Building Sand Castles Quotes

Writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles.

I'm writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles.

You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible. So part of us believes that when the tide starts coming in, we won't really have lost anything, because actually only a symbol of it was there in the sand. Another part of us thinks we'll figure out a way to divert the ocean. This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be.

We are like children building a sand castle. We embellish it with beautiful shells, bits of driftwood, and pieces of colored glass. The castle is ours, off limits to others. We’re willing to attack if others threaten to hurt it. Yet despite all our attachment, we know that the tide will inevitably come in and sweep the sand castle away. The trick is to enjoy it fully but without clinging, and when the time comes, let it dissolve back into the sea.

But I don't think building sand castles in the air is such a terrible thing to do, as long as you don't take it too seriously.

The Seventh Sense" Women who build nations learn to love men who build nations learn to love children building sand castles by the rising sea

It isn’t a perfect place. There are no perfect places. But nobody cares about perfection when there are sand castles to build and kites to chase, children that are being born, old hearts that are giving in.

Children make prayers so thoughtlessly, building them up like sand castles—and they are always surprised when suddenly the castle becomes real, and the iron gate grinds shut.

Sometimes, Miki, you’ve got to stop building sand castles just to watch the ocean take them away,” Kane murmured against his cheek. “Sometimes, you just need to find someone to sit on the beach with you.

Let the sandcastle collapse. In its place, I will build a fortress—one that the waves of nature and time could never destroy.

The big system can be pretty overwhelming. We know that we can’t beat them by competing with them. What we can do is build small systems where we live and work that serve our needs as we define us and not as they ‘re defined for us. The big boys in their shining armor are up there on castle walls hurling their thunderbolts. We’re the ants patiently carrying sand a grain at a time from under the castle wall. We work from the bottom up. The knights up there don’t see the ants and don’t know what we’re doing. They’ll figure it out only when the wall begins to fall. It takes time and quiet persistence. Always remember this: They fight with money and we resist with time, and they’re going to run out of money before we run out of time

You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander.

She was supposed to build sand castles on the beach and put her toes in the ocean,” Madame says.

I recall those beautiful summer mornings with my parents by the sandy beach of Belek. My father used to teach me how to ride waves. I remember him constantly emphasizing the fact that no wave, no matter how big it is should stir enough fear inside me to keep me glued to the shore. He used to repeat those words while glancing at my mother with a smile that could set the whole sea on fire. My mother, sitting on the beach, too afraid of the deep blue sea, contented herself with building sand castles, ones my father would step on trying to drag her hopelessly into water. Step on your sand castle and dive deep. Dive deep into the unknown. Life is damn too short for building sand castles.

It all begins so hopefully, but these Worlds we build for ourselves are all just castles in the sand, waiting for the evening tide.

We all behave like Maxwell’s demon. Organisms organize. In everyday experience lies the reason sober physicists across two centuries kept this cartoon fantasy alive. We sort the mail, build sand castles, solve jigsaw puzzles, separate wheat from chaff, rearrange chess pieces, collect stamps, alphabetize books, create symmetry, compose sonnets and sonatas, and put our rooms in order, and all this we do requires no great energy, as long as we can apply intelligence. We propagate structure (not just we humans but we who are alive). We disturb the tendency toward equilibrium. It would be absurd to attempt a thermodynamic accounting for such processes, but it is not absurd to say we are reducing entropy, piece by piece. Bit by bit. The original demon, discerning one molecules at a time, distinguishing fast from slow, and operating his little gateway, is sometimes described as “superintelligent,” but compared to a real organism it is an idiot savant. Not only do living things lessen the disorder in their environments; they are in themselves, their skeletons and their flesh, vesicles and membranes, shells and carapaces, leaves and blossoms, circulatory systems and metabolic pathways - miracles of pattern and structure. It sometimes seems as if curbing entropy is our quixotic purpose in the universe.

Normally, her mind was like a busy beach - all day long she would run back and forth, leaving footprints, building small mounds and castles, writing out ideas and diagrams with her fingers in the sand, but when the night tide came in, she would close her eyes and allow each wave of rhythmic breath to wash in and out over her day's accumulation, and before long the beach would be clear and empty, and she would drift off to sleep.

It's not worth it to build castles on the sand if they get destroyed by the waves of reality.

Seeing the world with all the unspoiled simplicity of a young child, you are free from concepts of beauty and ugliness, good and evil, and no longer fall prey to conflicting tendencies driven by desire or repulsion. Why trouble yourself about all the ups and downs of daily life, like a child who delights in building a sand castle but cries when it collapses? To get what they want and be rid of what they dislike, look how people throw themselves into torments, like moths plunging into the flame of a lamp! Would it not be better to put down your heavy burden of dreamlike obsessions once and for all? 

The past is gone, Claire. It's like a sand castle washed away by the waves. We can remember what it looked like, but even if we build it again, it won't be the exactly the same.

At that realization, I swore to myself that through it all, I would always be by his side. Let the sandcastle collapse. In its place, I will build a fortress—one that waves could never destroy.

She packed everything into the shopping bags with the urgent efficiency of someone building a sand castle at sundown, as the tide comes in. Like a dream you know will end. If I move fast enough, I won't wake the gods.

We spend our youth building sandcastles of ambition, then watch as life blows sands of doubt over our carefully crafted turrets of wishes and dreams, until we can no longer see them at all. We learn to settle instead for flattened lives, residing inside prisons of compromise. A little relieved that the windows of the world we settled for are too small to see out of, so we don’t have to stare at the castle-shaped fantasies of who we might have been.

Without knowing it he drew a very pleasant picture of an affectionate, happy family who lived unpretentiously in circumstances of moderate affluence at peace with themselves and the world and undisturbed by any fear that anything might happen to affect their security. The life he described lacked neither grace nor dignity; it was healthy and normal, and through its intellectual interests not entirely material; the persons who led it were simple and honest, neither ambitious nor envious, prepared to do their duty by the state and by their neighbors according to their lights; and there was in them neither harm nor malice. If Lydia saw how much of their good nature, their kindliness, their unpleasing self-complacency depended on the long-established and well-ordered prosperity of the country that had given them birth; if she had an inkling that, like children building castles on the sea sand, they might at any moment be swept away by a tidal wave, she allowed no sign of it to appear on her face.

My heart got drenched by tears, got overflow with it, The pain remained in heart as there was no one to embrace me, Now I have neither consciousness nor expectation. I gave my life to ocean as happiness and sadness became same for me, Let my heart be like waves looking for love, But all now I will keep wandering forever for love till the ends of time, Lifeless forever, Just as castle build of sands always gets washed off!

My destiny is to remind you to look up from the castles you're building in the sand long enough to notice the cathedrals that God's building all around you - without you, without your sweat, without your tears, without your consent. While you dream your dreams, he's busy building your destiny. And there is as much beauty in your destiny as there was in your dream. Let go and believe that whatever its is, it will be beautiful.

I’m writing a first draft and reminding myself that I’m simply shoveling sand into a box so that later I can build castles.

There's no permanence to the sand castles we build here, so we shouldn't be hurt when the tide comes in and washes ours down. Immortals can only forgive.

Boys loved to tear down the things they build up, whether a sand castle or a prince.

When I'm writing a first draft I'm constantly reminding myself that I'm simply shoveling sand into a box so that later I can build castles.

The softly flowing, white, and parched clouds passed by. I, colored gray, merely kept staring at them as they slowly vanished out of my sight. Onto the sand castle that I'm building from the stars I've been collecting, my faint prayer spills and drips down, as the ocean waves lying in waiting sweep and trip you up. a world of darkness. a world of silence. Although my disappearing prayer is being stirred up by the wind, I will not let that fire go out. No matter how many times I rebuild the sand castle with my frosting hands tangled up in busyness, the ocean waves lying in waiting just keep sweeping it away... ...towards you.

My destiny is to remind you to look up from the castles you’re building in the sand long enough to notice the cathedrals that God’s building all around you—without you, without your sweat, without your tears, without your consent.

It is a kingship grand that all of us build, every day of our meager lives, and it is a castle made of sand. Every wrong righted seems to bring another misdeed tumbling down upon our heads. But I for one will keep building such a kingdom.

There are only two lives we might live: our dream or our destiny. Sometimes they are one in the same, and sometimes they’re not. Often our dreams are just a path to our destinies. My dream was to be an adoptive mother, but my destiny is to mother my three children, to be a wife, sister, friend, and daughter, and to speak hope boldly to you. My destiny is to remind you to look up from the castles you’re building in the sand long enough to notice the cathedrals that God’s building all around you—without you, without your sweat, without your tears, without your consent. While you dream your dreams, he’s busy building your destiny. And there is as much beauty in your destiny as there was in your dream. Let go and believe that whatever it is, it will be beautiful.I

What builds up castles, tears down mountains, makes some blind, helps others to see? SAND. (Thankee-sai) What lives in winter, dies in summer, and grows with its roots upward? AN ICICLE. (Blaine, you say true) Man walks over, man walks under, in time of war he burns asunder? A BRIDGE. (Thankee-sai)

I’ve also come to believe in the complete and utter insignificance of the self, and I think that helps a lot. For example, if you thought you were the most important thing in the Universe, then you would have to bend the entire Universe to your will. If you’re the most important thing in the Universe, then how could it not conform to your desires. If it doesn’t conform to your desires, something is wrong. However, if you view yourself as a bacteria or an amoeba—or if you view all of your works as writing on water or building castles in the sand, then you have no expectation for how life should “actually” be. Life is just the way it is.

Oh, what the ocean did to a man. How unmatched it was. One could competitively build a giant castle made of sand or even hire architects to construct a true castle by the shore made of rocks and furnish its enormous insides with crystals. Yet plop him closer to the sea and within seconds, he will yield and feel as dumb as any other measly man lost at land.

When a fine old carpet is eaten by mice, the colors and patterns of what's left behind do not change,' wrote my neighbor and friend, the poet Jane Hirschfield, after she visited an old friend suffering from Alzheimer's disease in a nursing home. And so it was with my father. His mind did not melt evenly into undistinguishable lumps, like a dissolving sand castle. It was ravaged selectively, like Tintern Abbey, the Cistercian monastery in northern Wales suppressed in 1531 by King Henry VIII in his split with the Church of Rome. Tintern was turned over to a nobleman, its stained-glass windows smashed, its roof tiles taken up and relaid in village houses. Holy artifacts were sold to passing tourists. Religious statues turned up in nearby gardens. At least one interior wall was dismantled to build a pigsty. I've seen photographs of the remains that inspired Wordsworth: a Gothic skeleton, soaring and roofless, in a green hilly landscape. Grass grows in the transept. The vanished roof lets in light. The delicate stone tracery of its slim, arched quatrefoil windows opens onto green pastures where black-and-white cows graze. Its shape is beautiful, formal, and mysterious. After he developed dementia, my father was no longer useful to anybody. But in the shelter of his broken walls, my mother learned to balance her checkbook, and my heart melted and opened. Never would I wish upon my father the misery of his final years. But he was sacred in his ruin, and I took from it the shards that still sustain me.

It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper. They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.

High-reactive kids also tend to think and feel deeply about what they’ve noticed, and to bring an extra degree of nuance to everyday experiences. This can be expressed in many different ways. If the child is socially oriented, she may spend a lot of time pondering her observations of others—why Jason didn’t want to share his toys today, why Mary got so mad at Nicholas when he bumped into her accidentally. If he has a particular interest—in solving puzzles, making art, building sand castles—he’ll often concentrate with unusual intensity. If a high-reactive toddler breaks another child’s toy by mistake, studies show, she often experiences a more intense mix of guilt and sorrow than a lower-reactive child would. All kids notice their environments and feel emotions, of course, but high-reactive kids seem to see and feel things more. If you ask a high-reactive seven-year-old how a group of kids should share a coveted toy, writes the science journalist Winifred Gallagher, he’ll tend to come up with sophisticated strategies like “Alphabetize their last names, and let the person closest to A go first.” “Putting theory into practice is hard for them,” writes Gallagher, “because their sensitive natures and elaborate schemes are unsuited to the heterogeneous rigors of the schoolyard.” Yet as we’ll see in the chapters to come, these traits—alertness, sensitivity to nuance, complex emotionality—turn out to be highly underrated powers.

buildings, or he helped them in wars, or in rounding up dangerous animals. In the calm adventures, he got new things to eat and people gave him toys. He lost most of the toys as he was scrambling back home over the rocks, but he did manage to bring back the shiny shell necklace the silly ladies gave him, because he could hang it around his neck. He went to the Anywhere with the silly ladies several times. It had blue sea and white sand, perfect for digging and building in. There were ordinary people in it, but Christopher only saw them in the distance. The silly ladies came and sat on rocks out of the sea and giggled at him while he made sand castles. “Oh clistoffer!” they would coo, in lisping voices. “Tell uth what make you a clistoffer.” And they would all burst into screams of high laughter. They were the only ladies he had seen without clothes on. Their skins were greenish and

He spoke of his father and mother with a faintly mocking irony which Lydia saw well enough he assumed only to conceal the loving admiration with which he regarded them. Without knowing it he drew a very pleasant picture of an affectionate, happy family who lived unpretentiously in circumstances of moderate affluence at peace with themselves and the world and undisturbed by any fear that anything might happen to affect their security. The life he described lacked neither grace nor dignity; it was healthy and normal, and through its intellectual interests not entirely material; the persons who led it were simple and honest, neither ambitious nor envious, prepared to do their duty by the state and by their neighbours according to their lights; and there was in them neither harm nor malice. If Lydia saw how much of their good nature, their kindliness, their not unpleasing self-complacency depended on the long-established and well-ordered prosperity of the country that had given them birth; if she had an inkling that, like children building castles on the sea sand, they might at any moment be swept away by a tidal wave, she allowed no sign of it to appear on her face. ‘How lucky you English are,’ she said.

Try not to be the hater. Try not to be the person who tears down someone else's work. The world needs more people who contribute their gifts and share their work and ideas. Working up the courage to do that can be tough. Support those who display that courage and vulnerability. Even if you don't enjoy their work, at least appreciate the fact that they did something. It's easy to be passive and complain. It's much harder to step into the creative arena and bring into existence something from nothing. And nobody needs permission to create. There aren't any prerequisites to contribute to the world around you. You just need to choose to build something and follow it through, and get out of your own way (limiting beliefs / self doubt / excuses). Too many people die with great ideas inside them. Let them out! It's all fleeting castles made of sand anyways. What do you have to lose? If you do find yourself on the receiving end of negativity, the choice is still yours to not react in anger, to accept that opinion as 1 out of 7+ billion and keep being true to yourself, as that is truly all that matters. You can either be judged because you created something or ignored because you left your greatness inside of you. Your call.

thought there might not be a sky: he had an idea that the formless rock went on and on in a great arch overhead—but when he thought about it, that did not seem possible. Christopher always knew in his dream that you could get to Almost Anywhere from The Place Between. He called it Almost Anywhere because there was one place that did not want you to go to it. It was quite near, but he always found himself avoiding it. He set off sliding, scrambling, edging across bulging wet rock, and climbing up or down, until he found another valley and another path. There were hundreds of them. He called them the Anywheres. The Anywheres were mostly quite different from London. They were hotter or colder, with strange trees and stranger houses. Sometimes the people in them looked ordinary, sometimes their skin was bluish or reddish and their eyes were peculiar, but they were always very kind to Christopher. He had a new adventure every time he went on a dream. In the active adventures people helped him escape through cellars of odd buildings, or he helped them in wars, or in rounding up dangerous animals. In the calm adventures, he got new things to eat and people gave him toys. He lost most of the toys as he was scrambling back home over the rocks, but he did manage to bring back the shiny shell necklace the silly ladies gave him, because he could hang it around his neck. He went to the Anywhere with the silly ladies several times. It had blue sea and white sand, perfect for digging and building in. There were ordinary people in it, but Christopher only saw them in the distance. The silly ladies came and sat on rocks out of the sea and giggled at him while he made sand castles. “Oh clistoffer!” they would coo, in lisping voices. “Tell uth what make you a clistoffer.” And they would all burst into screams of high laughter. They were the only ladies he had seen without clothes on. Their skins were greenish and so was their hair. He was fascinated by the way the ends of them were big silvery tails that could curl and flip

Let’s say a man really loves a woman; he sees her as his equal, his ally, his colleague; but she enters this other realm and becomes unfathomable. In the krypton spotlight, which he doesn’t even see, she falls ill, out of his caste, and turns into an untouchable. He may know her as confident; she stands on the bathroom scale and sinks into a keening of self-abuse. He knows her as mature; she comes home with a failed haircut, weeping from a vexation she is ashamed even to express. He knows her as prudent; she goes without winter boots because she spent half a week’s paycheck on artfully packaged mineral oil. He knows her as sharing his love of the country; she refuses to go with him to the seaside until her springtime fast is ended. She’s convivial; but she rudely refuses a slice of birthday cake, only to devour the ruins of anything at all in a frigid light at dawn. Nothing he can say about this is right. He can’t speak. Whatever he says hurts her more. If he comforts her by calling the issue trivial, he doesn’t understand. It isn’t trivial at all. If he agrees with her that it’s serious, even worse: He can’t possibly love her, he thinks she’s fat and ugly. If he says he loves her just as she is, worse still: He doesn’t think she’s beautiful. If he lets her know that he loves her because she’s beautiful, worst of all, though she can’t talk about this to anyone. That is supposed to be what she wants most in the world, but it makes her feel bereft, unloved, and alone. He is witnessing something he cannot possibly understand. The mysteriousness of her behavior keeps safe in his view of his lover a zone of incomprehension. It protects a no-man’s-land, an uninhabitable territory between the sexes, wherever a man and a woman might dare to call a ceasefire. Maybe he throws up his hands. Maybe he grows irritable or condescending. Unless he enjoys the power over her this gives him, he probably gets very bored. So would the woman if the man she loved were trapped inside something so pointless, where nothing she might say could reach him. Even where a woman and a man have managed to build and inhabit that sand castle—an equal relationship—this is the unlistening tide; it ensures that there will remain a tag on the woman that marks her as the same old something else, half child, half savage.

Do you ever feel that we are only building sand castles? Why do so many things happen to us? I am afraid the little we have left will be swept away, too. Why bother?

Let the sandcastle collapse. In its place, I will build a fortress—one

You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible.

By spending time with young children—building forts and baking cakes, whacking baseballs and making sand castles—we’re afforded, in some respects, the opportunity to be our most human. This is who we are. Creatures who use tools, creatures who create, creatures who build.

Perhaps the explanation for this is a simple one, anchored in a basic developmental reality: early childhood is when we first gain control of our bodies and develop our motor skills. But in some ways, that’s the point. Toddlers and preschoolers acquire knowledge in ways that are inseparable from their physical experiences. This is the time when it’s easiest to see what we human beings may truly be—“ inherently instrumental, or pragmatically oriented, all the way down,” as Crawford suggests. By spending time with young children—building forts and baking cakes, whacking baseballs and making sand castles—we’re afforded, in some respects, the opportunity to be our most human. This is who we are. Creatures who use tools, creatures who create, creatures who build.

I recall the day my sister and I turned five and were allowed an extra hour ’twixt bath and bed. Mrs. Twigg would set her hourglass running there in the nursery; we could do whate’er we wished with the time, but when the sand had run ’twas off to bed and no lingering. I’faith, what a treasure that hour seemed: time for any of a hundred pleasures! We fetched out the cards, to play some game or other—but what silly game was worth such a wondrous hour? I vowed I’d build a castle out of blocks, and Anna set to drawing three soldiers upon a paper—but neither of us could pursue his sport for long, for thinking the other had chosen more wisely, so that anon we made exchange and were no more pleased. We cast about more desperately among our toys and games—whereof any one had sufficed for an hour’s diversion earlier in the day—but none would do, and still the glass ran on! Any hour save this most prime and measured we had been pleased enough to do no more than talk, or watch the world at work outside our nursery window, but when I cried ‘Heavy, heavy hangs over thy head,’ to commence a guessing game, Anna fell straightway to weeping, and I soon joined her. Yet e’en our tears did naught to ease our desperation; indeed, they but heightened it the more, for all the while we wept, our hour was slipping by. Now bedtime, mind, we’d ne’er before looked on as evil, but that sand was like our lifeblood draining from some wound; we sat and wept, and watched it flow, and the upshot of’t was, we both fell ill and took to heaving, and Mrs. Twigg fetched us off to bed with our last quarter hour still in the glass.

Happiness to me is mainly not suffering, not desiring, not thinking too much about the future or the past, really embracing the present moment and the reality of what is, and the way it is. [4] If you ever want to have peace in your life, you have to move beyond good and evil. Nature has no concept of happiness or unhappiness. Nature follows unbroken mathematical laws and a chain of cause and effect from the Big Bang to now. Everything is perfect exactly the way it is. It is only in our particular minds we are unhappy or not happy, and things are perfect or imperfect because of what we desire. [4] The world just reflects your own feelings back at you. Reality is neutral. Reality has no judgments. To a tree, there is no concept of right or wrong, good or bad. You’re born, you have a whole set of sensory experiences and stimulations (lights, colors, and sounds), and then you die. How you choose to interpret them is up to you—you have that choice. This is what I mean when I say happiness is a choice. If you believe it’s a choice, you can start working on it. [77] There are no external forces affecting your emotions—as much as it may feel that way. I’ve also come to believe in the complete and utter insignificance of the self, and I think that helps a lot. For example, if you thought you were the most important thing in the Universe, then you would have to bend the entire Universe to your will. If you’re the most important thing in the Universe, then how could it not conform to your desires. If it doesn’t conform to your desires, something is wrong. However, if you view yourself as a bacteria or an amoeba—or if you view all of your works as writing on water or building castles in the sand, then you have no expectation for how life should “actually” be. Life is just the way it is. When you accept that, you have no cause to be happy or unhappy. Those things almost don’t apply. Happiness is what’s there when you remove the sense that something is missing in your life.

In real play, which is real concentration, the child is not only outside time, he is outside himself. He has thrown himself completely into whatever it is that he is doing. A child playing a game, building a sand castle, painting a picture, is completely in what he is doing. His self-consciousness is gone; his consciousness is wholly focused outside himself.

The concentration of a small child at play is analogous to the concentration of the artist of any discipline. In real play, which is concentration, the child is not only outside time, he is outside himself. He has thrown himself completely into whatever it is that he is doing. A child playing a game, building a sand castle, painting a picture, is completely in what he is doing. His self-consciousness is gone; his consciousness is wholly focused outside himself.

However, if you view yourself as a bacteria or an amoeba—or if you view all of your works as writing on water or building castles in the sand, then you have no expectation for how life should “actually” be. Life is just the way it is. When you accept that, you have no cause to be happy or unhappy. Those things almost don’t apply.

Once upon a time, somewhere miles and miles beneath the surface of the ocean, there lived a young octopus named Nina. Nina spent most of her time alone making strange creations out of rocks and shells. And she was very happy. But then on Monday the shark showed up. “What’s your name?” said the shark. “Nina,” she replied. “Do you want to be my friend?” he asked. “OK. What do I have to do?” said Nina. “Not much,” said the shark, “just let me eat one of your arms.” Nina had never had a friend before, so she wondered if this was what you had to do to get one. She looked down at her eight arms and decided it wouldn’t be so bad to give up one. So she donated an arm to her wonderful new friend. Every day that week, Nina and the shark would play together. They explored caves, built castles of sand, and swam really, really fast. And every night the shark would be hungry, and Nina would give him another one of her arms to eat. On Sunday, after playing all day, the shark told Nina that he was very hungry. “I don’t understand,” she said, "I’ve already given you six of my arms, and now you want one more?” The shark looked at her with a friendly smile and said, “I don’t want one. This time I want them all.” “But why?” Nina asked. And the shark replied, “Because that’s what friends are for.” When the shark finished his meal, he felt very sad and lonely. He missed having someone to explore caves, build castles, and swim really, really fast with. He missed Nina very much. So he swam away to find another friend.

In Marcus Aurelius’s writings, he constantly points out how the emperors who came before him were barely remembered just a few years later. To him, this was a reminder that no matter how much he conquered, no matter how much he inflicted his will on the world, it would be like building a castle in the sand—soon to be erased by the winds of time.

If you are asked to build a castle, don't build it out of sand by the ocean, don't build it out of ice in the middle of summer. Build it with the best materials, with the best design, and with the intention to make it last the passing of time. That castle ought to be your legacy.

I’ve also come to believe in the complete and utter insignificance of the self, and I think that helps a lot. For example, if you thought you were the most important thing in the Universe, then you would have to bend the entire Universe to your will. If you’re the most important thing in the Universe, then how could it not conform to your desires. If it doesn’t conform to your desires, something is wrong. However, if you view yourself as a bacteria or an amoeba—or if you view all of your works as writing on water or building castles in the sand, then you have no expectation for how life should “actually” be. Life is just the way it is. When you accept that, you have no cause to be happy or unhappy. Those things almost don’t apply.

I stared at it for a while. Then something happened to me which hadn’t happened for a long time. Once as a boy my parents took me to the beach. I didn’t build sand castles or play in the waves. I just stared at the horizon the whole time. I couldn’t take my eyes off it. My father asked me what I was looking at, and I told him I wanted to get in a boat and sail out there and keep sailing. When I went to Greece with Sarah and we looked out over the crystal blue Mediterranean, the same sweetness pulled at me. I cannot tell you where it came from or what I wanted, but I never forgot it. And it was happening again, in that lonely, quiet place Malachi had brought me to, because … what was that, above the thin curtain of reality? Past the furthest horizon, unseen, outside, silent? I could not make it out, but from my great depth, I was sure there was something, the way stars become visible in daylight from the bottom of a well. It pulled at me.

We keep on building our castles of sand, heedless of the incoming tide.

I can't build a castle on sand and mud. There are steps that need to be followed. But there are no in-betweens. You either own your life or you let someone own it for you. A business is not a job. You have to work a lot for nothing, in order to earn a lot while doing nothing. You don't work to have work. That's a job. In business, you work not to have work. And it's this nonlogical thinking that sets apart the entrepreneurs. the leaders, the authors and founders, from the rest, the followers, the slaves, the sheep, the masses, or, to be more politically correct, the common opinion.

It's oh-so-common and very understandable that most of us hesitate to sail into new waters. We want change as long as it doesn't change our lives. Quantum Thinking assures us we get to tweak our energy shift each step of the way. It can be a gentle experience, more like building a sand castle on the beach than catching a rushing wave on a surf board. We get to improve it with joyful imagination and see what works as we go along.

[T]here is a dangerous re-evaluation and exploitation of the work of Guénon as the inspirer of a "traditionalist" or "spiritualist" reaction to the modern world. They are often nothing other than attempts to manipulate the universal doctrine in order to legitimize certain thinking or power trends that are only interested in the government of this world, and which have no sense of the sacred. These readers of Guénon seem to get lost in fruitless analytic speculation about the crisis of the modern world or about a hypothetical militant revolt against it. So they make the mistake of always looking for evil outside themselves, creating a justification for being better than other people simply because they have read the work of Guénon and because the rest of the world is in chaos. They confuse their contempt for the chaos in the world with their contempt for the world itself, and their contempt for individuality with their contempt for humanity. They forget that humanity and the world are the fruit of God's creation and that, in any phase of a cosmic cycle, the life of every man is necessarily subject to the battle between the forces of good and evil. It is therefore to overcome those illusions of the soul that are a product of that imagination that is so typical of modern man who, not wanting to make the necessary changes to raise himself up spiritually by learning to control his instincts and stifling his own individuality, by a biased interpretation of tradition, tries to drag down the level of the world by disapproving of the decline of modern man in order to congratulate himself on his own supposed superiority. These people, rather than constructively delving into traditional teaching, only drag out arguments from tradition in order to oppose today's aberrations, and inevitably end up being trapped and fall into a form of dualism between good and evil, incapable of understanding the providential nature of the world that will remain like this as long as God allows it to continue to exist to be used for good. The next steps taken by these incurable idealists are usually to build a sand castle or an ivory tower lived in by a group of people romantically banded together by elective affinities or by an unstoppable missionary spirit aimed at forming a traditional society. Both cases are only a parody of the spiritual responsibility of every person on earth who lives in the world with the sincere aspiration to a genuine intellectual elevation, with a balanced awareness of a dimension of the Creation that is both universal and eschatological. On the one hand, we have people trapped like prisoners in a fantasy about the other world who often become theorists about the detachment from this world and, on the other hand, there are the militants of the illusions of this world who create confusion about the reality of the other world. Prisoners and theorists, fantasies, illusions and confusions, are all expressions of how far we are from an authentic traditional and spiritual perspective. But, above all, we must recognize that in some of these poor readers, there is a chronic inability to distinguish and bring together this world and the other world, without confusing them, and therefore cannot really understand the teachings of Shaykh 'Abd al -Wahid Yahya René Guénon and apply them to their lives.

I’m writing a first draft and reminding myself that I’m simply shoveling sand into a box, so that later, I can build castles.