Buick Quotes

We've searched our database for all the quotes and captions related to Buick. Here they are! All 100 of them:

I had just heard tales that the Valkyrie were large warriors, akin to Amazons.” “If you’re the sole survivor of an army attacked by us, are you going to say we had our asses handed to us by petite, nubile females, or by she-monsters who can bench Buicks?
Kresley Cole (No Rest for the Wicked (Immortals After Dark, #2))
The artillery fire which helped in holding off the enemy advance against the Australian positions appeared to be getting always closer. A radio operator called Vic Grice somehow replaced the antenna on Buick’s radio. That had been shot off, thus rendering the radio in-operational.
Michael G. Kramer (A Gracious Enemy)
You're a lunatic. You ran me over with a goddamn Buick.
Janet Evanovich (One for the Money (Stephanie Plum, #1))
They came for him near midnight, seven hard-faced men arriving simultaneously in a matching set of Zis 101s, the black-lacquered saloon car so shamelessly modeled on the American Buick Roadmaster, and so capriciously favored by the sinister flying squads of the NKVD. Ironically, the arrest when it came did not shock Batya. He had prepared for it.
K.G.E. Konkel (Who Has Buried the Dead?: From Stalin to Putin … The last great secret of World War Two)
I wish I were driving a blue 1952 Buick or a dark blue 1942 Buick or a blue 1932 Buick over a cliff of hell and into the sea.
Charles Bukowski (Love Is a Dog from Hell)
One of us should stop her," Ranger said to Morelli, his eyes fixed on me. "Not going to be me," Morelli said. "Have you ever tried to stop her from doing something she wanted to do?" "Haven't had much success at it," Ranger said. Morelli rocked on his heels. "One thing I've learned about Stephanie over the years, she's not good at taking orders." "Has authority issues," Ranger said. "And if you piss her off, she'll get even. She ran me over with her father's Buick once and broke my leg." That got a small smile out of Ranger. "Nice to see you boys bonding," I said.
Janet Evanovich (Twelve Sharp (Stephanie Plum, #12))
I pop a cassette into the Buick's stereo. It's the Ramones. I turn the volume up high and roll down the windows. The highway air tastes of fumes, but it still feels goddamn good to breathe
Hank Moody (God Hates Us All)
How come it can’t fly no better than a chicken?’ Milkman asked. Too much tail. All that jewelry weighs it down. Like vanity. Can’t nobody fly with all that [stuff]. Wanna fly, you got to give up the [stuff] that weighs you down.’ The peacock jumped onto the hood of the Buick and once more spread its tail, sending the flashy Buick into oblivion.
Toni Morrison (Song of Solomon)
It's funny how close the past is, sometimes. Sometimes it seems as if you could almost reach out and touch it. Only who really wants to?
Stephen King (From a Buick 8)
You can start by wiping that fucking dumb-ass smile off your rosey, fucking, cheeks! Then you can give me a fucking automobile... a fucking Datsun, a fucking Toyota, a fucking Mustang, a fucking Buick! Four fucking wheels and a seat! And I really don't care for the way your company left me in the middle of fucking nowhere with fucking keys to a fucking car that isn't fucking there. And I really didn't care to fucking walk down a fucking highway and across a fucking runway to get back here to have you smile at my fucking face. I want a fucking car RIGHT FUCKING NOW!
Steve Martin
You don't always talk with your mouth. Sometimes what you say with your mouth hardly matters at all. You have to signify
Stephen King (From a Buick 8)
Man, that woman was quick when she wanted to be. But put her behind the wheel of a Buick...
Darynda Jones (Death and the Girl Next Door (Darklight, #1))
I HAD known him as a bulldozer, as a samurai, as an android programmed to kill, as Plastic Man and Titanium Man and Matter-Eater Lad, as a Buick Electra, as a Peterbilt truck, and even, for a week, as the Mackinac Bridge, but it was as a werewolf that Timothy Stokes finally went too far.
Michael Chabon (Werewolves in Their Youth)
Let’s face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren’t invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren’t sweet, are meat. We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don’t fing, grocers don’t groce and hammers don’t ham? If the plural of tooth is teeth, why isn’t the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn’t it seem crazy that you can make amends but not one amend? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it? If teachers taught, why didn’t preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites? You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on. English was invented by people, not computers, and it reflects the creativity of the human race (which, of course, isn’t a race at all). That is why, when the stars are out, they are visible, but when the lights are out, they are invisible. And finally, why doesn't "buick" rhyme with "quick"?
Richard Lederer
He rooted for the Mets, he wore Foot of the Loom underwear, and he drove a Buick. His loyalties were carved in stone and he wasn't about to be impressed with some upstart of a toaster salesman who drove a Bonneville.
Janet Evanovich (One for the Money (Stephanie Plum, #1))
I lost my virginity in the back seat of a Buick. Not because I’m a romantic, but because my grandpa and grandma were in the front seats.
Jarod Kintz (Whenever You're Gone, I'm Here For You)
Many cases of twentieth-century American map geekdom, it seems, began the same way that many twentieth-century Americans began: conceived in the backseats of Buicks
Ken Jennings
Law enforcement: a case of good men doing bad chores.
Stephen King (From a Buick 8)
I thought of telling him I didn't know about reasons, only about chains—how they form themselves, link by link, out of nothing; how they knit themselves into the world. Sometimes you can grab a chain and use it to pull yourself out of a dark place. Mostly, though, I think you get wrapped up in them. Just caught, if you're lucky. Fucking strangled, if you're not.
Stephen King (From a Buick 8)
Ne žališ za danima kada ništa drugo nisi radio već si čekao da ti prođe vrijeme, nego žališ za onim godinama kada si nešto od sebe htio.
Miljenko Jergović (Buick Rivera)
Don't blame you for trying to run away from yourself, but it can't be done—not even in a Buick.
Kurt Vonnegut Jr. (Look at the Birdie: Unpublished Short Fiction)
They say that knowledge is power, but there is no knowledge more powerful than knowing that by your very thoughts, your own future is created!
Alan J. Buick (The Little Coat : The Bob and Sue Elliott Story)
The girl was fast, I’d give her that. But even I couldn't outrun a Buick.
Melissa Wright (Bound by Prophecy (Descendants #1))
My God, you big dark handsome brute! I ought to throw a Buick at you.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
Never has your Buick / found this forward a gear.
Richard Hugo (The Lady in Kicking Horse Reservoir)
On the freeway of life, Lisa Watson was stuck at the entrance ramp, trapped behind a cautious old lady in a Buick.
Judy Nichols (Caviar Dreams)
I went into the can and shut the door before he had a chance to reply. And the next fifteen seconds or so were pure relief. Like beer, iced tea is something can can't buy, only rent.
Stephen King (From a Buick 8)
But the moon was so large and clear through the uncurtained window that it made me think instead of a story my mother had told me, about driving to horse shows with her mother and father in the back seat of their old Buick when she was little. “It was a lot of travelling—ten hours sometimes through hard country. Ferris wheels, rodeo rings with sawdust, everything smelled like popcorn and horse manure. One night we were in San Antonio, and I was having a bit of a melt-down—wanting my own room, you know, my dog, my own bed—and Daddy lifted me up on the fairgrounds and told me to look at the moon. ‘When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.’ So after he died, and I had to go to Aunt Bess—I mean, even now, in the city, when I see a full moon, it’s like he’s telling me not to look back or feel sad about things, that home is wherever I am.” She kissed me on the nose. “Or where you are, puppy. The center of my earth is you.
Donna Tartt (The Goldfinch)
I have your gun" I pulled the Ruger out of my bag and gave it to Ranger. He held the gun flat in his hand and looked at it. "It smells like orange blossoms." "I washed it and sprayed it with air freshener" "You washed it?" "I wore rubber gloves and scrubbed it with my vegetable brush. It was.. icky" He yanked open the driver's side door, pulled me out of the car, and kissed me. The kiss involved tongue, and a hand on my ass, and made my nipples tingle. "I can always count on you to brighten my day" Ranger said. Ranger drove off, and I got back into the Buick. "That was hot," Lula said. "Imagine what he'd do if you washed his Glock -- After Stephanie threw up on Rangers gun.
Janet Evanovich (Notorious Nineteen (Stephanie Plum, #19))
And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness.
Nick Tosches
Prologue Summer, 1962 MARSH MCKITTRICK’S BUICK WAS passed through the gates of the vast Government complex outside Langley. He eased onto the turnpike, then sped toward Washington, touching his briefcase nervously and looking into the rearview mirror. Two cars filled with heavily armed guards followed closely. Sanderson Hooper beside him and Michael Nordstrom in the rear seat remained speechless.
Leon Uris (Topaz)
Tonight, however, the impossible was selling cheap.
Stephen King (From a Buick 8)
Astrid," Linda called, her feet tucked under herself on the flower-print couch. "If you had a choice between two weeks in Paris France, all expenses paid, or a car —" "Shitty Buick," Debby interjected. "What's wrong with a Buick?" Marvel said. "—which would you take?" Linda picked something out of the corner of her eye with a long press-on nail. I brought their drinks, suppressing the desire to limp theatrically, the deformed servant, and fit all the glasses into hands without spilling. They couldn't be serious. Paris? My Paris? Elegant fruit shops and filterless Gitanes, dark woolen coats, the Bois de Boulogne? "Take the car," I said. "Definitely.
Janet Fitch (White Oleander)
But people have a really amazing capacity to get used to stuff, even stuff they don’t understand. A comet shows up in the sky and half the world goes around bawling about the Last Days and the Four Horsemen, but let the comet stay there six months and no one even notices. It’s a big ho-hum.
Stephen King (From a Buick 8)
Doing a geographic” is a term alcoholics often use for acting on the impulse to start over by moving to a new town, or state, instead of making any internal changes. It’s the anywhere-but-here part of the disease that says, “Remove yourself from this, go someplace new, and everything will be better.” Two years into our Florida stint, my mother pulled a geographic as radical as the move from Rochester. The new plan was to head for California. She enrolled in the mathematics graduate program at the University of California’s shiny new campus in San Diego, and as soon as our elementary school let out for the summer, she put us into a new Buick station wagon – a gift from her parents – and drove us across the country. You’d think we’d have protested at yet another move. After all, having been duped before, we were in no position to believe that the next move would be any different. But I have no memory of being unhappy about the news. Because that’s what often happens when an alcoholic parent is doing a geographic. She pulls you in and, before you know it, you, too, believe in the promise of the new place.
Katie Hafner (Mother Daughter Me)
iridium is one of the three heaviest (densest) elements on the Table—two cubic feet of it weighs as much as a Buick, which makes iridium one of the world’s best paperweights, able to defy all known office fans.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
The drive rose sharply to the left of the steps to a circle of flat ground where her maroon Buick was parked under an umbrella pine. It looked preposterous, stretched out on its white-walled tyres against the terraced vines and olive groves behind it, but to Eleanor her car was like a consulate in a strange city, and she moved towards it with the urgency of a robbed tourist.
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
To say the loaner was not pretty was an understatement. It was a 1907's olive-green Buick Century with a white top. Lindsay felt like she was driving her living-room couch, but despite the looks, the engine purred and it glided over potholes in the road like butter on toast.
Jenn McKinlay (Books Can Be Deceiving (Library Lover's Mystery, #1))
The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked. She had kept some books since college that she had acquired for courses and never read—Fredric Jameson, for example, and Kant’s Critique of Judgment—but which suggested to her that she was, or might be, a person of seriousness, a thinker in some seeping, ubiquitous way; and she had kept, too, a handful of children’s books taken fro her now-dismantled girlhood room, like Charlotte’s Web and the Harriet the Spy novels, that conjured for her an earlier, passionately earnest self, the sober child who read constantly in the back of her parents’ Buick, oblivious to her brother punching her knee, oblivious to her parents’ squabbling, oblivious to the traffic and landscapes pressing upon her from outside the window. She had, in addition to her books, a modest shelf of tapes and CDs that served a similar, though narrower, function…she was aware that her collection was comprised largely of mainstream choices that reflected—whether popular or classical—not so much an individual spirit as the generic tastes of her times: Madonna, the Eurythmics, Tracy Chapman from her adolescence; Cecilia Bartoli, Anne-Sophie Mutter, Mitsuko Uchida; more recently Moby and the posthumously celebrated folk-singing woman from Washington, DC, who had died of a melanoma in her early thirties, and whose tragic tale attracted Danielle more than her familiar songs. Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.
Claire Messud (The Emperor's Children)
You can never improve your life by destroying another's.
Alan J. Buick
All of us look younger and sweeter when we smile our real smiles, the ones that come when we're genuinely happy.
Stephen King (From a Buick 8)
Take the dog with you,” I said.
Stephen King (From a Buick 8)
The granddaughter of Sparky Rainking popped the trunk lid of the Buick.
Dean Koontz (Quicksilver)
I thought you drove down here in a Buick," said Absalom Greer, "but it looks like you've come drivin' a hard bargain.
Jan Karon (A Light in the Window (Mitford Years, #2))
I grew up with Morelli, lost my virginity to him, ran over him with my father’s Buick in a fit of justifiable rage, and now years later he’s my boyfriend.
Janet Evanovich (Takedown Twenty (Stephanie Plum, #20))
Of all the Winter Service Industries, the Winter Consul was the most dangerous. Few who joined expected to last out the decade, yet recruitment was never much of a problem. You didn't find the job, they said, it found you. No-one ever who entered the Winter voluntarily wasn't trying to leave something behind.
Jasper Fforde (Early Riser)
Piece of cake.“ Brandon’s grin had a certain very familiar male cockiness about it. “Dad says this time around I was his sucker punch.“ His grin faded slightly and his expression grew more serious as he continued. “But when we realized you were in danger, Dad went wild. I doubt if any car, even that old ‘vette Dad used to drive, ever made the kind of time on River Road your Buick made last night. Dad really is a hell of a driver, isn’t he?
Jayne Ann Krentz (Dreams: Part Two (Dreams, #2))
The myth of Main Street in the South has always been a chaste, puritanical fantasy. The reality is found on back roads and dirt lanes under a sky gone black, in the back seat of rust modeled Buicks and the beds of ramshackled trucks.
S.A. Cosby
Along with osmium and platinum, iridium is one of the three heaviest (densest) elements on the Table—two cubic feet of it weighs as much as a Buick, which makes iridium one of the world’s best paperweights, able to defy all known office fans. Iridium is also the world’s most famous smoking gun. A thin layer of it can be found worldwide at the famous Cretaceous-Paleogene (K-Pg) boundary† in geological strata, dating from sixty-five million years ago. Not so coincidentally, that’s when every land species larger than a carry-on suitcase went extinct, including the legendary dinosaurs. Iridium is rare on Earth’s surface but relatively common in six-mile metallic asteroids, which, upon colliding with Earth, vaporize on impact, scattering their atoms across Earth’s surface. So, whatever might have been your favorite theory for offing the dinosaurs, a killer asteroid the size of Mount Everest from outer space should be at the top of your list.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
The notion, a debatable one, is that the man who knows the problems necessarily knows the answers. This book has not been successful if it has not suggested some big-league problems, such as: (1) Should our financial machinery be scrapped? (2) Should it be further tinkered with, and if so, how much further? (3) Is capitalism doomed? (4) What active stock selling under five dollars looks hot just now for a quick turn to pay for the Buick the wife just bought? There isn’t an assistant instructor in economics in any faculty who can’t answer these and similar questions rapidly and categorically, and if that is not enough there are a million laymen eager to do so. So I don’t feel that my vote is much needed.
Fred Schwed Jr. (Where Are the Customers' Yachts?: or A Good Hard Look at Wall Street)
The imitation lives we see on TV and in the movies whisper the idea that human existence consists of revelations and abrupt changes of heart; by the time we’ve reached full adulthood, I think, this is an idea we have on some level come to accept. Such things may happen from time to time, but I think that for the most part it’s a lie. Life’s changes come slowly…the whole idea of curious cats attaining satisfaction seemed slightly absurd. The world rarely finishes its conversations.
Stephen King (From a Buick 8)
How do you know about Leotta?" It wasn't like I could tell him that Cephus Hardy was dead and right there about to give him the smackdown, nor could I tell him that I had seen his old Buick parked in front of Higher Ground when I acted like I had no idea he had a car and offered him a ride. "Isn't she still married to Cephus Hardy?" My eyes zeroed in on his facial expression. Cephus jumped around me and grabbed Terk by the neck. "Yeah, you sonofabitch!" "Stop!" I yelled, but it was too late.
Tonya Kappes (A Ghostly Demise (Ghostly Southern Mysteries #3))
He settled himself with assurance behind the wheel and I climbed in beside him. As he turned the car away from the cathedral, and so out on to Rue Voltaire, he continued to enthuse in schoolboy fashion, murmuring, "Magnificent, excellent!" under his breath, obviously enjoying every moment of what soon turned out to be, from my own rather cautious standard, a hair-raising ride. When we had jumped one set of lights, and sent an old man, leaping for his life, and forced a large Buick driven by an infuriated American into the side of the street, he proceeded to circle the town in order, so he explained to try the car's pace. "You know," he said, "it amuses me enormously to use other people's possessions. It is one of life's great pleasures." I closed my eyes as we took another corner like a bob-sleigh.
Daphne du Maurier (The Scapegoat)
soon the girls had Barty enthusiastically involved in a make-believe world far different from the one in which Heinlein’s teenage lead owned an extraordinary alien pet with eight legs, the temperament of a kitten, and an appetite for everything from grizzly bears to Buicks.
Dean Koontz (From the Corner of His Eye)
After the opposition had failed to negotiate us into a compromise, it turned to subtler means for blocking the protest; namely, to conquer by dividing. False rumors were spread concerning the leaders of the movement. Negro workers were told by their white employers that their leaders were only concerned with making money out of the movement. Others were told that the Negro leaders rode big cars while they walked. During this period the rumor was spread that I had purchased a brand new Cadillac for myself and a Buick station wagon for my wife. Of course none of this was true.
Martin Luther King Jr. (Stride Toward Freedom: The Montgomery Story (King Legacy Book 1))
When she first saw him, standing at the threshold of the reception room, contemplating departure before he had even arrived, she thought he had an American face, an American body. Buick shoulders, bulldozer jaw. Only if you considered his eyes would you be forced to conclude, and she did conclude, that he was beautiful.
Michael Chabon (Moonglow)
If you see something wrong, don't complain about it, do something; invent something to make it right!
Alan J. Buick (The Little Coat : The Bob and Sue Elliott Story)
For those that have no faith, nothing good happens.
Alan J. Buick (The Little Coat : The Bob and Sue Elliott Story)
Всеки пое в своята посока, като билярдни топки след удар ...
Miljenko Jergović (Buick Rivera)
It is the undeveloped mind that desires power over others. The developed mind seeks only to dominate itself!
Alan J. Buick
Passion is the hardest taskmaster.
Stephen King (From a Buick 8)
Bosh." It was Curtis's favorite word in 1983. Sandy hated it. He thought it was a snotty word.
Stephen King (From a Buick 8)
By then I was selling the hell out of Buicks at night. So I got a little place of my own and moved her in with me. Now we’re pals. Family. It’s not perfect. Sometimes it’s damn hard. But I look after her and she squeals with delight when I come home, and the sum total of sadness in the world is less than it would have been. Her real name is Isabelle. A pretty, pretty name.
George Saunders (CivilWarLand in Bad Decline)
Every time I get social with you I end up all by myself, naked, in the middle of the street.” I rolled my eyes. “That only happened once…and you weren’t naked. You were wearing socks and a shirt.” “I was speaking figuratively. If you want to get specific, what about the time you locked me in a freezer truck with three corpses? What about the time you ran over me with the Buick?” I threw my hands into the air. “Oh sure, bring up the Buick.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Yet even that equality within the American middle classes had started to erode. The new models of car, for example, were categorised by rank and status. For those starting out there was the Chevrolet, next came the Pontiacs, Oldsmobiles and Buicks, while the seriously rich drove Cadillacs. Not only that; buying and consuming were increasingly a social norm. You had to drive a new Pontiac, and by 1959 anyone still riding around in a 1956 model was
Geert Mak (In America: Travels with John Steinbeck)
On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma
Ocean Vuong (On Earth We're Briefly Gorgeous)
Proleti život, odu godine, a da ih čovjek i ne osjeti pa počne žaliti za svime što mu se dobro dogodilo, čak i za onim lošim i ružnim, jer mu se i to, usred pobjegloga vremena čini dobrim. Ne možeš živjeti ako ti je ispunjen svaki trenutak; malo radiš, malo se odmaraš i malo spavaš, ali za svaku sekundu znaš čemu služi i u kakvoj je funkciji. Čovjeku trebaju sati i dani - nekima trebaju i godine - koji nemaju nikakvu funkciju, vuku se sporo i nikako da prođu.
Miljenko Jergović (Buick Rivera)
Zee? Are you all right?” The whole car rose about ten inches off the jacks, knocking them over on their sides, and shook like an epileptic. A wave of magic rose from the Buick, and I backed away, one hand locked in Gabriel’s shirt so he came with me as the car returned all the way to the ground with a bang of tires on pavement and the squeak of protesting shocks. “I feel better now,” said Zee in a very nasty tone. “I would be even happier if I could hang the last mechanic who worked on it.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
DALE sat in the reeking Buick, looked at the light glowing in the second-floor upper left window, listened to pellets of sleet bouncing off the windshield, and thought, Fuck this. He backed the rattling old car down the long lane, pulled out onto County 6, and headed back south. Dale had seen enough scary movies in his life. He knew that his role now was to go into the dark farmhouse by himself, call, “Is somebody there?,” go fearfully up the stairs, and then get cut down by the waiting ax murderer.
Dan Simmons (A Winter Haunting (Seasons of Horror #2))
back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Now I see in that laughter a good deal of desperation and sadness. About to leave the haven of our separate universities and be thrown out onto the brutal free-spinning of the world, as we walked arm in arm through the snow, we carried with us, if only unconsciously, the knowledge that it would be our last holiday together; and we drank and laughed and sneered with the resolute sadness of men who knew that tomorrow we'd be trying to free our own mortgaged Buicks from our own snowlocked drives. That is what most of us ended up doing. I didn't; but I don't question that my friends were right and I wrong, that they were happy and I not, that theirs was the hard and mine the easy way. What always saddened me on confronting them was the surety that had I been foolish enough to bring up "old times," none would have allowed himself a memory of sticking his finger into the vaporous and flaky air and shouting, "Shovel, you f*cking dummies!" A self-destructively romantic man, I accepted our jeering defiance as a pact; forever.
Frederick Exley (A Fan's Notes (A Fan's Notes, #1))
Всеки човек обаче има по едно или две неща, към които се отнася по този начин и всеки някъде го чака неговият Буик Ривера - това може да бъде кола, колело, писалка, дори компютър; може да бъде куче или кон, нещо, което ще го накара да се стегне и съсредоточи, ще го направи по-добър и по-търпелив, само че не всекиму е отредено да се срещне с това нещо в живота.
Miljenko Jergović (Buick Rivera)
The things Cody wanted, needed, are frowned upon by the intolerant society in which we live, and we could never explain it, not any part of it, not at all. And so we would sit with the teacher and dither and dance and exchange fake smiles and grandiose clichés and pretend to feel hope for a bright and shiny future for a boy who would unstoppably grow into a Dark Legacy already written in blood instead of chalk. And thinking about how I must unavoidably avoid this truth with the teacher and instead spend forty-five minutes mouthing cheerful brainless New Age buzzwords with someone who Really Cared made me want to ram my car into the Buick filled with blue-haired ladies from Minnesota that chugged along on the road beside me.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
sweetly droning voice of Mother Maybelle Carter, singing “Keep on the Sunny Side.” “Keep on the sunny side, Always on the sunny side, Keep on the sunny side of life, Though your problems may be many It will seem you don’t have any If you keep on the sunny side of life …” The old Buick cruised on and on, making figure eights, loops, sometimes circling the same block three or four times. When it hit a bump (or rolled over a body), the record would skip. At twenty minutes to midnight, the Buick pulled over to the curb and idled. Then it began to roll again. The loudspeaker blared Elvis Presley singing “The Old Rugged Cross,” and a night wind soughed through the trees and stirred a final whiff of smoke from the smoldering ruins of the junior college.
Stephen King (The Stand)
Buicks and fresh petticoats marked a clear cultural change. Victory over the world of scarcity was a historical accomplishment of the first order, but they also realised that the domain of plenty would bring new problems, of a nature and extent at which they could only guess. It’s a classic tale of generational change. The first generation struggles up out of poverty, the second generation acquires wealth, the third generation becomes spoilt and goes off the rails. Yet something else was going on here as well, something that concerned the very foundations of society. In a culture of survival, people have little choice, whereas now there were alternatives, more and more of them. Almost all the traditional norms and values, which had their roots in a ‘world of necessity’,
Geert Mak (In America: Travels with John Steinbeck)
Then there was the time when he picked up a two-by-four on the side of the road and put it in the front seat by me and stuck it out the window. He told me to hold it, which I did, but when the wind hit the board, it turned around and hit me in the head and knocked me out. Another time, when a friend of Daddy’s bought a brand-new Buick, Daddy pressed the push-button window up on my neck. But that time I think it was just a matter of him not being familiar with the equipment. The main thing Momma bases her theory on is once Daddy, who is very artistic, wanted to make a life mask of my face. He put plaster of paris on me but forgot the breathing holes. On top of that he also forgot to put Vaseline on my face. He had to crack the plaster off with a hammer. Momma didn’t speak to him for a week on that one. I myself was sorry that it didn’t turn out. She also says he is going to ruin my nervous system because of the time he sneaked up on me when I was listening to Inner Sanctum on the radio. Just as the squeaking door opened, he grabbed me and yelled, “Got ya,” real loud, which caused me to faint. She also didn’t like him telling me Santa Claus had been killed in a bus accident and making me throw up. The Pettibones have very delicate nervous systems. That’s true. Momma is nervous all the time. She’s worn a hole in the floor on the passenger’s side of Daddy’s car from putting on the brakes. Momma always looks like she is on the verge of a hissy fit, but that’s mainly because when she was eighteen, she stuck her head in a gas oven looking at some biscuits and blew her eyebrows off. So she paints them on like little half-moons. People love to talk to her because she always looks interested, even if she isn’t.
Fannie Flagg (Daisy Fay and the Miracle Man)
Here,” he said abruptly. “Turn here.” A rutted path ran up a little rise toward a beige trailer. “This is Grover's place.” The trailer sat exposed on a treeless hill. A perfectly ordered woodpile stood in the yard to the left. Each log seemed to have been cut to an identical length, and they were piled in a crisscross fashion, with each layer running perpendicular to the one below and above. A small patch of earth to the right of his stoop had been cleared of brush and raked smooth. Two lawn chairs sat evenly spaced against the skirting of the trailer. There were no junk cars, no engine parts, no kids' bicycles — just Grover's old Buick parked in a spot marked off by a frame of fist-sized rocks arranged in a perfect rectangle. Dan glanced over at me. The twinkle was back in his eye. “Goddamn reservation Indian,” he muttered. “Lost his culture.” Then he sat back and let out a long rolling laugh that seemed, like prairie thunder, to come from the beginning of time.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
But maybe her marriage wasn't a Lexus. Maybe it was a Pinto--one of those cars famous for blowing up when rear-ended. As she waited for the mechanics to fix her car, she walked out the back door to the wrecking yard and through the aisles of totaled cars and pickups, vehicles that other people had decided weren't worth fixing. She felt just like them. She felt like that Buick with the driver's-side door so crushed that the driver was undoubtedly hurt, but from the look of the other side, the passenger likely skated through unscathed. She felt like the Saturn with the shattered windshield through which no one could see what lay ahead. It looked as if it had been sandwiched in a multicar pileup. Jill knew exactly how it felt to crash into one thing and then get smashed from behind. She studied that Saturn and wondered whether it would have been salvageable if it had only been rear-ended instead of sandwiched, and she wondered if the same was true about her marriage.
Kaya McLaren (How I Came to Sparkle Again)
Inarguably, a successful restaurant demands that you live on the premises for the first few years, working seventeen-hour days, with total involvement in every aspect of a complicated, cruel and very fickle trade. You must be fluent in not only Spanish but the Kabbala-like intricacies of health codes, tax law, fire department regulations, environmental protection laws, building code, occupational safety and health regs, fair hiring practices, zoning, insurance, the vagaries and back-alley back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
All I hope is that tonight is great for the people whom it’s supposed to be great for. My sister’s boyfriend showed up in his Buick, and he was wearing a white “tails” coat over a black suit, which looked wrong for some reason. His “cumberbunn” (I don’t know how to spell this) matched my sister’s dress, which was powder blue and low-cut. It reminded me of those magazines. I have to stop spinning out like this. Okay. All I hope is that my sister feels beautiful, and her new guy makes her feel beautiful. I hope that Craig doesn’t make Sam feel that her prom isn’t special just because he’s older. I hope the same for Mary Elizabeth with Peter. I hope Brad and Patrick decide to make up and dance in front of the whole school. And that Alice is secretly a lesbian and in love with Brad’s girlfriend Nancy (and vice versa), so nobody feels left out. I hope the deejay is as good as everyone said I was last Friday. And I hope everyone’s pictures turn out great and never become old photographs and nobody gets in a car accident. That is what I really hope.
Stephen Chbosky (The Perks of Being a Wallflower)
Now, by all accounts, you have the perfect life: you have the high-earning husband, the rosy-cheeked children, and the Buick in the driveway. But something isn’t right. Household tasks don’t seem to hold your attention; you snarl at your children instead of blanketing them with smiles. You fret about how little you resemble those glossy women in the magazines, the ones who clean counters and bake cakes and radiate delight. (Looking at those ads, a housewife and freelance writer named Betty Friedan “thought there was something wrong with me because I didn’t have an orgasm waxing the kitchen floor.”) Everything and everyone confirm that it’s just as you suspected: the problem is you. You’re oversexed, you’re undersexed, you’re overeducated, you’re unintelligent. You need to have your head shrunk; you need to take more sleeping pills. You ought to become a better cook—all those fancy new kitchen appliances!—and in the meantime be content and grateful with what you have. The cultural pressure of the 1950s was so intense that some women, in order to survive, killed off the parts of themselves that couldn’t conform.
Maggie Doherty (The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s)
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
kada bi naši prijatelji, djeca i roditelji, prihvaćali i razumjeli svaku našu frustraciju ili privatnu istinu, morali bi nas smatrati pomalo mentalno retardiranima. Ali ako s nekim poželiš dijeliti život, taj će prihvatiti sve tvoje, i ono što ne razumije i što je očigledno glupo i neće misliti da lažeš o sebi ili da si mentalno retardiran. U tome,vjerojatno, i leži smisao spajanja dvoje ljudi. Ne događa se to ni zbog seksa,ni zbog djece, ni zato što je teško biti sam, nego zato što čovjek naprosto treb anekoga da s njime podijeli teret, ne pitajući se previše je li u teretu samo olovo, kamenje, nešto bezvrijedno što bi naprosto trebalo istresti.
Miljenko Jergović (Buick Rivera)
Every Sunday he arrived in his wine-dark Buick, a tall, prune-faced, sad-seeming man with an incongruously vital head of wavy hair. He was not interested in children. A proponent of the Great Books series—which he had read twice—Uncle Pete was engaged with serious thought and Italian opera. He had a passion, in history, for Edward Gibbon, and, in literature, for the journals of Madame de Staël. He liked to quote that witty lady’s opinion on the German language, which held that German wasn’t good for conversation because you had to wait to the end of the sentence for the verb, and so couldn’t interrupt. Uncle Pete had wanted to become a doctor, but the “catastrophe” had ended that dream. In the United States, he’d put himself through two years of chiropractic school, and now ran a small office in Birmingham with a human skeleton he was still paying for in installments. In those days, chiropractors had a somewhat dubious reputation. People didn’t come to Uncle Pete to free up their kundalini. He cracked necks, straightened spines, and made custom arch supports out of foam rubber. Still, he was the closest thing to a doctor we had in the house on those Sunday afternoons. As a young man he’d had half his stomach surgically removed, and now after dinner always drank a Pepsi-Cola to help digest his meal. The soft drink had been named for the digestive enzyme pepsin, he sagely told us, and so was suited to the task.
Jeffrey Eugenides (Middlesex)
There was a small white house on the valley floor. Next to it was Legerski’s cruiser and Jimmy’s Jeep Wagoneer. He parked next to Jimmy’s Jeep and climbed out of the Buick with the ammo cans from the seat. But instead of walking toward the sagging front door of the house he went to the side where there was a thick concrete abutment emerging from the ground. He leaned over and grasped the steel handle of the door and pulled. It was unlocked. As he went down the wide stairs, his rage suddenly morphed into absolute calm and he became the Lizard King without even willing it to happen.
C.J. Box (The Highway (Highway Quartet #2))
All at once I felt like crying. And while I am at it, that's the other thing about men - just when you are at your most disgusted with them, they can lay you out some gratuitous act of generosity and all at once, stupid but true, instead of being mad you feel ashamed of yourself for ever having a mean and cynical thought about them.
Stephen King (From a Buick 8)
If I wanted to drive like an old lady, I’d buy a fucking Buick.
Cee Bowerman (Daughtry (Texas Kings MC #10))
Marcus pulled in to Jules’ drive way. His car looked like one you might see an older man driving. Beige, long, some sort of Buick. He didn’t see her waiting on the rocking chair of her screened-in porch. The motion light had no reason to be on since she had been sitting out there for some time, enjoying the crisp evening air. Shaw appeared to be fidgety and nervous. He ran his hands through his tousled hair, trying to comb it through. He checked his nose for random objects and then he grabbed a water bottle and gulped down the entire thing in a matter of seconds. When he finally exited the squeaky car, he brushed down his shirt and jeans to freshen them. It was quite amusing to watch this man. The more nervous he seemed, the more confident she became. Yup, she was going to fuck him. Hard. She was going to fuck him as if her life depended on it, and in some ways it did. Without getting back in touch with this power she had found, she was a meek little girl just following people around. She did it with her parents and then she did it with her ex-husband. Maybe the way she had come to her current power wasn’t the most conventional, but Jules was never meant to be a conventional girl. She tried to fit into the conventional role with Joey for 13 years and was never this happy or strong. 
Heather C. Adams
I owned a Buick Wildcat during the summer of ’69. As I drove around Chicago, fans would wave and flash me a peace sign. I think it would be impossible to try to recreate that feeling we had in Chicago in ’69.
Billy Williams (Billy Williams: My Sweet-Swinging Lifetime With the Cubs)
Reason said the Buick up ahead had made it fine. Caution said this was a time to reflect on mortal life. One major funeral a day was quite enough. The best way to view these events was standing up.
Neal Barrett Jr. (The Year's Best Science Fiction: Eleventh Annual Collection)
I walked to the garage and pulled out our late ’90s Buick conversion wagon, put our stretcher in the back, and grabbed some latex gloves and protective wear, remembering back to a couple months ago when I pulled another person who had overdosed out of a third-floor hotel room. That hotel didn’t have an elevator, so my dad and I shouldered the loaded stretcher down the stairs, and due to the tight quarters of the hotel and the way the guy died, we took a huge risk and lugged the dead man headfirst down the stairs, prompting him to discharge the contents of his stomach all over my clothing, an experience I vowed would never be repeated.
Caleb Wilde (Confessions of a Funeral Director: How the Business of Death Saved My Life)
Stage 2 Skylark drag race package of 1970 contributed a unique hood scoop, which (in reproduction form) has been adopted by hip Buick drag racers across the country. Loosely patterned after the steel scoop used on heavy Ford trucks (and adopted by Pontiac for its 1963 421 Super Duty cars), Buick’s
Steve Magnante (Steve Magnante's 1001 Muscle Car Facts)
Хората, които седят на стола на началника — които са положили усилия да го заемат и полагат усилия да се задържат на него — никога не си позволяват да кажат: „Заеби!“ и да отидат за риба. Не! Ние, шефовете, продължаваме съвестно да вършим тежката и досадна работа, да оправяме леглата, да мием чиниите, да събираме сеното на копи. „Ах, какво бихме правили без теб?“ — възклицават мнозина. Отговорът е, че както винаги повечето ще продължат да правят каквото са си наумили. Тоест — да вървят към гибелта си.
Стивън Кинг (From a Buick 8)
Miro hacia Insurgentes: los Packards, los Buicks, los Hudsons, los tranvías amarillos, los postes plateados, los autobuses de colores, los transeúntes todavía con sombrero: la escena y el momento que no iban a repetirse jamás.
José Emilio Pacheco (Las batallas en el desierto)
People can get used to just about anything. That’s the best of our lives, I guess. Of course, it’s the horror of them, too.
Stephen King (From a Buick 8)
He was always befuddled when one of them would resist his affections: 'So I saya to thees girl, "I bring you out to nice dinner which I pay . . . and I drive you in nice car — a Buick . . . and you no wanna fuck me?" I don't unnerstan!
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
He had decided the time had come to put the games away, that’s all.
Stephen King (From a Buick 8)
there’s a pulse in our heads, all right, same as there’s one in our chests, and it carries unformed, no-language thoughts that most times we can’t even read, and they are usually the important ones.
Stephen King (From a Buick 8)
Eddie Grace's buick Got four bullet holes in the side Charley Delisle is sittin' at the top Of an avocado tree Mrs Storm will stab you with a steak knife If you step on her lawn I got a half a pack of lucky strikes man So come along with me Let's fill our pockets With macadamia nuts And go over to Bobby Goodmanson's And jump off the roof Hilda plays strip poker When her mama's across the street Joey Navinsky says she put Her tongue in his mouth Dicky Faulkner's got a switchblade And some gooseneck risers That eucalyptus is a hunchback There's a wind down from the south So let me tie you up with kite string I'll show you the scabs on my knee Watch out for the broken glass Put your shoes and socks on And come along with me Let's follow that fire truck I think your house is burning down Then go down to the hobo jungle And kill some rattlesnakes with a trowel And we'll break all the windows In the old Anderson place We'll steal a bunch of boysenberrys And smear 'em on your face I'll get a dollar from my mama's purse Buy that skull and crossbones ring And you can wear it round your neck On an old piece of string Then we'll spit on Ronnie Arnold And flip him the bird Slash the tires on the school bus Now don't say a word I'll take a rusty nail Scratch your initials in my arm I'll show you how to sneak up on the roof Of the drugstore I'll take the spokes from your wheelchair And a magpie's wings And I'll tie 'em to your shoulders And your feet I'll steal a hacksaw from my dad Cut the braces off your legs And we'll bury them tonight Out in the cornfield Just put a church key in your pocket We'll hop that freight train in the hall We'll slide all the way down the drain To New Orleans in the fall
Tom Waits
He got them where they belonged only after poking one bow into his mouth and the other into his left eyebrow.
Stephen King (From a Buick 8)