Bros Being Bros Quotes

We've searched our database for all the quotes and captions related to Bros Being Bros. Here they are! All 17 of them:

Love and life sure can be scary. But not living your best life, not loving as hard as you can…what a terrible waste that would be.
Kylie Scott (Repeat (Larsen Bros, #1))
When he let go of Clary, he turned and hugged Jace. Clary watched, tears running down her face. “Oof,” said Jace, sounding extremely startled, but he patted Simon quickly on the back. Simon supposed they usually fist-bumped or something. He did not know the warrior way of being bros: Eric was a big hugger. He decided it would probably be good for Jace, and ruffled his hair a little for emphasis before stepping away.
Cassandra Clare (Tales from the Shadowhunter Academy)
Si que­da­ba al­gu­na es­pe­ran­za, debía estar en los pro­les, por­que solo en esas masas des­pre­cia­das, que cons­ti­tuían el ochen­ta y cinco por cien­to de la po­bla­ción de Ocea­nía, podía ge­ne­rar­se la fuer­za ne­ce­sa­ria para des­truir al Par­ti­do. Este no podía de­rro­car­se desde den­tro. Sus enemi­gos, si es que los había, no te­nían forma de unir­se o si­quie­ra de re­co­no­cer­se mu­tua­men­te. In­clu­so en caso de que exis­tie­ra la le­gen­da­ria Her­man­dad —lo cual no era del todo im­po­si­ble— re­sul­ta­ba in­con­ce­bi­ble que sus miem­bros pu­die­ran re­unir­se en gru­pos de más de dos o tres. La re­be­lión se li­mi­ta­ba a un cruce de mi­ra­das, una in­fle­xión de la voz o, como mucho, una pa­la­bra su­su­rra­da oca­sio­nal­men­te. En cam­bio los pro­les, si pu­die­ran ser cons­cien­tes de su fuer­za, no ten­drían ne­ce­si­dad de cons­pi­rar. Bas­ta­ría con que se en­ca­bri­ta­ran como un ca­ba­llo que se sa­cu­de las mos­cas. Si qui­sie­ran, po­drían volar el Par­ti­do en pe­da­zos a la ma­ña­na si­guien­te. Tarde o tem­prano tenía que ocu­rrír­se­les. Y sin em­bar­go…
George Orwell (1984)
I took advantage of his proximity and calming presence to take two big sniffs of his scent before I patted his lower back. I was rocking this being bros thing. The temptation to squeeze his butt had been real.
T.S. Snow (Frenetic (Arcane Mage, #4))
There are a lot of self-help bros who will tell you that you need to dangle over the edge without a net to really drive achievement. I used to believe this because it has a little piece of the truth. The larger picture, of course, is that being deprived of safety tends to make people anxious, reactive, and unproductive. p37
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
Thank you, Jesus, for what you’ve done, are doing, and will continue to do for a good ole boy from North Louisiana. Thank you, God, for the best parents a man could ever hope for. My incredible brothers, thanks for always having my back and showing me how men of God are supposed to live. My terrific sisters-in-law, thanks for putting up with my bros and being good friends and mentors for Jess. My “blood brothers”--Fishbone, Nicky Tightpants, McG, G.G., ZDash, Maxi--and all the countless friends who’ve been there through the good, the bad, and the grace of God. --Jep
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Ultimately, though, it was Super Mario Bros. that taught me what remains perhaps the most important lesson of my life. I am being perfectly sincere. I am asking you to consider this seriously. Super Mario Bros., the 1.0 edition, is perhaps the all-time masterpiece of side-scrolling games. When the game begins, Mario is standing all the way to the left of the legendary opening screen, and he can only go in one direction: He can only move to the right, as new scenery and enemies scroll in from that side. He progresses through eight worlds of four levels each, all of them governed by time constraints, until he reaches the evil Bowser and frees the captive Princess Toadstool. Throughout all thirty-two levels, Mario exists in front of what in gaming parlance is called “an invisible wall,” which doesn’t allow him to go backward. There is no turning back, only going forward—for Mario and Luigi, for me, and for you. Life only scrolls in one direction, which is the direction of time, and no matter how far we might manage to go, that invisible wall will always be just behind us, cutting us off from the past, compelling us on into the unknown. A small kid growing up in small-town North Carolina in the 1980s has to get a sense of mortality from somewhere, so why not from two Italian-immigrant plumber brothers with an appetite for sewer mushrooms?
Edward Snowden (Permanent Record)
Just like that, we started to see each other most mornings, which meant we quickly went from two guys who liked each other and kept saying they wanted to hang out to actual full-blown bros. This of course meant that every woman who knew us...was falling over herself to label our relationship a 'bromance.' That's a term that was coined in the nineties by the skateboarding magazine -Big Brother- to describe skaters who spent a ton of time together, but it has morphed into a gentle insult for any guys who dare to get too close. It's not as condescending as 'bros,' and it doesn't cut quite as wrong as being shouted down with 'gaaay.' No, the bromance lived in the category of the oh-aren't-you-cute pat on the head.
Billy Baker (We Need to Hang Out: A Memoir of Making Friends)
The Bernie Bros looked up from the vegetarian snack bar we’d put in across from the copier. “Yeah, bro,” one of them said. “Righteous.” “You’re out of organic cashew butter,” the other one said. “Got it,” I said. “See? We’re already building a solid base of support.” “Excuse me for being a progressive,” the first Bernie Bro said, “but I threw out the cashew butter. It’s not a native plant to the Northern Hemisphere.” “So what?” the second one said. “Some of us have peanut allergies. Cashew farming is totally sustainable and supporting organic cashew cultivation supports anti-deforestation efforts in Brazil. Unless there’s something anti-progressive about the rainforest.” “Microaggression. You’re forgetting the carbon footprint of shipping cashews to North America. And the cultural appropriation issues. You could just as easily eat almond butter.” “Oh, really? Have you looked at what almond growers are doing to the ecology of central California?” “Microaggression.” “Yeah,” Polly said, “that’s a solid base of support you got there. You can really build a political movement on that.
Curtis Edmonds (Snowflake's Chance: The 2016 Campaign Diary of Justin T. Fairchild, Social Justice Warrior)
What it would be to be like one of them. To have power, be seen, be heard, be dudes rather than sluts, be jocks and geeks or bros or nice guys or boys-will-be-boys instead of quantum leaping between good girl and whore. To be the default, not the exception. To be in control, to seize control, simply because we happened to have a dick.
Robin Wasserman (Girls on Fire)
We walk. Two bodies, two wild separate beings. Sex tingles all through me: the hunger for it, for the joy that is more than just the pleasure of it, or the pride of being desired Of connecting to someone on a profound and pre-human level. Of shredding the skin of your own unutterable separateness. And still: the fear. A face like that - he'd spent his whole life knowing he could get whatever he wanted. Someone so beautiful - his hungers could easily become extreme. He could murder me. Drug me, chain me up in a basement, torture me for ages. Or drunk jock bros could burst out of nowhere to bash us. Cops could bust our heads. But this, too - this fear, this risk - is part of the joy.
Sam J. Miller (Boys, Beasts & Men)
Welcome to the world, little bros," I murmur. "It's gonna be one hell of an adventure." ... "Being a bro is a state of mind," I say. "And she's got it. I can tell just by looking at her.
L.C. Davis (Bro and the Beast 5 (The Wolf's Mate, #5))
It’s not a tattoo people have on their foreheads labeling them as monsters. There’s this sliding scale to toxic masculinity. Over time you learn where these bros are on the scale. Do they make a couple of out of line comments and then backpedal when I call them out? Or are they the guys that make the waitress’s skin crawl by the way they talk to her? Do they think consent is optional and just a bunch of people being too sensitive? Then there are guys that just hide it well and you only see it slip every now and then. It’s confusing because, like Jake, getting women is not a problem for them. It’s not some resentment about rejection. It’s about conquering something, a need to dominate someone.
Danielle Stewart (The Girl at the Party)
When you’re a kid,” he said, “time lasts forever. You’re immortal. When your grandparents die, it’s not real. Not yet. Then your parents go, and … well, it’s like there’s no more insurance. You’re next in line. You’re that guy!” He laughed. “The last one standing. The one everyone wants to make sure to see at Christmas, because you never know. You never know. I can see them grieving me even while I’m still here. And there’s a comfort in that. A love. So maybe that’s what you’re giving your father by being here. Even if he doesn’t know it in his brain, he knows it in his cells.” Her throat was dry, and her eyes burned. She folded her hands, staring down at the ridgeline of her knuckles. The man said, “What?” She cleared her throat. “The mourning, it sucks, yeah, but no one tells you…” He kept his gaze steady on her. She forced out the words. “No one tells you how hard it is not to get resentful.” “Accept it,” he said. “If you accept life, you accept all its rich, awful complexities. Because if you think about it, what’s the alternative?” She thought of pork-belly sliders and dude-bros thumbing their phones over dinner and the sweet bullshit promise of demo-targeted advertising. She took the man’s hand, skin draped over bone. “Thank you.
Gregg Andrew Hurwitz (Out of the Dark (Orphan X, #4))
What was the very FIRST GAME Mario appeared in? a) Super Mario Bros. b) Donkey Kong c) Super Smash Bros. d) Super Mario World. What is the newest Mario game out today? a) New Super Mario Bros. b) Super Mario Galaxy. What does Luigi say when he wins a race on Mario Cart 64? What is Mario’s last name? a) Costanza b) Italiano c) Mario d) Luigi. Who is the LAST person you play in Mario Party 3 (64 version)? a) Millennium Star b) Waluigi c) Daisy d) Bowser. Correct answers: b b Letsa go (let’s go, here we go) c a. Results: 0 out of 5 – did you play any Mario game at all? The game itself isn’t very complicated. Start playing and you’ll definitely get a higher score. Right now, this is bad. These answers make Mario question his own abilities to do something right. 1 out of 5 – you have probably played Mario games, when someone made you. Come on, you can do way better than this. Even Koopas can get a higher score and you’re way smarter than them. Plus, Princess Peach is most certainly not impressed with this score. 2 out of 5 – well, you’re not totally bad, but you’re also far away from an expert. Let’s just assume you hurried to answer as faster as possible and you made a couple of mistakes. You know what they say, everything gets better with practice. 3 out of 5 – you’re in the middle; still a long way to go to become an expert, but you’re not an amateur at the same time. However, Princess Peach doesn’t want someone who’s going to be happy being “in the middle”. What does this tell you? To do your best, achieve a greater score and, of course, to improve your overall game style as well. 4 out of 5 – very good. You are just one step away from being an expert. If you continue like this, you would be able to do a better job than Mario. You know the game quite well and you would gladly go on an adventure in Super Mario style. 5 out of 5 – expert. Congratulations! You love the game, your favorite pastime is playing Super Mario and let’s face it; you’d give Mario run for his money. You know the game “inside and out” and unlike Mario, you’d actually find princess in the right castle. But, don’t let this get into your head. Always strive to do better. Conclusion Thank you again for downloading this book!  I hope you find the third volume of Super Mario joke book as equally entertaining as previous two volumes. In case you haven’t read Super Mario joke book volumes 1 and 2, this is the perfect opportunity to get those books and see what jokes, memes, and other useful and entertaining info you missed out on. Throughout this book, you got to see various jokes, memes, comics, and read about interesting Mario fun facts you didn’t know before. Besides that, the book also included quiz where you had the opportunity to test your knowledge of Mario games. Hopefully, you got the top score and even if you didn’t, you can always retake the test. This joke book is ideal for all people who love Super Mario and it’s impossible to hate this little, chubby guy. With good humor, funny memes, interesting comics, and special Princess Peach section, this book is everything you need whenever you feel sad, bored, or in the mood for a good laugh. I hope this book was able to help you understand the importance of Super Mario as well as to understand
Jenson Publishing (Super Mario: The Funniest Super Mario Jokes & Memes Volume 3)
Super Mario Bros. hooks newcomers because there are no barriers to playing the game. You can know absolutely nothing about the Nintendo console and still enjoy yourself from the very first minute. There's no need to read motivation-sapping manuals or grind through educational tutorials before you begin. Instead, your avatar, Mario appears on the left-hand side of an almost empty screen. Because the screen is empty, you can push the Nintendo controller's buttons randomly and harmlessly, learning which ones make Mario jump and which ones make him move left and right. You can't move any further left, so you quickly learn to move right. And you aren't reading a guide that tells you which keys are which--instead, you're learning by doing, and enjoying the sense of mastery comes from acquiring knowledge through experience. The first few seconds of gameplay are brilliantly designed to simultaneously do two very difficult things: teach, and preserve the illusion that nothing is being taught at all.
Adam Alter (Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked)
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)