.
Melissa Marr (Fragile Eternity (Wicked Lovely, #3))
I turned to Alex. 'Hey, are you female today?' 'Hold on... There! Now I'm female.' My expression must have been priceless. Alex burst out laughing. 'I'm kidding. Yes, I'm female today. She and her.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
I feel it in here," she said, placing her hand against her chest and then against her stomach, "and here. It’s like there’s not enough air or room inside me. That I may… burst out of my skin or drown in it, and that wouldn’t be a bad thing. I don’t know why I feel this way, but I always have… and will." She tipped her chin up and her entire face was a rosy color. "It’s you. I… I love you.
Jennifer L. Armentrout (Elixir (Covenant, #3.5))
OkayIwaswrong. Now let’s move on. Where do you think would be the best place for the angels to stay until they leave?” “Whoa.” I burst out laughing. “Did you just say that you were wrong? Was that the word? Wrong?” I smile at him. “I like the sound of that coming out of your mouth. It’s lyrical. W-r-o-n-g. Wroooong. Wrrrrong. Go on, sing it with me.
Susan Ee (End of Days (Penryn & the End of Days, #3))
I wonder which is preferable, to walk around all your life swollen up with your own secrets until you burst from the pressure of them, or to have them sucked out of you, every paragraph, every sentence, every word of them, so at the end you're depleted of all that was once as precious to you as hoarded gold, as close to you as your skin - everything that was of the deepest importance to you, everything that made you cringe and wish to conceal, everything that belonged to you alone - and must spend the rest of your days like an empty sack flapping in the wind, an empty sack branded with a bright fluorescent label so that everyone will know what sort of secrets used to be inside you?
Margaret Atwood (The Blind Assassin)
(on grief) And you do come out of it, that’s true. After a year, after five. But you don’t come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
Julian Barnes (Flaubert's Parrot)
Hey, wait," I said, pulling back, "you are the son of Satan. Maybe we need a safe word." His grin morphed into something wickedly charming. "Okay, how about, 'Oh, my god, it's so big.'" Laughter burst out of me before I could stop it. Not that it wasn't. "That would be a safe phrase, but okay." I thought about it, then said, "How about 'Is that all you've got?
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
Sorry to burst your bubble, but you were actually pointing at the old guy a few seats over. He totally freaked out and started shouting to everyone that you scored that goal for him, and then I heard him ask his wife if maybe you knew that he was just diagnosed with diabetes, so I didn’t have the heart to tell him who the goal was really for.
Elle Kennedy (The Deal (Off-Campus, #1))
Blood spurted from his nose. Okay, I couldn't help myself. I burst out laughing.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
...She'd gone past interest, swung into attraction, burst through lust, tripped over affection, and was now skidding out of control into love.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
You're Mad Rogan!" Leon burst out. "Yes," Mad Rogan said, his voice calm. "And you can break cities?" "Yes." "And you have all this money and magic?" "Yes." Where was Leon going with this? My cousin blinked. "And you look . . . like that?" Mad Rogan nodded. "Yes." Leon's dark eyes went wide. He looked at Mad Rogan, then glanced back at himself. At fifteen, Leon weighed barely a hundred pounds. His arms and legs were like chopsticks. "There is no justice in the world!" Leon announced.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
He bursts out laughing. It's short, as if he regretted allowing me to make him laugh, but the satisfaction's already mine.
Melina Marchetta (Saving Francesca)
It is when we think we can act like God, that all respect is lost, and I think this is the downfall of peace. We lie if we say we do not see color and culture and difference. We fool ourselves and cheat ourselves when we say that all of us are the same. We should not want to be the same as others and we should not want others to be the same as us. Rather, we ought to glory and shine in all of our differences, flaunting them fabulously for all to see! It is never a conformity that we need! We need not to conform! What we need is to burst out into all these beautiful colors!
C. JoyBell C.
Would you like me to drive so you can manage your social life?” I asked. It came out much snippier than I’d intended, but he was oblivious to my tone, still looking at his newest message. “No, no, I’m fine.” “We’d better not get in an accident because you’re busy sexting and driving,” I said. He burst out laughing
Wendy Higgins
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy. "We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -" But somebody else had spoken Snape's name, quite softly. "Severus ..." The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. "Severus ... please ..." Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
I mean, to me, freaking out is different. More of a running away, not telling anyone what's wrong, slowly simmering until you burst kind of thing.
Sarah Dessen (Just Listen)
Nothing happened. And everything did. Your whole life you can be told something is wrong and so you believe it. Why should you question it? But then slowly seeds are planted inside of you, one by one, by a touch or a look or a day skateboarding in a park, and they start to burst out of old hulls shells and they start to sprout. And pretty soon there are so many of them. They are named Love and Trust and Kindness and Joy and Desire and Wonder and Spirit and Soulmate. They grow into a garden so dense and thick that it starts to invade your brain where the old things you were once told are dying.
Francesca Lia Block (Wasteland)
I actually feel something in my chest open, a feeling so intense, it’s like my heart’s about to burst. And I just let it. I just let it out.
Gayle Forman (Where She Went (If I Stay, #2))
TRIPPING OVER JOY What is the difference Between your experience of Existence And that of a saint? The saint knows That the spiritual path Is a sublime chess game with God And that the Beloved Has just made such a Fantastic Move That the saint is now continually Tripping over Joy And bursting out in Laughter And saying, “I Surrender!” Whereas, my dear, I am afraid you still think You have a thousand serious moves.
I Heard God Laughing: Poems of Hope and Joy
It was my first clue that atheists are my brothers and sisters of a different faith. Like me, they go as far as the legs of reason will carry them - and then they leap. I'll be honest about it. It is not atheists who get stuck in my craw, but agnostics. Doubt is useful for awhile. We must all pass through the garden of Gethsemane. If Christ played with doubt, so must we. If Christ spent an anguished night in prayer, if He burst out from the Cross, "My God, my God, why have you forsaken me?" then surely we are also permitted doubt. But we must move on. To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.
Yann Martel (Life of Pi)
When the heart is hard and parched up, come upon me with a shower of mercy. When grace is lost from life, come with a burst of song. When tumultuous work raises its din on all sides shutting me out from beyond, come to me, my lord of silence, with thy peace and rest. When my beggarly heart sits crouched, shut up in a corner, break open the door, my king, and come with the ceremony of a king. When desire blinds the mind with delusion and dust, O thou holy one, thou wakeful, come with thy light and thy thunder.
Rabindranath Tagore
When truth is buried underground it grows, it chokes, it gathers such an explosive force that on the day it bursts out, it blows up everything with it.
Émile Zola
The girl burst out laughing; she knew she was nobody's meat.
Angela Carter (The Company of Wolves)
A day after I got my eye cut out, Gus showed up at the hospital. I was blind and heart-broken and didn't want to do anything and Gus burst into my room and shouted, 'I have wonderful news!' and I was like, 'I don't really want to hear wonderful news right now,' and Gus said, 'This is wonderful news you want to hear,' and I asked him, 'Fine, what is it?' and he said, 'You are going to live a good long life filled with great and terrible moments you cannot even imagine yet!
John Green (The Fault in Our Stars)
We get trapped in our own little bubbles, and even though the world is a wide and mysterious place, our bubbles keep us safe from that. To our detriment.” She sighed. “But it’s so easy because there’s something soothing about routine. Day in and day out, it’s always the same. When we’re shaken from that, when that bubble bursts, it can be hard to understand all that we’ve missed.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta. "Oh, she meant you," I say with a wave of dismissal. "She said, 'She's a survivor, that one.' She is," says Peeta. That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying. Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Little James Herondale, age two, was in fact holding a dagger quite well. He stabbed it into a sofa cushion, sending out a burst of feathers. "Ducks," he said, pointing at the feathers.
Cassandra Clare (Tales from the Shadowhunter Academy)
If you stuff yourself full of poems, essays, plays, stories, novels, films, comic strips, magazines, music, you automatically explode every morning like Old Faithful. I have never had a dry spell in my life, mainly because I feed myself well, to the point of bursting. I wake early and hear my morning voices leaping around in my head like jumping beans. I get out of bed to trap them before they escape.
Ray Bradbury
FINALLY!" Julian burst out, annoyed but smiling as he leaped to his feet. "I've been--dude, stop screaming--I've been waiting for FOREVER!
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
I don't lie to you," Alan said. "I lie WITH you." Sin stopped looking up at him from under her eyelashes and burst out laughing. Alan went red. "So I've just realized how that come out. Uh.
Sarah Rees Brennan (The Demon's Surrender)
A startled giggle burst out of me. Paranormal Management Society. PMS. I hadn't even thought of it like that.
Rachel Hawkins (School Spirits (Hex Hall, #4))
At dawn, Aedion had burst in, demanding why they weren’t ready to leave—to go home. Lysandra had shifted into a ghost leopard and chased him out. Then she returned, lingering in her massive feline form, and again sprawled beside Aelin. They managed to get another thirty minutes of sleep before Aedion came back and chucked a bucket of water on them. He was lucky to escape alive.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Ms. Iparis told me about what you did to her on the streets. How dare you force yourself onto someone of her rank." Ah.Here is what's really bothering him-I guess he found out about the kiss. I can't help grinning,even though my face screams in pain. "Awww. Is that what's got you down? I've seen the way you look at her.You want her bad,yeah? Is that something you're also trying to earn your way up to, trot? Hate to burst your bubble,but I didn't force her into anything." A deep scarlet rage flashes across his face. "She's looking forward to your execution,Mr. Wing. I can guarantee you that." I laugh. "Sore loser,huh? Here,I'll make you feel better. I'll tell you all about what it was like.Hearing about it is the next best thing,isn't it?
Marie Lu (Legend (Legend, #1))
She got to me." "It happens to the best of us." "Yeah? Who gets to you?" He was so strong that sometimes she worried. Everyone needed to bend a little, even a panther responsible for the lives of his entire pack. "That damn wolf. He sent you a present last week." Sascha smiled at the thought of Hawke's flirting. The SnowDancer alpha did it only to jerk Lucas's chain. "I never saw any present. What was it?" "How the hell should I know? I stomped on it and threw it into the deepest crevice I could find." He smirked. "Then I called him to ask how Sienna was doing." She burst out laughing. "Wicked, wicked man.
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
What do you know of poetry?” Ambrose said without bothering to turn around. “I know a limping verse when I hear it,” I said. “But this isn’t even limping. A limp has rhythm. This is more like someone falling down a set of stairs. Uneven stairs. With a midden at the bottom.” “It is a sprung rhythm,” he said, his voice stiff and offended. “I wouldn’t expect you to understand.” “Sprung?” I burst out with an incredulous laugh. “I understand that if I saw a horse with a leg this badly ‘sprung,’ I’d kill it out of mercy, then burn its poor corpse for fear the local dogs might gnaw on it and die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
The dhampir dorm appeared before me, about half its windows lit. It was near curfew; people were going to bed. I burst in through the doors, feeling like my heart was going to explode from the exertion. The first person I saw was Stan, and I nearly knocked him over. He caught my wrists to steady me. "Rose, wh—" "Strigoi," I gasped out. "There are Strigoi on campus." He stared at me, and for the first time I'd ever seen, his mouth seriously dropped open. Then, he recovered himself, and I could immediately see what he was thinking. More ghost stories. "Rose, I don't know what you're—" "I'm not crazy!" I screamed. Everyone in the dorm's lobby was staring at us. "They're out there! They're out there, and Dimitri is fighting them alone. You have to help him." What had Dimitri told me? What was that word? "Buria. He said to tell you buria." And like that, Stan was gone.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
But for now, the only thing I wanted was standing right here, looking at me with an expression so open and unguarded that I thought my heart would burst out of my chest. "Don't leave," I whispered, tightening my hold. "Never leave me again. Stay with me. Forever." The Winter prince smiled, a small, easy smile, and lowered his lips to mine."I promise.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
I see evil when I look in my shaving mirror. It is, philosophically, present everywhere in the universe in order, apparently, to highlight the existence of good. I think there is more to this theory, but I tend to burst out laughing at this point.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
Will someone please tell me why you all call me 'Sparky'?" she burst out in frustration. "And if I get stabbed one more time tonight I'm going to lose it!" she added, rounding on Jason, who was sneaking up behind her holding a stapler.
Josephine Angelini (Starcrossed (Starcrossed, #1))
Suddenly there was a great burst of light through the Darkness. The light spread out and where it touched the Darkness the Darkness disappeared. The light spread until the patch of Dark Thing had vanished, and there was only a gentle shining, and through the shining came the stars, clear and pure.
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
Keith was just bringing the glass to his lips when Adrian said, "Mmm. O positive, my favorite." Keith sprayed out the wine he'd just drunk and promptly started coughing. I was relieved that none got on me. jill burst into giggles, and Clarence stared at his glass wonderingly. "Is it? I thought it was a cabernet sauvignon." "So it is," said Adrian, straight-faced. "My mistake.
Richelle Mead
The children came to a perfume shop. In the show window was a large jar of freckle salve, and beside the jar was a sign, which read: DO YOU SUFFER FROM FRECKLES? 'What does the sign say?' ask Pippi. She couldn’t read very well because she didn’t want to go to school as other children did. 'It says, "Do you suffer from freckles?"' said Annika. 'Does it indeed?' said Pippi thoughtfully. 'Well, a civil question deserves a civil answer. Let’s go in.' She opened the door and entered the shop, closely followed by Tommy and Annika. An elderly lady stood back of the counter. Pippi went right up to her. 'No!' she said decidedly. 'What is it you want?' asked the lady. 'No,' said Pippi once more. 'I don’t understand what you mean,' said the lady. 'No, I don’t suffer from freckles,' said Pippi. Then the lady understood, but she took one look at Pippi and burst out, 'But, my dear child, your whole face is covered with freckles!' 'I know it,' said Pippi, 'but I don’t suffer from them. I love them. Good morning.' She turned to leave, but when she got to the door she looked back and cried, 'But if you should happen to get in any salve that gives people more freckles, then you can send me seven or eight jars.
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
Your place is at my side,” I told her. “Say it.” She whispered, “My place is at your side.” “Louder.” I shook her gently, but my tone was firm. “My woman doesn’t ask permission. She’s a force. Say it louder.” Her chin started to tremble, but her voice burst out strong. “My place is at your side.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I wonder why Steven wasn’t at swimming club tonight?” Archie asked. “He’s caught bronchitis,” Mrs Akran said. Imran thought for a second before replying. “I would like to catch a dinosaur too. I wonder what he feeds it?” Archie looked at his friend his face looked as if he was in pain before he burst out laughing. “Imran you’re tragic. Bronchitis is like a bad cold it’s not a type of dinosaur.
Mark A. Cooper (Archie Wilson & The Beasts of Loch Ness)
Rest in Peace?’ Why that phrase? That’s the most ridiculous phrase I’ve ever heard! You die, and they say ‘Rest in Peace!’ …Why would one need to ‘rest’ when they’re dead?! I spent thousands of years of world history resting. While Agamemnon was leading his ships to Troy, I was resting. While Ovid was seducing women at the chariot races, I was resting. While Jeanne d’Arc was hallucinating, I was resting. I wait until airplanes are scuttling across the sky to burst out onto the scene, and I’m only going to be here for a short while, so when I die, I certainly won’t need to rest again! Not while more adventures of the same kind are going on.
Roman Payne (Rooftop Soliloquy)
At Keramzin, I had a doll I made out of an old sock that I used to talk to whenever he was away hunting. Maybe that would make me feel better." "You were an odd little girl." "You have no idea. What did you and Tolya play with?" "The skulls of our enemies." I saw the glint in her eye, and we both burst out laughing.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Ron, you're making it snow," said Hermione patiently, grabbing his wrist and redirecting his wand away from the ceiling from which, sure enough, large white flakes had started to fall. Lavender Brown, Harry noticed, glared at Hermione from a neighboring table through very red eyes, and Hermione immediately let go of Ron's arm. "Oh yeah," said Ron, looking down at his shoulders in vague surprise." Sorry...looks like we've all got horrible dandruff now...." He brushed some of the fake snow off Hermione's shoulder. Lavender burst into tears. Ron looked immensely guilty and turned his back on her. "We split up," he told Harry out of the corner of his mouth. "Last night. When she saw me coming out of the dormitory with Hermione. Obviously she couldn't see you, so she thought it had just been the two of us." "ah," said Harry. "Well - you don't mind it's over, do you?" "No," Ron admitted. "It was pretty bad while she was yelling, but at least I didn't have to finish it." "Coward," said Hermione, though she looked amused. "Well, it was a bad night for romance all around. Ginny and Dean split up too, Harry." Harry thought there was a rather knowing look in her eye as she told him that, but she could no possibly know that his insides were suddenly dancing the conga.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
The news should have terrified her, but it was difficult to be frightened of anything when she was sitting so close to Rom. 'I thought we had convinced him that I was leading a blameless life?' 'We had, till you burst out of that damnable cake.
Eva Ibbotson (A Company of Swans)
Poison." he said, deadpan. "That's an unusual name to give your child. You must love her very much." She's a treasure." Bram agreed, blithely ignoing the sarcasm. .... Then went a few dozen feet in silence, until they were out of eaarshor of the gaurd. She's a treasure." Poison mimicked, and Bram burst out laughing.
Chris Wooding (Poison)
You're not just doing that to impress her, are you?" "Everything I do is to impress her. It's my mission in life," he said with a completely serious face, while he squeezed my knee under the table. Mom burst out laughing. "I like him," she said. "Me too. I think I'll keep him," I said, taking his hand and twisting my fingers with his. "Good," he said, giving my hand a squeeze.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
I was slow to pick up on their hints. I knew what the Selection was, but never, not even once, had it been suggested as an option for any of us, let alone me. "No." Mom put up her hands, cautioning me. "Just listen-" "A Selection?" I burst out. "That’s insane!" "Eadlyn, you're being irrational. " I glared at her. "You promised- you promised- you'd never force me into marrying someone for an alliance. How is this any better?" "Hear us out," she urged. "No!" I shouted. "I won't do it.
Kiera Cass (The Heir (The Selection, #4))
We live our lives, do whatever we do, and then we sleep - it's as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) knows these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more.
Michael Cunningham (The Hours)
I want to be here to bring you coffee. I want to take you out to dinner and order the same food and hear you recite the odds that we would have met. I want to hate-attend fancy social events together.” Jess laughed, a surprised burst of sound, and his tone softened. “I want you to call me for help—without an apology already on the tip of your tongue. I want to feel like I can kiss you again by your car at the end of the night.” He swallowed. “I want you in my bed.
Christina Lauren (The Soulmate Equation)
You knocked out Ben McCrary?' he asked, eyes wide. 'It was an accident,' I said again. 'I threw the ball harder than I meant to.' Dex burst into laughter. 'Oh my God, that is the greatest thing I've heard all week. You are my new hero.' Squinting at me, he leaned in and said, 'Serious, I might actually be in love with you now. Would it be awkward if we made out?
Rachel Hawkins (School Spirits (Hex Hall, #4))
We ate the birds. We ate them. We wanted their songs to flow up through our throats and burst out of our mouths, and so we ate them. We wanted their feathers to bud from our flesh. We wanted their wings, we wanted to fly as they did, soar freely among the treetops and the clouds, and so we ate them. We speared them, we clubbed them, we tangled their feet in glue, we netted them, we spitted them, we threw them onto hot coals, and all for love, because we loved them. We wanted to be one with them. We wanted to hatch out of clean, smooth, beautiful eggs, as they did, back when we were young and agile and innocent of cause and effect, we did not want the mess of being born, and so we crammed the birds into our gullets, feathers and all, but it was no use, we couldn’t sing, not effortlessly as they do, we can’t fly, not without smoke and metal, and as for the eggs we don’t stand a chance. We’re mired in gravity, we’re earthbound. We’re ankle-deep in blood, and all because we ate the birds, we ate them a long time ago, when we still had the power to say no.
Margaret Atwood
Maggots are freaky hideous,’ I say, getting up. I try to salvage some dignity, but I can’t help but shiver and shake my hands in the air. It’s an instinctive impulse, one I’m not up for resisting right now. ‘You’ve fought off a gang of men twice your size, killed an angel warrior, stood up to an archangel, and wielded an angel sword.’ Raffe cocks his head. ‘But you scream like a little girl when you see a maggot?’ ‘It’s not just a maggot,’ I say. ‘A hand burst out of the ground and grabbed my ankle. And maggots crawled out of it and tried to burrow into me. You would scream like a little girl too if that happened to you.’ ‘They didn’t try to burrow into you. They were just crawling. It’s what maggots do. They crawl.’ ‘You don’t know anything.
Susan Ee (End of Days (Penryn & the End of Days, #3))
Are you lost?" I turned around. "Excuse me?" Two guys were sprawled on a bench close to the sidewalk. The one who had spoken wore tattered shorts and a colonial three-cornered hat-nothing else. He had wide shoulders and long, muscular legs. He stretched dramatically, then lay his tanned arm along the back of the bench. "You look lost," he said. "Can I help you find something?" "Uh, no, thanks. I was just looking." He grinned. "Me too." "Oh?" I glanced around, thinking I'd missed something. "At what?" He and his friend burst out laughing. Way to go, Lauren, I thought. He had been looking at me!
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
I took the stool next to him, raising an eyebrow at the coffee and cruller on the counter. "Thought you weren't into internal pollution," I said. Lately Ranger'd been on a health food thing. "Props," Ranger told me. "Didn't want to look out of place." I didn't want to burst his fantasy bubble, but the only time Ranger wouldn't look out of place would be standing in a lineup between Rambo and Batman.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
To every man, in his acquaintance with a new art, there comes a moment when that which before was meaningless first lifts, as it were, one corner of the curtain that hides its mystery, and reveals, in a burst of delight which later and fuller understanding can hardly ever equal, one glimpse of the indefinite possibilities within.
C.S. Lewis (Out of the Silent Planet (The Space Trilogy, #1))
Hey, you coming to the bar tonight?” he called out after me. I stopped and turned around, “Maybe, I don’t know. I have to see how I feel after a shower.” A smile burst onto his face, making him more stunning than it was humanly possible. “Do you need help with that? I’d like to see how you feel after a shower too…
Christine Zolendz (Fall From Grace (Mad World, #1))
He sighed heavily. "You pissed me off." Well, that was totally unexpected....sort of. "Hey, I said I was sorry about hitting Mitch with that sword. How was I supposed to know the thing would leave a welt?" she said defensively. "That's not what I'm talking about. That didn't bother me." "Is it because I kicked your ass at skee ball?" "No! And that game is rigged anyway so it doesn't count." "Riigghhht," she said, drawing out the word. She thought over the rest of the night and couldn't figure out what she'd done. "Okay, you're gonna have to help me out here because I'm drawing a blank." "I'm pissed because all those men hit on you and not once did you tell any of them to f*ck off because you had a boyfriend!" he yelled. Her face went expressionless. She blinked once and then again. Then she burst into uncontrollable laughter.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
He cocked his head in an overly dramatic fashion. "Hey, I just got it: it was you, wasn't it?" He looked at Lissa, the back at me. "She got you to kill the fox, didn't she?Some weird kind of lesbian voo—ahhh!” Ralf burst into flames. I jumped up and pushed Lissa out of the way—not easy to do, since we were sitting at our desks. We both ended up on the floor as screams—Ralf's in particular—filled the classroom and Ms. Meissner sprinted for the fire extinguisher. And then, just like that, the flames disappeared. Ralf was still screaming and patting himself down, but he didn't have a single singe mark on him. The only indication of what had happened was the lingering smell of smoke in the air. For several seconds, the entire classroom froze. Then, slowly, everyone put the pieces together. Moroi magical specializations were well known, and after scanning the room, I deduced three fire users: Ralf, his friend Jacob, and— Christian Ozera. Since neither Jacob nor Ralf would have set Ralf on fire, it sort of made the culprit obvious. The fact that Christian was laughing hysterically sort of gave it away too.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
I'll be honest about it. It is not atheists who get stuck in my craw, but agnostics. Doubt is useful for a while. We must all pass through the garden of Gethsemane. If Christ played with doubt, so must we. If Christ spent an anguished night in prayer, if He burst out from the Cross, 'My God, my God, why have you forsaken me?' then surely we are also permitted doubt. But we must move on. To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.
Yann Martel
Jake scratches his forehead. “Yeah, I know people generally have sex while pregnant, but it’s just that I, um… well, I have…” He thrusts his hands through his hair, and i can’t help but smile at his struggling, wondering where on earth he’s going with this. “Look, I have a huge penis,” he states, looking Dr. Glamazon dead in the eye. I burst out laughing immediately clamping my hand over my mouth.
Samantha Towle (Wethering the Storm (The Storm, #2))
Whoa. Not too stiff," Cody said. "Secure, strong, but calm. Like you're caressing a beautiful woman, remember?" That made me think of Megan. I lost control, and a green wave of smoky energy burst from my hand and flew out in front of me. It missed the pipe completely, but vaporized the metal leg of the chair it sat on. Dust showered down and the chair went lopsided, dumping the pipe to the floor with a clang. "Sparks," Cody said. "Remind me to never let you caress me, lad.
Brandon Sanderson (Steelheart (The Reckoners, #1))
...out from the door of the farmhouse came a long file of pigs, all walking on their hind legs...out came Napoleon himself, majestically upright, casting haughty glances from side to side, and with his dogs gambolling round him. He carried a whip in his trotter. There was a deadly silence. Amazed, terrified, huddling together, the animals watched the long line of pigs march slowly round the yard. It was as though the world had turned upside-down. Then there came a moment when the first shock had worn off and when, in spite of everything-in spite of their terror of the dogs, and of the habit, developed through long years, of never complaining, never criticising, no matter what happened-they might have uttered some word of protest. But just at that moment, as though at a signal, all the sheep burst out into a tremendous bleating of- "Four legs good, two legs better! Four legs good, two legs better! Four legs good, two legs better!" It went on for five minutes without stopping. And by the time the sheep had quieted down, the chance to utter any protest had passed, for the pigs had marched back into the farmhouse.
George Orwell (Animal Farm)
Never say, "O Lord, I am a miserable sinner." Who will help you? You are the help of the universe. What in this universe can help you? What can prevail over you? You are the God of the universe; where can you seek for help? Never help came from anywhere but from yourself. In your ignorance, every prayer that you made and that was answered, you thought was answered by some Being, but you answered the prayer yourself unknowingly. The help came from yourself, and you fondly imagined that someone was sending help to you. There is no help for you outside of yourself; you are the creator of the universe. Like the silkworm, you have built a cocoon around yourself. Who will save you? Burst your own cocoon and come out as a beautiful butterfly, as the free soul. Then alone you will see Truth.
Vivekananda (The Complete Works of Swami Vivekananda, Volume 3)
I'm hunger. I'm thirst. Where I bite, I hold till I die, and even after death they must cut out my mouthful from my enemy's body and bury it with me. I can fast a hundred years and not die. I can lie a hundred nights on the ice and not freeze. I can drink a river of blood and not burst. Show me your enemies.
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
The world bursts at the seams with people ready to tell you you're not good enough. On occasion, some may be correct. But do not do their work for them. Seek any job; ask anyone out; pursue any goal. Don't take it personally when they say 'no' — they may not be smart enough to say 'yes.
Keith Olbermann
Ron seems to be enjoying the celebrations.” said Hermione. “Don’t pretend you didn’t see him. He wasn’t exactly hiding it, was — ?” The door behind them burst open. To Harry’s horror, Ron came in, laughing, pulling Lavender by the hand. “Oh,” he said, drawing up short at the sight of Harry and Hermione. “Oops!” said Lavender, and she backed out of the room, giggling. There was a horrible, swelling, billowing silence. Hermione was staring at Ron, who refused to look at her. She walked very slowly and erectly toward the door. Harry glanced at Ron, who was looking relieved that nothing worse had happened. “Oppugno!” came a shriek from the doorway. Harry spun around [...] The little flock of birds was speeding like a hail of fat golden bullets toward Ron, pecking and clawing at every bit of flesh they could reach. “Gerremoffme!” he yelled, but with one last look of vindictive fury, Hermione wrenched open the door and disappeared through it. Harry thought he heard a sob before it slammed.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Kit burst out laughing. Ty looked even more astonished than he had when Kit had said he'd miss him. But after a second, he started to laugh too. They were both laughing, Kit doubled up over the blankets, when Magnus came into the room. He looked at the two of them and shook his head. "Bedlam," he said, and went over to the counter where the glass tubes and funnels had been set up.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient infinite woman who...hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ...divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought that she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
Hélène Cixous
What happened next, I would never have been able to predict. But it happened. We both went “OOOOOOOOH” at the bullshit that came out of his mouth like we were in fifth grade and had made a really good “yo mama” joke. We went “OOOOOOOOH” so deep and into it, totally unexpected, that it lasted maybe three seconds before we both burst out laughing, my head crying no at the movement and my back aching, but I did it anyway.
Mariana Zapata (From Lukov with Love)
By respect for life we become religious in a way that is elementary, profound and alive. Impart as much as you can of your spiritual being to those who are on the road with you, and accept as something precious what comes back to you from them. In everyone's life, at some time, our inner fire goes out. It is then burst into flame by an encounter with another human being. We should all be thankful for those people who rekindle the inner spirit. - Albert Schweitzer
Albert Schweitzer (Out of My Life and Thought (Schweitzer Library))
Are you always so forthright over coffee dates?” “I don’t know. You’re the only one I ever had a crush on.” Oh, boy. “And that was stupid.” Flustered again, he raked his fingers through his hair. “Now I’ve scared you. That sounds scary and obsessive. Like I have an alter somewhere with your pictures over it, where I light candles and chant your name. Jesus! That’s even scarier. Run now. I won’t hold it against you.” She burst out laughing. Had to set her coffee back down before she slouched it over the rim. “I’ll stay if you swear you don’t have the alter.” “I don’t.” He swiped his finger in an X over his heart.
Nora Roberts (Vision in White (Bride Quartet, #1))
The bathroom door burst open, and Molly came trotting out. The left half of her body had been shaved almost down to the skin. The right half was as shaggy as before. John emerged after her, brushing a layer of dog hair off his clothes. John said, "Well, that's done... It was Molly's idea. She wants to look like two different dogs when she's coming and going. She thinks it will make it easier for her to steal food... That's one complicated dog, Dave. Have you started on the bomb?
David Wong (John Dies at the End (John Dies at the End, #1))
Wadsworth opened the bottle and handed me the cork. What the heck? What do I do now? Take it? Smell it? Lick it? A slight trickle of sweat ran down the nape of my neck as he, Margeaux and Deloris stared at me. “Uh, what am I supposed to do with it?” “Take a sniff, sir. Just to make sure.” “Of course, of course.” Smelled just fine to me and I looked up at him with a big silly grin on my face as he poured a small amount of wine into my glass. I stared up at him. “Aren’t you going to fill my glass?” “Take a sip, sir. Just to make sure.” “Make sure of what?” “That it is to your liking, sir.” It was all I could do from turning red-faced. But I took that sip and smiled again. He then poured the wine into our glasses, nestled the bottle in the silver wine chiller and left. At that point I burst out laughing and my sweet ladies joined me.
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
Ace!" Tate shouted, both Wendy and I jumped and twisted our necks to look his way. "You cashed out or what?" Tate asked still in a shout. "I'm cashed out," I shouted back. "You wanna socialize for the next hour or are we gonna go?" He was still shouting and I was acutely aware, due to the fact that the noise level declined significantly, that the entire bar was listening. "Keep your pants on!" I yelled. The noise level disappeared. "Babe, get your ass over here," Tate ordered. "Patience, Captain, I'm talking to Wendy," I shot back. "Ass. Over. Here!" Tate commanded. I looked at Wendy and snapped loudly, "He's so darned bossy!" Two men and a woman sitting at the bar close to us burst out laughing. "You better get your ass over there," Wendy advised, I rolled my eyes and stomped across the bar.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
It's about Diana,' sobbed Anne luxuriously. 'I love Diana so, Marilla. I cannot ever live without her. But I know very well when we grow up that Diana will get married and go away and leave me. And oh, what shall I do? I hate her husband — I just hate him furiously. I've been imagining it all out — the wedding and everything — Diana dressed in snowy white garments, and a veil, and looking as beautiful and regal as a queen; and me the bridesmaid, with a lovely dress, too, and puffed sleeves, but with a breaking heart hid beneath my smiling face. And then bidding Diana good-bye-e-e—' Here Anne broke down entirely and wept with increasing bitterness. Marilla turned quickly away to hide her twitching face, but it was no use; she collapsed on the nearest chair and burst into such a hearty and unusual peal of laughter…
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
I did not think you would be angry, Jem burst out, and it was like ice cracking across a frozen waterfall, freeing a torrent. We were engaged, Tessa. A proposal-an offer of marriage-is a promise. A promise to love and care for someone always. I did not mean to break mine to you. But it was that or die. I wanted to wait, to be married to you and live wit you for years, but that wasn't possible. I was dying too fast. I would have given it up-all of it up-to be married to you for a day. A day that would never have come. You are a reminder-a reminder of everything I am losing. The life I will not have.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Here's some advice. Stay alive," says Haymitch, and then bursts out laughing. I exchange a look with Peeta before I remember that I'm having nothing more to do with him. I'm surprised to see the hardness in his eyes. He generally seems so mild. 'That's very funny,' says Peeta. Suddenly, he lashes out at the glass in Haymitch's hand. It shatters on the floor, sending the bloodred liquid running toward the back of the train. 'Only not to us.' Haymitch considers this a moment, then punches Peeta in the jaw, knocking him from his chair. When he turns back to reach for the spirits, I drive my knife into the table between his hand and the bottle, barely missing his fingers. I brace myself to deflect his hit, but it doesn't come. Instead, he sits back and squints at us. 'Well, what's this?' says Haymitch. 'Did I actually get a pair of fighters this year?
Suzanne Collins
We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds & expectations, to burst open & give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning, we hope, more than anything for more. Heaven only knows why we love it so.
Michael Cunningham (The Hours)
Do me a favor?” he whispered. Beth's hold tightened on his hand. ”Anything, what do you need?” ”Hum the Jeopardy theme.” There was a pause.Then Beth burst out laughing and swatted his shoulder. ”Wrath-” ”Actually,take your clothes off and hum it while doing some belly grooves.” As his shellan bent down and kissed his forehead, he looked up at her through his wraparounds. ”You think I'm kidding? Come on, we both need the distraction. And I promise I'll tip well” "You never carry cash." He extended his tongue and swept it over his upper lip. "I plan on working it off.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
It’s what you didn’t say, Dad.” Cooper could hear his voice loud and steady, like it had been growing inside him and waiting to burst out for years. “You never even mentioned it. Like it didn’t exist. Like it didn’t even cross your mind that I could be gay or bi or anything else. How was I to know it was okay? I never heard it from you. It wasn’t my job to tell you. It was yours to make me feel like I didn’t have to hide it from you.
Charlie Adhara (The Wolf at Bay (Big Bad Wolf #2))
Why, when people are leaving their partners because they're having an affair with someone else, do they think it will seem better to pretend there is no one else involved? Do they think it will be less hurtful for their partners to think they just walked out because they couldn't stand them any more and then had the good fortune to meet some tall Omar Sharif-figure with a gentleman's handbag two weeks afterwards while the ex-partner is spending his evenings bursting into tears at the sight of the toothbrush mug? It's like those people who invent a lie as an excuse rather than the truth, even when the truth is better than the lie.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
...A change fell upon all things. Strange brilliant flowers, star-shaped, burst out upon the trees where no flowers had been before. The tints of the green carpet deepened; and when, one by one, the white daisies shrank away, there sprang up, in place of them, ten by ten of the ruby-red asphodel. And life arose in our paths; for the tall flamingo hitherto unseen, with all gay glowing birds, flaunted his scarlet plumage before us. The golden and silver fish haunted the river...
Edgar Allan Poe
[Greens] don't come through the back door the same as other groceries. They don't cower at the bottom of paper bags marked 'Liberty.' They wave over the top. They don't stop to be checked off the receipt. They spill out onto the counter. No going onto shelves with cans in orderly lines like school children waiting for recess. No waiting, sometimes for years beyond the blue sell by date, to be picked up and taken from the shelf. Greens don't stack or stand at attention. They aren't peas to be pushed around. Cans can't contain them. Boxed in they would burst free. Greens are wild. Plunging them into a pot took some doing. Only lobsters fight more. Either way, you have to use your hands. Then, retrieving them requires the longest of my mother's wooden spoons, the one with the burnt end. Swept onto a plate like the seaweed after a storm, greens sit tall, dark, and proud.
Georgia Scott (American Girl: Memories That Made Me)
The most interesting thing about writing is the way that it obliterates time. Three hours seem like three minutes. Then there is the business of surprise. I never know what is coming next. The phrase that sounds in the head changes when it appears on the page. Then I start probing it with a pen, finding new meanings. Sometimes I burst out laughing at what is happening as I twist and turn sentences. Strange business, all in all. One never gets to the end of it. That’s why I go on, I suppose. To see what the next sentences I write will be.
Gore Vidal
He bent and laid his lips on her hands, which were cold and lifeless. She drew them away, and he turned to the door, found his coat and hat under the faint gas-light of the hall, and plunged out into the winter night bursting with the belated eloquence of the inarticulate.
Edith Wharton (The Age of Innocence)
Go and change your gown, Mary," Daniel interjected. "I'm partial to gold. If you've a gown in that color, wear it to please me. If not, white will do well enough. I'm wedding you, Lady Mary." Lord Daniel Ferguson caught Lady Mary before she hit the floor. He wasn't at all irritated that his intended had just fainted dead away, and he actually let out a full burst of laughter as he swept Mary up into his arms and held her against his chest. "She's overcome with gratitude, Alec," Daniel called out to his friend. "Aye, Daniel, I can see she is," Alec answered.
Julie Garwood (The Bride (Lairds' Fiancées, #1))
He burst in the door like he'd expected to find us, and in that horrible moment, with him raging like a storm, I knew why Mason had called him a god. In the blink of an eye, he crossed the room and jerked Jesse up by his shirt, nearly holding the Moroi off the ground. "What's your name?" barked Dimitri. "J-Jesse, sir. Jesse Zeklos, sir." "Mr. Zeklos, do you have permission to be in this part of the dorm?" "No, sir." "Do you know the rules about male and female interactions around here?" "Yes, sir." "Then I suggest you get out of here as fast as you can before I turn you over to someone who will punish you accordingly. If I ever see you like this again -" Dimitri pointed to where I cowered, half dressed, on the couch. - "I will be the one to punish you. And it will hurt. A lot. Do you understand me?" Jesse swallowed, eyes wide. None of the bravado he usually showed was there. I guess there was 'usually' and then there was being held in the grip of a really ripped, really tall, and really pissed-off Russian guy. "Yes, sir." "Then go." Dimitri released him, and, if possible, Jesse got out of there faster than Dimitri had burst in. My mentor then turned to me, a dangerous glint in his eyes.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
I was, after the breakup, what you call a complete wreck. For the first time in my life, my pain had a focus. Any I just couldn't help myself. I didn't care what anyone thought, I didn't care that all the girls in school would say, See, he finally got wise, I didn't care how stupid I would look with teary mascara stains and purple eyeliner tracks down my cheeks, I didn't care about anything except how this was the worst pain ever. I used to weep for never having anything worth losing, but now I was simply resplendent--puffy, red, hysterical-- with a loss I could identify completely. I felt justified in my sorrow and I couldn't stand the way everything about Zachary seemed to be everywhere: Every staircase we'd necked on and lounge chair we'd chatted on between classes was redolent with memories of him. My God, even the lint that gathered on my clothing and still hadn't come out in the wash reminded me of Zachary. I would burst into tears in class and not bother to excuse myself. I cried on the subway. One day, I got mugged walking to the subway, and figured it was as good an excuse as any to go home and stay there.
Elizabeth Wurtzel (Prozac Nation)
Until I die there will be those moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming--God grant me the grace to live them-- in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the light of that gloomy tunnel trapped around his head.
James Baldwin (Giovanni’s Room)
when you’re sitting on a plane 40, 000 feet up in the air, looking out the window, dreaming of your future and how bright it appears to be, or maybe just watching the drops of rain being pushed into different designs from the force of air at 400 mph, well, life feels good. it feels safe, your seat belt is on and your feet are up. then the oxygen masks fall, the plane jumps, snaps and jolts. people start to scream, babies burst out crying, people start praying all in time to the overhead announcement that we’re gonna crash. right then, as your life flashes before your eyes, you hear yourself say, “god, if you get me outta this one, i’ll stop [insert lie here] forever.” right then the nose of the plane pulls up and the captain says, “wow, that was a close one, folks. we’re ok, we’ll be landing in thirty minutes and we’re all safe and sound, sorry for the scare…” that’s how getting hooked on junk is, and when the kick is over you can’t believe you ever got on that plane in the first place. the question is, will you ever fly again?
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
I slipped in and out of consciousness as time stretched and flowed around me. Dreams and reality blurred, but I liked the dreams better. Noah was in them. I dreamed of us, walking hand in hand down a crowded street in the middle of the day. We were in New York. I was in no rush—I could walk with him forever—but Noah was. He pulled me alongside him, strong and determined and not smiling. Not today. We wove among the people, somehow not touching a single one. The trees were green and blossoming. It was spring, almost summer. A strong wind shook a few steadfast flowers off of the branches and into our path. We ignored them. Noah led me into Central Park. It was teeming with human life. Bright colored picnic blankets burst across the lawn, the pale, outstretched forms of people wriggling over them like worms in fruit. We passed the reservoir, the sun reflecting off its surface, and then the crowd began to thicken. They funneled into a throbbing mass as we strode up a hill, over and through. Until we could see them all below us, angry and electric. Noah reached into his bag. He pulled out the little cloth doll, my grandmother’s. The one we burned.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.
J. Ruth Gendler (The Book of Qualities)
My chair rolls to a stop. his voice cut short, followed by a thump and sliding sound. My wheelchair rolls forward again. I look back and see Ragnar pushing it innocently along. Sevro isn't in the hallway behind us. I frown, wondering where he went, till he bursts out of a side passage. "You! Troll!" Sevro shouts. "I'm a terrorist warlord! Stop throwing me. You made me drop my candy!" Sevro looks at the floor of the hallway. "Wait. Where is it? Dammit, Ragnar. Where is my peanut bar? You know how many people I had to kill to get that? Six! Six!" Ragnar chews quietly above me, and though I'm probably mistaken, I think I see him smile.
Pierce Brown (Morning Star (Red Rising Saga, #3))
I wish I could find words to explain what this kind of cold is like – the cold that has somehow gotten in underneath your skin and is getting colder and colder inside you. It isn´t an outside sort of cold; it´s a cold that gets into your bones and into your blood and it feels like your heart itself is beating out the cold in hard bursts through your entire body, and you suddenly remember that you have a body because you can´t ignore it anymore. You feel like an ice cube. You feel like you´re naked and have fallen through thin ice on a lake and are drowning in the ice water underneath. You can´t breathe.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
I looked at our hands, caked and coated in red, but entwined. The pristine moment when they were clasped like that earlier in the day seemed weeks ago. "Clean." Peter said. "Can I get a water bottle or something to clean his hands?" I scanned the crowd. He drew my attention back to him with a pull of my hand. "No," Peter said. "I'm...clean." I had missed who Peter was until that very moment. I had called him names and treated him callously. I had read every micro expression in a vacuum of how it related to Austin Glass. And in return Peter had cared for my wounds, treated me tenderly and assured me that he was HIV negative while bleeding out in a hallway of strangers. I broke. It wasn't a visible fracture. I didn't sob or explode into anguish. I didn't give in to my vomitus urge that came from the burst of self-loathing. But I shattered nonetheless.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
You're wonderful. So full of life and excitement. The priests and servants of the palace, they wear colors, but there's no color inside of them. They just go about their duties, eyes down, solemn. You've got color on the inside, so much of it that it bursts out and colors everything around you.
Brandon Sanderson (Warbreaker)
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
James Joyce (Selected Letters of James Joyce)
Fight back, Laia. For Darin. For Izzi. For every Scholar this beast has abused. Fight. A scream bursts from me, and I claw at Marcus’s face, but a punch to my stomach takes the wind out of my lungs. I double over, retching, and his knee comer up into my forehead. The hallway spins, and I drop to my knees. Then I hear him laughting, a sadistic chuckle that stokes my defiance. Sluggishly, I throw myself at his legs. It won’t be like before, like during the raid when I let that Mask drag me about my own house like some dead thing. This time, I’ll fight. Tooth and nail, I’ll fight.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
What would happen if a man's face could adequately express his suffering, if his entire inner agony would be objectified in his facial expression? Could we still communicate? Wouldn't we then cover our faces with our hands while talking? Life would really be impossible if the infinitude of feelings we harbor within ourselves would be fully expressed in the lines of our face. Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would be truly understand and appreciate the advantages of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
Emil M. Cioran (On the Heights of Despair)
Mom." I couldn't believe she was doing this again. She was taking this moment, this time when I was strongest, away from me. "I don't care what I have to do," she said, her voice low and even. "I don't care if I have to send you away or switch schools. I don't care if I have to follow you twenty-four hours a day, you will not see him, Halley. You will not destroy yourself this way." "Why are you just assuming I'm going back to him?" I asked her, just as she was drawing in breath to make another point. "Why don't you ask me what I said to him out there?" She shut her mouth, caught off guard. "What?" "Why don't you ever wait a second and see what I'm planning, or thinking, before you burst in with your opinions and ideas? You never even give me a chance." "Yes, I do," she said indignantly. "No," I said. "You don't. And then you wonder why I never tell you anyone or share anything with you. I can never trust you with anything or share anything with you. I can never trust you with anything, give you any piece of me without you grabbing it to keep for yourself." "That's not true," she said slowly, but it was just now hitting her, I could see it. "Halley, you don't always know what's at stake, and I do." "I will never learn," I said to her slowly, "until you let me." And so we stood there in the kitchen, my mother and I, facing off over everything that had built up since June, when I was willing to hand myself over free and clear. Now I needed her to return it all to me, with the faith that I could make my own way.
Sarah Dessen (Someone Like You)
It’s getting closer,” Tristan said. Ayden nodded. “So let’s track it.” “No,” Ayden snapped. “She’s our priority.” “I know, but it’s following her, so,” Tristan held one hand up, “find the demon,” he held up the other, “find Aurora. It could work.” The itching intensified. Invisible claws grazed up the back of my neck, wrenching every nerve to painful attention. Another hungry screech sent spikes piercing my brain. Lights shattered my vision. I couldn’t breathe. I burst out of the suffocating space just as the engine roared to life and gunned the car forward. With a violent curse, Ayden slammed on the brakes but not before the Maserati rammed my hip. I hurtled into the air and rolled a fast spin onto the hood. “Or you could just hit her with the car,” Tristan said. “Real smooth.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
When you stop to examine the way in which our words are formed and uttered, our sentences are hard-put to it to survive the disaster of their slobbery origins. The mechanical effort of conversation is nastier and more complicated than defecation. That corolla of bloated flesh, the mouth, which screws itself up to whistle, which sucks in breath, contorts itself, discharges all manner of viscous sounds across a fetid barrier of decaying teeth—how revolting! Yet that is what we are adjured to sublimate into an ideal. It's not easy. Since we are nothing but packages of tepid, half-rotted viscera, we shall always have trouble with sentiment. Being in love is nothing, its sticking together that's difficult. Feces on the other hand make no attempt to endure or grow. On this score we are far more unfortunate than shit; our frenzy to persist in ourpresent state—that's the unconscionable torture. Unquestionably we worship nothing more divine than our smell. All our misery comes from wanting at all costs to go on being Tom, Dick, or Harry, year in year out. This body of ours, this disguise put on by common jumping molecules, is in constant revolt against the abominable farce of having to endure. Our molecules, the dears, want to get lost in the universe as fast as they can! It makes them miserable to be nothing but 'us,' the jerks of infinity. We'd burst if we had the courage, day after day we come very close to it. The atomic torture we love so is locked up inside us by our pride.
Louis-Ferdinand Céline (Journey to the End of the Night)
At last we heard Father's footsteps winding up the stairs. It was the best moment in every day, when he came up to tuck us in. We never fell asleep until he had arranged the balnkets in his special way and laid his hand for a moment on each head. Then we tried not to move even a toe. But that night as he stepped through the door I burst into tears. "I need you!" I sobbed. "You can't die! You can't!" Father sat down on the edge of the narrow bed. "Corrie," he began gently, "when you and I go to Amsterdam, when do I give you your ticket?" I sniffed a few times, considering this. "Why, just before we get on the train." "Exactly. And our wise Father in Heaven knows when we're going to need things too. Don't run out ahead of Him, Corrie. When the time comes that some of us will have to die, you will look into your heart and find the strength you need--just in time.
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
The King emerged from the library, paperwork in hand, eyebrows furrowed. "Well, what is it, what is it?" he said crossly. "Can you not let me work for five minutes at a time?" The girls burst into angry cries. Kale let out another piercing shriek. "Him-him-him-" said Delphinium, pointing a shaking finger at Mr. Hyette, who laughed still. "He-he-him!" "He-he-he was spying on us!" "And we weren't even wearing our boots!" "Or even our stockings!" Thunpfwhap. The King threw Mr. Hyette up against the paneling. My Hyette's head slammed against the wainscot. Kale stopped midscream, hiccupped, and giggled. "Mr. Hyeete!" said the King. Mr. Hyette struggled against the King's steel grip. "Ow," he said. "I say, ow!" The King yanked Mr. Hyette from the wall and grabbed him by the scruff of his fluffy cravat. He handled Mr. Hyette out the entrance hall doors, slamming them behind him. Outside, gravel scuffled. "I say," said Bramble, in an impeccable impersonation of Mr. Hyette. "I say, I say! I say-this Royal Business could actually be quite a lot of fun!
Heather Dixon Wallwork (Entwined)
The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.
Leo Tolstoy (War and Peace)
Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the midst of the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would we truly understand and appreciate the advantage of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
Emil M. Cioran (On the Heights of Despair)
Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Do you know anything about silent films?” “Sure,” I said. “The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn’t until the 1920s that sound become truly incorporated into films, eventually making silent ones obsolete in cinema.” Bryan gaped, as though that was more than he’d been expecting. “Oh. Okay. Well, um, there’s a silent film festival downtown next week. Do you think you’d want to go?” I shook my head. “No, I don’t think so. I respect it as an art form but really don’t get much out of watching them.” “Huh. Okay.” He smoothed his hair back again, and I could almost see him groping for thoughts. Why on earth was he asking me about silent films? “What about Starship 30? It opens Friday. Do you want to see that?” “I don’t really like sci-fi either,” I said. It was true, I found it completely implausible. Bryan looked ready to rip that shaggy hair out. “Is there any movie out there you want to see?” I ran through a mental list of current entertainment. “No. Not really.” The bell rang, and with a shake of his head, Bryan slunk back to his desk. “That was weird,” I muttered. “He has bad taste in movies.” Glancing beside me, I was startled to see Julia with her head down on her desk while she shook with silent laughter. “What?” “That,” she gasped. “That was hilarious.” “What?” I said again. “Why?” “Sydney, he was asking you out!” I replayed the conversation. “No, he wasn’t. He was asking me about cinema.” She was laughing so hard that she had to wipe away a tear. “So he could find out what you wanted to see and take you out!” “Well, why didn’t he just say that?” “You are so adorably oblivious,” she said. “I hope I’m around the day you actually notice someone is interested in you.” I continued to be mystified, and she spent the rest of class bursting out with spontaneous giggles.
Richelle Mead (Bloodlines (Bloodlines, #1))
So you want to be a writer if it doesn’t come bursting out of you in spite of everything, don’t do it. unless it comes unasked out of your heart and your mind and your mouth and your gut, don’t do it. if you have to sit for hours staring at your computer screen or hunched over your typewriter searching for words, don’t do it. if you’re doing it for money or fame, don’t do it. if you’re doing it because you want women in your bed, don’t do it. if you have to sit there and rewrite it again and again, don’t do it. if it’s hard work just thinking about doing it, don’t do it. if you’re trying to write like somebody else, forget about it. if you have to wait for it to roar out of you, then wait patiently. if it never does roar out of you, do something else. if you first have to read it to your wife or your girlfriend or your boyfriend or your parents or to anybody at all, you’re not ready. don’t be like so many writers, don’t be like so many thousands of people who call themselves writers, don’t be dull and boring and pretentious, don’t be consumed with self- love. the libraries of the world have yawned themselves to sleep over your kind. don’t add to that. don’t do it. unless it comes out of your soul like a rocket, unless being still would drive you to madness or suicide or murder, don’t do it. unless the sun inside you is burning your gut, don’t do it. when it is truly time, and if you have been chosen, it will do it by itself and it will keep on doing it until you die or it dies in you. there is no other way. and there never was.
Charles Bukowski
And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione's heads: The dementors fell back before the creatures' approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus. "That's right," said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. "That's right, Harry... come on, think of something happy..." "Something happy?" he said, his voice cracked. "We're all still here," she whispered, "we're still fighting. Come on, now..." There was a silver spark, then a wavering light, and then, with the greatest effort it had ever cost him, the stag burst from the end of Harry's wand.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Look,” I began, “I get it. You don’t like me, but—” “I don’t like you?” He let out a low, flat laugh. One fell into the next, and it was awful—not at all him. He was half choking on them as he turned around, shaking his head. It almost sounded like a sob, the way his breath burst out of him. “I don’t like you,” he repeated, his face bleak. “I don’t like you?” “Liam—” I started, alarmed. “I can’t—I can’t think about anything or anyone else,” he whispered. A hand drifted up, dragging back through his hair. “I can’t think straight when you’re around. I can’t sleep. It feels like I can’t breathe—I just—” “Liam, please,” I begged. “You’re tired. You’re barely over being sick. Let’s just… Can we just go back to the others?” “I love you.” He turned toward me, that agonized expression still on his face. “I love you every second of every day, and I don’t understand why, or how to make it stop—” He looked wild with pain; it pinned me in place, even before what he had said registered in my mind. “I know it’s wrong; I know it down to my damn bones. And I feel like I’m sick. I’m trying to be a good person, but I can’t. I can’t do it anymore.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I looked up at him. His green eyes glittered in the dark, reflecting the moonlight like a cat's. His scowl had vanished. The defiance was gone, too, replaced by a tightness around his mouth, a worry that clouded his eyes; and seeing that quicksilver change, I wanted to... I don't know what I wanted to do. Kick him in the shins seemed like a good option. Unfortunately, bursting into tears seemed more likely, because here lay the root of the problem, the contradiction in Derek that I couldn't seem to work out, no matter how hard I tried. One second he was in my face, making me feel stupid and useless. The next he was like this: hovering, concerned, worried. I told myself it was just his wolf instinct, that he had to protect me whether he wanted to or not, but when he looked like this, like he'd pushed me too far and regretted it . . . That look said he genuinely cared.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
I totally remember what it felt like to be so full…Full of promise, full of dreams, full of shit. Mostly just full of yourself. So full you’re bursting. And then you get out into the world, and people empty you out, little by little, like air from a balloon…You try like hell to fill yourself up with fresh air, from you and from other people. But back then…it was so damn effortless to feel full, you know? All you had to do was breathe
Jonathan Tropper
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
You’re beautiful,” I say, and the honesty of my words stings. “You’re beautiful inside and out. I like how you challenge me. I like how I can never figure out what you’re going to do or say. I like how we’ve thrown weird shit in your direction and you take it like a pro.” I cup her face with one hand and caress her soft skin. “I like how you smile and how you laugh. I like how you love and defend your family and I like how you’re trying to love mine. I love how you trust. But mostly, Emily, I like how I feel when I’m around you.” Shit. My heart bursts as the words tumble out. “I’m falling for you.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Hey, I was sleeping innocently until a big bear came in and decided that my bed was just right.” He tugs on my hair. “I think you got the wrong fairytale here.” “What would be the right one? Aladdin because you plan to take me on a magical carpet ride?” I waggle my eyebrows. Reed bursts out laughing. “Is that what you think of my dick? That it’s magical?” I blush so furiously that he laughs even harder. “Damn, you really are a virgin, aren’t you?” Cheeks still flaming, I flip up my middle finger. “That’s what I think of you and your magical, uh…” “Dick,” he supplies between laughs. “Come on, virgin, just say it—dick.” “Oh, you’re a dick, all right.” I glare at him all the way to the car. - Ella Harper
Erin Watt (Paper Princess (The Royals, #1))
So the boy…the boy must die?” asked Snape quite calmly. “And Voldemort himself must do it, Severus. That is essential.” Another long silence. Then Snape said, “I thought…all these years…that we were protecting him for her. For Lily.” “We have protected him because it has been essential to teach him, to raise him, to let him try his strength,” said Dumbledore, his eyes still tight shut. “Meanwhile, the connection between them grows ever stronger, a parasitic growth: Sometimes I have thought he suspects it himself. If I know him, he will have arranged matters so that when he does set out to meet his death, it will truly mean the end of Voldemort.” Dumbledore opened his eyes. Snape looked horrified. “You have kept him alive so that he can die at the right moment?” “Don’t be shocked, Severus. How many men and women have you watched die?” “Lately, only those whom I could not save,” said Snape. He stood up. “You have used me.” “Meaning?” “I have spied for you and lied for you, put myself in mortal danger for you. Everything was supposed to be to keep Lily Potter’s son safe. Now you tell me you have been raising him like a pig for slaughter--” “But this is touching, Severus,” said Dumbledore seriously. “Have you grown to care for the boy, after all?” “For him?” shouted Snape. “Expecto Patronum!” From the tip of his wand burst the silver doe: She landed on the office floor, bounded once across the office, and soared out of the window. Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears. “After all this time?” “Always,” said Snape.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
God or somebody keeps creating women and tossing them out on the streets, and this one’s ass is too big and that one’s tits are too small, and this one is mad and that one is crazy and that one is a religionist and that one reads tea leaves and this one can’t control her farts, and that one has this big nose, and that one has boney legs … But now and then, a woman walks up, full blossom, a woman just bursting out of her dress … a sex creature, a curse, the end of it all.
Charles Bukowski (Post Office)
Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.
Kristen Ashley (At Peace (The 'Burg, #2))
Well,” she finally said, “he’s coming back shortly, so you are absolved of your responsibilities.” “No.” The word came from him like an oath, emerging from the very core of his being. She looked at him in impatient confusion. “What do you mean?” He stepped forward. He wasn’t sure what he was doing. He knew only that he couldn’t stop. “I mean no. I don’t want to be absolved.” Her lips parted. He took another step. His heart was pounding, and something within him had gone hot, and greedy, and if there was anything in the world besides her, besides him—he did not know it. “I want you,” he said, the words blunt, and almost harsh, but absolutely, indelibly true. “I want you,” he said again, and he reached out and took her hand. “I want you.” “Marcus, I—” “I want to kiss you,” he said, and he touched one finger to her lips. “I want to hold you.” And then, because he couldn’t have kept it inside for one second longer, he said, “I burn for you.” He took her face in his hands and he kissed her. He kissed her with everything that had been building within him, every last aching, hungry burst of desire. Since the moment he had realized he loved her, this passion had been growing within him. It had probably been there all along, just waiting for him to realize it. He loved her.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
He'd been right about the world, but he was wrong about himself. The word was a desert, but he was a magician, and to be a magician was to be a secret spring - a moving oasis. He wasn't desolate, and he wasn't empty. He was full of emotion, full of feelings, bursting with them, and when it came down to it, that's what being a magician was. They weren't ordinary feelings - they weren't the tame, domesticated kind. Magic was wild feelings, the kind that escaped out of you and into the world and changed things. There was a lot of skill to it, and a lot of learning, and a lot of work, but that was where the power began: the power to enchant the world.
Lev Grossman (The Magician's Land (The Magicians, #3))
Julia, hanging back, says, ‘How have you been, Stephen?’ I want to tell her everything. I want to find out what she’s been doing, what she plans to do but, at this fated moment, a vision of my stomach floats before me. It is a soggy marsh, green rushes growing round the edges, gas bubbles surfacing all over and bursting. The bubbling of the marsh is set to the music of creation, the percussive glottal stops of the Big Bang. I realize I have, at best, one complete sentence left in me. ‘Julia,’ I begin, composing in my head a deranged paean of love that I can never utter. ‘I regret that I am not myself today. Terry has poisoned me.’ ‘You should go home,’ she says.
Michael Tobert (Karna's Wheel)
I have to admit it humbly, mon cher compatriote, I was always bursting with vanity. I, I, I is the refrain of my whole life, which could be heard in everything I said. I could never talk without boasting, especially if I did so with that shattering discretion that was my specialty. It is quite true that I always lived free and powerful. I simply felt released in the regard to all the for the excellent reason that I recognized no equals. I always considered myself more intelligent than everyone else, as I’ve told you, but also more sensitive and more skillful, a crack shot, an incomparable driver, a better lover. Even in the fields in which it was easy for me to verify my inferiority–like tennis, for instance, in which I was but a passable partner–it was hard for me not to think that, with a little time and practice, I would surpass the best players. I admitted only superiorities in me and this explained my good will and serenity. When I was concerned with others, I was so out of pure condescension, in utter freedom, and all the credit went to me: my self-esteem would go up a degree.
Albert Camus (The Fall (Vintage International))
We cannot live outside our bodies, our friends, some sort of human cluster, and at the same time, we are bursting out of this situation. The question which poses itself then is one of the conditions which allow the acceptance of the other, the acceptance of a subjective pluralism. It is a matter not only of tolerating another group, another ethnicity, another sex, but also of a desire for dissensus, otherness, difference. Accepting otherness is a question not so much of right as of desire. This acceptance is possible precisely on the condition of assuming the multiplicity within oneself.
Félix Guattari (The Guattari Reader (Wiley Blackwell Readers))
Years and years ago, there was a production of The Tempest, out of doors, at an Oxford college on a lawn, which was the stage, and the lawn went back towards the lake in the grounds of the college, and the play began in natural light. But as it developed, and as it became time for Ariel to say his farewell to the world of The Tempest, the evening had started to close in and there was some artificial lighting coming on. And as Ariel uttered his last speech, he turned and he ran across the grass, and he got to the edge of the lake and he just kept running across the top of the water — the producer having thoughtfully provided a kind of walkway an inch beneath the water. And you could see and you could hear the plish, plash as he ran away from you across the top of the lake, until the gloom enveloped him and he disappeared from your view. And as he did so, from the further shore, a firework rocket was ignited, and it went whoosh into the air, and high up there it burst into lots of sparks, and all the sparks went out, and he had gone. When you look up the stage directions, it says, ‘Exit Ariel.
Tom Stoppard
Write poorly. Suck. Write Awful. Terribly. Frightfully. Don’t care. Turn off the inner editor. Let yourself write. Let it flow. Let yourself fail. Do something crazy. Write 50,000 words in the month of November. I did it. It was fun. It was insane. It was 1,667 words per day. It was possible, but you have to turn off the inner critic off completely. Just write. Quickly. In bursts. With joy. If you can’t write, run away. Come back. Write again. Writing is like anything else. You won’t get good at it immediately. It’s a craft. You have to keep getting better. You don’t get to Juilliard unless you practice. You want to get to Carnegie Hall? Practice. Practice. Practice ..or give them a lot of money. Like anything else it takes 10,000 hours to get to mastery. Just like Malcolm Gladwell says. So write. Fail. Get your thoughts down. Let it rest. Let is marinate. Then edit, but don’t edit as you type. That just slows the brain down. Find a daily practice. For me it’s blogging. It’s fun. The more you write the easier it gets. The more it is a flow, the less a worry. It’s not for school, it’s not for a grade, it’s just to get your thoughts out there. You know they want to come out. So keep at it. Make it a practice. Write poorly. Write awfully. Write with abandon and it may end up being really really good.
Colleen Hoover
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
Duchess was barking her head off as she raced after a snarling, hissing, yowling white ball of Maleficent. Aphrodite was chasing after the dog, screaming for her to ''Come! Stay. Be good, damnit!'' Damien was close behind her, flailing his arms and yelling ''Duchess! Come!'' All of a sudden the Twins' cat, the huge and very stuck-up Beelzebub joined in the chase, only he was tearing around after Duchess. ''Ohmygod! Beelzebub! Honey!'' Shaunee ran into my view, yelling at the top of her very healthy lungs. ''Beelzebub! Duchess! Stop!'' Erin wailed, right behind her twin. Darius suddenly burst out into the hallway, and I stepped back behind the curtains, not sure is my shrouding could be detected by him. Apparently he didn't notice me, or anything else, because he ran into the Council Room. I peeked through the drapes and could hear him telling Neferet that she was needed on the school grounds-that there was an 'altercation.' Then Neferet was hurrying out of the room and down the hall, following Darius into the dog-barking, cat-yowling, kid-screaming craziness. I noticed that through all of it I hadn't seen hide nor hair of Jack. Talk about an excellent diversion!
Kristin Cast (Untamed (House of Night, #4))
If you try to make a shrimp boil, but the bag of spices bursts, and so you just toss it in along with whatever spices you can find in the pantry--you can make homemade pepper spray. Unintentionally. And everyone at your dinner party will run outside for the next hour, coughing and tearing up as if they've been maced, because technically they kind of have been, because mace was one of the spices I found in the panty. I blame whoever makes spice out of mace, and I remind my gasping dinner guests that even if I did mace them, I did it in an old fashioned, homemade, Martha Stewart sort of way. With love.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones than go back on any of the words I said so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding. You are fireproof, lionheart and now I am, too.
Tashie Bhuiyan (Counting Down with You)
Ed, "I hate deserts. There is nothing but sand *collapses* If there was some grass I could turn it into bread. I'm starving! Huh? Hey! Al' where'd you go? Al? Hey!" Al, "Down here! *Al's hand emerges from the sand beneath Ed and grabs Ed's leg*" Ed, "AHH!!" Al, "I sunk again. . ." (cut to later, after Ed dug Al out) Al, "I get full." Ed, "Full of what? *kicks Al and sand falls out of his chest plate and buries Ed*" Al, "Hahahaha. . .hahaha. . .haha. . . ha. . . *still laughing, inches away from Ed*" Ed, "*bursts out of sand and starts running after Al* Get back here!" Al, "What are you going to do?" Ed, "Nothing!" Al, "Than why are you chasing me?" Ed, "Stop and you'll find out!" Al, "I promise I won't get buried again!" Ed, "Not unless it's by me!" Al," Ed!" Ed, "Rrrrrrrrr!
Hiromu Arakawa (Fullmetal Alchemist, Vol. 1)
Have you never outright sinned, then?” “I disobeyed Patti when she told me to stay away from you.” “Right. I remember that one. So just once, then?” “There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching. “Yes? Go on,” he urged. He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts. “The night we met, I sort of...well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind. We started catching our breath again a few minutes later, only to break into another round of merriment. “Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes. “Yes, yes. I've had worse said about me.
Wendy Higgins (Sweet Evil (Sweet, #1))
The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget; but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved, when he feels his heart, as it were, crushed in the closing of its portal, would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved are softened away in pensive meditation on all that it was in the days of its loveliness - who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh, the grave! The grave! It buries every error - covers every defect - extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections.
Washington Irving
Though men in their hundreds of thousands had tried their hardest to disfigure that little corner of the earth where they had crowded themselves together, paving the ground with stones so that nothing could grow, weeding out every blade of vegetation, filling the air with the fumes of coal and gas, cutting down trees and driving away every beast and every bird -- spring, however, was still spring, even in the town. The sun shone warm, the grass, wherever it had not been scraped away, revived and showed green not only on the narrow strips of lawn on the boulevards but between the paving-stones as well, and the birches, the poplars and the wild cherry-trees were unfolding their sticky, fragrant leaves, and the swelling buds were bursting on the lime trees; the jackdaws, the sparrows and the pigeons were cheerfully getting their nests ready for the spring, and the flies, warmed by the sunshine, buzzed gaily along the walls. All were happy -- plants, birds, insects and children. But grown-up people -- adult men and women -- never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy -- a beauty which inclines the heart to peace, to harmony and to love. No, what they considered sacred and important were their own devices for wielding power over each other.
Leo Tolstoy (Resurrection)
She isn't traumatized, she isn't weighed down by any obvious grief. She's just sad, all the time. An evil little creature that wouldn't have shown up on any X-rays was living in her chest, rushing through her blood and filling her head with whispers, saying she wasn't good enough, that she was weak and ugly and would never be anything but broken. You can get it into your head to do some unbelievably stupid things when you run out of tears, when you can't silence the voices no one else can hear, when you've never been in a room where you felt normal. In the end you get exhausted from always tensing the skin around your ribs, never letting your shoulders sink, brushing along walls all your life with white knuckles, always afraid that someone will notice you, because no one's supposed to do that. All Nadia knew was that she had never felt like someone who had anything in common with anyone else. She had always been entirely alone in every emotion. She sat in a classroom full of her contemporaries, looking like everything was the same as usual, but inside she was standing in a forest screaming until her heart burst. The trees grew until one day the sunlight could no longer break through the foliage, and the darkness in here became impenetrable.
Fredrik Backman (Anxious People)
I glance around the room. What a comedy! All these people sitting there, looking serious, eating. No, they aren't eating: they are recuperating in order to successfully finish their tasks. Each one of them has his little personal difficulty which keeps him from noticing that he exists; there isn't one of them who doesn't believe himself indispensable to something or someone. Didn't the Self-Taught Man tell me the other day: "No one better qualified than Noucapie to undertake this vast synthesis?" Each one of them does one small thing and no one is better qualified than he to do it. No one is better qualified than the commercial traveler over there to sell Swan Toothpaste. No one better qualified than that interesting young man to put his hand under his girl friend's skirts. And I am among them and if they look at me they must think that no one is better qualified than I to do what I'm doing. But I know. I don't look like much, but I know I exist and that they exist. And if I knew how to convince people I'd go and sit down next to that handsome white-haired gentleman and explain to him just what existence means. I burst out laughing at the thought of the face he would make. The Self-Taught Man looks at me with surprise. I'd like to stop but I can't; I laugh until I cry.
Jean-Paul Sartre (Nausea)
Some sleepers have intelligent faces even in sleep, while other faces, even intelligent ones, become very stupid in sleep and therefore ridiculous. I don't know what makes that happen; I only want to say that a laughing man, like a sleeping one, most often knows nothing about his face. A great many people don't know how to laugh at all. However, there's nothing to know here: it's a gift, and it can't be fabricated. It can only be fabricated by re-educating oneself, developing oneself for the better, and overcoming the bad instincts of one's character; then the laughter of such a person might quite possibly change for the better. A man can give himself away completely by his laughter, so that you suddenly learn all of his innermost secrets. Even indisputably intelligent laughter is sometimes repulsive. Laughter calls first of all for sincerity, and where does one find sincerity? Laughter calls for lack of spite, but people most often laugh spitefully. Sincere and unspiteful laughter is mirth. A man's mirth is a feature that gives away the whole man, from head to foot. Someone's character won't be cracked for a long time, then the man bursts out laughing somehow quite sincerely, and his whole character suddenly opens up as if on the flat of your hand. Only a man of the loftiest and happiest development knows how to be mirthful infectiously, that is, irresistibly and goodheartedly. I'm not speaking of his mental development, but of his character, of the whole man. And so, if you want to discern a man and know his soul, you must look, not at how he keeps silent, or how he speaks, or how he weeps, or even how he is stirred by the noblest ideas, but you had better look at him when he laughs. If a man has a good laugh, it means he's a good man. Note at the same time all the nuances: for instance, a man's laughter must in no case seem stupid to you, however merry and simplehearted it may be. The moment you notice the slightest trace of stupidity in someone's laughter, it undoubtedly means that the man is of limited intelligence, though he may do nothing but pour out ideas. Or if his laughter isn't stupid, but the man himself, when he laughs, for some reason suddenly seems ridiculous to you, even just slightly—know, then, that the man has no real sense of dignity, not fully in any case. Or finally, if his laughter is infectious, but for some reason still seems banal to you, know, then, that the man's nature is on the banal side as well, and all the noble and lofty that you noticed in him before is either deliberately affected or unconsciously borrowed, and later on the man is certain to change for the worse, to take up what's 'useful' and throw his noble ideas away without regret, as the errors and infatuations of youth.
Fyodor Dostoevsky (The Adolescent (Vintage Classics))
I am glad you are no relation of mine. I will never call you aunt again as long as I live. I will never come to visit you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty. . . . You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back . . . into the red-room. . . . And that punishment you made me suffer because your wicked boy struck me—knocked me down for nothing. I will tell anybody who asks me questions this exact tale. ’Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped-for liberty. . . .
Charlotte Brontë (Jane Eyre)
She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one: Please marry me I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time: Help
Jonathan Safran Foer
Yes, the past is a foreign country," I said, "but some of us are full-fledged citizens, others occasional tourists, and some floating itinerants, itching to get out yet always aching to return." "There's a life that takes place in ordinary time," I said, "and another that bursts in but just as suddenly fizzles out. And then there's the life we may never reach but that could so easily be ours if only we knew how to find it. It doesn't necessarily happen on our planet, but is just as real as the one we live by—call it our 'star life.' Nietzsche wrote that estranged friends may become declared enemies but in some mysterious way continue to remain friends, though on a totally different sphere. He called these 'star friendships.
André Aciman (Enigma Variations)
Every fop and fool in London has been sniffing after her." Having said that, Jason returned his attention for the report. "Go ahead and read off the names, if you must." Frowning in surprise at Jason's dismissive attitude, Charles took the seat across the desk from him and put on his spectacles. "First, there is young Lord Crowley, who has already asked my permission to court her." "No. Too impulsive," Jason decreed flatly. "What makes you say so?" Charles said with a bewildered look. "Crowley doesn't know Victoria well enough to want to 'court' her, as you so quaintly phrased it." "Don't be ridiculous. The first four men on this list have already asked my permission to do the same thing- providing, of course, that your claim on her is not unbreakable.” “No, to all those four men- for the same reason,” Jason said curtly, leaning back in his chair, absorbed in the report in his hand. Who’s next?” “Crowley’s friend, Lord Wiltshire.” “Too young. Who’s next?” “Arthur Landcaster.” “Too short,” Jason said cryptically. “Next?” “William Rogers,” Charles shot back in a challenging voice, “and he’s tall, conservative, mature, intelligent, and handsome. He’s also the heir to one of the finest estates in England. I think he would do very well for Victoria.” “No.” “No?” Charles burst out. “Why not?” “I don’t like the way Roger sits a horse.” “You don’t like_” Charles bit out in angry disbelief; then he glanced at Jason’s implacable face and sighed. “Very well. The last name on my list is Lord Terrance. He sits horses extremely well, in addition to being and excellent chap. He is also tall, handsome, intelligent, and wealthy. Now,” he finished triumphantly, “what fault can you find with him?” Jason’s jaw tightened ominously.“I don’t like him.
Judith McNaught (Once and Always (Sequels, #1))
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
It was sort of like Macbeth, thought Fat Charlie, an hour later; in fact, if the witches in Macbeth had been four little old ladies and if, instead of stirring cauldrons and intoning dread incantations, they had just welcomed Macbeth in and fed him turkey and rice and peas spread out on white china plates on a red-and-white patterned plastic tablecloth -- not to mention sweet potato pudding and spice cabbage -- and encouraged him to take second helpings, and thirds, and then, when Macbeth had declaimed that nay, he was stuffed nigh unto bursting and on his oath could truly eat no more, the witches had pressed upon him their own special island rice pudding and a large slice of Mrs. Bustamonte's famous pineapple upside-down cake, it would have been exactly like Macbeth.
Neil Gaiman (Anansi Boys)
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.
Brandon Sanderson (The Way of Kings: Book One of the Stormlight Archive)
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.” She turns to me as if to say, Is he talking to me? He’s already gone, though, his footsteps thumping up the stairs. At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?” That doesn’t sound ominous. When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.” I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion. Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.” Sabrina raises an eyebrow at me. I shrug, because I legitimately don’t know what the fuck he’s talking about. “I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.” “Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?” He nods, busy flipping the page. My baby mama gapes at me. I shrug again. “Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile. He cheers up again. “Well, the top contender was Garrett.” I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?” “Graham.” Hannah sighs. “But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.” My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.” Sabrina is mystified. “Why Gigi?” she asks slowly. Hannah sighs again. The name suddenly clicks in my head. Oh for fuck’s sake. “G.G.,” I mutter to Sabrina. “As in Garrett Graham.” She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend. “What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.” “What rule book?” Hannah bursts out. “You make up the rules as you go along!” “So?
Elle Kennedy (The Goal (Off-Campus, #4))
In Summation A poem by Taylor Swift At this hearing I stand before my fellow members of the Tortured Poets Department With a summary of my findings A debrief, a detailed rewinding For the purpose of warning For the sake of reminding As you might all unfortunately recall I had been struck with a case of a restricted humanity Which explains my plea here today of temporary i n s a n i t y You see, the pendulum swings Oh, the chaos it brings Leads the caged beast to do the most curious things Lovers spend years denying what’s ill fated Resentment rotting away galaxies we created Stars placed and glued meticulously by hand next to the ceiling fan Tried wishing on comets. Tried dimming the shine. Tried to orbit his planet. Some stars never align. And in one conversation, I tore down the whole sky Spring sprung forth with dazzling freedom hues Then a crash from the skylight bursting through Something old, someone hallowed, who told me he could be brand new And so I was out of the oven and into the microwave Out of the slammer and into a tidal wave How gallant to save the empress from her gilded tower Swinging a sword he could barely lift But loneliness struck at that fateful hour Low hanging fruit on his wine stained lips He never even scratched the surface of me. None of them did. “In summation, it was not a love affair!” I screamed while bringing my fists to my coffee ringed desk It was a mutual manic phase. It was self harm. It was house and then cardiac arrest. A smirk creeps onto this poet’s face Because it’s the worst men that I write best. And so I enter into evidence My tarnished coat of arms My muses, acquired like bruises My talismans and charms The tick, tick, tick of love bombs My veins of pitch black ink All’s fair in love and poetry Sincerely, The Chairman of The Tortured Poets Department
Taylor Swift
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
That night, Ronan didn’t dream. After Gansey and Blue had left the Barns, he leaned against one of the front porch pillars and looked out at his fireflies winking in the chilly darkness. He was so raw and electric that it was hard to believe that he was awake. Normally it took sleep to strip him to this naked energy. But this was not a dream. This was his life, his home, his night. After a few moments, he heard the door ease open behind him and Adam joined him. Silently they looked over the dancing lights in the fields. It was not difficult to see that Adam was working intensely with his own thoughts. Words kept rising up inside Ronan and bursting before they ever escaped. He felt he’d already asked the question; he couldn’t also give the answer. Three deer appeared at the tree line, just at the edge of the porch light’s reach. One of them was the beautiful pale buck, his antlers like branches or roots. He watched them, and they watched him, and then Ronan could not stand it. “Adam?” When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam’s ribs under Ronan’s hands and Adam’s mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer. Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan’s back: all the sharp edges that hooked wondrously and fearfully into each other. “Unguibus et rostro,” Adam said. Ronan put Adam’s fingers to his mouth. He was never sleeping again.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands. "Er," Magnus said. "Are you quite all right?" "I was simply overcome," Imasu said in a faint voice. Magnus preened slightly. "Ah. Well." "By how awful that was," Imasu said. Magnus blinked. "Pardon?" "I can't live a lie any longer!" Imasu burst out. "I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - " "It isn't as bad as all that - " "Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - " "Well, that one was rather a good guess," Magnus remarked. " - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!" "Or not," said Magnus. "Furthermore, my hats are extraordinary." "I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. "Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake." "Oh," said Magnus, and he began to grin. "I wouldn't. I hear there is a dreadful monster living in that lake." Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. "I believe the world will end with a noise like the noise you make!" "Interesting," said Magnus, and he threw his charango out the window. "Magnus!" "I believe that music and I have gone as far as we can go together," Magnus said. "A true artiste knows when to surrender." "I can't believe you did that!" Magnus waved a hand airily. "I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse." "I just meant that those are expensive and I heard a crunch.
Cassandra Clare (The Bane Chronicles)
We stood there for a minute or two, with John swaying gently against my arm. 'I'm feeling better,' he announced. Then he looked up at the stars. 'Wow..' he intoned. 'Look at that! Isn't that amazing?". I followed his gaze. The stars did look good but they didn't look that good. It was very unlike John to be over the top in that way. I stared at him. He was wired-pin-sharp and quivering, resonating away like a human tuning fork. No sooner had John uttered his immortal words about the stars than George and Paul came bursting out on the roof. They had come tearing up from the studio as soon as they found out where we were. They knew why John was feeling unwell. Maybe everyone else did, too - everyone except for father-figure George Martin here! It was very simple. John was tripping on LSD. He had taken it by mistake, they said - he had meant to take an amphetamine tablet. That hardly made any difference, frankly; the fact was that John was only too likely to imagine he could fly, and launch himself off the low parapet that ran around the roof. They had been absolutely terrified that he might do so. I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn't go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John' as he put it- be with him in his misery and fear. What about that for friendship?
George Martin (With A Little Help From My Friends: The Making of Sgt. Pepper)
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
Jean-Paul Sartre (Nausea)
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
Wendy Higgins (Sweet Evil (Sweet, #1))
You were right to end it with us,” I said harshly. “And I’m not willing to do it again.” He stared at me, shocked. My words were a lie, of course. Part of me wanted to try again, to endure anything to be with him. But I couldn’t stop thinking about Maddie. Couldn’t stop thinking about the hurt she would go through. It was ironic, really. Last time, he’d gone out of his way to hurt me purposely because it was for the greater good. Now I was doing the same for both of them, saving her from heartache and him from more grief with me. We were in an endless cycle. “You can’t mean that. I know you can’t.” His face was a mixture of incredulity and pain. I shook my head. “I do. You and me are a disaster. What we did during this stasis...it was wrong. It was disgraceful. Immoral. We betrayed someone who loves both of us, who wishes nothing but the best for us. How could we do that? What kind of precedent is that? How could we expect to have a solid relationship that was built on that sort of sordid foundation? One that was built on lies and deceit?” Saying those words hurt. It was tarnishing the beauty of these precious few days we had, but I needed to make my case. Seth was silent for several moments as he assessed me. “You’re serious.” “Yes.” I was a good liar, good enough that the person who loved me most couldn’t tell. “Go back to her, Seth. Go back to her and make it up to her.” “Georgina...” I could see it, see it hitting him. The full weight of betraying Maddie was sinking in. His nature couldn’t ignore the wrong he’d done. It was part of his good character, the character that had gone back to save Dante, the character that was going to make him leave me. Again. Hesitantly, he extended his hand to me. I took it, and he pulled me into an embrace. “I will always love you.” My heart was going to burst. How many times, I wondered, could I endure this kind of agony? “No, you won’t,” I said. “You’ll move on. So will I.” Seth left not long after that. Staring at the door, I replayed my own words. You’ll move on. So will I. In spite of how much he loved me, how much he was willing to risk, I truly felt he’d go back to Maddie, that he’d believe what I said. I’d driven home the guilt, made it trump his love for me. You’ll move on. So will I. The unfortunate part about being a good liar, however, was that while I could get other people to believe my words, I didn’t believe them myself.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me. He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late. "Your hands," I croak. "My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering. What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth. "Tris," he says, speaking against my fingers. "I'm all right." "Why were you there?" I ask, letting my hand drop. "I was coming back from the control room. I heard a scream." "What did you do to them?" I say. "I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say." "He's in bad shape?" "He'll live," he replies. He adds bitterly, "In what condition, I can't say." It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm. "Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead. Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful. "I could report this," he says. "No," I reply. "I don't want them to think I'm scared." He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that." "You think it would be a bad idea if I sat up?" "I'll help you." Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan. He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
Veronica Roth (Divergent (Divergent, #1))