Bullet Riding Quotes

We've searched our database for all the quotes and captions related to Bullet Riding. Here they are! All 65 of them:

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Plus her mom was so awesome. She was strict about some things—don’t leave your socks lying around—but so not strict about other things, like calling the cops about my bullet wound.
James Patterson (The Angel Experiment (Maximum Ride, #1))
Everyone would remember Peter for nineteen minutes of his life, but what about the other nine million? Lacy would be the keeper of those, because it was the only way for that part of Peter to stay alive. For every recollection of him that involved a bullet or a scream, she would have a hundred others: of a little boy splashing in a pond, or riding a bicycle for the first time, or waving from the top of a jungle gym. Of a kiss good night, or a crayoned Mother's Day card, or a voice off-key in the shower. She would string them together - the moments when her child had been just like other people's. She would wear them, precious pearls, every day of her life; because if she lost them, then the boy she had loved and raised and known would really be gone.
Jodi Picoult (Nineteen Minutes)
Disney World?” Ari felt like his head was about to explode. “Disney World?” His gravelly voice rose into a harsh shriek. “They’re not on vacation! They’re on the run! They’re running for their lives! Death is following them like a bullet, and they’re on the Big Thunder Mountain Railroad?
James Patterson (School's Out—Forever (Maximum Ride, #2))
Drained of faith, I kneel and hail thee as my Lord, I ask not life, thou need not swerve the bullet, I ask but strength to ride the wave, and one more thing, teach me to hate
Joyce Shaughnessy (Blessed Are the Merciful)
هــر داســــتــان واقــعــیــتــی اســـت کــه در درون دروغـی نــهــفــتــه اســـت.
Stephen King (Riding the Bullet)
Nothing seems to last. But the bullet. The bullet is constant. The bullet is always there. You wait in line, that's all. And when it's your turn to ride the bullet, maybe you ride, maybe you run. Either way it comes to the same thing. Fun is fun. And done is done
Stephen King
I know something now that I didn't before-the worst stories are the ones you've heard your whole life. Those are the real nightmares.
Stephen King (Everything's Eventual)
Pepper woke up thinking of butts. And nothing else. Ladies' butts. Skinny butts, big butts, saddlebag butts, flabby and firm butts, the kind that sit so high they seem like part of the woman's back, the kind that ride low and form a UU just above the thighs like in the old television commercials for Hanes Underalls, butts that wiggle and butts that jiggle, sagging butts and robust butts, butts that hardly make an impression under a pair of jeans; sidewinder butts and trumpet butts -- the ones so meaty they actually spread out until they appear to be a woman's thighs (ass so fat you can see it from the front), butts as knotty as acorns, butts as smooth as a slice of Gouda, butts with pimples and butts with cellulite, the kind that have pockmarks or red splotches, butts with tattoos and butts with bullet scars. Butts you can cup in your warm hands. Butts and butts and butts. In other words, Pepper woke up horny.
Victor LaValle (The Devil in Silver)
I spent the whole bullet-train ride mentally reviewing my eighteen years and realised that almost everything that had happened to me was pretty embarrassing. I’m not exaggerating. I didn’t want to remember any of it - it was so pathetic. The more I thought about my life up to then, the more I hated myself.
Haruki Murakami
He was an arsehole, but, God, she looked at Richard sometimes, the racing bike, the way he did the crossword in pencil first. There were evenings when she wanted Dad to ride in off the plains, all dust and sweat and tumbleweed, kick open the saloon doors and stick some bullet holes in those fucking art books.
Mark Haddon (The Red House)
I know something now that I didn’t before—the worst stories are the ones you’ve heard your whole life. Those are the real nightmares.
Stephen King (Riding the Bullet)
It is a cherished dream of most Bullet owners to do the classic Manali to Leh ride. A sort of pilgrimage or initiation into the cult that is ‘Bulleting’. So there are plenty of Bullets in Manali during these months, some with number plates from as far away as Maharashtra, Karnataka, Goa and Kerala. The local mechanics are experts in servicing Bullets and preparing them for the arduous road ahead, and I got my bike serviced here. The rear brakes had taken a fair share of wear and tear, and the setting of the clutch had to be readjusted.
Rishad Saam Mehta (Hot Tea across India)
EVERY WEDNESDAY, I teach an introductory fiction workshop at Harvard University, and on the first day of class I pass out a bullet-pointed list of things the students should try hard to avoid. Don’t start a story with an alarm clock going off. Don’t end a story with the whole shebang having been a suicide note. Don’t use flashy dialogue tags like intoned or queried or, God forbid, ejaculated. Twelve unbearably gifted students are sitting around the table, and they appreciate having such perimeters established. With each variable the list isolates, their imaginations soar higher. They smile and nod. The mood in the room is congenial, almost festive with learning. I feel like a very effective teacher; I can practically hear my course-evaluation scores hitting the roof. Then, when the students reach the last point on the list, the mood shifts. Some of them squint at the words as if their vision has gone blurry; others ask their neighbors for clarification. The neighbor will shake her head, looking pale and dejected, as if the last point confirms that she should have opted for that aseptic-surgery class where you operate on a fetal pig. The last point is: Don’t Write What You Know. The idea panics them for two reasons. First, like all writers, the students have been encouraged, explicitly or implicitly, for as long as they can remember, to write what they know, so the prospect of abandoning that approach now is disorienting. Second, they know an awful lot. In recent workshops, my students have included Iraq War veterans, professional athletes, a minister, a circus clown, a woman with a pet miniature elephant, and gobs of certified geniuses. They are endlessly interesting people, their lives brimming with uniquely compelling experiences, and too often they believe those experiences are what equip them to be writers. Encouraging them not to write what they know sounds as wrongheaded as a football coach telling a quarterback with a bazooka of a right arm to ride the bench. For them, the advice is confusing and heartbreaking, maybe even insulting. For me, it’s the difference between fiction that matters only to those who know the author and fiction that, well, matters.
Bret Anthony Johnston
A crisp new brain without a tenant. A bottle made to be filled by one of us, empty brass waiting to be turned into a bullet. A shiny new horse to be offered to the desperate Horseman in the vain hope that he or she will prefer it over the nearest infantry grunt. A domestic animal bred and broken for one of us to ride.
Emma Bull (Bone Dance)
Casy looked up quickly, “Million acres? What in the worl’ can he do with a million acres?’’ “I dunno. He jus’ got it. Runs a few cattle. Got guards ever’place to keep folks out. Rides aroun’ in a bullet-proof car. I seen pitchers of him. Fat, sof’ fella with little mean eyes an’ a mouth like a ass-hole. Scairt he’s gonna die. Got a million acres an’ scairt of dyin’.
John Steinbeck
The bodyguard’s description of the shooting added a detail Poole had never heard before: That white Cadillac didn’t just pull up “alongside” the car Tupac and Suge were riding in, Alexander said, but was actually a little bit ahead of the BMW when the killer opened fire, allowing him to shoot at an angle that made it possible to avoid hitting Suge with a stray bullet.
Randall Sullivan (LAbyrinth: A Detective Investigates the Murders of Tupac Shakur and Notorious B.I.G., the Implications of Death Row Records' Suge Knight, and the Origins of the Los Angeles Police Scandal)
It’s a privilege to watch them, and it takes my breath away—but none of them ride like Chase. It’s all I can do not to keep the footage tight on him. They’re all gifted boarders, but Chase is something else. His body moves graceful as water from grinds to jumps, fluid force in each expert twist. He gets air with more force than the rest of them put together, launching like a bullet, all that destructive potential becoming like music in the air. Weightless.
Harper Dallas (Ride (The Wild Sequence, #1))
The greatest happiness of the greatest number is the foundation of morals and legislation,’ Bentham famously once articulated. Yet dig a little deeper, and a trickier, quirkier, murkier, picture emerges – one of ruthless selectivity and treacherous moral rip-tides. Crafting that legislation, for example, excavating those morals, will inevitably necessitate riding roughshod over someone else’s interests: some group or cause, which, through the simple lottery of numbers, has to bite the bullet for the sake of the ‘greater good’.
Kevin Dutton (The Wisdom of Psychopaths)
Oh—Silvermanel” cried Hare. It was just a call, as if the horse were human, and knew what that pace meant to his master. The stern business of the race had ceased to rest on Hare. Silvermane was out to the front! He was like a level-rushing thunderbolt. Hare felt the instantanepus pause between his long low leaps, the gather of mighty muscles, the strain, the tension, then the quivering expubsion of force. It was a perilous ride down that red slope, not so much from the hissing bullets as from the washes and gullies which Silvermane sailed over in magnificent leaps Hare thrilled with savage delight in the wonderful prowess of his desert king, in the primal instinct of joy at escaping with the woman he loved.
Zane Grey (The Heritage of the Desert)
I was so excited by the thing that I couldn’t sleep that night. I kept dreaming of power stations, ocean liners, even automobiles, being operated by balls bouncing back and forth in cylinders. I even worked out a spaceship in my mind, a bullet-shaped affair with a huge rubber ball on its end, gyroscopes to keep it oriented properly, the ball serving as a solution to that biggest of missile-engineering problems, excess heat. You’d build a huge concrete launching field, supported all the way down to bedrock, hop in the ship and start bouncing. Of course, it would be kind of a rough ride… In the morning, I called my superintendent and told him to get a substitute for the rest of the week; I was going to be busy.
Walter Tevis (Far from Home)
Hemingway’s great novels, which all revolve around journeys, bear ominous witness; for it can be argued that each journey is a quest for death. A Farewell to Arms details desertion to, flight with and death of the beloved; For Whom the Bell Tolls asserts the impossibility of escape even though it beautifully lengthens into fullness the last moments and days of its doomed hero. In both To Have and Have Not and Islands in the Stream, unlucky sailors of Cuban waters flee domestic loneliness to win death from the bullets of bad men. Finally, The Old Man and the Sea, whose protagonist completes an arduous circle from poverty and failure to the same, with only the skeleton of his once-in-a-lifetime fish to show for it, spells out the paradigm: It was the journey itself, with its hardships, triumphs, puzzles and unexpected joys, that made these books alive in the first place.
William T. Vollmann (Riding Toward Everywhere)
The famous Dubner maggid, a gaon, was asked by an admiring student: “How is it that you always have the perfect parable for the topic under discussion?” The gaon smiled. “I’ll answer with a parable.” And he told the following story: A lieutenant of the Tsar’s cavalry, riding through a small shtetl, drew his horse up in astonishment, for on the side of a barn he saw a hundred chalked circles—and in the center of each was a bullet hole! The lieutenant excitedly stopped the first passerby, crying, “Who is the astonishing marksman in this place? Look at all those bull’s-eyes!” The passerby sighed. “That’s Shepsel, the shoemaker’s son, who is a little peculiar.” “I don’t care what he is,” said the lieutenant. “Any man who can shoot that well—” “Ah,” the pedestrian said, “you don’t understand. You see, first Shepsel shoots—then he draws the circle.” The gaon smiled. “That’s the way it is with me. I don’t search for a parable to fit the subject. I introduce the subject for which I have a perfect parable.
Leo Rosten (The New Joys of Yiddish: Completely Updated)
We were almost back to the jail with our second load, and I was just beginning to think we might pull this off, when Uncle Wiggens wandered into the street. 'Who there?' he called out, his words slurred. Emma ducked behind a tree, but I didn't move fast enough. 'Is that you, Dit?' I nodded. Something was strange about him. 'What you doing out so late at night?' he asked. 'Nothing.' I figured out what was strange. 'Where's your leg?' I asked. His leg ended at the knee and he was hopping along on one leg and his cane. 'Left it at home,' said Uncle Wiggens. 'Always do when I'm sleepwalking. My daughter warned me about drinking a whole bottle of whiskey in one sitting. But I was never one to let a woman tell me what to do.' 'Yeah. Me neither.' 'Well,' said Uncle Wiggens, 'I'd best get on home before I wake up.' 'Yeah.' 'Being without my leg and all.' 'That would be embarrassing.' 'Sure would. Sure would.' Uncle Wiggens mumbled to himself as he wandered off. 'General Lee always said, if you ain't got all your supplies, don't ride into battle. Course he meant bullets, but he wouldn't have liked us going off without our legs neither. Course most of us have our legs buttoned on, but...
Kristin Levine (The Best Bad Luck I Ever Had)
Get off your horse, Jack." "Why don't you just ride outta here, missy, and I'll forget this ever happened." Willow's voice trembled with fury. "Get off your horse," she repeated. "Slow and easy." Still grinning his contempt, he did as he asked. "That's good. Now, real slow like, take your gunbelt off and toss it my way." "Like hell!" A shot rang out and nicked a chunk of leather from his boot. Cursing, he unbuckled his gun and tossed it at her mare's feet. "Now,strip them britches off, underwear, too," she ordered. "You little shi-" Bang! Jack's hat whizzed off his head. He dropped his pants in a puddle over his boots, trying his best to shelter his privates from her view. "My,my,Jack." Willow laughed humorlessly. "Is that puny thing you're trying to hide the same thing you were threatening me with?" If looks could kill, Willow would have been dead and buried ten times over, then and there. "Take them confounded boots off so's you can get your pants clear off," she ordered in mock exasperation. He wheeled around, gaining a modicum of privacy while he complied. "You're puny all over, Jack. You got the boniest bee-hind I ever did see. You sure you ain't picked up a worm somewheres?" "You're gonna pay for this,you little slut!" "Shut your filthy mouth and pick them pants off the ground and toss 'em over here at my horse's feet. Then you can put your boots back on." He gave the pants a toss, put his boots on, and turned around to face her, cuping his privates in his hands. "Okay,Jack, finish the job. You've been real generous but I'm a greedy cuss. Give me the shirt off your back, too." Cursing, he again turned around and obeyed. "Oh,ah,Jack, you better reach behind you there,and get your hat. I'll let you keep it. We wouldn't want your bald spot to get sunburned." Scofield now stood in nothing but his boots, using his hat to shield his lower half. Humiliated, the gunslinger's eyes burned with bloody intent. Willow suddenly regretted her damnable quick temper and realized the folly of her reckless retaliation. No doubt,the heinous man would seek revenge. But the damage was done and the man was so mad that backing off now would be the same as signing her death warrant. "Step away from your horse and start walking toward the ranch, Scofield." "You're out of your mind!" "Maybe,but I bet you'll think twice before threatening to poke that puny thing at another lady." "You? A lady? Ha!" Willow's temper flared anew. "Walk, Jack. Real fast. Cuz if you don't, I'm gonna use your puny thing for target practice." Her bullet kicked up the dust at his feet and started him on his way.
Charlotte McPherren (Song of the Willow)
One day the Galloways got a little more excitement than we were prepared for. We moved around a lot and at this point we were living in a trailer park in Auburn, Alabama. Hoss and I were out in the front yard on our regular patrol while my older sister Jennifer and younger sister Sara were playing by themselves. Sara was three years old and I guess she decided she wanted to go for a ride. My dad’s blue truck was out in front of the house and apparently he’d forgotten about the parking brake. The truck was in gear as Sara managed to pull the door open and muscle herself up into the cab. As she climbed in and got situated she kicked the truck out of gear with her tiny sneakered foot. The truck started rolling down the driveway toward a ditch. Jennifer started screaming. Faster than a speeding bullet I leapt into action! I ran toward her, blue cape flying in the wind behind me. I reached the truck. I grabbed on to the door frame of the open passenger side of the truck. I told Sara everything would be okay, and I stuck my heels down in the mud and pulled back with all my might. The mud was spewing from either side of my firmly planted boots as I started to slide along with the truck. I never lost my grip and I am convinced I was able to slow the roll down enough for Mom and Dad to come running out of the house. Dad jumped up into the truck and was able to throw the brake to stop the truck while Mom scooped up Sara. Super Noah saved the day. At least I wanted to believe that.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
I got back into my car and followed the trucks; at the end of the road, the Polizei unloaded the women and children, who rejoined the men arriving on foot. A number of Jews, as they walked, were singing religious songs; few tried to run away; the ones who did were soon stopped by the cordon or shot down. From the top, you could hear the gun bursts clearly, and the women especially were starting to panic. But there was nothing they could do. The condemned were divided into little groups and a noncom sitting at a table counted them; then our Askaris took them and led them over the brink of the ravine. After each volley, another group left, it went very quickly. I walked around the ravine by the west to join the other officers, who had taken up positions above the north slope. From there, the ravine stretched out in front of me: it must have been some fifty meters wide and maybe thirty meters deep, and went on for several kilometers; the little stream at the bottom ran into the Syrets, which gave its name to the neighborhood. Boards had been placed over this stream so the Jews and their shooters could cross easily; beyond, scattered pretty much everywhere on the bare sides of the ravine, the little white clusters were multiplying. The Ukrainian “packers” dragged their charges to these piles and forced them to lie down over them or next to them; the men from the firing squad then advanced and passed along the rows of people lying down almost naked, shooting each one with a submachine bullet in the neck; there were three firing squads in all. Between the executions some officers inspected the bodies and finished them off with a pistol. To one side, on a hill overlooking the scene, stood groups of officers from the SS and the Wehrmacht. Jeckeln was there with his entourage, flanked by Dr. Rasch; I also recognized some high-ranking officers of the Sixth Army. I saw Thomas, who noticed me but didn’t return my greeting. On the other side, the little groups tumbled down the flank of the ravine and joined the clusters of bodies that stretched farther and farther out. The cold was becoming biting, but some rum was being passed around, and I drank a little. Blobel emerged suddenly from a car on our side of the ravine, he must have driven around it; he was drinking from a little flask and shouting, complaining that things weren’t going fast enough. But the pace of the operations had been stepped up as much as possible. The shooters were relieved every hour, and those who weren’t shooting supplied them with rum and reloaded the clips. The officers weren’t talking much; some were trying to hide their distress. The Ortskommandantur had set up a field kitchen, and a military pastor was preparing some tea to warm up the Orpos and the members of the Sonderkommando. At lunchtime, the superior officers returned to the city, but the subalterns stayed to eat with the men. Since the executions had to continue without pause, the canteen had been set up farther down, in a hollow from which you couldn’t see the ravine. The Group was responsible for the food supplies; when the cases were broken open, the men, seeing rations of blood pudding, started raging and shouting violently. Häfner, who had just spent an hour administering deathshots, was yelling and throwing the open cans onto the ground: “What the hell is this shit?” Behind me, a Waffen-SS was noisily vomiting. I myself was livid, the sight of the pudding made my stomach turn. I went up to Hartl, the Group’s Verwaltungsführer, and asked him how he could have done that. But Hartl, standing there in his ridiculously wide riding breeches, remained indifferent. Then I shouted at him that it was a disgrace: “In this situation, we can do without such food!
Jonathan Littell (The Kindly Ones)
The Israeli border police guarding the central region near the Jordanian border had been told to take all measures necessary to keep order that evening. The local colonel, Issachar Shadmi, decided that this meant setting a curfew for Palestinian Arab villages, from five p.m. to six a.m. The news of the curfew was broadcast over the radio the same day it went into force. The border police unit commanders in the region were informed of the order by their commanding officer, Major Shmuel Malinki. Malinki implied that, in the event of anyone breaking the curfew, the police could shoot to kill. Several platoons were charged with informing villagers in person. At the village of Kfar Kassem (or Kafr Qasim), close to the border with the Jordanian-controlled West Bank, a platoon arrived to announce the news—but too late in the day. They were told that many of the village’s agricultural workers were already out at work, mostly picking olives. After five p.m., the villagers returned as expected: a mixed crowd of men and women, boys and girls, riding on bicycles, wagons, and trucks. Even though he knew these civilians would not have heard about the curfew through no fault of their own, the unit commander Lieutenant Gabriel Dahan determined that they were in violation of it and therefore should be shot. Out of all the unit commanders given this order, Dahan was the only one to enforce it.16 As each small group of villagers arrived, the border police opened fire. Forty-three civilians were killed and thirteen injured. The dead were mostly children aged between eight and seventeen: twenty-three of them, plus fourteen men and six women. It was said that one nine-year-old girl was shot twenty-eight times. Another little girl watched as her eleven-year-old cousin was shot. He was dragged indoors and died in his grandfather’s arms, blood pouring from the bullet wound in his chest. Laborers were ordered off their trucks in small groups, lined up, and executed. There were clashes between Arabs and border police that evening in which six more Arabs were killed. The order to kill had not come from the top. It was traced back conclusively only as far as Major Malinki. When Ben-Gurion heard about the massacre, he was furious, telling his cabinet that the officers who had shot civilians should be hanged in Kfar Kassem’s town square.17 Yet the Israeli government covered the incident up with a press blackout lasting two months.
Alex von Tunzelmann (Blood and Sand: Suez, Hungary, and Eisenhower's Campaign for Peace)
When the commander of one of the brigades Gilbert had sent to reinforce McCook approached an imposing-looking officer to ask for instructions as to the posting of his troops—“I have come to your assistance with my brigade!” the Federal shouted above the uproar—the gentleman calmly sitting his horse in the midst of carnage turned out to be Polk, who was wearing a dark-gray uniform. Polk asked the designation of the newly arrived command, and upon being told raised his eyebrows in surprise. For all his churchly faith in miracles, he could scarcely believe his ears. “There must be some mistake about this,” he said. “You are my prisoner.” Fighting without its commander, the brigade gave an excellent account of itself. Joined presently by the other brigade sent over from the center, it did much to stiffen the resistance being offered by the remnants of McCook’s two divisions. Sundown came before the rebels could complete the rout begun four hours ago, and now in the dusk it was Polk’s turn to play a befuddled role in another comic incident of confused identity. He saw in the fading light a body of men whom he took to be Confederates firing obliquely into the flank of one of his engaged brigades. “Dear me,” he said to himself. “This is very sad and must be stopped.” None of his staff being with him at the time, he rode over to attend to the matter in person. When he came up to the erring commander and demanded in angry tones what he meant by shooting his own friends, the colonel replied with surprise: “I don’t think there can be any mistake about it. I am sure they are the enemy.” “Enemy!” Polk exclaimed, taken aback by this apparent insubordination. “Why, I have only just left them myself. Cease firing, sir! What is your name, sir?” “Colonel Shryock, of the 87th Indiana,” the Federal said. “And pray, sir, who are you?” The bishop-general, learning thus for the first time that the man was a Yankee and that he was in rear of a whole regiment of Yankees, determined to brazen out the situation by taking further advantage of the fact that his dark-gray blouse looked blue-black in the twilight. He rode closer and shook his fist in the colonel’s face, shouting angrily: “I’ll soon show you who I am, sir! Cease firing, sir, at once!” Then he turned his horse and, calling in an authoritative manner for the bluecoats to cease firing, slowly rode back toward his own lines. He was afraid to ride fast, he later explained, because haste might give his identity away; yet “at the same time I experienced a disagreeable sensation, like screwing up my back, and calculated how many bullets would be between my shoulders every moment.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
Two-One Alpha, ready for you. Move it. We’re in kind of a hurry to find a quieter place!” Two wounded men were hauled to the helicopter first by four of their buddies, with the rest strafing the hill to keep the Taliban heads down. The fright and panic in the eyes and faces of the soldiers were clearly visible. Their screams rose above the thundering noise of the engines as they pushed the wounded in and then took up position outside the chopper to provide covering fire for the remaining men to get in. “All in. Let’s get out of here!” Leo shouted. “Grab tight. It’s going to be a rough ride boys!” John pulled the chopper into a steep climb while banking away from the hill. With no fire coming from the doorgun to keep them down, the full force and frustration of the enemy was now directed at the chopper and its occupants. They saw their prey escaping out of their hands right in front of their eyes. A burning pain shot through John’s back and legs as the body of the helicopter shuddered under the power of the two Rolls-Royce Gem turboshaft engines at full throttle. Smoke started to billow from the starboard engine. I have to get over that hill three miles away. Why am I dizzy? I have to get these boys out of trouble. I have to level the chopper and save power. I must get over that hill. I must get out of the reach of the bullets. “Doug! Doug! Can you hear me? What’s wrong man?” Leo screamed in a high-pitched, panicked voice. “Oh my God, you’ve been hit! Are you ok? Shit man, put the chopper down now. You’ll crash and kill us all!” “That hill … I have to get over it … out of range … I must get us there ...” Doug stuttered. “What was that? I can’t hear you. For God’s sake put the chopper down!” Leo shouted at the top of his voice. “Going down, going down … radio for help!” John whispered, a few seconds before everything went dark. The nightmare and the math Doug paid little heed to his passengers as he banked away from the canyon rim. Max was back there to help them. Doug had plenty on his mind, between the flashback to his crash in Afghanistan and wondering when whoever had shot two of his passengers would show up and try to shoot the chopper down here and now, over the Grand Canyon. Not to mention nursing the aging machine to do his bidding. Within minutes after takeoff from the canyon site, lying in the back of the chopper, JR and Roy were oblivious to their surroundings due to the morphine injection administered to them by Max Ellis – an ex-Marine medic and the third member of the Rossler boys’ rescue expedition. Others on the chopper had more on their minds. Raj was in his own world, eyes closed, wondering about his wife Sushma, their child, and the future. He and Sushma were not the outdoors adventure and camping types – living in a cave with other people was going to take some getting used to for them. They both grew up and had lived in the city all their lives. How was this going to work out
J.C. Ryan (The Phoenix Agenda (Rossler Foundation, #6))
Ghosh would leave home early morning and hang around Shobhabazar sabzi market watching people. One day, he saw a burly man in a red T-shirt riding a Royal Enfield Bullet. When the gentleman stopped at the entrance of the market, half a dozen women rushed to him. In fact, they had been waiting for him to arrive. To each of them, the man gave Rs 500 and collected Rs 5, simultaneously. He came back late afternoon, this time wearing a blue T-shirt. The same women—who were vegetable sellers in the market—returned the money, Rs 500 each. Ghosh watched the ritual with curiosity for a few days. Every morning, the women would buy sackfuls of cauliflowers, tomatoes, brinjals and spinach outside the Sealdah railway station, from the farmers who would come mostly from Lakshmikantapur, South 24 Parganas, and Barasat, North 24 Parganas. One evening, when those women were about to leave the market after settling the moneylender’s dues, he could not resist asking them why they were paying so much interest to this man. His calculation was fairly simple: on Rs 500, they were paying Rs 5 as interest for half a day. This translated into 1 per cent interest for half a day, and 730 per cent a year! But the women told Ghosh a different story. They were not paying any interest; rather, they were just buying a cup of tea for the moneylender. Moreover, they were earning enough to afford this. ‘Will a bank give us money?’ the group of women asked him in a chorus. How else would they get money without documentation and a guarantor? Besides, they were saving time and travel cost as the money was being given to them at their doorsteps (in this case, the market).
Tamal Bandyopadhyay (Bandhan: The Making of a Bank)
Initially the driver asked the passengers to stay seated and remain on the bus, but after a half hour of conferring with his supervisors, he informed the passengers that another bus was being sent to their location to take them to Los Angeles. The driver gave them an hour and reiterated that the journey would resume on the new bus at ten thirty, and to please be prompt so they wouldn’t be left behind. He gave them a quick tour-guide style run-down of the available restaurants and sites to see in Primm, including a huge Buffalo shaped pool at Buffalo Bills Hotel, and the roller coaster that Finn was suddenly determined to ride. But when the bus driver mentioned that the bullet riddled car of the infamous outlaws, Bonnie and Clyde, was on display at Whiskey Pete’s Hotel and Casino, he and Bonnie looked at each other in wide-eyed wonder. Finn had started to laugh, almost choking on his disbelief. “Now that, Infinity, is a sign,” Bonnie drawled, and immediately scowled. “William’s sign is still in Bear’s car. I’ve got to get it back. If I only come out of this trip with one souvenir, that’s the one I want. A cardboard sign and a big, blond husband. That’s all I ask.
Amy Harmon (Infinity + One)
I had just drifted off to sleep when Jerry woke me up. “Hey, we’re going to take the Humvee and pick up the rest of the platoon. They’re done with the gravel run. There’s no mission. We need empty seats in the Humvee. I just wanted you to know that we’re leaving. Go back to sleep,” Jerry whispered. I leapt right off my cot and said, “No, sir. If you go, I go. If y’all go and something happens I will never forgive myself. And what if y’all get into an awesome firefight? I’m itching for that. I’m not going to miss that. I am going and I am driving the lead vehicle.” Jerry protested. “What about Gebhardt? He doesn’t want you driving.” “He can yell at me when we get there,” I said. “It doesn’t matter. Let’s just go. And I want to drive. I never get to drive,” Jerry said. “Jerry, you’re not driving. You can ride in the Humvee with me but you’re not driving. I’m not going to let you.” Now, Jerry outranked me, which meant he could do whatever he wanted. But that was also why he wasn’t supposed to drive. I was talking to Jerry as a friend now, though. I reminded him of that conversation we had in the gym before we deployed. “I told you that I was never going to let anything happen to you. I would jump in front of a bullet to keep you from getting hurt. Nothing will ever happen to you while I’m around. You’re not driving.” He finally relented and said, “Okay.” We piled into the Humvees and headed out. Jerry rode with me in the lead vehicle. That’s not following protocol. The platoon leader should be in the middle of the convoy, but neither Jerry nor I ever wanted to be there. We wanted to be in the lead, always.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Capone once famously said, “All I do is to supply a public demand…somebody had to throw some liquor on that thirst. Why not me?”  He brilliantly coordinated the importation of liquor from all across America while in charge of the operation of hundreds of distilleries. To do so, he had his own distribution system, which involved hiring delivery drivers, salespeople, and of course, armed bodyguards—his own “miniature army” riding beside his bullet-proof limousine—to protect his investments. Capone ingeniously bought immunity by paying off politicians, law enforcement agents, and even the Mayor of Chicago, William H. Thompson, whom he helped with thousands of dollars and votes enough to win the seat.
Charles River Editors (The Prohibition Era in the United States: The History and Legacy of America’s Ban on Alcohol and Its Repeal)
Love doesn't stand in line waiting for its turn. It speeds along like a bullet train. You can either stand on the tracks and be run over, or you can jump on for the ride.
Ali Spooner (Hat Trick)
They’re friendlier when you’re not driving like an arsehole with a death wish. You do realize this ain’t a road, right?” Tucker stopped. “What do you mean? The GPS lady told me to turn here.” Did he not notice that people on both sides were looking down at them from the platform like they were idiots? “Nope, she told you to turn on the road. This is where the train runs. In case you’ve forgotten what a train is, it’s a bit like a high-speed bullet that kills everything stupid enough to get in its path.” Tucker’s eyes went wide. “Holy shit. Holy shit. We’re going to get hit by a train. What should I do?” Brody yawned again. It had already been a long damn day. Why had he thought bringing the brain-damaged puppy along for the ride would be a good idea?
Lexi Blake (Love Another Day (Masters and Mercenaries #14))
She hopped off the counter, ducked her head under me to catch my gaze, and palmed my face. “No, he was angry and provoked. You took a bullet for me, Romeo.” I scowled. “Don’t be dramatic.” “Thank you.” Since I’d made no progress finding the starting point to stitch myself, I cleared my throat, stepping back. “You’re welcome. Now leave.” “I want you.” Her hand ran the length of my chest up to my shoulder. I want you, too, which is why I need you to get the hell away from here.I no longer recognize myself or my actions where you’re concerned. You’ve become a liability I cannot afford. Rather than kick her out, I set the needle and thread down. “You can ride my thigh.” “I want to ride your cock.” She teased up the short hem of her olive satin dress. “When you forced me to tag along to Le Bleu, didn’t you say you’ll fuck me if I behave? I behaved.” “I said I’ll fuck you when you’re on your period.” “I interpreted that differently.” “It’s not a Benedict de Spinoza book. It was not open to different interpretations.” “Whatever. That last time wasn’t so great anyway.” Contrary to her words, her dress inched up, flirting with the border of her lace panties. “It happened so long ago that I don’t even remember much. Was I even there? Were you?” Egging me on wouldn’t work. Sadly for her, I was more sophisticated than that. She continued, undeterred. “Oliver told me you’re a born-again virgin. You know your pee pee has other functions, right?” “Leave, Dallas.” (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
I dunno. He jus’ got it. Runs a few cattle. Got guards ever’place to keep folks out. Rides aroun’ in a bullet-proof car. I seen pitchers of him. Fat, sof’ fella with little mean eyes an’ a mouth like a ass-hole. Scairt he’s gonna die. Got a million acres an’ scairt of dyin’.
John Steinbeck (Of Mice and Men & East of Eden & Grapes of Wrath)
You have your hand. I have my bullet. Don’t judge what I carry into battle,” he says with a scoff. Touché.
Lauren Biel (Along for the Ride (Ride or Die Romances))
The armour-plated cars with windows of bullet-proof glass, the murders implicit in Hymie Weiss [1889-1926] phrase 'to take for a ride', the sedans of tommy-gunners spraying the streets of gangland, all created a satanic mythology of the automobile which bid fair to rival the demonism of the saloon. The car was an instrument of death in the hands of the crook and the drunk, and prohibition was held to have spawned both of them.
Andrew Sinclair (Prohibition: The Era of Excess)
Driving a car versus riding a bike is on par with watching television rather than living your own life.” —Bruce MacAlister, Calgary
Silver Bullet (The Great Big World of Biking: The Ever-Changing Evolution of Road Biking, Mountain Biking, and Cyclist Training (How To Bike Book 1))
Heroes & Villains I've been in this town so long that back in the city I've been taken for lost and gone And unknown for a long long time Fell in love years ago With an innocent girl From the spanish and indian home Home of the heroes and villains Once at night the cotillion squared the fight And she was right in the rain of the bullets that eventually brought her down But she's still dancing in the night Unafraid of what a dudell do in a town full of heroes and villains Heroes and villains Just see what youve done Heroes and villains Just see what youve done Stand or fall I know there Shall be peace in the valley And it's all an affair Of my life with the heroes and villains My children were raised You know they suddenly rise They started slow long ago Head to toe healthy weathy and wise I've been in this town so long So long to the city I'm fit with the stuff To ride in the rough And sunny down snuff I'm alright By the heroes and Heroes and villains Just see what youve done Heroes and villains Just see what youve done
The Beach Boys
You live here in Copper Creek, Miss Ashford?” She dipped a fresh cloth in the water and washed the bullet wound in the patient’s shoulder as best she could. “I do now. We arrived today.” She paused and straightened, the muscles in her back in spasms from bending over the table, and from too much riding on trains and coaches and wagons. She thought of Janie waiting at home, watching for her, and hoped she wasn’t worrying. Robert’s only concern would be that she’d left him overlong with people he didn’t know. He hated making chitchat. She just hoped he wasn’t acting sullen and stone-faced with Vince, Janie, and Emma, like he so often did with her. Hearing a clock ticking somewhere behind her, she rethreaded the needle and focused again on her task. Suturing a man was different from suturing a horse, and very definitely different from sewing saddles. Yet something about the repetition of the act felt similar, which made her wonder if she was doing it right. “We?” Finishing the third suture in the man’s shoulder, she peered up at Caradon, the needle poised between her right thumb and forefinger. “I beg your pardon?” “You said ‘we arrived today.’” Not wanting to talk, she tied off a fourth suture, and a fifth, aware of him watching her. “My brother and I.” “Where did you move from?” She raised her head to find him leaning close, their faces inches apart. “If you don’t mind, Marshal Caradon, could we . . . not talk right now?” The tanned lines at the corners of his eyes tightened ever so slightly. “Not much on that, are you, ma’am? Talking, I mean.” Though his expression denied it, she heard a smile in his voice, yet she held back from responding to it. Outwardly anyway. Someone like Wyatt Caradon was the last person she, or Robert, needed in their lives right now. “I don’t mind talking, Marshal. When I’m not exhausted, famished, and stitching up a gunshot wound.” Catching his grin before she looked away, she finished suturing and bandaging the wound.
Tamera Alexander (The Inheritance)
He - and Cal - prefer a more generalized outlook on the End Times, recognizing it could come from anything: superstorms, polar shifts, invasion by the Chinese, attack by the U.S. government on its own people, aliens, EMP, God's wrath on a sin-filled world, killer bees. (Chance notes that no one mentions "Rogue AI with a penchant for Greek mythology." He figures someone should update their menu, because it is riding to number one on the charts with a bullet.)
Chuck Wendig (Zeroes (Zer0es, #1))
They sat in silence until the howl of a distant coyote made her shiver. "He sings for his mate," Cade reassured her. "Does he think the sound of his loneliness will attract her?" Lily asked wryly. "I'm sure it is the beauty of his song." His voice contained almost a hint of a chuckle. "I'm sure that's what he thinks." Her scoffing hid an undertone of bitterness, and Cade was silent for a while. "Men often hide their fears with actions," he finally said. By this time, the anger of the day had leeched out of her and into the cold stone. Wrapping her arms around her knees and resting her head upon them, Lily reluctantly gave his statement some thought. Cade had a way of saying things that made sense, even when she didn't want to admit it. "I suppose a man who wasn't afraid would be a fool. I just find it hard to imagine someone like you being afraid." Cade's low laugh wasn't amused. "Because of my size or because of my birth?" Lily considered this. "Both, I suppose. To me, Indians are like the wolves, fearless of anything. All I have seen or heard of them is the damage they have done. And your size makes you seem invulnerable, even though that is ridiculous. A bullet knows nothing of size. Perhaps it is your attitude. You look as if you scorn everything, even death." "I do not mean to give that impression. And warriors aren't fearless. As you say, only fools are without fear. They are just better at disguising their feelings. If Clark takes his band of men against the Indians as he threatens, he will find old men and women and children. Ride with him, and you will see their fear." Lily didn't ask how he knew of Ollie's plans. Half the ranch could have heard his shouting. Instead, she asked, "How do you know what he will find? Have you seen them?" "They are related to my father's tribe. Their fathers and sons were massacred by Comanches several years ago, and many others were lost in epidemics. They try to live by raising squash and corn and fishing from the river. They mean no harm. This land has been theirs for centuries. They do not understand the difference since the white man's coming." "I do not know how to stop Ollie," Lily murmured. Somehow she was disappointed that Cade had brought her out here to tell her this. He could have said as much in the morning in the middle of the yard. "I know how to stop him. Just tell me if you learn when he is to leave." "We don't need any more bloodshed." Lily rearranged her legs in preparation for rising. Cade caught her arm, and he was suddenly very near, hovering over her, his dark face dangerously near. "There will be no bloodshed." Perhaps
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Do you know what it was like in that goddamn hellhole of a prison?” The words were torn from his throat. Caleb shook his head. “I wouldn’t presume to say I did.” “There were rats the size of house cats. Toward the end we ate them just to stay alive.” Caleb closed his eyes against an image that would never leave him. “I’m not sorry that I let you live,” he said after a brief silence. Joss glared at him in rage. “You’d put me through that hell all over again, wouldn’t you?” he demanded. “Damn you, you would!” “If it meant your life? You’re damned right I would. I’d put you through it a thousand times.” He paused and drew a deep, tremulous breath. “Joss, step into my boots for a minute. Go back to that day. Remember the screaming, and the cannon fire, and the sound of bullets whistling past your head. This time you’re the one that’s on your feet, and I’m lying on the ground with my arm gone. I ask you to shoot me—hell, I beg you to shoot me. What are you going to do?” Joss’s throat worked as he swallowed. He hesitated for a long time as a variety of emotions moved in his face. Then he said, “I’d shoot you.” “You’re a liar,” Caleb answered. The giant, the man he’d loved and admired from the first day he’d known what it meant to have a brother, glared at him. “God damn you, Caleb—” “You wouldn’t have been able to kill me, because I’m your brother. Because you taught me to ride and shoot, because the blood in your veins is the same blood that runs in mine. You would have done exactly what I did, Joss, and somewhere inside yourself you know it.” Joss shook his head as if to fling off an image. “You listen to me,” he yelled, waggling a finger in his brother’s face. “I hate you. Do you hear me? I hate your miserable Yankee guts, and I plan to go right on hating you from now until they put me in a box and throw dirt on top of me!” The
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Graham of Claverhouse, you know, who persecuted the Covenanters and had a black horse that could ride straight up a precipice. Don’t you know he could only be shot with a silver bullet, because he had sold himself to the Devil? That’s one comfort about you; at least you know enough to believe in the Devil.’ ‘Oh, yes,’ replied Father Brown, ‘I believe in the Devil. What I don’t believe in is the Dundee. I mean the Dundee of Covenanting legends, with his nightmare of a horse. John Graham was simply a seventeenth-century professional soldier, rather better than most. If he dragooned them it was because he was a dragoon, but not a dragon. Now my experience is that it’s not that sort of swaggering blade who sells himself to the Devil. The devil-worshippers I’ve known were quite different. Not to mention names, which might cause a social flutter, I’ll take a man in Dundee’s own day. Have you ever heard of Dalrymple of Stair?’ ‘No,’ replied the other gruffly. ‘You’ve heard of what he did,’ said Father Brown, ‘and it was worse than anything Dundee ever did; yet he escapes the infamy by oblivion. He was the man who made the Massacre of Glencoe. He was a very learned man and lucid lawyer, a statesman with very serious and enlarged ideas of statesmanship, a quiet man with a very refined and intellectual face. That’s the sort of man who sells himself to the Devil.’ Aylmer
G.K. Chesterton (The Complete Father Brown)
The Starbucks date she’d shared with Sam seemed like days ago, not just this morning. She’d managed to put aside all the emotions from her two-day roller-coaster ride during the afternoon, but seeing the Starbucks brought the news, or non-news, back in a flash. Talk about dodging a bullet. She
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))
Beneath the boundless sky so wide, Rode Grady Hale, with Bess his pride. A cowboy's life, a tale untold, Of open plains and hearts so bold. With lasso looped and hat set low, He faced each storm and braved each foe. The west was wild, a canvas vast, Each sunset marked a day that passed. In towns where outlaws ruled the night, He stood for what was just and right. His aim was true, his courage firm, A beacon steady, a guiding term. The bullet found its mark one day, And Grady Hale, he slipped away. But in the hearts of those he saved, His legend grew, forever braved. Emma's tears, like rain, did fall, Yet in her heart, she stood tall. For love's embrace knows not an end, And cowboy's whispers, the winds send. So here's to Grady, a life well spent, A cowboy's ride, a heart content. In stories told 'round fires bright, His spirit lives in stars each night.
James Hilton-Cowboy
The Last Ride of Grayson “Grady” Hale In the heart of the wild west, under the vast expanse of the azure sky, rode Grayson “Grady” Hale, a cowboy known for his unyielding spirit and his trusty steed, Bess. Grady’s life was woven into the fabric of the frontier, a tapestry of cattle drives, campfire tales, and the pursuit of freedom that only the open range could offer. Grady was born to the saddle, learning to ride before he could walk, and to rope not long after. His father, a seasoned rancher, had instilled in him the values of hard work and respect for the land. Grady’s mother, a woman of strength and grace, taught him the gentle touch needed to soothe a spooked calf or mend a broken wing. As the years passed, Grady’s reputation grew. He wasn’t the fastest gun nor the richest rancher, but he had something more valuable—integrity. Folks from miles around would seek his help when rustlers threatened or when a neighbor needed a hand. Grady never turned his back on those in need, and his word was as solid as the mountains framing the horizon. One fateful day, a telegram arrived, calling Grady to a distant town. A band of outlaws had taken over, and the people were desperate. Grady kissed his wife, Emma, goodbye, promising to return once peace was restored. With Bess beneath him, he rode out, the dust of the trail rising like a storm behind him. The confrontation was inevitable. Grady, with a handful of brave souls, stood against the outlaws. Words were exchanged, and then gunfire. When the smoke cleared, the outlaws were either captured or fled, and the town was saved. But victory came at a cost—Grady had taken a bullet. As he lay there, the townsfolk gathered, their faces etched with concern and gratitude. Grady knew his ride was coming to an end. With his last breath, he whispered a message to be given to Emma, a message of love and a promise kept. Back at the ranch, Emma received the news with a stoic heart. She knew the risks of loving a cowboy, the same risks that made her love him all the more. She gazed out at the sunset, the colors painting the sky like the wildflowers of their meadow. And in that moment, she felt Grady’s presence, like the gentle brush of a breeze, telling her he was home at last. Grady’s tale is one of courage, sacrifice, and the enduring legacy of a cowboy who lived by his own code. His story, like the trails he once rode, winds its way into the legend of the west, reminding us that some spirits are as untameable as the land they love.
James Hilton-Cowboy
Out in the west, where the rivers run wide, Grady Hale rode with his head held high. With Bess by his side, through the dust and the gales, He lived by the code of the old cowboy tales. (Chorus) Oh, ride on, Grady, ride into the sun, Your story's not over, it's only begun. With each step that Bess takes, your legend will grow, Ride on, Grady Hale, through the high and the low. (Verse 2) He stood for the right, when the wrong came to call, A hero to many, a friend to them all. With a heart made of gold and a will made of steel, He fought for a world where the broken could heal. (Chorus) Oh, ride on, Grady, ride into the sun, Your story's not over, it's only begun. With each step that Bess takes, your legend will grow, Ride on, Grady Hale, through the high and the low. (Bridge) In the town where the shadows had taken their claim, Grady's courage shone through, like a bright, burning flame. And though he fell to a bullet, his spirit stayed strong, In the whispers of wind, you can still hear his song. (Verse 3) Now Emma looks out, where the meadows meet skies, And she feels her love's presence, no need for goodbyes. For the cowboy she loved is still riding so free, In the stories we tell, in the memories we see. (Chorus) Oh, ride on, Grady, ride into the sun, Your story's not over, it's only begun. With each step that Bess takes, your legend will grow, Ride on, Grady Hale, through the high and the low. (Outro) So here's to the cowboy, who rode past the end, With the love of a woman, the trust of a friend. May his tale be a beacon, for all those who roam, Ride on, Grady Hale, forever you're home.
James Hilton-Cowboy
TAKES MORE THAN BULLETS #47 FROM TEXAS TO MONTANA #48 LONG RIDE TO NOWHERE #49 KEEP THE GOLD WE KEEP THE
Paul L. Thompson (U.S. Marshal Shorty Thompson - Black Pearls, Blue Diamonds & Bullets: Tales of the Old West Book 44)
We’re going to the Park and Ride on 93. We’ll drop the car off and head into the hills. Then we start marking territory.” “You’re kidding,” Shaun said. “Gives a whole new meaning to the phrase ‘pissing contest,’ ” Ben said, grinning.
Carrie Vaughn (Kitty and the Silver Bullet (Kitty Norville, #4))
During my time in Iraq and Afghanistan, I watched the great generals (and the colonels, majors, captains, lieutenants, and senior enlisted personnel) and how they interacted with their troops. The good ones spent time at the front lines, dodging bullets in Fallujah, riding in a Humvee on Route Irish, flying in a helo over the Hindu Kush, or just talking to the soldiers who manned the watchtowers. This engagement was not only important to understanding the troops, and thereby making better decisions; it was also vitally important for the troops to see their leaders getting sweaty and dirty right beside them.
William H. McRaven (The Wisdom of the Bullfrog: Leadership Made Simple (But Not Easy))
Wadsworth was riding at the front of the 20th Massachusetts along the Plank Road when the 8th Alabama fired its first volley (No. 1). The flash and surprise stunned his mount, and with Wadsworth pulling on the reins his horse headed straight for the Confederate lines. The division commander gained control of the horse before it entered the enemy’s ranks and was spurring his mount back toward the Bay Staters when a round of small arms fire exploded around him. One of the bullets slammed into his head and sprayed brain matter onto an aide riding next to him, who maintained enough presence of mind to dismount and catch the general as he fell from his horse. After carefully lowering Wadsworth to the ground, the aide concluded the general had been killed instantly, hopped onto the general’s horse, and galloped to safety.
Bradley M. Gottfried (The Maps of the Wilderness: An Atlas of the Wilderness Campaign, Including all Cavalry Operations, May 2-6, 1864 (Savas Beatie Military Atlas Series))
Fraley leaned back and folded his arms across his chest. “We found the guns in the glove compartment of your car,” Fraley said calmly. “They’re going to match the bullets we found at two murder scenes. Our evidence guys are going through your car with a fine-toothed comb, including the trunk. We think you gave Norman Brockwell a ride out to the woods in the trunk of your car. They’re looking for little pieces of his skin, fingernails, saliva, hair, blood, anything they can find. And
Scott Pratt (In Good Faith (Joe Dillard, #2))
With exceptional pluck and coolheadedness, young George Washington was soon riding all over the battlefield. Though he must have been exhausted, he kept going from sheer willpower and performed magnificently amid the horror. Because of his height, he presented a gigantic target on horseback, but again he displayed unblinking courage and a miraculous immunity in battle. When two horses were shot from under him, he dusted himself off and mounted the horses of dead riders. One account claimed that he was so spent from his recent illness that he had to be lifted onto his second charger. By the end, despite four bullets having torn through his hat and uniform, he managed to emerge unscathed.
Ron Chernow (Washington: A Life)
Billy the Kid died in the dark, asking who is it? to the man who murdered him. That's how gunslingers died. Real life didn't give you a showdown. Real life put a bullet in the back of your head.
Jordan Harper (She Rides Shotgun)
Looking down the barrel of a gun, you don’t see the tip of the bullet. You just see darkness, like a preview of eternity.
Jordan Harper (She Rides Shotgun)
Things like the Sundogs shaking the foundations of our original beliefs, turning us to the ways of the Indians we search out to do battle with. Although we saw a number of places along the trail where the Comanche raiding parties have crossed from the north here in Texas to Mexico, carrying out their raids south of the border we saw no actual Indians.  For the Comanche, there is no border.  Just the land that they have freely ridden for hundreds of years.  The divide we white men and Mexicans have made between two countries having little importance to the Comanche as they consider the white men and the Mexicans as all hostile men encroaching on their lands. We rode nearly to Fort Leaton near the Juntas before we turned back now having taken the patrol much farther than we had planned.  The Comanche activity, encouraging us to ride on hoping to encounter at least one of the raiding parties, although we saw no more signs of Comanche not meaning that they have not seen us.  Maybe we are too large an enemy for the small raiding parties to approach.  Most Comanche shy away from skirmishes that result in more than a death or two of their Warrior Braves. Since the death of the two men by the hands of Lopez all of my men staying sharp, if in fact Lopez try's to capture another Ranger.  The torture and death of Dan Skaggs shaking my men up considerably.  "If a man like Lopez catches you make sure that you save one bullet in your revolver to shoot yourself before you get captured and have to face such heinous torture as Dan did," Bill Vents said.  Mostly for the benefit of our new Texas Ranger Bear Wallace, who was new to the ways of the Comanche and outlaws like Lopez.  "Make sure you shoot yourself in the eyeball to assure the bullet kills you dead and don't bounce around in your mouth or off your skull.  Eventually leaving you just alive enough to be left to the hands of Lopez to be tormented till death comes." "That is about enough of the horror tales, Bill," I said noting that the men are more nervous than usual with Bills story no matter how unbelievable the tale seemed.  Out here in the wild country, many things seem to be twisted from reality, some often making the impossible seem possible.  Not only because of Bill's stories but also due to a large amount of Indian gossip not far from being as wild as Vents lies.  Especially the Tonkawa as they believe the way to assure that spirits of the men they kill will be captured and rendered harmless, is to eat the men they slaughter
Ash Lingam (West to Ranger Creek)
shoulder to where Brad lay. "That range, and the bullet just grazed Clint. A blessing, for sure." Did she hear him right? "So, he's just knocked out?" "Appears so. But, blunt force trauma can cause internal hemorrhage and damage still. We need to get him back to my clinic." The doctor glanced back at
Janith Hooper (Ride with Me (Quaking Heart #1))
Rides aroun’ in a bullet-proof car. I seen pitchers of him. Fat, sof’ fella with little mean eyes an’ a mouth like a ass-hole.
John Steinbeck (The Grapes of Wrath)
You could be riding in the back of a studio’s black limo, or just as easily the back of the coroner’s blue van. The sound of applause was the same as the buzz of a bullet spinning past your ear in the dark. That randomness. That was L.A. There was flash fire and flash flood, earthquake, mudslide. There was the drive-by shooter and the crack-stoked burglar. The drunk driver and the always curving road ahead. There were killer cops and cop killers. There was the husband of the woman you were sleeping with. And there was the woman. At any moment on any night there were people being raped, violated, maimed. Murdered and loved. There was always a baby at his mother’s breast. And, sometimes, a baby alone in a Dumpster.
Michael Connelly (The Black Ice (Harry Bosch, #2; Harry Bosch Universe, #2))
Some ride the bullet to vent, while some shoot the bullet to revenge.
Anthony Liccione
She looked so old that she reminded me of a comic book hero of my childhood: The Heap. It was a World War I German pilot who was shot down and lay wounded for months in a bog and was slowly changed by mysterious juices into a ⅞ plant and ⅛ human thing. The Heap walked around like a mound of moldy hay and performed good deeds, and of course bullets had no effect on it. The Heap killed the comic book villains by giving them a great big hug, then instead of riding classically away into the sunset like a Western, The Heap lumbered off into the bog. That’s the way the old woman looked.
Richard Brautigan (A Confederate General from Big Sur / Dreaming of Babylon / The Hawkline Monster)