“
If you saw Atlas, the giant who holds the world on his shoulders, if you saw that he stood, blood running down his chest, his knees buckling, his arms trembling but still trying to hold the world aloft with the last of his strength, and the greater his effort the heavier the world bore down upon his shoulders - What would you tell him?"
I…don't know. What…could he do? What would you tell him?"
To shrug.
”
”
Ayn Rand (Atlas Shrugged)
“
Onto his stomach. Then knees. Then hands. His elbows quivered, his wrists threatened to buckle under his own weight. Self-centered, stubborn, sentimental, childish, vain. I am humanity. Cynical, naive, kind, cruel, soft as down, hard as tungsten steel.
I am humanity
He crawled.
I am humanity.
He fell.
I am humanity.
He got up.
”
”
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
“
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see?
I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good.
My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen!
I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us.
“I’m a fighter, not a lover,” I gasped.
“You can’t be both?” His smile made my knees buckle.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls-as little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows black enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor begins to reassert itself.
”
”
Stephen King (Pet Sematary)
“
In reply to '@cloppingemo: everyone sees me as a failure and a horrible person and they make sure I know:
'Everyone', doesn't. Trust me on this one; You're being dramatic. You're in a hard place but it's important to go through. Hang in there, buckle down, hold your head up, and do your best. That's all you can do and when people criticize you, listen to them; Either they're right or wrong but they're not always trying to hurt you. Try and really understand where criticism is coming from. "You can do better," is well intentioned. "You're stupid," is not.
”
”
Patrick Stump
“
Brazen it out! Throw away the scabbard! Grit your teeth, buckle down, and die with your boots on! Or in other words, be determined and resolved until you accomplish the thing you set out to accomplish.
”
”
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))
“
Naturally, I have no heroes: I am my heroes. I am my brothers and sisters. I feel myself joined by the soul with all beauty. My heart sings with every brave endeavour. With the strange wings of impossible butterflies, with every rock that breathes life into the world. I stand shoulder to shoulder with all denouncers of meanness. I honour spirit and faith and uphold the glorious amateur. I'm in love with desperate men with desperate hands, walking in second-hand shoes searching for God and hearing God and hating God. I'm a desperate man, buckled with fear, I am a desperate man who demands to be listened to, who demands to connect. I'm a desperate man who denounces the dullness of money and status. I'm a desperate man who will not bow down to accolade or success. I'm a desperate man who loves the simplicity of painting and hates galleries and white walls and the dealers in art. Who loves unreasonableness and hotheadedness, who loves contradiction, hates publishing houses and also I am Vincent Van Gogh, Hiroshige and every living artist who dares to draw God on this planet.
”
”
Billy Childish
“
The realization that I’d have nothing to take home had finally sunk in. My knees buckled and I slid down the tree trunk to its roots. It was too much. I was too sick and weak and tired, oh, so tired. Let them call the Peacekeepers and take us to the community home, I thought. Or better yet, let me die right here in the rain.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
If you can, trap me. I'll make a good patient because I was brought up in the environment of authority; it's going to be hard to pull me in though- I've been running all my life, playing truant. If you can capture me I'll buckle down. I'll loathe you in secret and put on a good face.
”
”
Derek Jarman
“
The Windhover
To Christ our Lord
I CAUGHT this morning morning’s minion, king-
dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate’s heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird,—the achieve of; the mastery of the thing!
Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!
No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.
”
”
Gerard Manley Hopkins (Poems and Prose)
“
May the Saints receive me. She pressed the tip beneath her breast, between her ribs, an arrow to her heart. Then a hand gripped her wrist painfully, forcing her to drop the blade. “Not just yet, Inej.” The rasp of stone on stone. Her eyes flew open. Kaz. He bundled her into his arms and leapt down from the crates, landing roughly, his bad leg buckling. She moaned as they hit the ground. “Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He couldn’t carry her and use his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Alec crossed the floor to where Magnus stood considering the whiteboard. Carefully, since Magnus was still holding a bubbling jar, Alec slid his arms around Magnus’s waist, linking his hands together over the embossed buckle of Magnus’s belt. The T-shirt Magnus was wearing had a dramatic scoop neckline, so Alec put his face down in the smooth bare expanse of skin and breathed in the smell of sandalwood and spell ingredients.
”
”
Cassandra Clare (The Land I Lost (Ghosts of the Shadow Market, #7))
“
She stood up and took the book from him, and as he smiled over his shoulder at some other kids, she threw it away and kicked him as hard as she could in the vicinity of the groin.
Well, as you might imagine, Ludwig Schmeikl certainly buckled, and on the way down, he was punched in the ear. When he landed, he was set upon. When he was set upon, he was slapped and clawed and obliterated by a girl who was utterly consumed with rage. His skin was so warm and soft. Her knuckles and fingernails were so frighteningly tough, despite their smallness.
You Saukerl." Her voice, too, was able to scratch him. "You Arschloch. Can you spell Arschloch for me?
”
”
Markus Zusak (The Book Thief)
“
Books, buckles, papers, and scarves. After Gleb's accident, she thought she would die. She thought she had. This date took him and pulled her down after, grief determined gravity. But now she would live. She had to. It was what she did: live while others could not. There was no pleasure in it.
”
”
Julia Phillips (Disappearing Earth)
“
I might have behaved stupidly irresponsible last night, but one thing Lachlan Fierro will learn about me in time, I won’t back down. If he has bullying in mind, then I won’t buckle. I don’t give in to emotional terrorism.
God, please don’t let me give in to him.
”
”
V. Theia (Manhattan Secret (From Manhattan #4))
“
I didn’t want to fall asleep. It’s just that weird whenever I decide it’s time to buckle down and study, I suddenly feel so tired…
”
”
Kamome Shirahama (Witch Hat Atelier, Vol. 2)
“
I peer through the spectral, polluted, nicotine-sodden windows of my sock at these old lollopers in their kiddie gear. Go home, I say. Go home, lie down, and eat lots of potatoes. I had three handjobs yesterday. None was easy. Sometimes you really have to buckle down to it, as you do with all forms of exercise. It's simply a question of willpower. Anyone who's got the balls to stand there and tell me that a handjob isn't exercise just doesn't know what he's talking about. I almost had a heart-attack during number three. I take all kinds of other exercise too. I walk up and down the stairs. I climb into cabs and restaurant booths. I hike to the Butcher's Arms and the London Apprentice. I cough a lot. I throw up pretty frequently, which really takes it out of you. I sneeze, and hit the tub and the can. I get in and out of bed, often several times a day.
”
”
Martin Amis (Money)
“
The house was quiet. Silently, I walked down the stairs and passed the peacock room where I found Mr. Kadam sitting and waiting for me. He took my bag and walked with me out to the car, then he opened my door, and I slid in to the seat and buckled my seatbelt. Starting the car, he circled the stone driveway slowly. I turned to take one last look at the beautiful place that felt like home. As we started down the tree-lined road, I watched the house until the trees blocked my view.
Just then, a deafening, heartrending roar shook the trees. I turned in my seat and faced the desolate road ahead.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
One of Harvey’s guiding lights in terms of strategies was simplicity; all things being equal, Harvey preferred the course of action that let him get into the middle of things and then just buckle down.
”
”
John Scalzi (The Ghost Brigades (Old Man's War, #2))
“
Most of the big problems we encounter in organizations or society are ambiguous and evolving. They don’t look like burning-platform situations, where we need people to buckle down and execute a hard but well-understood game plan. To solve bigger, more ambiguous problems, we need to encourage open minds, creativity, and hope.
”
”
Chip Heath (Switch: How to Change Things When Change Is Hard)
“
Because loners are born everywhere, we end up living everywhere. We do not, have not, tended to single ourselves out as special, elite, requiring rarefied environments. Too often we have done the opposite; lived where we lived because our jobs were there, or families, or because we'd heard the schools were good there, or that we would love a place with changing seasons. Then, no matter what, we put our noses to the grindstone. We take living there as a fait accompli, a fact. Too often we are miserable somewhere without realizing why. We blame ourselves for not buckling down, settling in, fitting in. The problem is the place, but too often we do not see this, we will not allow ourselves to see this. It's the same old thing: This is a friendly town, so what's your problem?
...To the non-loner, or the self-reproaching loner, the fact of being a loner is not comparable to those other determinants. It is not a matter of life and death, we tell ourselves. It its not a matter of breathing or of execution by stoning. But home is the crucible of living...So how can living not be a matter of life and death?
”
”
Anneli Rufus (Party of One: The Loner's Manifesto)
“
Five Ups of life: Buckle up, Start up, Keep it up, Don’t give up, Cheer up.
”
”
Vikrmn: CA Vikram Verma (You By You)
“
Jacks reclined in a throne of ice as he glared down at a fox that looked more corporeal than ghost- all fluffy white fur, save for a circle of tawny surrounding one of its coal-dark eyes.
He appeared horrified by the animal, as if it's adorableness might somehow soften some of his nasty edges. Evangeline wished it would as she stood back a little to watch, enjoying that for once, Jacks was the one in the uncomfortable position.
He flinched when the creature nuzzled his scuffed boots.
She laughed, finally drawing his attention. 'I think it likes you.'
'I don't know why,' Jacks scowled at the beast.
It responded by affectionately licking the buckle at his ankle.
Evangeline continued to smile. 'You should name it.'
'If I do that, it will think it's a pet.' Jacks words dripped with disgust, which only further convinced Evangeline this fox might be the best thing that had ever happened to this Fate.
'How about I name her for you? What do you think of Princess of the Fluffikins?'
'Don't ever say that again.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
- What do you expect? Think we were sent into the world to have a soft time and what is it? Float on flowery beds of ease? Think Man was just made to be happy?
- Why not? Though I've never discovered anybody that knew what the deuce Man really was made for!
- Well, we know not just in the Bible alone, but it stands to reason a man who doesn't buckle down and do his duty, even if it does bore him sometimes, is nothing but a... well, he's simply a weakling. Mollycoddle, in fact! And what do you advocate? Come down to cases! If a man is bored by his wife, do you seriously mean he has a right to chuck her and take a sneak, or even kill himself?
- Good Lord, I don't know what 'rights' a man has! And I don't know the solution of boredom. If I did, I'd be the one philosopher that had the cure for living. But I do know that about ten times as many people find their lives dull, and unnecessarily dull, as ever admit it; and I do believe that if we busted out and admitted it sometimes, instead of being nice and patient and loyal for sixty years, and then nice and patient and dead for the rest of eternity, why, maybe, possibly, we might make life more fun.
”
”
Sinclair Lewis (Babbitt)
“
The mere idea that you are not in a place for the rest of your life gives you an awfully unstable feeling. That's why trial marriages would never work. You've got to feel you're in a thing irrevocably and forever in order to buckle down and really put your whole mind into making it a success.
”
”
Jean Webster (Dear Enemy (Daddy-Long-Legs, #2))
“
The Emperor is dead!
So too his right hand - now cold, now severed!
But mark these dying shadows,
twinned and flowing bloody and beaten,
down and away from mortal sight...
From sceptre's rule dismissed,
from gild candelabra the light now fled,
from a hearth ringed in hard jewels
seven years this warmth has bled...
The Emperor is dead.
So too his master'd companion, the rope cut clean.
But mark this burgeoning return -
faltering dark, the tattered shroud -
embracing children in Empire's dying light.
Hear now the dirge faint reprised,
before the sun's fall, this day spills red
on buckled earth, and in obsidian eyes
vengeance chimes seven times..."
―Call to Shadow, Felisin (I.i. 1-18)
”
”
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
“
I'm going in,' Azriel said.
'No,' Rhys snapped. But Azriel was spreading his wings, the sunlight so stark on the new, slashing scars down the membrane.
'Chain me to a tree, Rhys,' Azriel said softly. 'Go ahead.' He began checking the buckles on his weapons. 'I'll rip it out of the ground and fly with it on my damned back.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Jay’s mom was a lot of great things that Violet admired, technologically savvy was definitely not one of them. She was one of those people who were loath to move into the twenty-first century and embrace all things modern. She was the only adult woman that Violet knew of who didn’t own a cell phone, and she refused to buckle beneath the pressure to pay good money for high-speed internet, so Jay was forced to plug his secondhand laptop into the phone line and use dial-up. Not because they couldn’t afford such luxuries, but because Ann Heaton wasn’t going down without a fight.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
We tell ourselves that we need the right setup before we finally buckle down and get serious. Or we tell ourselves that some vacation or time alone will be good for a relationship or an ailment. This is self-deceit at its finest. It’s far better that we become pragmatic and adaptable—able to do what we need to do anywhere, anytime. The place to do your work, to live the good life, is here.
”
”
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
“
Work hard, then, on the disappointment or anticlimax which is certainly coming to the patient during his first few weeks as a churchman. The Enemy allows this disappointment to occur on the threshold of every human endeavour. It occurs when the boy who has been enchanted in the nursery by Stories from the Odyssey buckles down to really learning Greek. It occurs when lovers have got married and begin the real task of learning to live together. In every department of life it marks the transition from dreaming aspiration to laborious doing.
”
”
C.S. Lewis (The Screwtape Letters)
“
And here he is, letting the massive steel street door click shut behind him, standing at the top of the three iron steps that lead down to the shattered sidewalk. New York is probably, in this regard at least, the strangest city in the world, so many of its denizens living as they (we) do among the unreconstructed remnants of nineteenth-century sweatshops and tenements, the streets potholed and buckling while right over there, around the corner, is a Chanel boutique. We go shopping amid the rubble, like the world's richest, best-dressed refugees.
”
”
Michael Cunningham (By Nightfall)
“
Hot.” The last word, barely a whisper, lost itself in my hair as he pressed his lips to that spot just below my ear that can, apparently, flip the off switch in my brain. Before I realized it my hands were inside that jacket, stroking the hard planes of his chest and stomach. And then, as if moving without any prompting from me they reached down, undid his belt, pulled it loose, and…“Ahhh, that feels great,” I moaned.“I am completely grossed out over here!” Cassandra informed us.Vayl, who’d been peering down at me with an expression of utter disbelief, stared at Cassandra over the top of my head. “It is not what you think,” he assured her.“As if I’d do something that disgusting,” I said, pulling away from him, but keeping the belt, because the buckle relieved the itching so much better than fingernails. I continued using it to scratch the inflamed skin across my stomach as I sat down by Cassandra.
“You are pathetic,” she told me.
“I’d get all offended, but I’m pretty sure you’re right.
”
”
Jennifer Rardin (One More Bite (Jaz Parks, #5))
“
You stupid fool, you know very well it's not a short novel, but something longer...A piece of work you've got to buckle down to, that needs peace and concentration. Being able to wake up in the morning and lie in bed for a while.
”
”
Iván Mándy
“
I tell me:
Let these words be footsteps, because I have a long way to travel. Let the words walk the dirty streets. Let them make their way across the crying grass. Let them stand and breathe and pant smoke in winter evenings. And when they're tired and have fallen down, let them buckle to their feet ad arc around me, watchful.
I want these words to be actions.
Give them flesh and bones, I say to me, and eyes of hunger and desire, so they can write and fight me through the night.
”
”
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
“
She felt hands seize her as the soldiers who hadn’t been knocked down fell upon her in a wave, trying to wrestle her to the ground. They were kindling in her hands, insubstantial. She threw them off, and one struck the temple’s gate hard enough to buckle the stone pillar. Is this all you are? something inside her demanded. Cowards clutching your guns? Give me a challenge.
”
”
Leigh Bardugo (Wonder Woman: Warbringer (DC Icons, #1))
“
Coach Slader caught up followed closely by a trail of curious students all as surprised as I at this turn of events.Coach spoke in a delicate voice, like he didn’t want to spook a dangerous animal.
“Jayden, what are you doing?”
“She needs medical attention.” The guy didn’t pause stride.
“Yes, but—”
“I’m taking her to the nurse.”
“Okay, but—”
“She’s too weak to walk.”
I huffed. “I am not. Put me down.”
In one swift movement the boy stopped, dumped me on my feet and stepped back. My knees buckled and before you could say “Bob’s your uncle” he scooped me up again and kept walking. A chorus of giggles erupted behind us.
“See,” he said.I put my arms around his neck and shut up.
”
”
A. Kirk
“
Pushing Carson back out of the door, I grabbed my jacket off the hook and shoved my feet into the great old clogs that my poor podiatrist father wants outlawed.
"Don't you want to change or something?" Mom called after me.
"She'll never change," Carson answered, and followed me down the steps.
I settled myself into the passenger seat and buckled up as he back out of the driveway. "Your arches are falling?"
"Turns out I am deeply flawed," I admitted.
”
”
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
“
I try not to hate anybody. "Hate is a four-letter word," like the bumper sticker says. But I hate book reviewers.
Book reviewers are the most despicable, loathsome order of swine that ever rooted about the earth. They are sniveling, revolting creatures who feed their own appetites for bile by gnawing apart other people's work. They are human garbage. They all deserve to be struck down by awful diseases described in the most obscure dermatology journals.
Book reviewers live in tiny studios that stink of mothballs and rotting paper. Their breath reeks of stale coffee. From time to time they put on too-tight shirts and pants with buckles and shuffle out of their lairs to shove heaping mayonnaise-laden sandwiches into their faces, which are worn in to permanent snarls. Then they go back to their computers and with fat stubby fingers they hammer out "reviews." Periodically they are halted as they burst into porcine squeals, gleefully rejoicing in their cruelty.
Even when being "kindly," book reviewers reveal their true nature as condescending jerks. "We look forward to hearing more from the author," a book reviewer might say. The prissy tones sound like a second-grade piano teacher, offering you a piece of years-old strawberry hard candy and telling you to practice more.
But a bad book review is just disgusting.
Ask yourself: of all the jobs available to literate people, what monster chooses the job of "telling people how bad different books are"? What twisted fetishist chooses such a life?
”
”
Steve Hely (How I Became a Famous Novelist)
“
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.
Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.
Silver and blue, blue and silver.
Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.
The voice of Volkheimer: What you could be.
Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.
“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.
The wind moves through his undershirt. He is a kite, a balloon.
Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.
“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”
Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?
The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.
Why doesn’t the wind move the light?
Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.
“Stop,” he calls.
“Halt,” he calls.
But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
”
”
Anthony Doerr (All the Light We Cannot See)
“
There has to be blame and there has to be reasons and there has to be answers and if nobody can adequately accept the blame and give a sufficient reason and provide an answer, the love, no matter how strong it is, the family, no matter how tight it is, the life, no matter how good it is, will always buckle, then snap, then drown completely under the pressure of itself, the reality of the mistrust, and the weight of its own history, because if there are no answers, the blame and the guilt become stronger than the love and those two things together become a force that no amount of love can ever break down and overcome.
”
”
Jason Myers (Dead End)
“
But thanks to my rapidly dividing cells, I no longer have that feeling—although I remember it very well—that if I just buckled down to the great work at hand, lived more authentically, stopped procrastinating, cut out sugar, then my best self was just there right around the corner. Yeah, no. I’m done with all that. I
”
”
David Rakoff (The Uncollected David Rakoff: Including the entire text of Love, Dishonor, Marry, Die, Cherish, Perish (Anchor Books Original))
“
What's it like feeling the smooth heat of that arm, tracing the supernatural muscles bunched in his arms and chest, teasing anyone with a pulse and hormones to lick their way down the divots and planes of that skin, to unbutton the leather shielding his body and taste all the way down to that silver buckle on his belt.
”
”
Poppet (Sveta (Neuri, #1))
“
Now we see it, lying in the middle of the road. A swan, a mute swan. It looks like an offcut of organza, crumpled around the edges, twitching. As we pass we see its long neck has buckled into its body like a folding chair. We see its wings are tucked back as if the tar is liquid and the swan is swimming.
There are two men and a woman in the road. One man is standing on the tar, the other is directing the traffic. The woman is kneeling down beside the swan. I think she is crying, she seems to be crying, and this makes me suddenly angry. I think of all the other creatures we’ve seen since we set out. I think of the rat, the fox, the kitten, the badger. I think of the jackdaw, did you see the jackdaw? We passed it in the queue to pass the swan. Its beak was cracked open, its brains squeeged out. Why didn’t anybody stop for the jackdaw? Because the swan looks like a wedding dress, that’s why. Whereas the jackdaw looks like a bin bag. Because this is how people measure life.
”
”
Sara Baume (Spill Simmer Falter Wither)
“
...each day I sit down in purposeful concentration to write in a notebook, some sentences on a buried truth, an unnamed reality, things that happened but are denied. It is hard to describe the stillness it takes, the difficulty of this act. It requires an almost perfect concentration which I am trying to learn and there is no way to learn it that is spelled out anywhere or so I can understand it but I have a sense that it's completely simply, on the order of being able to sit still and keep your mind dead center in you without apology or fear. I squirm after some time but it ain't boredom, it's fear of what's possible, how much you can know if you can be quiet enough and simple enough. I move around, my mind wanders, I lose the ability to take words and roll them through my brain, move with them into their interiors, feel their colors, touch what's under them, where they come from long ago and way back. I get frightened seeing what's in my own mind if words get put to it. There's a light there, it's bright, it's wide, it could make you blind if you look direct into it and so I turn away, afraid; I get frightened and I run and the only way to run is to abandon the process altogether or compromise it beyond recognition. I think about Celine sitting with his shit, for instance; I don't know why he didn't run, he should've. It's a quality you have to have of being near mad and at the same time so quiet in your heart that you could pass for a spiritual warrior; you could probably break things with the power in your mind. You got to be able to stand it, because it's a powerful and disturbing light, not something easy and kind, it comes through your head to make its way onto the page and you get fucking scared so your mind runs away, it wanders, it gets distracted, it buckles, it deserts, it takes a Goddamn freight train if it can find one, it wants calming agents and sporifics, and you mask that you are betraying the brightest and the best light you will ever see, you are betraying the mind that can be host to it...
...Your mind does stupid tricks to mask that you are betraying something of grave importance. It wanders so you won't notice that you are deserting your own life, abandoning it to triviality and garbage, how you are too fucking afraid to use your own brain for what it's for, which is to be a host to the light, to use it, to focus it; let it shine and carry the burden of what is illuminated, everything buried there; the light's scarier than anything it shows, the pure, direct experience of it in you as if your mind ain't the vegetable thing it's generally conceived to be or the nightmare thing you know it to be but a capacity you barely imagined, real; overwhelming and real, pushing you out to the edge of ecstasy and knowing and then do you fall or do you jump or do you fly?
”
”
Andrea Dworkin (Mercy)
“
His shoulders, which had been hunched and still, gradually sank. His face turned wrinkly like a deflated balloon. His head slowly hanging low, his knees buckled. His body was shaking, his head sunk down against his chest. There was no sound, but I knew he was crying. I looked down at him, saying nothing. I felt like I'd become uselessly taller.
”
”
Sohn Won-Pyung (Almond)
“
Going somewhere?” Tamlin asked. His voice was not entirely of this world.
I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him.
His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff.
I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.”
He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone.
“Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild.
“You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.”
I couldn’t escape. I wasn’t entirely sure that I wanted to.
“She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly.
He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal.
“Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck.
I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight …
His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips.
He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
On his first attempt to get up, his knees buckled and he sat down hard enough to send
”
”
Blake Crouch (Pines (Wayward Pines, #1))
“
But I’ve got those instincts strapped down tight. One more championship and maybe I’ll take my gold buckle and hang up my hat. Preferably on Summer Hamilton’s head.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
What I have found is that a baby—though she doesn’t know words yet, or information, or the rules of life—is the most reliable judge of feelings. All a baby has with which to take in the world are her five senses. Hold her, sing to her, show her the night sky or a quivering leaf, or a bug. Those are the ways—the only ways—she learns about the world—whether it is a safe and loving place, or a harsh one. What she will register, at least, will be the fact that she is not alone. And it has been my experience that when you do this—slow down, pay attention, follow the simple instincts of love—a person is likely to respond favorably. It is generally true of babies, and most other people too, perhaps. Also dogs. Hamsters even. And people so damaged by life in the world that there might seem no hope for them, only there may be. So I talk to her. Sometimes we dance. When our daughter’s breathing is steady again—maybe she has fallen asleep, maybe not—we buckle her up in her car seat and continue north. I always know, whatever hour it may be when we pull down the long dirt road leading to their house, that the lights will be on, and the door will be open even before we reach it—my mother standing there, with Frank beside her. You brought the baby, she says.
”
”
Joyce Maynard (Labor Day)
“
He obviously enjoyed her annoyance. He took his time and uncapped the bottle of water. Removed his ball cap. Dumped the water over his head.
Julianna’s breath caught. Her body slammed into overdrive at the raw sexual scene before her. Water dripped from his thick blond hair and ran down his face. Over a carved jaw. Slid down to dampen perfectly cut lips.
His t-shirt soaked up the liquid and clung to his chest like a Women’s Night gone wild. Hunger hit hard and deep as she followed the trail down to his belt buckle, where droplets slid under the denim and hid beyond.
”
”
Jennifer Probst (Sex, Lies and Contracts)
“
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change.
“Holy shit—is that a red velvet chaise lounge?”
The guys exchange a WTF look. “Um…sure?” Justin says. “Why—”
I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder.
Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat.
“What is happening right now?” Justin bursts out.
I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.”
Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing.
Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position.
“Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?”
“What is happening?”
We both ignore Justin’s baffled exclamation.
“Show me the thumbs up,” Garrett says.
I give the camera a wolfish grin and stick up my thumbs.
My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.”
He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag.
As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures.
I nod in approval. “Damn. I should go into modeling.”
“You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.”
Fuck, it totally does.
Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.”
I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.”
“You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.”
“Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.”
“Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Perrin told me about his people before I ever came here,” she said. He was not a man to brag, but things had a way of coming out. “When hail flattens your crops, when the winter kills half your sheep, you buckle down and keep going. When Trollocs devastated the Two Rivers, you fought back, and when you were done with them, you set about rebuilding without missing a step.” She would not have believed that without seeing for herself, not of southerners. These people would have done very well in Saldaea, where Trolloc raids were a matter of course, in the northern parts at least. “I cannot tell you the weather will be what it should tomorrow. I can tell you that Perrin and I will do what needs to be done, whatever can be done. And I don’t need to tell you that you will take what each day brings, whatever it is, and be ready to face the next. That is the kind of people the Two Rivers breeds. That is who you are.
”
”
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
“
Mr. Rearden,” said Francisco, his voice solemnly calm, “if you saw Atlas, the giant who holds the world on his shoulders, if you saw that he stood, blood running down his chest, his knees buckling, his arms trembling but still trying to hold the world aloft with the last of his strength, and the greater his effort the heavier the world bore down on his shoulders—what would you tell him to do?” “I . . . don’t know. What . . . could he do? What would you tell him?
”
”
Ayn Rand (Atlas Shrugged)
“
It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls--as little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows back enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all ,may be just how much horror the human mind can stand and still maintain a wakeful, staring unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor beings to reassert itself.
”
”
Stephen King (Pet Sematary)
“
a counselor interrupted his meeting with faculty down the hall. "Frank, they need you," he said. "You need to go out there."
Frank walked the hallway to the nave of the church, contemplating what to say. And again he faced the dilemma of how to act at the microphone. Several of his friends, and staff, too, had warned him not to cry again. "God, you're going to be in the national media," they said. "You can't show that, it's a sign of weakness." He had gotten away with it once, but the media would crucify him if they discovered he was buckling.
The trauma specialists disagreed. These kids had been raised in a western mentality, they argued: real men fend for themselves; tears are for weaklings; therapy is a joke. "Frank, you are the key," one counselor advised him. "You're an emotional person, you need to show those emotions. If you try to hold your emotions inside, you're going to set the image for other people." The boys, in particular, would be watching him. DeAngelis felt. They were already dangerously bottled up. "Frank, they need to know it's all right to show emotion," the counselor said. "Give them that permission."...
"I walked on that stage and I saw those kids cheering and the tears started coming down."
This time he decided to address the tears. "Guys, trust me, now is not the time to show your manliness," he told them. "Emotion is emotion, and keeping it inside doesn't mean you're strong."
That was the last time Mr. D worried about crying in public. p117-18
”
”
Dave Cullen (Columbine)
“
Now, as I walk back to him, carrying these rocks, I also carry the weight of Jenni's words to me: "I'd never want you to become someone bad because of me". That memory presses me down and threatens to buckle my knees more than any bundle or rocks ever could.
”
”
Allen Eskens (The Deep Dark Descending (Detective Max Rupert, #4))
“
When Jesus “starts knocking the house about in a way that hurts abominably,” when his work in our lives “does not seem to make sense,” then he’s really getting somewhere. He’s pounding gaping holes in the painted drywall of our own wisdom to reveal the termite-infested 2x4s on the other side. Ripping up the carpet to point out an inch-wide crack in the foundation. What we thought would take a few months to fix and fancy up will, it turns out, require a lifetime of labor. But Christ is okay with that. He was, after all, raised in the home of a carpenter. And he’ll take his sweet time. C. S. Lewis says he “intends to come and live in it Himself,” but the truth is, he’s already moved in, put his underwear and socks in the drawers, and buckled on his tool belt. He’s here for the long haul.
”
”
Chad Bird (Upside-Down Spirituality: The 9 Essential Failures of a Faithful Life)
“
HOW DO WE TUMBLE down a hill? A foot placed incautiously on an unsteady rock or loosened turf, an ankle twisted or a knee buckled, and of a sudden we are gone, our body lost to our own control until we find ourselves sprawled in indignity at the bottom. So it seems apt indeed to speak of the Fall. For sin, too, must always start with but a single misstep, and suddenly we are hurtling toward some uncertain stopping point. All that is sure in the descent is that we will arrive sullied and bruised and unable to regain our former place without hard effort.
”
”
Geraldine Brooks (Year of Wonders)
“
Good afternoon, Nathaniel. Kindly return my basket.”
“Is that all you have to say? You disappoint me. I thought you would send me sailing into the horse trough at least. I guess you respect my new position as a man of the world.”
“You are not a man of the world, you clean paintbrushes, though for the life of me I don’t know why Mr. Peale bothers with you. And you will end up in that trough if you don’t give back my basket.” I paused. “Your shoe buckle is missing.”
“What?”
I grabbed the basket as he looked down to inspect his shoe.
“Very funny,” he said.
”
”
Laurie Halse Anderson (Fever 1793)
“
When dressing my son before his hockey games, I am always careful with the gear, with each legging, each strap and buckle... Not only are his slight legs swallowed by the wide pads, but his chest and arms are covered only by a tight shirt, accentuating the contrast. Next the puffy upper-body protector, insulated sleeves, and jersey overtop. The final step is the helmet. I start crying as I place it on his head, cinch down the chin cup, and close the cage over his face... I just put my seven-year-old son in a bomb suit and sent him on the Long Walk.
p 183
”
”
Brian Castner (The Long Walk: A Story of War and the Life That Follows)
“
At that moment, Ronin stepped back into the living room, clothed, thank God. Well, mostly. Kneeling on the floor before him, Devin watched him fascinated as he fastened the buttons of his plaid flannel shirt, thankfully covering that fucking beautiful chest. He left the top two buttons at his neck open. Frozen, she stared as his hands slipped down to tuck the shirt into his jeans before he fastened the fly and buckled his belt. Her fingers itched as she imagined the warmth and hardness of his hips, the deep contour of muscle low on his stomach.
Ooooohhhhh!
”
”
Sibylla Matilde (Little Conversations (Conversations, #1))
“
Faith is the oil that takes the friction out of living. Faith will enable you to turn liabilities into assets and stumbling blocks into stepping stones. When you begin to have faith, your load will get heavy but your knees won’t buckle, you’ll get knocked down but you won’t get knocked out. You’ve got to have faith if you are going to make it in life. You must believe in yourself and in a power greater than yourself, and do your best and don’t worry about the rest. You must maintain faith and work as if everything depended on you, and pray as if everything depended on God.
”
”
T.D. Jakes (Why? because You're Anointed)
“
If you take nothing else from this chapter, remember this: you won’t just do it. Getting organized is not a matter of simply buckling down and trying harder. If you’re currently unhappy with the level of disorganization in your life, take some time to figure out why that is — and what you’re looking for. You need a reason for getting organized that will be its own reward. Something that will make you feel so good, you won’t want to lose it, and even if you do, you’ll fight to get it back. Humans, and especially humans with ADHD, need to feel compelled by something urgent and important.
”
”
Jaclyn Paul (Order from Chaos: The Everyday Grind of Staying Organized with Adult ADHD)
“
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.
Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.
“Have you seen Aiden?”
“Aiden?”
Were there really that many Aidens? “Graves.”
“Can I ask what you need him for?”
I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”
It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.
Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.
I couldn’t help but crack a little smile at his grumpiness. “Ready?”
He did his form of a nod, a tip of his chin.
I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.
He glared down at me. “What are you smiling at?”
I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”
He mouthed ‘sunshine’ as his gaze strayed to the ceiling.
We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.
He eyed me as he buckled in, and I slanted him a look. “What?”
With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.
All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.
When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.
“For me?” I asked like an idiot.
He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”
Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
The Hawk of Essex looked out toward the sea and thought for a moment that he had stepped back in time. As it had more than two years before, a Viking war fleet was bearing down on his shore.
He called to his wife, who was, after all, Norse and whom he knew had a good grasp of things. "Would you agree that Wolf and Dragon are reasonable men?"
Krysta lifted their son from the basin in which she had been bathing him, grinned at the baby's eager kicks, and wrapped him snugly in a blanket before joining Hawk at the window. "Eminently reasonable."
He looked again over the sea. "Something has stirred them." Buckling on his sword,he went to find out what it was.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Dropping to his knees before her, he loved her, worshiped her with his mouth, kissing her stomach, her hips, her thighs, and finally reaching her moist, intimate center.
She cried out his name and he knew she was shocked at his behavior, but he didn't care.
He devoured her, holding her tightly against his mouth as he drank her.
Alternating between swirls of his tongue and long, languid licks, he let her moans and sighs be his guide to pleasuring her. Her body shook and he knew she was close. He quickened his movements.
He slid his hands from her bottom around to her waist, and to her rib cage. Reaching her breasts, he plucked at her nipples while he suckled the tiny nubbin of flesh hidden in her folds.
She screamed. And he continued his sweet torture until her knees buckled.
He caught her to him. Holding her close he carried her to his bed, his cock so fiendishly hard he thought he'd go mad if he didn't take her at that moment.
In a stunningly short amount of time, he rid himself of his clothes and joined her on the bed. Her legs spread for him and he sank himself between her thighs.
Her limbs shaking, Charlotte wrapped her legs around his waist and eagerly met her husband's lips for a kiss.
His body was simply magnificent, she thought, running her hands down his muscled back, over the hard muscles of his arms and chest.
”
”
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
“
Daniel looked down the barrel of the shotgun al set to blow his
brains out and grinned. These days, even a gun-toting, trigger-happy
female was a delight to behold, and she was perfect.
Sunlight streamed in through the kitchen window. She all but shone
with it, like an angel or a princess or something. Something a little
overdue for a bath and a lot on edge, but something very good just
the same. The feeling of sweet relief rushing through him nearly
buckled his knees.
Tall and curvy, around thirty at a guess, and uninfected, she was by
far the best thing he had ever seen in jeans and a t-shirt. Not even the
dried blood splattered on the wal behind her could diminish the
picture she made.
Sadly, his girl did not appear to share his joy
”
”
Kylie Scott (Flesh (Flesh, #1))
“
But they had been down on all fours naked, not touching except their lips right down there on the floor where the tie is pointing to, on all fours like (uh huh, go on, say it) like dogs. Nibbling at each other, not even touching, not even looking at each other, just their lips, and when I opened the door they didn't even look for a minute and I thought the reason they are not looking up is because they are not doing that. So it's all right. I am just standing here. They are not doing that. I am just standing here and seeing it, but they are not really doing it. But then they did look up. Or you did. You did, Jude. ... And I did not know how to move my feet or fix my eyes or what. I just stood there seeing it and smiling, because maybe there was some explanation, something important that I did not know about that would have made it all right. I waited for Sula to look up at me any minute and say one of those lovely college words like aesthetic or rapport, which I never understood but which I loved because they sounded so comfortable and firm. And finally you just got up and started putting clothes on and your privates were hanging down, so soft, and you buckled your pants but forgot to button the fly and she was sitting on the bed not even bothering to put on her clothes because actually she didn't need to because somehow she didn't look naked to me, only you did. Her chin was in her hand and she sat like a visitor from out of town waiting for the hosts to get some quarreling done and over with so the card game could continue and me wanting her to leave so I could tell you privately that you had forgotten to button your fly because I didn't want to say it in front of her, Jude. And even when you began to talk, I couldn't hear because I was worried about you not knowing that your fly was open ...
Remember how big that bedroom was, Jude? How when we moved here we said, Well, at least we got us a real big bedroom, but it was small then, Jude, and so shambly and maybe it was that way all along but it would have been better if I had gotten all the dust out from under the bed because I was ashamed of it in that small room. And you walked past me saying, "I'll be back for my things." And you did but you left your tie.
”
”
Toni Morrison (Sula)
“
I still don’t see why I can’t just take the next bus,” said Scott as he buckled himself into the front passenger’s seat. [...] “Because the next bus isn’t for forty-five minutes, and by that time you’ll have missed first period.” Mom backed the car out of the garage and down the driveway. “It’s only English. I already speak English real goodly.” “You’re a laugh riot, Scotto.
”
”
Alex Gino (Melissa (previously published as GEORGE))
“
Opening the lid, I looked down at the gleaming belt buckle and rubbed my thumb over the engraved word 'Champion'. Realizing that right then I actually felt like one, I dropped my knee in the dirt, pulled my cowboy hat from my head, put it to my chest, raised a hand to my forehead and thanked the heavens for a job well done, a clean, safe ride and for the woman waiting for me in the stands.
”
”
Carly Kade (Cowboy Away (In The Reins #2))
“
Hence, the eighth principle: whenever possible, we should manage our thinking by creating cognitively congenial situations. We often regard the brain as an organ of awesome and almost unfathomable power. But we’re also apt to treat it with high-handed imperiousness, expecting it to do our bidding as if it were a docile servant. Pay attention to this, we tell it; remember that; buckle down now and get the job done. Alas, we often find that the brain is an unreliable and even impertinent attendant: fickle in its focus, porous in its memory, and inconstant in its efforts. The problem lies in our attempt to command it. We’ll elicit improved performance from the brain when we approach it with the aim not of issuing orders but of creating situations that draw out the desired result.
”
”
Annie Murphy Paul (The Extended Mind: The Power of Thinking Outside the Brain)
“
soon as they reached the first archway, the polecat Gale found them. She scurried up Hazel’s side and curled around her neck, chittering crossly as if to say: Where have you been? You’re late. “Not the farting weasel again,” Leo complained. “If that thing lets loose in close quarters like this, with my fire and all, we’re gonna explode.” Gale barked a polecat insult at Leo. Hazel hushed them both. She could sense the tunnel ahead, sloping gently down for about three hundred feet, then opening into a large chamber. In that chamber was a presence…cold, heavy, and powerful. Hazel hadn’t felt anything like it since the cave in Alaska where Gaea had forced her to resurrect Porphyrion the giant king. Hazel had thwarted Gaea’s plans that time, but she’d had to pull down the cavern, sacrificing her life and her mother’s. She wasn’t anxious to have a similar experience. “Leo, be ready,” she whispered. “We’re getting close.” “Close to what?” A woman’s voice echoed down the corridor: “Close to me.” A wave of nausea hit Hazel so hard her knees buckled. The whole world shifted. Her sense of direction, usually flawless underground, became completely unmoored. She and Leo didn’t seem to move, but suddenly they were three hundred feet down the corridor, at the entrance of the chamber. “Welcome,” said the woman’s voice. “I’ve looked forward to this.” Hazel’s
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Did you just say you got away from the Snatchers with a spare wand?”
“What?” said Ron, who had been watching Hermione examining the locket. “Oh--oh yeah.”
He tugged open a buckle on his rucksack and pulled a short, dark wand out of its pocket. “Here. I figured it’s always handy to have a backup.”
“You were right,” said Harry, holding out his hand. “Mine’s broken.”
“You’re kidding?” Ron said, but at that moment Hermione got to her feet, and he looked apprehensive again.
Hermione put the vanquished Horcrux into the beaded bag, then climbed back into her bed and settled down without another word.
Ron passed Harry the new wand.
“About the best you could hope for, I think,” murmured Harry.
“Yeah,” said Ron. “Could’ve been worse. Remember those birds she set on me?”
“I still haven’t ruled it out,” came Hermione’s muffled voice from beneath her blankets, but Harry saw Ron smiling slightly as he pulled his maroon pajamas out of his rucksack.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I roll around to see Rocky hovering over me. Not in his compartment. He's in the control room!
He has slashed my restraints and pulled the chair free. He shoves it to the side.
He stands over me, wobbling. I can feel the heat radiating from his body just inches away. Smoke billows out of the radiator slits atop his carapace.
His knees buckle and he collapses on to the screen next to me, destroying it. The LCD unit blacks out and the plastic bezel melts.
I see a trail of smoke leading up the tunnel to the lab and beyond.
'Rocky!' What have you done?'
The crazy bastard must have used the large airlock in the dormitory! He came in to my partition to save me. And he'll die because of it!
He shivers and folds his legs under himself.
'Save... Earth... save... Erid...' he quavers. Then he slumps down.
'Rocky!' I grab his carapace without thinking. It's like putting my hands on a burner. I jerk away. 'Rocky... no...'
But he is motionless.
”
”
Andy Weir (Project Hail Mary)
“
Who calls the Prince of the Mud?'
…
The snapping turtle snapped. Its head shot out to maximum extension—Eliot wouldn’t have believed anything that big could move that fast. It was like a Mack truck coming straight at them. As it bit it turned its head on one side, to take them both in one movement.
Eliot reacted fast. His reaction was to crouch down and cover his face with his arms. From the relative safety of this position he felt the day grow colder around them, and he heard a crackle, which at first he took for the pier splintering in the turtle’s jaws. But the end didn’t come.
'You DARE?' Janet said.
Her voice was loud now—it made the boards vibrate sympathetically under his feet. He looked up at her. She’d gone airborne, floating two feet above the pier, and her clothes were rimmed with frost. She radiated cold; mist sheeted off her skin as it would off dry ice. Her arms were spread wide, and she had an axe in each hand. They were those twin staves she wore on her back, each one now topped with an axe-head of clear ice.
The turtle was trapped in mid-lunge. She’d stopped it cold; the swamp was frozen solid around it. Janet had called down winter, and the water of the Northern Marsh was solid ice as far as he could see, cracked and buckled up in waves. The turtle was stuck fast in it. It struggled, its head banging back and forth impotently.
'Jesus,' Eliot said. He stood up out of his defensive crouch. 'Nice one.'
'You DARE?' Janet said again, all imperious power. 'Marvel that you live, Prince of Shit!
”
”
Lev Grossman (The Magician's Land (The Magicians, #3))
“
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her.
I smirk. “That’s not my car.”
She nods. “Right, of course. I see it now.”
She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.”
“Not even close.”
“Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?”
I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school.
“You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me.
I shrug. “It gets good gas mileage.”
She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.”
I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.”
We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence.
Finally, I ask, “Where do you live?”
“On the west side. Right across from Franklin Park.”
“Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?”
“Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.”
I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.”
She doesn’t think I’m funny.
”
”
R.S. Grey (Hotshot Doc)
“
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome.
And look at that—someone left the keys in the ignition.
Stealthily, I sidle up to Sarah.
“Have you ever driven in a convertible?”
She looks up sharply, like she didn’t see me approach. “Of course I have.”
My hands slide into my pockets and I lean back on my heels.
“Have you ever been in a convertible driven by a prince?”
Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles.
“No.”
I nod. “Perfect. We do this in three.”
Now she looks nervous. “Do what?”
I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time.
“Three . . .”
“I don’t know what you mean.”
“Two . . .”
“Henry . . .”
“One.”
“I . . .”
“Go, go, go!”
“Go where?” she asks, loud enough to draw attention.
So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side.
“Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods.
“The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl.
“I know a shortcut. Buckle up.”
We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good.
“Duck.”
“What?”
I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree.
After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me.
I smirk. “If you wanted me to push your head down, love, you could’ve just said so.”
“You’re insane!”
I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?”
We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Can I tell you something without it going to your head?" Shelby murmured as she ran her fingers down his chest, over his ribs.
"Probably not." His voice had thickened from the pleasure of being touched. "I'm reasily flattered."
"In my workroom..." Shelby pressed her lips to his chest and felt his heartbeat thud faster against them. "When I messed up your shirt and you took it off to rinse it? I turned around and saw you-I wanted to get my hands on you like this." She ran her palms up,then down again to where his waist narrowed. "Just like this,I nearly did."
Alan felt his blood start to pound-in his head, his heart,his loins. "I wouldn't have put up much of a fight."
"If I'd decided to have you, Senator," she murmured on a sultry laugh, "you wouldn't have had a chance."
"Is that so?"
Shelby ran her tongue down his rib cage. "Mmm," she said when she heard the small, quick intake of breath. "Just so.A MacGregor will always buckle under to a Campbell."
Alan started to form a retort, then her fingers skimmed his thigh. As a politician, he knew the value of a debate-but sometimes they didn't require words.She could have the floor first.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Seamus tossed down two of his cards. “Hell. I’d train her if Tristan asked me. Wouldn’t mind seeing that pretty face every day.”
I studied my cards, pretending not to hear him.
“Maybe I should offer to work with her,” he said. “Free you up so you can get back to doing what you love.”
My jaw tightened.
“You go kill things, and I’ll show the lass some Irish moves. Win-win situation for both of us, right?”
The cards in my hand began to buckle.
“Ha!” Seamus gave Niall a victorious grin. “Pay up, bro.”
Niall’s mouth turned down. “You don’t even like that album.”
“I said it wasn’t my favorite one, but you know I like all of Johnny Cash’s stuff.”
“Since when?”
I stared at the two brothers with a mix of irritation and confusion.
“What are you two going on about?” Chris asked.
Seamus looked at me with a smug expression. “I told Niall you had it bad for the lass. He said she was too young and sweet to interest you. We made a friendly wager, which he just lost.”
“You don’t have proof he’s into her,” Niall argued. “He just might not want your ugly mug around her.”
Seamus snorted. “You do realize we’re identical twins.”
“I’m still better looking.
”
”
Karen Lynch (Warrior (Relentless #4))
“
Muscles contract somewhere above the roof of my mouth, pumping venom into her bloodstream. Kelly cries out, a gasp of pain that turns suddenly to moans of euphoria as the carotids rush the narcotic serum directly to her brain. Her knees buckle, and I reach down to steady her — one arm over her breasts, the other around her waist as I hold her tightly to myself. Then the blood begins to flow, seeping out of the wounds I have made, and I put my lips to her skin and drink.
There are no words adequate to describe it. My mind explodes with a wash of light and color, swirling and dancing before my eyes. Then the Sharing truly begins, and I can see inside her: images of her memories, her thoughts, her hopes and dreams, the way she remembers her past and how she imagines her future. Her joys; her grief; that which she loves and that she despises, what stirs her fire and chills her bones. And through it all, I feel the touch of her presence, and I know that she sees the same things inside of me.
Blood is more than matter, more than plasma and hemoglobin. Blood is life, the river on which the spirit flows. And as Kelly's blood flows into me, it carries her life with it, until my soul entwines with hers. She has given a part of herself to me, and from this day forth we are bound to each other.
”
”
Chris Lester (Huntress (Metamor City, #2))
“
She hit the button again, holding her breath this time until she heard it.
Soft, sibilant, as insubstantial as the breaths that came before: Shannon. The voice whispered Shannon.
The blood rushed out of her head. Her heart knocked hard in her chest. Her knees buckled and she grabbed the counter to keep from falling. She was starting to hyperventilate, had to calm it down before she was taken by a full-blown panic attack.
Paper bag. Think. Think! Drawer below the silverware, next to the sink. Over the nose and mouth. Breathe slowly, slowly.
Holding the bag against her face, Shane slid to the floor with her back against the cabinets, legs splayed, lungs heaving.
It couldn’t be him. It couldn’t be Jordan. Jordan was dead.
”
”
Jane Taylor Starwood (Shattered Blue)
“
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal.
I turn off the ignition and look at her. "So, how are you and Toraf doing?"
She cocks her head at me. "What does that have to do with driving?"
Aside from delaying it? "Nothing," I say, shrugging. "Just wondering."
She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine."
"He didn't seem to think so."
She shoots me a look. "He can be oversensitive sometimes. I explained that to him."
Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself.
She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-"
"Now who's being oversensitive?" I say, grinning. She does love him.
"Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity.
Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first."
It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod.
She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic.
"D is for drive, right?" she says.
"Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive."
"I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move.
"Okay, now you'll want to step on the right pedal, which is the gas-"
The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it.
"Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled.
"Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry.
"Are you freaking kidding me? You're the one driving!
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Mr. Sturgess ran the classes with iron, ex-military discipline. We each had spots on the floor, denoting where we should stand rigidly to attention, awaiting our next task. And he pushed us hard. It felt like Mr. Sturgess had forgotten that we were only age six--but as kids, we loved it.
It made us feel special.
We would line up in rows beneath a metal bar, some seven feet off the ground, then one by one we would say: “Up, please, Mr. Sturgess,” and he would lift us up and leave us hanging, as he continued down the line.
The rules were simple: you were not allowed to ask permission to drop off until the whole row was up and hanging, like dead pheasants in a game larder. And even then you had to request: “Down, please, Mr. Sturgess.” If you buckled and dropped off prematurely, you were sent back in shame to your spot.
I found I loved these sessions and took great pride in determining to be the last man hanging. Mum would say that she couldn’t bear to watch as my little skinny body hung there, my face purple and contorted in blind determination to stick it out until the bitter end.
One by one the other boys would drop off the bar, and I would be left hanging there, battling to endure until the point where even Mr. Sturgess would decide it was time to call it.
I would then scuttle back to my mark, grinning from ear to ear.
“Down, please, Mr. Sturgess,” became a family phrase for us, as an example of hard physical exercise, strict discipline, and foolhardy determination. All of which would serve me well in later military days.
So my training was pretty well rounded. Climbing. Hanging. Escaping.
I loved them all.
Mum, still to this day, says that growing up I seemed destined to be a mix of Robin Hood, Harry Houdini, John the Baptist, and an assassin.
I took it as a great compliment.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Get up,” Chaol whispered. She couldn’t bring herself to look him in the face. It was over. Cain began laughing, and she felt the reverberations of his steps as he walked around the ring. “Is this all you have to offer?” he shouted triumphantly. Celaena trembled. The world was awash with fog and darkness and voices. “Get up,” Chaol said again, louder. She could only stare at the white line of chalk that marked the ring. Cain had said things he couldn’t possibly know—he’d seen it in her eyes. And if he knew about her past … She whimpered, hating herself for it, and for the tears that began sliding down her face, across the bridge of her nose and onto the floor. It was all over. “Celaena,” Chaol said gently. And then she heard the scraping noise as his hand came into view, sliding across the flagstones. His fingertips stopped just at the edge of the white line. “Celaena,” he breathed, his voice laced with pain—and hope. This was all she had left—his outstretched hand, and the promise of hope, of something better waiting on the other side of that line. Moving her arm made sparks dance before her eyes, but she extended it until her fingertips reached the line of chalk, and stayed there, not a quarter of an inch from Chaol, the thick white mark separating them. She lifted her eyes to his face, and found his gaze lined with silver. “Get up,” was all he said. And in that moment, somehow his face was the only thing that mattered. She stirred, and couldn’t stop her sob as her body erupted with pain that made her lie still again. But she kept her focus on his brown eyes, on his tightly pressed lips as they parted and whispered, “Get up.” She pulled her arm away from the line, bracing her palm against the frozen ground. She kept his gaze when she moved her other hand beneath her chest, and bit down on the scream of pain as she pushed upward, her shoulder nearly buckling. She slid her good leg under her. As she made to stand, she felt the thud of Cain’s steps, and Chaol’s eyes went wide.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Not much time had passed when he opened his eyes to find her standing over him. “Umm,” she said nervously. “Can you…? This is awkward. I’m still very squeamish about a man even seeing me on the treadmill, but could you share the bed, in your clothes, and manage not to do anything? I mean, even in your sleep?” “I’m okay right here, Brie. Don’t worry about me.” “I’m not worried about… I just thought, that couch isn’t big enough. And there’s a bed in the loft, but I just don’t want you way up there. And I… Could you lie beside me on the bed without—” “I’m not going to try anything with you, Brie. I know you can’t handle that.” “I don’t think I can sleep unless you’re…closer,” she said very softly. “Aw, honey…” “Then come on,” she said, turning back to the bedroom. He didn’t move for a moment, thinking. It didn’t take long. He wanted to be next to her, but he didn’t have to be. But if she needed him, he was there. He stood and got rid of his belt because of the big buckle, but everything else stayed on. And he went to the bedroom. She was curled up under the covers, her back facing out, leaving him room. So he lay down on the bed on top of the covers, giving her that security. “Okay?” he asked. “Okay,” she murmured. It wasn’t a big bed, just a double, and it was impossible to keep a lot of space between them. He curved around her back, spooning her, his face against her hair, his wrist resting over her hip. “Okay?” he asked. “Okay,” she murmured. He nestled in, his cheek against the fragrant silkiness of all that loose hair, his body wrapped around hers, though separated by layers of clothes and quilts, and it was a long, long time before he found sleep. By her even breathing, Mike knew she rested comfortably and that made him feel good. When he woke in the morning, she had turned in her sleep and lay in the crook of his arm, snuggled up close to him, her lips parted slightly, her breath soft and warm against his cheek. And he thought, Oh damn, she’s right—this is going to just break the hell out of my heart. *
”
”
Robyn Carr (Whispering Rock (Virgin River, #3))
“
The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes.
Astelle said, ‘A man like you – I could take full time.’
He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’
‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’
‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him.
‘I would not know if we did. I don't understand how love should feel.’
‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely.
He was buckling his sword belt over the black tunic.
She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find.
He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely.
‘Please don't go, Griff.’ She was almost tearful.
‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse.
‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully.
Then he just vanished before her very eyes.
He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body.
She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her.
If you loved, you would know it, he had said.
She had never felt more lonely or deserted in her life.
Unexplained tears slid slowly down her cheeks.
And that was how Griff broke the Faen Colonial Rule.
”
”
Bernie Morris (The Fury of the Fae)
“
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her.
He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there.
Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms.
Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed.
Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.”
Holy crap.
Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss.
“And now I lick,” he murmured.
Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him.
“No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.”
Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way.
“Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off.
His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth.
He spoke through his kiss. “I’m going to bite you now.”
Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder.
After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy.
Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin.
Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face.
Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips.
Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Diddy, not really alive, had a life. Hardly the same. Some people are their lives. Others, like Diddy, merely inhabit their lives. Like insecure tenants, never knowing exactly the extent of their property or when the lease will expire. Like unskilled cartographers, drawing and redrawing erroneous maps of an exotic continent.
Eventually, for such a person, everything is bound to run dow. The walls sag. Empty spaces bulge between objects. The surfaces of objects sweat, thin out, buckle. The hysterical fluids of fear deposited at the core of objects ooze out along the seams. Deploying things and navigating through space becomes laborious. Too much effort to amble from kitchen to living room, serving drinks, turning on the hi-fi, pretending to be cheerful . . .
Everything running down: suffusing the whole of Diddy's well-tended life. Like a house powered by one large generator in the basement. Diddy has an almost palpable sense of the decline of the generator's energy. Or, of the monstrous malfunctioning of that generator, gone amok. Sending forth a torrent of refuse that climbs up into Diddy's life, cluttering all his floor space and overwhelming his pleasant furnishings, so that he's forced to take refuge. Huddle in a narrow corner. But however small the space Diddy means to keep free for himself, it won't remain safe. If solid material can't invade it, then the offensive discharge of the failing or rebellious generator will liquefy; so that it can travel everywhere, spread like a skin. The generator will spew forth a stream of crude oil, grimy and malodorous, that coats all things and persons and objects, the vulgar as well as the precious, the ugly as well as what little still remains beautiful. Befouling Diddy's world and rendering it unusable. Uninhabitable.
This deliquescent running-down of everything becomes coexistent with Diddy's entire span of consciousness, undermines his most minimal acts. Getting out of bed is an agony unpromising as the struggles of a fish cast up on the beach, trying to extract life from the meaningless air. Persons who merely have a life customarily move in a dense fluid. That's how they're able to conduct their lives at all. Their living depends on not seeing. But when this fluid evaporates, an uncensored, fetid, appalling underlife is disclosed. Lost continents are brought to view, bearing the ruins of doomed cities, the sparsely fleshed skeletons of ancient creatures immobilized in their death throes, a landscape of unparalleled savagery.
”
”
Susan Sontag (Death Kit)
“
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas.
Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor.
Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt.
Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot.
In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.
”
”
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
“
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many."
HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not."
"How could you? You don't even know who it was, do you?"
"No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all.
"Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside."
A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon.
"Yes," he whispered. "A long list indeed."
"So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice.
"Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?"
She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward.
Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance."
Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room.
"Ah, there you are. Good evening, Grey. Rose, Lord Archer is here."
Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?"
Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
You’re mad. You’ve gone insane. He’d thought so, too. He fought to keep her alive while every night he left her to kill the rest. Why should one live though the world itself will perish? She illumined the lightless—her life the lamp, the last star in a dying universe. I am humanity, she had written. Self-centered, stubborn, sentimental, childish, vain. I am humanity. Cynical, naïve, kind, cruel, soft as down, hard as tungsten steel. He must get up. If he can’t, the light will go out. The world will be consumed by the crushing dark. But the totality of the atmosphere pushed him down and held him under, five quadrillion tons of bone-breaking force. The system had crashed. Taxed past its limits, the alien technology installed inside his human body when he was thirteen had shut down. There was nothing to sustain or protect him now. Burned and broken, his human body was no different from his former prey’s. Fragile. Delicate. Vulnerable. Alone. He was not one of them. He was completely one of them. Wholly Other. Fully human. He rolled onto his side. His back spasmed. Blood rushed into his mouth. He spat it out. Onto his stomach. Then knees. Then hands. His elbows quivered, his wrists threatened to buckle under his own weight. Self-centered, stubborn, sentimental, childish, vain. I am humanity. Cynical, naïve, kind, cruel, soft as down, hard as tungsten steel. I am humanity. He crawled. I am humanity. He fell. I am humanity. He got up.
”
”
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
“
I was too stunned to think or move. I knew he desired my blood. And yet I did not want to hinder him. With a flick of his fingers, he untied the ribbon at my collar and pulled open my nightdress at my neck, exposing my collar-bone and upper chest. His mouth instantly found the supersensitive skin at the side of my throat, and at first, butterfly touch, I quivered and moaned in ecstasy. Suddenly, I felt two sharp pricks against my flesh, and I gasped again. The pain was trivial, quickly replaced by a feeling of languid pleasure such as I had never before imagined. It was as if I could feel my blood seeping out of me, and at the same time, something new, magical, and effervescent seemed to be mingling with my own life essence. Soon, it felt as if the tingling, liquid glow that had been throbbing in my very centre was pulsating throughout all the veins in my body, as if every one of my senses was alive and heightened to a fever-pitch- and with it came a sense of impending danger. Deep down inside of me, I knew that this was bad for me- very bad- that if he took too much blood it would kill me- that I must put a stop to it before it was too late. But I had no will to stop it. I heard a strange vibration, like singing through deep water. My head fell back; I heard myself sigh with intense pleasure; my knees began to buckle beneath me. If nirvana existed, I thought, in the remote corner of my mind which could still think, this must be it. I never wanted it to end.
”
”
Syrie James (Dracula, My Love: The Secret Journals of Mina Harker)
“
They read the names out from sixth place to first. We were standing backstage behind a huge curtain, and Rachael and Evgeni were right next to us. Swell. I thought maybe we stood a chance of coming in fourth. But they didn’t call us. “This is crazy!” I whispered to Aneta. “We’re top three?” Then they called a German couple. We were in the top two!
Rachael smiled at me. “Oh, Derek! Great job!” she said. What she really meant was, “We’re going to take first place and you can have our sloppy seconds.” Then we heard, “In second place, from England…” Rachael’s face went white as a ghost. She and Evgeni were second! That left only one place for us…
“Derek Hough and Aneta Piotrovska are world champions!”
I started screaming, “What? What?” and jumping up and down. So much for my neck pain. This wasn’t real; it couldn’t be! I ran out from behind the curtain, pumping my fists in the air. I caught a glimpse of Rachael’s face. She was beyond pissed.
“We did it! We did it!” I yelled. The rest happened in slow motion: I ran out and jumped off the stage and the floor. While I was midair, I remember thinking, “ I’m wearing these Cuban heels. This isn’t gonna be good.” Then I hit the floor and my legs buckled. I fell into a roll, then stood straight up--as if I meant to do it all along. I limped over to Aneta to collect our trophy and we hugged. I didn’t give a crap about anything else. Not my neck or my knees or Rachael fuming as they snapped pictures of all of us. It was an amazing moment, a total high.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
Tub full, she stood back to regard the mound of ice. Already the heat of her home fought to melt it. A rap came again at the entrance, more like an impatient pounding, and she cursed. The clock showed her only a few minutes away from her torture. I need whoever it is to go away.
She ran to the door and slid open the peek-a-boo slot.
Familiar turquoise eyes peered back. “Little witch, little witch, let me come in,” he chanted in a gruff voice.
A smile curled her lips. “Not by the wart on my chinny chin chin,” she replied. “And before you try huffing and puffing, Nefertiti herself spelled this door. So forget blowing it down.”
“So open it then. I’ve got a lead I think on escapee number three.”
A glance at the clock showed one minute left. “Um, I’m kind of in the middle of something. Can you come back in like half an hour?”
“Why not just let me in and I’ll wait while you do your thing? I promise not to watch, unless you like an audience.”
“I can’t. Please. Just go away. I promise I’ll let you in when you come back.”
His eyes narrowed. “Open this door, Ysabel.”
“No. Now go away. I’ll talk to you in half an hour.”
She slammed the slot shut and only allowed herself a moment to lean against the door which shuddered as he hit it with a fist. She didn’t have time to deal with his frustration. The tickle in her toes started and she ran to the bathroom, dropping her robe as she moved.
The fire erupted, and standing on the lava tile in her bathroom, she concentrated on breathing against the spiraling pain and flames. I mustn’t scream. Remy might still be there, listening.
Why that mattered, she couldn’t have said, but it did help her focus for a short moment. But the punishment would not allow her respite. Flames licked up her frame, demolishing her thin underpants and she couldn’t help but scream as the agony tore through her body.
Make it stop. Make it stop.
Wishing, praying, pleading didn’t stop the torture.
As the inferno consumed her, her ears roared with the snap of the fire and a glance in her mirror horrified her, for there she stood – a living pyre of fire. She closed her eyes against the brilliant heat, but that just seemed to amplify the pain.
Her knees buckled, but she didn’t fall. Something clasped her and she moaned as she sensed more than saw Remy’s arms wrap around her waist. It had to be him. Who else was crazy enough to break down her door and interrupt?
Forcing open her eyes, eyes that wanted to water but couldn’t as the heat dried up all moisture, she saw the flames, not picky about their choice
her own nightmare, she knew enough to try and push him away with hands that glowed inferno bright. He wouldn’t budge, and he didn’t scream – just held her as the curse ran its course. Without being told, once the flames disappeared, he placed her in the ice bath, the shocking cold a welcome relief.
Gasping from the pain, she couldn’t speak but remained aware of how he stroked her hair back from her face and how his arm rested around her shoulders, cradling her. “Oh, my poor little witch,” he murmured. “No wonder you’ve been hiding.”
Teeth chattering as the cold penetrated her feverish limbs, she tried to reply. “Wh-what c-c-can I say? I’m h-h-hot.”
-Remy & Ysabel
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
I was about to pass him when he grabbed me, so fast that I didn't see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. 'I smelled you,' he breathed, his painted chest rising and falling so close to mine. 'I searched for you, and you weren't there.'
He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humour and gentle reprimands. The Tamlin I knew was gone.
'Let go,' I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild.
'You drove me mad,' he growled, and the sound trembled down my neck, along my breasts until they ached. 'I searched for you, and you weren't there. When I didn't find you,' he said, bring his face closer to mine, until we shared breath, 'it made me pick another.'
I couldn't escape. I wasn't entirely sure I wanted to.
'She asked me not to be gentle with her, either,' he snarled, his teeth bright in the moonlight. He brought his lips to my ear. 'I would have been gentle with you, though.' I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. 'I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.' He said my name like a caress, and his hot breath tickled my ear. My back arched slightly.
He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him- to strike or caress, I didn't know. I opened my eyes. He still smiled- smiled like an animal.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I shifted one strap over my shoulder, then the other. I circled my head around and swiveled my hips, creating a sort of hula hoop helix, a study in the curves of a woman's body. He reached for me, but I stepped back, just beyond his reach.
"Not yet..."
"Argh," he said, but he said it with a smile. "Yes, mademoiselle."
I turned around and grazed the tops of his knees with my butt, then spread my legs and bent over, because I knew the dress would ride up. I'd known this Hervé Léger was good for dancing, but I hadn't known until then that it was made for holding men entranced.
I stood up while his hand moved up and down my inner thigh, and then his other hand joined in. He unzipped the back of the dress and it fell to the ground with an unsexy sandbag-like thud. I had never stood in front of a man in just a bra, panties, and heels. My first instinct was to be embarrassed, to want to cover up or turn down the lights, to jump on him so he wouldn't have such a complete view of every inch of me.
Yet his gaze only grew in intensity.
But then Pascal pulled me at the knees so I buckled and tripped on the way to his lap. He flicked my bra open and off so my arms flew wildly in front of me. Then, in a rather impressive move, he slid my panties off and circled me around me so I was the one sitting and he stood over me. All of a sudden, he had the control.
"Hey," I said. A quiver came into my voice now that he was on top and I didn't know what to do.
Pascal unbuttoned his shirt and unbuckled his belt. I got the picture and began to kick off my shoes, but he stopped me.
"Leave them on," he said. "You look so fucking sexy in those heels."
I blushed, but now wasn't the time to be sheepish. He leaned over me. I squeezed his waist with my legs and held his neck in the crook of my elbows so I could keep his face to mine.
We rocked together forcefully but in sync. He swiftly slid off his boxer briefs and put my hand on him. He was even harder than before, harder than I had ever felt with Elliott. Pascal was roaring in triumph as he sat over me, himself in hand.
”
”
Jessica Tom (Food Whore)
“
The modern educational system provides numerous other examples of reality bowing down to written records. When measuring the width of my desk, the yardstick I am using matters little. My desk remains the same width regardless of whether I say it is 200 centimetres or 78.74 inches. However, when bureaucracies measure people, the yardsticks they choose make all the difference. When schools began assessing people according to precise marks, the lives of millions of students and teachers changed dramatically. Marks are a relatively new invention. Hunter-gatherers were never marked for their achievements, and even thousands of years after the Agricultural Revolution, few educational establishments used precise marks. A medieval apprentice cobbler did not receive at the end of the year a piece of paper saying he has got an A on shoelaces but a C minus on buckles. An undergraduate in Shakespeare’s day left Oxford with one of only two possible results – with a degree, or without one. Nobody thought of giving one student a final mark of 74 and another student 88.6 Credit 1.24 24. A European map of Africa from the mid-nineteenth century. The Europeans knew very little about the African interior, which did not prevent them from dividing the continent and drawing its borders. Only the mass educational systems of the industrial age began using precise marks on a regular basis. Since both factories and government ministries became accustomed to thinking in the language of numbers, schools followed suit. They started to gauge the worth of each student according to his or her average mark, whereas the worth of each teacher and principal was judged according to the school’s overall average. Once bureaucrats adopted this yardstick, reality was transformed. Originally, schools were supposed to focus on enlightening and educating students, and marks were merely a means of measuring success. But naturally enough, schools soon began focusing on getting high marks. As every child, teacher and inspector knows, the skills required to get high marks in an exam are not the same as a true understanding of literature, biology or mathematics. Every child, teacher and inspector also knows that when forced to choose between the two, most schools will go for the marks.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas.
Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor.
Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt.
With finocchio in fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot.
In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
His grip tightened and he closed the distance between us, his mouth catching mine in a kiss that made my aching heart throb with the most painful kind of hope. I gripped his shirt in my fists and dragged him closer as I kissed him like the sky might cave in if I didn’t, even though it was more likely that it would if I did.
Thunder crashed like an explosion overhead, freezing cold rain pelted down on us and lightning slammed into the ground behind us. But I didn’t care. I would gladly take the rage of the heavens in payment for this moment in his arms.
Darius pulled me closer, growling hungrily as his tongue pushed into my mouth and he kissed me savagely, filthily, desperately.
I pushed up onto my tiptoes, my body pressing flush to his as I wound my arms round his neck and my heart pounded to a brutal beat like it wanted to force its way out ofmy chest and meet with his.
Lightning struck the ground so close that a crackle of electricity danced up my spine. I flinched, but my grip on Darius only tightened.
I dropped the barriers on my magic and Darius’s power flooded through me on a tide of ecstasy as we merged our essences together. We were meant to be together like this, it was painted beneath my skin and through my veins, even my magic ached for him and yearned for the caress of his power.
Thunder boomed and I growled in defiance, lifting my hand to cast a shield of solid air magic around us, cutting off the storm completely. Darius’s magic flowed alongside mine into the shield, the strength of our will blocking out the will of the stars.
The earth rocked savagely beneath our feet and we fell. Darius kept ahold of me as he hit the ground on his back and I tumbled aside for a moment, but I wasn’t going to let them drive us apart. I shoved myself to my knees, crawling over his legs as he pushed up on his elbows and kissed me again.
His fingers slid through my wet hair and his stubble grazed my skin as he kissed me so hard it was bruising, punishing, branding and yet it wasn’t enough.
My heart was aching, tears pricking the backs of my eyes as I fought to keep hold of him while the storm hammered against our magic, determined to tear us apart again.
I poured magic from my body to hold the shield as rain slammed against it so hard that the air rattled around us.
Darius dragged me against him and I could feel how much he wanted me in every hard line and ridge of his body.
We were both drenched, covered in mud and utterly incapable of giving one shit about it.
Lightning slammed into the shield and I gasped as it almost buckled, breaking our kiss as I looked up at the black sky above us. More lightning split the clouds apart, striking the ground all around us again and again, making the earth rock even more violently.
As a second bolt hit our shield, I almost lost control of it and I could feel my power waning as I threw everything I had into maintaining it.
We only had seconds before it was going to collapse and I reached out to catch Darius’s jaw in my grip, looking into his dark eyes with a pang of longing.
“I’m sorry I did this to us,” I breathed. I might not have been sure everything between us was fixed yet, but I was beginning to believe it could be and I was starting to think I’d made the wrong choice when I’d been offered it.
“It wasn’t you,” he replied, pain flickering though his gaze.
“It was both of us,” I disagreed, tears mixing with the rain on my cheeks.
(Tory)
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))