Burns Supper Quotes

We've searched our database for all the quotes and captions related to Burns Supper. Here they are! All 35 of them:

In any case, fire burns; that's its nature, and you can't expect to change that. You can use it to cook your meat or to burn down your neighbor's house. And is the fire you use for cooking any different from the one you use for burning? And does that mean you should eat your supper raw?" Maddy shook her head, still puzzled. "So what you're saying is . . . I shouldn't play with fire," she said at last. Of course you should," said One-Eye gently. "But don't be surprised if the fire plays back.
Joanne Harris (Runemarks (Runemarks, #1))
Always so deliberate, hardly surprised by the most outlandish advents. A creation perfectly evolved to meet its own end. They sat at the window and ate in their robes by candlelight a midnight supper and watched distant cities burn.
Cormac McCarthy (The Road)
For all the prizes, recitals and honours that grace Gordon Walker’s glittering career, he still likes nothing more than coming home back to play. “I do like my Burns Suppers in Ayrshire. I’ve piped in the haggis, addressed it and then piped it back out again.
Fergus Muirhead (A Piper's Tale: Stories From The World's Top Pipers)
At Camp Don Bosco, there were Bibles all over the place, mostly 1970s hippie versions like Good News for Modern Man. They had groovy titles like The Word or The Way, and translated the Bible into “contemporary English,” which meant Saul yelling at Jonathan, “You son of a bitch!” (I Samuel 20:30). Awesome! The King James version gave this verse as “Thou son of the perverse rebellious woman,” which was bogus in comparison. Maybe these translations went a bit far. I recall one of the Bibles translating the inscription over the cross, “INRI” (Iesus Nazaremus Rex Iudaeorum), as “SSDD” (Same Shit Different Day), and another describing the Last Supper — the night before Jesus’ death, a death he freely accepted — where Jesus breaks the bread, gives it to his disciples, and says, “It’s better to burn out than fade away,” but these memories could be deceptive.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
PUTTING IN THE SEED     You come to fetch me from my work to-night When supper's on the table, and we'll see If I can leave off burying the white Soft petals fallen from the apple tree. (Soft petals, yes, but not so barren quite, Mingled with these, smooth bean and wrinkled pea;) And go along with you ere you lose sight Of what you came for and become like me, Slave to a springtime passion for the earth. How Love burns through the Putting in the Seed On through the watching for that early birth When, just as the soil tarnishes with weed,   The sturdy seedling with arched body comes Shouldering its way and shedding the earth crumbs.
Robert Frost (The Collected Poems, Complete and Unabridged)
Hungry?" he asked as embarrassment flushed her cheeks, and he laughed. "Get dressed, and I'll have supper brought up to us." "Isn't getting dressed defeating the purpose?" she said as she slowly rolled onto her side and trailed her fingers across his chest. "I mean you're just going to take off whatever I put on, right?" Her fingers stirred a fire inside him as she dragged them down toward his stomach.With a life of its own, his cock stirred as she brushed her fingertips over his growing erection. Nicholas growled with need at her touch. "You're deliberately trying to distract me." "Is it working?" she murmured in a husky voice.
Monica Burns (Forever Mine)
Come on, guys,” I said, laughing. “What? Did you think he was going to ask me to the prom?” I teased. “Or, hey, Mom’s burning macaroni and cheese for supper Sunday night; maybe he can come over and she can tell him about the time she jumped off a ninety-story balcony in Hong Kong with a parachute she made out of pillowcases.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
Pete offered tobacco and paper, but Claude brought out his cigarettes and they both decided to try those. Pete provided the match. When he had their cigarettes burning strongly he turned to look back at the road, then straight up ahead. "We'll get there for supper if we get there," he said, and Claude laughed. Pete was a young man, but had a wild old grin stretched all out of shape in the corners and punched full of holes.
Douglas Woolf (Wall to Wall (American Literature))
Anyway, as I was saying, marriage sucks.  It sucks the life and soul out of you.  There are days I want to kill him, and there are days I want to torture him before I kill him.”  Lizzy is working so hard at containing her laughter that she almost falls out of her chair.  “There are days I wish he’d never been born.  There are days I wish I’d never been born.  But, listen to this carefully.  They are just thoughts.  Random fleeting thoughts that cross my mind when I’m upset about accidentally burning supper.  Did he make me burn supper?  No, he didn’t, but I heaped that blame on him.  Or when I forgot about a load of his underpants in the washer and they soured.  He bore the brunt of that blame, too.  What about the abuse he got when I gave birth to our child?  Twelve hours of non-stop name calling during labor, and that man took every last bit of it and fed me words of love and encouragement to boot!” Lizzy and I are now captivated by her speech. “When and if you get married, those thoughts will come to you.  You’re going to fight.  You’re going to have resentful moments.  You’re going to wonder if it’s worth it all.  My Stanley is eighty-six years old, and he was diagnosed with terminal cancer four weeks ago.  If we’re lucky, I might have another couple of months with him the doctors say.  All that complaining I did earlier… all that truth I gave you… you’d think I regretted marrying him, wouldn’t you?  Well, I don’t.  I’d give anything to have sixty-eight more years with him. 
Rhonda R. Dennis (Yours Always)
Just seven minutes after most of Murphysboro was leveled, the Tri-State Tornado hit DeSoto at 2:48 P.M. No town in the path would proportionally suffer a higher fatality rate than this tiny village in which sixty-nine people died. Thirty-three of them were children buried in the burning ruins of the DeSoto Schoolhouse, a heartbreaking record that remains the single worst tornado-related death toll for a school in US history. One in four DeSoto children who walked off to school that day would never come home to supper.
Geoff Partlow (America's Deadliest Twister: The Tri-State Tornado of 1925 (Shawnee Books))
Don't believe vegetarians who tell you that meat has no flavor, that it comes from the spices or the marinade. The flavor is already there: earth and metal, salt and fat, blood. My favorite meat is chicken. I can eat a whole bird standing up in the kitchen, straight from the oven, burning my bare hands on its flesh. Anyone can roast a chicken, it is a good animal to cook. Lamb, on the other hand, is much harder to get right. You have to lock in the flavor, rubbing it with sea salt like you are exfoliating your own drying skin, tenderly basting it in its own juices, hour after hour. You have to make small slits across the surface of the leg, through which you can insert sprigs of rosemary, or cloves of garlic, or both. These incisions should run against the grain, in the opposite direction to which the muscle fibers lie. You can tell the direction better when the meat is still uncooked, when it is marbled and raw. It is worth running your finger along those fibers, all the way from one end to the other. This doesn't help with anything. It won't change how you cook it. But it is good to come to terms with things as they are. Preparing meat is always an act of physical labor. Whacking rib eye with a rolling pin. Snapping apart an arc of pork crackling. And there is something inescapably candid about it, too. If you've ever spatchcocked a goose- if you've pressed your weight down on its breastbone, felt it flatten and give, its bones rearranging under your hands- you will know what I am talking about. We are all capable of cruelty. Sometimes I imagine the feeling of a sliver of roast beef on my tongue: the pink flesh of my own body cradling the flesh of something else's. It makes sense to me that there is a market for a vegetarian burger that bleeds.
Lara Williams (Supper Club)
More often, I’d meet people like Brett Favre. Not literally like Brett Favre, in the sense that they were forty-year-old football players, but that they were people who loved Wisconsin but couldn’t find a way to make it work there, took off for NewYork, crashed and burned, and then found a home for themselves here in the City of Lakes. Minneapolis is where the drama queens and burnouts and weirdos and misfits of the rural and suburban Upper Midwest wind up. It’s a city full of people who, though they’d never say it, secretly suspect they don’t belong here, that they’re not Minneapolis enough, because they didn’t go to a city high school, or because they didn’t hang out at First Avenue when they were teenagers, or because they came from the suburbs, or from outstate.They came from the Iron Range or Fargo–Moorhead or Bloomington or White Bear Lake or Collegeville, or from Chicago or California or the Pacific Northwest or Mexico or Somalia. Wherever they came from, Minneapolis is their home now, and it belongs to them. It belongs to us.
Andy Sturdevant (Potluck Supper with Meeting to Follow: Essays)
Until that moment Elizabeth wouldn’t have believed she could feel more humiliated than she already did. Robbed of even the defense of righteous indignation, she faced the fact that she was the unwanted gest of someone who’d made a fool of her not once but twice. “How did you get here? I didn’t hear any horses, and a carriage sure as well can’t make the climb.” “A wheeled conveyance brought us most of the way,” she prevaricated, seizing on Lucinda’s earlier explanation, “and it’s gone on now.” She saw his eyes narrow with angry disgust as he realized he was stuck with them unless he wanted to spend several days escorting them back to the inn. Terrified that the tears burning the backs of her eyes were going to fall, Elizabeth tipped her head back and turned it, pretending to be inspecting the ceiling, the staircase, the walls, anything. Through the haze of tears she noticed for the first time that the place looked as if it hadn’t been cleaned in a year. Beside her Lucinda glanced around through narrowed eyes and arrived at the same conclusion. Jake, anticipating that the old woman was about to make some disparaging comment about Ian’s house, leapt into the breach with forced joviality. “Well, now,” he burst out, rubbing his hands together and striding forward to the fire. “Now that’s all settled, shall we all be properly introduced? Then we’ll see about supper.” He looked expectantly at Ian, waiting for him to handle the introductions, but instead of doing the thing properly he merely nodded curtly to the beautiful blond girl and said, “Elizabeth Cameron-Jake Wiley.” “How do you do, Mr. Wiley,” Elizabeth said. “Call me Jake,” he said cheerfully, then he turned expectantly to the scowling duenna. “And you are?” Fearing that Lucinda was about to rip up at Ian for his cavalier handling of the introductions, Elizabeth hastily said, “This is my companion, Miss Lucinda Throckmorton-Jones.” “Good heavens! Two names. Well, no need to stand on formality, since we’re going to be cooped up together for at least a few days! Just call me Jake. What shall I call you?” “You may call me Miss Throckmorton-Jones,” she informed him, looking down the length of her beaklike nose. “Er-very well,” he replied, casting an anxious look of appeal to Ian, who seemed to be momentarily enjoying Jake’s futile efforts to create an atmosphere of conviviality. Disconcerted, Jake ran his hands through his disheveled hair and arranged a forced smile on her face. Nervously, he gestured about the untidy room. “Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?
Judith McNaught (Almost Heaven (Sequels, #3))
Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.
Kenneth Rexroth (Collected Shorter Poems)
She told everything as quickly as she could, stringing sentences together the way she had when she was a little girl. By the end of the tale,she found herself defending her mother,angry at the world that made it necessary for her to explain.Impulsively, she grabbed a curry comb and began to brush Red Star's coat vigorously.She brushed for a long time,and tears began to blur her vision.She tried to resign herself to what seemed to be happening.Then a hand covered hers and squeezed affectionately. Mac took the curry comb away,and bent to kiss the back of her hand. "So,Miss King,will you do me the honor of accompanying me to the social next Friday evening at the Congregational Church?" Miss King embarrassed herself by saying yes! so loudly that the dozing horse in the stall next to Red Star jumped and kicked the side of his stall in fright.The two young people laughed, and MacKenzie lifted LisBeth into the air and swung her around in his arms. Sick with apprehension,Jesse had been unable to remain alone for long.She returned to the kitchen to help Augustus with meal preparations, praying earnestly for LisBeth and MacKenzie while she worked.When the two young people burst through the kitchen door together,their happy smiles told the older women all they needed to know. LisBeth was sobered when she saw her Mother. "Mother,I..." Jesse held up a hand to stop her. "It's all right,LisBeth. I'm glad everything turned out.I've been praying for you both." "Mother,all four of us know about Papa. Would you tell me a story about him while we make supper?" The culprit never came forward, but at some time that evening, the first book-burning in the State of Nebraska took place. Francis Day's Memoirs of the Savage West found its way into Augusta's cook stove.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
We’re talking now of late August evenings in Minnesota. That world consists of the din of lawn mower blades turning in raucous slicing circles like buzzards over prey, the throb of a racing boat’s outboard motor on the Lake. Garden hoses run with cool water and wash over the last flowers of the year before the autumn turns all the green to brown. In the afternoons, children run through sprinklers on the lawn and men burn piles of last autumn’s leaves. Mothers prepare suppers and read novels under the shade of summer hats, carefully watching over their children from afar. All is safe and good in the summer. But Thom Algonquin can no longer hear the lawn mowers humming, boat motors churning, the hoses splashing or the children playing. He doesn’t smell the leaves burning or help his mother prepare supper. Thom Algonquin is seven years old and he has walked too far into the woods near his home on Lake Superior. He hears nothing save the sound of sunlight and trees, birds, and his own feet pattering along atop the underbrush. He is not so sure he can hear these things exactly though. It has now become clear to him that he has gone too far, too deep into the old woods. He is accustomed to going a little farther than his mother allowed, but he has walked miles past that line now. Though his heart races he does not scream or run or cry. He looks around for home but each direction is identical to the others. He remembers his Cub Scout manual saying that moss grows on the northern side of tree trunks because there is less sunlight. But the aspen trees have no moss on them at all, and the big white oaks have moss on every side of their trunks. He holds his breath and listens. He hears his heart beat, and somewhere behind that, he hears water, waves and lapping tides. The Lake. He can always find home from the Lake. His father told him to simply keep the water on his left hand and walk until he is home, should he ever get lost. Thom moves toward the sound of water. He walks quickly but doesn’t run, doesn’t panic. If he runs he will know that something is wrong and that he is scared. He does not want to know these things, does not want them to become real, so he walks quickly but calmly.
Spencer K.M. Brown (Hold Fast)
I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
It was a gorgeous calamity in scale, I thought. A lovely misfortune. Immediate and irreversible and very soon forgotten. We needed more troubles like that. Ones like burning supper or coming down with a head cold at an awkward time. I desperately wanted to pass through countless small, endurable problems with the girl sitting next to me. I didn't need much else.
Lyndsay Faye
The buzzards over Pondy Woods Achieve the blue tense altitudes Black figments that the woods release, Obscenity in form and grace, Drifting high through the pure sunshine Till the sun in gold decline. (...) By the buzzard roost Big Jim Todd Listened for hoofs on the corduroy road Or for the foul and sucking sound A man's foot makes on the marshy ground. Past midnight, when the moccasin Slipped from the log and, trailing in Its obscured waters, broke The dark algae, one lean bird spoke, (...) "[Big Jim] your breed ain't metaphysical." The buzzard coughed, His words fell In the darkness, mystic and ambrosial. "But we maintain our ancient rite, Eat the gods by day and prophesy by night. We swing against the sky and wait; You seize the hour, more passionate Than strong, and strive with time to die -- With time, the beaked tribe's astute ally. "The Jew-boy died. The Syrian vulture swung Remotely above the cross whereon he hung From dinner-time to supper-time, and all The people gathered there watched him until The lean brown chest no longer stirred, Then idly watched the slow majestic bird That in the last sun above the twilit hill Gleamed for a moment at the height and slid Down the hot wind and in the darkness hid. [Big Jim], regard the circumstance of breath: Non omnis moriar, the poet sayeth." Pedantic, the bird clacked its gray beak, With a Tennessee accent to the classic phrase; Jim understood, and was about to speak, But the buzzard drooped one wing and filmed the eyes. At dawn unto the Sabbath wheat he came, That gave to the dew its faithless yellow flame From kindly loam in recollection of The fires that in the brutal rock one strove. To the ripe wheat he came at dawn. Northward the printed smoke stood quiet above The distant cabins of Squiggtown. A train's far whistle blew and drifted away Coldly; lucid and thin the morning lay Along the farms, and here no sound Touched the sweet earth miraculously stilled. Then down the damp and sudden wood there belled The musical white-throated hound. In pondy Woods in the summer's drouth Lurk fever and the cottonmouth. And buzzards over Pondy Woods Achieve the blue tense altitudes, Drifting high in the pure sunshine Till the sun in gold decline; Then golden and hieratic through The night their eyes burn two by two.
Robert Penn Warren
To resume--and we’d better hurry, or they’ll be down here clamoring for our company before their supper goes cold--Lord Vidanric has been working very hard ever since the end of the war. Too hard, some say. He came to Athanarel sick and has been ill off and on since then, for he seldom sleeps. He’s either in the saddle, or else his lamps are burning half the night in his wing of the Residence. He’s here on his mother’s orders, to rest. He and your brother have become fast friends, I think because Branaric, in his own way, is so very undemanding. He wants no favors or powers. He just likes to enjoy his days. This seems to be what Vidanric needs just now.” “Do you think he’ll make a good king?” I asked. Again she seemed surprised. “Yes,” she said. “But then I’ve known him all my life.” As if that explains everything, I thought. Then I realized that to her it did. He was a good prospect for a king because he was her friend, and because they were both courtiers, raised the same way. And then I wondered just who--if anyone--at Court was willing to speak not for themselves, but for the people, to find out who really would be the best ruler? A discreet tap outside the door brought our attention round. Calden, the server from the inn, parted the tapestry and said, “Count Branaric sent me to find out if you’re coming?” “In just a moment, thanks,” I said. “Will you agree to my pact, then?” Nimiar asked. I opened my mouth to ask why they couldn’t just marry here, but I knew that was the coward’s way out. I did not wish to get involved in any more wars, but that didn’t mean I ought not do what I could to ensure that the next reign would be what Papa had wished for when he commenced planning his revolt. And the best way to find out, I realized as I looked into Nimiar’s face, would not be by asking questions of third parties, but by going to the capital and finding out on my own. So I squashed down my reluctance and said, “If you can teach me not to make a fool of myself at that Court, I’ll gladly come to see you marry Bran.” “You will like Court life, I promise,” she said, smiling sweetly as we went out of the parlor. I took care to walk behind her so she could not see my face.
Sherwood Smith (Court Duel (Crown & Court, #2))
Then Frank stood over me, his eyes more gray than blue. “I’m sorry.” I fiddled with the end of the bandage. His face crumpled in confusion. “Why? You didn’t mean to burn yourself.” “No.” I smoothed the folds of the rag around my hand. “Not that. I’m sorry I didn’t tell Mama you were home.” “You what?” His voice rose but then fell, as if he remembered the need for quiet. “Mama didn’t know you’d come home.” My teeth held my bottom lip as I watched him jump up and cross the room, his hands combing through his hair before resting atop his head. He blew out a long breath, his gaze pinning me still. “And just when were you going to inform her of my presence—in my own house, I might add?” “I hadn’t quite figured that out yet. But she knows now.” On my feet, I swayed a bit. He reached my side in an instant, that little-boy look softening his face. I pressed my lips together, holding in the sudden urge to laugh. “I imagine we need to get supper finished.” He shook his head and led me to the stove. As hard as he tried to hide it, I spied the corners of his mouth fighting to hold a frown.
Anne Mateer (Wings of a Dream)
A rat doesn't demand supper from a wolf
Bernard Cornwell (The Burning Land (The Saxon Stories, #5))
I want to die.” May shook her head. “Let me get a knife.” “I’ve made a horrible mess of things.” “Haven’t we all? If you don’t want your supper burned, die quietly while I get back to the kitchen.
B.J. Daniels (Cardwell Christmas Crime Scene (Cardwell Cousins, 6))
I think of the smoldering wick as the backsliding Christian, one who has been a burning and shining light in his day, but has neglected the means of grace. He avoids Bible reading, prayer, the Lord’s Supper, and attending worship services. God’s Spirit has withdrawn from him, he is falling into sin. His light has almost gone out, but not quite; it can never go completely out, because Christ says, “I will not quench it.
Charles Haddon Spurgeon (Peace and Purpose in Trial and Suffering)
She sipped her old-fashioned. Sweet and light, with notes of orange and the herb-spice flavor of bitters, all of it balanced with the subtle burn of brandy. It tasted like Wisconsin. It tasted like home.
Amy E. Reichert (The Kindred Spirits Supper Club)
• “sounding much more like himself and at the same time nothing like himself at all” 28 “Pray tell,” Michael echoed, smirking at John with the confidence of a man who has just been catapulted miraculously out of trouble by someone else who has had the misfortune of stumbling into it.” 45 “She lay on her simple cot and stared up at the bare ceiling, a thousand thoughts and memories swirling through her mind like a rainbow of glittering debutantes, each idea more enticing that the last, all jostling for her attention.”46 “She met his regard with a confident, upward tilt of her chin, and discovered in doing so that his eyes were the exact blue of the forget-me-not. This irked her considerably. It wasn’t right that such an indecent man should have such a memorable gaze.” 56 “Wendy knew, however, that sometimes the best way to win an argument was to not engage in it.” 63 “Michael was dressed for the occasion in a pair of tall black boots, polished to such a shine that they could have turned Medusa herself to stone if no mirrors were handy, and the coat was his very best—which is to say, the one upon which he received the most frequent compliments from the ladies.” 67 “He would have burned the entire report to ash and returned it to her in a snuff box, just to make a point, but he couldn’t quite bring himself to do it.” 99 “Ever since the first time he had done so (which had been a bit of an accident), he had been practicing the move, trying to make it faster and even more heart-stopping every time and leaving knee-shaped depressions all across the southeastern fields of England.” 108 “Are you ready to come with me to the ship?” he asked, his voice more gentle than she had ever heard it.” 112 Contemplating the form of his [hook’s] punishment made for a welcome distraction. “Daily bootlicking at dawn. Literally,” he countered. “Followed by mornings of barnacle scraping, lunches of rock soup, afternoons of button polishing, and sea ration suppers.” 152 “I’m Lieutenant John Abbot.” John stressed the lieutenant bit, just for good measure. He knew Wendy had a predilection for science, and he found himself hoping that particular fondness did not extend equally to scientists.” 153 “She had waited so long and worked so hard to reach this place, to stand on the deck of this ship, that she hadn’t noticed how incredible her life had already become.” 169
Erin Michelle Sky (The Wendy (Tales of the Wendy, #1))
My brothers Rob, Bob, Tom, Paul, Ralph, Phil, Noah, William, Nick, Dennis, Christopher, Frank, Simon, Saul, Jim, Henry, Seamus, Richard, Jeremy, Walter, Jonathan, James, Arthur, Rex, Bertram, Vaughan, Daniel, Russel, and Angus; and the triplets Herbert, Patrick, and Jeffrey; identical twins Michael and Abraham, Lawrence and Peter, Winston and Charles, Scott and Samuel; and Eric, Donovan, Roger, Lester, Larry, Clinton, Drake, Gregory, Leon, Kevin and Jack — all born on the same day, the twenty-third of May, though at different hours in separate years — and the caustic graphomaniac, Sergio, whose scathing opinions appear with regularity in the front-of-book pages of the more conservative monthlies, not to mention on the liquid crystal screens that glow at night atop the radiant work stations of countless bleary-eyed computer bulletin-board subscribers (among whom our brother is known, affectionately, electronically, as Surge); and Albert, who is blind; and Siegfried, the sculptor in burning steel; and clinically depressed Anton, schizophrenic Irv, recovering addict Clayton; and Maxwell, the tropical botanist, who, since returning from the rain forest, has seemed a little screwed up somehow; and Jason, Joshua, and Jeremiah, each vaguely gloomy in his own “lost boy” way; and Eli, who spends solitary wakeful evenings in the tower, filing notebooks with drawings — the artist’s multiple renderings for a larger work? — portraying the faces of his brothers, including Chuck, the prosecutor; Porter, the diarist; Andrew, the civil rights activist; Pierce, the designer of radically unbuildable buildings; Barry, the good doctor of medicine; Fielding, the documentary-film maker; Spencer, the spook with known ties to the State Department; Foster, the “new millennium” psychotherapist; Aaron, the horologist; Raymond, who flies his own plane; and George, the urban planner who, if you read the papers, you’ll recall, distinguished himself, not so long ago, with that innovative program for revitalizing the decaying downtown area (as “an animate interactive diorama illustrating contemporary cultural and economic folkways”), only to shock and amaze everyone, absolutely everyone, by vanishing with a girl named Jana and an overnight bag packed with municipal funds in unmarked hundreds; and all the young fathers: Seth, Rod, Vidal, Bennet, Dutch, Brice, Allan, Clay, Vincent, Gustavus, and Joe; and Hiram, the eldest; Zachary, the Giant; Jacob, the polymath; Virgil, the compulsive whisperer; Milton, the channeler of spirits who speak across time; and the really bad womanizers: Stephen, Denzil, Forrest, Topper, Temple, Lewis, Mongo, Spooner, and Fish; and, of course, our celebrated “perfect” brother, Benedict, recipient of a medal of honor from the Academy of Sciences for work over twenty years in chemical transmission of “sexual language” in eleven types of social insects — all of us (except George, about whom there have been many rumors, rumors upon rumors: he’s fled the vicinity, he’s right here under our noses, he’s using an alias or maybe several, he has a new face, that sort of thing) — all my ninety-eight, not counting George, brothers and I recently came together in the red library and resolved that the time had arrived, finally, to stop being blue, put the past behind us, share a light supper, and locate, if we could bear to, the missing urn full of the old fucker’s ashes.
Donald Antrim (The Hundred Brothers)
That night after supper, Jimmy and I used up a whole jar of Noxzema. We had sunburned faces, necks and ears. Our ears hurt more than anything. “Why didn’t you use suntan lotion?” Mom asked. “I never burn,” Jimmy said. “Famous last words,” Grandma said.
Judy Blume (Fudge-a-Mania (Fudge, #3))
As soon as she'd come home that afternoon, she took two aspirin tablets. To get her through the ordeal of supper, two more. It seemed to her that the pain in her lower belly, the hot sullen seepage of blood in her loins had lessened. Her skin was hot, her forehead burning.
Joyce Carol Oates (We Were the Mulvaneys)
1813, a British navy flotilla composed of three frigates, three sloops, and ten other vessels made its way from Bermuda to Baltimore. There they landed a force of 2,500 British regulars who began the quick march toward Washington, D.C. The American militia, poorly armed and dramatically less experienced than the British, gathered at Bladensburg, Maryland, attempting to fend off the British army. The battle was a disaster for the Americans. Upon receiving news of the British success, President James Madison fled the capital for Virginia. The British commanders marched in triumph into Washington, D.C. Down the city’s grand avenues the troops paraded, arriving at the President’s House before nightfall. There the British commanders ate the supper that had been prepared for Madison—before burning down the mansion, the treasury, and several other public buildings. The militia of the nation’s capital had proven incompetent in the face of the British army—and America had suffered an embarrassing defeat.
Daniel Rasmussen (American Uprising: The Untold Story of America's Largest Slave Revolt)
ALL kinds of criminals, except infidels, meet death with reasonable serenity. As a rule, there is nothing in the death of a pirate to cast any discredit on his profession. The murderer upon the scaffold, with a priest on either side, smilingly exhorts the multitude to meet him in heaven. The man who has succeeded in making his home a hell, meets death without a quiver, provided he has never expressed any doubt as to the divinity of Christ, or the eternal "procession" of the Holy Ghost. The king who has waged cruel and useless war, who has filled countries with widows and fatherless children, with the maimed and diseased, and who has succeeded in offering to the Moloch of ambition the best and bravest of his subjects, dies like a saint. All the believing kings are in heaven—all the doubting philosophers in perdition. All the persecutors sleep in peace, and the ashes of those who burned their brothers, sleep in consecrated ground. Libraries could hardly contain the names of the Christian wretches who have filled the world with violence and death in defence of book and creed, and yet they all died the death of the righteous, and no priest, no minister, describes the agony and fear, the remorse and horror with which their guilty souls were filled in the last moments of their lives. These men had never doubted—they had never thought—they accepted the creed as they did the fashion of their clothes. They were not infidels, they could not be—they had been baptized, they had not denied the divinity of Christ, they had partaken of the "last supper." They respected priests, they admitted that Christ had two natures and the same number of wills; they admitted that the Holy Ghost had "proceeded," and that, according to the multiplication table of heaven, once one is three, and three times one is one, and these things put pillows beneath their heads and covered them with the drapery of peace. They admitted that while kings and priests did nothing worse than to make their fellows wretched, that so long as they only butchered and burnt the innocent and helpless, God would maintain the strictest neutrality; but when some honest man, some great and tender soul, expressed a doubt as to the truth of the Scriptures, or prayed to the wrong God, or to the right one by the wrong name, then the real God leaped like a wounded tiger upon his victim, and from his quivering flesh tore his wretched soul.
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol. 3 (of 12) Dresden Edition—Lectures)
What is civilization?” she snorted. “Just a little village that got too big and too bold. So the enemy village comes along and rams pointed sticks into all the babies and takes the women back for slaves. And the men run away, except the foolish boys who throw themselves on the invader’s knives. Then the winner steals all the useful things, burns the houses and temples, and goes back to his own village for a big supper and a big sleep. After raping somebody for a nightcap, of course. That’s civilization, boy.” “You
Michael D. O'Brien (Sophia House: A Novel)
Paul follows precisely the same strategy in dealing with the problem of eating food sacrificed to idols. Meat was a precious and rare commodity in an ancient city. Most people could not afford to buy it in the market. The main time they would eat meat would be at a sacrificial festival provided either by the city or more often by a wealthy individual who paid for the festival and its expenses out of his own pocket in return for the honor he and his family would then gain. The sacrifices would be made, some of the materials would be burned for the god, some would be given to the priests or other officials of the cult, and then the rest would be distributed to the people for their own feasting with their families and friends. But of course, any participation in these activities was precisely what Jews and early Christians considered idolatry. The poor Christians at Corinth would have had to attend a sacrificial setting in order to eat meat, and it would have been meat that had been sacrificed to a deity. The more “superstitious” Christians, no doubt, probably believed that the god, perhaps in the form of a “demon,” could have “possessed” the meat, and that by eating it, they could endanger themselves with demonic possession. They did believe, in at least some contexts and in some sense, that when they ate the “body and blood” of Christ in the Lord’s Supper, they were ingesting Christ himself. Why wouldn’t a similar process take place if they ate the sacrificial foods of Apollo or Aphrodite, two of the most important and powerful gods of Corinth? Even meat sold in a marketplace likely would have come from some kind of sacrificial practice. The officials or priests who were given portions of the sacrificed animal—often choice portions—had the liberty of making a bit of money by selling their portions to a butcher, who would then process the meat and resell it to people. In other words, unless one were rich enough to buy an animal and have it butchered and prepared, one could scarcely avoid eating meat that had been part of a sacrifice. The poor could hardly do so if they ate meat at all.
Dale B. Martin (New Testament History and Literature (The Open Yale Courses Series))
He drove east toward Boston with his window open, and the air blowing in felt cooler than it had in weeks. A Canadian front had rolled in during the night, and on this crisp morning the city smelled clean, almost pure. He thought of Mary, his own sweet Mary, and of all the ties that would forever bind him to her. Twenty years of marriage, with all its countless memories. The whispers late at night, the private jokes, the history. Yes, the history. A marriage is made up of such little things as burned suppers and midnight swims, yet it’s those little things that bind two lives into one. They had been young together, and together they had grown into middle age. No woman but Mary could own his past
Tess Gerritsen (The Surgeon (Rizzoli & Isles, #1))