“
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
”
”
Laurie Halse Anderson (Speak)
“
Because memory…is everything. Physically speaking, a memory is nothing but a specific combination of neurons firing together—a symphony of neural activity. But in actuality, it’s the filter between us and reality. You think you’re tasting this wine, hearing the words I’m saying, in the present, but there’s no such thing. The neural impulses from your taste buds and your ears get transmitted to your brain, which processes them and dumps them into working memory—so by the time you know you’re experiencing something, it’s already in the past. Already a memory.
”
”
Blake Crouch (Recursion)
“
There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
”
”
Laurie Halse Anderson (Speak)
“
Some people, I am told, have memories like computers, nothing to do but punch the button and wait for the print-out. Mine is more like a Japanese library of the old style, without a card file or an indexing system or any systematic shelf plan. Nobody knows where anything is except the old geezer in felt slippers who has been shuffling up and down those stacks for sixty-nine years. When you hand him a problem he doesn't come back with a cartful and dump it before you, a jackpot of instant retrieval. He finds one thing, which reminds him of another, which leads him off to the annex, which directs him to the east wing, which sends him back two tiers from where he started. Bit by bit he finds you what you want, but like his boss who seems to be under pressure to examine his life, he takes his time.
”
”
Wallace Stegner (The Spectator Bird)
“
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me.
I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
”
”
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
“
Do you ever wonder whether people would like you more or less if they could see inside you? I mean, I’ve always felt like the Katherines dump me right when they start to see what I look like from the inside—well, except K-19. But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
”
”
John Green (An Abundance of Katherines)
“
True Psy are Silent.”
“Correction,” he said. “Psy in the Net are Silent. Psy outside the Net are not. Both are Psy.” And none of them affected him as viscerally as this woman who’d been dumped outside his home like so much garbage.
”
”
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
“
The air was cold and wet, and if you stood still for a moment the chilling damp would creep into your bones. I could tell the temperature was taking a deep dive, and the bright sky of the morning was a fond memory. It was an appropriate day to dump a body.
”
”
Charlaine Harris (Club Dead (Sookie Stackhouse, #3))
“
Life is short, live it. Love is rare, grab it. Anger is bad, dump it. Fear is awful, face it. Memories are sweet, cherish it.” –Unknown
”
”
Mariah Dietz (Finding Me (His, #3))
“
“Remember that time you dumped out a whole box of bait?”
I almost smile. It was the summer before eighth grade. Dad bought crickets at the bait shop. “They were screaming for help.”
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
One of the pitfalls of having an ex-boyfriend is that people still pair you together in their memories, and sooner or later someone’s bound to mention him. And now that it has happened . . . I can’t say I feel nothing. I don’t think it’s possible to get royally dumped by the only boy I’ve ever done it with, let alone loved, and then feel nothing when he’s brought up in conversation.
”
”
Daria Snadowsky (Anatomy of a Single Girl (Anatomy, #2))
“
The memory of that day in the dump made him a little sentimental for his father - they had had some good times together, and Buddy had made a decent meal in the end. Really, what else could you ask from a parent?
”
”
Joe Hill (20th Century Ghosts)
“
It's an odd fact of life that you don't really remember the good times all that well. I have only mental snapshots of birthday parties, skiing, beach holidays, my wedding. The bad times too are just impressions. I can see myself standing at the end of some bed while someone I love is dying, or on the way home from a girlfriend's after I've been dumped, but again, they're just pictures. For full Technicolor, script plus subtitles plus commemorative programme in the memory, though, nothing beats embarrassment. You tend to remember the lines pretty well once you've woken screaming them at midnight a few times.
”
”
Mark Barrowcliffe (The Elfish Gene: Dungeons, Dragons And Growing Up Strange)
“
Because memory…is everything. Physically speaking, a memory is nothing but a specific combination of neurons firing together—a symphony of neural activity. But in actuality, it’s the filter between us and reality. You think you’re tasting this wine, hearing the words I’m saying, in the present, but there’s no such thing. The neural impulses from your taste buds and your ears get transmitted to your brain, which processes them and dumps them into working memory—so by the time you know you’re experiencing something, it’s already in the past. Already a memory.” Helena leans forward, snaps her fingers. “Just what your brain does to interpret a simple stimulus like that is incredible. The visual and auditory information arrive at your eyes and ears at different speeds, and then are processed by your brain at different speeds. Your brain waits for the slowest bit of stimulus to be processed, then reorders the neural inputs correctly, and lets you experience them together, as a simultaneous event—about half a second after what actually happened. We think we’re perceiving the world directly and immediately, but everything we experience is this carefully edited, tape-delayed reconstruction.
”
”
Blake Crouch (Recursion)
“
A further step is to observe the interplay between your thoughts and your physical sensations. How are particular thoughts registered in your body? (Do thoughts like “My father loves me” or “my girlfriend dumped me” produce different sensations?) Becoming aware of how your body organizes particular emotions or memories opens up the possibility of releasing sensations and impulses you once blocked in order to survive.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Life is short, live it. Love is rare, grab it. Anger is bad, dump it. Fear is awful, face it. Memories are sweet, cherish them.
”
”
Lynn R. Davis (Deliver Me From Negative Emotions: Emotional Self Help for Controlling Negative Feelings and Gaining Emotional Freedom (Negative Self Talk Book 2))
“
Life is short, live it. Love is rare, grab it. Anger is bad, dump it. Fear is awful, face it. Memories are sweet, cherish them. Unknown
”
”
Zoe Dawson (Scarecrow (SEAL Team Alpha, #6))
“
The memory of that day in the dump made him a little sentimental for his father—they had had some good times together, and Buddy had made a decent meal in the end. Really, what else could you ask from a parent?
”
”
Joe Hill (20th Century Ghosts)
“
I am preprogrammed, acting on impulse, dumping a vast memory into a whirling pool and somehow bringing order to it. Building a complex web. I am the spider. This is my venomous bite. I will make them see their folly.
”
”
A.L. Davroe (Nexis (Tricksters, #1))
“
But I was still anxious. Trevor Trevor Trevor. I might have felt better if he were dead, I thought, since behind every memory of him was the possibility of reconciling, and thus more heartbreak and indignity. I felt weak. My nerves were frayed and fragile, like tattered silk. Sleep had not yet solved my crankiness, my impatience, my memory. It seemed like everything was now somehow linked to getting back what I'd lost. I could picture my selfhood, my past, my psyche like a dump truck filled with trash. Sleep was the hydraulic piston that lifted the bed of the truck up, ready to dump everything out somewhere, but Trevor was stuck in the tailgate, blocking the flow of garbage. I was afraid things would be like that forever.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me.
”
”
Laurie Halse Anderson (Speak)
“
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
”
”
J.D. Salinger (The Catcher in the Rye)
“
This feeling of stress triggers a cascade of physiological consequences. The hypothalamus and pituitary gland in the brain release hormones that cause the release of cortisol from the adrenal glands located on the kidneys. Cortisol increases heart rate, among other things, readying the body for “fight” or “flight.” Acutely, the release of cortisol is beneficial and helps you cope with whatever is urgently being demanded of you. But if the stress becomes chronic, maladaptive things begin to happen. Normally, the release of cortisol turns the hypothalamus and pituitary off, stopping the release of hormone, which in turn stops the further release of cortisol from the adrenal glands. It’s a nice, clean, negative feedback loop. But in the chronically stressed, the loop breaks. The brain stops reacting to cortisol. Our natural, automatic shutoff valve stops working. The brain keeps releasing hormone, and the adrenal glands keep dumping cortisol into the bloodstream, even when the stressful thing that initially triggered the stress response is no longer around. Chronic, elevated levels of cortisol have been associated with a weakened immune system, deficits in short-term memory, chronic fatigue syndrome, anxiety disorders, and depression.
”
”
Lisa Genova (Left Neglected)
“
Psychoanalysis overturned. Instead of the dream being the fulfilment of desires unsatisfied in real life, real life would be the site where desires born of dreams were fulfilled. Instead of being the dumping-ground of the unconscious, dreams would be the matrices of real events - thus becoming like the 'dream' of the Aborigines, for whom a child has to be dreamt before he can be begotten, 'real' paternity being merely the fulfilment of the dream.
”
”
Jean Baudrillard (Cool Memories IV, 1995-2000)
“
With failing bravado, Dexter tried to laugh. "You sound like you're dumping me!"
She smiled sadly. "I suppose I am in a way. You're not who you used to be, Dex, I really, really liked the old one. I'd like him back, but in the meantime, I'm sorry, but I don't think you should phone me anymore." She turned and, a little unsteadily, began to walk off down the side alley in the direction of Leicester Square.
For a moment, Dexter had a fleeting but perfectly clear memory of himself at his mother's funeral, curled up on the bathroom floor while Emma held onto him and stroked his hair.Yet somehow he had managed to treat this as nothing, to throw it all away for dross. He followed a little way behind her. "Come on, Em, we're still friends aren't we? I know I've been a little weird, it's just..." She stopped for a moment, but didn't turn round, and he knew that she was crying. "Emma?"
Then very quickly she turned, walked up to him and pulled his face to hers, her cheek warm and wet against his, speaking quickly and quietly in his ear, and for one bright moment he thought he was to be forgiven.
"Dexter, I love you so much. So, so much, and I probably always will." Her lips touched his cheek. "I just don't like you anymore. I'm sorry."
And then she was gone, and he found himself on the street, standing alone in this back alley trying to imagine what he would possibly do next.
”
”
David Nicholls (One Day)
“
Suddenly I stood up mightily...bent forward a little, and in one go I produced. I turned. What a sight! What a smell! It was a magnificent log of excrement, at first poorly formed, like conglomerate rock that hasn't had the time to set, and dark brown, nearly black, then resolving itself into a dense texture of a rich chestnut hue, with fascinating convolutions. It started deep in the potty, but after a coil or two it rose up like a hypnotised cobra and came to rest against my calf, where I remember it very, very warm, my first memory of temperature. It ended in a perfect moist peak.
”
”
Yann Martel (Self)
“
It is getting harder to talk. My throat is always sore, my lips raw. When I wake up in the morning, my jaws are clenched so tight I have a headache. Sometimes my mouth relaxes around Heather, if we're alone. Every time I try to talk to my parents or a teacher, I sputter or freeze. What is wrong with me? It's like I have some kind of spastic laryngitis.
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closet is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
”
”
Laurie Halse Anderson (Speak)
“
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and
the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of
memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then
the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher;
had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
”
”
Virginia Woolf
“
That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.”
Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast.
“You confess,” Glorian said, “that you slew the blood of the Saint.”
Her voice kept breaking. “Do you then declare war on Inys?”
Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face.
“When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.”
On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end.
What she did next could define how they saw the House of Berethnet for centuries to come.
Start forging your armour, Glorian. You will need it.
She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams.
And where there had been fear, there was anger.
“If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.”
Sweat was running down her back. She had never been so afraid in her life.
“I am not afraid,” she said.
At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow.
“So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.
”
”
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
“
Dear Matt,
In less than a day, I’ ll be standing on the same sand you stood on so many times before. Well, not the same sand, with the tides and winds and erosion and all of that, but the same symbolic sand. I’m so excited and scared that I can’ t sleep – even though I have to wake up in five hours!
You know, I saved every one of your postcards. They’re here in a box under my bed – all the little stories you sent, like little pieces of California. Like the beach glass you guys always brought me. Sometimes I dump it out on my desk and press my ear to the pieces, trying to hear the ocean. Trying to hear you.
But you don’ t say anything.
Remember how you’ d come back from your vacation on the beach and tell me what it really felt like? What the ocean sounded like at dawn when the beach was deserted? What your hair and skin tasted like after swimming in saltwater all day? How the sand could burn your feet as you walked on it, but if you stuck your toes in, it was cold and wet underneath? How you spent three hours sitting on Ocean Beach just to watch the sun sink into the water a million miles away? If I closed my eyes as you were talking, it was like I was there, like your stories were my stories. In many ways, I feel as if I have memories of you there, too. Do you think that’s crazy?
Matt, please don’ t think badly about Frankie’s contest. It’s just a silly game. It’s so Frankie, you know?
No, I guess you wouldn’ t. You’ d kill her if you did!
She just misses you. We all do. I’ ll look out for her, though. I promise.
Please watch over us tomorrow, and for the next few weeks while we’re away. You’ ll be in my thoughts the whole time, like always.
I’m going to find some red sea glass for you.
I miss you more than you could ever know.
Love,
Anna
”
”
Sarah Ockler (Twenty Boy Summer)
“
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this.
She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air.
Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too.
Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned.
As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud.
She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway.
She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up.
Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur.
She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain.
When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
”
”
Debra Holland (Healing Montana Sky (Montana Sky, #5))
“
When you are depressed, you have a chemical imbalance in your brain. Thoughts trigger emotions, which dump an overload of stress chemicals into the brain. There is a chemical consequence in the brain for every thought we think. Depression can be short-circuited temporarily by the brain-switching process. It’s a way of restoring the chemical balance. The thoughts that create depression connect with one’s memory banks, which have emotional associations. In The Depression Cure, Ilardi writes: There’s evidence that depression can leave a toxic imprint on the brain. It can etch its way into our neural circuitry—including the brain’s stress response system—and make it much easier for the brain to fall back into another episode of depression down the road. This helps explain a puzzling fact: It normally takes a high level of life stress to trigger someone’s first episode of depression, but later relapse episodes sometimes come totally out of the blue. It seems that once the brain has learned how to operate in depression mode, it can find its way back there with much less prompting. Fortunately, though, we can heal from the damage of depression. All it takes is several months of complete recovery for much of the toxic imprint on the brain to be erased [or overridden].[88] In brainswitching, you choose a new thought that’s neutral or nonsense. This thought doesn’t
”
”
H. Norman Wright (A Better Way to Think: Using Positive Thoughts to Change Your Life)
“
When you are depressed, you have a chemical imbalance in your brain. Thoughts trigger emotions, which dump an overload of stress chemicals into the brain. There is a chemical consequence in the brain for every thought we think. Depression can be short-circuited temporarily by the brain-switching process. It’s a way of restoring the chemical balance. The thoughts that create depression connect with one’s memory banks, which have emotional associations. In
”
”
H. Norman Wright (A Better Way to Think: Using Positive Thoughts to Change Your Life)
“
The karmic dumping ground of our body is the storehouse of many memories. Bodies have their own highly effective way of doing the talking.
”
”
Donna Goddard (Nanima: Spiritual Fiction (Dadirri Series, #1))
“
This did not impede Francesco from buying extravagances to give our poor rooms some grandeur. Later, as a child, I saw these gaudy objects as elegant and extraordinary—the youthful imagination, like wine or opium, can dress up anything with “fabulous elegance” and “miraculous luxury.” I don’t know in which secondhand shop or garbage dump these items wound up, but they shine in my memory fully intact and in the same places where I, as a child, saw them every day.
”
”
Elsa Morante (Lies and Sorcery)
“
Yet somehow the very act of trying to forget had made all the memories stronger, had turned Amy into an archetype that she compared everyone else with. And, somehow, no one ever measured up.
Wasn’t it true that, after Amy cut her out of her life that summer, Piper had always kept herself at a distance from people, never let herself believe a friend or lover would stick around? Sitting at the desk in Amy’s old bedroom, Piper understood suddenly that somewhere tucked deep inside her was a broken twelve-year-old girl reeling and pissed off because her best friend had dumped her. Piper took a ragged breath. If she let herself think of all the ways this had held her back over the years, of all the relationships she’d ended because she was sure it was only a matter of time until she was abandoned, she didn’t know if she’d be able to bear it.
”
”
Jennifer McMahon, The Night Sister
“
The Lottery by Stewart Stafford
It was New York, 1984,
The AIDS tsunami roared in,
Friends, old overnight, no more,
Breathless, I went for a check-up.
A freezing winter's dawn,
A solitary figure before me,
What we called a drag queen,
White heels trembled in the cold.
"Hi, are you here to get tested?"
Gum chewed, brown eyes stared.
This was not my type of person,
I turned heel and walked away.
At month's end, a crippling flu,
The grey testing centre called,
Two hundred people ahead of me;
A waking nightmare all too real.
I gave up and turned to leave,
But a familiar voice called out:
"Hey, you there, come back!"
I stopped and turned around.
The drag queen stood there in furs,
But sicker, I didn't recognise them,
"Stand with me in the line, honey."
"Nah, I'm fine, I'll come back again."
"Support an old broad before she faints?"
A voice no longer frail but pin-sharp.
I got in line to impatient murmurs:
"If anyone has a problem, see me!"
Sylvester on boombox, graveyard choir.
My pal's stage name was Carol DaRaunch,
(After the Ted Bundy female survivor)
Their real name was Ernesto Rodriguez.
After seeing the doctor, Carol hugged me,
Writing down their number on some paper,
With their alias not their real name on it:
"Is this the number of where you work?"
"THAT is my home number to call me on.
THAT'S my autograph, for when I'm famous!"
"I was wrong about you, Carol," I said.
"Baby, it takes time to get to know me!"
A hug, shimmy, the threadbare blonde left.
A silent chorus of shuffling dead men walking,
Spartan results, a young man's death sentence.
Real words faded rehearsal, my eyes watered.
Two weeks on, I cautiously phoned up Carol.
The receiver was picked up, dragging sounds,
Like furniture being moved: "Is Carol there?"
"That person is dead." They hung up on me.
All my life's harsh judgements, dumped on Carol,
Who was I to win life's lottery over a guardian angel?
I still keep that old phone number forty years on,
Crumpled, faded, portable guilt lives on in my wallet.
© Stewart Stafford, 2024. All rights reserved.
”
”
Stewart Stafford
“
I can get hold of a potion to wipe her memories of the whole thing. It can all be done before the weekend is up and we can dump her in a hospital for her mate to find. It’s the least I'm owed. I fed her and her brother for years with every intention of keeping the two of them working here once their time came. Now he's dead and she's mated. I’m not just leaving it at that. We'll get what we're owed.
”
”
Caroline Peckham (Broken Fae (Ruthless Boys of the Zodiac, #4))
“
Carol I must not be confused with his nephew’s son, Carol II. Whereas the latter was undisciplined and sensual, the former was an anal-retentive Prussian of the family of Hohenzollern-Sigmaringen, who, in the course of a forty-eight-year rule (1866–1914), essentially built modern Romania, complete with nascent institutions, from an assemblage of regions and two weak principalities. Following 1989, he had become the default symbol of legitimacy for the Romanian state. Whereas Carol I signified realism and stability, the liberal National Peasant Party leader Iuliu Maniu, a Greek Catholic by upbringing, stood for universal values. As a mid-twentieth-century local politician in extraordinarily horrifying circumstances, Maniu had agitated against the assault on the Jews and in favor of getting Antonescu to switch sides against the Nazis; soon after, during the earliest days of the Cold War, he agitated against the Soviets and their local puppets. Nazi foreign minister Joachim von Ribbentrop once demanded Maniu’s execution. As it turned out, the Communist Gheorghiu-Dej regime later convicted Maniu in a show trial in 1947. Defying his accusers, he spoke up in court for free elections, political liberties, and fundamental human rights.16 He died in prison in 1953 and his body was dumped in a common grave. Maniu’s emaciated treelike statue with quotations from the Psalms is, by itself, supremely moving. But there is a complete lack of harmony between it and the massive, adjacent spear pointing to the sky, honoring the victims of the 1989 revolution. The memorial slabs beside the spear are already chipped and cracked. Piaţa Revoluţiei in 1981 was dark, empty, and fear-inducing. Now it was cluttered with memorials, oppressed by traffic, and in general looked like an amateurish work in progress. But though it lacked any
”
”
Robert D. Kaplan (In Europe's Shadow: Two Cold Wars and a Thirty-Year Journey Through Romania and Beyond)
“
“Remember that time you dumped out a whole box of bait?”
I almost smile. It was the summer before eighth grade. Dad bought crickets at the bait shop. “They were screaming for help.”
***
“And your dad,” Jeb continues. “He didn’t get mad that you turned the bugs loose. He just pulled out the aluminum lures, and that’s what we used from then on. I never knew a father could be like that. Forgiving. Kind. He’s the best guy I know. Pretty sure he saved my life a time or two.”
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
He'd done this hundreds of times: done a job, been drugged with a narcotic that erased his short term memory, and dumped in a seedy hole in the wall locale, where when he climbed out, he would have to figure out where he was, find a payphone, and call in for his next job.
”
”
Jennifer Arnett (Agent Chandler, Retired: A Short Thriller)
“
You're one to talk about talking crap, Forester." Dunstan's voice interrupts the memory, and I can't help but feel a little grateful. "Accusing my dad of poisoning the swamp? What a bunch of bull."
"It's not bull,"I snarl. "Your dad's dumping trash into the swamp and you know it!"
Dunstan finally loses it and stands up. The boat tilts dangerously. Melanie and the twins shriek, grasping the sides like they're glued to them.
"You two sit down this minute!" Babette bellows. She's holding onto the motor for dear life. Neither of us listens.
"You wanna run that by me again?" Dunstan growls. His fingers curl into fists.
"Your. Dad. Is. Poisoning. The. Swamp." I let each word out slowly like Dunstan's a dumb little kid who needs help understanding.
”
”
Colleen Boyd (Swamp Angel)
“
She prays here, intercedes there, and brings hope, comfort, and a zest for life with her wherever she goes. And when, exhausted, she is all alone again in the evening, the only purpose of her tiny television is to link her up once more with the other children for whom she had no time that day. The clichés that politicians spout remind her how political prisoners are forced to endure the despotism of these men, and how the populace is turned into beasts of burden. Perversely violent movies make her ponder the people upon whom these crimes are inflicted, and in her nightly prayers she has a word or two for God about perversion, violence, and their innumerable victims—prostitutes and delinquents, her other brood, who have been dumped into the street and for whom her heart bleeds in compassion. Even in her delayed and furtive sleep, Auntie Roz is never cut off from her thousands of children: In her dreams she fights the crooked cops who, on every corner and for all to see, rip off her poor little public transportation drivers and street vendors and get away with it! She fights and fights, surrounded by angels with swords of light, striking the evildoers and liberating the virtuous, healing some and feeding others, until she wakes up, always with a start. And once she’s up, the first prayer is a new surge of inspiration to serve her youthful thousands. For them, Auntie Roz imagines a better world made up of small certainties, a world just livable enough for all of them as they wait for the Eden that’s far too long in coming and impossible to foresee honestly, at the center of a world that’s worse than hell and not even truthful enough to call itself by that name. With
”
”
Werewere Liking (The Amputated Memory: A Novel (Women Writing Africa))
“
My God!” Sophia sat back, her eyes wide with horror. “It’s a drug! He’s drugging her and she doesn’t even know it.” Here we go. “It’s common knowledge that we’re genetic traders—the fact that we have more than one means to attract a mate of an entirely different species should come as no surprise,” he pointed out. “You…you cold blooded bastard.” Sophia shook her head. “Poor Liv—she has no idea what he’s doing to her.” “It wouldn’t matter even if she did,” Sylvan explained patiently, ignoring her insults. “The mating scent is too strong to fight, even with advanced warning. Stronger species than yours have tried and they have all failed. With very few exceptions.” He closed his eyes briefly thinking of Feenah, of her pure white hair and pale crystal eyes. I’m sorry, Sylvan… “It’s not right. You’re not fighting fair.” Sophia’s words pushed back the painful memory and Sylvan opened his eyes again to see the look of despair and anger on her lovely face. She looked almost on the brink of tears. Wonderful—she was even more upset and irrational than he had thought she would be. He supposed he ought to feel irritated. Instead, the illogical urge to hold and comfort her came over him so strongly that he had to sit back and cross his arms over his chest to keep from reaching for her. “I believe you humans have a saying that covers this—‘All’s fair in love and war.’ Is that right?” he said softly. “Yes, but that doesn’t mean—” Sylvan leaned forward again and took her soft, small hands between his own larger ones. “You must understand, Sophia—Baird isn’t trying to trick your sister into anything. He’s simply using every power at his disposal to keep her. Because he needs her—he loves her. She is the only woman in the entire universe for him and the bond that will form between them will be one of undying love and devotion.” “Maybe for him.” She looked down as though mesmerized by the sight of her own small hands being engulfed in his much larger ones. “But not for Liv. He’s going to trick her into having bonding sex with him —whatever that is—and then she’ll spend the rest of her life hating him once she finds out how he did it.” She looked up at Sylvan. “You don’t know her like I do—she hates being lied to. Her last boyfriend cheated on her and then lied about it and she dumped him and never looked back. If she knew what Baird was doing to her…” “It’s not as though it’s a conscious choice on his part,” Sylvan tried to explain. “It’s the way our bodies react chemically to our chosen mates. We can’t turn it off, even if we try. Sometimes it comes even when it’s not wanted. We have a saying for it—‘The blood knows what the mind does not wish to see.’” Lifting a hand, he cupped her cheek and brushed away the single tear that had escaped her wide green eyes with his thumb. “It cannot be helped.” Sophia
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
Thank you for coming with me.”
She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever.
Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side.
It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment.
Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite.
“I saved the realm,” he said, shrugging. The least I can do is try to see some of it.”
Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking.
“Thank you for coming with me,” she said again.
“Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?”
Then he passed the rest of the apple over to her. She finished the rest without a thought.
His hand lingered, though, scarred knuckles on a tattooed arm.
She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him.
“Am I still a waste of arsenic?” he said, his eyes never moving from her face.
Sorasa stopped short, blinking in confusion. “What?”
“When we first met.” His own smirk unfurled. “You called me a waste of arsenic.”
In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely.
Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure.
His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage.
“No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.”
“Is that a compliment, Amhara?” Dom muttered against her lips.
No, she tried to reply.
On the golden sand, their shadows met, grain by grain, until there was no space left at all.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
Common mythology would have it that the truth was easy to remember and lies tended to morph with the retelling. The opposite was true. A group of honest men, questioned about a social evening that was merely one of many like evenings, would argue endlessly about who showed up in what order, whether they ate ham or pastrami, who won the pot, Memories were not stored in a linear fashion, ordered by some cerebral Dewey decimal system. They were dumped in a vast mental junk drawer and had to be pawed through to be sorted out.
”
”
Nevada Barr (Hunting Season (Anna Pigeon, #10))
“
A garage is not always a way station for things destined for the dump, but a living and breathing memory album of moments shared. And promises of more moments to come.
”
”
Gregg Olsen (The Hive)
“
As we wind through the graves, I’m reminded of growing up down the road from the town dump to the north and the cemetery to the south, my own house haunting the center, equal radius to either destination: dumping ground or burial. Mama’s ghost skirted the edges; I could feel her presence, but not nearly enough. Girlhood nights I used to sleepwalk, and Alba would find me, wriggling through the slats in the fence, kneeling at the makeshift altar I’d made of debris, all that wreckage, a shrine for the mama I never knew, and my staunch and sturdy saint of a sister would walk me home where I’d claim no memory in the morning. Dreamworld would merge with waking, and I felt it—embryonic, swelling, lucent, what would sprout inside me as I grew older, rasher—the city of the Dead. Where I accidentally sent Karma a few short years later. Where—I can’t shake the clawing feeling now—I’ve sent Cecilia as well, with my vitriol, with my jealousy.
”
”
Jennifer Givhan (River Woman, River Demon)
“
thepsychchic chips clips i
How often are we actually in control, I wondered? And how does the perception of being in control in situations where luck is queen actually play out in our decision making? How do people respond when placed in uncertain situations, with incomplete information? 13
Personal accountability, without the possibility of deflecting onto someone else, is key. 41
There’s never a default to anything. It’s always a matter of deliberation. 56
Erik: You have to have a clear thought process for every single hand. What do I know? What have I seen? How will that help me make an informed judgment about this hand? 74
… find the fold … 86
Erik: There’s nothing like getting in there and making a bunch of mistakes. 88
Erik: Pick your spots. 91
Erik: Have you ever heard the expression ‘snap fold’? A snap fold, you do it immediately. You’re thrilled to let it go. So. snap fold. This lets you shove with basically the same enthusiasm. It tells you which hands to go with when you have different amounts of big blinds. 98
There’s a false sense of security in passivity. You think that you can’t get into too much trouble—but really, every passive decision leads to a slow but steady loss of chips. And chances are, if I’m choosing those lines at the table, there are deeper issues at play. Who knows how many proverbial chips a default passivity has cost me throughout my life. How many times have I walked away from situations because of someone else's show of strength, when I really shouldn't have. How many times I've passively stayed in a situation, eventually letting it get the better of me, instead of actively taking control and turning things around. Hanging back only seems like an easy solution. In truth, it can be the seed of far bigger problems. 100-101
Gambler's fallacy -- the faulty idea that probability has a memory. 107
Frank Lantz, NYU Game Center, former poker player: Part of what I get out of a game is being confronted with reality in a way that is not accommodating to my incorrect preconceptions. 109
Only play within your bankroll. 126
Re: Ladies Event: Yes, I completely understand the intention, but somehow, segregating women into a separate player pool, as if admitting that they can’t compete in an open player pool, feels equal parts degrading and demoralizing. … if I’m known as anything in this game, I want to be known as a good poker player, not a good female player. No modifiers need apply. 127
Erik: Bad beats are a really bad mental habit. You don’t want to ever dwell on them. It doesn’t help you become a better player. It’s like dumping your garbage on someone else’s lawn. It just stinks.” 132-33 No bad beats. Forget they ever happened. 136
As W H Auden told an interviewer, Webster Schott, in a 1970 conversation: "Language is the mother, not the handmaiden of thought; words will tell you things you never thought or felt before.” The language we use becomes our mental habits—and our mental habits determine how we learn, how we grow, what we become. It’s not just a question of semantics: telling bad beats stories matters. Our thinking about luck has real consequences in terms of our emotional well-being, our decisions and the way we implicitly view the world and our role in it. 133
”
”
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
“
There is an image that lives inside my memory as well. It is a vision of that slaughterhouse dump, those acres of death. The breeze I recall was heavy with the stench of rot, warm with the weight of decay. Propemex is still dumping bodies there, and, according to Dr. Pritchard, still dumping eggs. These eggs are said to be too immature to be buried in the sand; either that or too fouled with the mother’s intestines during the slaughtering process. So these eggs are dumped where the bodies of mothers are left to rot. But many of the eggs are not fouled; many are not immature. Many of them live, and hatchlings emerge to crawl over the rotting bodies of their slaughtered mothers. They crawl frantically, through the stench of death, toward a sea they will never reach.
”
”
Tim Cahill (Jaguars Ripped My Flesh (Vintage Departures))
“
The instructions read, ‘Dump the monkeys onto the table. Pick up one monkey by the arm. Hook another arm through a second monkey’s arm. Continue making a chain. Your turn is over when you drop a monkey.’ Most of my childhood life at the house on Arce Subdivision had been like that, constantly linking monkeys together and anticipating something going wrong.
”
”
Bong Serrano (Batangas: My Sky and Earth)
“
We are masters at not seeing the obvious. So, our body takes on the connection for us. Once we relieve it of this responsibility, it usually jumps for joy and jumps right out of whatever physical predicament it had to acquire on our behalf. The karmic dumping ground of our body is the storehouse of many memories. Bodies have their own highly effective way of doing the talking.
”
”
Donna Goddard (Dance: A Spiritual Affair (Creative Spirit Series, #1))
“
DUMP NEGATIVE THOUGHTS Treating your negative thoughts as material objects may be an effective way to combat them. A study conducted in Spain found that when teens wrote down their negative body-image thoughts and then threw them away, their thoughts did not impact them later. When subjects were asked to keep their written thoughts physically in a safe place, however, they relied more on them later on.
”
”
Brett Blumenthal (52 Small Changes for the Mind: Improve Memory * Minimize Stress * Increase Productivity * Boost Happiness)
“
not yet allowing himself to wallow in the wave of relief coursing through his body, and pushed through it, ignoring questions barked at him in a foreign language. He galloped down a set of steps, past another pair of cops rushing in the opposite direction, barely meriting a second glance on this occasion. As he left the park, crossing a road that was cordoned off to traffic at either end, he breathed out a long, deep, endless sigh of relief that flooded out of him with the relentless power of the Nile emptying into the Mediterranean Sea. It was only now that he recognized how fast his heart was beating, or felt the beads of sweat dripping off his forehead – both more a result of tension than exertion. “That was close,” he groaned, cursing himself for breaking the cardinal rule of espionage and thrusting himself into the center of attention. “Too damn close.” And it was far from over. He might have escaped the first cordon of cops, but before long the whole of central Moscow would be on lockdown. He needed to get out before it was too late. Trapp fought against his instincts and slowed his pace, walking casually down a side street, past a government building with a small brass plaque outside which read, ‘Federal Agency for State Property Management’ in English letters under the Cyrillic. He kept his head low, pointed at the ground, hoping that it would obscure him from the surveillance cameras that dotted the area, but knowing that it probably wouldn’t. That’s a problem for another day. He cast a quick look around to make sure no one was paying him any attention, and when he was certain that they were not, he ducked into a space between two parked cars, crouched down, and pulled on the neon vest he had previously stowed by his breast. Again, the disguise was skin deep, but if one of the cops he’d just passed managed to radio in a description, then perhaps this costume change might add a layer of distance. It was better than nothing. He started walking again, slowly enough not to draw the eye, fast enough to put as much distance between himself and what was about to turn into a very hot crime scene as possible. As he walked, his fingers played with the rock he had carried all this time, searching for a seam or a catch. He knew that it would not be locked, or contain the kind of self-destruct device so beloved of Hollywood movies. There wasn’t the space, and besides, any competent intelligence agency would be able to defeat such protections quickly enough. Trapp found it, worked the bottom of the rock open, and saw a memory stick sitting in a foam indentation. He pulled it free, put it into the coin pocket of his denim jeans, and dumped the two halves of the rock into an overflowing trash can. It was only then that the question came to him. What the hell do I do now? 35 The village of Soloslovo was 20 miles from Central Moscow, about thirty minutes by car in light traffic, or twenty on a high-powered motorcycle the likes of which Eliza Ikeda rode as she zipped past, around
”
”
Jack Slater (Flash Point (Jason Trapp, #3))
“
Instead of dreams being the place where desires from real life are fulfilled, it would be the real that was the place where desires born of dreams would be fulfilled.
Dreams would be a search engine. The Aborigines, for example, scorning biological paternity, give priority to begetting by dreams. Reality would gain by this in becoming much more mysterious and dreams would cease to be the dumping ground of the unconscious.
”
”
Jean Baudrillard (Cool Memories V: 2000 - 2004)
“
I’ve used the “out-of-place” idea for years to remind me in the morning of something I thought of during the night. JL: You mean when you’ve had that million-dollar idea— HL: Which is usually worth $1.63 in the morning light. Still, I always felt that idea had to be immortalized. So at first I’d put on the lights, find a pad and pencil, and write it down—then, since I invariably woke up my wife, I started keeping a pad on my night table and writing down the idea in the dark. JL: Could you read your writing in the morning? HL: Not too well. Which was fine, because that inspired me to really solve the problem. Now, whenever I get an idea, I reach out an arm and do something that will be sure to catch my attention in the morning. Usually, I dump all my cigarettes on the floor—when I get out of bed in the morning I can’t miss stepping on those cigarettes and being reminded that I had an idea during the night. JL: Do you ever have trouble remembering what the idea was? HL: Not usually. But if I do feel I need a reminder of the thought itself— JL: You associate the Key Word of the idea to cigarettes. HL: Right! And if I ever manage to stop smoking, I’ll reach over and turn my clock face down, or put it on the floor, or push a book off my night table. JL: Anything that’s out of place, that forces you to look at it and think, “What in the world is that doing there?” will do.
”
”
Harry Lorayne (The Memory Book: The Classic Guide to Improving Your Memory at Work, at School, and at Play)
“
Simplicity, balance, character, direction and relation of the limbs to each other, with their proportions and general symmetry of the whole, must be apprehended in a flash and put down in long lines, without lingering on less important details of form, for there is little time to hesitate in making a ten-minutes sketch. The quicker we draw, the better, so long as we can keep up the tension of our eyes, brain and hand all working together at the same time. The moment one of these three faculties gets out of gear or tired, the vitality of the drawing is lost. An intelligent model in a good pose inspires us enormously to produce an artistic and living drawing. A drawing done in a few minutes, in a red-hot fever of excitement and with concentrated observation, following the contour of the form from start to finish, is far more living than the often elaborated drawings of a cataleptic, relaxed figure, dumped upon the traditional throne, so often seen in art schools ; for the essence of life figure drawing lies in the outline. There is no short cut, no royal road to excellence : the only way is by persistent study and cultivation of visual memory.
”
”
Borough Johnson (The Technique of Pencil Drawing (Dover Art Instruction))
“
You think you’re tasting this wine, hearing the words I’m saying, in the present, but there’s no such thing. The neural impulses from your taste buds and your ears get transmitted to your brain, which processes them and dumps them into working memory—so by the time you know you’re experiencing something, it’s already in the past. Already a memory.
”
”
Blake Crouch (Recursion)
“
J-Just m-my throat,’ I stuttered, my lips quivering from the cold.
‘Let's get you out of here, then,’ Marcel said. He slid his arms under me and lifted me without effort-like picking up an empty box. His chest was bare and warm; he hunched his shoulders to keep the rain off me. My head lolled over his arm. I stared vacantly back toward the furious water, beating the sand behind him.
‘You got her?’ I heard Sam ask.
‘Yeah, I'll take it from here. Get back to the hospital. I'll join you later.
Thanks, Sam.’
My head was still rolling. None of his words sunk in at first. Sam didn't answer. There was no sound, and I wondered if he were already gone.
The water licked and writhed up the sand after us as Marcel carried me away like it was angry that I'd escaped. As I stared wearily, a spark of color caught my unfocused eyes-a a small flash of fire was dancing on the black water, far out in the bay. The image made no sense, and I wondered how conscious I was.
My head swirled with the memory of the black, churning water of being so lost that I couldn't find up or down. So, lost… but somehow Marcel…
‘How did you find me?’ I rasped.
‘I was searching for you,’ he told me. He was half-jogging through the rain, up the beach toward the road. ‘I followed the tire tracks to your truck, and then I heard you scream…’ He shuddered. ‘Why would you jump, Bell? Didn't you notice that it's turning into a hurricane out here? Couldn't you have waited for me?’ Anger filled his tone as the relief faded.
‘Sorry,’ I muttered. ‘It was stupid.’
‘Yeah, it was really stupid,’ he agreed, drops of rain shaking free of his hair as he nodded. ‘Look, do you mind saving the stupid stuff for when I'm around? I won't be able to concentrate if I think you're jumping off cliffs behind my back.’
‘Sure,’ I agreed. ‘No problem.’ I sounded like a chain-smoker. I tried to clear my throat and then winced; the throat-clearing felt like stabbing a knife down there. ‘What happened today? Did you… find her?’ It was my turn to shudder, though I wasn't so cold here, right next to his ridiculous body heat.
Marcel shook his head. He was still more running than walking as he headed up the road to his house. ‘No. She took off into the water-the bloodsuckers have the advantage there. That's why I raced home- I was afraid she was going to double back swimming. You spend so much time on the beach…’ He trailed off, a catch in his throat.
‘Sam came back with you… is everyone else home, too?’ I hoped they weren’t still out searching for her.
‘Yeah. Sort of.’
I tried to read his expression, squinting into the hammering rain. His eyes were tight with worry or pain.
The words that hadn't made sense before suddenly did. ‘You said… hospital. Before, to Sam. Is someone hurt? Did she fight you?’ My voice jumped up an octave, sounding strange with the hoarseness.
Marcel’s eyes tightened again. ‘It doesn't look so great right now.’
Abruptly, I felt sick with guilt-felt truly horrible about the brainless cliff dive. Nobody needed to be worrying about me right now. What a stupid time to be reckless.
‘What can I do?’ I asked.
At that moment the rain stopped. I hadn't realized we were already back at Marcel’s house until he walked through the door. The storm pounded against the roof.
‘You can stay here,’ Marcel said as he dumped me on the short couch. ‘I mean it right here I'll get you some dry clothes.’
I let my eyes adjust to the darkroom while Marcel banged around in his bedroom. The cramped front room seemed so empty without Billy, almost desolate. It was strangely ominous-probably just because I knew where he was.
Marcel was back in seconds. He threw a pile of gray cotton at me. ‘These will be huge on you, but it's the best I've got. I'll-a, step outside so you can change.’
‘Don't go anywhere. I'm too tired to move yet. Just stay with me.
”
”
Marcel Ray Duriez
“
Ask any psychologist how much of a sense of past and future that part of your psyche has, the part that was storing the list you dumped: zero. It's all present tense in there. That means that as soon as you tell yourself that you should do something, if you file it only in your short-term memory, there's a part of you that thinks you should be doing it all the time. And that means that as soon as you've given yourself two things to do, and filed them only in your head, you've created instant and automatic stress and failure, because you can't do them both at the same time. If you're like most people, you've probably got some storage area at home—maybe a garage that you told yourself a while back (maybe even six years ago!) you ought to clean and organize. If so, there's a part of you that likely thinks you should've been cleaning your garage twenty-four hours a day for the past six years! No wonder people are so tired! And have you heard that little voice inside your own mental committee every time you walk by your garage? "Why are we walking by the garage?! Aren't we supposed to be cleaning it!?" Because you can't stand that whining, nagging part of yourself, you never even go in the garage anymore if you can help it.
”
”
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
“
What we think of as the ‘present’ isn’t actually a moment. It’s a stretch of recent time—an arbitrary one. The last two or three seconds, usually. But dump a load of adrenaline into your system, get the amygdala to rev up, and you create that hyper-vivid memory, where time seems to slow down, or stop entirely. If you change the way your brain processes an event, you change the duration of the ‘now.’ You actually change the point at which the present becomes the past.
”
”
Blake Crouch (Recursion)
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DOC’S BRAN-OATMEAL-RAISIN COOKIES Preheat oven to 350 degrees F., rack in the middle position. ¾ cup raisins (either regular or golden, your choice) ¾ cup boiling water 1 cup white (granulated) sugar ½ cup brown sugar (pack it down when you measure it) ¾ cup (1 and ½ sticks, 6 ounces) salted butter, softened to room temperature 2 large eggs ½ teaspoon salt 1 teaspoon baking soda 1 teaspoon ground cinnamon ¼ teaspoon grated nutmeg (freshly grated is best) 1 teaspoon vanilla extract 2 cups all-purpose flour (pack it down in the cup when you measure it) 1 and ½ cups dry quick oatmeal (I used Quaker Quick 1-Minute) 2 cups bran flake cereal Place ¾ cup of raisins in a 2-cup Pyrex measuring cup or a small bowl that can tolerate boiling water without cracking. Pour the ¾ cup boiling water over the raisins in the cup. Stir a bit with a fork so they don’t stick together, and then leave them, uncovered, on the counter to plump up. Prepare your cookie sheets by spraying them with Pam or another nonstick cooking spray, or lining them with parchment paper that you also spray with Pam or another nonstick cooking spray. Hannah’s 1st Note: This cookie dough is a lot easier to make if you use an electric mixer. Place the cup of white sugar in the bottom of a mixing bowl. Add the half-cup of brown sugar. Mix them together until they’re a uniform color. Place the softened butter in the mixer bowl and beat it together with the sugars until the mixture is nice and fluffy. Mix in the eggs, one at a time, beating after each addition. Add the salt, baking soda, cinnamon, nutmeg and vanilla extract. Beat until the mixture is smooth and well incorporated. On LOW speed, add the flour, one-half cup at a time, beating after each addition. Continue to beat until everything is well blended. Drain the raisins by dumping them in a strainer. Throw away any liquid that remains, then gently pat the raisins dry with a paper towel. With the mixer running on LOW speed, add the raisins to the cookie dough. With the mixer remaining on LOW speed, add the dry oatmeal in half-cup increments, mixing after each increment. Turn the mixer OFF, and let the dough rest while you prepare the bran flakes. Measure 2 cups of bran flake cereal and place them in a 1-quart freezer bag. Roll the bag up from the bottom, getting out as much air as possible, and then seal it with the bran flakes inside. Squeeze the bran flakes with your fingers, crushing them inside the bag. Place the bag on the counter and squash the bran flakes with your hands. Once they’re in fairly small pieces, take the bag over to the mixer. Turn the mixer on LOW speed. Open the bag and add the crushed bran flakes to your cookie dough, mixing until they’re well incorporated. Turn off the mixer, scrape down the sides of the bowl with a rubber spatula, and give the bowl a final stir by hand. Drop the dough by rounded Tablespoonfuls (use a Tablespoon from your silverware drawer, not one you’d use for measuring ingredients) onto your prepared cookie sheet. There should be 12 cookie dough mounds on every standard-size cookie sheet. Hannah’s 2nd Note: Lisa and I use a level 2-Tablespoon scooper to form these cookies down at The Cookie Jar. Bake Doc’s Bran-Oatmeal-Raisin Cookies at 350 degrees F. for 13 to 15 minutes, or until golden brown on top. Remove the cookies from the oven, and let them cool on the cookie sheets for 2 minutes. Then remove them to a wire rack to cool completely. Yield: 2 to 3 dozen delicious cookies, depending on cookie size. Hannah’s 3rd Note: Doc had to warn the Lake Eden Memorial Hospital cooks not to let the patients have more than two cookies. Since they contain bran and bran is an aid to the digestive system, patients who eat a lot of these cookies could be spending a lot of time in the little room with the porcelain fixtures.
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Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))