Bros Quotes

Jesus Christ, will you quit dictating this conversation to Hannah?' I grumble. 'Bros before hos, dude.' 'Call my girlfriend a ho one more time and you won't have a bro.

Article 2: "A Bro is always entitled to do something stupid, as long as the rest of his Bros are all doing it.

Bros before hoes," said Jared. "By which of course I mean gardening tools, because I hold all the fine ladies of Sorry-in-the-Vale in the highest regard.

Pros before bros.

Oh what a wanker I am the greatest wanker of 'em all!

Chicks before dicks. Hos before Bros. Moms before Doms.

-Bros before hos, dude- -Call my girlfriend a ho one more time and you won't have a bro-

Then Rico said, “Okay, like. No offense, papi. You know I love you. Bros for life, and all that. But did you go a little nuts in your head from the mystical moon magic? Because it seems like you went a little nuts in your head from the mystical moon magic.

ARTICLE 2 A Bro is always entitled to do something stupid, as long as the rest of his Bros are all doing it.

Almost any concept or idea in the world can be expressed through comparison with a classic Warner Bros. cartoon.

I don't like drama in my life, but I do like drama in my books!

I liked the Beats for a second when I was fourteen. By sixteen I realized they were mostly just good for picking out a douchebag. There was something about douche bros and the Beats. They just gravitated there.

ARTICLE 54 A Bro is required to go out with his Bros on St. Patty’s Day and other official Bro holidays, including Halloween, New Year’s Eve, and Desperation Day (February 13).

ARTICLE 85 If a Bro buys a new car, he is required to pop the hood when showing it off to his Bros. COROLLARY: His Bros are required to whistle, even if they have no idea what they’re whistling at.

Gettin rubba band on the low money Niggas hate but all the bros wanna fuck me I got money

XXI. But Arnold Bros (est. 1905) said, This is the Sign I give you: XXII. If You Do Not See What You Require, Please Ask. From The Book of Nome, Regulations v. XXI-XXII

A Bro is always entitled to do something stupid, as long as the rest of his Bros are all doing it.

Los li­bros que uno ama apasionadamente producen la sensa­ción, cuando los abres por primera vez, de que siempre estuvieron ahí: aparecen en ellos lugares en los que no has estado, cosas que uno antes nunca ha visto ni oído, pero el acople de la memoria personal con esos lugares o cosas es tan rotundo que de algún modo acabas pen­sando que has estado allí.

[Walt] Whitman would never get in the way of a boy trying to get off with another boy. Bros before prose.

Hos before bros!” I yell at the phone. But it’s too late. A bro came, and both the hos are in turmoil.

Too many years of watching old Warner Bros. cartoons by Chuck Jones can instill in you a silliness gene by proxy.

ARTICLE 120 A Bro always calls another Bro by his last name.   EXCEPTION: If a Bro’s last name is also a racial epithet.

If you're going to succeed, you've got to be like one of those punch-drunk fighters in the old Warner Bros. boxing pictures: too stupid to fall down, you just keep slugging and stay on your feet.

Bila memang dia, maka apapun halangannya, sebagaimana pun sulitnya keadaan, maka selalu ada jalan untuk kalian

Thank You Mario! But Our Princess is in another castle!

Pilihannya hanya 'iya' atau 'mau', karena jika kamu menjawab 'enggak', aku tetap tak akan membiarkanmu mencintai pria lain selain aku

Bros before hoes,” said Jared. “By which of course I mean gardening tools, because I hold all the fine ladies of Sorry-in-the-Vale in the highest regard.

Oh my God, this is terrible. We’re just two dudes meeting to study. Bros. Bros don’t get nervous. Be a bro, Tanner.

We're bros, man, and bros accept each other no matter what. Even if they're getting boned by a gay werewolf.

When he let go of Clary, he turned and hugged Jace. Clary watched, tears running down her face. “Oof,” said Jace, sounding extremely startled, but he patted Simon quickly on the back. Simon supposed they usually fist-bumped or something. He did not know the warrior way of being bros: Eric was a big hugger. He decided it would probably be good for Jace, and ruffled his hair a little for emphasis before stepping away.

Love and life sure can be scary. But not living your best life, not loving as hard as you can…what a terrible waste that would be.

In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation. Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT?

Well, you’re my roommate. You’ve smoked my pot. That makes us bros. It’s not really anything crazy, though. We just meet a couple times a week and fuck.” “Just sex? You don’t talk or anything? Or hang out?” “We usually smoke a bowl, fuck,

She'n'her bros at the school'ry'd made a new game, Zachry'n'Meronym on Mauna Kia, but Abbess say-soed 'em not to 'cos times are pretendin' can bend bein'. A whoah game it was, said Catkin, but I din't want to know its rules nor endin'.david

Mungkin Tuhan yang menginginkan kita merasakan luka putus cinta, karena mungkin bagi-Nya orang yang amat kita cintai bukanlah yang terindah dalam hidup kita

Sometimes our hearts are wiser than our heads.

Bros before hos

It’s how he shows he cares,” he said with a smirk. “One of these days I know he’ll gift me a vision of him tossing me from a cliff Mufasa and Scar style and then I know we’ll be bros for life.

When you objectify and dehumanize a class of people”—whether that’s women or a racial minority or both or anyone—“it becomes easier to mistreat them without guilt.” Scholars have a clever word for this kind of social structure in which power is formed through a brotherhood that objectifies and dehumanizes those on the outside: they call it fratriarchy. Many think this is a more accurate way to describe our culture’s post-feudal system, which is ruled not by the fathers, but by peer networks of the brothers. Backstage talk that otherizes all things feminine is part of the mortar that keeps the walls of fratriarchy standing strong. And when you are part of an especially close group, like Donald and his bus bros, it makes it even harder to dissent, because you risk giving up that bond and the power that comes with it. So you end up like Billy Bush, laughing along.

If I went to Ringling Bros. and Barnum & Bailey, I didn’t go for the horse or the elephant – I went for the freak show in the back: the one-breasted man; the half-bearded woman (in other words, the people who today have become politicians). In my day they were in the back room of Ringling Bros. and Barnum & Bailey,

We all have history, but it's the here and now that's important.

What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.

It’s not his girlfriend. It’s Princess Toadstool. And it’s not a gorilla,” I stress. “It’s Lemmy Koopa of the evil Koopa clan. And baby, as usual, you’re missing the point.” “Please enlighten me.” “The whole point of Super Mario Bros. is that it mirrors life.

Deeper’n that it’s this. The savage sat’fies his needs now. He’s hungry, he’ll eat. He’s angry, he’ll knuckly. He’s swellin’, he’ll shoot up a woman. His master is his will, an’ if his will say-soes “Kill” he’ll kill. Like fangy animals. Yay, that was the Kona. Now the Civ’lized got the same needs too, but he sees further. He’ll eat half his food now, yay, but plant half so he won’t go hungry ’morrow. He’s angry, he’ll stop’n’ think why so he won’t get angry next time. He’s swellin’, well, he’s got sisses an’ daughters what need respectin’ so he’ll respect his bros’ sisses an’ daughters. His will is his slave, an’ if his will say-soes, “Don’t!” he won’t, nay.

Ultimately, it was Super Mario Bros. that taught me what remains perhaps the most important lesson of my life. ... There is no turning back, only going forward — for Mario and Luigi, for me, and for you. Life only scrolls in one direction, which is the direction of time, and no matter how far we might manage to go, that invisible wall will always be just behind us, cutting us off from the past, compelling us on into the unknown.

He was skilled----at the end of the level, he could make Mario land at the top of the flagpole, something Sadie had never mastered. Although Sadie liked to be the player, there was a pleasure to watching someone who was a dexterous player---it was like watching a dance. He never looked over at her. He cleared the first boss battle, and the words BUT OUR PRINCESS IS IN ANOTHER CASTLE appeared on the screen.

Sounds like a plan. I owe Tammy a big thank-you.” Ty sighed. “I think I’m too old for this bachelor party crap.” “We’ll be planning yours soon enough.” That was so not appealing, Ty was almost scared. “Let’s just go fishing and call it good.” “Done.

Run and you'll get faster. Punch and you'll get stronger. The only wasted action is one you don't take.

he angles my hips and starts hitting the magic place inside of me. Harry Potter has nothing on this shit.

It's where the bros drink their brews, and the surfers sip their hurricanes, and they all just white together.

Hey." Levet gave a sharp flap of his wings. "It is supposed to be farts before tarts." "What the -" Santiago made a sound of disgust. "Oh, for god's sake, it's bros before hos.

It’s always ‘girl-bros before man-hoes.’ Sorry, dude.

If it all blows up in my face, you’ll help me pick up the bits and pieces of my heart, right?” She jumped down from the bed and gave me a big hug. “Hoes over bros. Always.

He also never let me win in Super Smash Bros. Anytime I was about to win, he would turn off the Nintendo.

In the Mario Bros. games there’s the big bad—Bowser, who is this evil mega-turtle,” Jamie finally says. “And they also have these Koopa Troopas—little turtles that are weirdly cute but completely evil. Bowser became president in 2016. But I guess I didn’t really think about how it’s not just about him—there’s hundreds of Koopa Troopas everywhere to watch out for too.

Si que­da­ba al­gu­na es­pe­ran­za, debía estar en los pro­les, por­que solo en esas masas des­pre­cia­das, que cons­ti­tuían el ochen­ta y cinco por cien­to de la po­bla­ción de Ocea­nía, podía ge­ne­rar­se la fuer­za ne­ce­sa­ria para des­truir al Par­ti­do. Este no podía de­rro­car­se desde den­tro. Sus enemi­gos, si es que los había, no te­nían forma de unir­se o si­quie­ra de re­co­no­cer­se mu­tua­men­te. In­clu­so en caso de que exis­tie­ra la le­gen­da­ria Her­man­dad —lo cual no era del todo im­po­si­ble— re­sul­ta­ba in­con­ce­bi­ble que sus miem­bros pu­die­ran re­unir­se en gru­pos de más de dos o tres. La re­be­lión se li­mi­ta­ba a un cruce de mi­ra­das, una in­fle­xión de la voz o, como mucho, una pa­la­bra su­su­rra­da oca­sio­nal­men­te. En cam­bio los pro­les, si pu­die­ran ser cons­cien­tes de su fuer­za, no ten­drían ne­ce­si­dad de cons­pi­rar. Bas­ta­ría con que se en­ca­bri­ta­ran como un ca­ba­llo que se sa­cu­de las mos­cas. Si qui­sie­ran, po­drían volar el Par­ti­do en pe­da­zos a la ma­ña­na si­guien­te. Tarde o tem­prano tenía que ocu­rrír­se­les. Y sin em­bar­go…

I took advantage of his proximity and calming presence to take two big sniffs of his scent before I patted his lower back. I was rocking this being bros thing. The temptation to squeeze his butt had been real.

The fate of Yahoo!, its business eventually sold to bottom-fisher Apollo in 2023, is the ultimate case study in a truth universally unacknowledged in the Valley—savvy deal jocks create as much value as coder tech bros.

Jordan’s gone, bros.” Cole wiped crumbs from his greasy sweatshirt. “He bugged out right after you jokers gave him the third degree. Said CU wasn’t for him.” He snorted. “Y’all are, like, the leading cause of dropout around here.

This is how Jeremy talks to her: like they’re bros. Jeremy hasn’t even called her “Renee” since night one, when he reduced her to a monosyllable. If guys want to marry you, they give you pet names, not gender-neutral monikers like “Ren” that are also used by insane cartoon chihuahuas.

This is all new to me. Every single part of this life is new. And yes, some of it is a little scary sometimes. I get surprised by my own reactions to things sometimes. But that doesn’t mean I want to stop or go backwards … so if you want to stop or step back for your own reasons then ok. But if you’re stopping because I flipped out for a second, then don’t. I’m going to weird out occasionally, please be ok with that.” … “Stay with me, Ed.

...so many boys and men value other men's approval more than women's humanity, continuing a centuries-old tradition of positioning bros before hoes and using control over women's bodies to earn male respect... and to reroute their disavowed desire for one another through a more socially acceptable object.

The executives that ran Lehman Bros. into the ground several years ago had a macho culture that abhorred personal time. One executive was pressured to go to the office while his wife was actually delivering a baby.[18] Whether such assiduity resulted in a better work product has now been pretty definitively ascertained.

Amar es difícil, pero es más difícil pasarse Super Mario Bros y sin embargo todos lo hicimos en nuestra infancia/adolescencia. Algunos niveles de rabia en el proceso de sanar un corazón roto son justos y necesarios. La rabia es buena porque permite expulsar sentimientos reprimidos o insatisfactorios que no sabemos enunciar.

There are a lot of self-help bros who will tell you that you need to dangle over the edge without a net to really drive achievement. I used to believe this because it has a little piece of the truth. The larger picture, of course, is that being deprived of safety tends to make people anxious, reactive, and unproductive. p37

Why do we hide our thoughts and feelings from people? If we can’t trust who we’re talking to, then do we really even need them in our lives?

I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality.

Worrying about him also means that my mind is now wide the fuck awake and going at about a billion miles an hour. Poor Leif. Poor hot, half-naked Leif.

Then there’s the worries in the back of my head. Stupid things like, where does this leave us now that we’ve exposed our genitals to each other? Stuff like that.

She misses him. Sometimes our hearts are wiser than our heads.

At the heart, romance is about hope, and that’s what keeps us going, dear. The eternal quest to improve ourselves, our lives, our world.

No,” he says in a definitive voice. “And I can’t tell you what a fucking relief that is. Every woman I’ve ever known has pretty much had me in a constant state of confusion. But not you.” “I’m not sure this is a compliment.

Nintendo not letting itself make a browser Mario game has not stopped a flash flood of in-browser Mario games. Super Mario Flash, New Super Mario Bros. Flash, Infinite Mario, and the amazing Super Mario Crossover, which lets you play the original SMB games using characters from Castlevania, Excitebike, Ninja Gaidan, and more. (If you like that, try Abobo's Big Adventure.) There are free (and unlicensed) Mario games where he rides a motorbike, takes a shotgun to the Mushroom Kingdom, decides to fight with his fists, is replaced by Sonic, replaces Pac-Man in a maze game, and plays dress-up. They receive no admonition from Nintendo's once-ferocious legal department. Why not? Iwata's explanation is commonsensical: "[I]t would not be appropriate if we treated people who did someone based on affection for Nintendo as criminals." This is also why no one has been told by lawyers to stop selling Wario-as-a-pimp T-shirts.

... when Warner Bros. cancelled the financing for Zoetrope, the Apocalypse Now project was abandoned for a while. After the success of American Graffiti in 1973, George wanted to revive it, but it was still too hot a topic – the war was still on – and notobdy wanted to finance something like that. So George considered his options: What did he really want to say in Apocalypse Now? The message boiled down to the ability of a small group of people to defeat a gigantic power simply by the force of their convictions. And he decided, All right, if it's politically too hot as a contemporary subject, I'll put the essence of the story in outer space and make it happen in a galaxy long ago and far away. The rebel group were the North Vietnamese and the Empire was the United States. And if you have the force, no matter how small you are, you can defeat the overwhelmingly big power. Star Wars is George's transubstantiated version of Apocalypse Now.

We’re trying to figure women out,” he explained. “What, in your opinion, would be the best Valentine’s Day present ever?” “We’re easy to please, any small detail will do,” Tate said. The collective male snort was loud. “It’s true,” Christy added coming out in her defence. “Yeah right. Any small detail will do, my ass,” Max began. “Let’s put it this way: what do my poor bros have to do for Valentine’s Day so that their Steak and BJ Day in a month will be memorable and won’t degrade into a handy and a hamburger?

Thank you, Jesus, for what you’ve done, are doing, and will continue to do for a good ole boy from North Louisiana. Thank you, God, for the best parents a man could ever hope for. My incredible brothers, thanks for always having my back and showing me how men of God are supposed to live. My terrific sisters-in-law, thanks for putting up with my bros and being good friends and mentors for Jess. My “blood brothers”--Fishbone, Nicky Tightpants, McG, G.G., ZDash, Maxi--and all the countless friends who’ve been there through the good, the bad, and the grace of God. --Jep

Leif snorts. “The dude couldn’t recognize the love of his life without her makeup on and a fancy dress. I mean, how great was Charming really?” “You’re talking about Cinderella, I take it?” I laugh. “Yes. It’s a stupid story. Shoe size is a poor indicator for choosing a life partner. Ask anyone.

I've never bonded with anyone before. I didn't know that day on the field that standing up to him the way I did could earn his respect. He might have been an asshole homophobe but he was my asshole homophobe and probably the first real friend I ever had. I love him. Don't tell him. He wouldn't want to hear it.

Ultimately, though, it was Super Mario Bros. that taught me what remains perhaps the most important lesson of my life. I am being perfectly sincere. I am asking you to consider this seriously. Super Mario Bros., the 1.0 edition, is perhaps the all-time masterpiece of side-scrolling games. When the game begins, Mario is standing all the way to the left of the legendary opening screen, and he can only go in one direction: He can only move to the right, as new scenery and enemies scroll in from that side. He progresses through eight worlds of four levels each, all of them governed by time constraints, until he reaches the evil Bowser and frees the captive Princess Toadstool. Throughout all thirty-two levels, Mario exists in front of what in gaming parlance is called “an invisible wall,” which doesn’t allow him to go backward. There is no turning back, only going forward—for Mario and Luigi, for me, and for you. Life only scrolls in one direction, which is the direction of time, and no matter how far we might manage to go, that invisible wall will always be just behind us, cutting us off from the past, compelling us on into the unknown. A small kid growing up in small-town North Carolina in the 1980s has to get a sense of mortality from somewhere, so why not from two Italian-immigrant plumber brothers with an appetite for sewer mushrooms?

Just like that, we started to see each other most mornings, which meant we quickly went from two guys who liked each other and kept saying they wanted to hang out to actual full-blown bros. This of course meant that every woman who knew us...was falling over herself to label our relationship a 'bromance.' That's a term that was coined in the nineties by the skateboarding magazine -Big Brother- to describe skaters who spent a ton of time together, but it has morphed into a gentle insult for any guys who dare to get too close. It's not as condescending as 'bros,' and it doesn't cut quite as wrong as being shouted down with 'gaaay.' No, the bromance lived in the category of the oh-aren't-you-cute pat on the head.

The Bernie Bros looked up from the vegetarian snack bar we’d put in across from the copier. “Yeah, bro,” one of them said. “Righteous.” “You’re out of organic cashew butter,” the other one said. “Got it,” I said. “See? We’re already building a solid base of support.” “Excuse me for being a progressive,” the first Bernie Bro said, “but I threw out the cashew butter. It’s not a native plant to the Northern Hemisphere.” “So what?” the second one said. “Some of us have peanut allergies. Cashew farming is totally sustainable and supporting organic cashew cultivation supports anti-deforestation efforts in Brazil. Unless there’s something anti-progressive about the rainforest.” “Microaggression. You’re forgetting the carbon footprint of shipping cashews to North America. And the cultural appropriation issues. You could just as easily eat almond butter.” “Oh, really? Have you looked at what almond growers are doing to the ecology of central California?” “Microaggression.” “Yeah,” Polly said, “that’s a solid base of support you got there. You can really build a political movement on that.

If talking pictures could be said to have a father, it was Lee De Forest, a brilliant but erratic inventor of electrical devices of all types. (He had 216 patents.) In 1907, while searching for ways to boost telephone signals, De Forest invented something called the thermionic triode detector. De Forest’s patent described it as “a System for Amplifying Feeble Electric Currents” and it would play a pivotal role in the development of broadcast radio and much else involving the delivery of sound, but the real developments would come from others. De Forest, unfortunately, was forever distracted by business problems. Several companies he founded went bankrupt, twice he was swindled by his backers, and constantly he was in court fighting over money or patents. For these reasons, he didn’t follow through on his invention. Meanwhile, other hopeful inventors demonstrated various sound-and-image systems—Cinematophone, Cameraphone, Synchroscope—but in every case the only really original thing about them was their name. All produced sounds that were faint or muddy, or required impossibly perfect timing on the part of the projectionist. Getting a projector and sound system to run in perfect tandem was basically impossible. Moving pictures were filmed with hand-cranked cameras, which introduced a slight variability in speed that no sound system could adjust to. Projectionists also commonly repaired damaged film by cutting out a few frames and resplicing what remained, which clearly would throw out any recording. Even perfect film sometimes skipped or momentarily stuttered in the projector. All these things confounded synchronization. De Forest came up with the idea of imprinting the sound directly onto the film. That meant that no matter what happened with the film, sound and image would always be perfectly aligned. Failing to find backers in America, he moved to Berlin in the early 1920s and there developed a system that he called Phonofilm. De Forest made his first Phonofilm movie in 1921 and by 1923 he was back in America giving public demonstrations. He filmed Calvin Coolidge making a speech, Eddie Cantor singing, George Bernard Shaw pontificating, and DeWolf Hopper reciting “Casey at the Bat.” By any measure, these were the first talking pictures. However, no Hollywood studio would invest in them. The sound quality still wasn’t ideal, and the recording system couldn’t quite cope with multiple voices and movement of a type necessary for any meaningful dramatic presentation. One invention De Forest couldn’t make use of was his own triode detector tube, because the patents now resided with Western Electric, a subsidiary of AT&T. Western Electric had been using the triode to develop public address systems for conveying speeches to large crowds or announcements to fans at baseball stadiums and the like. But in the 1920s it occurred to some forgotten engineer at the company that the triode detector could be used to project sound in theaters as well. The upshot was that in 1925 Warner Bros. bought the system from Western Electric and dubbed it Vitaphone. By the time of The Jazz Singer, it had already featured in theatrical presentations several times. Indeed, the Roxy on its opening night in March 1927 played a Vitaphone feature of songs from Carmen sung by Giovanni Martinelli. “His voice burst from the screen with splendid synchronization with the movements of his lips,” marveled the critic Mordaunt Hall in the Times. “It rang through the great theatre as if he had himself been on the stage.

If any actress best represents the snappy 1930s dame, it’s Joan Blondell. During that era she played a lively assortment of chorus girls, waitresses, golddiggers, reporters and secretaries in a total of 53 movies, 44 of them for Warner Bros. “Yet, for all that overwork,” Mick LaSalle writes in Complicated Women, “Blondell hardly ever had a false moment. Self-possessed, unimpressed, completely natural, always sane, without attitude or pretense … the greatest of the screen’s great broads. No one was better at playing someone both fun-loving yet grounded, ready for a great time, yet substantial, too.” She was fun-loving, but sometimes there were limits. As a flip waitress in Other Men’s Women (1931), Joan puts the breaks on a fresh customer: BLONDELL: Anything else you guys want? CUSTOMER (checking her out as she bends over): Yeah, give me a big slice of you—and some french fried potatoes on the side. BLONDELL: Listen, baby, I’m A.P.O. CUSTOMER (turning to friend): What does she mean, A.P.O.? BLONDELL: Ain’t Putting Out. “I was the fizz on the soda,” she once said. “I just showed my big boobs and tiny waist and acted glib and flirty.” While that’s a fair assessment of most of her early roles, it wasn’t the whole story.

What’s going on, chick?” she asks, taking a drink. She knows that when Johnnie comes out, something bad has happened. I suck on my teeth and shake my head. She cringes at the burn of whiskey, waiting for me to say more. I glance down at my bracelet. “My past caught up with me.” She slides the bottle back my way. “Need me to hurt someone?” she asks, dead serious. She and I are as close as friends come, and we have been since senior year of high school. And at the core of our friendship is a pact of sorts: nothing’s going to drag her towards the future she doesn’t want, and nothing’s going drag me back into the past I’ve worked to forget. Nothing. I huff out a laugh. “Eli’s already beaten you to it.” “Eli?” she says, raising an eyebrow. “Girl, I’m hurt. Hoes before bros, remember?” “I didn’t ask him to get involved. I broke up with him, and then he got involve—” “What!” She grabs the table. “You broke up with him? When were you going to tell me?” “Today. I was going to tell you today.” She’s shaking her head. “Bitch, you should’ve called me.” “I was busy ending a relationship.” She falls back into her seat. “Shit girl, Eli’s going to stop giving us a discount.” “That’s what your most upset by?” I say, taking another swig of whiskey. “No,” she says. “I’m happy you grew a vagina and broke up with him. He deserves better.” “I’m going to throw this bottle of whiskey at you.” She holds her hands up to placate me. “I’m kidding. But seriously, are you okay?” I barely stop myself from looking at my computer screen again. I exhale. “Honestly? I have no fucking clue.

I’m not certain if it was her, for real, but she practically reeked of goodness father, to the point where I didn’t know if I wanted to eat her, fuck her or throw up, honestly.

What was the very FIRST GAME Mario appeared in? a) Super Mario Bros. b) Donkey Kong c) Super Smash Bros. d) Super Mario World. What is the newest Mario game out today? a) New Super Mario Bros. b) Super Mario Galaxy. What does Luigi say when he wins a race on Mario Cart 64? What is Mario’s last name? a) Costanza b) Italiano c) Mario d) Luigi. Who is the LAST person you play in Mario Party 3 (64 version)? a) Millennium Star b) Waluigi c) Daisy d) Bowser. Correct answers: b b Letsa go (let’s go, here we go) c a. Results: 0 out of 5 – did you play any Mario game at all? The game itself isn’t very complicated. Start playing and you’ll definitely get a higher score. Right now, this is bad. These answers make Mario question his own abilities to do something right. 1 out of 5 – you have probably played Mario games, when someone made you. Come on, you can do way better than this. Even Koopas can get a higher score and you’re way smarter than them. Plus, Princess Peach is most certainly not impressed with this score. 2 out of 5 – well, you’re not totally bad, but you’re also far away from an expert. Let’s just assume you hurried to answer as faster as possible and you made a couple of mistakes. You know what they say, everything gets better with practice. 3 out of 5 – you’re in the middle; still a long way to go to become an expert, but you’re not an amateur at the same time. However, Princess Peach doesn’t want someone who’s going to be happy being “in the middle”. What does this tell you? To do your best, achieve a greater score and, of course, to improve your overall game style as well. 4 out of 5 – very good. You are just one step away from being an expert. If you continue like this, you would be able to do a better job than Mario. You know the game quite well and you would gladly go on an adventure in Super Mario style. 5 out of 5 – expert. Congratulations! You love the game, your favorite pastime is playing Super Mario and let’s face it; you’d give Mario run for his money. You know the game “inside and out” and unlike Mario, you’d actually find princess in the right castle. But, don’t let this get into your head. Always strive to do better. Conclusion Thank you again for downloading this book!  I hope you find the third volume of Super Mario joke book as equally entertaining as previous two volumes. In case you haven’t read Super Mario joke book volumes 1 and 2, this is the perfect opportunity to get those books and see what jokes, memes, and other useful and entertaining info you missed out on. Throughout this book, you got to see various jokes, memes, comics, and read about interesting Mario fun facts you didn’t know before. Besides that, the book also included quiz where you had the opportunity to test your knowledge of Mario games. Hopefully, you got the top score and even if you didn’t, you can always retake the test. This joke book is ideal for all people who love Super Mario and it’s impossible to hate this little, chubby guy. With good humor, funny memes, interesting comics, and special Princess Peach section, this book is everything you need whenever you feel sad, bored, or in the mood for a good laugh. I hope this book was able to help you understand the importance of Super Mario as well as to understand

RAND HOLSTON: Forrest Gump is a movie I am extremely proud of. I represented Wendy Finerman and Steve Tisch, the producers. STEVE TISCH: Gump was ’94 but we set up the project at Warner Bros. in ’85—a nine-year development gestation period. It didn’t hurt that Ovitz wanted Gump to be made. Hanks and Zemeckis were clients. When the head of the most important talent agency in the business at that time says he wants to make something happen and he’s very passionate about making something happen, it’s a lot of wind in your sail. RAND HOLSTON: We had to restructure the deal more than once. The studio decided it wasn’t willing to make the picture for what had been previously discussed, and when they gave us the new number, it was clear the only way to get the film made was taking the principals above the line—Bob Zemeckis, Tom Hanks, Wendy, and Steve—to take less cash up front, and we made sure they were able to get more gross points on the back end. This turned out to be a really good deal for all of them. ROBERT ZEMECKIS: The studio was going to shut the movie down if Tom and I didn’t give our fees back. This was something that they do all the time: There’s forty-eight hours left before you shoot, and they say you’ve got to take X amount of million dollars out of the budget. So we said, “How are we going to do that now? We’ve got to start shooting in forty-eight hours.” And it comes back, “Well, you guys are just going to have to give us back your fees.

Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.

Now I wonder, Nicki said. Didn't we all? What it would be like to be one of them, to have power, be seen, be heard, be dude rather than sluts, be jocks or geeks, or bros or nice guys, or boys will be boys, or whatever we wanted instead of quantum leaping between good girl and whore. To be the default, not the exception, to be in control, to seize control, simply because we happen to have a dick.

I'd been feeling out of sorts all afternoon. I'd felt inexplicably rushed on the way over, overemotional when cut off by another driver, and I'd begun to fixate on where we should go for dinner later, convinced that my diva stomach could handle only bread. I was so lost in my what-if narrative that when three guys approached and began chatting me up, I didn't have time to put my mask back on. And now I was trying to dodge conversation starters from a trio of bros who'd opened by telling me to smile more. Angry and annoyed and hyperaware of how outnumbered I was, I felt my cheeks and palms getting hot, but I was shivering. My stomach was going to fall out of my body, and my legs felt like I'd just run up several dozen flights of stairs. I knew I had to get to the bathroom before I threw up or passed out or projectile wept all over everybody. I mumbled my excuses and texted Nicole to meet me in the bathroom when she got there. I stood over the sink with my eyes closed, breathing in and out, in and out, in and out until she showed up. She was kind in not acknowledging the obviousness of my meltdown.

Movie Adaptation of William March’s THE BAD SEED 1956: Produced by Warner Bros. Directed by Mervyn LeRoy. Starring Nancy Kelly, Patty McCormack, and Eileen Heckart. Screenplay by John Lee Mahin. Academy Award nominee for Best Actress, Best Actress in a Supporting Role (both McCormack and Heckart were nominated), and Best Cinematography, Black-and-White.

You know the way the world works?” Brian asked. It’s like that old Warner Bros. cartoon with Ralph the wolf and Sam the sheepdog. All day long, Ralph tried to eat the sheep, and all day long, Sam beat the crap out of Ralph. The sheep were clueless. They just stood around, mindlessly eating grass. And then the work whistle blew, and Sam and Ralph punched out and walked off for a beer: best pals, two sides of the same system.

Super Mario Bros. hooks newcomers because there are no barriers to playing the game. You can know absolutely nothing about the Nintendo console and still enjoy yourself from the very first minute. There's no need to read motivation-sapping manuals or grind through educational tutorials before you begin. Instead, your avatar, Mario appears on the left-hand side of an almost empty screen. Because the screen is empty, you can push the Nintendo controller's buttons randomly and harmlessly, learning which ones make Mario jump and which ones make him move left and right. You can't move any further left, so you quickly learn to move right. And you aren't reading a guide that tells you which keys are which--instead, you're learning by doing, and enjoying the sense of mastery comes from acquiring knowledge through experience. The first few seconds of gameplay are brilliantly designed to simultaneously do two very difficult things: teach, and preserve the illusion that nothing is being taught at all.

name here AIDAN)

It sounds like ‘twee’, but it’s spelled T-H-U-Y.

John Waters. He said we need to make books cool again. So if you go home with somebody, and they don’t have books, don’t fuck them.

Close-minded idiot. And like so many close-minded people, she can’t seem to be close-mouthed along with it.

Plumbing Bros Chatswood, based in the Lane Cove, NSW are a disruption in the trades and services industry. Plumbing Bros began with a clear vision to change the perception of plumbers by providing nothing less than 5-star service to all clients, time and time again.

What it would be to be like one of them. To have power, be seen, be heard, be dudes rather than sluts, be jocks and geeks or bros or nice guys or boys-will-be-boys instead of quantum leaping between good girl and whore. To be the default, not the exception. To be in control, to seize control, simply because we happened to have a dick.

Occasionally, Robert would be struck with the anxiety that he wasn’t “living up to his potential,” as his mom put it. He’d miss Julie and her fancy life in New York among the art snobs and finance bros. He didn’t want to be a tennis pro for the rest of his life, did he?