Buckskin Quotes

I’m beginning to sense a theme,” Mircea said, tossing his suit coat over a buckskin-covered chair. A moose head with huge, outspread antlers loomed over it, its bright glass eyes looking oddly lifelike in the low light. Mircea took in the room, his expression slightly repulsed yet fascinated. “I believe there is only one thing to say at this point.” What’s that?” Yee haw,” he said gravely, and took me down like a rodeo calf.

Thy life's journey lies along its own path, Ian," she said, "and I cannot share thy journey - but I can walk beside thee. And I will." The woman standing behind them in the line heaved a deep, contented sigh. "Now, that's a very pretty and right thing to say, sweetheart," she said to Rachel, in approving tones. And, switching her gaze to Ian, looked him skeptically up and down. He was dressed in buckskins, clout, and calico shirt, and, bar the feathers in his hair and the tattoos, didn't look too outlandish, he thought. "You probably don't deserve her," the woman said, shaking her head doubtfully. "But try, there's a good lad.

When I was a little girl, my favorite television show starred Roy Rogers and Dale Evans- the queen of the cowgirls." Mrs. Coley explained. "Dale wore a fancy fringed leather skirt and rode a buckskin horse named Buttermilk........... "Thank heavens for Dale Evans," she said with a sigh.

Under his buckskin riding-coat he wore a black vest and the cravat and collar of a churchman. A young priest, at his devotions; and a priest in a thousand, one knew at a glance. His bowed head was not that of an ordinary man,—it was built for the seat of a fine intelligence. His brow was open, generous, reflective, his features handsome and somewhat severe. There was a singular elegance about the hands below the fringed cuffs of the buckskin jacket. Everything showed him to be a man of gentle birth—brave, sensitive, courteous. His manners, even when he was alone in the desert, were distinguished. He had a kind of courtesy toward himself, toward his beasts, toward the juniper tree before which he knelt, and the God whom he was addressing.

one pounding coffeebeans in a buckskin with a rock while the others stared into the fire with eyes as black as gunbores.

Women in the West who insisted on wearing the full-skirted modes of the nineteenth century—including the hoop-skirt, the bustle, and Mother Hubbards—fought a continual battle against a hostile environment. The fact that flowing yards of silk and satin eventually won out over buckskin and rawhide is only one more confirmation of the theory that woman’s vanity can conquer all, any place and any time.

strawberry roan, a black and brown skewbald and a motley assortment of buckskins and bays. At the rear of the herd was a grey mare and a chestnut skewbald with a white face, both of them with foals running at their feet.

Indian Creek, in its whole length, flows through a magnificent forest. There dwells on its shore a tribe of Indians, a remnant of the Chickasaws or Chickopees, if I remember rightly. They live in simple huts, ten or twelve feet square, constructed of pine poles and covered with bark. They subsist principally on the flesh of the deer, the coon, and opossum, all of which are plenty in these woods. Sometimes they exchange venison for a little corn and whisky with the planters on the bayous. Their usual dress is buckskin breeches and calico hunting shirts of fantastic colors, buttoned from belt to chin. They wear brass rings on their wrists, and in their ears and noses. The dress of the squaws is very similar.

Sebastian stretched. Clara stared. She could not help it. He was still in his breeches and shirt and she was riveted by the deliciously tight fit of the buckskins over his thighs. "You could avert your eyes," Sebastian said mildly. "I could," Clara agreed, "but I am not going to." He smiled. "Hussy." "I know. But I have waited a long time--

Navarro lifted a deprecating shoulder and one eyebrow. His eyes had never left the big redhead’s carefully moving hands. The Mexican wore buckskin breeches, hand-tooled boots, and one ivory

He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.

In focusing on “cultural change” and “conflict between cultures,” these studies avoid fundamental questions about the formation of the United States and its implications for the present and future. This approach to history allows one to safely put aside present responsibility for continued harm done by that past and the questions of reparations, restitution, and reordering society.9 Multiculturalism became the cutting edge of post-civil-rights-movement US history revisionism. For this scheme to work—and affirm US historical progress—Indigenous nations and communities had to be left out of the picture. As territorially and treaty-based peoples in North America, they did not fit the grid of multiculturalism but were included by transforming them into an inchoate oppressed racial group, while colonized Mexican Americans and Puerto Ricans were dissolved into another such group, variously called “Hispanic” or “Latino.” The multicultural approach emphasized the “contributions” of individuals from oppressed groups to the country’s assumed greatness. Indigenous peoples were thus credited with corn, beans, buckskin, log cabins, parkas, maple syrup, canoes, hundreds of place names, Thanksgiving, and even the concepts of democracy and federalism. But this idea of the gift-giving Indian helping to establish and enrich the development of the United States is an insidious smoke screen meant to obscure the fact that the very existence of the country is a result of the looting of an entire continent and its resources. The fundamental unresolved issues of Indigenous lands, treaties, and sovereignty could not but scuttle the premises of multiculturalism.

So, Bran, tell us,” said a lanky guy in a striped rugby shirt and salmon-colored chinos. He was standing next to a guy in Bermuda shorts and buckskin shoes. Every year more and more preppies were showing up at her parties and if she was honest with herself, she knew it was Brandon’s influence.

Tell me!” Cecily insisted later, shaking Colby by both arms. “Cut it out, you’ll dismember me,” Colby said, chuckling. She let go of the artificial arm and wrapped both hands around the good one. “I want to know. Listen, this is my covert operation. You’re just a stand-in!” “I promised I wouldn’t tell.” “You promised in Lakota. Tell me in English what you promised in Lakota.” He gave in. He did tell her, but not Leta, what was said, but only about the men coming to the reservation soon. “We’ll need the license plate number,” she said. “It can be traced. “Oh, of course,” he said facetiously. “They’ll certainly come here with their own license plate on the car so that everyone knows who they are!” “Damn!” He chuckled at her irritation. He was about to tell her about his alternative method when a big sport utility vehicle came flying down the dirt road and pulled up right in front of Leta’s small house. Tate Winthrop got out, wearing jeans and a buckskin jacket and sunglasses. His thick hair fell around his shoulders and down his back like a straight black silk curtain. Cecily stared at it with curious fascination. In all the years she’d known him, she’d very rarely seen his hair down. “All you need is the war paint,” Colby said in a resigned tone. He turned the uninjured cheek toward the newcomer. “Go ahead. I like matching scars.” Tate took off the dark glasses and looked from Cecily to Colby without smiling. “Holden won’t tell me a damned thing. I want answers.” “Come inside, then,” Cecily replied. “We’re attracting enough attention as it is.

I didn’t know you involved yourself in political issues.” She glanced at him wryly. “Of course you didn’t. You don’t know a lot about me.” He scowled as he turned his attention to the circle and watched his mother dance, resplendent in her beautiful buckskins. No, he didn’t know a lot about Cecily, but he did know how devastated she’d been to discover he’d paid her way through college, absorbed all her expenses out of pity for her situation. He was sorry for how much that had hurt her. But over the past two years, he’d deliberately distanced himself from her. He wondered why… “I had dinner with Senator Holden last week,” she said conversationally, deliberately trying to irritate him. “He wanted to point me toward some special collections for the museum.” He stared at his mother in the circle, but he was frowning, deep in thought. “I don’t like Holden,” he said curtly. “Yes, I know. You’ll be delighted to hear that he returned your sentiment,” she said with a chuckle at his scowl.

I could see now. I hadn’t done anything to deserve a herd like this—friends, family, horses. A God who died for me so I could have a life like this and a God who whispers in my ear.

The duke’s soaked buckskin breeches clung to his physique, outlining every well-defined muscle in his posterior and thighs. Heat flooded Charlene’s cheeks, keeping her warm despite the cold, wet gown. He was a front-page scandal, the picture of sin itself. His Disgrace, in skintight breeches and transparent linen, leading his flock of debutantes into the woods.

Blood oozed from deep puncture wounds at his neck and shoulder. His right arm flopped unnaturally. From the middle of his back to his waist, the bear’s raking claws left deep, parallel cuts. It reminded Harris of tree trunks he had seen where bears mark their territory, only these marks were etched in flesh instead of wood. On the back of Glass’s thigh, blood seeped through his buckskin breeches. Harris

He was just under three inches tall. His blue-black hair, done in a plait and pressed to his head by a colored headband, gleamed in the sun. So did the minuscule muscles of his tiny naked torso, and the skin of his arms. His legs were covered with buckskin leggings, which had some decoration on them too small to see properly. He wore a kind of bandolier across his chest and his belt seemed to be made of several strands of some shiny white beads. Best of all, somehow, were his moccasins.

The door swung open without a warning knock, and he stepped into the room. She couldn’t look at him, trussed up as she was, so she looked away, fixing her eyes on a crack in the floor by her right foot. The feather tick gave way as he sat beside her. He tucked in a stray curl that had come free of the ribbon and lace Angelique had woven into her upswept hair. Timidly her eyes skimmed the floor and fastened on one black boot firmly planted just beyond the sweep of her skirts. Next her eye trailed to seamless buckskin breeches before taking in the ruffled cuff of an exquisite linen shirtsleeve. His voice was low and amused. “What a pair we make, Morrow. The lovesick Métis scout and the beautiful Shemanese princess. At least that’s what Loramie called us when we dragged ourselves into this post.” At this she laughed and looked him fully in the face. His hair was freshly washed and hung in ebony strands about his shoulders, dampening his fine shirt. He smelled of bayberry and tobacco and something else she couldn’t place. And his eyes, though tired, shone with pleasure.

I can start by telling you you’re stubborn and impulsive and prideful. And generous and protective and passionate. In public, you ride like the devil and fill out a pair of buckskin breeches like pure liquid sin, but in private, you behave as though you’ve joined a monastic order. You’re kind to ugly dogs, and you’re patient with awkward sisters. Your kisses are sweet. And your life is worth something.” She fought back the emotion rising in her throat. “I’ll tell you who you are, Rafe. Anytime you find yourself in doubt. And I won’t even leave you bleeding.

Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.

No town-bred dandy will compare with a country-bred one--I mean a downright bumpkin dandy--a fellow that, in the dog-days, will mow his two acres in buckskin gloves for fear of tanning his hands. Now when a country dandy like this takes it into his head to make a distinguished reputation, and joins the great whale-fishery, you should see the comical things he does upon reaching the seaport. In bespeaking his sea-outfit, he orders bell-buttons to his waistcoats; straps to his canvas trowsers. Ah, poor Hayseed! how bitterly will burst those straps in the first howling gale, when thou art driven, straps, buttons, and all, down the throat of the tempest.

THE OUTRIDERS returned in the evening and the men dismounted for the first time that day and recruited their horses in the sparse swale while Glanton conferred with the scouts. Then they rode on until dark and made camp. Toadvine and the veteran and the kid squatted at a small remove from the fires. They did not know that they were set forth in that company in the place of three men slain in the desert. They watched the Delawares, of whom there were a number in the party, and they too sat somewhat apart, crouched on their heels, one pounding coffeebeans in a buckskin with a rock while the others stared into the fire with eyes as black as gunbores. That night the kid would see one of them sort with his hand among the absolute embers for a right coal with which to light his pipe.

There were Italians, Finns, Jews, Negroes, Shropshiremen, Cubans—anyone who had heeded the voice of liberty—and they were dressed with that sumptuary abandon that European caricaturists record with such bitter disgust. Yes, there were grandmothers in shorts, big-butted women in knitted pants, and men wearing such an assortment of clothing that it looked as if they had dressed hurriedly in a burning building. But this, as I say, is my own country and in my opinion the caricaturist who vilifies the old lady in shorts vilifies himself. I am a native and I was wearing buckskin jump boots, chino pants cut so tight that my sexual organs were discernible, and a rayon-acetate pajama top printed with representations of the Pinta, the Niña, and the Santa María in full sail. The scene was strange—the strangeness of a dream where we see familiar objects in an unfamiliar light.

I know he’s had his problems in the past… “He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!” “I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.” “What does he get for a reward?” he asked insolently. She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.” “Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!” “You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why. He searched her enthusiastic eyes. “You really do love Native American history, don’t you?” She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.” “Most whites never come close to understanding us, no matter how hard they try.” “I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.” He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before. Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him. He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard. “Now, isn’t that interesting?” he said to himself in a low, deep whisper. “Wh…what?” she stammered. His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period. He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her. “Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.

When Jeremiah had first arrived at the village in the company of Ezekiel, he hated all Indians. Potowatomie Indians had slaughtered his mother, Shoshone dog soldiers had mutilated his father, and the thought of any Indians being anything but monsters was a thought he didn't entertain. But the patience and discipline of Buffalo Thunder had slowly opened his mind to the realization that people were what they were not by the color of their skin, the clothes they wore, the place where they lived, but by the character within their spirit and the life that revealed what their heart held deep within. There were good and bad among any group of people, no matter the color, language or land.

and only he and God could hear what was being said, but with Pastor Ferrill, it was as if he was not only talking to God personally, but to everyone else within earshot, as if he was reaching out and wrapping everyone in his big arms for a blessed hug.

Well-worn buckskin breeches, she decided, made it very difficult to maintain a businesslike sense of decorum.

Practically all of the Indian tribes wore some form of shirt. This garment is usually mistakenly called a “war shirt.” In reality it was a ceremonial shirt usually worn by the older men or chiefs of authority on solemn occasions. The Dakotas and Cheyennes trimmed their shirts with small hanks of horsehair. Sometimes human hair was used. These shirts were called “scalp shirts” by the white man who believed that all of the hair decorations were from scalp locks. The Blackfoot and some of the other tribes decorated their shirts with strips of white weasel skin. Indians on the warpath did not wear shirts. They wore only a breechclout, leggings, and moccasins. War shirts were not worn for active dancing, either, because they were too hot. Indians made their shirts out of soft buckskin. It usually took two hides for one shirt. Sometimes an additional hide was required for the sleeves.

The Indians painted their faces and bodies for several different reasons—sometimes for protection against the sun, wind, and insects. Some of the markings indicated memberships in various political or religious societies; others represented brave deeds done by the wearer. Many times the designs were merely personal decoration without any particular meaning. The dry coloring matter was carried in small buckskin bags and was mixed with bear or buffalo fat before being rubbed on the skin. Clays containing oxide or iron were used for red; kaolin clay was used for white; black was made from wood charcoal; and green from powdered copper ore. Colors did not represent the same things in every tribe, but generally most tribes used black to represent death, red for human life, blue for sadness or trouble, white for peace or purity, and yellow for joy.

The snake writhed and hissed as Hunter lifted it from the pallet. For a moment he held it aloft. Then he looked at Loretta. After what seemed an eternity, he pulled his knife, beheaded the rattler, and tossed it into the brush. Loretta knelt in the dirt, clutching her throat. Snake. The word bounced off the walls of her mind, shrill, echoing and reechoing. She had screamed… Disbelief swamped her. Surely her ears had deceived her. She couldn’t have screamed, she just couldn’t, not after seven years of silence. And never to save a Comanche. Sheathing his knife, Hunter walked toward her hesitantly. Loretta stared at him--at his long hair, his fringed moccasins, his buckskin pants, his medallion, the gods on his wristband. A Comanche.

Above everything, remember that we should dress to live and not live to dress. If you go riding on a wet day, you will (you should) end up spattered with mud. If you take your children on a summer picnic, you might do well to start out in a navy blue reefer jacket, white flannel trousers and co-respondent shoes – but it is a testament to a very fine day indeed if you end up with ice cream smeared over the knees of your trousers; the dog’s footprints on the white buckskin of your shoes; your wife’s lipstick on your face and a few strands of burnished gold from your daughter’s head on your shoulder as you carry her, flushed, sun-kissed and sleepy, homeward bound.

Dawn came in wisps of pink against a blue-gray sky. Through the trees, shafts of misty sunlight formed luminous motes of warmth along the river. Birds sang. Squirrels chattered. The low rush of the water was ceaseless. Loretta woke slowly, aware before she opened her eyes that something was horribly wrong. Amy wasn’t this big. The arm around her was hard and heavy, the warm hand that cupped her breast distinctly masculine. She frowned and wondered where the hairy blanket touching her cheek had come from. Where was the gray down quilt? Why did she hurt everywhere? Through the spikes of her eyelashes, she stared at a gnarled tree root. A breeze stirred the leaves overhead. The moldy floor of the forest blended its musty smell with the rich, tantalizing aroma of coffee. Then the sound of men’s voices drifted to her, the tones conversational, interspersed with an occasional chuckle. Friendly voices. Normal-sounding voices--except for one thing. She couldn’t understand the language. With a start, she remembered. Her sudden gasp of alarm woke the Comanche who held her in his arms. She knew without looking that it was Hunter, the most horrible. His hand tightened reflexively on her naked breast, and his arm hardened to steel around her. He grunted something and nuzzled her neck. Loretta’s first instinct was to grab his hand, but she no sooner tried than she realized that her own were bound behind her. He pressed his face against her hair and took a deep breath. She could tell he was only half-awake by the slow, lazy way he moved. His thumb grazed her nipple, teasing the sensitive tip into an unwilling response. Her body sprang taut as well, jerking with every flick of his fingers. He yawned and pressed closer. Oh, God, help me. Lowering his hand to her belly, he pressed his palm against her spasm-stricken muscles and kneaded away the tightness. She felt like a sensitive harp string, thrummed by expert fingers. Horrified by her body’s reaction, she tried to twist free, but he threw a damp, buckskin-clad leg over both of hers and pinned her to the fur. Her back stung each time she moved, the pain so sharp it made beads of sweat pop out on her brow. Her thighs felt as if they were on fire. “M-mm-m, you are still hot,” he mumbled. His hand lingered on her belly. “Not too bad where the sun did not touch, though. The fever is better.” No man had ever dared touch her like this. She tossed her head from side to side, strained to get her arms and legs free, then shuddered in defeat. “Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.

Lowering his hand to her belly, he pressed his palm against her spasm-stricken muscles and kneaded away the tightness. She felt like a sensitive harp string, thrummed by expert fingers. Horrified by her body’s reaction, she tried to twist free, but he threw a damp, buckskin-clad leg over both of hers and pinned her to the fur. Her back stung each time she moved, the pain so sharp it made beads of sweat pop out on her brow. Her thighs felt as if they were on fire. “M-mm-m, you are still hot,” he mumbled. His hand lingered on her belly. “Not too bad where the sun did not touch, though. The fever is better.” No man had ever dared touch her like this. She tossed her head from side to side, strained to get her arms and legs free, then shuddered in defeat. “Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.” As he slid his palm slowly downward, she realized she was slick with some kind of oil. Her heart drummed a sensual alto, off-key to the soprano shrills of fear emitted by her nerve endings. No, please, no. He molded his hand to the slight mound between her thighs, searching out its external softness, his fingertips undulating in a subtle manipulation that shot bolts of sensation to the core of her. Nuzzling her hair again, he sighed, his warm breath raising goose bumps on her neck. “Ah, Blue Eyes, your mother did not lie. You are sweet.” He gave the conjuncture of her thighs a farewell caress, then traced the curve of her hip with a hand that skimmed the painfully burned flesh there so lightly that she scarcely felt it. The pressure of his palm increased when it gained purchase on her ribs where the sun had not reached. His hand tightened its grip, squeezed, and released so rhythmically that it seemed to keep time with the strange, blood-pounding beat inside her. It was as if he had begun the rhythm within her, as if he somehow knew the thrusts, the lulls, better than she.

After Hunter lowered her onto her fur pallet, which she was swiftly coming to regard as her prison, she clutched the buffalo robe around her and rolled onto her side. Make no grief behind you. She felt like an animal caught in a snare--awaiting the trapper and certain death. The sun burned through her closed eyelids, red and hot. Loretta heard Hunter walk a short distance away, heard him murmur something. His stallion nickered in response. She lifted her lashes and watched the Comanche go through the contents of a parfleche. He withdrew her ruffled drawers, the buckskin shirt he had worn to the farm yesterday morning, and a drawstring pouch. As he walked back to her, he pressed her bloomers to his nose and sniffed. He met her gaze as he drew the lavender-scented cloth away from his face. For the first time, he smiled a genuine smile. It warmed his expression so briefly that she might have believed she imagined it but for the twinkle that remained in his dark eyes as he knelt beside her.

Your heart holds great love for her.” “Yes. Those terrible men-- She’s just a little girl. They’ve already had her for eight days. I can think of nothing else. Even in my sleep I dream about what could be happening to her, hear her calling for me. I try to find her, and I can’t.” He grasped her chin, his touch deceptively gentle, as it had always been. “This night, you will sleep without dreams. I have said I will find her. Suvate, it is finished.” With that, he left the lodge. A few minutes later he returned. After donning a pair of buckskin pants, which he pulled on while still wearing his breechcloth, he gathered his weapons, making several trips outside to his horse. When he had collected everything he needed, he sat on a fur pallet, propped a small shaving mirror on his knees, and painted his face, outlining his eyes with black graphite and striping his chin thrice with crimson. Loretta sat on the edge of the bed watching him. When he finished he glanced over at her. She was seeing Hunter the killer for the first time. On the one hand, he looked so fierce that he terrified her; on the other, she felt strangely reassured. Such a brutal, grimly determined man would be able to find and rescue Amy when another might fail. “What does the paint say?” she asked. “That this Comanche rides for war.” “War?” she whispered. “Santos will know by the paint that I come in anger.” “Will there be a fight? Amy might get hurt.” “Your Aye-mee will suffer no harm.” He rose and put away his paints, cleaning his hands on a swatch of cloth. Turning to face her, he said, “My brother, Warrior, and my good friend Swift Antelope will remain beside you. Their strong arms are yours.” He motioned for her to stand. “I take you to Warrior now. You will sleep in his lodge circle. No harm, eh?

After Hunter lowered her onto her fur pallet, which she was swiftly coming to regard as her prison, she clutched the buffalo robe around her and rolled onto her side. Make no grief behind you. She felt like an animal caught in a snare--awaiting the trapper and certain death. The sun burned through her closed eyelids, red and hot. Loretta heard Hunter walk a short distance away, heard him murmur something. His stallion nickered in response. She lifted her lashes and watched the Comanche go through the contents of a parfleche. He withdrew her ruffled drawers, the buckskin shirt he had worn to the farm yesterday morning, and a drawstring pouch. As he walked back to her, he pressed her bloomers to his nose and sniffed. He met her gaze as he drew the lavender-scented cloth away from his face. For the first time, he smiled a genuine smile. It warmed his expression so briefly that she might have believed she imagined it but for the twinkle that remained in his dark eyes as he knelt beside her. He dropped the clothing onto the fur and held up the pouch. “Bear fat for the burn. You will lie on your face.” Their gazes locked, laughter still shimmering in his. Seconds dragged by, measured by the wild thumping of her heart. He wanted to rub her down? Oh, God, what was she going to do? She clutched the fur more tightly. Hunter shrugged as if her defiance bothered him not at all and tossed down the pouch. “You are sure enough not smart, Blue Eyes. You will lie on your face,” he said softly. “Don’t fight the big fight. If my strong arm fails me, I will call my friends. And in the end, you will lie on your face.” Loretta imagined sixty warriors swooping down on her. As if he needed more of an advantage. Hatred and helpless rage made her tremble. Hunter watched her, his expression unreadable as he waited. She wanted to fly at him, scratching and biting. Instead she loosened her hold on the buffalo robe and rolled onto her stomach. As she pressed her face into the stench-ridden buffalo fur, tears streamed down her cheeks, pooling and tickling in the crevices at each side of her nose. She clamped her arms to her sides and lay rigid, expecting him to jerk back the robe. Shame swept over her in hot, rolling waves as she imagined all those horrible men looking at her. She felt the fur shift and braced herself. His greased palm touched her back and slid downward with such agonizing slowness that her skin shriveled and her buttocks quivered. So focused was she on his touch, on the shame of it, that several seconds passed before she realized he had slipped his arm beneath the fur, that no one, not even he, could see her.

Even with all of this plot to be dispensed, the songs do rise organically out of the script. Doris’s first entrance, in head-to-toe buckskin, finds her astride a stagecoach, belting out the very catchy Sammy Fain/Paul Francis Webster song “The Deadwood Stage (Whip Crack Away).” The rollicking tune and exuberant Day vocal match the physical staging of the song, and character is revealed. Similarly, later in the film there is a lovely quiet moment when Calamity, Bill, the lieutenant, and Katie all ride together in a wagon (with Calamity driving, naturally) to the regiment dance, softly singing the lilting “Black Hills of Dakota.” These are such first-rate musical moments that one is bound to ask, “So what’s the problem?” The answer lies in Day’s performance itself. Although Calamity Jane represents one of Day’s most fondly remembered performances, it is all too much by half. Using a low, gravelly voice and overly exuberant gestures, Day, her body perpetually bent forward, gives a performance like Ethel Merman on film: She is performing to the nonexistent second balcony. This is very strange, because Day is a singer par excellence who understood from her very first film, at least in terms of ballads, that less is more on film. Her understated gestures and keen reading of lyrics made every ballad resonate with audiences, beginning with “It’s Magic” in Romance on the High Seas. Yet here she is, fourteen films later, eyes endlessly whirling, gesturing wildly, and spending most of her time yelling both at Wild Bill Hickok and at the citizens of Deadwood City. As The New York Times review of the film held, in what was admittedly a minority opinion, “As for Miss Day’s performance, it is tempestuous to the point of becoming just a bit frightening—a bit terrifying—at times…. David Butler, who directed, has wound her up tight and let her go. She does everything but hit the ceiling in lashing all over the screen.” She is butch in a very cartoonlike manner, although as always, the tomboyish Day never loses her essential femininity (the fact that her manicured nails are always evident helps…). Her clothing and speech mannerisms may be masculine, but Day herself never is; it is one of the key reasons why audiences embraced her straightforward assertive personality. In the words of John Updike, “There’s a kind of crisp androgynous something that is nice—she has backbone and spunk that I think give her a kind of stiffness in the mind.

It is impossible to view Calamity Jane today without responding to the gay subtext; hell, it’s not even subtext—the lesbian aspects of the film are all right out there. Dressed in buckskins, with a cap on her head and a red bandana around her neck, dirt streaking her face, Calamity says to Katie, “You’re the purtiest thing I’ve ever seen. I didn’t know a woman could look like that.” Hugging Katie, she invites her to move in with her to “chaperone” each other. Helping Katie out of the horse and wagon, Calam tells Katie, “We’ll batch it here as cozy as two bugs in a blanket.” And after Katie cleans the entire cabin, the finishing touch is a front-door stencil that reads “Calam and Katie.” It’s not exactly difficult to guess which woman is the butch one in this relationship; similarly, it is no accident that The Celluloid Closet, the documentary examination of Hollywood’s depiction of gay men and women on film, contains footage of Doris Day in buckskin singing “Secret Love,” the very title itself a code in 1950s America.

homesickness, because we miss those things and those people. That's O.K. But now, to be able to move on, here's what we need to do. We try not to look back so much, although that's O.K., it's kinda like checkin' your back trail, and we focus on lookin' forward. You know, to that which we haven't seen yet, what tomorrow's gonna bring. What new adventures are waitin' out there for us? When we can look forward, keepin' in our hearts what lies behind, then we can enjoy what the good Lord has for us just around the next corner.

[She Stoops to Conquer] seems to be a comedy of pure plot; yet there is also psychological acuity under the mathematical ingenuity. This is seen most clearly in the character of Marlow, who is painted as a palpable victim of the English class system. His dilemma is that he is a tongue-tied wreck amongst women of his own class but brimming with sexual bravura with a barmaid or college bedmaker. He himself expresses his dilemma with painful clarity: MARLOW: My life has been chiefly spent in a college or an inn, in seclusion from that lovely part of the creation that chiefly teach men confidence. I don't know that I was ever familiarly acquainted with a single modest woman except my mother. But among females of another class, you know - HASTINGS: Ay, among them you are impudent enough of all conscience. Marlow himself rightly calls this 'the English malady': a paralysing fear, resulting from a monastic education, of women of his own class and an ability to be at ease only with social inferiors whom he can bully, dominate or treat as purchasable commodities. It took an observant Irishman to pin down the damage done to the English male psyche by a punitive educational system. [...] And there is further evidence of Marlow's split personality when Kate accosts him in the guise of a household drudge. Marlow the psychological wreck turns into a brazen lech who, within seconds, is asking to taste the nectar of Kate's lips. Not only that. He is soon bragging of his sexual exploits at a louche London club attended by the likes of Mrs Mantrap, Lady Betty Blackleg, the Countess of Sligo, Mrs Langhorns and old Miss Biddy Buckskin.

Instead, they donned loose shirts and buckskin breeches. Still, I knew, even off duty, they were watchful for signs of the dreaded mist and the horror that came with it,

So, the five horses included a paint, a buckskin, a red roan, a blood bay, and a sorrel with a flaxen mane and tail.

Beau Brummell was regarded as unbalanced in his passion for daily ablutions. His ritualistic morning toilet took upward of five hours, one hour spent inching himself into his skin-tight buckskin breeches, an hour with the hairdresser, and another two hours tying and "creasing down" a series of starched cravats until perfection was achieved. But first of all two hours were spent scrubbing himself with fetish zeal from head to toe in milk, water and eau de Cologne... Beau Brummel said he used only the froth of champagne to polish his Hessian boots. He had 365 snuff boxes, those suitable for summer wear being quite unthinkable in winter, and the fit of his gloves was achieved by entrusting their cut to two firms - one of the fingers, and the often for the thumbs. Sometimes, however, the tyranny of elegance became altogether insupportable. A mr. Boothby committed suicide and left a note saying he could no longer endure the ennui of buttoning and unbuttoning.

Tossing aside her buckskin gloves, she pulled her red handkerchief out of her hip pocket—no lace kerchief tucked up her sleeve for Maizy—and wiped her eyes again, then blew her nose in a completely unladylike way. How had she let herself get this upset? And over a man, of all things.

by Erin and Wild Wind’s attention returned to the bedroom area.  While the flap was held back by Shadow, Ross came out the bedroom with Roxie on his arm.               Wild Wind felt a shockwave of surprise and desire when he saw Roxie in the dazzling white buckskin dress with the loose, long-fringed sleeves and matching moccasins.  Long, golden braids hung down the front of it and her luminous blue eyes looked bigger to him.  She was stunningly gorgeous and he was even prouder than before to be marrying such a beautiful woman.               Roxie had never seen Wild Wind in his ceremonial clothing and she thought he looked regal in the ornate

It was getting harder to remind himself he wasn’t going to let another person close to him again. With the spunk, wisdom and sheer determination she contained in that pretty little package, Leah could easily fit into his world like his buckskin gloves fit his hands.

The sudden shift caused the buckskin still holding him to cartwheel into a nosedive. The two of them spiraled toward the dry foothills, Star’s free wing whipping uselessly in the wind. The speed of the drop, the thrill of the heights, and the fear of the landing coursed through his veins like liquid lightning. Was this what it felt like to fly? Star wondered.

You can’t escape us,” said the white steed. Star’s feathers stood on end, and he was breathing hard, prancing. “What do you want with me?” Two stallions, a gray and a buckskin, clamped their jaws at the base of Star’s wings. Another, a pinto, spoke, but not to Star. “We’re ready, Frostfire,” he said to the white stallion.

I am improvising a brassiere,” I said with dignity. “I don’t mean to ride sidesaddle through the mountains wearing a dress, and if I’m not wearing stays, I don’t mean my breasts to be joggling all the way, either. Most uncomfortable, joggling.” “I daresay.” He edged into the room and circled me at a cautious distance, eyeing my nether limbs with interest. “And what are those?” “Like them?” I put my hands on my hips, modeling the drawstring leather trousers that Phaedre had constructed for me—laughing hysterically as she did so—from soft buckskin provided by one of Myers’s friends in Cross Creek. “No,” he said bluntly. “Ye canna be going about in—in—” He waved at them, speechless. “Trousers,” I said. “And of course I can. I wore trousers all the time, back in Boston. They’re very practical.” He

When I visit schools, I explain that modern Indians dress like everybody else and speak English. That our tribal regalia, the buckskin and feathers, are not everyday garb but are reserved for special events. I say that we are proud of our beautiful, colorful clothing, which is important in our traditions, but it is only a part of being Indian. The part that they can’t see, our beliefs, our values, make us Indian even though we no longer wear buckskins, beads, and feathers and don’t live in teepees. As an adult I can handle the stereotypes, and as an author I try to correct the misconceptions and tell the truth about American Indians. Unfortunately, Indian children can have negative feelings about themselves because they don’t fit this false image. Educators have found that the way children view themselves is important to their success in school and how they relate to others. But an unrealistic idea of what and who Indians are supposed to be confuses a child when he or she compares those images to his or her parents and other relatives. Some

This Blue Coat’s woman?” he demanded, gesturing toward Lily. Caleb shook his head. “She’s her own woman. Just ask her.” Lily’s heart was jammed into her throat. She had an urge to go for the rifle again, but this time it was Caleb she wanted to shoot. “He lies,” she said quickly, trying to make sign language. “I am too his woman!” The Indian looked back at his followers, and they all laughed. Lily thought she saw a hint of a grin curve Caleb’s lips as well but decided she must have imagined it. “You trade woman for two horses?” Caleb lifted one hand to his chin, considering. “Maybe. I’ve got to be honest with you. She’s a lot of trouble, this woman.” Lily’s terror was exceeded only by her wrath. “Caleb!” The Indian squinted at Lily and then made an abrupt, peevish gesture with the fingers of one hand. “He wants you to get down from the buggy so he can have a good look at you,” Caleb said quietly. “I don’t care what he wants,” Lily replied, folding her trembling hands in her lap and squaring her shoulders. The Indian shouted something. “He’s losing his patience,” Caleb warned, quite unnecessarily. Lily scrambled down from the buggy and stood a few feet from it while the Indian rode around her several times on his pony, making thoughtful grunting noises. Annoyance was beginning to overrule Lily’s better judgment. “This is my land,” she blurted out all of a sudden, “and I’m inviting you and your friends to get off it! Right now!” The Indian reined in his pony, staring at Lily in amazement. “You heard me!” she said, advancing on him, her hands poised on her hips. At that, Caleb came up behind her, and his arms closed around her like the sides of a giant manacle. His breath rushed past her ear. “Shut up!” Lily subsided, watching rage gather in the Indians’ faces like clouds in a stormy sky. “Caleb,” she said, “you’ve got to save me.” “Save you? If they raise their offer to three horses, you’ll be braiding your hair and wearing buckskin by nightfall.” The Indians were consulting with one another, casting occasional measuring glances in Lily’s direction. She was feeling desperate again. “All right, then, but remember, if I go, your child goes with me.” “You said you were bleeding.” Lily’s face colored. “You needn’t be so explicit. And I lied.” “Two horses,” Caleb bid in a cheerful, ringing voice. The Indians looked interested. “I’ll marry you!” Lily added breathlessly. “Promise?” “I promise.” “When?” “At Christmas.” “Not good enough.” “Next month, then.” “Today.” Lily assessed the Indians again, imagined herself carrying firewood for miles, doing wash in a stream, battling fleas in a tepee, being dragged to a pallet by a brave. “Today,” Lily conceded. The man in the best calico shirt rode forward again. “No trade,” he said angrily. “Blue Coat right—woman much trouble!” Caleb laughed. “Much, much trouble,” he agreed. “This Indian land,” the savage further insisted. With that, he gave a blood-curdling shriek, and he and his friends bolted off toward the hillside again. Lily turned to face Caleb. “I lied,” she said bluntly. “I have no intention of marrying you.” He brought his nose within an inch of hers. “You’re going back on your word?” “Yes,” Lily answered, turning away to climb back into the buggy. “I was trying to save myself. I would have said anything.” Caleb caught her by the arm and wrenched her around to face him. “And there’s no baby?” Lily lowered her eyes. “There’s no baby.” “I should have taken the two horses when they were offered to me,” Caleb grumbled, practically hurling her into the buggy. Lily

The buckskin shirt launched one of the most voracious collecting careers in American history. Heye became obsessed with all things Native American, and he would eventually amass a collection of a million pieces. In 1916, he established the Museum of the American Indian on upper Broadway in New York City to house his collection. (In 1990, the museum moved to Washington, DC, and became part of the Smithsonian.) Heye

Rusty remembered that Mother Dora had put coffee in the sack of grub she had given him. “I’ll boil you some coffee, Preacher. I never heard you sermonize against that.” “And you never will. When the Christians drove the Turks from the gates of Vienna, the Turks left their stores of coffee behind. I feel sure that was the Lord’s notion of a proper gift to His faithful.” Rusty had no idea where Vienna was. Probably not in Texas, or he would have heard about it.

Even noble knights felt fear. But a brave man must choose whether fear will make him strong or weak. Armor or buckskin, a man is only as strong as the courage of his heart.

Not surprisingly, skilled Muscogee hunters quickly became the supply side of the deerskin trade. On the demand side was all of Europe, where deer had already been so badly overhunted that gloves in Paris were reportedly being made with rat skins. Before the era of denim, there were deer-leather breeches, and just as with blue jeans, these buckskins were worn first by laborers and then came into fashion among the aristocracy.

Yes, you are a survivor! No one fights so damned well, Christa. Had you just been in the damned field, Grant would have never stood a chance of taking the Rebs. I’m sure the goddamned Indians would be quaking in their buckskins if they knew you were coming.

You can't stop there. Why must I drag every word out of you? If you go back to grunting, I'll pinch you." Since he wasn't wearing a shirt, she had an ample expanse of skin to choose from. Cade grunted when she picked a small piece of his back just below his armpit, and he punished her with his mouth. They were on the bed and laughing before either of them knew it. "I knew you could laugh if you wanted." Lily wiggled free of Cade's hold and sat up. She wore no more than her chemise and a blanket, and the blanket was slipping from her shoulders. In the firelight Cade could see the shadow between her breasts, She wasn't large, but well-rounded. He liked to think that his child added to that fullness. It gave him a feeling of belonging, something he hadn't known in a very long time. "Indians don't laugh," Cade told her solemnly. She didn't even give him a warning. Diving at him, Lily feathered her fingers beneath his arms and tickled until Cade was rolling with laughter as well as his attempt to hold her off without harming her. "Cry uncle," she demanded, wiggling one hand loose from his grasp to tickle his ribs. "Tio," he laughed, turning her over and trapping her spread-eagled against the robes. "It's a good thing for you that Juanita has taught me some Spanish," Lily informed him with gravity, "or I should have to continue tickling you unmercifully." Since he held her completely helpless, this was a lie of magnificent proportions, and Cade nearly doubled up with laughter at her audacity. He couldn't remember ever feeling this way, not even as a boy. He caught her in his arms and rolled over and began to lavish her with kisses. "Stop that, Cade, before you break something," Lily admonished, struggling for a position a little more dignified than sprawling across his chest. As much as she enjoyed what this would lead to, there were other things here to consider, and she wasn't the kind to give up easily. Cade instantly let her go and stared up at her worriedly. "Am I hurting you?" With a lift of her eyebrows, Lily studied Cade's rather awesome chest, down to the place where his buckskins covered his hips. "I was more concerned about you. I don't wish to wear you out too soon." Cade gave a bark of laughter and grabbed her hair, tugging her down to lie curled against his side. "If I don't nip your boldness at once, you will become impossible. You do understand I don't intend for you to be my boss lady anymore?" "Not that I ever was," Lily said, unperturbed.

The large oak door to the house opened, and Alex looked up to see her father, silhouetted by the bright lights of the entryway. He looked nothing like a duke—without an overcoat or a waistcoat, without a cravat. His shirt was tucked into his buckskin breeches, but his sleeves were rolled up on his bronzed arms, and Alex chuckled to think of what London’s aristocracy would think to see him, one of the most powerful men in England, wandering about dressed like a “savage.” A flash of white appeared as he grinned down at the group on the drive. He called back into the house, “My word! It appears someone’s left a group of orphans at the door!” The four women laughed at his silly jest as he came bounding down the steps, taking Alex into his arms for a warm hug and a kiss on the forehead, and welcoming Vivi and Ella in turn. He then turned to help the duchess down from the carriage. When her feet touched the ground, she looked up at her husband and said, “Rather too old to be an orphan, I think.” Wrapping his arms around her, the duke replied lovingly, “Nonsense. You grow younger with each day,” and kissed her soundly on the mouth. Vivi and Ella turned away, blushing and leaving Alex shaking her head and teasing, “Your behavior really is too uncivilized. Shouldn’t you be setting a better example for the next generation?” “It looks like an excellent example to me.” The words sent a tingle up Alex’s spine as she recognized the warm, friendly voice. She turned to find Blackmoor, clad as casually as her father, coming down the steps to greet them. In the darkness, she couldn’t be sure, but he seemed to be looking straight at her. Her stomach turned over as she watched him approach, and she blushed deeply to think that he was discussing her parents’ actions so openly. “You could have this yourself, Gavin, if you would only take a wife!” her mother pointed out, kissing him on both cheeks in welcome. Vivi

How are things out on the Circle L?” Big John shrugged shoulders the size of a grizzly bear’s. “We’re shorthanded, as always, and Joellen’s a handful. I sure wish Chloe would break down and marry me, so that girl could have a mother.” Emma smiled to think of Chloe as Joellen’s stepmother. The girl’s career as a brat would end in short order. “You know how Chloe is, Big John.” He nodded ruefully and tucked the slip of paper Emma had written the book title on into the pocket of his buckskin vest. “There ain’t a stubborner woman in the territory, but I’ll rope that filly if it’s the last thing I ever do.” “It just might be,” Emma warned, waggling a finger, and she and Big John laughed together.

Come out, White-Eyes,” the voice called. “I bring gifts, not bloodshed.” Henry, wearing nothing but his pants and the bandages Aunt Rachel had wrapped around his chest the night before, hopped on one foot as he dragged on a boot. By the time he reached the window, he had both boots on, laces flapping. Rachel gave him a rifle. He threw open the shutter and jerked down the skin, shoving the barrel out the opening. “What brings you here?” “The woman. I bring many horses in trade.” Loretta ran to the left window, throwing back the shutters and unfastening the membrane to peek out. The Comanche turned to meet her gaze, his dark eyes expressionless, penetrating, all the more luminous from the black graphite that outlined them. Her hands tightened on the rough sill, nails digging the wood. He looked magnificent. Even she had to admit that. Savage, frightening…but strangely beautiful. Eagle feathers waved from the crown of his head, the painted tips pointed downward, the quills fastened in the slender braid that hung in front of his left ear. His cream-colored hunting shirt enhanced the breadth of his shoulders, the chest decorated with intricate beadwork, painted animal claws, and white strips of fur. He wore two necklaces, one of bear claws, the other a flat stone medallion, both strung on strips of rawhide. His buckskin breeches were tucked into knee-high moccasins. Her gaze shifted to the strings of riderless ponies behind him. She couldn’t believe their number. Thirty? Possibly forty? Beyond the animals were at least sixty half-naked warriors on horseback. Loretta wondered why Hunter had come fully clothed in all his finery with wolf rings painted around his eyes. The others wore no shirts or feathers, and their faces were bare. “I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.

wore buckskins, but men and

We see this even more in Seven Brides For Seven Brothers (1954), with Mercer again at MGM, collaborating with composer Gene De Paul. This one has a real Broadway score, every number embedded in the characters’ attitudes. Ragged, bearded, buckskinned Howard Keel has come to town to take a wife, and a local belle addresses him as “Backwoodsman”: it’s the film’s central image, of rough men who must learn to be civilized in the company of women. The entire score has that flavor—western again, rustic, primitive, lusty. “Bless Yore Beautiful Hide,” treating Keel’s tour of the Oregon town where he seeks his bride, sounds like something Pecos Bill wrote with Calamity Jane. When the song sheet came out, the tune was marked “Lazily”—but that isn’t how Keel sings it. He’s on the hunt and he wants results, and, right in the middle of the number, he spots Jane Powell chopping wood and realizes that he has found his mate. But he hasn’t, not yet. True, she goes with him, looking forward to love and marriage. But her number, “Wonderful, Wonderful Day,” warns us that she is of a different temperament than he: romantic, vulnerable, poetic. They don’t suit each other, especially when he incites his six brothers to snatch their intended mates. Not court them: kidnap them. “Sobbin’ Women” (a pun on the Sabine Women of the ancient Roman legend, which the film retells, via a story by Stephen Vincent Benét) is the number outlining the plan, in more of Keel’s demanding musical tone. But the six “brides” are horrified. Their number, in Powell’s pacifying tone, is “June Bride,” and the brothers in turn offer “Lament” (usually called “Lonesome Polecat”), which reveals that they, too, have feelings. That—and the promise of good behavior—shows that they at last deserve their partners, whereupon each brother duets with each bride, in “Spring, Spring, Spring.” And we note that this number completes the boys’ surrender, in music that gives rather than takes. Isn’t

gentlemen who were desirous of going with us, we all started westward, and after a pleasant trip arrived at Fort McPherson." Before he arrived at Fort McPherson, Cody was interviewed by the local press. Cody allowed, surely with tongue in cheek, that We have played New York until we forced Edwin Booth to go West. He said it would not do for him to try to buck against us, and he was right. I propose to [be] ... playing Shakespeare right through, from beginning to end, with Ned Buntline and Texas Jack to support me. I shall do Hamlet in a buckskin suit and when my father's ghost appears "doomed for a certain time," &c., I shall say to Jack, "Rope the cuss in, Jack!!" and unless the lasso breaks, the ghost will have to come. As Richard the Third I shall fight with pistols and hunting knives. In "Romeo and Juliet" I will put a half-breed squaw on the balcony, and make various interpretations of Shakespeare's words to suit myself. Shakespeare has had to endure many indignities over the years: bowdlerizations, bizarre directorial concepts, and costume choices of all kinds, but theatergoers, fortunately, were spared Hamlet in buckskin or the balcony scene in a Western saloon. On the other hand, it is possible that Cody, with his genius for showmanship, might have won over a whole new audience to the plays. During the run of The Scouts of the Prairie, Cody had not only overcome his initial stage fright but had developed enough self-confidence to feel comfortable onstage. Moreover, he knew that audiences responded favorably to him. Although he still did not consider himself an actor, he had begun to wear the more becoming mantle of "showman." Ned Buntline had all kinds

And my favourite thing, my moment of greatest happiness, was to take the buckskin mare down the path toward the next village and to turn her head to home and let her run as fast as she dared. This, I thought, must be what the bird feels, what the arrow feels.

Also by John Legg Blood Trail Series Blood Trail: The Complete Series The Buckskin Series Buckskins And Blood (#1) Buckskin Vengeance (#2) Rocky Mountain Lawmen Series Sheriff's Blood (#1) Blood In The Snow (#2) Shoshoni Vengeance (#3)

I think of a buckskin shirt I saw in the Smithsonian Museum. It belonged to an Oglala Lakota man whose body was seized at his death and kept in cold storage for 130 years. He was allowed to be taken home by his family only after the Native American Graves Protection and Repatriation Act was passed in 1990.

and

groceries

The tears the laughs the lessons learned The products bought and then returned The skin that was thin Is now like buckskin A degree in resilience well-earned

What's your problem?" "Just want to love this place again. Thought it was heaven when I first started playing. A million ways to win. Couldn't even tell what winning meant." The buckskinned explorer hangs frozen for a moment. Maybe his animus had to take out the trash or answer the phone or rock the new baby. Then his avatar does a strange little two-step resurrection. "Now it's same old crap over and over. Mine mountains, cut down woods, lay sheet metal across meadows, put up stupid castles and warehouses. Just when you have it how you want, some asshole with mercenaries blows the shit out of you. Worse than real life."p377

When others are happy, be happy with them. If they are sad, share their sorrow. —Romans 12:15

L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the

A tall man, with flowing hair, was seen firing from the same place on the parapet during the entire siege. He wore a buckskin suit and a cap all of a pattern entirely different from those worn by his comrades. This man would kneel or lie down behind the low parapet, rest his long gun and fire, and we all learned to keep at a good distance when he was seen to make ready to shoot. He rarely missed his mark, and when he fired he always rose to his feet and calmly reloaded his gun seemingly indifferent to the shots fired at him by our men. He had a strong, resonant voice and often railed at us, but as we did not understand English we could not comprehend the import of his words further than that they were defiant. This man I later learned was known as “Kwockey.

Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.

Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.

buckskin and maybe grabbing Lorna’s bridle, too. It must have hurt when I flopped him into the saddle but he didn’t make a sound, just glared at me. Taking up

and the sight of that buckskin plain made me all the more lustful to reach Cheyenne again. Or, as Kerouac expressed it: Somewhere along the line I knew there’d be girls, visions, everything; somewhere along the line the pearl would be handed to me.

Before I build a fire in the pit in the backyard, I sneak Emmy away for a quick walk alone in the pines and along the river. The Sanpoil's current will give her strength. It's nine o'clock and still not dark. I build the fire. Aunt will need more wood chopped before September. Ray drums in his Seattle Mariners cap, and Lena dances in a buckskin dress and Emmy's funky sunglasses. Emmy and I sit side by side in camp chairs that have seen better days. My aunt's house has seen better days. My people have seen better days. Though not for a long, long time. Emmy watches Lena. Ray drums and sings. I sing too because I can't help it. I pray because I can't help it.

How he wanted to touch her hand again! And once again, it seemed that her eyes lingered the longest upon his face, this pumpkin who was the pinnacle of female virtue. Cormack’s cock, unbidden, elongated and stiffened. He was glad that his buckskin shirt covered his erection, although suddenly he was acutely aware that his belt was probably too tight.

And then she spotted Reece riding alongside the magnificent column. He guided his buckskin toward her, reining Saguaro to a stop beside the front steps. “Is this the Shapinsay Plantation, ma’am?” he asked, his eyes shadowed beneath the brim of his slouch hat. An odd flutter raced through Emaline’s chest. “Oh you. Where did you…?” she stammered, searching for words, but her voice stuck in the back of her throat. A devilish gleam lit his eyes. “What, my love? No rifle this time?

I had a pair of buckskin breeches [and] they were so wet all the time that they kept stretching and stretching,” Hawkins wrote in his journal. “I kept cutting off the lower ends till I had nothing left but the waist band.