Budapest Eye Quotes

We've searched our database for all the quotes and captions related to Budapest Eye. Here they are! All 7 of them:

To be alone—the eternal refrain of life. It wasn’t better or worse than anything else. One talked too much about it. One was always and never alone. A violin, suddenly—somewhere out of a twilight—in a garden on the hills around Budapest. The heavy scent of chestnuts. The wind. And dreams crouched on one’s shoulders like young owls, their eyes becoming lighter in the dusk. A night that never became night. The hour when all women were beautiful.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
The church was locked. In the back, by the graveyard, stood a cottage with a sign that read CARETAKER, SZEKERES JÁNOS. Béla banged on the door and windows, until Szekeres János came out, rubbing his eyes. Unlocking the church, he proceeded to talk for an hour about pillars and naves and Cain and Abel. Part of a great king’s body might have been buried in the crypt at some point. The king had originally been buried in Budapest, then canonized, then exhumed and dispatched, in pieces, to reliquaries across the country. The remains of the remains were reinterred. During the Ottoman invasion, they were dug up again and sent away for safekeeping—maybe to this very crypt, although then again maybe not; the caretaker meticulously weighed the evidence pro and con. In any case, nothing was here now, it had all been sent back to Budapest after the Ottomans left. I expected the crypt to be dark and gloomy, but it was pale and light, with yellow vaulted ceilings and archways, so maybe death would be that way, too. • • • We visited a folklore museum.
Elif Batuman (The Idiot)
I’m thinking hard, and finally meet Officer Budapest’s eyes. “Oh, right. I had my period and I was cramping really bad, so yeah. I needed Tylenol.
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
By D. Donovan, Senior Reviewer, Midwest Book Review "Historical fiction readers are in for a treat with When I Was Better, a love story set in Hungary and Canada which follows the journey of István and Teréza, who flee the Nazi and Soviet invasions and the Hungarian Revolution to finally make their home in Winnipeg in the 1960s. Maps and a cast of characters portend an attention to details that history buffs will appreciate, but the lively chapter headings that begin with "This is What Dying Feels Like" are the real draw, promising inviting scenarios that compel readers to learn more about the characters' lives and influences. Few other books about immigrant experience hold the descriptive power of When I Was Better: "Her world had transformed into a place of gestures and facial expressions, making her feel more vigilant now than she had ever been under Communism. No one understood her but Zolti. Already she ached for her language and the family she left behind." Rita Bozi's ability to capture not just the history and milieu of the times, but the life and passions of those who live it is a sterling example of what sets an extraordinary read apart from a mundane narration of circumstance and history. Her ability to depict the everyday experiences and insights of her protagonist bonds reader to the subject in an intimate manner that brings not just the era, but the psychology of its participants to life through inner reflection, influence and experience, and even dialogue: “Four lengths of sausage, please?” Teréza watched as the man pulled two small lengths from the hook and wrapped them in course paper. “I beg your pardon, sir, but would you kindly add in two more lengths?” “We got an aristocrat here? If you take four lengths, what d’you imagine the workers are gonna eat at the end of the day?” The account of a seven-year separation, Budapest and Winnipeg cultures and contrasts, and refugee experiences brings history to life through the eyes of its beholders. That which doesn't kill us, makes us stronger. This saying applies especially strongly to When I Was Better 's powerful story, highly recommended for historical fiction readers and library collections interested in powerfully compelling writing packed with insights: “Why is it so agonizing to be truthful?” István asked, not expecting an answer. “It depends on what truth you’re about to reveal. And how you expect it to be received. If you’re expecting an execution, you have two choices. Die for what you believe in or lie to save your life.” “So in the end, it all comes down to values.” István reached for the martini, took another sip. Bela smiled. “Without truth, there’s no real connection. The truth hurts, but love eventually heals what hurts.”" "With sharp insight and the gifts of a natural, Bozi's novel brilliantly chronicles the plight of an entire generation of Hungarians through the intimate portrait of two lovers tested by the political and personal betrayals that ripped through the heart of the twentieth century.
Rita Bozi
It was well after midnight when I put the thick document called ‘Invitation to Tender for a concession to provide GSM services in Hungary’ on my bedside cabinet. The document had been reissued on October 15, 1992. I had quickly scanned, and hopefully absorbed, the main points. The tender was organized as a beauty contest and the winning consortia would be allowed to participate in the auction to be held next year. There were two concessions up for grabs, one that would surely go to the existing NMT operator Westel (US West & Bell Atlantic) and one for a new party. It was shut eye time now, I was tired. The flight to Budapest would leave early in the morning, so I had only a few hours to rest.
Ineke Botter (Your phone, my life: Or, how did that phone land in your hand?)
At one particular moment, with my eyes closed, I was crying and asking the question over and over aloud, „Does true love exist? Does true love exist in girls? Does true love exist? Does Sabrina love me? Does true love exist? Does true love exist?” - I had suddenly seen a flash. As if I was poking the Devil in the dark, staring too long into the darkness until it looked back at me as they say. I have never told anyone about this before. I try to describe what I had seen that night in that windowless, dark, and cold place deep inside under that big, old building, with my eyes closed. It made a half turn, flashing one of its eyes at me for a moment before disappearing again into the dark. As if it was nodding to me, I still get goosebumps years later when I try to describe it. As if it had been standing there all along, and just tried to reassure me that it had heard my question and would answer. Quite close. Just to make me be quiet finally. His eyes were yellow and red. I'm not actually sure if it had two eyes; I only saw one of them. One Evil Eye. Perhaps he had lost an eye, that's why I had seen the light of only one of them. His eye was malicious, but not particularly. It was more tired and angry yet understanding, as if he had heard this question over a billion times before from fools like me and I did not amuse him with my question and demand. As if he was about to show me a trick he had known for a long time. As if Satan had seen it all already. He knows all the tricks, he invented them, he inspired them all. As if he was bored of humanity already. (There is only One Evil Eye. The planet Saturn.) I was cuddling with Adam's cat, crying a lot, asking the darkness, about Love, and reflecting on Sabrina. Perhaps it was merely an optical illusion. I leave it up to the reader to decide what they believe about what I was facing and how I miraculously survived, as an atheist goy, as well as who truly supported me throughout the ordeal. If anyone or anything supported me in Spain at all. I had seen an advertisement somewhere saying that Miss Kittin would be playing on Saturday night, November 16th, 2013 in Barcelona at The Marhes. Satan. Saturn. Saturday. Coincidence? Maybe. So far. Perhaps. I knew I had to see her again after such a long time; she had been playing drum and bass in the early 2000s across the globe, and also in Budapest. I checked the map; The Marhes was next to Camp Nou, the FC Barcelona stadium. I thought of buying a bottle of champagne, which I didn't like, unless it’s Italian, but I wanted to celebrate, and I would walk along Avenida Roma to get there straight. I knew I'd get drunk; I didn't want to drive, I wanted to arrive intoxicated. I re-posted the Miss Kittin party’s flyer, on Instagram, writing underneath it : ‘All roads lead to Rome.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Mikhail.” Her voice was hesitant, as she chose her words carefully. “I belong to myself. I’m a person, not something you can own. In any case, I live in the United States. I’m going back there soon and intend to be on the next train to Budapest.” His smile was that of a hunter. Predatory. For a moment the firelight gleamed red, so that his eyes glowed like a wolf’s in the night. He said nothing, simply watched her unblinkingly. Her hand fluttered defensively to her throat. “It’s late, I should be going.” She could hear the pounding of her own heart. What was it she wanted from him? She didn’t know, only that this was the most perfect, frightening night of her life, and she wanted to see him again. He was utterly motionless, menacing in his complete stillness. She waited breathlessly. Fear was suffocating her, sending tremors through her slender form. Fear he would let her go; fear he would force her to stay. She drew air into her lungs. “Mikhail, I don’t know what you want.” She didn’t know what she wanted either.
Christine Feehan (Dark Prince (Dark, #1))