Burning Sensation Quotes

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Miss Tarabotti was not one of life's milk-water misses--in fact, quite the opposite. Many a gentleman had likened his first meeting with her to downing a very strong cognac when one was expecting to imbibe fruit juice--that is to say, startling and apt to leave one with a distinct burning sensation.
Gail Carriger (Soulless (Parasol Protectorate, #1))
When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so called good and tolerable days, I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols...
Hermann Hesse (Steppenwolf)
My body becomes a raft and there's this part of me that wants just literally to go with the flow. To close my eyes and let it take me. But I know sooner or later I will have to get out, that I need to feel the earth beneath my feet, between my toes - the splinters, the bindi-eyes, the burning sensation of hot dirt, the sting of cuts, the twigs, the bites, the heat, the discomfort, the everything. I need desperately to feel it all, so when something wonderful happens, the contrast will be so massive that I will bottle the impact and keep it for the rest of my life.
Melina Marchetta (On the Jellicoe Road)
Ice burns, and it is hard to the warm-skinned to distinguish one sensation, fire, from the other, frost.
A.S. Byatt (Elementals: Stories of Fire and Ice)
It is a curious sensation: the sort of pain that goes mercifully beyond our powers of feeling. When your heart is broken, your boats are burned: nothing matters any more. It is the end of happiness and the beginning of peace.
George Bernard Shaw
With me, the present is forever and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can’t start over with each new second. You have to judge by what is dead. It’s like quicksand…hopeless from the start. A story, a picture, can renew sensation a little, but not enough, not enough. Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don’t want to die.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
She brought herself away from the disagreeably clinging thought by her usual method - imagining the sweet sharp sensation of being burned alive.
Shirley Jackson (Hangsaman)
With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can’t start over with each new second. You have to judge by what is dead. It’s like quicksand … hopeless from the start. A story, a picture, can renew sensation a little, but not enough, not enough. Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don’t want to die.
Sylvia Plath
I need to feel the earth beneath my feet, between my toes—the splinters, the bindi-eyes, the burning sensation of hot dirt, the sting of cuts, the twigs, the bites, the heat, the discomfort, the everything. I need desperately to feel it all, so when something wonderful happens, the contrast will be so massive that I will bottle the impact and keep it for the rest of my life.
Melina Marchetta (On the Jellicoe Road)
I can feel the sensation (it burns) of being called crazy when you feel wounded and desperate.
Merri Lisa Johnson (Girl in Need of a Tourniquet: Memoir of a Borderline Personality)
What—?” In one movement, Thorne lifted her onto the desk and pressed her back against an enormous potted fern and—oh. Cress had built a thousand fantasies around their rooftop kiss, but this kiss was something new. Where before, the kiss had been gentle and protective, now there was something passionate. Determined. Cress’s body dissolved into nothing but sensation. His hands burned her waist through the skirt’s thin fabric. Her knees pressed against his hips, and he pulled her closer, closer, like he couldn’t get her close enough. A whimper escaped her mouth, only to be swallowed by his. She heard a moan, but it could have come from either of them.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
in stillness, I watched myselfget eaten by mosquitoes... the itch was maddening at first but eventually it just melded into a general burning feeling and i rode that heat to a mld euphoria. I allowed the pain to lose its specific associations and become pure sensation... and that eventually lifted me out of myself and into meditation.
Elizabeth Gilbert (Eat, Pray, Love)
Many a gentleman had likened his first meeting with her to downing a very strong cognac when one was expecting to imbibe fruit juice—that is to say, startling and apt to leave one with a distinct burning sensation. No,
Gail Carriger (Soulless (Parasol Protectorate, #1))
The only thing I can compare it to is when you’re swimming and come up for air. That burning sensation in your lungs, that tightness in your chest. When you break the surface and get that first breath and feeling the sun on your face. That’s what Ryat is to me. My sun. My air.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
I noticed John had brought along a thermos of his coffee, this “favor” already qualifying as an all-nighter. I admit, the horrific burning sensation really did keep you awake.
David Wong (John Dies at the End (John Dies at the End, #1))
I enjoy the burning sensation of shame, when your cheeks swell and glow in the hot fire of exclusion.
Jenny Hval (Girls Against God)
I wish to feel something much, much larger than I am, the girl’s heart replies. I wish to stand on the edge of ruination and defeat, to leap into a chasm full of danger. I wish to feel my blood turn cold with fear and my cheeks burn bright with shame; I wish to feel joy that fills my lungs, and sadness that swells within me like a current. I wish to feel so much and so deeply that it washes over me in waves. I wish to drag myself towards something; I wish to lose pieces of myself along the way. I wish for hunger that drives me, for passion that fulfills me, for sensations of taking and having and losing and wanting, and I wish for all of it to come with a price, and a steep one—and then I wish for the courage to pay. Isn’t it all good because it’s something? she asks. Isn’t it all bad because beneath it—any of it, her wish sighs—I may collapse? Mayra
Olivie Blake (Masters of Death)
Science is a match that man has just got alight. He thought he was in a room - in moments of devotion, a temple - and that his light would be reflected from and display walls inscribed with wonderful secrets and pillars carved with philosophical systems wrought into harmony. It is a curious sensation, now that the preliminary splutter is over and the flame burns up clear, to see his hands lit and just a glimpse of himself and the patch he stands on visible, and around him, in place of all that human comfort and beauty he anticipated - darkness still.'The Rediscovery of the Unique' Fortnightly Review (1891)
H.G. Wells
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark. You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came. ...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can't start over with each new second. You have to judge by what is dead. It's like quicksand...hopeless from the start. A story, a picture, can renew sensation a little, but not enough, not enough. Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don't want to die.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Do you even know what pain feels like, Hemy?” Her jaw clenches as I stare at her. “Well, do you? Do you even feel pain?” “Oh, I feel it alright. That burning sensation deep down inside that feels as if my heart is dying, being crushed.” I look up from the ground and right into her eyes. “I felt it the minute you walked out my damn door.
Victoria Ashley (Hemy (Walk of Shame, #2))
I never react to events in the outside world; I always react to the sensations in my own body. (...) Even when we think we react to what another person has done, to President Trump's latest tweet, or to a distant childhood memory, the truth is we always react to our immediate bodily sensations. If we are outraged that somebody insulted our nation or our god, what makes the insult unbearable is the burning sensations in the pit of our stomach and the band of pain that grips our heart. Our nation feels nothing, but our body really hurts.
Yuval Noah Harari (21 Lessons for the 21st Century)
The ultimate work of energy production is accomplished not in any specialized organ but in every cell of the body. A living cell, like a flame, burns fuel to produce the energy on which life depends. The analogy is more poetic than precise, for the cell accomplishes its ‘burning’ with only the moderate heat of the body’s normal temperature. Yet all these billions of gently burning little fires spark the energy of life. Should they cease to burn, ‘no heart could beat, no plant could grow upward defying gravity, no amoeba could swim, no sensation could speed along a nerve, no thought could flash in the human brain,’ said the chemist Eugene Rabinowitch.
Rachel Carson (Silent Spring)
Wrath is one of the seven deadly sins,” she remarked, turning away from him to gaze out the window, trying to alleviate the burning sensation in her middle. He laughed bitterly. “Remarkably, I have all seven; don’t bother counting. Pride, envy, wrath, sloth, avarice, gluttony, lust.” She lifted an eyebrow but did not turn around. “Somehow, I doubt that.” “I don’t expect you to understand. You’re only a magnet for mishap, while I am a magnet for sin.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
I wish to feel something much, much larger than I am, the supplicant's heart replies. I wish to stand on the edge of ruination and defeat, to leap into a chasm full of danger. I wish to feel my blood turn cold with fear and my cheeks burn bright with shame; I wish to feel joy that fills my lungs, and sadness that swells within me like a current. I wish to feel so much and so deeply that it washes over me in waves. I wish to drag myself toward something; I wish to lose pieces of myself along the way. I wish for hunger that drives me, for passion that fulfills me, for sensations of taking and having and losing and wanting, and I wish for all of it to come with a price, and a steep one —and then I wish for the courage to pay.
Olivie Blake (Masters of Death)
Women problems, huh?” Mac asked. “She’s more than a problem.” Adrian massaged his temples. “She’s…a virus, a lethal one. You know, there’s a rock song about her.” He sipped his whiskey and enjoyed the burning sensation as it trickled down his throat. “It’s called Poison.
Jacqueline Francis - The Journal
People tend to be exquisitely precise when describing pain. We don't just say it hurts, we say it throbs or aches; it's a burning, wrenching, gnawing sensation; it's sharp or dull; it chafes; it stings. But where pain specifies, joy generalizes. It was great! we say. Terrific! Beautiful! Fantastic!
Letty Cottin Pogrebin (Three Daughters)
To experience embodied awareness, take notice of the underlying sensations that actually inform you about how you feel. If you were to be asked how you feel when you are stressed or in pain, a common answer might be, “I feel anxious” or “I feel upset.” It’s important to go further by becoming curious about how you know that you’re feeling anxious or upset. Is there a tightness or burning that is happening right now inside of you that you are labeling “anxiety” or “upset”?
Peter A. Levine
The [Victory Gin] was like nitric acid, and moreover, in swallowing it one had the sensation of being hit on the back of the head with a rubber club. The next moment, however, the burning in his belly died down and the world began to look more cheerful.
George Orwell (1984)
Non-magic people (more commonly known as Muggles) were particularly afraid of magic in medieval times, but not very good at recognizing it. On the rare occasion that they did catch a real witch or wizard, burning had no effect whatsoever. The witch or wizard would perform a basic Flame-Freezing Charm and then pretend to shriek with pain while enjoying a gentle, tickling sensation. Indeed, Wendelin the Weird enjoyed being burned so much that she allowed herself to be caught no less than forty-seven times in various disguises.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
... I have ceased to care about anything. I have no personal ambition, or even the desire that people call me nice, or pretty, or witty. Nor do I have any use for sensation, nor do I care. Cessation. It is a technical circle, encircling, cycle, of giving the body to be burned, but having no charity. ... What can I do? For without love I am truly dead.
Elizabeth Smart (On the side of the angels: The second volume of the journals of Elizabeth Smart)
I was in the local shop today, getting something to eat for lunch, when I suddenly had the strangest sensation—a spontaneous awareness of the unlikeliness of this life. I mean, I thought of all the rest of the human population—most of whom live in what you and I would consider abject poverty—who have never seen or entered such a shop. And this, this, is what all their work sustains! This lifestyle, for people like us! All the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries—this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking work on coffee farms and sugar plantations. All for this! This convenience shop! I felt dizzy thinking about it. I mean I really felt ill. It was as if I suddenly remembered that my life was all part of a television show—and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic. That was what they died for—that was the great experiment. I thought I would throw up. Of course, a feeling like that can’t last. Maybe for the rest of the day I feel bad, even for the rest of the week—so what? I still have to buy lunch. And in case you’re worrying about me, let me assure you, buy lunch I did.
Sally Rooney (Beautiful World, Where Are You)
With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can't start over with each new second. You have to judge by what is dead. It's like quicksand...hopeless from the start. A story, a picture, can renew sensation a little, but not enough, not enough. Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moments, the burning flash, come and are gone, continuous quicksand. And I don't want to die.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You, sir,” Irv interrupted, his satchel thumping to the ground at his feet, “are just bothered you were not the first to find acceptable employ. Mostly because, as the women that keep company with you can attest, the only services you provide pay in salves and a burning sensation over the chamber pot.” Rip’s brow rose in mock shock. “How lewd a claim! Lewd … with the faintest hint of accuracy.
Stacey Rourke (Crane (The Legends Saga, #1))
You feel sexual excitement in genitals, horror in stomach, sadness and happiness in heart, physical pain in various parts of the body. What if you start feeling all of this at just one place: In your forehead. Then nothing can hurt you or control you. Even if somebody burns your body, you will feel nothing but a sweet sensation in forehead. It's possible even in 21st century. Disconnect from this crappy society and seek.
Shunya
Without a word, he walked over to the sideboard and grabbed one of the decanters and a crystal glass. He returned to his seat and poured two fingers’ worth of Scotch. He drank half of it in one swallow and thumped his glass down roughly. He waited for the burning sensation in his throat to abate. He waited for the liquid courage to adhere to his insides, fortifying him. But it would take much more Scotch to dull the ache in his heart.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impluse to smash something, a warehouse, perhaps, or a cathedral, or myself (...)For what I have always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.
Hermann Hesse (Steppenwolf)
On days when the tragedy which had robbed him of his life was too much for him, he took out this letter, which he had not dated and which explained his desire to die. Then he laid the gun on the table, bent down to it and pressed his forehead against it, rolling his temples over it, calming the fever of his cheeks against the cold steel. For a long time he stayed like that, letting his fingers caress the trigger, lifting the safety catch, until the world fell silent around him and his whole being, already half-asleep, united with the sensation of the cold, salty metal from which death could emerge. Realizing then that it would be enough for him to date his letter and pull the trigger, discovering the absurd feasibility of death, he knew his imagination was vivid enough to show him the full horror of what life’s negation meant for him, and he drowned in his somnolence all his craving to live, to go on burning in dignity and silence. Then, waking completely, his mouth full of already bitter saliva, he would lick the gun barrel, sticking his tongue into it and sucking out an impossible happiness.
Albert Camus (A Happy Death)
My body is numb, inert, without sensation. I can hardly move, I can hardly breathe. I feel as if I’m at the centre of nothingness, of a black square that is totally empty; that I’m exploding slowly outwards, into the cold burning void of space.
Margaret Atwood (Cat’s Eye)
Nora took a deep breath. Grief, she told herself, naming the sensation that took over her body at the moment. Søren had taught her this trick years ago. If she could name her feelings, enumerate them, label them, she could distance herself from them, make them objects separate from her. Burning. Stinging. Aching. Bruising. Giving her agony a name gave her mastery over it. An old S&M trick for controlling pain, she used it now. Sorrow, she told herself. Irrational, stupid, feminine sorrow.
Tiffany Reisz (The Angel (The Original Sinners, #2))
When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so called good and tolerable days, I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel tle very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols, to provide a few rebellious schoolboys with the longed-for ticket to Hamburg, or to stand one or two representatives of the established order on their heads. For what I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.
Hermann Hesse (Steppenwolf)
The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.”11
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
So uneventful, she remembered almost nothing of it except for an oddly sepia-toned mental image of a terraced house on a narrow street, the sensation of dry, scratchy lawn beneath her feet in summer. Her memory seemed only to bloom into full color from around the age of nine,
Paula Hawkins (A Slow Fire Burning)
In October 1920, her former employer was featured in the local news. The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.”11
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Jackie's eyes burned. She wasn't sure if it was an allergic reaction. She couldn't remember ever feeling this sensation. She touched the corner of her eye. It was wet. There was water coming from her eyes and trickling down her cheeks, and she knew she was crying but she wasn't sure if she had ever cried before.
Joseph Fink
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm “the untidy badge;” scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd’s can only see those minute defects, and are blind to the full brightness of the orb.
Charlotte Brontë (Jane Eyre)
The war had made him into a lone wolf, an introverted arrow that shot silent and solitary to his target for the moment. He'd become an opportunist of sensation and aesthetic.
John Horne Burns (Lucifer with a Book)
More tears scattered down her flushed cheeks at the sensation of his cock throbbing while his seed jetted powerfully into her womb.
Beth Kery (Wicked Burn)
(Watching her) was a little like watching water lilies; rather more like smelling a dinner he was not allowed to eat. Was it possible to be starved for so long as to forget the taste of food, for the pangs of hunger to burn out like ash? It seemed so. But both the pleasure and the pain were his heart’s secret, here. He was put in mind, suddenly, of the soil at the edge of a recovering blight; the weedy bedraggled look of it, unlovely yet hopeful. Blight was a numb gray thing, without sensation. Did the return of green life hurt? Odd thought.
Lois McMaster Bujold (Beguilement (The Sharing Knife, #1))
There was a sensations in his hearts, though, as a stirring of embers. There was fire in him. It wasn't smothered, only banked, but it would burn like the wings of the seraphim before this was over.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
...the sensation was so startlingly intense that I couldn‘t help it, I slipped into the shadow. "What in the name of—" Simon jerked backward, voice shocked. "Gods and suns, Lily, where did you go?" I froze where I was, embarrassment flowing over me in a fiery tide that burned everything else away. Sweet lords of hell, what had I done? I was fairly certain that vanishing during such a moment was just not done.
M.J. Scott (Shadow Kin (The Half-Light City, #1))
With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can’t start over with each new second. You have to judge by what is dead. It’s like quicksand… hopeless from the start. A story, a picture, can renew sensation a little, but not enough, not enough. Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don’t want to die.
Sylvia Plath (The Journals of Sylvia Plath)
And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it would come - and come it did. Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide. The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught. 'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees. And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts... It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think... The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast. ("The Wendigo")
Algernon Blackwood (Monster Mix)
The painted aircraft took on sunlight and pulse. Sweeps of color, bands and spatters, airy washes, the force of saturated light—the whole thing oddly personal, a sense of one painter’s hand moved by impulse and afterthought as much as by epic design. I hadn’t expected to register such pleasure and sensation. The air was color-scrubbed, coppers and ochers burning off the metal skin of the aircraft to exchange with the framing desert.
Don DeLillo
And talking about Michael and Ginny . . . what about Cho and you?” “What d’you mean?” said Harry quickly. It was as though boiling water was rising rapidly inside him; a burning sensation that was causing his face to smart in the cold — had he been that obvious? “Well,” said Hermione, smiling slightly, “she just couldn’t keep her eyes off you, could she?” Harry had never before appreciated just how beautiful the village of Hogsmeade was.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Many of us are metaphorically standing in a ring of fire. The assaults of life have pushed us through a wall of fire and here we are, standing in the middle of a circle of flames. The conundrum we face in the circle is: would we rather spend the rest of our lives very uncomfortable, hot and singed, or do we have the courage to walk through the wall of flames again, experiencing a short burning sensation, to freedom from fire? The benefits of being
Patsy Rodenburg (The Second Circle: How to Use Positive Energy for Success in Every Situation)
A savage desire for strong emotions and sensations burns inside me: a rage against this soft-tinted, shallow, standardized and sterilized life, and a mad craving to smash something up, a department store, say, or a cathedral, or myself
Hermann Hesse (Steppenwolf)
She remained in this attitude, clearly inviting him to touch her. Taking a position of advantage, he rested his right hand on her buttock. He considered a moment then raised his arm and brought his palm upon her, delivering a sharp spank. He felt the acuteness of it on his own skin. He gave her another, watching his hand in the mirror opposite, as it made contact. The slap caused her to flinch, but her heard her sigh also: the timbre of which was now familiar to him. He paused, allowing the sensation of the sting to sink in before giving her more. She remained folded over for him, eager for more of his burning smacks upon her flesh. The peach of her cheeks rippled each time under the impact of his blows.
Emmanuelle de Maupassant (The Gentlemen's Club)
There is much to be said for contentment and painlessness, for these bearable and submissive days, on which neither pain nor pleasure is audible, but pass by whispering and on tip-toe. But the worst of it is that it is just this contentment that I cannot endure. After a short time it fills me with irrepressible hatred and nausea. In desperation I have to escape and throw myself on the road to pleasure, or, if that cannot be, on the road to pain. When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so-called good and tolerable days, I feel so bad in my childish soul that I smash my mouldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols, to provide a few rebellious schoolboys with the longed-for ticket to Hamburg, or to stand one or two representatives of the established order on their heads. For what I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.
Hermann Hesse (Steppenwolf)
She felt a slight burn as he slipped a second finger inside her, stretching tenderly, and then he suckled the taut bud of her sex, licking slowly at first, increasing the pace as she twisted beneath him. He stayed with her, his long fingers working in controlled thrusts, his mouth compelling and demanding, until pleasure washed over her in faster and faster rushes, and suddenly she couldn't move at all. Arched tightly against his mouth, she cried out and gasped, and cried out again. His tongue gentled but continued its artful play, nursing her through the lingering peaks of sensation, bathing her sex with warm strokes as she began to shudder violently. A great weariness flooded her, and with it a physical euphoria that made her feel drunk. Unable to control her limbs, she squirmed tremulously beneath him, and she offered no resistance as St. Vincent turned her over to her stomach. His hand slipped between her thighs and his fingers entered her once more. The opening to her body was sore and, to her mortification, saturated with moisture. He seemed excited by the wetness, however, breathing against the sensitive nape of her neck in rapid pants. Keeping his fingers inside her, he kissed and nibbled his way down her back.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You might know about the ring of fire—an image used in forms of alternative healing. Many of us are metaphorically standing in a ring of fire. The assaults of life have pushed us through a wall of fire and here we are, standing in the middle of a circle of flames. The conundrum we face in the circle is: would we rather spend the rest of our lives very uncomfortable, hot and singed, or do we have the courage to walk through the wall of flames again, experiencing a short burning sensation, to freedom from fire?
Patsy Rodenburg (The Second Circle: How to Use Positive Energy for Success in Every Situation)
...[A]s much as she burned to come, she wanted Olive to know without a doubt that this—that they—were about more than sex. She whispered, “On that note, I haven’t forgotten that I owe you a very fancy, very private dinner date.” Clearly pleased by the comment, Olive caught a lock of her hair and gave it a playful tug. “As much as I appreciate that, right now you’re all I want to eat...Kate groaned at the sensation of yet more wetness seeping from her body, drawn out by Olive’s blunt language and the slight pain of having her hair pulled. She ducked out of Olive’s grip, shooting her a mock dirty look. “Keep doing that and you’ll really have a mess to contend with.” “Promise?” Olive’s eyes flashed with pure, sinful mischief. “Now will you please sit on my face already?
Meghan O'Brien (The Muse)
He waited for her to say something. Anything. But she only watched him watching her, their equally ragged breathing fighting for dominance. With a flick of his fingers, he slipped beneath the cotton and absorbed the feel of her delicate skin, now way past warm. Past even hot. She burned for him. Skating lower, he brushed her thatch of damp curls. His heartbeat kicked up and that lightheaded sensation overtook him again, stealing his attention from her face for as long as it took him to get control. Then he met her eyes once more before he slid into the steam.
Cari Quinn (Heart Signs)
Okay, what in Hades just happened? Stones don’t glow blue or any other color and they certainly don’t burn circles on you.” The stone wasn’t talking. Alexandra considered herself well grounded, yet here she stood, talking to a stone that glowed, burned circles, and refused to answer. A thread of sensation pricked at the edges of her mind, then grew stronger. It mirrored an idea then became clear. Tell no one. What? Looking from side to side, she backed against the wall. Although it felt like someone whispered in her ear, she stood there alone. The day’s trauma must have pushed her over the edge, yet the sensation persisted. Tell no one. She froze. Her eyes darted around the room. The muscles in her legs tightened as she prepared to bolt from the room. Alexandra swallowed and licked her lips. “Who would believe me anyway?” she whispered.
H.H. Laura (Larkspur (Sensate Nine Moon Saga, #1))
Logan felt like Icarus. He had never felt so free and blissfully alive as he did whenever he was with her. The closer he got to her the higher and happier he felt. Even at the mention of her name his heart would pound incessantly and all the giddy feelings he didn’t quite understand would suddenly reemerge. Every glance upon her blinding beauty cast a shadow upon every other girl for him. Everyone else paled in comparison to her. With every passing moment he had somehow discovered something new and exciting about her. With her by his side he could feel the light breeze flapping against his sides and the warmth of sunshine beating down on his handsome face. This is what it meant to be truly awake. This is what it meant to be in love. But just like Icarus he had gotten too close and had crashed and burned. As he lay crippled in the aftermath of his own destruction he wondered what hurt more the aching pangs of physical pain his body had been subjected to or the raw burning sensation he felt in his heart. He had gladly given her his heart and in return she threw it back in pieces claiming it wasn’t enough. That he wasn’t enough.
Ali Harper (Breaking Bedlam (Beautiful Bedlam #2))
That’s the thing about grief and the million other emotions flickering through me, though, right? It messes with my mind in a single blink. It can be a memory or a feeling or a sight. A song, a single word, or even a damn snack. Everything is fine, sometimes better than fine … until it isn’t.
Meagan Brandy (Promise Me Not (Boys of Avix #2))
The raw urgency in Rob’s voice sent fresh blood flooding into Emily’s already swollen sex. She squirmed. feeling her orgasm approaching. Fast. “Say it again,” Rob ground out, dragging one hand up her torso until his fingers found her breast. He cupped its weight, worshipping its form through the soft fabric of her dress. She gasped again, arching her back. “I want you,” she panted, the sensations his fingers on her breast created almost stealing her ability to speak. “I want you. I have from the very—” He didn’t let her finish. His lips claimed hers, his hand squeezing and massaging her breast as his tongue plundered her mouth. He pinched her nipple with hungry force, his tongue matching the ferocity of the caress. Her body burned with pleasure at his feverish actions, the undeniable desire each stoke of his tongue, each flick of his fingers wrought on her body pushing her closer and closer to eruption.
Lexxie Couper (Dare Me)
Did that really happen?" said Maggie White. She was a dull person, but a sensational invitation to make babies. Men looked at her and wanted to fill her up with babies right away. She hadn’t had even one baby yet. She used birth control. "Of course it happened," Trout told her. "If I wrote something that hadn't really happened, and I tried to sell it, I could go to jail. That’s fraud." Maggie believed him. "I'd never thought about that before." "Think about it now." "It’s like advertising. You have to tell the truth in advertising, or you get in trouble." "Exactly. The same body of law applies." "Do you think you might put us in a book sometime?" "I put everything that happens to me in books." "I guess I better be careful what I say." "That’s right. And I'm not the only one who's listening. God is listening, too. And on Judgment Day he's going to tell you all the things you said and did. If it turns out they're bad things instead of good things, that’s too bad for you, because you'll burn forever and ever. The burning never stops hurting." Poor Maggie turned gray. She believed that, too, and was petrified. Kilgore Trout laughed uproariously. A salmon egg flew out of his mouth and landed in Maggie's cleavage.
Kurt Vonnegut Jr.
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
Presently he began to feel the effects of the war atmosphere—a blistering sweat, a sensation that his eyeballs were about to crack like hot stones. A burning roar filled his ears. Following this came a red rage. He developed the acute exasperation of a pestered animal, a well-meaning cow worried by dogs. He had a mad feeling against his rifle, which could only be used against one life at a time. He wished to rush forward and strangle with his fingers. He craved a power that would enable him to make a world-sweeping gesture and brush all back. His impotency appeared to him, and made his rage into that of a driven beast.
Stephen Crane (The Red Badge of Courage)
Savannah moved gracefully, going directly across the darkened street, heading for the shadows of the square. She was very much aware of Gregori still close to her, his body protective. For a moment she thought he brushed her shoulder with his hand, the sensation was so real, but when she turned her head, he was several feet behind. Go, ma petite, take Gary to the house.Do not allow the neighbors to see either of you.And place the safeguards carefully. What about you? There is no safeguard I cannot unravel. Go now. This time, there was so mistake. He was four feet away, already turning away from her, but she felt his mouth burning possessively on hers, lingering for just a moment, his tongue tracing the curve of her lip. She couldn't believe he could make her want him, burn for him, when he was going off into the night alone to fight their enemies. The night has always been mine, Savannah.Do not waste your time worrying about me.
Christine Feehan (Dark Magic (Dark, #4))
I have yet to see the sauna," Rycca said. She was a damn distracting woman. He could scarcely remember what he'd been thinking about a few moments before, except that it had been ridiculous. "You can't actually see much in there," he said absently, studying how the rays of sun played in her hair. "It's dark." "Really? I guess we'll just have to go by touch then." Anticipation rippled through him and with it his merry fellow surged happily. Dragon sighed. A day begun hurtling over a horse's head might as well include a little relaxation. "Is it very hot?" Rycca asked as she ducked her head to enter the low stone building cut into the side of the hill. Vividly aware that the deep bruising he had felt only a short time before was eclipsed by far more urgent sensations, Dragon smiled. "Extremely." She looked at him over her shoulder. "I won't get burned,will I?" "Quite probably," he said and came up close behind her,urging her into the chamber.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can't start over with each new second. You have to judge by what is dead. It's like quicksand... hopeless from the start. A story, a picture, can renew sensation a little, but not enough, not enough. Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don't want to die.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
She leaned forward, pressing her lips against his, sensations he burned for during all those hours on cruisers and shuttles, when the hum of a lightsaber and the chatter of clone commanders stole his attention. He leaned in to her, their hands releasing to roam elsewhere, leaving them in a timeless space where only they existed.
Mike Chen (Star Wars: Brotherhood)
The Tender Place Your temples , where the hair crowded in , Were the tender place. Once to check I dropped a file across the electrodes of a twelve-volt battery -- it exploded Like a grenade. Somebody wired you up. Somebody pushed the lever. They crashed The thunderbolt into your skull. In their bleached coats, with blenched faces, They hovered again To see how you were, in your straps. Whether your teeth were still whole . The hand on the calibrated lever Again feeling nothing Except feeling nothing pushed to feel Some squirm of sensation . Terror Was the cloud of you Waiting for these lightnings. I saw An oak limb sheared at a bang. You your Daddy's leg . How many seizures Did you suffer this god to grab you By the roots of the hair? The reports Escaped back into clouds. What went up Vaporized? Where lightning rods wept copper And the nerve· threw off its skin Like a burning child Scampering out of the bomb-flash. They dropped you A rigid bent bit of wire Across the Boston City grid. The lights In the Senate House dipped As your voice dived inwards Right through the bolt-hole basement. Came up, years later, Over-exposed, like an X-ray -- Brain-map still dark-patched With the scorched-earth scars Of your retreat . And your words , Faces reversed from the light , Holding in their entrails.
Ted Hughes (Birthday Letters)
I rub my sternum to alleviate the sensation, then drag my arms out of Jeb’s shirt and slip the lingerie on underneath. My blush burns hotter to find each item fits perfectly . . . that Morpheus knows my body without ever having run his fingers over it; even more, he knows how I’ve been craving pretty things since I left the asylum. He knows me.
A.G. Howard (Ensnared (Splintered, #3))
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.
Ted Dekker (Renegade (The Lost Books, #3))
To make his point, Ivan staged a sensational demonstration. Some time before Christmas he had arrested two Lithuanians employed in the Moscow Kremlin. He charged them with plotting to poison him. The accusations against Jan Lukhomski and Maciej the Pole did not sound very credible; but their guilt or innocence was hardly relevant. They were held in an open cage on the frozen Moskva River for all the world to see; and on the eve of the departure of Ivan’s envoy to Lithuania, they were burned alive in their cage.50 As the ice melted under the fierce heat of the fire and the heavy iron cage sank beneath the water, taking its carbonized occupants down in a great hiss of steam, one could have well imagined that something was being said about Lithuania’s political future.
Norman Davies (Europe: A History)
At the same time I dismissed a strange bodily sensation that had run the lower back half of my body, during which the base of my spine had seemed to move. It had moved. Not a normal moving as in forward bends, backward bends, sideways and twistings. This had been a movement unnatural, an omen of warning, originating in the coccyx, with its vibration then setting off ripples – ugly, rapid, threatening ripples – travelling into my buttocks, gathering speed into my hamstrings from where, inside a moment, they sped to the dark recesses behind my knees and disappeared. This took one second, just one second, and my first thought – unbidden, unchecked – was that this was the underside of an orgasm, how one might imagine some creepy, back-of-body, partially convulsive shadow of an orgasm – an anti-orgasm.
Anna Burns (Milkman)
Her eyes widened and a strangled sound escaped her throat as she sought to process the sudden wash of conflicting sensations that bombarded her from every angle. He was deep. Impossibly deep. She surrounded him. He surrounded her. Their hips were flush against each other. His body covered hers possessively. There was a burning ache deep inside her, and she couldn’t discern whether it was pleasure or pain.
Maya Banks (Tempted (Pregnancy & Passion, #3))
When I entered the drum, why did it make my heart start pounding? In the small, cramped space, secretly, I was incredibly smitten by her. While playing, we both decided to try and crawl into the drum. It was dark and smelled faintly of metal. Beyond the mouth of the round drum, we could see the sunlight. If I turned around, our bodies fit into the drum exactly, and she was right there. Her breathing was echoing. The air around us was very humid. Somehow the burning feeling in my heart came boiling over, and I put my face close to hers, and gave her a little kiss. Of course it was on the lips. It was a gentle sensation, and it was the first time I'd ever felt such a strange emotion. She responded with the same feeling. So I kept on kissing her. They were light kisses, but my heart was beating wildly.It was an amazing first time.
Gackt
What was going to become of my life I didn’t know; but lying there that day by the sea it didn’t seem to matter much. To be was enough. I felt myself in suspension, waiting without fear for some impulse to drive me on. I turned on my stomach and made love to the memory of Alison, like an animal, without guilt or shame, a mere machine for sensation spreadeagled on the earth. Then I ran across the burning stones into the sea.
John Fowles (The Magus)
Recently, a professor at Penn State told my son Joshua's class that during a trip to Africa, he had a mysterious encounter with a witch doctor of a tribe. He watched with horror as this witch doctor put a man into a trance and made the man put his face into burning coals and move them around with his nose on the ground. The man received no burns and wasn't even aware of the sensation of burning his flesh. The professor, being a committed naturalist, had no way to understand this obviously satanic phenomena. His scientific model didn't include any supernatural cause, whether it be godly or satanic. He admitted this fact to the class. He said that he saw what happened yet he did not believe it, because he couldn't fit it into what he called his scientific model . . . If their presuppositions rule out the supernatural, that is that! There is no more.
Jack Cuozzo (Buried Alive)
She had no will of her own now, no consecutive thought, no power of concentration; she was being dashed and hurtled into a chaos that blinded her, some bottomless pit, some sweet, appalling nothingness. [...] Papa who played her on a thousand strings, she dancing to his tune like a doll on wires - Papa who harped at her and would not let her be. He was cruel, he was relentless, he was like some oppressive, suffocating power that stifled her and could not be warded off; he gave her all these bewildering sounds and sensations without causing so that she was like a child stuffed with sweets cloying and rich; they were rammed down her throat and into her belly, filling her, exhausting her, making her a drum of excitement and anguish and emotion that was gripping in its savage intensity. It was too much for her, too strong. She felt as though she were a dry stack in a deep wood, and he had put a match to her and was watching her burn.
Daphne du Maurier (Julius)
He ran his hands along my shoulders, the ridges of my collarbones. His fingers sank into the tense muscles of my upper back, massaging in deep, sensual circles that caused a moan to escape my mouth. "You deserve to be taken care of," he said, and then his hand was on my hip, directing me. "Here. Let me do this properly." I turned around, scooting back until I was nestled in between his thighs, and he resumed his slow ministrations, his thumbs digging into the space between my shoulder blades. "Tell me if I'm too rough," he said quietly into my ear, but I could only shake my head. It felt amazing. He ran his nails down my back, the sensation sending a delicious crackle down my spine, before calming the activated nerve endings with a rub all the way down to my lower back. His fingers hooked in the waistband of my leggings, my underwear, before tugging at the stretchy material of the leggings. "Now these," he said. "Only these." I had to stand up to comply with that command, rolling the leggings down from my hips and stepping out of them. It gave me a chance to see Sam's face, his eyes hooded, watching me. Any questions I may have had about whether this was only about my pleasure were answered in that look, and further by the hard ridge of his jeans against my ass when I took my place back between his thighs. I half expected him to touch me in a more explicit way than a massage of the shoulders, but he simply returned to the slow kneading of my back, no more improper than what you might ask a friend to do, albeit with fewer clothes. It made my body scream to be touched---- I wanted his hands everywhere, on my breasts and in my mouth and in between my legs. I ground my ass against his erection through his jeans, trying to send him a message. "Shh," Sam said against my ear, less a command to be quiet and more a soft sound of indulgence. "We have time. We have all night.
Alicia Thompson (Love in the Time of Serial Killers)
Dougal lifted his spoon and slit it into his mouth. Immediately, a frozen look came over his face. Sophia tensed. He removed the spoon from his mouth. Sophia gripped her own spoon tighter. A slow red crept up his face, his eyes watering slightly. Ha! Mary's soup was working its magic. Pleased, Sophia pretended to eat some soup. Dougal slapped a hand on the table. The dishes and Sophia jumped. "What's wrong?" He pointed to his bowl with his spoon. "That." "The soup? Why, whatever's wrong with it?" "Nothing.That is the best soup I've ever had." Sophia blinked. Surely he hadn't just said- He dipped his spoon back into his bowl and took another large bite. Though his eyes watered and his face turned a deeper red, he continued to eat, murmuring, "Excellent!" every third bite or so. Sophia looked at her own soup, which reeked of garlic and pepper and onion. Mary had added a large amount of salt, as well. But watching MacLean eat with gusto made her question her perceptions. What if Mary's natural ability to cook had overcome her attempts to provide an inedible meal? Sophia dipped her spoon into herbowl and gingerly sniffed the contents, grimacing at the strong odor. Casting a puzzled look at MacLean, who was about finished with his soup, she put the spoon into her mouth. The burning sensation of pepper mingled with the rancid taste of uncooked garlic and what could only have been salted dishwater. She jerked the spoon from her mouth and grabbed her water goblet, pouring it into her mouth to wash down the horrid taste. Gasping, she glared with watery, accusing eyes at MacLean. He seemed not to have noticed anything, too busy scraping the bottom of his bowl, as if afraid some succulent tidbit might have escaped him. Finding nothing more, he placed his spoon on the table and sat back, wiping his mouth with his napkin. "That was the best soup I've ever been served. I believe I'll have more." "More? Are you...are you certain?" "I'm positive.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
My back hit the wall. He closed in with an almost terrifying intensity. His muscular body boxed me in. “Rogan,” I warned. In my head, a song played over and over, singing to me in a seductive voice, Rogan, Rogan, Rogan, sex . . . want . . . “Remember that dream you had?” His voice was low, commanding. “Rogan!” The delicious warmth danced around my neck. “Where I had no clothes?” The warmth split and slid over me, over the sensitive nerves in the back of my neck, over my collarbone, around my breasts, cupping them and sliding fast to the tips, tightening my nipples, then sliding down, over my stomach, over my sides and butt, down between my legs. It was everywhere at once, and it flowed over me like a cascade of sensual ecstasy, overloading my senses, overriding my reason, and rendering me speechless. I hurtled through it, trying to sort through the sensations and failing. My head spun. He was right there, masculine, hot, sexy, so incredibly sexy, and I wanted to taste him. I wanted his hands on me. I wanted him to press himself against the aching spot between my legs. His arms closed around me. His face was too close, his eyes enticing, compelling, excited. “Let’s talk about that dream, Nevada.” I was trapped. I had nowhere to go. If he kissed me, I would melt right here. I would moan and beg him, and I would have sex with him right here, in the Galleria, in public. A spark of pain drained down my arm, driven by pure instinct. I grabbed his shoulder. Feathery lightning shot out and singed him. Agony exploded in me, cleansing like an ice-cold shower. Rogan’s body jerked, as if struck by an electric current. It lasted only a second, and I didn’t push as hard as I could have. I was learning to control it. Rogan whipped back to me, his eyes feral. His voice was a ragged growl. “Was that supposed to hurt?” “It was supposed to get your attention.” I pushed him back with my hand. “You were getting really excited.” “‘No’ would’ve been sufficient.” “I wasn’t sure.” I pushed from the wall and headed for the exit. “I said ‘once.’ That was more than once. I wanted you to stop.” “I was encouraged by you breathlessly moaning my name.” I spun on my foot. “I wasn’t moaning your name. I was shrieking in alarm.” “That was the sexiest throaty shrieking I’ve ever heard.” “You need to get out more.” My cheeks were burning.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
And these lovers had discovered a powerful thrill, a joy that went all the way down to their stomachs, in weaving a big idea together. Like some wild rapture, the sensation of helping others to imagine something bigger than yourselves. Somehow, this weird love story is the foundation of this community’s politics, or religion. Rose lingers on the oddest parts, like when they finally reveal their invention to the rest of the community, or the tenderness when the couple becomes a trio. I sense the echoes from all the countless other times that people have passed this legend around, and the lesson that comes with it: to join with others to shape a future is the holiest act. This is hard work, and it never stops being hard, but this collective dreaming/designing is the only way we get to keep surviving, and this practice defines us as a community. Even the other communities that live apart from the midnight city, scattered all over the night in smaller cities or towns, share this origin story. Just as she finishes explaining, we roll to a stop. I look out and see the unmistakable crags of the Old Mother rising over the permafrost, with just a tiny wedge of light behind it. I squint as hard as I can, but the light still burns.
Charlie Jane Anders (The City in the Middle of the Night)
Come here, Amanda." His voice was a low scrape of sound. "Oh, I can't," she said unsteadily. "I-I think you should go now." Jack leaned forward and caught her wrist gently in his fingers. "I won't hurt you," he whispered. "I won't do anything that you don't like. But before I leave you this evening, I'm going to hold you in my arms." Confusion and desire swirled inside her, making her feel unanchored, helpless. She let him pull her forward until her short limbs rested stiffly against his much longer ones. He ran a large palm down her back, and she could feel a trail of sensation in its wake. His skin was hot, as if a fire burned right beneath the smooth golden surface. Her breath shortened, and she closed her eyes, shivering, luxuriating in the feeling of being warm all the way down to her bones. For the first time in her life, she let her head fall into the waiting crook of a man's arm, and stared up at his shadowed face. As he felt the trembling of her limbs, he made a crooning sound and cuddled her closer. "Don't be afraid, mhuirnin. I won't hurt you." "What did you call me?" she asked in bewilderment. He smiled down at her. "A small endearment. Did I neglect to mention that I'm half Irish?" That explained his accent, the neat cultured tones tempered with a sort of musical softness that must be Celtic in origin.
Lisa Kleypas (Suddenly You)
i was in the local shop today, getting something to eat for lunch, when suddenly i had the strangest sensation — a spontaneous awareness of the unlikeliness of this life. i mean, i thought if all the rest of the human population — most of whom live in what you and i would consider abject poverty — who have never seen or entered such a shop. and this, this, is what all their work sustains! this lifestyle, for people like us! all the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries — this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking and work on coffee farms and sugar plantations. all for this! this convenience shop! i felt dizzy thinking about it. i mean i really felt ill. it was as if i suddenly remembered that my life was all part of a television show — and every day people died making the show, we’re ground to death in the most horrific ways, children, women, and all so that i could choose from various lunch options, each packaged in multiple layers of single-use plastic. that was what they died for — that was the great experiment. i thought i would throw up. of course, a feeling like that can’t last. maybe for the rest of the day i feel bad, even for the rest of the week — so what? i still have to buy lunch. and in case you’re worrying about me, let me assure you, buy lunch i did.
Sally Rooney (Beautiful World, Where Are You)
Did they have all the ingredients for the seed cake, Miss Sophia? The caraway and rye, and the currants for the top?" "Yes," Sophia replied as the cook-maid disappeared into the larder. "But we could find no red currants, and-" Suddenly her words were smothered into silence as Sir Ross pulled her into his arms. His lips descended to hers in a kiss so tender and carnal that she could not help responding. Stunned, she struggled to retain her hatred of him, to remember the wrongs of the past, but his lips were utterly warm and compelling, and her thoughts scattered crazily. The pink rose dropped from her nerveless fingers. Sophia swayed against him, groping for his hard shoulders in a futile bid for balance. His tongue searched her mouth... delicious... sweetly intimate. Sophia inhaled sharply and tilted her head back in utter surrender, her entire existence distilled to this one burning moment. Through the pounding heartbeat in her ears she dimly heard Eliza's concerned voice echoing from the larder. "No red currants? But what will we top the seed cake with?" Sir Ross released Sophia's mouth, leaving her lips moist and kiss-softened. His face remained close to hers, and Sophia felt as if she were drowning in the silver pools of his eyes. His hand came to the side of her face, his fingers curving over her cheek, his thumb brushing the corner of her mouth. Somehow Sophia managed to answer Eliza. "We f-found golden currants instead-" As soon as the words left her mouth, Sir Ross kissed her again, his tongue exploring, teasing. Her groping fingers touched the back of his neck, where the thick black hair curled against his nape. Sensation rustled through her, spurring her pulse to an intemperate pace. Taking advantage of her surrender, he kissed her more aggressively, hunting for the deepest, sweetest taste of her. As her knees weakened, his arms wrapped securely around her, supporting her body as he continued to ravish her mouth. "Golden currants?" came Eliza's dissatisfied voice. "Well, the flavor won't be quite the same, but they will be better than nothing." Sir Ross released Sophia and steadied her with his hands at her waist. While she stared at him blankly, he gave her a brief smile and left the kitchen just as Eliza reemerged from the larder.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
Tell me you did not spend all those nights with her and never spread her thighs to claim your prize.” A growl of fury rumbled from his chest at the crudity in her words, but the sound did not seem to bother Pendragon one bit. She actually laughed at his response. “Of course you did, my lord, as I knew you would. It was the final barrier you had yet to cross in your search for pleasure.” “It signifies nothing.” Her green eyes glittered. “It means everything.” The woman turned away from him and strode toward the chair he had recently vacated. With a swish of her skirts, she turned and lowered herself gracefully. Tipping her head, she looked at him with a superior little half smile. “What did you feel when you took possession of your gentle maiden?” Her words might have been mocking if not for her expression, which had settled into one of patient nonjudgemnet. It was the same way she had looked at him the first time he had gone to her. “Think carefully. What did you feel?”
 Avenell’s gut tensed as he involuntarily recalled the sensations of being burned within Lily’s warmth and softness. He relived in his mind the way their naked bodies moved together, heard her endless gasps and moans echo, felt the overwhelming heat, the pervading pleasure. Every time they came together it was intense and consuming, obliterating everything else in existence. That was the problem. He always felt too much with her. And despite that, he had never been able to shake his yearning for more.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
Then one evening he reached the last chapter, and then the last page, the last verse. And there it was! That unforgivable and unfathomable misprint that had caused the owner of the books to order them to be pulped. Now Bosse handed a copy to each of them sitting round the table, and they thumbed through to the very last verse, and one by one burst out laughing. Bosse was happy enough to find the misprint. He had no interest in finding out how it got there. He had satisfied his curiosity, and in the process had read his first book since his schooldays, and even got a bit religious while he was at it. Not that Bosse allowed God to have any opinion about Bellringer Farm’s business enterprise, nor did he allow the Lord to be present when he filed his tax return, but – in other respects – Bosse now placed his life in the hands of the Father, the Son and the Holy Spirit. And surely none of them would worry about the fact that he set up his stall at markets on Saturdays and sold bibles with a tiny misprint in them? (‘Only ninety-nine crowns each! Jesus! What a bargain!’) But if Bosse had cared, and if, against all odds, he had managed to get to the bottom of it, then after what he had told his friends, he would have continued: A typesetter in a Rotterdam suburb had been through a personal crisis. Several years earlier, he had been recruited by Jehovah’s Witnesses but they had thrown him out when he discovered, and questioned rather too loudly, the fact that the congregation had predicted the return of Jesus on no less than fourteen occasions between 1799 and 1980 – and sensationally managed to get it wrong all fourteen times. Upon which, the typesetter had joined the Pentecostal Church; he liked their teachings about the Last Judgment, he could embrace the idea of God’s final victory over evil, the return of Jesus (without their actually naming a date) and how most of the people from the typesetter’s childhood including his own father, would burn in hell. But this new congregation sent him packing too. A whole month’s collections had gone astray while in the care of the typesetter. He had sworn by all that was holy that the disappearance had nothing to do with him. Besides, shouldn’t Christians forgive? And what choice did he have when his car broke down and he needed a new one to keep his job? As bitter as bile, the typesetter started the layout for that day’s jobs, which ironically happened to consist of printing two thousand bibles! And besides, it was an order from Sweden where as far as the typesetter knew, his father still lived after having abandoned his family when the typesetter was six years old. With tears in his eyes, the typesetter set the text of chapter upon chapter. When he came to the very last chapter – the Book of Revelation – he just lost it. How could Jesus ever want to come back to Earth? Here where Evil had once and for all conquered Good, so what was the point of anything? And the Bible… It was just a joke! So it came about that the typesetter with the shattered nerves made a little addition to the very last verse in the very last chapter in the Swedish bible that was just about to be printed. The typesetter didn’t remember much of his father’s tongue, but he could at least recall a nursery rhyme that was well suited in the context. Thus the bible’s last two verses plus the typesetter’s extra verse were printed as: 20. He who testifies to these things says, Surely I am coming quickly. Amen. Even so, come, Lord Jesus!21. The grace of our Lord Jesus Christ be with you all. Amen.22. And they all lived happily ever after.
Jonas Jonasson (Der Hundertjährige, der aus dem Fenster stieg und verschwand)
His mouth brushed over hers with kisses of soft fire. And as he possessed her, she gradually came to understand the pattern he was working within her… eight shallow thrusts, two deep… seven shallow, three deep… progressing until he finally gave her ten heavy, penetrating plunges. Lottie cried out with wrenching pleasure, her hips lifting against his sleek weight as she was filled with volatile sensation. When the burning delight had begun to fade, Nick altered their positions subtly, moving farther over her, nudging her knees wider, adjusting the angle of his sex. He thrust deeply, sealing their bodies together, and circled his hips in a slow, steady rhythm. “I can’t,” Lottie said breathlessly, realizing what he wanted, knowing that it was impossible. “Let me,” Nick whispered, tireless and wickedly adept as he continued the gentle circling, using his body to pleasure her. She was astonished by how quickly the heat rose again, her senses welcoming the patient stimulation, her sex turning slick and swollen as he moved inside her, over her, against her. “Oh… oh…” The sounds were torn from her throat as she reached another crest, her limbs jerking, her cheek pressed hard against his shoulder. And then he began the entire cycle again. Nine shallow, one deep… Lottie lost count of how many times he brought her to ecstasy, or how much time passed while he made love to her. He whispered in her ear… endearments… intimate praise… telling her how hard she made him… how sweet she felt around him… how much he wanted to satisfy her. He gave her more pleasure than it seemed possible to bear, until finally she begged him to stop, her body trembling with exhaustion. Nick complied with reluctance, pushing deep inside one last time, releasing his pent-up desire with a shuddering groan. Compulsively he kissed her again, as he withdrew from her sated body. Lottie barely had the strength to lift her hand, but she caught at his arm and murmured thickly, “Will you stay?” “Yes,” she heard him say. “Yes.” -Lottie & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Sweat popped out on his brow. Little by little he advanced. Higher. Deeper. Her flesh yielding beneath his gentle but inevitable penetration. She moaned. "It's not enough. Dammit, it's not enough!" His laugh was triumphant. "Patience, love. Patience." She buried her head against his shoulder. He buried his finger inside her cleft, as far as he could. His thumb slowly circled her velvety pearl, pressed, then circled anew, faster and faster, gaining a tempo he knew would drive her wild. Her hands came up, clenching and unclenching against his chest. He felt the tension strung throughout her body and knew precisely what caused it. Knew precisely how to ease it. "Don't fight it." The words were a low, silken whisper, yet his tone was almost gritty with self-control. "Just let it happen, darling. Just let it happen." She couldn't stop it. He knew that pure sensation burned inside her. She writhed around his finger, her hips seeking, stark and wanton. He knew precisely when the spasms of release seized hold. She cried aloud. Her body contracted around him, again and again. She collapsed against him, spent and satiated, his finger still deep inside her. Aidan, however, was more aroused than he had ever been in his life. Every part of his body, every muscle, every nerve, was taut and on edge, almost to the breaking point. A crimson haze of desire scorched his insides, for though Fionna had gained release, he had not. He could barely think. Powerful arms lifted her, catching her so that she faced him, her bare legs bracketed around his. a long arm swept around her back. "You pleased me, love. And I am glad that I pleased you so much. But the next time we are together like this, it will be a different part of me that will be inside you. The next time it will be this." Reaching between them, he fumbled with his trousers, freeing his rigid erection, curling her fingers around his thick, swollen flesh and sealing it there with the pressure of his own. "And there will be nothing between us, sweet. No barriers of clothing. No barriers of words. Do you understand what I am saying?" Fionna gaped at him, stunned at what he'd said. Stunned at what he was doing. She could feel that rigidly masculine part of him... good heavens, her palm was filled with that rigidly masculine part of him.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
Sarah rode with him and felt her body rejoice, felt her senses whirl and sing with pleasure. She was exquisitely conscious, to her fingernails aware of the shattering intimacy of their joining. Eyes closed, hearing suspended, her world condensed just to him and her, and another world came alive, a landscape filled with feeling, with heat and longing, with sensation and power and the promise of glory. He moved within her and she rode out each thrust, met and matched him, welcomed and reluctantly released him again. Pleasure and delight bloomed, welled, then spilled through her. The momentary pain had faded so fast it was already a dim memory, overwhelmed by the solid and immediate reality of him hard and strong and so elementally male, joining so deeply and inexorably with her. His fingers slid from hers, sliding down and around to one globe of her bottom. He tilted her hips, and she gasped as the altered position let him penetrate her more deeply still. The reined power behind each deliberate thrust sent a thrill arcing through her. A primitive sense of danger, the recognition of vulnerability; he was so much stronger than she, his body so much harder, so much more powerful than hers. Yet he was careful. The realization slid through her, but she couldn't focus enough to think, then the heat of their passion rose another degree and claimed her. Sent fire and a hungry, ravenous need sliding through her veins, making her writhe, making her gasp. It inexorably branded desire deep into her flesh, marking and searing, until she burned. Until her body was aflame, until the flames coalesced and concentrated, burning deeper and hotter until she sobbed and clung and desperately urged him on, and he rode her faster, harder, deeper. Until with a rush, all heat and yearning, she found herself clinging to that final, dizzying peak. Felt him thrust one last time and shatter her, felt the furnace within her that he'd stoked and fed rupture, felt glory pour forth and sear her veins. And rush through her. She spiraled through a void, cushioned in heated bliss, her mind disconnected. Dimly, she heard him groan, long-drawn and guttural, was distantly aware that, joined deeply with her, he went rigid in her arms. She felt, from far away, the warmth of his seed spill inside her. Buoyed by glory, cocooned in golden rapture, she smiled.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
He held her down in the cushioning billows of the bed, kissed her, fondled and provocatively caressed until she arched, with her body begged; breaking from the kiss, he trailed hot, wet, openmouthed kisses down the taut line of her throat, over the creamy upper swell of her breast, and gave her the first course of what she'd asked for. He feasted on her breasts without quarter, licked, suckled, and laved as she writhed and gasped beneath him, as her hands gripped and tightened on his skull as he drew every last gasp and moan he could from her, then moved on. Over her midriff, down over her waist, pausing to pay homage to the sensitive indentation of her navel, then he shifted still lower. Trapping one of her long legs beneath him, lifting and draping the other over his shoulder, he held it there, held her steady as he pressed an ardent kiss to the curls shielding her mons. He heard her breath hitch, felt her body tremble, then tense and coil. Glancing at her face, he caught a glimpse of intense cornflower blue burning beneath her heavy lids, saw her lips slick and swollen from his kisses, parted in shocked disbelief. Deliberately he slid lower, bent and set his lips to the slick, swollen flesh between her thighs. She jerked, moaned. He licked and she screamed. She reached for him, but could only touch his head. Her fingers twined in his hair, tightened; she tensed to tug, but he licked again, then slowly, expertly probed, and she didn't move. Panting, eyes shut, she waited. Inwardly smug, he settled to worship her in that way, too, to taste her, to fill his senses with her, and hers with him. She let him have his way, let him taste her as he wished, let him try her with his tongue and drive her mindless. He asked, and she surrendered; he took, and she gave. In return, he pleasured her with unwavering devotion until she sobbed and cried out his name. Rising, he rolled her firmly onto her back, trailed kisses like fire up her belly and breasts as he loomed over her, spreading her thighs wide, settling between. He held himself over her, arms braced as he kissed her, tasted her desperation on her lips. Then with one, single powerful thrust he joined them. She closed about him like a glove, and he gasped; like the goddess he'd named her she welcomed her servant into her temple and embraced him. He moved, and she moved with him, fluidly meeting him as they gave themselves up to the now familiar dance. His thoughts fractured, ripped from him as a whirlpool of sensation rose up, drenched, then drowned him.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
His eyes flickered with amusement, reflecting sunlight and shade. The rough beard on his chin gave him a wild, dangerous look. Stiffly, she lifted herself onto her toes, bracing a hand against his shoulders. He was steel beneath her grasp. Did he have to watch her so intently? She closed her eyes. It was the only way she would have the courage to do this. Still he waited. It would be a brief meeting of lips. Nothing to be afraid of. If only her heart would remember to keep beating. Holding her breath, she let her lips brush over his. It was the first time she’d ever kissed a man and her mind raced with it. She hardly had a sense of his mouth at all, though the shock of the single touch rushed like liquid fire to her toes. Her part of the bargain was fulfilled. It could be done and over right then. Recklessly, after a moment’s hesitation, she touched her lips once again to him. This time she lingered, exploring the feel of him little by little. His mouth was warm and smooth and wonderful, all of it new and unexpected. He still hadn’t moved, even though her knees threatened to crumble and her heart beat like a thunder drum. Finally he responded with the barest hint of pressure. The warmth of his breath mingled with hers. Without thinking, she let her fingers dig into the sleek muscle of his arms. A low, husky sound rumbled in his throat before he wrapped his arms around her. Heaven and earth. She hadn’t been kissing him at all. The thin ribbon of resistance uncoiled within her as he took control of the kiss. His stubble scraped against her mouth, raking a raw path of sensation through her. She could do nothing but melt against him, clutching the front of his tunic to stay on her feet. A delicious heat radiated from him. His hands sank low against the small of her back to draw her close as he teased her mouth open. His breath mingled with hers for one anguished second before his tongue slipped past her lips to taste her in a slow, indulgent caress. A sigh of surrender escaped from her lips, a sound she hadn’t imagined she was capable of uttering. His hands slipped from her abruptly and she opened her eyes to see his gaze fixed on her. ‘Well,’ he breathed, ‘you do honour your bets.’ Though he no longer touched her, it was as if the kiss hadn’t ended. He was still so close, filling every sense and thought. She stumbled as she tried to step away and he caught her, a knowing smile playing over his mouth. Her balance was impeccable. She never lost her footing like that, just standing there. His grip tightened briefly before he let her go. Even that tiny, innocent touch filled her with renewed longing. In a daze, she bent to pick up her fallen swords. Her pulse throbbed as if she had run a li without stopping. In her head she was still running, flying fast. ‘Now that our bargain is settled…’ she began hoarsely ‘…we should be going.’ To her horror her hands would not stop shaking. Brushing past him, she gathered up her knapsack and slung it over her shoulder. ‘You said the next town was hours from here?’ He collected his sword while a slow grin spread over his face. She couldn’t look at him without conjuring the feel and the taste of him. Head down, she ploughed through the tall grass. ‘A good match,’ she attempted. He caught up to her easily with his long stride. ‘Yes, quite good,’ he replied, the tone rife with meaning. Her cheeks burned hot as she forced her gaze on the road ahead. She could barely tell day from night, couldn’t give her own name if asked. She had to get home and denounce Li Tao. Warn her father. She had thought of nothing else since her escape, until this blue-eyed barbarian had appeared. It was fortunate they were parting when they reached town. When he wasn’t looking she pressed her fingers over her lips, which were still swollen from that first kiss. She was outmatched, much more outmatched than when they had crossed swords.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))