Bruno Quotes

My ideal goal is to "mature" into childhood. That would be genuine maturity.

...Despite the mayhem that followed, Bruno found that he was still holding Shmuel's hand in his own and nothing in the world would have persuaded him to let go.

Bruno: We're not supposed to be friends, you and me. We're meant to be enemies. Did you know that?

Truth does not change because it is, or is not, believed by a majority of the people.

The days hardened with cold and boredom like last year's loaves of bread. One began to cut them with blunt knives without appetite, with a lazy indifference.

Bruno: Why do you wear pajamas all day? Shmuel: The soldiers. They took all our clothes away. Bruno: My dad's a soldier, but not the sort that takes people's clothes away.

The child intuitively comprehends that although these stories are unreal, they are not untrue ...

Maybe you who condemn me are in greater fear than I who am condemned.

The world is not a solid continent of facts sprinkled by a few lakes of uncertainties, but a vast ocean of uncertainties speckled by a few islands of calibrated and stabilized forms

But still there are moments when a brother and sister can lay down their instruments of torture for a moment and speak as civilized human beings and Bruno decided to make this one of those moments.

They dispute not in order to find or even to seek Truth, but for victory, and to appear the more learned and strenuous upholders of a contrary opinion. Such persons should be avoided by all who have not a good breastplate of patience.

Why should we place Christ at the top and summit of the human race? Was he kinder, more forgiving, more self-sacrificing than Buddha? Was he wiser, did he meet death with more perfect calmness, than Socrates? Was he more patient, more charitable, than Epictetus? Was he a greater philosopher, a deeper thinker, than Epicurus? In what respect was he the superior of Zoroaster? Was he gentler than Lao-tsze, more universal than Confucius? Were his ideas of human rights and duties superior to those of Zeno? Did he express grander truths than Cicero? Was his mind subtler than Spinoza’s? Was his brain equal to Kepler’s or Newton’s? Was he grander in death – a sublimer martyr than Bruno? Was he in intelligence, in the force and beauty of expression, in breadth and scope of thought, in wealth of illustration, in aptness of comparison, in knowledge of the human brain and heart, of all passions, hopes and fears, the equal of Shakespeare, the greatest of the human race?

Desire urges me on as fear bridles me" Bruno.

Desire urges me on, while fear bridals me.

If the butterfly wings its way to the sweet light that attracts it, it's only becasue it doesn't know that the fire can consume it.

It is proof of a base and low mind for one to wish to think with the masses or majority, merely because the majority is the majority. Truth does not change because it is, or is not, believed by a majority of the people.

And then the room went very dark and somehow, despite the chaos that followed, Bruno found that he was still holding Shmuel's hand in his own and nothing in the world would have persuaded him to let it go.

I await your sentence with less fear than you pass it. The time will come when all will see what I see.

Those people... well, they're not people at all, Bruno

Let's say it once and for all: Poe and Lovecraft - not to mention a Bruno Schulz or a Franz Kafka - were what the world at large would consider extremely disturbed individuals. And most people who are that disturbed are not able to create works of fiction. These and other names I could mention are people who are just on the cusp of total psychological derangement. Sometimes they cross over and fall into the province of 'outsider artists.' That's where the future development of horror fiction lies - in the next person who is almost too emotionally and psychologically damaged to live in the world but not too damaged to produce fiction.

The Divine Light is always in man, presenting itself to the senses and to the comprehension, but man rejects it.

The people I see from my window. In the huts, in the distance. They're all dressed the same.' 'Ah, those people,' said Father, nodding his head and smiling slightly. 'Those people...well, they're not people at all, Bruno.' Bruno frowned. 'They're not?' he asked, unsure what Father meant by that.

There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization.

The ability to read becomes devalued when what one has learned to read adds nothing of importance to one's life.

I do not believe that any book should be denied to the man who possesses the wisdom to understand it, Bruno, but that does not mean I am confused about where truth lies.

Good teachers get fired; great teachers, killed--Socrates, Christ, and Giordano Bruno.

An event may be small and insignificant in its origin, and yet, when drawn close to one’s eye, it may open in its center an infinite and radiant perspective because a higher order of being is trying to express itself in it and irradiates it violently.

A customer facing crucial decisions: What should I wipe myself with? What should I brush with? His personal hygiene was deteriorating rapidly as he stared at the rows of possibilities, sweating profusely. Would he ever bathe again?

When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.

In space there are countless constellations, suns and planets; we see only the suns because they give light; the planets remain invisible, for they are small and dark. There are also numberless earths circling around their suns...

To write a song you must have an imagination, to have an imagination you must be free.

Can you tell us what happened, Percy? All right if I call you Percy?” “Yes, if I can call you Harry.”
The detective smiled thinly. Janet Bruno did not smile at all.

I could see Eirene well enough to aim. SO I did. I aimed my weapon and thought of Bruno locked in a postcoital embrace with her. I embraced my jealousy. Then I pulled the trigger. - Celia Grave page 372

There is no top or bottom, no absolute positioning in space. There are only positions that are relative to the others. There is an incessant change in the relative positions throughout the universe and the observer is always at the centre".

L'uovo ha una forma perfetta benché sia fatto col culo.

Animals! the object of insatiable interest, examples of the riddle of life, created, as it were, to reveal the human being to man himself, displaying his richness and complexity in a thousand kaleidoscopic possibilities, each of them brought to some curious end, to some characteristic exuberance.

Can I ask you something? He added after a moment. 'yes,' said Shmuel. Bruno thought about it. He wanted to phrase the question just right. 'why are there so many people on that side of the fence?' He asked. 'And what are you all doing there?

Bruno, my old faithful. I haven't sufficiently described him. Is it enough to say he is indescribable? No. Better to try and fail than not to try at all.

And just like that, I’ve become a romantic. I blame Bruno Mars.

Unless you make yourself equal to God, you cannot understand God: for the like is not intelligible save to the like. Make yourself grow to a greatness beyond measure, by a bound free yourself from the body; raise yourself above all time, become Eternity; then you will understand God. Believe that nothing is impossible for you, think yourself immortal and capable of understanding all, all arts, all sciences, the nature of every living being. Mount higher than the highest height; descend lower than the lowest depth. Draw into yourself all sensations of everything created, fire and water, dry and moist, imagining that you are everywhere, on earth, in the sea, in the sky, that you are not yet born, in the maternal womb, adolescent, old, dead, beyond death. If you embrace in your thought all things at once, times, places, substances, qualities, quantities, you may understand God.

Even in the depths of sleep, in which he had to satisfy his need for protection and love by curling himself up into a trembling ball, he could not rid himself of the feeling of loneliness and homelessness.

If the law can be broken it will. Anyone who breaks the law is a risk. You can break the law. So you see, I have to take you in for questioning. This produce stand has an ominous future.

Do not fear your enemies. The worst they can do is kill you. Do not fear friends. At worst, they may betray you. Fear those who do not care; they neither kill nor betray, but betrayal and murder exist because of their silent consent.

Tell the devil I said hey when you get back to where you're from.

Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.

Reality is as thin as paper, and betrays with all its cracks its imitative character.

The unrealistic nature of these tales (which narrowminded rationalists object to) is an important device, because it makes obvious that the fairy tales’ concern is not useful information about the external world, but the inner process taking place in an individual.

Perchance you who pronounce my sentence are in greater fear than I who receive it.

It’s a miserable story!” said Bruno. “It begins miserably, and it ends miserablier. I think I shall cry. Sylvie, please lend me your handkerchief.” “I haven’t got it with me,” Sylvie whispered. “Then I won’t cry,” said Bruno manfully.

You’re going to have people who are going to say ‘Oh, you know like, she just writes songs about her ex-boyfriends’ and I think frankly that’s a very sexist angle to take. No one says that about Ed Sheeran. No one says it about Bruno Mars. They’re all writing songs about their exes, their current girlfriends, their love-life, and no one raises a red flag there.

Since I have spread my wings to purpose high, The more beneath my feet the clouds I see, The more I give the winds my pinions free, Spurning the earth and soaring to the sky.

Since there are thousands of fairy tales, one may safely guess that there are probably equal numbers where the courage and determination of females rescue males, and vice versa.

I have sought to offer humanists a detailed analysis of a technology sufficiently magnificent and spiritual to convince them that the machines by which they are surrounded are cultural artifacts worthy of their attention and respect.

If we hope to live not just from moment to moment, but in true consciousness of our existence, then our greatest need and most difficult achievement is to find meaning in our lives.

...."the sound of a barrel organ rising from the deepest golden vein of the day; two or three bars of a chorus, played on a distant piano over and over again, melting in the sun on the white pavement, lost in the fire of high noon.

Easy come, easy go, That's just how you live, oh, Take, take, take it all, But you never give. Should've known you was trouble From the first kiss, Had your eyes wide open. Why were they open? Gave you all I had and you tossed it in the trash, You tossed it in the trash, you did. To give me all your love is all I ever asked, 'cause What you don't understand is I'd catch a grenade for ya Throw my hand on a blade for ya I'd jump in front of a train for ya You know I'd do anything for ya Oh, oh, I would go through all of this pain, Take a bullet straight through my brain! Yes, I would die for ya, baby, But you won't do the same.

Natura est deus in rebus

My kingdom for a more embodied body

Your amazing. Just the way you are.

A designer is a planner with an aesthetic sense.

He knew that sometimes people who were sad didn't want to be asked about it; sometimes they'd offer the information themselves and sometimes they wouldn't stop talking about it for months on end, but on this occasion Bruno thought that he should wait before saying anything.

Don’t believe what you hear about those penguins. A species of lazy waddlers. Their extinction is immanent.

There is no longer any religion when there is no longer any privileged religion. Take from religion its exclusive power and it will no longer exist.

Bruno Bettelheim, a survivor of the Nazi death camps, argues that the root of our failure to deal with violence lies in our refusal to face up to it. We deny our fascination with the “dark beauty of violence,” and we condemn aggression and repress it rather than look at it squarely and try to understand and control it.

Bruno opened his eyes in wonder at the things he saw. In his imagination he had tough that all the huts were full of happy families, some of whom sat outside on rocking chairs in the evening and told stories about how things were so much better when they were children and they'd had nowadays. He thought that all the boys and girls who lived there would be in different groups, playing tennis or football, skipping and drawing out squares for hopscotch on the ground. As it turned out, all the things he thought might be there-wern't.'' -The boy in the striped Pajamas

His unlived life worried him, tortured him, turning round and round inside him like an animal in a cage. In Dodo's body, the body of a half-wit, somebody was growing old, although he had not lived; somebody was maturing to a death that had no meaning at all.

When a lack of white blood cells exposes the horizon of being, one has to make a choice. To cloister yourself away in a germ-free environment, alive but alone, or to embrace the woman you love and catch your death of cold at the marriage ceremony? What a great show. It’s inner-directed script was unmatched by any other soap opera.

Dear sirs, The cold war isn’t over. When national borders fail, the epidermis is the last line of defense. We are counting on you. Sincerely, Patriot

You can't teach children to be good. The best you can do for your child is to live a good life yourself. What a parent knows and believes, the child will lean on.

Its a poor mind that would think with the multitude, because it is multitude. Truth is not altered by the opinions of the vulgar, or by confirmations of the many

But they argued as lawyers do, they twisted every answer I gave until it sounded like the opposite meaning, and I became so confused and afraid I found myself agreeing to statements that I knew were not true.

It is strange the way that someone who wants to find you guilty can start to make you believe in your own guilt, even when you know you are innocent. I was afraid I would condemn myself my mistake.

Can you understand,' asked my father, 'the deep meaning of that weakness, that passion for colored tissue, for papier-mache, for distemper, for oakum and sawdust? This is,' he continued with a pained smile, 'the proof of our love for matter as such, for its fluffiness or porosity, for its unique mystical consistency. Demiurge, that great master and artist, made matter invisible, made it disappear under the surface of life. We, on the contrary, love its creaking, its resistance, its clumsiness. We like to see behind each gesture, behind each move, its inertia, its heavy effort, its bearlike awkwardness.

What do you take me for? That fool Socrates, who upheld the law at the cost of his own death – just to be ironic? I suspect that act was actually the result of his secret embarrassment of his hideous nose.

Is Life itself a dream, I wonder?

After tidying up, Adela would plunge the rooms into semidarkness by drawing down the linen blinds. All colors immediately fell an octave lower, the room filled with shadows, as if it had sunk to the bottom of the sea and the light was reflected in mirrors of green water–and the heat of the day began to breathe on the blinds as they stirred slightly in their daydreams.

It is immoral to hold an opinion in order to curry another's favor; mercenary, servile, and against the dignity of human liberty to yield and submit; supremely stupid to believe as a matter of habit; irrational to decide according to the majority opinion, as if the number of sages exceeded the infinite number of fools.

Man was entering under false pretenses the sphere of incredible facilities, acquired too cheaply, below cost price, almost for nothing, and the disproportion between outlay and gain, the obvious fraud on nature, the excessive payment for a trick of genius, had to be offset by self-parody.

I was perfect for the circus. If she dared me, I'd do it. Love makes you stupid

There is no control and no all-powerful creator, either – no more ‘God’ than man – but there is care, scruple, cautiousness, attention, contemplation, hesitation and revival.

there is no dead matter," he taught us, "lifelessness is only a disguise behind which hide unknown forms of life. The range of these forms is infinite and their shades and nuances limitless.

That streetside tree is obscuring the air. Cut it down. Haul it in for questioning. There are secrets within that foliage. You might want to separate the branches in different rooms and apply some elementary game theory.” “Question a plant?” “Trees have a will too, just like people. We have to know it’s purpose. Read Schopenhauer.” “Schopenwho?” “He was the only authentic German. You might like him. Being a police officer, you’re undoubtedly familiar with the need to put an end to the lives of the perverse when sex crimes go too far. Now just generalize that necessity to every human being.

I don’t dwell on the fact that I may have ridden on planes. That which I can’t remember having needed, I simply accept. It is the most preferable kind of self-insight: one that does not require any accompanying change in behavior.

Therefore the perfect, absolutely and in itself, is one, infinite, which cannot be greater or better, and that which nothing can be greater or better. This is one, everywhere, the only God, universal nature, of which nothing can be a perfect image or reflection, but the infinite.

The various manifestations of socialism destroyed both their peoples and their ecosystems, whereas the powers of the North and the West have been able to save their peoples and some of their countrysides by destroying the rest of the world and reducing it's people to abject poverty.

Do you remember our first kiss? I do. Not a day goes by I don’t think of the feel of that bicuspid against my tongue. It had such a distinctive feel, neither cuspid nor molar…but I’m not sure it knew that – that was what endeared it to me so. It was like the blunted tusk of a wild boar.

Frosting was his favorite. He liked to eat doughnuts at every meal. Because it was healthier to eat six small meals a day than three large ones, he restricted himself: jellied for breakfast, glazed for brunch, cream-filled for lunch, frosting for linner, chocolate for dinner, and powdered sugar for 2 a.m. supermarket stakeout. Because linner coincided with the daily crime peak, he always ate his favorite variety to ease him. Frosting was his only choice now, and upsetting his routine was a quiet thrill.

While we’re at it, why don’t we add a third emotion to this list: lust. You are probably unaware that Linnaeus lumped the tomato into the same genus as the potato, a food with a reputation for its widespread availability and easy satisfaction of oral needs.

I lead a life much below my level. Beyond the books, which trickle in slowly (I have to read what I can get, not what I have a mind to read), I have nothing to sustain my inner life; and everything around me exudes an indescribable prosiness, which presses down on me too with its brutal weight. Nothing on the order of a stroll with a dear person, not one hour of quiet and serene contemplation--all is tainted by mundane worry and staleness. I take it that productive creators fence themselves off from their environment by a certain regimen of living, a certain organization of their daily routine that does not allow the workaday banality, humdrum job, and the rest of it to get to them. I badly feel the lack of such a regimen, my incapacity to subject myself to such a discipline. One must, for instance, fence off one's inner life, not permit the vermin of ordinary cares to infest it. Some blindness used to protect me from this truth; I wore blinkers like a horse in harness. Now reality has won and penetrated my interior.

After we passed a few more houses, the street ceased to mantain any pretense of urbanity, like a man returning to his little village who, piece by piece, strips off his Sunday best, slowly changing back into a peasant as he gets closer to his home.

I’ve also been told it makes a good impression to begin modestly by asserting that novels no longer have heroes because individuals have ceased to exist, that individualism is a thing of the past, that all human beings are lonely, all equally lonely, with no claim to individual loneliness, that they all form some nameless mass devoid of heroes. All that may be true. But as far as I and my keeper Bruno are concerned, I beg to state that we are both heroes, quite different heroes, he behind his peephole, I in front of it; and that when he opens the door, the two of us, for all our friendship and loneliness, are still far from being some nameless mass devoid of heroes.

Afternoon experience: autographing exposed legs, outstretched in lines like matchsticks. Afternoon epiphany: Those with smooth, hairless legs would soon lose all evidence of my contact when the sweat causes the ink from the marker to run. I am ephemeral. Skepticism would be the reaction to those with thick leg hair, as their curls frazzle the lines of my name outward illegibly. Among the scaly-legged, I flaked off immediately, like I never was at all.

I, too, like to read. Once a month, I go to the local branch. For myself, I pick a novel and, for Bruno, with his cataracts, a book on tape. At first Bruno was doubtful. “What am I supposed to do with this?” he said, looking at the box set of “Anna Karenina” as if I’d handed him an enema. And yet. A day or two later I was going about my business when a voice from above bellowed, ALL HAPPY FAMILIES RESEMBLE ONE ANOTHER, nearly giving me a conniption. After that, he listened to whatever I’d brought him at top volume and then returned it to me without comment. One afternoon, I came back from the library with Ulysses. For a month straight he listened. He had a habit of pressing the stop button and rewinding when he hadn’t fully grasped something. INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT. Pause, rewind. INELUCTABLE MODALITY OF THE. Pause, rewind. INELUCTABLE MODALITY. Pause. INELUCT.

É curioso: tenho notado que as pessoas em geral simpatizam comigo à primeira vista. No entanto, sou um tipo arisco e distante. Não que eu queira mal aos homens ou que os tema a ponto de procurar fugir-lhes ao contato. Alguém já disse que na minha atitude para com o mundo há muito de orgulho. Engano. Não tenho atitude nem orgulho. Uma paisagem bela tem a força de me comover até as lágrimas. Mas a paisagem humana é a que mais me interessa. O mistério das almas me seduz. Esta vaga sensação de desconfiança que me envolve quando estou em companhia dos homens vai por conta de velhas decepções.

I don’t have any regrets,” a famous movie actor said in an interview I recently witnessed. “I’d live everything over exactly the same way.” “That’s really pathetic,” the talk show host said. “Are you seeking help?” “Yeah. My shrink says we’re making progress. Before, I wouldn’t even admit that I would live it all over,” the actor said, starting to choke up. “I thought one life was satisfying enough.” “My God,” the host said, cupping his hand to his mouth. “The first breakthrough was when I said I would live it over, but only in my dreams. Nocturnal recurrence.” “You’re like the character in that one movie of yours. What’s it called? You know, the one where you eat yourself.” “The Silence of Sam.” “That’s it. Can you do the scene?” The actor lifts up his foot to stick it in his mouth. I reach over from my seat and help him to fit it into his bulging cheeks. The audience goes wild.

Matter never makes jokes: it is always full of the tragically serious. Who dares to think that you can play with matter, that you can shape it for a joke, that the joke will not be built in, will not eat into it like fate, like destiny? Can you imagine the pain, the dull imprisoned suffering, hewn into the matter of that dummy which does not know why it must be what it is, why it must remain in that forcibly imposed form which is no more than a parody? Do you understand the power of form, of expression, of pretense, the arbitrary tyranny imposed on a helpless block, and ruling it like its own, tyrannical, despotic soul?

...we, and I mean humans, are meaning makers. We do not discover the meanings of mysterious things, we invent them. We make meanings because meaninglessness terrifies us above all things. More than snakes, even. More than falling, or the dark. We trick ourselves into seeing meanings in things, when in fact all we are doing is grafting our meanings onto the universe to comfort ourselves. We gild the chaos of the universe with our symbols. To admit that something is meaningless is just like falling backward into darkness." (p184)

Come, my child," I said, trying to lead her away. "Wish good-bye to the poor hare, and come and look for blackberries." "Good-bye, poor hare!" Sylvie obediently repeated, looking over her shoulder at it as we turned away. And then, all in a moment, her self-command gave way. Pulling her hand out of mine, she ran back to where the dead hare was lying, and flung herself down at its side in such an agony of grief as I could hardly have believed possible in so young a child. "Oh, my darling, my darling!" she moaned, over and over again. "And God meant your life to be so beautiful!

On those luminous mornings Adela returned from the market, like Pomona emerging from the flames of day, spilling from her basket the coloful beauty of the sun –the shiny pink cherries full of juice under their transparent skins, the mysterious apricots in whose golden pulp lay the core of long afternoons. And next to that pure poetry of fruit, she unloaded sides of meat with their keyboard of ribs swollen with energy and strength, and seaweeds of vegetables like dead octopuses and squids–the raw material of meals with a yet undefined taste, the vegetative and terrestrial ingredients of dinner, exuding a wild and rustic smell.

In Rome on the Campo dei Fiori Baskets of olives and lemons, Cobbles spattered with wine And the wreckage of flowers. Vendors cover the trestles With rose-pink fish; Armfuls of dark grapes Heaped on peach-down. On this same square They burned Giordano Bruno. Henchmen kindled the pyre Close-pressed by the mob. Before the flames had died The taverns were full again, Baskets of olives and lemons Again on the vendors' shoulders. I thought of the Campo dei Fiori In Warsaw by the sky-carousel One clear spring evening To the strains of a carnival tune. The bright melody drowned The salvos from the ghetto wall, And couples were flying High in the cloudless sky. At times wind from the burning Would drift dark kites along And riders on the carousel Caught petals in midair. That same hot wind Blew open the skirts of the girls And the crowds were laughing On that beautiful Warsaw Sunday. Someone will read as moral That the people of Rome or Warsaw Haggle, laugh, make love As they pass by martyrs' pyres. Someone else will read Of the passing of things human, Of the oblivion Born before the flames have died. But that day I thought only Of the loneliness of the dying, Of how, when Giordano Climbed to his burning There were no words In any human tongue To be left for mankind, Mankind who live on. Already they were back at their wine Or peddled their white starfish, Baskets of olives and lemons They had shouldered to the fair, And he already distanced As if centuries had passed While they paused just a moment For his flying in the fire. Those dying here, the lonely Forgotten by the world, Our tongue becomes for them The language of an ancient planet. Until, when all is legend And many years have passed, On a great Campo dei Fiori Rage will kindle at a poet's word.