Brown Nose Quotes

We've searched our database for all the quotes and captions related to Brown Nose. Here they are! All 100 of them:

There are four kinds of people to avoid in the world: the assholes, the asswipes, the ass-kissers, and those that just will shit all over you.
Anthony Liccione
As always, there was an all-American war hero look to him, coded in his tousled brown hair, his summer-narrowed hazel eyes, the straight nose that ancient Anglo-Saxons had graciously passed on to him. Everything about him suggested valor and power and a firm handshake.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
A beep on the nose is a sign of great affection
Charles M. Schulz (A Charlie Brown Christmas)
Ronan and Declan Lynch were undeniably brothers, with the same dark brown hair and sharp nose, but Declan was solid where Ronan was brittle. Declan’s wide jaw and smile said Vote for me while Ronan’s buzzed head and thin mouth warned that this species was dangerous.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
It is my duty as a free man to read so I'm not blind being lead around by my nose
Pierce Brown (Iron Gold (Red Rising Saga, #4))
When I brought my eyes back to his, I knew without a doubt that if we were anywhere else—alone—he would kiss me. He swallowed, and my eyes tracked down to his throat before slowly climbing back up by way of his strong chin, nose, and dark-as-night brown eyes. He raised one eyebrow, an unspoken question, and I realized at that moment that I wanted it. I wanted Wes. Michael had been my endgame, but I couldn’t bring myself to care about that anymore. I wouldn’t run through a train station for Michael. But I would do it for Wes. Holy shit.
Lynn Painter (Better than the Movies (Better than the Movies, #1))
But I love giving out compliments, not kiss-ass, brown nose, I-just-want-to-make-you-feel-good compliments, but genuine, no bullshit, I-mean-it-because-I-feel-it-in-my-heart compliments.
Kim Holden (Bright Side (Bright Side, #1))
What's this?" He brought the brown square to his nose. "It smells musty." "It's chocolate. You'll love it." "That's what you said about Skittles. I vomited a rainbow afterward.
Melissa Landers
Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - " "Because you do, in short," laughed Mademoiselle.
Kate Chopin (The Awakening)
I didn't know why something that started off feeling so good had to wind up feeling so bad. Love was a big word and it covered a lot of territory. You could spend your whole life chasing after it and wind up with nothing, be an old bitter guy with long nose hair and ear hair and no teeth, hanging out in bars, looking for somebody your age, but the chances of success went down then. After a while you got too many strikes against you.
Larry Brown (Big Bad Love)
You're just as much an outsider as I am. I've read your dissertations." "You have?" She's surprised. "Believe it or not, I can read too." I shake my head. "It's like everyone forgets I only missed one question on the Institute's slangsmarts test." "Ew. You missed a question?" She wrinkles her nose as she picks a practice razor from a bench. "I suppose that's why you weren't in Minerva.
Pierce Brown (Golden Son (Red Rising Saga, #2))
He held the book up to his nose. It smelled like Old Spice talcum powder. Books that smelled that way were usually fun to read. He threw the book onto his bed and went to his suitcase. After rummaging about for awhile, he came up with a long, narrow box of chocolate-covered mints. He loved to eat candy while he read, and lots of his favorite books at home had brown smudges on the corners of the pages.
John Bellairs (The House with a Clock in Its Walls (Lewis Barnavelt, #1))
How's your career looking?' 'Well, I don't have an arse two inches in front of my nose, so my view beats yours.
Mick Herron (Slow Horses (Slough House, #1))
I tried to visualize my jealousy as a yellowy-brown cloud boiling around inside me, then going out through my nose like smoke and turning into a stone and falling down into the ground. That did work a little. But in my visualization a plant covered with poison berries would grow out of the stone, whether I wanted it to or not.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell. I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her. Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.
Nina LaCour (Hold Still)
Any nose May ravage with impunity a rose.
Robert Browning (Sordello (Shearsman Classics))
Until recently, I believed all horses were alike. They’ve been giant, four-footed animals with ugly dispositions and alarmingly large teeth for so long that it’s a bit startling to notice how different they are from each other. Mara’s mare, for instance, is a chestnut bay except for a wide white blaze down her nose that makes her seem perpetually surprised. My huge plodding mount is a dark brown near to black creature, with the most unruly mane I’ve ever seen. Her shaggy forelock covers her right eye and reaches almost to her mouth. Mara’s mare head-butts her in the chest. Grinning, Mara plants a kiss between her wide, dumb eyes, then murmurs something. “Have you named her?” I ask. “Yes! Her name is Jasmine.” I grimace. “But jasmine is such a sweet, pretty flower.” Mara laughs. “Have you named yours?” “Her name is Horse.” She rolls her eyes. “If you want to get along with your mount you have to learn each others’ languages. That means starting with a good name.” “All right.” I pretend to consider. “What about Imbecile? Or Poops A Lot?
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
Look, you runny-nosed little runt. You're going to back off right now, or I'm going to rip that safety pin out of your nose and pin your mouth shut.
Dan Brown (Digital Fortress)
I need you." he said to her, this woman who'd fought for her own right to live her life free of limits, "to build me some remote detonation devices." Amazing brown eyes shot with blue peering into his as she pressed her nose to his. "You always say the most romantic things.
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
Blitz and Hearth were almost at the shore when Alex stopped abruptly. I didn't have any energy left either, but I thought I should try to sound encouraging. "We - we have to k-keep going." I looked over. We were nose-to-nose under the blankets. Her eyes glinted, amber and brown. Her scarf had dipped below her chin. Her breath was like limes. Then, before I even knew what was happening, she kissed me. She could have bitten off my mouth and I would have been less surprised. Her lips were cracked and rough from the cold. Her nose fitted perfectly next to mine. Our faces aligned, our breath mixed. Then she pulled away. "I wasn't going to die without doing that," she said. The world of primordial ice must not have frozen me completely, because my chest burned like a coal furnace. "Well?" She frowned. "Stop gaping and let's move." We trudged towards the shore. My mind wasn't working properly. I wondered if Alex had kissed me just to inspire me to keep going, or to distract me from our imminent deaths. It didn't seem possible she'd actually wanted to kiss me. Whatever the case, that kiss was the only reason I made it to shore.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Ethel said: "Lloyd, there's someone here you may remember-" Daisy could not restrain herself. She ran to Lloyd and threw herself into his arms. She hugged him. She looked into his green eyes, then kissed his brown cheeks and his broken nose and then his mouth. "I love you, Lloyd," she sad madly. "I love you, I love you, I love you." "I love you, too, Daisy," he said. Behind her, Daisy heard Ethel's wry voice. "You do remember, I see.
Ken Follett (Winter of the World (The Century Trilogy #2))
There was a man who sat each day looking out through a narrow vertical opening where a single board had been removed from a tall wooden fence. Each day a wild ass of the desert passed outside the fence and across the narrow opening—first the nose, then the head, the forelegs, the long brown back, the hindlegs, and lastly the tail. One day, the man leaped to his feet with the light of discovery in his eyes and he shouted for all who could hear him: “It is obvious! The nose causes the tail!
Frank Herbert (Heretics of Dune (Dune Chronicles #5))
It was like staring into the face of a familiar stranger. You know, that person you see in a crowd and swear you know, but you really don't? Now she was me - the familiar stranger. She had my eyes. They were the same hazel color that could never decide whether it wanted to be green or brown, but my eyes had never been that big and round. Or had they? She had my hair - long and straight and almost as dark as my grandma’s had been before hers had begun to turn silver. The stranger had my high cheekbones, long, strong nose, and wide mouth - more features from my grandma and her Cherokee ancestors. But my face had never been that pale. I’d always been olive-ish, much darker skinned than anyone else in my family. But maybe it wasn’t that my skin was suddenly so white ... maybe it just looked pale in comparison to the dark blue outline of the crescent moon that was perfectly positioned in the middle of my forehead. Or maybe it was the horrid fluorescent lighting. I hoped it was the lighting. I stared at the exotic-looking tattoo. Mixed with my strong Cherokee features it seemed to brand me with a mark of wildness ... as if I belonged to ancient times when the world was bigger ... more barbaric. From this day on my life would never be the same. And for a moment — just an instant—I forgot about the horror of not belonging and felt a shocking burst of pleasure, while deep inside of me the blood of my grandmother’s people rejoiced.
P.C. Cast
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
I need you," he said to her, this woman who'd fought for her own right to live her life free of limits, "to build me some remote detonation devices." Amazing brown eyes shot with blue peering into his as she pressed her nose to his. "You always say the most romantic things.
Nalini Singh
My soul lightened as I realized I could help her. I rolled her body flat, like Grandpa taught me. I swept my finger inside her cold mouth to make sure her breathing passage was open, and I placed my mouth on hers, carefully pinching her nose, and breathed life into her lungs. Betsy stirred, sputtered a cough, and opened her eyes. “Now you kiss me?” she said, so weakly I could barely hear her.
Darin C. Brown (The Taste of Despair (The Master of Perceptions, #3))
Do you realize the illicit sensuous delight I get from picking my nose? I always have, ever since I was a child. There are so many subtle variations of sensation. A delicate, pointed-nailed fifth finger can catch under dry scabs and flakes of mucous in the nostril and draw them out to be looked at, crumbled between fingers, and flicked to the floor in minute crusts. Or a heavier, determined forefinger can reach up and smear down-and-out the soft, resilient, elastic greenish-yellow smallish blobs of mucous, roll them round and jellylike between thumb and forefinger, and spread them on the undersurface of a desk or chair where they will harden into organic crusts. How many desks and chairs have I thus secretively befouled since childhood? Or sometimes there will be blood mingled with the mucous: in dry brown scabs, or bright sudden wet red on the finger that scraped too rudely the nasal membranes. God, what sexual satisfaction!
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Oscore is my favorite model,” he says. “He has a very strange face. I don’t know if you notice. God was very drunk when he made him. A little bit of this. A little bit of that. Brown eye. Green eye. Crooked nose, crooked mouth. Lunatic smile. Chipped tooth. Scar here, scar there. It is a puzzle.
Jandy Nelson (I'll Give You the Sun)
Now they were sixtyish and gray and almost as wide as they were tall, and so accustomed to each other's habits that whenever he sneezed, she blew her nose.
Stacia M. Brown (Accidents of Providence)
Before anything," he said as he brought her around to face him, "I want to give you this." Fumbling in his suitcoat, he produced a small package wrapped in brown paper and string, and gave it to Azalea. Curious, she tugged at the strings of the light package until they unkonotted. The paper fell away. It was a silver handkerchief. Supple and soft, just as Mother's had been. In the corner were the ambroidered initials A.K.W. Azalea laughed and cried at once. She threw her arms around Mr. Bradford's neck, wanting to embrace him so deeply she could feel his soul. "Yes," she cried, "Yes! Yes, yes, yes!" "Well-I-never even said anything," he said. Even so, he pulled her closer, wrapping his arms around her. Azalea pressed her cheek into his collar, rumpling it, and breathing into his cravat. It smelled of fresh linen. She felt Mr. Bradford's cheek pressing the top of her head. His lips touched her hair. A muffled voice startled them both. "When are you going to kiss her?" They pulled away.In the ballroom windows, noses and hands pressed against te glass, were the girls. They stood among the prickly rosebushes, beaming wicked little grins. Delphinium and Eve whispered and giggled to each other;Bramble wore a magnificent grin on her face and a spark of light in her yellow-green eyes. Another figure stood among them.This one had his arms folded across his chest, stiff and firm and formal... ...Yet he did not look displeased. "Those rotten little spies!" said Azalea.
Heather Dixon Wallwork (Entwined)
Forty feet long sixty feet high hotel Covered with old gray for buzzing flies Eye like mango flowing orange pus Ears Durga people vomiting in their sleep Got huge legs a dozen buses move inside Calcutta Swallowing mouthfuls of dead rats Mangy dogs bark out of a thousand breasts Garbage pouring from its ass behind alleys Always pissing yellow Hooghly water Bellybutton melted Chinatown brown puddles Coughing lungs Sound going down the sewer Nose smell a big gray Bidi Heart bumping and crashing over tramcar tracks Covered with a hat of cloudy iron Suffering water buffalo head lowered To pull the huge cart of year uphill
Allen Ginsberg
She looked so happy, so content, so beautiful. Her long brown curls swept around her face at every turn. I loved the way she would always get a strand of hair caught just over her nose so she would have to brush it away with her fingers.
Kimberly Raiser (The Family Bones)
Her freckles looked as if someone had blown cinnamon across her nose and high cheekbones.
Jo Ann Brown, An Amish Match
I do not know what came first, the brown-nose worker or the arrogant boss; I simple hate it and I not be part of it.
Rodolfo Peon
I don't know what came first, the brown-nose worker or the arrogant boss; I simple hate it and I won't be part of it.
Rodolfo Peon
The dachshund was evolved to chase badgers down holes, and the corgi to round up cattle. If anyone loses a herd of cattle down a badger hole, then these are just the dogs to get them out.
Kennel Club of England
Her brown hair was pulled back in a ponytail, and her flawless skin had a slight sheen from her dash across the parking lot and up the stairs. Sexy, but he suspected the fantasy the sheen inspired was better than the reality. She was the job. Probably wore Kevlar to bed. End of story. Still, he did enjoy playing with her. He liked her big blue eyes, cute little nose, slim athletic body, and her earnest dedication to making the world a more law-abiding place. It made his dedication to crime much more interesting.
Janet Evanovich (The Heist (Fox and O'Hare, #1))
A myriad of small red violet-colored animals, like rabbits, burst out of the trees, surrounding the guardian god. Their long bushy tails, with specks of black among the silver hairs, remind me of the squirrels of my home world, Uhna. Their two-inch-long dark brown pedicles remind me of the female reindeer from Arrov’s home world, A’ice. But I’ve never seen rabbits that have green flower stalks with tiny white flowers entwined around their furry bodies, while A’nima magic clings to them. A tiny critter hops to me and rises on its hind legs to sniff my hand, its large green eyes glinting with surprising intelligence. Long whiskers move as its nose sniffles, then sneezes.
S.G. Blaise (Proud Pada (The Last Lumenian, #3))
She had dark brown eyes and a slightly upturned nose. With her silver circlet and her proud expression, she looked so much like royalty that I had to resist the urge to sit up straight and say “Yes, ma’am.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
They decide as soon as they meet you. Ten seconds in. If you’re poor. If you’re brown. If you’re black. If you’ve got an accent. If your skirt’s too short. If your nose is ugly—sorry, Cherie. If you’re chewing gum. If you’re breathing funny. If nobody from your family is there. If you’re any of that? Or all of that? Have a nice life, because you’re out of there.
Nova Ren Suma (The Walls Around Us)
Tactical Breathing 1. Inhale deeply through your nose, expanding your stomach, for a count of four—one, two, three, four. 2. Hold in that breath for a count of four—one, two, three, four. 3. Slowly exhale all the air through your mouth, contracting your stomach, for a count of four—one, two, three, four. 4. Hold the empty breath for a count of four—one, two, three, four.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
I start to run, and my nose fills with the smell of rain and wet earth. I run along the shoulder of the highway in an easy rhythm, and the rain gathers up on my forehead and eyebrows; it flows down my face, it drips from the tip of my nose. There is wet dirt, a puddle in the gravel, new grass pushing through old in the ditch. Violets grow along the edge of the road. To my right, the Little Jib River flows brown and swollen to the lake. The water moves ceaselessly, and I move along with it. To my left, across the road, the rain strips wilted cherry blossoms from the rows and rows of trees, and drops them to the ground.
Jon Harrison (The Banks of Certain Rivers)
Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The V motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down--from high flat temples--in a point on his forehead. He looked rather pleasantly like a blond Satan.
Dashiell Hammett (The Maltese Falcon)
Unfortunately, Da Vinci was a prankster who often amused himself by quietly gnawing at the hand that fed him. He incorporated in may of his Christian paintings hidden symbolism that was anything but Christian - tributes to his own beliefs and a subtle thumbing of his nose at the Church.
Dan Brown (The Da Vinci Code)
Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth.
Kate Chopin (The Awakening & Other Short Stories Illustrated)
Then Wang Lung turned to the woman and looked at her for the first time. She had a square, honest face, a short, broad nose with large black nostrils, and her mouth was wide as a gash in her face. Her eyes were small and of a dull black in color, and were filled with some sadness that was not clearly expressed. It was a face that seemed habitually silent and unspeaking, as though it could not speak if it would. She bore patiently Wang Lung’s look, without embarrassment or response, simply waiting until he had seen her. He saw that it was true there was not beauty of any kind in her face—a brown, common, patient face. But there were no pock-marks on her dark skin, nor was her lip split. In her ears he saw his rings hanging, the gold-washed rings he had bought, and on her hands were the rings he had given her. He turned away with secret exultation. Well, he had his woman!
Pearl S. Buck (The Good Earth (House of Earth, #1))
This is my friend Veronica,” I told him. “And this is Kaidan.” “Oh, I've heard all about you.” Veronica gave him a big smile. His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose. Veronica let out a loud cackle, proving she should be the one in my costume. “I told you it was stupid!” She gloated. With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me. “Your hair's grown a lot,” I said to him. “So has your bottom.” My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor. I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress. “Dude, you can get away with anything,” said the pirate to the straight-faced ape. “I meant it as a compliment.” “That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.” She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something. “My dad gave me a cell phone.” And a car. And a ton of money. Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands. “Here,” I said, taking his phone. Saving my number for him gave me a thrill.
Wendy Higgins (Sweet Evil (Sweet, #1))
And it's true, I have a perfectly fine face, eyes that may well be 'kind' but are also the brownest of browns, a reasonable-sized nose and the kind of smile that causes photographs to be thrown away.
David Nicholls (Us)
When the zebra-striped lizards return, bulbous eyes twisting in every direction, they carry a platter garnished with dried fruit and something that resembles a duck. It’s plucked and roasted but still has its head intact. A warm, herbal scent tickles my nose. At least it’s cooked. "May I introduce you all to the main course?” Morpheus spreads out an arm with dramatic flair. “Dinner, meet your worthy adversaries, the hungry guests.” My tongue dries to sandpaper as the bird’s eyes pop open, and it hobbles to stand on webbed feet, flesh brown and glistening with glaze and oil. There’s a bell hung around its neck, and it jingles as the duck bows to greet everyone. This cannot be happening. Morpheus drags the heavy mallet from beside his chair and pounds it on the table like a judge’s gavel. “Now that we’re all acquainted, let the walloping begin.” Gossamer launches from Morpheus’s shoulder and leaves the room with the other sprites as mass confusion erupts. All the guests leap to their feet, mallets in hand, to chase the jingling duck.
A.G. Howard (Splintered (Splintered, #1))
Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The v motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down—from high flat temples—in a point on his forehead. He looked rather pleasantly like a blond satan.
Dashiell Hammett (The Maltese Falcon)
I cannot stay, Empress. You are too much temptation, and I am nowhere near strong or good enough to resist you." He spoke the words quietly at her ear, his nose buried in her hair- hair he no longer considered brown, but a rich myriad of chocolate and mahogany and sable that was fast becoming his favorite of all colors.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Nathaniel Upchurch. Margaret couldn’t believe it. Gone were the pale features, the thin frame, the hesitant posture, the spectacles. Now broad shoulders strained against his cutaway coat. Form-fitting leather breeches outlined muscular legs. The unfashionable dark beard emphasized his sharp cheekbones and long nose. His skin was golden brown. His hair unruly, some escaping its queue. Even his voice sounded different—lower, harsher, yet still familiar.
Julie Klassen (The Maid of Fairbourne Hall)
I lean all my weight on the porcelain ledge, I draw my face closer until it touches the mirror. The eyes, nose, and mouth disappear. Nothing is left. Brown wrinkles show on each side of the feverish swelled lips, crevices, mole holes. A silky, white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I recognize the details. But the whole thing gives me an impression of something seen before which stupefies me: I slip quietly off to sleep.
Jean-Paul Sartre (Nausea)
He was, to my mind, a little inbred looking. His ears and nose were more pronounced than they ought to have been, he had a schoolgirl complexion with flushed red cheeks and his thin brown hair was already receding badly.  He looked like he would grow up to be a Tory politician.
Steve Higgs (Blue Moon Investigations Ten Book Bundle)
His hair, at first glance, appears merely dark, but upon closer inspection is actually many strands of chestnut brown, gold, and black. He wears it long, for a guy, not because doing so is “in,” but because he’s too busy with his many interests to remember to get it cut regularly. His eyes seem dark at first glance, as well, but are actually a kaleidoscope of russets and mahoganies, flecked here and there with ruby and gold, like twin lakes during an Indian summer, into which you feel as if you could dive and swim forever. Nose: aquiline. Mouth: imminently kissable. Neck: aromatic—an intoxicating blend of Tide from his shirt collar, Gillette shaving foam, and Ivory soap, which together spell: my boyfriend. B– Better. I would have liked more description on what exactly about his mouth you find so imminently kissable. —C. Martinez
Meg Cabot (Princess on the Brink (The Princess Diaries, #8))
I didn’t fuck Beau. I made slow, tantalizing love to him. Hey, first time for everything. We went slowly. My dick was rock hard. He used his hands to stroke his cock. My fingers were wrapped around his ankles so hard they might leave bruises. And yet we maintained eye contact. Even as the first threads of orgasm pulled at me. I watched his face. I memorized those dimples, the wide brown eyes, slightly flat nose, and his sharp jaw.
James Cox (Chaos Unchained (Outlaw MC #1))
All of the Indians must have tragic features: tragic noses, eyes, and arms. Their hands and fingers must be tragic when they reach for tragic food. The hero must be a half-breed, half white and half Indian, preferably from a horse culture. He should often weep alone. That is mandatory. If the hero is an Indian woman, she is beautiful. She must be slender and in love with a white man. But if she loves an Indian man then he must be a half-breed, preferably from a horse culture. If the Indian woman loves a white man, then he has to be so white that we can see the blue veins running through his skin like rivers. When the Indian woman steps out of her dress, the white man gasps at the endless beauty of her brown skin. She should be compared to nature: brown hills, mountains, fertile valleys, dewy grass, wind, and clear water. If she is compared to murky water, however, then she must have a secret. Indians always have secrets, which are carefully and slowly revealed. Yet Indian secrets can be disclosed suddenly, like a storm. Indian men, of course, are storms. The should destroy the lives of any white women who choose to love them. All white women love Indian men. That is always the case. White women feign disgust at the savage in blue jeans and T-shirt, but secretly lust after him. White women dream about half-breed Indian men from horse cultures. Indian men are horses, smelling wild and gamey. When the Indian man unbuttons his pants, the white woman should think of topsoil. There must be one murder, one suicide, one attempted rape. Alcohol should be consumed. Cars must be driven at high speeds. Indians must see visions. White people can have the same visions if they are in love with Indians. If a white person loves an Indian then the white person is Indian by proximity. White people must carry an Indian deep inside themselves. Those interior Indians are half-breed and obviously from horse cultures. If the interior Indian is male then he must be a warrior, especially if he is inside a white man. If the interior Indian is female, then she must be a healer, especially if she is inside a white woman. Sometimes there are complications. An Indian man can be hidden inside a white woman. An Indian woman can be hidden inside a white man. In these rare instances, everybody is a half-breed struggling to learn more about his or her horse culture. There must be redemption, of course, and sins must be forgiven. For this, we need children. A white child and an Indian child, gender not important, should express deep affection in a childlike way. In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts.
Sherman Alexie
It is Sunday afternoon, preferably before the war. The wife is already asleep in the armchair, and the children have been sent out for a nice long walk. You put your feet up on the sofa, settle your spectacles on your nose, and open the News of the World. Roast beef and Yorkshire, or roast pork and apple sauce, followed up by suet pudding and driven home, as it were, by a cup of mahogany-brown tea, have put you in just the right mood. Your pipe is drawing sweetly, the sofa cushions are soft underneath you, the fire is well alight, the air is warm and stagnant. In these blissful circumstances, what is it that you want to read about? Naturally, about a murder.
George Orwell (Decline of the English Murder)
Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot—which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig.
Ned Vizzini (It's Kind of a Funny Story)
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
Then, idly scratching his nose, he walks to the bookcase in the living room and stoops before a set of drab brown Victorian volumes gathering dust on the second shelf from the bottom. How amusing, he thinks, as he withdraws one of them-amusing that a key to dark and ancient rites should survive in such innocuous-looking form. A young fool like Freirs would probably refuse to believe it. Like the rest of his doomed kind, he'd probably expect such lore to be found only in ancient leather-bound tomes with gothic lettering and portentously sinister titles. He'd search for it in mysterious old trunks and private vaults, in the "restricted" sections of libraries, in intricately carved wood chests with secret compartments. But there are no real secrets, the Old One knows. Secrets are ultimately too hard to conceal. The keys to the rites that will transform the world are neither hidden nor rare nor expensive. They are available to anyone. You can find them on the paperback racks or in any second-hand bookshop.
T.E.D. Klein (The Ceremonies)
After a moment or two a man in brown crimplene looked in at us, did not at all like the look of us and asked us if we were transit passengers. We said we were. He shook his head with infinite weariness and told us that if we were transit passengers then we were supposed to be in the other of the two rooms. We were obviously very crazy and stupid not to have realized this. He stayed there slumped against the door jamb, raising his eyebrows pointedly at us until we eventually gathered our gear together and dragged it off down the corridor to the other room. He watched us go past him shaking his head in wonder and sorrow at the stupid futility of the human condition in general and ours in particular, and then closed the door behind us. The second room was identical to the first. Identical in all respects other than one, which was that it had a hatchway let into one wall. A large vacant-looking girl was leaning through it with her elbows on the counter and her fists jammed up into her cheekbones. She was watching some flies crawling up the wall, not with any great interest because they were not doing anything unexpected, but at least they were doing something. Behind her was a table stacked with biscuits, chocolate bars, cola, and a pot of coffee, and we headed straight towards this like a pack of stoats. Just before we reached it, however, we were suddenly headed off by a man in blue crimplene, who asked us what we thought we were doing in there. We explained that we were transit passengers on our way to Zaire, and he looked at us as if we had completely taken leave of our senses. 'Transit passengers? he said. 'It is not allowed for transit passengers to be in here.' He waved us magnificently away from the snack counter, made us pick up all our gear again, and herded us back through the door and away into the first room where, a minute later, the man in the brown crimplene found us again. He looked at us. Slow incomprehension engulfed him, followed by sadness, anger, deep frustration and a sense that the world had been created specifically to cause him vexation. He leaned back against the wall, frowned, closed his eyes and pinched the bridge of his nose. 'You are in the wrong room,' he said simply. `You are transit passengers. Please go to the other room.' There is a wonderful calm that comes over you in such situations, particularly when there is a refreshment kiosk involved. We nodded, picked up our gear in a Zen-like manner and made our way back down the corridor to the second room. Here the man in blue crimplene accosted us once more but we patiently explained to him that he could fuck off.
Douglas Adams (Last Chance to See)
Never have I seen such a motley assemblage of characters. Except that we are at sea, I would believe that I had been abducted by a traveling circus. There are men here of every hue and size, also men whose race cannot be determined due to the indigo tattoos that cover their faces and arms. There are men with bullrings through their noses, with turbans large enough to hide a samovar, with gold thread braided into their hair, with scimitars lashed to their hips; some with teeth sharpened to points, some with no teeth at all. Many of the men have lost fingers, one has no ears, and not a few of them sport blistered patches upon their faces, necks, and forearms.
Eli Brown (Cinnamon and Gunpowder)
It was one of those red-gold early October days, the air crisp and tart as heady as applejack, and even at dawn the sky was the clear, purplish blue that only the finest of autumn days brings. There are maybe three such days in a year. I sang as I lifted my traps, and my voice bounced off the misty banks of the Loire like a challenge. It was the mushroom season, so after I had brought my catch back to the farm and cleaned it out, I took some bread and cheese for breakfast and set out into the woods to hunt for mushrooms. I was always good at that. Still am, to tell the truth, but in those days I had a nose like a truffle pig's. I could smell those mushrooms out, the gray chanterelle and the orange, with its apricot scent, the bolet and the petit rose and the edible puffball and the brown-cap and the blue-cap. Mother always told us to take our mushrooms to the pharmacy to ensure we had not gathered anything poisonous, but I never made a mistake. I knew the meaty scent of the bolet and the dry, earthy smell of the brown-cap mushroom. I knew their haunts and breeding grounds. I was a patient collector.
Joanne Harris (Five Quarters of the Orange)
Believing himself to be unseen by other bathers, he gave himself up to being alone with his body. He wriggled his toes, breathed hard through his nose, twisted his brown moustache where some drops of water still clung, and looked himself critically all over. The scrutiny seemed to satisfy him, as well as it might. I, whose only acquaintance was with bodies and minds developing, was suddenly confronted by maturity in its most undeniable form; and I wondered, what must it feel like to be him, master of those limbs which have passed beyond the need of gym and playing field, and exist for their own beauty and strength? What can they do, I thought, to be conscious of themselves?
L.P. Hartley (The Go-Between)
Without anything being said, there were no women at our lunches. Not that we were talking pussy. Or not much. But it was a chaps thing. Seasoned observers all, we set the world, such as it was, to rights, offsetting our intellectual know-how with truly wondrous flights of fancy. It was at the time of the ruinous yet avoidable civil war in Angola, in which far too many people died, or, in our immortal parlance, became 'deadified.' It might have been anyone—actually, I [Christopher Hitchens] am sure it was our poet friend Craig Raine—who came up with the appalling yet unforgettable idea that there is a design flaw in the female form, and that the breasts and the buttocks really ought to be on the same side. For myself, I have oft been perplexed as to why our heads are where, in a truly just world, our penises really ought to be, and my arse is not located between my chin and my nose, allowing me mellifluously to talk out of it.
Craig Brown
Finally, he smiled, and although his smile was bumpy because some of his teeth were jagged and broken, it was a warming, infectious smile that was reflected in his eyes. It made her smile widely in return. She felt as if the room had been lit up. He held out his arms, and she went across the room to him, almost running. She buried her face in his shirt, her nose wrinkling up as the scent of his cologne mixed with the nutty, sourish smell of camphor that filled the room. He put his arms around her, but gently, so that there was space between his forearms and her back, holding her as if she was to fragile to hug properly. Awkwardly, he patted her light, bushy aureole of dark brown hair, repeating: "Good girl. Fine daughter.
Helen Oyeyemi (The Icarus Girl)
Snorting, Sevro drops back to where the legendary Obsidian, Sefi Volarus, stands in her customary silence. He feigns an air of domesticity, but next to the giant woman, he looks a little like some sort of gutter dog an alcoholic father might ill-advisedly bring home to play with the children—washed and rid of fleas, but still possessing that weird mania behind the eyes. Pinched, thin lipped, with a nose crooked as an old knifefighter’s fingers. He eyes the crowd with resigned distaste.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.
Ned Vizzini (It's Kind of a Funny Story)
Okay, maybe it wasn’t some reason. He was handsome. Like, wow, that’s a handsome guy, and then you nudge your friend and get her to take a look as well. That kind of handsome. Though I couldn’t see him straight on, he had a nice, strong face, broad nose with a bump on the bridge, and just the right amount of stubble on his cheeks and jaw. His deep-set eyes looked rich brown, his longish, thick hair a shade darker than that and his brows even more so. I couldn’t tell how tall he was, he was at least a few inches taller than I was, but his body was fit and lean. His stomach looked washboard flat under his white dress shirt and his forearms that peeked out from the rolled up sleeves were muscular, the same color as wet sand, a beach in the afternoon light.
Karina Halle (Love, in English (Love, in English, #1))
Tall, way taller than her five foot five frame, his body bulged with muscles covered in tanned skin. He possessed layered down brown hair with gold highlights, vivid turquoise eyes and chiseled features, including a strong straight nose--surprising because with a taunting mouth like his she expected he'd gotten it broken more than once in his life--a square chin, and wickedly full lips that now quirked into a grin. -"Enjoying the view?" he taunted. -"Deciding what part to carve off your body first," she replied."Do you have a name by the way? Or should I just refer to you as 'that asshole'?" -"You can call me Remy, but when I get your thighs around my neck, feel free to call me God. It totally pisses Lucifer's brother off, which means brownie points for me.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Gifford Dudley was unfairly handsome: impressively tall and well shaped around the neck and shoulders, with glossy chestnut hair tied into a short ponytail, and expressive brown eyes. And his nose. His nose. It was perfectly shaped: not too long or short, not too plump or skinny, and even the pores were discreet. There was no trace of the Dudley Nose Curse. Praise all the gods and saints, Lord Gifford Dudley may have had an unfortunate name, but he did not have the nose. She wanted to sing. She wanted to spin around to where Edward was taking a seat in the front and tell him all about Gifford's perfect nose. It was a miracle. A marvel. A wonder. A relief. After all, she would be expected to kiss this man by the end of the ceremony, and the last thing she needed was to lose an eye.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
All April and May, the stock-pots exuded the fragrance of the crushed bones and marrow of cattle and fowl, seasoned with the crispate herbs and vegetables from her own luxuriant garden. The smells coalesced into a dark perfume that felt like a layer of silk on the tongue. My nose grew kingly at the approach of my home. There would be the redolent brown stocks the color of tanned leather, the light and chipper white stocks, and the fish stocks brimming with the poached heads of trout smelling like an edible serving of marsh.
Pat Conroy (The Prince of Tides)
When she had the strength, she began to fold the tiny clothes and blankets and cloth diapers and put them into plain brown boxes. She didn't stop working, but the sobs came and distorted her face, bleared her eyes, made her nose run. She didn't hear Jack come to the door. When she looked up he was watching her silently, and then he turned away, uncomfortable, embarrassed by her unharnessed grief. He didn't put his hand on her shoulder. Didn't hold her. Didn't say a word. Even these many years later, she was unable to forgive him that.
Eowyn Ivey
Ashley’s obliging giggle was cut off as Ronan’s bedroom door opened. A cloud like there would never be sun again crossed Declan’s face. Ronan and Declan Lynch were undeniably brothers, with the same dark brown hair and sharp nose, but Declan was solid where Ronan was brittle. Declan’s wide jaw and smile said, Vote for me while Ronan’s buzzed head and thin mouth warned that this species was poisonous. “Ronan,” Declan said. On the phone with Adam earlier, he had asked, When will Ronan not be available? “I thought you had tennis.” “I did,” Ronan replied.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
The blackness took all but this: a face. The face was as alien to me as the faceless serpentine tentacles of my last host body would be to this new body. I’d seen this kind of face in the images I had been given to prepare for this world. It was hard to tell them apart, to see the tiny variations in color and shape that were the only markers of the individual. So much the same, all of them. Noses centered in the middle of the sphere, eyes above and mouths below, ears around the sides. A collection of senses, all but touch, concentrated in one place. Skin over bones, hair growing on the crown and in strange furry lines above the eyes. Some had more fur lower down on the jaw; those were always males. The colors ranged through the brown scale from pale cream to a deep almost-black. Aside from that, how to know one from the other?
Stephenie Meyer (The Host (The Host, #1))
His name was George F. Babbitt. He was forty-six years old now, in April, 1920, and he made nothing in particular, neither butter nor shoes nor poetry, but he was nimble in the calling of selling houses for more than people could afford to pay. His large head was pink, his brown hair thin and dry. His face was babyish in slumber, despite his wrinkles and the red spectacle-dents on the slopes of his nose. He was not fat but he was exceedingly well fed; his cheeks were pads, and the unroughened hand which lay helpless upon the khaki-colored blanket was slightly puffy.
Sinclair Lewis
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
But Brinker came in. I think he made a point of visiting all the rooms near him the first day. “Well, Gene,” his beaming face appeared around the door. Brinker looked the standard preparatory school article in his gray gabardine suit with square, hand-sewn-looking jacket pockets, a conservative necktie, and dark brown cordovan shoes. His face was all straight lines— eyebrows, mouth, nose, everything—and he carried his six feet of height straight as well. He looked but happened not to be athletic, being too busy with politics, arrangements, and offices. There was nothing idiosyncratic about Brinker unless you saw him from behind; I did as he turned to close the door after him. The flaps of his gabardine jacket parted slightly over his healthy rump, and it is that, without any sense of derision at all, that I recall as Brinker’s salient characteristic, those healthy, determined, not over-exaggerated but definite and substantial buttocks.
John Knowles
I realize belatedly that sending sharks to the aid of humans is a stupid idea. When one of the men tries to kick a tiger shark in the eye-and how could I blame him?-I tell the sharks to retreat. They’ve done all they can do, and I won’t let them be abused for their efforts. After a few more minutes, I see a small, chubby pair of legs struggling nearby. The owner of the legs can’t be older than a toddler. I scoop him up and keep him at the surface. He’s adorable really, with rounded cheeks and a snotty nose and brown eyes with lashes that would make a supermodel jealous. Close to us, a woman who I assume is his mother is crying frantically and calling out to the empty waves around her. I swim him over to her and deliver the little guy into her arms. “He swallowed a good part of the ocean, but otherwise he’ll be fine,” I tell her, knowing that she doesn’t understand. She clutches him to her and trembles. I swim two life jackets over to her and help her strap them on to her and the baby boy. She nods, and despite the language barrier, I can tell that she’s thanking me. Which makes me feel like zoo dirt, since I helped put her and her child in this predicament. If she knew that, she would probably be trying to choke the life from me. And I would probably let her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
you know how I feel about the United Nations. From the beginning, it’s functioned as a one-world-order organization whose sole function is to look down its collective nose at the one nation that funds it, the United States. The UN has advocated the transfer of wealth out of the United States, the elimination of international borders, the establishment of a single global currency, international gun control, and the elimination of American jobs. It’s become a friendly forum for radical and scientifically absurd ideas like global warming and has advocated cockamamie international tax schemes like cap-and-trade. It has done everything it can to end the sovereignty of the United States.
Don Brown (Thunder in the Morning Calm (Pacific Rim #1))
Having never had dealings with Bow Street, Lady Fieldhurst was not quite certain what to expect: perhaps a stout fellow past his prime, befuddled with sleep or spirits, with a bulbous red nose—the same sort as might be found in any number of watchmen’s boxes across the metropolis. The individual who entered the room in [the footman's] wake, however, was very nearly her own age. To be sure, his nose was somewhat crooked, as if it had been broken at some point, but it was far from bulbous, and it was certainly not red. He was quite tall, almost gangly, with curling brown hair tied at the nape of his neck in an outmoded queue. He wore an unfashionably shallow-crowned hat and a black swallow-tailed coat of good cloth but indifferent cut; indeed, his only claim to fashion lay in the quizzing glass which hung round his neck from a black ribbon, and which he now raised, the resulting magnification revealing his eyes to be a warm brown. Julia might have been much reassured as to his competence, had it not been for the fact that his mouth hung open as from a rusty hinge.
Sheri Cobb South (In Milady's Chamber (John Pickett Mysteries, #1))
Do you realize the illicit sensuous delight I get from picking my nose? I always have, ever since I was a child. There are so many subtle variations of sensation. A delicate, pointed-nailed fifth finger can catch under dry scabs and flakes of mucus in the nostril and draw them out to be looked at, crumbled between fingers, and flicked to the floor in minute crusts. Or a heavier, determined forefinger can reach up and smear down-and-out the soft, resilient, elastic greenish-yellow smallish blobs of mucus, roll them round and jellylike between thumb and forefinger, and spread them on the under-surface of a desk or chair where they will harden into organic crusts. How many desks and chairs have I thus secretively befouled since childhood? Or sometimes there will be blood mingled with the mucus: in dry brown scabs, or bright sudden wet red on the finger that scraped too rudely the nasal membranes. God, what a sexual satisfaction! It is absorbing to look with new sudden eyes on the old worn habits: to see a sudden luxurious and pestilential “snot-green sea,” and shiver with the shock of recognition.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
Louisa May Alcott (Little Women)
Finally, he slipped his arms around her too. Her eyes closed in relief. “I was thinking,” His voice rumbled against her ear. “That I’ve brought you so much trouble after everything you’ve done for me. Maybe it’s not too late to fix it. If I leave…” “No!” She pulled away and looked up into his face. It was swollen red around one eye and his nose. Brown flecks of paint marred the blue swirls. “That’s not going to solve anything.” He stroked the side of her face, his thumb lingering across her lips. “If I leave, it will be better.” “Not for me.” Tears welled at the corners of her eyes and she blinked them away. He gathered her close again, kissing the top of her head and rubbing his hand on her back. “Don’t cry. ” When Sarah thought about it later, she would realize that he had never added, “I’ll stay.
Bonnie Dee (Bone Deep)
The truth of it was he didn't want her. He wanted Mary Kate with every cell of his body. He missed everything about her. The feel of her sleeping at his side. Her gentle snores. Her soft brown curls tickling his nose enough to wake him from a sound sleep even on nights when he needed it most. Her smile. The smell of her. At odd moments he thought he had heard her laughter, or he'd catch a glimpse of her in the corner of an eye, but all of it was a lie, and every time it happened it was as if someone had ripped a deep wound in his chest. The pain was raw enough to make him want to take a razor to his wrist, but each time he considered acting upon the idea something stopped him, and so, he stumbled on barely alive and wishing for an end. At times he couldn't breathe, couldn't move without wanting to scream.
Stina Leicht (Of Blood and Honey (The Fey and the Fallen, #1))
She was very ugly - the ugliest person you ever saw in your life! Her hair was scraped into a bun, sticking straight out at the back of her head like a teapot handle; and her face was round and wrinkly, and she had eyes like two little black boot-buttons. And her nose! - she had a nose like two potatoes. She wore a rusty black dress right up to the top of her neck and right down to her button boots, and a rusty black jacket and a rusty black bonnet, all trimmed with trembly black jet, with her teapot-handled of a bun sticky out at the back. And she carried a small brown case and a large black stick, and she had a very fierce expression indeed on her wrinkly, round, brown face. But what you noticed most of all was that she had one huge front Tooth, sticking right out like a tombstone over her lower lip. You never, in the whole of your life, ever saw such a Tooth!
Christianna Brand (Nurse Matilda)
The way whitetails got that white ring around their mouth and nose, according to him, it was because they were always sneaking into Browning to drink from the bowls of milk everybody used to leave out, from back when there weren’t any reservation dogs, only reservation cats. That was why the whitetail could come into town like that: no barking. But the cats were too good, they got the mice all so scared that the mice got smart, started living so deep in the walls of the houses that the cats couldn’t get to them, so one day all the cats just left. It was two, maybe three days after that the first dog trotted into town with a stupid grin on its face, looked around for what it could pee on. Denorah hates that she’d believed that, once upon a time. And she wants to cry for not getting to believe it anymore. Yes, the deer drank milk, and that left their mouths ringed white. Fuck it. Run, run.
Stephen Graham Jones (The Only Good Indians)
But if you’re two guys like us, riding the Bronx tracks, you better make sure you hide any sign of affection if you want to fly under the radar. I’ve known this for the longest—I just hoped it wouldn’t matter. Someone whistles at us and I instantly knew I was wrong. These two guys who were competing in a pull-up contest a few minutes ago walk up to us. The taller one with his jeans leg rolled up asks, “Yo. You two homos faggots?” We both tell him no. His friend, who smells like straight-up armpits, presses his middle finger between Collin’s eyes. He sucks his teeth. “They lying. I bet their little dicks are getting hard right now.” Collin smacks the dude’s hand, which is just as big a mistake as my mom trying to save me from being thrown out the house last night. “Fuck you.” Nightmare after nightmare. One slams my head into the railing, and the other hammers Collin with punches. I try punching the first guy in his nose, but I’m too dizzy and miss. I have no idea how many times he punches me or at what point I end up on the sticky floor with Collin trying to shield me before he’s kicked to the side. Collin turns to me, crying these involuntary tears from shock and pain. His kind brown eyes roll back when he’s kicked in the head. I cry out for help but no one fucking breaks up the fight. No one fucking does the right thing. The train stops and the doors open but there’s no chance for escape. For us, at least.
Adam Silvera (More Happy Than Not)
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Dude, wait until you see the hot little number on there!” He was grinning like the Cheshire cat. “What are you talking about? Aren’t all flight attendant’s middle-aged, blonde women?” “Not this one. She’s feisty too, kneed me right in the balls.” I smiled, and it was actually genuine. I wondered if he was fucking with me. But, it was enough to peak my curiosity. I slowly walked towards the plane wondering if it was going to be a grandma, or something. It wouldn’t be the first time. I really hoped that it wasn’t some die-hard groupie either. As soon as I reached the top of the stairs I almost tripped and fell on my face when I got my first look at her. She was gorgeous! She looked like she walked straight off of a pin-up girl calendar. She had long, black hair with strands of hot pink. I appraised my way down her body. She had a slim waist and curvy hips. She was built like an hourglass. I noticed a couple of sexy facial piercings. She had an adorable little nose and big brown eyes. Then I saw a tattoo peeking out on her shoulder. I could tell that she had a chest piece. I was instantly hard. Awesome…
Sophie Monroe (Battlescars (Battlescars, #1))
Why this book is disliked by gay readers: Captain Ernst Roehm, was a stocky, bull-necked, piggish-eyed, scar-faced professional soldier—the upper part of his nose had been shot away in 1914—with a flair for politics and a natural ability as an organizer. Like Hitler he was possessed of a burning hatred for the democratic Republic. His aim was to re-create a strong nationalist Germany and he believed with Hitler that this could be done only by a party based on the lower classes, from which he himself, unlike most Regular Army officers, had come. A tough, ruthless, driving man—albeit, like so many of the early Nazis, a homosexual—he helped to organize the first Nazi strong-arm squads which grew into the S.A.... (...) Murderers, pimps, homosexual perverts, drug addicts or just plain rowdies were all the same to him if they served his purposes. (...) The brown-shirted S.A. never became much more than a motley mob of brawlers. Many of its top leaders, beginning with its chief, Roehm, were notorious homosexual perverts. Lieutenant Edmund Heines, who led the Munich S.A., was not only a homosexual but a convicted murderer. These two and dozens of others quarreled and feuded as only men of unnatural sexual inclinations, with their peculiar jealousies, can. (...) [Hitler] who was so monumentally intolerant by his very nature, was strangely tolerant of one human condition—a man’s morals. No other party in Germany came near to attracting so many shady characters. As we have seen, a conglomeration of pimps, murderers, homosexuals, alcoholics and blackmailers flocked to the party as if to a natural haven. (...) Karl Ernst, a former hotel bellhop and ex-bouncer in a café frequented by homosexuals, whom Roehm had made leader of the Berlin S.A., had alerted the storm troopers...
William L. Shirer (The Rise and Fall of the Third Reich)
All right, you. Stand straight. Pull your belly in. Pull your chin in. Keep your shoulders back. Hold your head level. Look straight front. Turn left. Turn right. Face front again and hold your hands out. Palms up. Palms down. Pull your sleeves back. No visible scars. Hair dark brown, some gray. Eyes brown. Height six feet, one half inch. Weight about one ninety. Name Philip Marlowe. Occupation private detective. Well, well, nice to see you, Marlowe. That’s all. Next man.” Much obliged, Captain. Thanks for the time. You forgot to have me open my mouth. I have some nice inlays and one very high-class porcelain jacket crown. Eighty-seven dollars worth of porcelain jacket crown. You forgot to look inside my nose too, Captain. A lot of scar tissue in there for you. Septum operation and was that guy a butcher! Two hours of it in those days. I hear they do it in twenty minutes now. I got it playing football, Captain, a slight miscalculation in an attempt to block a punt. I blocked the guy’s foot instead—after he kicked the ball. Fifteen yards penalty, and that’s about how much stiff bloody tape they pulled out of my nose an inch at a time the day after the operation. I’m not bragging, Captain. I’m just telling you. It’s the little things that count.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
The explosion was deafening; a huge cloud of fire rolled out the window after us, its immense heat brushing my face as we tumbled into the snow. We hit the ground and rolled. Flaming debris from the house came down around us; Griffin shoved me flat on my back, covering us both with his heavy coat. The echoes of the explosion reflected back across the river, then slowly dwindled away, like dying thunder. The leaping flames threw warm light onto the falling snow, turning it into a storm of sparks pouring down from the heavens. Griffin started to push himself off of me, then stoped. His hands were braced on either side of my shoulders, his legs twined with mine. Mt heart pounded, my palms sweated, and I was suddenly, acutely aware of how close his face was to mine. "You're a madman," he whispered. "An utter madman." "Perhaps," I allowed. "But it worked." The leaping light from the burning house painted his features in gold, highlighting his patrician nose and finding threads of brown and blue in his green eyes. His pupils widened, the irises contracting to silver. "Whatever am I going to do with you?" he murmured. The warmth of his breath feathered over my skin. Heat collected in my groin, my lips. My mouth was dry, my voice hoarse, and perhaps he was right and it was madness when I whispered, "Whatever you want." A shiver went through his body, perhaps because we were lying on the cold ground. But instead of getting up, he leaned closer, his overlong hair tumbling over his forehead. He paused, his mouth almost touching mine, his eyes seeming to ask a question. It was madness; it was folly; it was sheer selfishness. I was delusional, misguided, wrong, out of control. I needed to pull back, to say something sane, to re-establish mastery over myself. I could not do this. I could not take the risk. Later tonight, I'd relive this moment in my lonely bed and wonder if I'd done the right thing. But at least that would be familiar, would be something I knew how to cope with. And yet the very thought felt like dying. I surged forward, crossing the final, tiny gap and pressing my lips to his. It was awkward and desperate and frantic, but the feel of his mouth against mine sent a bolt of electricity straight down my spine. Just a moment, just this one kiss, surely that would be enough... Then he kissed me back, and it would never be enough, a thousand years of this would not be enough. His mouth was hungry and insistent, his tongue probing my lips, asking for greater intimacy. I granted it, tongues swirling together, mine followed his when it retreated and tasting him in return. There came the clanging of bells in the distance, the fire company alerted to the explosion. Griffin drew back a fraction. His breath was as raged as mine, which left me dazed with wonder. "My dear," he whispered against my lips. Then he swallowed convulsively. "We should leave, before the fire companies come." "Y-Yes." It was amazing I managed that much coherence. He closed his eyes and leaned his forehead against mine, our breaths mingling. "Will you come home with me?" Was he asking...? "Yes." Oh, God, yes. His lips curved into a smile.
Jordan L. Hawk (Widdershins (Whyborne & Griffin, #1))
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Have you ever been too old, too young, too big, too small, too smart, too dumb? Have you ever been too fat, too thin, too shy, too loud, too slow to win? Have you ever been too scared to try, too small to play, too young to die? Have you ever been too weak to fight, too little yet, or not quite right? Have you ever been too dark, too light, too black, too brown, too red, too white? Have you ever been put off ’til last, the odd man out, the jerk they sassed? Have you ever been the one black sheep, the naughty child, the nerdy geek? Have you ever been the butt of jokes, the timid soul, the oddest folk? Have you ever been left out of fun, forgotten when the day is done? Have you ever been afraid to lose? Afraid to try? Afraid to choose? Have you ever been too rich, too poor, too venturesome, or just a bore? Have you ever had no clue at all? Nowhere to go? No one to call? Have you ever been without a friend? Have you ever wished the day would end? Have you ever had the biggest nose, the longest arms, the funny toes? Have you ever had the flattest chest? Have you ever had the biggest breasts? Have you ever prayed your luck would change? Have you ever felt your life was strange? Have you ever wished for something more, or something less than what you were? If you have ever felt this way, you're one of us I’m here to say. We've all been there a time or two because we're human, me and you. We've all felt different in some way because we are, and that’s okay. We've all been hurt; we've all been scarred. That's life. And frankly, life is hard.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier. Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night. Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .
Thomas Pynchon
Ronan was waiting for her beyond the estate’s guarded gate. From the looks of things, he had been waiting for some time. His horse was nosing brown grass as Ronan sat on a nearby boulder, throwing pebbles at the general’s stone wall. When he saw Kestrel ride through the gate on Javelin, he flung his handful of rocks to the path. He remained sitting, elbows propped on his bended knees as he stared at her, his face pinched and white. He said, “I have half a mind to tear you down from your horse.” “You got my message, then.” “And rode instantly here, where guards told me that the lady of the house gave strict orders not to let anyone--even me--inside.” His eyes raked over her, taking in the black fighting clothes. “I didn’t believe it. I still don’t believe it. After you vanished last night, everyone at the party was talking about the challenge, yet I was sure it was just a rumor started by Irex because of whatever has caused that ill will between you. Kestrel, how could you expose yourself like this?” Her hands tightened around the reins. She thought about how, when she let go, her palms would smell like leather and sweat. She concentrated on imagining that scent. This was easier than paying heed to the sick feeling swimming inside her. She knew what Ronan was going to say. She tried to deflect it. She tried to talk about the duel itself, which seemed straightforward next to her reasons for it. Lightly, she said, “No one seems to believe that I might win.” Ronan vaulted off the rock and strode toward her horse. He seized the saddle’s pommel. “You’ll get what you want. But what do you want? Whom do you want?” “Ronan.” Kestrel swallowed. “Think about what you are saying.” “Only what everyone has been saying. That Lady Kestrel has a lover.” “That’s not true.” “He is her shadow, skulking behind her, listening, watching.” “He isn’t,” Kestrel tried to say, and was horrified to hear her voice falter. She felt a stinging in her eyes. “He has a girl.” “Why do you even know that? So what if he does? It doesn’t matter. Not in the eyes of society.” Kestrel’s feelings were like banners in a storm, snapping at their ties. They tangled and wound around her. She focused, and when she spoke, she made her words disdainful. “He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first. He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes. ‘Oh god, Doug, please just close them. I’m so tired.’ Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room. ‘Ready to say hello to Mum, mate?’ Doug asked. ‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy. Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark. ‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’ Sarah sat up, her eyes wide. ‘Hi, Mum,’ said Lockie again. ‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’ Doug could see her chest heaving. ‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
Nicole Trope (The Boy Under the Table)