β
Laugh and the world laughs with you, snore and you sleep alone.
β
β
Anthony Burgess
β
Every grain of experience is food for the greedy growing soul of the artist.
β
β
Anthony Burgess
β
Is it better for a man to have chosen evil than to have good imposed upon him?
β
β
Anthony Burgess (A Clockwork Orange)
β
We can destroy what we have written, but we cannot unwrite it.
β
β
Anthony Burgess (A Clockwork Orange)
β
When a man cannot choose, he ceases to be a man.
β
β
Anthony Burgess (A Clockwork Orange)
β
The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.
β
β
Anthony Burgess (A Clockwork Orange)
β
To be left alone is the most precious thing one can ask of the modern world.
β
β
Anthony Burgess (Homage to QWERT YUIOP: Essays)
β
But what I do I do because I like to do.
β
β
Anthony Burgess (A Clockwork Orange)
β
Goodness is something chosen. When a man cannot choose he ceases to be a man.
β
β
Anthony Burgess (A Clockwork Orange)
β
It's funny how the colors of the real world only seem really real when you watch them on a screen.
β
β
Anthony Burgess (A Clockwork Orange)
β
I see what is right and approve, but I do what is wrong.
β
β
Anthony Burgess (A Clockwork Orange)
β
Does God want goodness or the choice of goodness? Is a man who chooses to be bad perhaps in some way better than a man who has the good imposed upon him?
β
β
Anthony Burgess (A Clockwork Orange)
β
It is as inhuman to be totally good as it is to be totally evil.
β
β
Anthony Burgess (A Clockwork Orange)
β
What's it going to be then, eh?
β
β
Anthony Burgess (A Clockwork Orange)
β
If he can only perform good or only perform evil, then he is a clockwork orangeβmeaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil.
β
β
Anthony Burgess (A Clockwork Orange)
β
Why do humans exist? A major part of the answer: because Pikaia Gracilens survived the Burgess decimation.
β
β
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
β
That's the best thing about little sisters: They spend so much time wishing they were elder sisters that in the end they're far wiser than the elder ones could ever be.
β
β
Gemma Burgess
β
Give me liberty or give me death."
[From a speech given at Saint John's Church in Richmond, Virginia on March 23, 1775 to the Virginia House of Burgesses; as first published in print in 1817 in William Wirt's Life and Character of Patrick Henry.]
β
β
Patrick Henry (Give Me Liberty Or Give Me Death)
β
The Burgess sisters arrived together. Tara and Lainie do a little bit of everything. Sometimes dancers, sometimes actresses. Once they were librarians, but that is a subject they will only discuss if heavily intoxicated.
β
β
Erin Morgenstern (The Night Circus)
β
If you expect the worst from a person you can never be disappointed.
β
β
Anthony Burgess (The Wanting Seed)
β
This must be a real horrorshow film if you're so keen on my viddying it.
β
β
Anthony Burgess (A Clockwork Orange)
β
Great Music, it said, and Great Poetry would like quieten Modern Youth down and make Modern Youth more Civilized. Civilized my syphilised yarbles.
β
β
Anthony Burgess (A Clockwork Orange)
β
Oh it was gorgeousness and gorgeosity made flesh. The trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. Then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. I was in such bliss, my brothers.
β
β
Anthony Burgess (A Clockwork Orange)
β
Language exists less to record the actual than to liberate the imagination.
β
β
Anthony Burgess
β
Then, brothers, it came. Oh, bliss, bliss and heaven. I lay all nagoy to the ceiling, my gulliver on my rookers on the pillow, glazzies closed, rot open in bliss, slooshying the sluice of lovely sounds. Oh, it was gorgeousness and gorgeosity made flesh.
β
β
Anthony Burgess (A Clockwork Orange)
β
A perverse nature can be stimulated by anything. Any book can be used as a pornographic instrument, even a great work of literature if the mind that so uses it is off-balance. I once found a small boy masturbating in the presence of the Victorian steel-engraving in a family Bible.
β
β
Anthony Burgess (A Clockwork Orange)
β
Sometimes maybe you need an experience. The experience can be a person or it can be a drug. The experience opens a door that was there all the time but you never saw it. Or maybe it blasts you into outer space...All that negative stuff. All the pain...It just floted away from me, I just floated away from it...up and away...
β
β
Melvin Burgess (Smack)
β
He would have shaved the centaurs, dipped them in honey, covered them with feathers, and hung them up like a bunch of pinatas. I'm just saying." - Warren
β
β
Brandon Mull
β
The possession of a book becomes a substitute for reading it.
β
β
Anthony Burgess
β
Civilised my syphilised yarbles.
β
β
Anthony Burgess (A Clockwork Orange)
β
We're a government that believes in everybody having the illusion of free will.
β
β
Anthony Burgess (The Wanting Seed)
β
I was always on my oddy knocky.
β
β
Anthony Burgess (A Clockwork Orange)
β
Art is dangerous. It is one of the attractions, when it ceases to be dangerous you don't want it.
β
β
Anthony Burgess
β
If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow.
Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long.
β
β
Bill Bryson (A Short History of Nearly Everything)
β
Welly, welly, welly, welly, welly, welly, well. To what do I owe the extreme pleasure of this surprising visit?
β
β
Anthony Burgess (A Clockwork Orange)
β
It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now.
β
β
Anthony Burgess (A Clockwork Orange)
β
Senseless violence is a prerogative of youth, which has much energy but little talent for the constructive.
β
β
Anthony Burgess (A Clockwork Orange)
β
I've discovered the secret to successful singledom. I'm acting like a man. And it's working.
β
β
Gemma Burgess (A Girl Like You)
β
To devastate is easier and more spectacular than to create.
β
β
Anthony Burgess (A Clockwork Orange)
β
I said, smiling very wide and droogie: βWell, if it isnβt fat stinking billygoat Billyboy in poison. How art thou, thou globby bottle of cheap stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly, thou.β And then we started.
β
β
Anthony Burgess (A Clockwork Orange)
β
Where do I come into all of this? Am I just some animal or dog?' And that started them off govoreeting real loud and throwing slovos at me. So I creeched louder still, creeching: 'Am I just to be like a clockwork orange?
β
β
Anthony Burgess (A Clockwork Orange)
β
Seth hustled over. βWhatβs the password?β
βPasswords are for sissies,β Warrenβs muffled voice responded.
βWorks for me,β Seth said, unlocking the door and opening it.
β
β
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
β
What I do I do because I like to do.
β
β
Anthony Burgess (A Clockwork Orange)
β
The next morning I woke up at oh eight oh oh hours, my brothers, and as I still felt shagged and fagged and fashed and bashed and my glazzies were stuck together real horrorshow with sleepglue, I thought I would not go to school.
β
β
Anthony Burgess (A Clockwork Orange)
β
You were not put on this Earth just to get in touch with god
β
β
Anthony Burgess (A Clockwork Orange)
β
But where I itty now, O my brothers, is all on my oddy knocky, where you cannot go. Tomorrow is all like sweet flowers and the turning vonny earth and the stars and the old Luna up there. ... And all that cal.
β
β
Anthony Burgess (A Clockwork Orange)
β
I was cured all right.
β
β
Anthony Burgess (A Clockwork Orange)
β
The spark is the feeling that youΒ΄d rather be talking to him than any other person in the world.
β
β
Gemma Burgess (A Girl Like You)
β
Eat this sweetish segment or spit it out. You are free.
β
β
Anthony Burgess (A Clockwork Orange)
β
It may not be nice to be good, little 6655321. It may be horrible to be good. And when I say that to you I realize how self-contradictory that sounds. I know I shall have many sleepless nights about this. What does God want? Does God want goodness or the choice of goodness? Is a man who chooses the bad perhaps in some way better than a man who has the good imposed upon him? Deep and hard questions, little 6655321.
β
β
Anthony Burgess (A Clockwork Orange)
β
Suddenly, I viddied what I had to do, and what I had wanted to do, and that was to do myself in; to snuff it, to blast off for ever out of this wicked, cruel world. One moment of pain perhaps and, then, sleep forever, and ever and ever.
β
β
Anthony Burgess (A Clockwork Orange)
β
You can do anything you want. You don't believe me. You think, she's out of her head. Yeah, I'm out of my head- on being me. What are you on? On being them. You don't even know. I bet you were never given a chance to know. ....Listen. You can be anything you want to be. Be careful. It's a spell. It's magic. Listen to the words.... You are anything...everyone, anyone. ...You listen to them, teachers, parents, politicians. They're always saying, if you steal you're a thief, if you sleep aroung you're a slut, if you take drugs you're a junkie. They want to get inside your head and control you with their fear. ...Don't play their game. Nothing can touch you; you stay beautiful.
β
β
Melvin Burgess (Smack)
β
Colonialism. The enforced spread of the rule of reason. But who is going to spread it among the colonizers?
β
β
Anthony Burgess
β
I viddied that thinking is for the gloopy ones and that the oomny ones use like inspiration and what Bog sends. For now it was lovely music that came to my aid.
β
β
Anthony Burgess (A Clockwork Orange)
β
And it was too late. No one wants to believe something is too late, but it is always becoming too late, and then it is.
β
β
Elizabeth Strout (The Burgess Boys)
β
If in the last few years you haven't discarded a major opinion or acquired a new one, check your pulse. You may be dead
β
β
Gelett Burgess
β
How wicked, my brothers, innocent milk must always seem to me now.
β
β
Anthony Burgess (A Clockwork Orange)
β
It had been a wonderful evening and what I needed now, to give it the perfect ending, was a little of the Ludwig Van.
β
β
Anthony Burgess (A Clockwork Orange)
β
In a story you had to find a reason, but real life gets on very well without even Freudian motivations.
β
β
Anthony Burgess (Earthly Powers)
β
I am everyone's friend,'I said.'Except to my enemies.
β
β
Anthony Burgess (A Clockwork Orange)
β
Try it. You don't have to do it ever again if you don't want to. But try it once. Try everything once.
β
β
Melvin Burgess
β
And I thought to myself, Hell and blast you all, if all you bastards are on the side of Good then I'm glad I belong to the other shop.
β
β
Anthony Burgess (A Clockwork Orange)
β
Sometimes maybe you need an experience. The experience can be a person or it can be a drug. The experience opes a door that was there all the time but you never saw it. Or maybe it blasts you into outer space.
β
β
Melvin Burgess (Smack)
β
Oh bliss, bliss and heaven... Oh, it was gorgeousness and gorgeousity made flesh... And then, a bird of rarest-spun heaven metal, or like silvery wine flowing in a spaceship, gravity all nonsense now... I knew such lovely pictures - Alex
β
β
Anthony Burgess (A Clockwork Orange)
β
That's her secret, I suppose. Everything that happens to her she's proud of. She makes it special by it happening to her.
β
β
Melvin Burgess (Smack)
β
I've done everything. All of it. You think it, I've done it. All the things you never dared, all the things you dream about, all the things you were curious about and then forgot because you knew you never would. I did 'em, I did 'em yesterday while you were still in bed.
What about you? When's it gonna be your turn?
β
β
Melvin Burgess (Smack)
β
She wrote, 'Dandelion, I love you.' And I thought that was magic. It's not in you, it's between you. It's bigger and stronger than you are
β
β
Melvin Burgess (Smack)
β
The essential intention is the real sin. A man who cannot choose ceases to be a man.
β
β
Anthony Burgess (A Clockwork Orange)
β
We were all feeling that bit shagged and fagged and fashed, it having been an evening of some small energy expenditure.
β
β
Anthony Burgess (A Clockwork Orange)
β
When the State withers, humanity flowers.
β
β
Anthony Burgess (The Wanting Seed)
β
If you write fiction you are, in a sense, corrupted. There's a tremendous corruptibility for the fiction writer because you're dealing mainly with sex and violence. These remain the basic themes, they're the basic themes of Shakespeare whether you like it or not.
β
β
Anthony Burgess
β
Life is a wretched gray Saturday, but it has to be lived through.
β
β
Anthony Burgess
β
Bedways is rightways now, so best we go homeways.
β
β
Anthony Burgess (A Clockwork Orange)
β
Life's only choosing when to die. Life's a big postponement because the choice is so difficult. It's a tremendous relief not to have to choose.
β
β
Anthony Burgess (The Wanting Seed)
β
It's always good to remember where you come from and celebrate it. To remember where you come from is part of where you're going
β
β
Anthony Burgess
β
Most things in life are only as difficult as you allow them to be.
β
β
Gemma Burgess (A Girl Like You)
β
Come with uncle and hear all proper. Hear angel trumpets and devil trombones...you are invited!
β
β
Anthony Burgess
β
Whenever you break up with someone, you donβt just break up with one person. You break up with their family, their friends and their dog. Itβs sad, inevitable and kind of annoying.
β
β
Gemma Burgess (A Girl Like You)
β
If you believe in an unseen Christ, you will believe in the unseen Christlike potential of others
β
β
Anthony Burgess
β
The not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self.
β
β
Anthony Burgess (A Clockwork Orange)
β
There is only one kind of immorality in fiction, and that is when you write badly.
β
β
Anthony Burgess (Earthly Powers)
β
Me, me, me. How about me? Where do I come into all this? Am I like just some animal or dog? Am I just to be like a clockwork orange?
β
β
Anthony Burgess (A Clockwork Orange)
β
Whatever you do," Seth said around a chewy mouthful, "try not to leave me down here too long. You can only play a certain amount of Yahtzee games in a row before you become a lunatic."
"I'll keep that in mind.
β
β
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
β
There was me, that is Alex, and my three droogs, that is Pete, Georgie and Dim, Dim being really dim, and we sat in the Korova Milkbar making up our rassoodocks what to do with the evening.
β
β
Anthony Burgess (A Clockwork Orange)
β
The sweetest and most heavenly of activities partake in some measure of violence - the act of love, for instance; music, for instance. You must take your chance, boy. The choice has been all yours.
β
β
Anthony Burgess (A Clockwork Orange)
β
She didn't have to be offered anything; it was already hers. She was more herself than anyone else ever was and as soon as I clapped eyes on her I knew I wanted to be myself just as much as she was herself.
β
β
Melvin Burgess (Smack)
β
You needn't take it any further, sir. You've proved to me that all this ultraviolence and killing is wrong, wrong, and terribly wrong. I've learned me lesson, sir. I've seen now what I've never seen before. I'm cured! Praise Bog! I'm cured!
I was cured alright.
β
β
Anthony Burgess (Clockwork Orange)
β
Listen. You can be anything you want to be. Be careful. It's a spell. It's magic. Listen to the words. You can be anything, you can do anything, you can be anything, you can do anything. Listen to the magic.
You are anything . . . everyone, anyone. Whatever you want. I'm showing you. So long as you stay yourself inside, you can eat dirt and it'll taste good because it's you that's eating it. You can even lick their arses if you have to. You listen to them, teachers, parents, politicians. They're always saying, if you steal you're a thief, if you sleep around you're a slut, if you take drugs you're a junkie. They want to get inside your head and control you with their fear.
Maybe you think your mum and dad love you but if you do the wrong things they'll try and turn you into dirt. It's your punishment for being you. Don't play their game. Nothing can touch you; you stay beautiful.
I've done everything. All of it. You think it, I've done it.
All the things you never dared, all the things you dream about, all the things you were curious about and then forgot because you knew you never would. I did 'em, I did 'em yesterday while you were still in bed,
What about you? When's it going to be your turn?
β
β
Melvin Burgess (Smack (rack))
β
Physicists say we are made of stardust. Intergalactic debris and far-flung atoms, shards of carbon nanomatter rounded up by gravity to circle the sun. As atoms pass through an eternal revolving door of possible form, energy and mass dance in fluid relationship. We are stardust, we are man, we are thought. We are story.
β
β
Glenda Burgess (The Geography of Love)
β
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, Dim being really dim, and we sat in the Korova Milkbar making up rassoodocks what to do with the evening, a flip dark chill winter bastard though dry. The Korova Milkbar was a milk-plus mesto, and you may, O my brothers, have forgotten what these mestos were like, things changing so skorry these days, and everybody very quick to forget, newspapers not being read much neither.
β
β
Anthony Burgess (A Clockwork Orange)
β
They don't go into what is the cause of goodness, so why of the other shop? If lewdies are good that's because they like it, and I wouldn't ever interfere with their pleasures, and so of the other shop. And I was patronizing the other shop. More, badness is of the self, the one, the you or me on our oddy knockies, and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of the brave malenky selves fighting these big machines?
β
β
Anthony Burgess (A Clockwork Orange)
β
Go on, do me in, you bastard cowards, I don't want to live anyway, not in a stinking world like this one.' I told Dim to lay off a bit then, because it used to interest me sometimes to slooshy what some of these starry decreps had to say about life and the world. I said: 'Oh. And what's stinking about it?
β
β
Anthony Burgess (A Clockwork Orange)
β
Youth is only being in a way like it might be an animal. No, it is not just like being an animal so much as being like one of these malenky toys you viddy being sold in the streets, like little chellovecks made out of tin and with a spring inside and then a winding handle on the outside and you wind it up grrr grrr grrr and off it itties, like walking, O my brothers. But it itties in a straight line and bangs straight into things bang bang and it cannot help what it is doing. Being young is like being like one of these malenky machines.
β
β
Anthony Burgess (A Clockwork Orange)
β
It seems priggish or pollyannaish to deny that my intention in writing the work was to titillate the nastier propensities of my readers. My own healthy inheritance of original sin comes out in the book and I enjoyed raping and ripping by proxy. It is the novelistβs innate cowardice that makes him depute to imaginary personalities the sins that he is too cautious to commit for himself.
β
β
Anthony Burgess (A Clockwork Orange)
β
Then I looked at its top sheet, and there was the name β A CLOCKWORK ORANGE β and I said: βThatβs a fair gloopy title. Who ever heard of a clockwork orange?β Then I read a malenky bit out loud in a sort of very high preaching goloss: ββThe attempt to impose upon man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my swordpenβ
β
β
Anthony Burgess (A Clockwork Orange)
β
That's what it's going to be then, brothers, as I come to the like end of this tale. You have been everywhere with your little droog Alex, suffering with him, and you have viddied some of the most grahzny bratchnies old Bog ever made, all on to your old droog Alex. And all it was was that I was young. But now as I end this story, brothers, I am not young, not no longer, oh no. Alex like groweth up, oh yes.
But where I itty now, O my brothers, is all on my oddy knocky, where you cannot go. Tomorrow is all like sweet flowers and the turning young earth and the stars and the old Luna up there and your old droog Alex all on his oddy knocky seeking like a mate. And all that cal. A terrible grahzny vonny world, really, O my brothers. And so farewell from your little droog. And to all others in this story profound shooms of lipmusic brrrrrr. And they can kiss my sharries. But you, O my brothers, remember sometimes thy little Alex that was. Amen. And all that call.
β
β
Anthony Burgess (A Clockwork Orange)
β
There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of field of the novel and into that of the fable or the allegory.
- from the introduction of the 1986 Norton edition
β
β
Anthony Burgess (A Clockwork Orange)
β
(James Joyce, in conversation with Carl Jung:)"Literary artists know more about the human mind than you fellers have a hope in hell of knowing. Ha. My craft is ebbing. I am yung and easily freudened. One of these days I'll show the lot of you what the unconscious mind is really like. I don't need any of you. In a sense I am Freud."
Jung looked gloomily guilty at the name. "Yes?"
"What's Freud in English?"
"Joy."
"Joy and Joyce. There's little enough difference. Except that I add C and E for Creative Endeavour. I spit in all your eyes.
β
β
Anthony Burgess (The End of the World News)
β
By definition, a human being is endowed with free will. He can use this to choose between good and evil. If he can only perform good or only perform evil, then he is a clockwork orange - meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil or (since this is increasingly replacing both) the Almighty State. It is as inhuman to be totally good as it is to be totally evil. The important thing is moral choice. Evil has to exist along with good in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities. This is what the television news is all about. Unfortunately there is so much original sin in us all that we find evil rather attractive. To devastate is easier and more spectacular than to create.
β
β
Anthony Burgess (A Clockwork Orange)
β
Abigail,β he says. βI thought it was you.β
βHi!β I say loudly. βMark!β
βWho?β says Robert. Fuck, he doesnβt know his real name. Why do I give everyone stupid nicknames?
βI almost donβt recognise you out of your SKINNY JEANS,β I enunciate carefully. Heβs wearing grey flannel trousers and a pink T-Shirt with leather Converses. He speaks clothes exceptionally confidently for a straight man. I wonder if heβd take me shopping.
βOh, right. Got it.β
βThatβs odd,β says Skinny Jeans. βSince I was wearing nothing at all when you left my room without saying goodbye . . . letβs see, seven weeks ago?β
βUm, yes. Well, you know . . .β I trail off. Come on, Robert, I think desperately.
βIβm sorry, were you planning on making me breakfast in bed?β says Robert. Yes! Make a joke!
βIβm sorry, were you planning on making me breakfast in bed?β I say.
Skinny Jeans grins.
βScrambled eggs? Toast? On a little tray?β
βScrambled eggs? Toast? On a little tray with a rose on it?β I say.
βDonβt fuck with my script,β says Robert, which makes me grin slightly more broadly
β
β
Gemma Burgess