Brooks Atkinson Quotes

We've searched our database for all the quotes and captions related to Brooks Atkinson. Here they are! All 12 of them:

The most fatal illusion is the settled point of view. Since life is growth and motion, a fixed point of view kills anybody who has one.
Brooks Atkinson
In every age "the good old days" were a myth. No one ever thought they were good at the time. For every age has consisted of crises that seemed intolerable to the people who lived through them.
Brooks Atkinson
Drop the last year into the silent limbo of the past. Let it go, for it was imperfect, and thank God that it can go.
Brooks Atkinson
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.
Brooks Atkinson
His submissive death was the surest proof that he wholly believed the faith he had lived. He had no regrets or misgivings. "One world at a time," he said to Channing, who was speculating on the hereafter. When someone else inquired whether he had made his peace with God, he answered, "We have never quarreled.
Brooks Atkinson
People everywhere enjoy believing things they know are not true. It spares them the ordeal of thinking for themselves and taking responsibility for what they know.
Brook Atkinson
Brooke’s deputy, General Sir John Kennedy, observed of Churchill: “He is difficult enough when things are going badly, more difficult when nothing is happening, and quite unmanageable when all is going well.
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
pump,” Marshall added. Brooke had spotted a whimbrel, a yellow wagtail, and five small owls. He had also seen this American argument winging around Anfa many times by now. Out came the red leather folders. “The Germans have forty-four divisions in France,” he said in a monotone that implied exasperation. “That is sufficient strength to overwhelm us on the ground and perhaps hem us in with wire or concrete…. Since we cannot go into the Continent in force until Germany weakens, we should try to make the Germans disperse their forces as much as possible.” There it was, and there it remained. The Americans, whose delegation included but a single logistician frantically thumbing through three loose-leaf notebooks, tended toward observation and generality. British statements bulged with facts and statistics from Bulolo’s humming war room. The Americans had an inclination; the British had a plan.
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
One man who did not understand was the New Zealanders’ legendary commander, Lieutenant General Bernard C. Freyberg. English-born but raised in New Zealand, Freyberg had been a dentist before finding his true calling as warrior of Homeric strength and courage. Known as Tiny to his troops, he had a skull the size of a medicine ball, with a pushbroom mustache and legs that extended like sycamore trunks from his khaki shorts. In the Great War, he had won the Victoria Cross on the Somme, served as a pallbearer for his great friend Rupert Brooke, and emerged so seamed by shrapnel that when Churchill once persuaded him to display his wounds the count reached twenty-seven. More were to come. Oarsman, boxer, swimmer of the English Channel, he had been medically retired for “aortic incompetence” in the 1930s before being summoned back to uniform. No greater heart beat in British battle dress. Churchill a month earlier had proclaimed Freyberg “the salamander of the British empire,” an accolade that raised Kiwi hackles—“Wha’ in ’ell’s a ‘sallymander’?”—until the happy news spread that the creature mythically could pass through fire unharmed.
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
The committee could not find a play worthy of an award in 1919. But in 1920 it gave the prize to Eugene O’Neill for Beyond the Horizon. Two years later he received the prize for Anna Christie. Not all the prize-winning plays since then have been of conspicuous merit. But routine entertainment in a box-office style has never again been regarded as prize material. During the two decades preceding World War I there had not been an American play that would be taken seriously today.
Brooks Atkinson (The Lively Years: 1920-1973)
As robotics expert and entrepreneur Rodney Brooks writes, “having ideas is easy. Turning them into reality is hard. Turning them into being deployed at scale is even harder.
Robert Atkinson (Don't Fear AI)
The perfect bureaucrat everywhere is the man who manages to make no decisions and escape all responsibility.
Brooks Atkinson