“
So there you have it, the extent of my charms: brown hair and eyes like unbarfed chocolate. I'm a lucky girl." -Max
”
”
James Patterson (Max (Maximum Ride, #5))
“
But just because you bury something, that doesn’t mean it stops existing. Those feelings, they’d been there all along. All that time. I had to face it. He was part of my DNA. I had brown hair and I had freckles and I would always have Conrad in my heart.
”
”
Jenny Han (We'll Always Have Summer (Summer, #3))
“
My skin is kind of sort of brownish pinkish yellowish white. My eyes are greyish blueish green, but I'm told they look orange in the night. My hair is reddish blondish brown, but its silver when its wet, and all the colors I am inside have not been invented yet.
”
”
Shel Silverstein (Where the Sidewalk Ends)
“
Is Adrian here?”
“Who?”
“Adrian. Tall. Brown hair. Green eyes.”
She frowned. “Do you mean Jet?”
“I … I’m not sure. Does he smoke like a chimney?”
The girl nodded sagely. “Yup. You must mean Jet.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
i’m not scared
of the monsters
hidden underneath
my bed.
i’m much more scared
of the boys
with messy brown hair,
sleepy eyes,
& mouths
that only know
how to form
half-truths.
”
”
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
“
She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat’s. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Dean Holder? Messy brown hair? Smoldering blue eyes? A temper straight out of Fight Club?
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
Tessa was laying on her side, her brown hair spread over the pillow, watching Will, whose face was bent over the pages, with a look of tenderness in her eyes, a tenderness mirrored in the softness of Will's voice as he read.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
As always, there was an all-American war hero look to him, coded in his tousled brown hair, his summer-narrowed hazel eyes, the straight nose that ancient Anglo-Saxons had graciously passed on to him. Everything about him suggested valor and power and a firm handshake.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
V was half way down the hall when he heard a yelp. He hightailed it back, barging through the door. “What? What’s …”
“I’m going bald!”
V whipped back the shower curtain and frowned. “What are you talking about? You’ve still got your hair…”
“Not my head! My body, you idiot! I’m going bald!”
Vishous glanced down. Butch’s torso and legs were shedding, a rush of dark brown fuzz pooling around the drain.
V started laughing. “Think of it this way. At least you won’t have to worry about shaving your back as you get old, true? No manscaping for you.”
He was not surprised when a bar of soap came firing at him.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. “Have some of this!”
Clary squinted at it. “Is it going to turn me into a rodent?”
“Where is the trust? I think it’s strawberry juice,” Isabelle said. “Anyways, it’s yummy. Jace?” She offered him the glass.
“I am a man,” he told her, “and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.”
“Brown?” Isabelle made a face.
“Brown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. “In fact, look – Alec is wearing it.”
Alec looked mournfully down at his sweater. “It was black,” he said. “But then it faded.”
“You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.”
“Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.”
“There are worse things,” Magnus observed.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
The first thing I notice is his hair - it's the first thing I notice about anyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles, since I've just seen them in Meredith's room. It's artist's hair. Musician hair. I-pretend-I-don't-care-but-I-really-do hair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Sam has brown hair and very, very pretty green eyes. The kind of green that doesn't make a big deal about itself.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Ronan and Declan Lynch were undeniably brothers, with the same dark brown hair and sharp nose, but Declan was solid where Ronan was brittle. Declan’s wide jaw and smile said Vote for me while Ronan’s buzzed head and thin mouth warned that this species was dangerous.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Will!”
He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind — she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him.
His own heart leaped up at the sight of her. “Tess,” he called. But she was still such a distance away — she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest.
At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her —
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I used to feel a lot of guilt about having depression but then I realized that’s a lot like feeling guilty for having brown hair.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
He had brown hair, piercing green eyes and jaw line that screamed 'I might just let you kiss me here'.
”
”
Fisher Amelie (Callum & Harper (Sleepless, #1))
“
Archer?” I asked, raising my eyebrows. Hey, you might be able to take away my magical powers, but the power of sarcasm was still at my disposal. “Is your last name Newport or Vanderbilt? Maybe followed by some numbers? Ooh!” I said, widening my eyes, “or maybe even Esquire!”
I’d hoped to hurt his feelings or, at the very least, make him angry, but he just kept smiling at me. “Actually, it’s Archer Cross, and I’m the first one. Now what about you?” He squinted. “Let’s see . . . brown hair, freckles, whole girl-next-door vibe going on . . . Allie? Lacie? Definitely something cutesy ending in ie.”
You know those times when your mouth moves but no sound actually comes out? Yeah, that’s pretty much what happened. And then, of course, my mom took that opportunity to end her conversation with Justin’s parents and call out, “Sophie! Wait up.”
“I knew it.” Archer laughed. “See you, Sophie,” he called over his shoulder as he disappeared into the house.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
My heart shoots into my throat every time I think I see his loping walk, or catch sight of some floppy brown hair on a boy - but it's never him, and each time it isn't, my heart does a reverse trajectory down into the very pit of my stomach.
”
”
Lauren Oliver (Before I Fall)
“
He came up and kissed me on my forehead, and before he stepped away, I closed my eyes and tried hard to memorize this moment. I wanted to remember him exactly as he was right then, how his arms looked brown against his white shirt, the way his hair was cut a little too short in the front. Even the bruise, there because of me.
Then he was gone.
Just for that moment, the thought that I might never see him again… it felt worse than death. I wanted to
run after him. Tell him anything, everything. Just don’t go. Please just never go. Please just always be near me, so I can at least see you.
Because it felt final. I always believed that we would find our way back to each other every time. That no matter what, we would be connected—by our history, by this house. But this time, this last time, it felt final. Like I would never see him again, or that when I did, it would be different, there would be a mountain between us.
I knew it in my bones. That this time was it. I had finally made my choice, and so had he. He let me go. I was relieved, which I expected. What I didn’t expect was to feel so much grief.
Bye bye, Birdie.
”
”
Jenny Han (We'll Always Have Summer (Summer, #3))
“
I have a feeling that when I'm Stormy's age, these everyday moments will be what I remember: Peter's head bent, biting into a chocolate chip cookie; the sun coming through the cafeteria window, bouncing off his brown hair; him looking at me.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
His eyes are somewhere between gray and blue, and his hair is somewhere between brown and blond, and I am somewhere between hostile and attracted.
”
”
Emery Lord (Open Road Summer)
“
He cuts his gaze toward his unpredictable, mortal High Queen, whose wild brown hair is blowing around her face, whose amber eyes are alight when she looks at him.
They are two people who ought to have, by all rights, remained enemies forever.
He can't believe his good fortune, can't trace the path that got him here.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
Ten feet from the car, a man stepped directly into our path. We came to a screeching halt, and I jerked Lissa back by her arm. It was him, the guy I’d seen across the street watching me. He was older than us, maybe mid-twenties, and as tall as I’d figured, probably six-six or six-seven. And under different circumstances–say, when he wasn’t holding up our desperate escape–I would have thought he was hot. Shoulder-length brown hair, tied back in a short ponytail. Dark brown eyes. A long brown coat–a duster, I thought it was called.
But his hotness was irrelevant now. He was only an obstacle keeping Lissa and me away from the car and our freedom. The footsteps behind us slowed, and I knew our pursuers had caught up. Off to the sides, I detected more movement, more people closing in. God. They’d almost sent a dozen guardians to retrieve us. I couldn’t believe it. The queen herself didn’t travel with that many.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
It was with some surprise that I saw that the person waiting for me at the airport's exit was Adrian. A grin spread over my face, and I picked up the pace. I threw my arms around him, astonishing both of us.
"I have never been happier to see you in my life," I said.
He squeezed me tightly and then let me go, regarding me admiringly. "The dreams never do justice to real life, little dhampir. You look amazing."
"And you look . . ." I studied him. He was dressed as nicely as always. His dark brown hair had that crafted messiness he liked, but his face—ah, well. As I'd noted before, Simon had gotten a few good punches on him. One of Adrian's eyes was swollen and ringed with bruises.
Nonetheless, thinking about him and everything he'd done . . . Well, none of the flaws mattered.
" . . . Gorgeous."
"Liar," he said.
"Couldn't Lissa have healed that black eye away?"
"It's a badge of honor. Makes me seem manly.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I couldn't resist him, his eyes were like yours, his hair was exactly the shade of brown.
He's just not as tall, but I couldn't tell, it was dark and I was lying down.
”
”
Amy Winehouse
“
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
”
”
T.S. Eliot (The Love Song of J. Alfred Prufrock)
“
Everyone will say I'm insane, but I don't care, Rose. Is it insane to marry the girl I love? A girl with golden brown hair, with gifts of beauty and goodness and storytelling?
”
”
Melanie Dickerson (The Healer's Apprentice (Hagenheim, #1))
“
I wish we could spend July by the sea, browning ourselves and feeling water-weighted hair flow behind us from a dive. I wish our gravest concerns were the summer gnats. I wish we were hungry for hot dogs and dopes, and it would be nice to smell the starch of summer linens and the faint odor of talc in blistering summer bath houses ... We could lie in long citoneuse beams of the five o'clock sun on the plage at Juan-les-Pins and hear the sound of the drum and piano being scooped out to sea by the waves.
”
”
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
“
may i be i is the only prayer--not may i be great or good or beautiful or wise or strong
today... may i be me....five foot eleven, brown hair/eyed, smart, serious, happy, frustrated, impatient, joyful, running, sleeping, smiling, eating, trying, believing, listening, being & becoming.
”
”
E.E. Cummings
“
Escape plan #5: Open an alpaca ranch in Texas, one that requires all blond-haired, brown-eyed, brainy girls to wear sexy cowgirl outfits.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
In the Duat, Anubis looked as he always had, with his tousled dark hair and lovely brown eyes, but I’d never seen him filled with such rage. I realized that anyone who dared to hurt me would suffer his full wrath, and Walt wasn’t going to hold him back.
”
”
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
“
All right," Shannen says slowly, tucking a lock of dark brown hair behind her ear. "Why did you glue that dolphin upside down?"
Okay, so I'm a little distracted. "He's doing the back stroke.
”
”
Tera Lynn Childs (Forgive My Fins (Fins, #1))
“
He exhaled loudly and raked a hand through the sable brown hair he always kept stylishly messy. "Look, Rose. You don’t have to keep up with the hard-to-get thing. You’ve already got me.
”
”
Richelle Mead
“
I love you, i love your smile your snarl your grin, your face when your sleeping.I love your hair streaming behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it, I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
”
”
James Patterson
“
She looked at him, his soft brown eyes and tall form, and contemplated raising herself on her toes and kissing his ear, or his cheek...
Instead, impulsively before leaving, she reached up and smoothed his mussed hair.
Mr. Bradford beamed.
”
”
Heather Dixon Wallwork (Entwined)
“
At the bottom of the stairs, I caught sight of a tall Sentinel with brown hair pulled into a low ponytail. Solos. As far as I recalled, I hadn't threatened him with bodily harm - at least not to his face.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
It’s brown.” So maybe I had the teeniest, tiniest, most infinitesimal amount of auburn in my hair. I was still a brunette. “It’s the lighting,” I said.
“Yeah, maybe it’s the lightbulbs.” His smile brought up both sides of his mouth, and a dimple surfaced.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
A semicolon is where a writer can choose to end the sentence,” she said, tucking a lock of brown hair behind her ear. “But they don’t. The story goes on. It’s a symbol of hope. To keep going.” She smiled tremulously. “Sometimes I need that reminder.
”
”
Emma Scott (All In (Full Tilt, #2))
“
The girl with the long brown hair turned around. "Are you her boy friend?" she asked.
Summer glanced from Crystal to Nate and back. Then question made her feel a little awkward. After all, she had saved him a seat.
No, I'm her fiance," Nate said.
We've been promised to each other since birth." Summer added.
Our wedding isn't until March.
”
”
Brandon Mull (The Candy Shop War (The Candy Shop War, #1))
“
I gave my dad a thumbs-up.
He stared at me. My mom turned to him in the car, asking him, What? What is it? He kept staring at me. My brown hair was an even bigger shock for him than I'd expected.
I smiled and waved at him and mouthed, "Welcome home."
He put his hand to his eyes. He knew I was finally cured.
”
”
Jennifer Echols (Going Too Far)
“
I scan the room. Catherine is writing quickly, her light brown hair falling over her face. She is left-handed, and because she writes in pencil her left arm is silver from wrist to elbow.
”
”
Sara Gruen (Water for Elephants)
“
My captivity with Dimitri. The way his mouth—so, so warm, despite his cold skin—had kissed mine. The feel of his fangs pressing into my neck and the sweet bliss that followed...
He looked exactly the same too, with that chalky white pallor and red-ringed eyes that so conflicted with the soft, chin-length brown hair and otherwise gorgeous lines of his face. He even had a leather duster on.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
For reasons he couldn’t understand a sadness came over him and it was then he saw the girl standing on the other side of the dirt road, her eyes pools of absolute sorrow, her light brown hair glowing in the splinters of sunlight that forced their way through the trees.
”
”
Melina Marchetta (On the Jellicoe Road)
“
I growl with frustration at my reflection in the mirror. My hair is fifty shades messed up. Why is it so kinky and out of control? I need to stop sleeping with it wet. As I brush my long brown hair, the girl in the mirror with the brown eyes too big for her head stares back at me. Wait... my eyes are blue! It dawns on me that I've been staring at a poster of Kristen Stewart for five minutes. My own hair is fine.
”
”
Fanny Merkin (Fifty Shames of Earl Grey)
“
A hysterical young woman with flowing brown hair is also called from 4, but she's quickly replaced by a volunteer, an eighty-year-old woman who needs a cane to walk to the stage.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
As I brush my long, brown hair, the girl in the mirror with blue eyes too big for her head stares back at me. Wait...I don’t have blue eyes! Then I realize I haven’t been looking into the mirror. I’ve been staring at a poster of Kristen Stewart for five minutes. My own hair is actually fine.
”
”
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
“
Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me."
"I promise," I say.
Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her."
The whole world closes around me, like an eyelid: For a moment, everything goes dark.
I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pleasure and chaos. My head is about to explode.
He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable.
Only his hair is the same: that auburn crown, like leaves in autumn.
Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead.
Alex.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
You have made me give up the hair Father gave me, the eyes Mother left me, the Color I was born to, so I will keep the name they granted me, and you can make it work.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
”
”
T.S. Eliot (The Love Song of J. Alfred Prufrock)
“
Marry me he said voice full of emotion. Be my soul mate my friend and my lover as long as we both live. Make babies with me that have curly hair and big brown eyes. Grow old with me and we'll watch the sun set together in the evenings. And when I leave this world I'll be happy knowing I was the best man I could be for having loved you.
”
”
Jo Davis (Line of Fire (Firefighters of Station Five, #4))
“
Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet"
Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I Talk in a daze, I walk in a maze
I cannot get out, said the starling).
Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?
Who is your hero, Dolores Haze?
Still one of those blue-capped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!
Oh Dolores, that juke-box hurts!
Are you still dancin', darlin'?
(Both in worn levis, both in torn T-shirts,
And I, in my corner, snarlin').
Happy, happy is gnarled McFate
Touring the States with a child wife,
Plowing his Molly in every State
Among the protected wild life.
My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soliel Vert?
Are you from Paris, mister?
L'autre soir un air froid d'opera m'alita;
Son fele -- bien fol est qui s'y fie!
Il neige, le decor s'ecroule, Lolita!
Lolita, qu'ai-je fait de ta vie?
Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.
Officer, officer, there they go--
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.
Officer, officer, there they are--
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out and take cover.
Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.
My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.
”
”
Vladimir Nabokov (Lolita)
“
On the smooth brown hair was a hat that had been taken from its mother too young.
”
”
Raymond Chandler (The Little Sister (Philip Marlowe, #5))
“
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill.
She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
She never managed to find herself in these books no matter how hard she tried, exhuming traits from between the pages and donning them for an hour, a day, a week. We think in some ways, we have all done this our whole lives, searching for the book that will give us the keys to ourselves, let us into a wholly formed personality as though it were a furnished room to let. As though we could walk in and look around and say to the gray-haired landlady behind us, "We'll take it.
”
”
Eleanor Brown (The Weird Sisters)
“
He let his eyes flitter over her. “I don’t see anything ‘precisely.’ I can tell you’re slender. I can see you’re wearing white, or some light color. Your face is pale, your lips are reddish. And there appears to be a dark brown octopus attacking your head.”
“That’s my hair.”
Ransom shrugged. “You asked what I see. I see tentacles.
”
”
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
“
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
”
”
T.S. Eliot (Ash Wednesday)
“
For one brief, never-ending second, an entirely different path expanded behind the lids of my tear-wet eyes. As if I were looking through the filter of Jacob's thoughts, I could see exactly what I was going to give up, exactly what this new self-knowledge would not save me from losing. I could see Charlie and Renée mixed into a strange collage with Billy and Sam and La Push. I could see years passing, and meaning something as they passed, changing me. I could see the enormous red-brown wolf that I loved, always standing as protector if I needed him. For the tiniest fragment of a second, I saw the bobbing heads of two small, black-haired children, running away from me into the familiar forest. When they disappeared, they took the rest of the vision with them.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as: "honey-colored skin," "thin arms," "brown bobbed hair," "long lashes," "big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark innerside of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors (and this is how I see Lolita).
”
”
Vladimir Nabokov (Lolita)
“
The girl who, twenty-four years ago to the day, stepped into my life with her big brown eyes, her hair in pigtails, sucking on a lollipop as she stared across at me through the garden fence and said, “I’m Trudy, you want a lollipop?” I let out a laugh as tears fill my eyes, realizing today’s date is August 31. The day Jake and I met.
”
”
Samantha Towle (Wethering the Storm (The Storm, #2))
“
Why are you standing here, Charlie Brown?"
"I'm waiting for that little red-haired girl to walk by... I'm going to say hello to her and ask her how she's enjoying her summer vacation, and just sort of talk to her... You know..."
"You'll never do it, Charlie Brown... You'll panic..."
"Besides that, she's already walked by!
”
”
Charles M. Schulz (The Complete Peanuts, Vol. 8: 1965-1966)
“
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister.
Jules, Helen had called him. Her little brother.
The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids.
The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart.
“Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.”
Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd.
“Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?'
'Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.'
'Sounds to me like a euphemism for "freaky cult." '
'Freaky, you say?'
'Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!'
Langdon scanned the class. 'Does that sound freaky to anyone else?'
'Yes!' they all chimed in.
Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.'
Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?'
Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.'
The class looked horrified.
Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.'
The classroom remained silent.
Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
”
”
Dan Brown (The Lost Symbol (Robert Langdon, #3))
“
Eric followed Vlad Tepes’s stubby finger, identifying me as the future Happy Meal. Then he stared at Dracula, looking up from his kneeling position. I couldn’t read his face at all, and I felt a stirring of fear. What would Charlie Brown have done if the Great Pumpkin wanted to eat the little red-haired girl?
”
”
Charlaine Harris (A Touch of Dead (Sookie Stackhouse, #4.1, #4.3, #5.1, #7.1, #8.1))
“
She's as fetching as brown hair done up with ribbons blue
The mountain, my lady
She's as sweet as pink flowers made bright with morning dew,
Mount Eskel, my lady
”
”
Shannon Hale (Palace of Stone (Princess Academy, #2))
“
I sometimes used to ask myself, what on earth did I love her for? Maybe fore the warm hazel iris of her fluffy eyes, or for the natural side-wave of her brown hair, done anyhow, or again for that movement of her plump shoulders. But, probably the truth was that I loved her because she loved me. To her I was the ideal man: brains, pluck. And there was none dressed better. I remember once, when I first put on that new dinner jacket, with the vast trousers, she clapsed her hands, sank down on a chair and murmured: 'Oh, Hermann...." It was ravishment bordering upon something like heavenly woe.
”
”
Vladimir Nabokov
“
She wouldn't leave him like this, in this cold, dark room.
She yanked out of Arobynn's grasp. Wordlessly, she unfastened her cloak and spread it over Sam, covering the damage that had been so carefully inflicted. She climbed onto the wooden table and lay out beside him, stretching an arm across his middle, holding him close.
The body still smelled faintly like Sam. And like the cheap soap she'd made him use, because she was so selfish that she couldn't let him have her lavender soap.
Celaena buried her face in his cold, stiff shoulder. There was a strange, musky scent all over him--a smell that was so distinctly not Sam that she almost vomited again. It clung to his golden-brown hair, to his torn, bluish lips.
She wouldn't leave him.
Footsteps heading toward the door--then the snick of it closing as Arobynn left.
Celaena closed her eyes. She wouldn't leave him.
She wouldn't leave him.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
Why?" asked her companion. "Why do you love him when you ought not to?"
Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands.
"Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - "
"Because you do, in short," laughed Mademoiselle.
”
”
Kate Chopin (The Awakening)
“
Tell me about yourself."
"Myself?" He looks confused.
"Yes," I say, patting the mattress.
"You know all there is to know," he says, sitting beside me.
"Not true," I say. "Where were you born? What's your favourite season? Anything."
"Here. Florida," he says. "I remember a woman in a red dress with curly brown hair. Maybe she was my mother, I'm not sure. And summer. What about you?" The last part is said with a smile. He smiles so infrequently that I consider each one a trophy.
”
”
Lauren DeStefano (Wither (The Chemical Garden, #1))
“
I didn't tell him, I never told him. Not in a way that he believed. Not in a way that he could let in and hold on to. Everything he was to me. That he was everything.
Simon, Simon . . .
You were the sun, and I was crashing into you.
I'd wake up every morning and tell myself . . .
I'd tell myself . . .
"You live in fear! In denial!"
Simon is on the ground. His wing is bent the wrong way. His blood is red and abundant. It smells like brown butter. His hair is a mess, his face is in the sand. He doesn't know how much I love him. He's never really heard it.
I'd wake up every morning and tell myself . . .
"Simon . . . love . . . get up. We still have to save Agatha."
Simon is on the ground.
This will end in flames.
”
”
Rainbow Rowell (Wayward Son (Simon Snow, #2))
“
Billy covered his head with his blanket. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away. It wasn’t that she was ugly, or had bad breath or a bad personality. She was a perfectly nice, standard-issue, brown-haired, white woman with a high school education.
She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone through so much trouble to give him life, and to keep that life going, and Billy didn’t really like life at all.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
Then the best thing I can do is—"
He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him?
Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different.
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it.
And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away.
Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian.
Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
She [Pansy] pushed in next to Poppy so that she could see him around the guard's elbow. She was as tall as Poppy, with shining dark-brown hair and blue eyes. An utterly lovely girl, as all the princesses were, yet Oliver thought Petunia was far more beautiful.
”
”
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
“
Isabelle had been trained to wake up early every morning, rain or shine, and a slight hangover did nothing to prevent it from happening again. She sat up slowly and blinked down at Simon. She'd never spent and entire night in a bed with anyone else, unless you counted crawling into her parents bed when she was four and afraid of thunderstorms. She couldn't help staring at Simon as if he were some exotic species of animal. He lay on his back, his mouth slightly open, his hair in his eyes. Ordinary brown hair, ordinary brown eyes. His t-shirt was pulled up slightly. He wasn't muscular like a shadowhunter. He had a smooth flat stomach but no six-pack, and there was still a hint of softness to his face. What was it about him that fascinated her? He was plenty cute, but she had dated gorgeous faerie knights, sexy shadowhunters...
"Isabelle," Simon said without opening his eyes. "Quit staring at me.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
My litter sister looks up at me.
Mom was right. Her eyes are the same as they've always been. Brown eyes fringed with long lashes and steeped with the memory of sweetness and light, laughter and joy - trapped in this mangled corpse-like face.
"It's all right, baby girl," I whisper into her hair as I hug her. "I'm here. I came for you."
Her face crumples and her eyes shine. "You came for me."
I stroke her hair. It's as silky as ever.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
I'd blurted out the question only to keep him from noticing that I was working my hands free, but the Warden behind me, some young brown-haired surfer dude, yelled a warning. "She's getting loose!"
Narc.
”
”
Rachel Caine (Thin Air (Weather Warden, #6))
“
He had the prettiest hair she had ever seen on a man: dark brown, almost black, and soft like sable, it fell down to his shoulders. She wondered what he'd do if she threw some mud in it. Probably kill her.
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
I didn't know why something that started off feeling so good had to wind up feeling so bad. Love was a big word and it covered a lot of territory. You could spend your whole life chasing after it and wind up with nothing, be an old bitter guy with long nose hair and ear hair and no teeth, hanging out in bars, looking for somebody your age, but the chances of success went down then. After a while you got too many strikes against you.
”
”
Larry Brown (Big Bad Love)
“
... the doors to his father's council room were thrown open and Celaena prowled in, her dark cape billowing behind her. All twenty men at the table fell silent, including his father, whose eyes went straight to the thing dangling from Celaena's hand. Chaol was already striding across the room from his post by the door. But he, too, stopped when he beheld the object she carried.
A head.
The man's face was still set in a scream, and there was something vaguely familiar about the grotesque feature and mousy brown hair that she gripped. It was hard to be certain as it swung from her gloved fingers.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
As Con and Sin approached the Harrowgate, it flashed and a tank of a blood-bay stallion leaped out, scattering staff and patients. Atop the horse sat a massive male in hard leather armor. His hair was short, reddish brown, and his eyes were black as Sin's.
"What the hell are you doing?" Eidolon shouted, but the big male swiveled his head and focused his gaze on Sin with such intensity that Con stiffened.
"Why is he looking at you like that?"
"I...ah..." She slid him a timid glance. "I sort of slept with him once."
Con took a deep breath and tried to rein in his desire to rip out the horse guy's throat. "Where'd you find him? EviLove.com?
”
”
Larissa Ione (Sin Undone (Demonica, #5))
“
In a good mood I call my hair Chestnut with Gold Glints. In a bad mood, I call it mousy brown
”
”
Mary Ann Shaffer
“
An overhead light blinked and extinguished.
Armitage drew the pistol with his right hand. He swung and aimed, checking there were no innocent people obstructing the way. None. Fired a single shot. It sailed over a plant and table setting. The round hit an inch from the watcher's heart. On impact the brown-haired assailant tipped. Jake ducked. A table toppled. The watcher groaned as the force of the momentum pushed him toward the floor-to-ceiling glass wall.
A second table collapsed, plates thrown asunder. Jake stepped forward, arm stretched and gun straight. A waitress hugged herself, crying. Two more male patrons hit the floor and crawled between chairs.
”
”
Simon W. Clark (The Russian Ink (Jake Armitage Thriller Book 1))
“
Who are you?" she said, barely able to hear her own words as her heartbeat thrummed in her ears.
"This is your dream, remember? Tell me who I am," he said smiling, absently coiling a tendril of her long brown hair around a finger.
She narrowed her eyes at him. "If this is my dream, oneiroi, then answer my question. Who are you?"
He was hearing her true voice: that of a natural ruler. She watched him smile at her fearlessness, even as he loomed over her. He leaned down and whispered in her ear, "I am your lord husband.
”
”
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
“
Cole!" Cassandra smacked him on the shoulder.
"Wha-?" When he opened his mouth all you could see was half-chewed goo.
"How old are you?" I demanded. I threw shrimp at him and it got stuck in his tangle of wig hair. Bergman fished it out, wiped it off, and put it back on the serving dish.
"Now, thats disgusting," said Cassandra.
"Children!" Vayl's voice boomed in our ears, loud and sudden enough to make us all jump guiltily. "I trust you are all preforming actual work right now."
"Chill out, Vayl," I replied. "Bergman is just conducting and experiment to see how vampires respond to ingesting brown hair dye."
"That makes me curious, Vayl," said Cole in a sticky, goodie-between-the-gums voice that reminded me of Winnie the Pooh after a major honey binge. "Have you ever colored your hair? You know blonds have more fun."
"Not when they are in the hospital.
”
”
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
“
In this particular tub, two knees jut up
like icebergs, while minute brown hairs rise
on arms and legs in a fringe of kelp; green soap
navigates the tidal slosh of seas
breaking on legendary beaches; in faith
we shall board our imagined ship and wildly sail
among sacred islands of the mad till death
shatters the fabulous stars and makes us real.
--from "Tale of a Tub", written 1956
”
”
Sylvia Plath (The Collected Poems)
“
Footfalls in the hallway, outside the door, alerted Audun to the fact that they had company. The steps were light, a woman’s step, Audun suddenly thought. A moment later the woman entered the room. Her light brown hair was tinged with grey, and the rich black velvet gown she wore spoke to her status. The hazel eyes swept the room. In that instant Audun knew with certainty the identity of his visitor.
“Good morning, grandmother. Have you come to offer me my crown?”
Robert Reid – The Son
”
”
Robert Reid (The Son (The Emperor, The Son and The Thief #2))
“
Henry studied Merri Lee, then Meg. “Humans don’t like mice?” “Not in the building!” Meg said. “And not around food,” Merri Lee added. The three terra indigene looked baffled. “But it’s fresh meat,” the brown-haired woman finally said.
”
”
Anne Bishop (Written in Red (The Others, #1))
“
I keep my kindness in my eyes
Gently folded around my iris
Like a velvety, brown blanket
That warms my vision
I keep my shyness in my hair
Tucked away into a ponytail
Looking for a chance to escape
On a few loose strands in the air
I keep my anger on my lips
Just waiting to unleash into the world
But trust me; it’s never in my heart
It evaporates into words
I keep my dignity upon my chin
Like a torch held up high
For those who have betrayed me
Radiating a silent, strong message
I keep my gratitude in my smile
A glistening waterfall in the sun
Gently splashing at that person
Who made me happy for some reason
I keep my sensitivity in my hands
Reaching out for your wet cheek
Holding you, with all the love
The love I want to share, and feel
I keep my passion in my writing
My words breathing like fire
Screeching against an endless road
As I continue to be inspired
I keep my simplicity in my soul
Spread over me like a clear sky
Reflecting all that I am
And all that’s ever passed me by
And I hope you will look
Beyond my ordinary face
My simple, tied hair
My ordinary tastes
And I hope you will see me
From everyone...apart
As I keep my beauty
in my heart.
”
”
Sanober Khan
“
If I say your hair is purple, does that mean it’s purple?” he asked. “No, it’s brown.”
“Does it mean you have to prove to me it’s brown?” I shook my head.
“No, you can see it is.”
“You are going to be one of the greatest tennis players in the world someday, cariño. That is as true as your brown hair. You don’t need to show them. You just need to be.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
what love looks like
what does love look like the therapist asks
one week after the breakup
and i’m not sure how to answer her question
except for the fact that i thought love
looked so much like you
that’s when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast
what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point i’m about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when you’re about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like
well i tell her
i don’t think love is him anymore
if love was him
he would be here wouldn’t he
if he was the one for me
wouldn’t he be the one sitting across from me
if love was him it would have been simple
i don’t think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart
and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me
how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like shit
maybe we’re looking at it wrong
we think it’s something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of sexy and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didn’t turn inward and learn
how to love ourselves in order to love other people
love does not look like a person
love is our actions
love is giving all we can
even if it’s just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we don’t
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
”
”
Rupi Kaur (the sun and her flowers)
“
Brown Penny
I WHISPERED, 'I am too young,'
And then, 'I am old enough';
Wherefore I threw a penny
To find out if I might love.
'Go and love, go and love, young man,
If the lady be young and fair.'
Ah, penny, brown penny, brown penny,
I am looped in the loops of her hair.
O love is the crooked thing,
There is nobody wise enough
To find out all that is in it,
For he would be thinking of love
Till the stars had run away
And the shadows eaten the moon.
Ah, penny, brown penny, brown penny,
One cannot begin it too soon.
”
”
W.B. Yeats
“
The Bear and the Maiden Fair
A bear there was, a bear, a bear!
All black and brown, and covered with hair!
The bear! The bear!
Oh, come, they said, oh come to the fair!
The fair? Said he, but I'm a bear!
All black, and brown, and covered with hair!
And Down the road from here to there.
From here! To There!
Three boys, a goat, and a dancing bear!
[He] danced and spun, all the way to the Fair!
The Fair! The Fair!
[...]
Oh, sweet she was, and pure, and fair!
The maid with honey in her hair!
Her hair! Her hair!
The maid with honey in her hair!
[The bear,] smelled the scent on the summer air.
The bear! The bear!
All black and brown and covered with hair.
He smelled the scent on the summer air!
He sniffed and roared and smelled it there!
Honey on the summer air!
Oh, I'm a maid, and I'm pure and fair!
I'll never dance with a hairy bear!
A bear! A bear!
I'll never dance with a hairy bear!
He lifted her high into the air!
The bear! The bear!
I called for a knight, but you're a bear!
A bear! A bear!
All black and brown and covered with hair!
She kicked and wailed, the maid so fair,
But he licked the honey from her hair,
Her hair! Her hair!
Then she sighed and squealed and kicked the air!
My bear! She sang. My bear so fair!
And off they went, from here to there,
The bear, the bear, and the maiden fair.
~"The Bear and the Maiden Fair",
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
So I'm guessing you're Seven and Ten; What can you do?" I say as I find our rifles in the sand and hand each of them a gun.
"You can call me Marina," the girl with the brown hair says. "And I can breathe under water and see in the dark and heal the sick and wounded. And I have telekinesis."
Call me Ella, I hear ten say in my head. Aside from my telepathy, I can change ages.
"Awesome. I'm four, that nut job with the long black hair is nine and the beast is my chimaera, Bernie Kosar.
”
”
Pittacus Lore
“
Annabel was, like the writer, of mixed parentage: half-English, half-Dutch, in her case. I remember her features far less distinctly today than I did a few years ago, before I knew Lolita. There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as: "honey-colored skin," "thin arms," "brown bobbed hair," "long lashes," "big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark innerside of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors (and this is how I see Lolita).
”
”
Vladimir Nabokov (Lolita)
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
Those deep set eyes that look like they could tell stories for days, and that wavy brown hair that feels soft between my fingers. I try to memorize the angles of his jaw and the lines of his lips, because I know.
I know this may be the last time I ever see him.
Breathe fills my lungs, my throat relaxes, and I can't help but smile. Because I can see what he's thinking as clearly as if he'd spoken.
He doesn't want to leave - he doesn't want to go home.
He's going to choose me instead.
”
”
Elizabeth Norris (Unraveling (Unraveling, #1))
“
Hey,” said a soft voice.
Emma turned to see a boy with wavy hair and light brown skin looking at them with a mixture of annoyance and—no, it was mostly just annoyance.
“Raphael Santiago?” she said.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
Carter looked awful—I mean even worse than usual. Honestly, the boy had never been in a proper school, and he dressed like a junior professor, with his khaki trousers and a button-down brown shirt and loafers. He’s not bad looking, I suppose. He’s reasonably tall and fit and his hair isn’t hopeless. He’s got Dad’s eyes, and my mates Liz and Emma have even told me from his picture that he’s hot, which I must take with a grain of salt because (a) he’s my brother, and (b) my mates are a bit crazed. When it came to clothes, Carter wouldn’t have known hot if it bit him on the bum.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I don’t understand this notion of ethnic pride. “Proud to be Irish,” “Puerto Rican pride,” “Black pride.” It seems to me that pride should be reserved for accomplishments; things you attain or achieve, not things that happen to you by chance. Being Irish isn’t a skill; it’s genetic. You wouldn’t say, “I’m proud to have brown hair,” or “I’m proud to be short and stocky.” So why the fuck should you say you’re proud to be Irish? I’m Irish, but I’m not particularly proud of it. Just glad! Goddamn glad to be Irish!
”
”
George Carlin (Napalm & Silly Putty)
“
When the fiddle had stopped singing Laura called out softly, “What are days of auld lang syne, Pa?”
“They are the days of a long time ago, Laura,” Pa said. “Go to sleep, now.”
But Laura lay awake a little while, listening to Pa’s fiddle softly playing and to the lonely sound of the wind in the Big Woods. She looked at Pa sitting on the bench by the hearth, the firelight gleaming on his brown hair and beard and glistening on the honey-brown fiddle. She looked at Ma, gently rocking and knitting.
She thought to herself, “This is now.”
She was glad that the cosy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
”
”
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
“
People talk about the beauty of the spring, but I can't see it. The trees are brown and bare, slimy with rain. Some are crawling with new purple hairs. And the buds are bulging like tumorous acne, and I can tell that something wet, and soft, and cold, and misshapen is about to be born.
And I am turning into a vampire.
”
”
M.T. Anderson (Thirsty)
“
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
”
”
Margery Williams Bianco (The Velveteen Rabbit)
“
Natalie decided she’d be a brunette today. Part of the fun of being a private eye? Dress up. She kept wigs in her bedroom: short brown hair, long red hair, black curls. There were times an investigator depended on a quick disguise, necessary to dig up details, save her life.
”
”
Nancy Mangano (Deadly Decisions)
“
You remind me more of Princess Peach.” I looked down at my shorts and tank top, and caught the ends of my multicolored brown hair courtesy of careful instruction to Ginny. “Because of my beautiful pink gown and blonde hair?” Dallas’s mouth went flat. “She’s surrounded by men, but she’s still herself, and she’s got her shit together on Mario Kart.
”
”
Mariana Zapata (Wait for It)
“
Are you Darah, Renee or Taylor? You look like a Taylor to me," he said, looking me up and down.
I wasn't at my best, considering I was dressed for moving heavy objects in a blue UMaine t-shirt and black soccer shorts, and I had my light brown hair in a haphazard bun against the back of my neck. His eyes raked up and down twice, and for some reason the way he assessed me made me blush and want to kick him in the balls at the same time.
"There must be a mistake," I said.
He adjusted his bag on his shoulder. "That's a creative name. What do you shorten it to? Missy?
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
Hair like steel wool grew far back on his head and gave him a domed brown forehead that might at careless glance seemed a dwelling place for brains.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
I strolled into a downtown parking garage, wearing a black pantsuit and matching heels. I’d pulled my dark, chocolate-brown hair up into a high, sleek ponytail, while black glasses with clear lenses covered my cold
gray eyes. I looked like just another corporate office drone, right down to the enormous black handbag I carried.
”
”
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
“
Yet when we came back, from the hyacinth garden,
Yours arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing.
Looking into the heart of light, the silence.
Oed und leer das Meer ('waste and empty in the sea')"
"I remember
Those are pearls that were his eyes."
"Who is the third who walks always beside you?
When I count, there are only you and I together
But when I look ahead, up the white road
There is always another one walking beside you,
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
But who is that on the other side of you?
”
”
T.S. Eliot (The Waste Land)
“
At the time of this writing, Donald Trump seeks the Republican nomination supported largely by a bunch of angry white people who sense where history is going and DO NOT LIKE IT AT ALL and are therefore hoping that if they punch and shove enough brown people, it will fix it. Perhaps when you read this, Donald Trump will be president or maybe superking. But even if that happens, he shall pass. Time does not go backward.
”
”
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
“
She said to the Daisy girl with her big brown eyes: 'I will not have it plain. No. Fancy. It must be fancy!' She meant her future. A moon-daisy dropped to the floor, down from her hair, like a faintly derisive sign from heaven.
”
”
Angela Carter (The Magic Toyshop)
“
She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. Then she took my wrist with her two hands. She pressed her lips into the palm of my hand. She placed my hand upon her bosom between her breasts. She turned her lips towards my face and waited. And Arturo Bandini, the great author dipped deep into his colourful imagination, romantic Arturo Bandini, just chock-full of clever phrases, and he said, weakly, kittenishly, 'Hello.
”
”
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
“
Sometimes when I am dusting the mirror with the grapes I look at myself in it, although I know it is vanity. In the afternoon light of the parlour my skin is a pale mauve, like a faded bruise, and my teeth are greenish. I think of all the things that have been written about me - that I am inhuman female demon, that I am an innocent victim of a blackguard forced against my will and in danger of my own life, that I was too ignorant to know how to act and that to hang me would be judicial murder, that I am fond of animals, that I am very handsome with a brilliant complexion, that I have blue eyes, that I have green eyes, that I have auburn and also have brown hair, that I am tall and also not above the average height, that I am well and decently dressed, that I robbed a dead woman to appear so, that I am brisk and smart about my work, that I am of a sullen disposition with a quarrelsome temper, that I have the appearance of a person rather above my humble station, that I am a good girl with a pliable nature and no harm is told of me, that I am cunning and devious, that I am soft in the head and little better than an idiot. And I wonder, how can I be all of these different things at once?
”
”
Margaret Atwood (Alias Grace)
“
I noticed Wahid's boys, all three thin with dirt-caked faces and short-cropped brown hair under their skull caps, stealing furative glances at my digital wristwatch.
...I unsnapped the wristwatch and gave it to the youngest of the three boys. He muttered a sheepish "Tashakor."
"It tells you the time in any city in the world," I told him. The boys, nodding politely passing the watch between them, taking turns trying it on. But they lost interest and, soon the watch sat abandoned on the straw mat.
...I understood now why the boys hadn't shown any interest in the watch. They hadn't been staring at the watch at all. They'd been staring at my food.
”
”
Khaled Hosseini (The Kite Runner)
“
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch.
The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on.
Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water.
Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
”
”
William Golding (Lord of the Flies)
“
He's so handsome," Phoebe commented just as Finley directed her attention at her.
"Who?" she demanded.
"The Duke of Greythorne," came the reply. "He just left."
She glanced out the window, but all she saw was a tall gentleman with reddish-brown hair and wearing very fashionable clothing as he walked away from her. "Well, he has a tolerable back," she commented drily.
Pheobe snickered. "Looking at his backside are you, Finley?
”
”
Kady Cross (The Strange Case of Finley Jayne (Steampunk Chronicles, #0.5))
“
What do you want from me?” I whisper as my hands sink into her soft hair.
“I don’t want anything from you,” she answers and opens her eyes, pinning me in her chocolate brown gaze. “That’s just it, Caleb. I just want you.
”
”
Kristen Proby (Safe with Me (With Me in Seattle, #5))
“
Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
”
”
Cassandra Clare
“
When the guy turned around, Amy began stuttering. Silently. It was a feat only Amy could manage, and only Dan could notice.
And it only happened in front of boys who looked like this one. He had brown hair and caramel-colored eyes, like Dan's friend Nick Santos, who
made all the sixth-grade girls turn into blithering idiots when he looked their way--in fact, would even say Watch, lean make them turn into blithering
idiots, and then he'd do it. Only older.
"He. Is. Hot," Nellie said under her breath.
"You too?" Dan hissed.
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
Rats! There goes the bell... oh, how I hate lunch hours! I always have to eat alone because nobody likes me... Peanut butter again... I wish that little red haired girl would come over, and sit with me. Wouldn’t it be great if she’d walk over here, and say, “May I eat lunch with you, Charlie Brown?” I’d give anything to talk with her... she’d never like me, though... I’m so blah and so stupid... she’d never like me... I wonder what would happen if I went over and tried to talk to her! Everyone would probably laugh... she’d probably be insulted someone as blah as I am tried to talk to her. I hate lunch hour... all it does is make me lonely... during class it doesn’t matter... I can’t even eat... Nothing tastes good... Rats! Nobody is ever going to like me... Lunch hour is the loneliest hour of the day!
”
”
Charles M. Schulz
“
You will live to love again. You know you have lost your springtime girl, your Molly on the beach with the wind in her brown hair and red cloak. You have been gone too long from her, and too much has befallen you both. And what you loved, what both of you truly loved, was not each other. It was the time of your life. It was the spring of your years, and life running strong in you, and war on your doorstep and your strong, perfect bodies. Look back, in truth. You will find you recall fully as many quarrels and tears as you do lovemaking and kisses. Fitz. Be wise. Let her go, and keep those memories intact. Save what you can of her, and let her keep what she can of the wild and daring boy she loved. Because both he and that merry little miss are no more than memories anymore." She shook her head. "No more than memories.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
I've done lots of jobs. Right now, I'm a hair collector."
"That's good", said Ishvar tentatively. "What do you have to do as a hair-collector?"
"Collect hair."
"And there is money in that?"
"Oh very big business. There is a great demand for hair in foreign countries."
"What do they do with it? Asked Om skeptical."
"Many different things. Mostly they wear it.Sometimes they paint it in different colors-red, yellow, brown, blue. Foreign women enjoy wearing other people's hair. Men also, especially if they are bald.
In foreign countries they fear baldness. They are so rich in foreign countries, they can afford to fear all kinds of silly things.
”
”
Rohinton Mistry (A Fine Balance)
“
There where hundreds of graves. There where hundreds of women. There were hundreds of daughters. There were hundreds of sons. And hundreds upon hundreds upon thousands of candles. The whole graveyard was one swarm of candleshine as if a population of fireflies had heard of a Grand Conglomeration and had flown here to settle in and flame upon the stones and light the brown faces and the dark eyes and the black hair.
”
”
Ray Bradbury (The Halloween Tree)
“
Black Beauty"
I paint my nails black,
I dye my hair a darker shade of brown
'Cause you like your women Spanish, dark, strong and proud
I paint the sky black
You said if you could have your way
You'd make a night time of today
So it'd suit the mood of your soul
Oh, what can I do?
Nothing, my sparrow blue
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
I paint the house black
My wedding dress black leather too
You have no room for light
Love is lost on you
I keep my lips red
The same like cherries in the spring
Darling, you can't let everything
Seem so dark blue
Oh, what can I do?
To turn you on or get through to you
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, ah ah
Black beauty, ah ah
Black beauty, ah ah ah ah
Black beauty, baby
Black beauty, baby
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
”
”
Lana Del Rey
“
If you seen me an' Lugh together, you'd never think we was the same blood. Never think we grew together in the same womb.
He's got gold hair. I got black.
Blue eyes. Brown eyes.
Strong. Scrawny.
Beautiful. Ugly.
He's my light. I'm his shadow.
Lugh shines like the sun. That must of made it easy fer them to find him. All they had to do was follow his light.
”
”
Moira Young (Blood Red Road (Dust Lands, #1))
“
Bonnie who had never hurt a - a harmless thing for malice. Bonnie who was like a kitten making airy pounces at no prey at all. Bonnie with her hair that was called something strawberry but that looked simply as if it was on fire. Bonnie of the translucent skin with the delicate violet fjords and estuaries of veins all over her throat and inner arms. Bonnie who had lately taken to looking at him sideways with her large childlike eyes big and brown under lashes like stars...
”
”
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
“
Then summer came. A summer limp with the weight of blossomed things. Heavy sunflowers weeping over fences; iris curling and browning at the edges far away from their purple hearts; ears of corn letting their auburn hair wind down to their stalks. AND THE BOYS. The beautiful, beautiful boys who dotted the landscape like jewels, split the air with their shouts in the field, and thickened the river with their shining wet backs. EVEN THEIR FOOTSTEPS LEFT A SMELL OF SMOKE BEHIND!
”
”
Toni Morrison (Sula)
“
Not like this vision before us, who was shaking water out of his slightly overlong reddish-brown
hair as he leaned over to lay down his board (revealing, as he did so, the fact that beneath his
baggy swim trunks—so weighted down with water that they had sunk somewhat dangerously low
on his hips—lurked what appeared to be an exceptionally well-formed gluteus maximus)
”
”
Meg Cabot (Pants on Fire)
“
In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was.
"That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves."
"Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love.
”
”
Anne Rice
“
Jace?" She offered him the glass.
"I am a man," he told her. "And men do not consume pink beverages. Get the gone, woman and bring me something brown."
"Brown?" Isabelle made a face.
"Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look-Alec is wearing it."
Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded."
"You could dress it up with a sequined headband," Magnus suggested.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I want to hear you say it,” I say, pushing her hair from her eyes. She sighs and I can’t hold back any longer. I stroke her cheek with my hand and lean in to kiss her soft lips. I half expect her to push me back, but I can’t stop myself right now. I have to do it. I have to kiss her. I need to kiss her.
”
”
Melissa Brown (Champagne Toast (Love of My Life, #2))
“
What is was, was that we complemented each other. We just fit in this way that made strangers ask us if we were sisters, even though her hair was blond and curly and mine was straight and dark. Even though her eyes were blue and mine were brown. Maybe it was the way we acted, or spoke, just moved. The way we would look at something and both have the same thought at the same moment, and turn to each other at the same time and start to say the same thing.
”
”
Nina LaCour (Hold Still)
“
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string I wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without a stain.
And I untightened the next tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss . . .
”
”
Robert Browning
“
Tarquin turned from the table, just as the tent flaps parted for a pair of broad shoulders—
Varian. He didn’t so much as look at his High Lord, his focus going right to where Amren sat at the head of the table. As if he’d sensed she was here—or someone had reported. And he’d come running.
Amren’s eyes flicked up from the Book as Varian halted. A coy smile curved her red lips.
There was still blood and dirt splattered on Varian’s brown skin, coating his silver armor and close-cropped white hair. He didn’t seem to notice or care as he strode for Amren.
And none of us dared to speak as Varian dropped to his knees before Amren’s chair, took her shocked face in his broad hands, and kissed her soundly.
...
None of us lasted long after dinner.
Amren and Varian didn’t even bother to join us.
No, she’d just wrapped her legs around his waist, right there in front of us, and he’d stood, lifting her in one swift movement. I wasn’t entirely sure how Varian managed to walk them out of the tent while still kissing her, Amren’s hands dragging through his hair, letting out noises that were unnervingly like purring as they vanished into the camp.
Rhys had let out a low laugh as we all gawked in their wake. “I suppose that’s how Varian decided he’d tell Amren he was feeling rather grateful she ordered us to go to Adriata.”
Tarquin cringed. “We’ll alternate who has to deal with them on holidays.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
As we stepped inside, I waited for it to get strange, now that I could see him clearly again—his brown eyes, his reddish hair, his freckles. But it didn’t. And I didn’t understand why until I’d gotten back into the car and Frank had waved at me from the door and I’d turned in the direction of home. It seemed that somewhere between the arguments about the merits of ninja movies, he’d stopped being Frank Porter, class president, unknowable person. He’d stopped being a stranger, a guy, someone I didn’t know how to talk to. That night, in the darkness, sharing our secrets and favorite pizza-topping preferences, he’d moved closer to just being Frank—maybe, possibly, even my friend.
”
”
Morgan Matson (Since You've Been Gone)
“
Well, of course I’ve tried lavender. And pulling my memory out, ribbonlike and dripping. And shrieking into my pillow. And writing the poems. And making more friends. And baking warm brown cookies. And therapy. And intimacy. And pictures of rainbows. And all of the movies about lovers and the terrible things they do to each other. And watching the ones in other languages. And leaving the subtitles off. And listening to the language. And forgetting my name. And feeling the dirt on my skin. And screaming in the shower. And changing my shampoo. And living alone. And cutting my hair. And buying a turtle. And petting the cat. And traveling. And writing more poems. And touching a different body. And digging a grave. And digging a grave. Of course, I’ve tried it. Of course I have.
”
”
Yasmin Belkhyr
“
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown.
He dressed as a fairy king. The irony doesn’t escape me.
I scowl.
“Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils.
I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?”
“Oh, I assure you, what I chose to show is only the start.»
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
It was like staring into the face of a familiar stranger. You know, that person you see in a crowd and swear you know, but you really don't? Now she was me - the familiar stranger.
She had my eyes. They were the same hazel color that could never decide whether it wanted to be green or brown, but my eyes had never been that big and round. Or had they? She had my hair - long and straight and almost as dark as my grandma’s had been before hers had begun to turn silver. The stranger had my high cheekbones, long, strong nose, and wide mouth - more features from my grandma and her Cherokee ancestors. But my face had never been that pale. I’d always been olive-ish, much darker skinned than anyone else in my family. But maybe it wasn’t that my skin was suddenly so white ... maybe it just looked pale in comparison to the dark blue outline of the crescent moon that was perfectly positioned in the middle of my forehead. Or maybe it was the horrid fluorescent lighting. I hoped it was the lighting.
I stared at the exotic-looking tattoo. Mixed with my strong Cherokee features it seemed to brand me with a mark of wildness ... as if I belonged to ancient times when the world was bigger ... more barbaric.
From this day on my life would never be the same. And for a moment — just an instant—I forgot about the horror of not belonging and felt a shocking burst of pleasure, while deep inside of me the blood of my grandmother’s people rejoiced.
”
”
P.C. Cast
“
Neil had dyed his hair brown from time to time, but never this shade, never anywhere near this shade. This was his natural color, and those were his real eyes, and this was his father's face. The bandages and bruises weren't enough to disguise the man he'd seen in the mirror. Neil thought he'd throw up but he was too weak to manage it.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
No I am not Prince Hamlet nor was meant to be
Am an attendant lord one that will do
To swell a progress start a scene or two
Advise the prince no doubt an easy tool
Deferential glad to be of use
Politic cautious and meticulous
Full of high sentence but a bit obtuse
At times indeed almost ridiculous—
Almost at times the Fool.
I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind Do I dare to eat a peach
I shall wear white flannel trousers and walk upon the beach.
I have heard the mermaids singing each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us and we drown.
”
”
T.S. Eliot (The Love Song of J. Alfred Prufrock)
“
At a mere five feet seven inches, Dan was a head shorter than most of the boys. His body sagged slightly where their muscles rippled, his teeth were crooked where theirs gleamed, and his brown hair was thick and unruly where theirs shone. To judge solely from appearances, it was difficult to believe he’d been accepted into this prestigious little clique. But to judge from appearances was to ignore Dan’s quick wit and effortless charm. These were the characteristics that each of the boys aspired to, and the fact that Dan possessed them in such abundance was a constant source of fascination to them. No matter that he looked so freakishly average. His sense of humour and charisma were the benchmarks toward which the entire group was working, and few within the circle were held in higher esteem.
”
”
Andy Marr (Hunger for Life)
“
She couldn't honestly deny he was extremely appealing physically. His rugged face, his wild dark hair, his warm brown skin. And even though she would never tell him, she loved the way he moved, with total confidence, as though nothing in the world could harm him. It made her less fearful when she was around him. As if boldness and bravery did not always end in defeat.
”
”
Stephanie Garber (Caraval (Caraval, #1))
“
Payton grinned. “You must be Chase.” As she extended her hand in introduction, she took the opportunity to give him a more thorough once-over.
He had dark wavy hair and warm brown eyes. Very Pat-rick Dempsey/McDreamy-esque. Good build, not terribly tall, maybe only five-ten-ish, but since Payton measured in at exactly five-three and one-third inch, she could work with this
”
”
Julie James (Practice Makes Perfect)
“
My mom says, "Do you know what the AIDS memorial quilt is all about?"
Jump to how much I hate my brother at this moment.
I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it."
Give me amnesia.
Flash.
Give me new parents.
Flash.
Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea."
My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind."
Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things."
The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does."
My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute."
My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which."
Yellow," my father says, "means watersports."
A lighter shade of blue," Mom says, "would mean just regular oral sex."
Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which."
My mother passes me the quilted chicken with the rolls still warm inside.
We're supposed to sit and eat with Shane dead all over the table in front of us.
Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material."
Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?"
I know it isn't table talk.
And fisting?" my mom asks.
I say, I know. I don't mention Manus and his vocational porno magazines.
We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray.
Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
”
”
Chuck Palahniuk (Invisible Monsters)
“
I growl with frustration at my reflection in the mirror. Damn my hair – it’s fifty shades of fucked up. The situation I’m in is fifty shades of fucked up. I’m supposed to be studying for my finals; my roommate, Kathleen, should be the one fussing with her hair in front of the mirror right now. Instead, I’m trying to brush my hair into submission. Why is my hair so kinky? I need to stop sleeping with it wet, because it always ends up out of control. As I brush my long, brown hair, the girl in the mirror with blue eyes too big for her head stares back at me. Wait...I don’t have blue eyes! Then I realize I haven’t been looking into the mirror. I’ve been staring at a poster of Kristen Stewart for five minutes. My own hair is actually fine.
”
”
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
“
As she grew older, Maddy discovered that she had disappointed almost everyone. An awkward girl with a sullen mouth, a curtain of hair, and a tendency to slouch, she had neither Mae's sweet nature nor sweet face. Her eyes were rather beautiful, but few people ever noticed this, and it was widely believed Maddy was ugly, a troublemaker, too clever for her own good, too stubborn - or too slack - to change.
Of course, folk agreed that it was not her fault she was so brown or her sister so pretty, but a smile costs nothing, as the saying goes, and if only the girl had made an effort once in a while, or even showed a little gratitude for all the help and free advice, then maybe she would have settled down.
”
”
Joanne Harris (Runemarks (Runemarks, #1))
“
But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier.
She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins.
Her flesh was golden like the desert.
Her flesh was pale like cream.
Her eyes were blue.
Brown.
”
”
Laini Taylor (Lips Touch: Three Times)
“
On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver.
She was a person of sixteen or so--alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man.
”
”
Philip Pullman (The Ruby in the Smoke (Sally Lockhart, #1))
“
I noticed several things about the drummer all at once. He was focused on the task at hand, keeping perfect rhythm. Instead of a swirl of transparent colors around his torso, there was a small, concentrated starburst of bright red at his sternum. But otherwise his aura was blank. Huh. That was strange. But before I could contemplate it too much, my eyes landed on his face.
Wowza.
He was smokin' hot. As in H-O-T-T hot. I'd never understood until that moment why girls insisted on adding an extra T. This guy was extra-T worthy.
I examined the drummer, determined to find a flaw.
Brown hair. An interesting haircut: short around the sides and back, but longer on top, hanging loose and angling across his forehead. His eyes were narrow and his eyebrows were a bit thick and...Oh, who was I kidding? I could pick him apart, but even the shifty slant of his eyes made him more alluring to me.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
On first impressions, John seemed more cynical and brash than the others, Ringo the most endearing, Paul was cute, and George, with velvet brown eyes and dark chestnut hair, was the best-looking man I'd ever seen. At the break for lunch I found myself sitting next to him, whether by accident or design I have never been sure. We were both shy and spoke hardly a word to each other, but being close to him was electrifying.
”
”
Pattie Boyd (Wonderful Tonight)
“
Viktor was swinging a leather duffle and wearing a black Adidas tracksuit and his favorite brown UGG slippers with a hole in the toe.
"Worn and old, just like Viv," he'd say when Frankie made fun of them, and then his wife would swat him on the arm. But Frankie knew he was just joking, because Viveka was the type of woman you wished was in a magazine just so you could stare at her violet-colored eyes and shiny black hair without being called a stalker or a freak.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
He was tall and trim, with the build of a young man proficient in warfare. His dark hair was straight and styled in a manner suggesting a desire for order in all things. As she strode onto the dais, she looked up at him, refusing to balk, even in the face of her king. His thick eyebrows raised a fraction. They framed eyes so pale a shade of brown they appeared amber in certain flashes of light, like those of a tiger. His profile was an artist’s study in angles, and he remained motionless as he returned her watchful scrutiny.
”
”
Renée Ahdieh (The Wrath & the Dawn (The Wrath and the Dawn, #1))
“
I let my hands fall to the bed. Her mouth crafts a warm path to mine. There we share the taste of my tears as her top lip slides between my own and her tongue warms the inside of my mouth. Her hand slides up my neck, nails grazing the skin, till she finds purchase in my hair, tugging slightly at the tangle. Shivers lance my body.
Gone is any semblance of resistance. All the guilt that kept me from betraying Eo with Mustang is swept away in the chaos inside me. All the guilt I have for knowing she is a Gold and I am a Red vanishes. I'm a man, and she's the woman I want.
”
”
Pierce Brown (Golden Son (Red Rising Saga, #2))
“
He was wearing brown leather trousers, a darker brown leather vest, and a silk shirt that matched my dress. The sleeves were almost piratical in style, and the collar was unlaced. His boots were the same shade as his vest, a few shades lighter than his hair.
"Uh," I said again, before managing. "Weren't you wearing that the last time you came to Court?"
"She always dresses me in some variation of this attire," said Tybalt. "I can't tell whether she likes the look of it, or whether she's trying to make a point. This would have been a stagehand's garb, once upon a time, and nothing suited for a King."
"Uh," I said for a third time.
Seeing my distress, Tybalt smirked, leaned in, and murmured in my ear, "I have a disturbing assortment of leather trousers, thanks to her. I'd be happy to show you, if you like.
”
”
Seanan McGuire (Chimes at Midnight (October Daye, #7))
“
Of course, he showed me this one afternoon when he was skipping class. When trolls cut classes, you think they are losers. When the beautiful and/or reasonably erudite do the same thing to sit on the library steps and read poetry, you think they are on to something deep. You see only deep brown wavy hair and strong legs, well honed by years of Ultimate Frisbee. You see that book of T. S. Eliot poems held by the hand with the long, graceful fingers, and you never stop to think that it shouldn't take half a semester to read one book of poems... that maybe he is not so much reading as getting really high every morning and sleeping it off on the library steps, forcing the people who actually go to class to step or trip over him.
”
”
Maureen Johnson (Zombies Vs. Unicorns)
“
pg.1- “I have light brown, almost red hair and greenish-grey eyes. I wish they were more grey, because I hate most guys that have green eyes, but I have to be content with what I have."
pg ?- "Can you see the sunset real good from the west side?" She blinked, startled, then smiled. "Real good."
"You can see it from the east side, too," I said quietly.
"Thanks, Ponyboy." She smiled through her tears. "You dig okay."
She had green eyes. I went on, walking home slowly.
”
”
S.E. Hinton
“
Just the sight of him sent pleasure shooting through me. I might be reluctant to get emotionally involved with anyone right now, but I was still a wolf, and still capable of admiring a good-looking man. Kade was that, and a whole lot more. He was a horseshifter, and his coloring was that of a bay--a rich, mahogany bay that came complete with jet black hair and wicked, velvet-brown eyes. And he was built like a thoroughbred, with broad shoulders, slim hips, and those wonderfully long legs. Legs that could hold a girl just in the right place as she drove him deeper and harder inside.
excert from Darkest Kiss
”
”
Keri Arthur
“
But Celaena had stood in front of the that wooden door to the bedroom, listening to Yrene wash her clothes in the nearby kitchen. She found herself unable to turn away, unable to stop thinking about the would-be healer with the brown-gold hair and caramel eyes, of what Yrene had lost and how helpless she'd become. There were so many of them now—the children who had lost everything to Adarlan. Children who had now grown into assassins and barmaids, without a true place to call home, their native kingdoms left to ruin and ash.
Magic had been gone all these years. And the gods were dead, or simply didn't care anymore. Yet there, deep in her gut, was a small but insistent tug. A tug on a strand of some invisible web. So Celaena decided to tug back, just to see how far and wide the reverberations would go.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
I love you. I love your smile, your snarl, your grin, your face when you’re sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn’t have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they’re cold or calculating or suspicious or laughing or warm, like when you look at me.
You’re the best warrior I know, the best leader. You’re the most comforting mom we’ve ever had. You’re the biggest goof ball, the worst driver,
and a tr uly lousy cook. You’ve kept us safe and provided for us, in good times and bad. You’re my best friend, my first and only love, and the most beautiful girl I’ve ever seen, with wings or without.
”
”
James Patterson (Fang (Maximum Ride, #6))
“
I think I'm losing control all over again. This is because I've registered two things above and beyond his hypnotic green eyes and rock star hot voice.
1. His perfectly square chin has one of those little divots dead center.
2. He's taller, and wider across the shoulders than I'd thought.
My heart ramps into some sort of a private hailstorm.
My list won't stop.
3. His hair is still shower damp. It's made up of little inky-black curls—an amazing amount of them.
4. The dumb eyes aren't simply green. They're like an exploded rainbow of greens and gold and browns. On closer inspection, he's…he's simply overall amazing and…I'll just say it again:
HOLY. HOLY. WOW.
”
”
Anne Eliot (Almost)
“
Clary squinted at it. 'Is it going to turn me into a rodent?'
'Where's the trust? I think it's strawberry juice,' Isabelle said. 'Anyway, it's yummy. Jace?' She offered him the glass.
'I am a man,' he told her, 'and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.'
'Brown?' Isabelle made a face.
'Brown is a manly color,' said Jace, and yanked on a stray lock of Isabelle's hair with his free hand. 'In fact, look- Alec is wearing it.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
The critics say that epics have died out with Agamemnon and the goat-nursed gods; I'll not believe it. I could never deem as Payne Knight did, that Homer's heroes measured twelve feet high. They were but men: -his Helen's hair turned grey like any plain Miss Smith's who wears a front; And Hector's infant whimpered at a plume as yours last Friday at a turkey-cock. All heroes are essential men, and all men possible heroes: every age, heroic in proportions, double faced, looks backward and before, expects a morn and claims an epos.
”
”
Elizabeth Barrett Browning
“
Larry sat with his arm stretched out along the top of the front seat. His shirt cuff was pulled back by his position and displayed his slim, strong wrist and the lower part of his brown arm lightly covered with fine hairs. The sun shone goldly upon them. Something in Isabel's immobility attracted my attention, and I glanced at her. She was so still that you might have thought her hypnotized. Her breath was hurried. Her eyes were fixed on the sinewy wrist with its little golden hairs and on that long, delicate, but powerful hand, and I have never seen on a human countenance such a hungry concupiscence as I saw then on hers. It was a mask of lust. I would never have believed that her beautiful features could assume an expression of such unbridled sensuality. It was animal rather than human. The beauty was stripped from her face; the look upon it made her hideous and frightening. It horribly suggested the bitch in heat and I felt rather sick.
”
”
W. Somerset Maugham (The Razor's Edge)
“
Before anything," he said as he brought her around to face him, "I want to give you this."
Fumbling in his suitcoat, he produced a small package wrapped in brown paper and string, and gave it to Azalea. Curious, she tugged at the strings of the light package until they unkonotted. The paper fell away.
It was a silver handkerchief. Supple and soft, just as Mother's had been. In the corner were the ambroidered initials A.K.W.
Azalea laughed and cried at once. She threw her arms around Mr. Bradford's neck, wanting to embrace him so deeply she could feel his soul.
"Yes," she cried, "Yes! Yes, yes, yes!"
"Well-I-never even said anything," he said.
Even so, he pulled her closer, wrapping his arms around her. Azalea pressed her cheek into his collar, rumpling it, and breathing into his cravat. It smelled of fresh linen. She felt Mr. Bradford's cheek pressing the top of her head. His lips touched her hair.
A muffled voice startled them both.
"When are you going to kiss her?"
They pulled away.In the ballroom windows, noses and hands pressed against te glass, were the girls. They stood among the prickly rosebushes, beaming wicked little grins. Delphinium and Eve whispered and giggled to each other;Bramble wore a magnificent grin on her face and a spark of light in her yellow-green eyes.
Another figure stood among them.This one had his arms folded across his chest, stiff and firm and formal...
...Yet he did not look displeased.
"Those rotten little spies!" said Azalea.
”
”
Heather Dixon Wallwork (Entwined)
“
A dam inside my own heart opened up, and the feelings of heaviness and unease lifted like wind against the winter sky. I loved him. I loved his slow wit and his gruff demeanor and his tender disposition. I loved his endless empathy and his world-weary cynicism and his innocence. I loved that he was a walking, breathing paradox. I loved his lank hair and his iron earring and the tooth missing at the back of his mouth. I loved the way he laughed, music incomparable to any song, and the way he smiled, like you could see the child in him and the animal in him and the man in him all at once. I loved that he listened to crappy music, the kind that made me want to put my head through a wall, and I loved the charcoal stains on his knuckles and the pencils he tucked behind his ears. I loved that he told me to shut up as though I could actually say anything. I loved that he made me feel as though I could. I loved his short fingers and his rough palms and his long legs and his flat belly. I loved that he liked to read Kerouac but didn't know how to pronounce Kerouac. I loved his brown skin and his blue tattoos and his tempestuous blue eyes. I loved that he loved the land. I loved him. I loved him. Oh, God. I loved him.
”
”
Rose Christo (Looks Over (Gives Light, #2))
“
Then she looked away, dismissing him as if she’d found him to be substandard.
All right, then. She didn’t find him attractive. Good.
In fact, he kept his head shaved to a glossy shine for just that reason. He was a man willing to do anything to discourage feminine attention.
Because yeah, females could be vanity hounds and most preferred their dates to have hair. Black, blond, red, it didn’t matter, as long as the locks were thick and lustrous.
And here was a news flash for little
Miss Giggles: when he allowed his to grow, it was dark brown, nearly jet, with hints of gold and worthy of a fucking lion.
”
”
Gena Showalter (Dark Taste of Rapture (Alien Huntress, #6))
“
He turned his head. They were sitting close together, their shoulders nearly touching. Her eyes were so brown they were almost black, and for once her hair was down. She always wore it tied back in a ruthlessly tight coil. Even the idea of being this near someone should have set his skin crawling. Instead he thought, What happens if I move closer? “I don’t want your prayers,” he said. “What do you want, then?” The old answers came easily to mind. Money. Vengeance. Jordie’s voice in my head silenced forever. But a different reply roared to life inside him, loud, insistent, and unwelcome. You, Inej. You. He
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
There is a charm to letters and cards that emails and smses can’t ever replicate, you cannot inhale them, drawing the fragrance of the place they have been mailed from, the feel of paper in your hand bearing the weight of the words contained within. You cannot rub your fingers over the paper and visualise the sender, seated at a table, writing, perhaps with a smile on their lips or a frown splitting the brow. You can’t see the pressure of the pen on the reverse of the page and imagine the mood the person might have been in when he or she was writing it. Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the pressure of the pen, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate. I have letters wrapped up in a soft muslin cloth, letters that are unsigned, tied up with a ribbon which I had once used to hold my soft, brown hair in place, and which had been gently untied by the writer of those letters. Occasionally, I unwrap them and breathe them in, knowing that the molecules from the hand that wrote them might still be scattered on the surface of the paper, a hand that is long dead.
”
”
Kiran Manral (The Face at the Window)
“
A myriad of small red violet-colored animals, like rabbits, burst out of the trees, surrounding the guardian god. Their long bushy tails, with specks of black among the silver hairs, remind me of the squirrels of my home world, Uhna. Their two-inch-long dark brown pedicles remind me of the female reindeer from Arrov’s home world, A’ice. But I’ve never seen rabbits that have green flower stalks with tiny white flowers entwined around their furry bodies, while A’nima magic clings to them.
A tiny critter hops to me and rises on its hind legs to sniff my hand, its large green eyes glinting with surprising intelligence. Long whiskers move as its nose sniffles, then sneezes.
”
”
S.G. Blaise (Proud Pada (The Last Lumenian, #3))
“
Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: “Don’t believe her.”
The whole world closes around me, like an eyelid: For a moment, everything goes dark.
I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pressure and chaos. My head is about to explode.
He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small
tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes—once a sweet, melted brown,
like syrup—have hardened. Now they are stony, impenetrable.
Only his hair is the same: that auburn crown, like leaves in autumn.
Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead.
Alex.
”
”
Lauren Oliver
“
Lugh got born first. On Midwinter Day when the sun hangs low in the sky.
Then me. Two hours later.
That pretty much says it all.
Lugh goes first, always first, an I follow on Behind.
An that's fine.
That's right.
That's how it's meant to be.
Because everthin'set. It's all fixed.
The lives of everybody who's bin born.
The lives of everybody still waitin'to be born.
It was all set in the stars the moment the world began. The time of yer birthin, the time of yer death. Even what kinda person yer gonna be, good or bad.
If you know how to read the stars, you can read the story of peoples'lives. The story of yer own life. What's gone, what's now an what's still to come.
Back when Pa was a boy, he met up with a traveler, a man who knew many things. He learned Pa to read the stars. Panever says what he sees in the night sky but you can see it lays heavy on him.
Because you cain't change what's written.
Even if Pa was to say what he knew, even if he was to warn you, it would still come to pass.
I see the way he looks at Lugh sometimes. The way he looks at me.
An I wish he'd tell us what he knows.
I believe Pa wishes he'd never met that traveler.
If you seen me an Lugh togather, you'd never think we was the same blood.
Never think we grew togather in the same womb.
He's got gold hair. I got black.
Blue eyes. Brown eyes.
Strong. Scranwy.
Beautiful. Ugly.
He's my light.
I'm his shadow.
Lugh shines like the sun.
That must of made it east fer them to find him.
All they had to do was follow his light.
”
”
Moira Young
“
So it went. Bob was increasingly cynical, leery, uneasy; Jesse was increasingly cavalier, merry, moody, fey, unpredictable. If his gross anatomy suggested a strong smith in his twenties, his actual physical constitution was that of a man who was incrementally dying. He was sick with rheums and aches and lung congestions, he tilted against chairs and counters and walls, in cold weather he limped with a cane. He coughed incessantly when lying down, his clever mind was often in conflict, insomnia stained his eye sockets like soot, he seemed in a state of mourning. He counteracted the smell of neglected teeth with licorice and candies, he browned his graying hair with dye, he camouflaged his depressions and derangements with masquerades of extreme cordiality, courtesy, and good will toward others.
”
”
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
“
What were you doing to that cat, boy?” Myrcella asked again, sternly. To her brother she said, “He’s a ragged boy, isn’t he? Look at him.” She giggled.
“A ragged dirty smelly boy,” Tommen agreed.
They don’t know me, Arya realized. They don’t even know I’m a girl. Small wonder; she was barefoot and dirty, her hair tangled from the long run through the castle, clad in a jerkin ripped by cat claws and brown roughspun pants hacked off above her scabby knees. You don’t wear skirts and silks when you’re catching cats. Quickly she lowered her head and dropped to one knee. Maybe they wouldn’t recognize her. If they did, she would never hear the end of it. Septa Mordane would be mortified, and Sansa would never speak to her again from the shame.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard...
But after life. The slow pulling down of thick green stalks so that the cup of the flower, as it turns over, deluges one with purple and red light. Why, after all, should one not be born there as one is born here, helpless, speechless, unable to focus one's eyesight, groping at the roots of the grass, at the toes of the Giants?
”
”
Virginia Woolf
“
An old lady had an Alderney cow, which she looked upon as a daughter. ....The whole town knew and kindly regarded Miss Betsy Barker's Alderney, therefore great was the sympathy and regret when, in an unguarded moment, the poor cow fell into a lime-pit. She moaned so loudly that she was soon heard and rescued; but meanwhile the poor beast had lost most of her hair and came out looking naked, cold and miserable, in a bare skin. Everybody pitied the animal, though a few could not restrain their smiles at her droll appearance. Miss Betsy Barker absolutely cried with sorrow and dismay; and it was said she thought of trying a bath of oil. This remedy, perhaps, was recommended by some one of the number whose advice she asked; but the proposal, if ever it was made, was knocked on the head by Captain Brown's decided "Get her a flannel waistcoat and flannel drawers, ma'am, if you wish to keep her alive, But my advice is, kill the poor creature at once."
Miss Betsy Barker dried her eyes, and thanked the Captain heartily; she set to work, and by-and-by all the town turned out to see the Alderney meekly going to her pasture, clad in dark grey flannel.I have watched her myself many a time. Do you ever see cows dressed in grey flannel in London?
”
”
Elizabeth Gaskell (Cranford)
“
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.
Real women do not have curves. Real women do not look like just one thing.
Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.
Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.
Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.
Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.
Real women wear high heels and skirts. Or not.
Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.
Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.
Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.
There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.
I’m going to say it again because it’s important: There is no wrong way to have a body.
And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.
You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.
Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
”
”
Hanne Blank
“
I got out of the car and slammed its door. How matter-of-fact, how square that slam sounded in the void of the sunless day! Woof, commented the dog perfunctorily. I pressed the bell button, it vibrated through my whole system. Personne. Je resonne. Repersonne. From what depth this re-nonsense? Woof, said the dog. A rush and a shuffle, and woosh-woosh went the door.
Couple of inches taller. Pink-rimmed glasses. New, heaped-up hairdo, new ears. How simple! The moment, the death that I had kept conjuring up for three years was as simple as a bit of dry wood. She was frankly and hugely pregnant. Her head looked smaller (only two seconds had passed really, but let me give them as much wooden duration as life can stand), and her pale-freckled cheeks were hollowed, and her bare shins and arms had lost all their tan, so that the little hairs showed. She wore a brown, sleeveless felt dress and sloppy felt slippers.
'We-e-ell!' she exhaled after a pause with all the emphasis of wonder and welcome.
'Husband at home?' I croaked, fist in pocket.
I could not kill her, of course, as some have thought. You see I loved her. It was love at first sight, at last sight, at ever and ever sight.
”
”
Vladimir Nabokov
“
Sophie’s gasp echoed off the circle of trees, and she blinked to make sure her eyes were working.
A few feet in front of her stood a shimmering pale horse with outstretched feathered wings. It wasn’t a pegasus—she knew from the books she’d studied at Havenfield that those were smaller and huskier, with deep blue spots and midnight blue manes. This horse had wavy silver hair that trailed up its neck and parted around a horn of swirled white and silver that jutted from its forehead like a unicorn. But the unicorns she’d seen didn’t have wings.
“What are you?” Sophie whispered as she stared into the horse’s deep brown eyes. Usually she thought brown eyes were flat and boring—especially her own—but these had glinting flecks of gold, and gazed back at her so intently she couldn’t look away.
”
”
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
“
It's a physical sickness. Etienne. How much I love him.
I love Etienne.
I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent.
I love that.
I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die.
There's only one thing I don't love about him. Her.
If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick.
I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape.
It turns out I am not a nice person.
Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Now That I Am in Madrid I Can Think "
I think of you
and the continents brilliant and arid
and the slender heart you are sharing my share of with the American air
as the lungs I have felt sonorously subside slowly greet each morning
and your brown lashes flutter revealing two perfect dawns colored by New York
see a vast bridge stetching to the humbled outskirts with only you
Standing on the edge of the purple like an only tree
and in Toledo the olive groves’ soft blue look at the hills with silver
like glasses like an old ladies hair
It’s well known that God and I don’t get along together
It’s just a view of the brass works for me, I don’t care about the Moors
seen through you the great works of death, you are greater
you are smiling, you are emptying the world so we can be alone together.
”
”
Frank O'Hara (The Collected Poems of Frank O'Hara)
“
I stared at him, baffled. But at that moment Gideon began to play, and I entirely forgot what I had been going to ask the count. Oh, my god! Maybe it was the punch—but wow! That violin was really sexy! Even the way Gideon raised it and tucked it under his chin! He didn’t have to do more than that to carry me away with him. His long lashes cast shadows on his cheeks, and a lock of hair fell over his face as he began passing the bow over the strings. The first notes filling the room almost took my breath away, they made such tender, melting music, and suddenly I was close to tears. Until now, violins had been way down on my list of favorite instruments, and I really liked them only for accompanying certain moments in films. But this was just incredibly wonderful—well, all of it was: the bittersweet melody and boy enticing it out of the instrument. All the people in the room listened with bated breath, and Gideon played on, immersed in the music as if there were no one else there.
I didn’t notice that I was crying until the count touched my cheek and caught a tear gently with his finger. Then I jumped in alarm.
He was smiling down at me, and I saw a warm glow in his dark brown eyes. “Nothing to be ashamed of,” he said quietly. “If it were otherwise, I’d have been very disappointed.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
He felt something on his neck. Warmth.
He hesitated, then turned weary eyes toward the sky. Sunlight bathed his face. He gaped; it seemed so long since he’d seen pure sunlight. It shone down through a large break in the clouds, comforting, like the warmth of an oven baking a loaf of Adrinne’s thick sourdough bread.
Almen stood, raising a hand to shade his eyes. He took a deep, long breath, and smelled… apple blossoms? He spun with a start.
The apple trees were flowering.
That was plain ridiculous. He rubbed his eyes, but that didn’t dispel the image. They were blooming, all of them, white flowers breaking out between the leaves.
[...] What was happening? Apple trees didn’t blossom twice. Was he going mad?
Footsteps sounded softly on the path that ran past the orchard. Almen spun to find a tall young man walking down out of the foothills. He had deep red hair and he wore ragged clothing: a brown cloak with loose sleeves and a simple white linen shirt beneath. The trousers were finer, black with a delicate embroidery of gold at the cuff.
“Ho, stranger,” Almen said, raising a hand, not knowing what else to say, not even sure if he’d seen what he thought he’d seen. “Did you… did you get lost up in the foothills?”
The man stopped, turning sharply. He seemed surprised to find Almen there. With a start, Almen realized the man’s left arm ended in a stump.
The stranger looked about, then breathed in deeply. “No. I’m not lost. Finally. It feels like a great long time since I’ve understood the path before me.
”
”
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
“
Who is he?”
Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.”
I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?”
Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.”
I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.”
I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it.
“He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.”
Eleanor still didn’t respond. “Shh . . .” she muttered under her breath.
But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around.
“Hi,” he said with a half grin that seemed to be mocking me.
And that’s how I met Dante Berlin.
So how do you describe someone who leaves you speechless?
He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt.
I wanted to say something witty or charming, but all I could muster up was a timid “Hi.”
He studied me with what looked like a mix of disgust and curiosity.
“You must be Eugene,” I said.
“I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.”
I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described.
“And you are—”
“Renee,” I interjected.
“I was going to say, ‘in my seat,’ but Renee will do.”
My face went red. “Oh, right. Sorry.”
“Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.”
I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move.
I turned and walked to the last row, using all of my self-control to resist looking back.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes.
From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant.
The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time.
My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen.
In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
”
”
K.D. Enos
“
This is my friend Veronica,” I told him. “And this is Kaidan.”
“Oh, I've heard all about you.” Veronica gave him a big smile.
His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose.
Veronica let out a loud cackle, proving she should be the one in my costume.
“I told you it was stupid!” She gloated.
With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me.
“Your hair's grown a lot,” I said to him.
“So has your bottom.”
My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor.
I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress.
“Dude, you can get away with anything,” said the pirate to the straight-faced ape.
“I meant it as a compliment.”
“That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.”
She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something.
“My dad gave me a cell phone.” And a car. And a ton of money.
Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands.
“Here,” I said, taking his phone. Saving my number for him gave me a thrill.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-"
Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves.
Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself.
"Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist.
"What?" he asked once he laid a smacking kiss on her cheek. "They look better like that."
Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this."
I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit.
Then I was in a bikini.
So Nick was wearing a particularly poofy purple prom dress.
By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Bennie's corner of Brooklyn looked different every time Sierra passed through it. She stopped at the corner of Washington Avenue and St. John's Place to take in the changing scenery. A half block from where she stood, she'd skinned her knee playing hopscotch while juiced up on iceys and sugar drinks. Bennie's brother, Vincent, had been killed by the cops on the adjacent corner, just a few steps from his own front door. Now her best friend's neighborhood felt like another planet. The place Sierra and Bennie used to get their hair done had turned into a fancy bakery of some kind, and yes, the coffee was good, but you couldn't get a cup for less than three dollars. Plus, every time Sierra went in, the hip, young white kid behind the counter gave her either the don't-cause-no-trouble look or the I-want-to-adopt-you look. The Takeover (as Bennie had dubbed it once) had been going on for a few years now, but tonight its pace seemed to have accelerated tenfold. Sierra couldn't find a single brown face on the block. It looked like a late-night frat party had just let out; she was getting funny stares from all sides--as if she was the out-of-place one, she thought. And then, sadly, she realized she was the out-of-place one.
”
”
Daniel José Older (Shadowshaper (Shadowshaper Cypher, #1))
“
In praise of mu husband's hair
A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair.
His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance.
Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
”
”
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
“
Brown eyes, blond hair, I can't help but stare. She's got me hypnotized. I need her, like oxygen, I can't explain the way she makes me feel inside. Like rain, washing my fears away, she makes me feel like I can say all those things I'm too scared to say.
Breathe in, breathe out, sometimes you just gotta shout your love. Shout your love. Inhale, exhale, the beauty of your love will always be enough. Enough.
Lost, the feeling I have without you. Like I can't function and don't know what to do. It's like I'm dreaming while I'm waking. Like I'm suffocating. Being with her is my addiction, and I don't want to have to stop. No, I never want to stop. Like rain, washing my fears away, she makes me feel like I can say all those things I'm too scared to say.
Come back to me. Come back to me. I swear I won't ever leave. I don't think I have it in me. I can't fight, I can't fight. If I did, I would lose, if only it meant I could have you. Cause I need you.
Like rain.
Like rain.
Like rain, washing my fears away.
”
”
Rachel Van Dyken (Tear (Seaside, #1))
“
He slouches,' DeeDee contributes.
'True--he needs to work on his posture,' Thelma says.
'You guys,' I say.
'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?'
'You guys. We are not getting married!'
'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?'
'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?'
I swat her. "I'm not having Mitchell's children!'
'I'm sorry--what?' Thelma says.
Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl!
But I don't care. If they're going to embarrass me, then I'll embarrass them right back.
'I said'--I raise my voice--'I am not having Mitchell Truman's children!'
Jolene turns beet red, and she and DeeDee dissolve into mad giggles.
'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous.
'Okaaay, I think maybe I won't turn around,' I announce.
A person of the male persuasion clears his throat.
'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me.
'If you change your mind, we might be able to work something out,' the person of the male persuasion says.
'About the children?' DeeDee asks. 'Or the turning around?'
'DeeDee!' Jolene says.
'Both,' says the male-persuasion person.
I shrink in my chair, but I raise my hand over my head and wave.
'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.'
Warm fingers clasp my own.
'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.'
'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!'
I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants.
Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter.
He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line.
Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder.
'Did you see!' Thelma gasps. 'Did you see how proud he was?'
'You improve his posture!' Jolene says.
'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.'
'I can't believe you waved at him,' DeeDee says.
'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.'
'It was a surrender flag. I was surrendering myself to abject humiliation.'
'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))
“
Put it on record
--I am an Arab
And the number of my card is fifty thousand
I have eight children
And the ninth is due after summer.
What's there to be angry about?
Put it on record.
--I am an Arab
Working with comrades of toil in a quarry.
I have eight childern
For them I wrest the loaf of bread,
The clothes and exercise books
From the rocks
And beg for no alms at your doors,
--Lower not myself at your doorstep.
--What's there to be angry about?
Put it on record.
--I am an Arab.
I am a name without a tide,
Patient in a country where everything
Lives in a whirlpool of anger.
--My roots
--Took hold before the birth of time
--Before the burgeoning of the ages,
--Before cypess and olive trees,
--Before the proliferation of weeds.
My father is from the family of the plough
--Not from highborn nobles.
And my grandfather was a peasant
--Without line or genealogy.
My house is a watchman's hut
--Made of sticks and reeds.
Does my status satisfy you?
--I am a name without a surname.
Put it on Record.
--I am an Arab.
Color of hair: jet black.
Color of eyes: brown.
My distinguishing features:
--On my head the 'iqal cords over a keffiyeh
--Scratching him who touches it.
My address:
--I'm from a village, remote, forgotten,
--Its streets without name
--And all its men in the fields and quarry.
--What's there to be angry about?
Put it on record.
--I am an Arab.
You stole my forefathers' vineyards
--And land I used to till,
--I and all my childern,
--And you left us and all my grandchildren
--Nothing but these rocks.
--Will your government be taking them too
--As is being said?
So!
--Put it on record at the top of page one:
--I don't hate people,
--I trespass on no one's property.
And yet, if I were to become starved
--I shall eat the flesh of my usurper.
--Beware, beware of my starvation.
--And of my anger!
”
”
Mahmoud Darwish
“
The rain set early in tonight,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listened with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneeled and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side
And called me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread, o'er all, her yellow hair,
Murmuring how she loved me — she
Too weak, for all her heart's endeavor,
To set its struggling passion free
From pride, and vainer ties dissever,
And give herself to me forever.
But passion sometimes would prevail,
Nor could tonight's gay feast restrain
A sudden thought of one so pale
For love of her, and all in vain:
So, she was come through wind and rain.
Be sure I looked up at her eyes
Happy and proud; at last l knew
Porphyria worshiped me: surprise
Made my heart swell, and still it grew
While I debated what to do.
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string l wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without a stain.
And l untightened next the tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss:
I propped her head up as before,
Only, this time my shoulder bore
Her head, which droops upon it still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorned at once is fled,
And I, its love, am gained instead!
Porphyria's love: she guessed not how
Her darling one wish would be heard.
And thus we sit together now,
And all night long we have not stirred,
And yet God has not said aword!
”
”
Robert Browning (Robert Browning's Poetry (Norton Critical Editions))
“
My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
”
”
Jacqueline Woodson (Brown Girl Dreaming)
“
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.”
I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.”
Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.”
“Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again.
“Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.”
“Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?”
His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.”
I whispered the words as he brought his lips to mine. “Forever.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.”
He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face.
He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.”
I tried to change the subject. “What does sundari mean?”
“It means ‘most beautiful.’”
I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments.
We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his.
I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.”
“I don’t mind. I’m sure you found my room the least interesting.”
“Actually, I was curious about the note I found. Did you write it?”
“A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.”
“Oh. I…also noticed a ribbon. Is it mine?”
“Yes. If you’d like it back, you can take it.”
“Why would you want it?”
He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.”
“A token? Like a fair maiden giving her handkerchief to a knight in shining armor?”
He grinned. “Exactly.”
I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.”
He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.”
“Why?”
“A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.”
I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces.
Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.”
Ren smiled understandingly. “Then it means even more to me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
”
”
Gabby Rivera (Juliet Takes a Breath)
“
How did you find out?” he asked.
I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.”
He sighed and sat on the arm of my couch and stared into space.
“That’s it? You have nothing else to say?” I asked.
“I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.”
“Were you ever going to tell me?”
“Yeah...of course.”
His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome.
Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.”
I sank down into the arm chair opposite him. “Then…then…what happened?”
It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…”
“Aroused? Horny? Lust-filled?”
He grimaced. “Something like that. But, I don’t know. There was more to it than just that.”
The tape in my mind rewound. “Did you say you were going to call Niphon?”
“Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.”
“Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath.
“Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.”
He tilted his head curiously. “What do you mean?”
“This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.”
A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response.
“Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.”
My hand froze on Aubrey’s back. “What are you saying?”
“I…don’t have flings.”
“Are you saying you want to start something with her?”
He looked miserable. “I don’t know.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
Tell me what to do."
His warm breath tickled my ear. "Relax."
"Please, Noah, I don't want to do this wrong. Tell me how to make you feel good."
He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right."
His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me."
I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended.
Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy.
And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin.
He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love.
He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way."
My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever.
One clear thought forced my eyes open. "You 're putting me to sleep."
"So?" he asked a little too innocently.
I swallowed. "I'll have nightmares."
"Then we 'll have an excuse to do this again.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
”
”
Virginia Woolf (Flush)
“
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.
Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.
“Have you seen Aiden?”
“Aiden?”
Were there really that many Aidens? “Graves.”
“Can I ask what you need him for?”
I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”
It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.
Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.
I couldn’t help but crack a little smile at his grumpiness. “Ready?”
He did his form of a nod, a tip of his chin.
I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.
He glared down at me. “What are you smiling at?”
I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”
He mouthed ‘sunshine’ as his gaze strayed to the ceiling.
We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.
He eyed me as he buckled in, and I slanted him a look. “What?”
With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.
All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.
When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.
“For me?” I asked like an idiot.
He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”
Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)