“
Lady, lady, never start
Conversation toward your heart;
Keep your pretty words serene;
Never murmur what you mean.
Show yourself, by word and look,
Swift and shallow as a brook.
Be as cool and quick to go
As a drop of April snow;
Be as delicate and gay
As a cherry flower in May.
Lady, lady, never speak
Of the tears that burn your cheek-
She will never win him, whose
Words had shown she feared to lose.
Be you wise and never sad,
You will get your lovely lad.
Never serious be, nor true,
And your wish will come to you-
And if that makes you happy, kid,
You'll be the first it ever did.
”
”
Dorothy Parker
“
The sadness, the silence, the darkness, the loneliness... all of it held in a simple little moment. It was just so...
I don't know.
Just so much.
”
”
Kevin Brooks (Candy)
“
I have come to the unequivocal decision that Kate Brooks’s ass is one that I, sadly, am never going to tap. And I’m okay with that. Really.
And I almost believe myself.
Right up until she shows up at my door.
Christ.
”
”
Emma Chase (Tangled (Tangled, #1))
“
It won't make you feel any better, he told me, it might even make things worse for a while. But you mustn't let the sadness die inside you. You have to give it some life.
”
”
Kevin Brooks (Lucas)
“
What a strange, sad man is he!" said the child, as if speaking partly to herself. "In the dark night-time, he calls us to him, and holds thy hand and mine, as when we stood with him on the scaffold yonder! And in the deep forest, where only the old trees can hear, and the strip of sky see it, he talks with thee, sitting on a heap of moss! And he kisses my forehead, too, that the little brook would hardly wash it off! But here in the sunny day, and among all the people, he knows us not; nor must we know him! A strange, sad man is he, with is hand always over his heart!
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
There is greater clarity in the still waters of sadness, something not found in the babbling brooks of more sought after emotions.
”
”
Shaun Hick
“
Dreadful will be the day when the world becomes contented, when one great universal satisfaction spreads itself over the world. Sad will be the day for every man when he becomes absolutely contented with the life that he is living, with the thoughts that he is thinking, with the deeds that he is doing, when there is not forever beating at the doors of his soul some great desire to do something larger which he knows that he was meant and made to do because he is a child of God.
”
”
Phillips Brooks
“
I used to come here on my own sometimes... Id' stay down here for ages." Her voice was barely audible. "It's a good place for sadness...
”
”
Kevin Brooks (Candy)
“
Joy, sadness, confidence, anxiety, love, hatred, fear-all of these feelings and thousands more that make up the human "heart" are as useless to the living dead as the organ of the same name. Who knows if this is humanity's greatest weakness or strength? The debate continues, and probably will forever.
”
”
Max Brooks (The Zombie Survival Guide: Complete Protection from the Living Dead)
“
I don't drink to make others look better, I just drink to make myself feel prettier.
”
”
Brooke Bida
“
In my most darkest and alone moments, I always wished someone would´ve been there to give me a hug
”
”
Julez (Duplicity)
“
merely wish for the bereaved some time and space, however long, however short, for melancholy—what Victor Hugo described as the happiness of being sad.
”
”
Geraldine Brooks (Memorial Days)
“
Obi-Wan's young face clouded. "Some secrets are best left concealed, Master." He shook his head. "Besides, why must you always be the one to do the uncovering? You know how the Council feels about these... detours. Perhaps, just once, the uncovering should be left to someone else."
Qui-Gon looked suddenly sad. "No, Obi-Wan. Secrets must be exposed when found. Detours must be taken when encountered. And if you are the one who stands at the crossroads or the place of concealment, you must never leave it to another to act in your place.
”
”
Terry Brooks (Star Wars: The Phantom Menace (Star Wars Novelizations, #1))
“
It is natural to want to forget, Anna, when everyday is a brimful of sadness. But those souls also forgot those that they had loved. You do not want that, surely? I have heard some preach that God wants us to forget the dead, but I cannot believe so. I think He gives us precious recollections so that we may not be parted entirely from those He has given us to love. You must cherish your memories of your babes, Anna, until you see them again in Heaven.
”
”
Geraldine Brooks (Year of Wonders)
“
You reach a certain age when reality grabs you by the scruff of the neck and shouts in your face:"Hey, look, this is what life is." And you have to open your eyes and look at it, listen to it, smell it: people who don't like you, things you don't want to do, things that hurt, things that scare you, questions without answers, feelings you don't understand, feelings you don't want but have no control over.
Reality.
When you gradually come to realise that all that stuff in books, films, television, magazines, newspapers, comics - it's all rubbish. It's got nothing to do with anything. It's all made up. It doesn't happen like that. It's not real. It means nothing. Reality is what you see when you look out of the window of a bus: dour faces, sad and temporary lives, millions of cars, metal, bricks, glass, rain, cruel laughter, ugliness, dirt, bad teeth, crippled pigeons, little kids in pushchairs who've already forgotten how to smile ...
”
”
Kevin Brooks (Martyn Pig)
“
Feelings of any kind are not known to the walking dead. Every form of psychological warfare, from attempts at enraging the undead to provoking pity have all met with disaster. Joy, sadness, confidence, anxiety, love, hatred, fear—all of these feelings and thousands more that make up the human “heart” are as useless to the living dead as the organ of the same name. Who knows if this is humanity’s greatest weakness or strength? The debate continues, and probably will forever.
”
”
Max Brooks (The Zombie Survival Guide: Complete Protection from the Living Dead)
“
But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn't want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word "love", the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water--love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write "luve" on the wall. I wrote "luve" on the staircase, "luve" on the pantry, "luve" on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read "luve", "luve", "luve." Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their names. I asked at the post office, but the answer here was the same. Then it occurred to me that they would be at the manor house. How stupid I had been! I left the village and walked up a sloping lawn to a Georgian house, where a butler let me in. The squire was entertaining. There were twenty-five or thirty people in the hall, drinking sherry. I took a glass from a tray and looked through the gathering for Flora and my wife, but they were not there. Then I thanked my host and walked down the broad lawn, back to the meadow and the sparkling brook, where I lay on the grass and fell into a sweet sleep.
”
”
John Cheever
“
Tears rolled down his cheeks, the sadness in his eyes shattered my heart into a million little pieces. We had both lost so much and yet found our way to one another. I could only hope that I could heal him as much as he was healing me."- Brooke
”
”
Alyson Raynes (Promiscuous (Fixer, #2))
“
But while I fill up my mouth with prayers, they bring no comfort. My words rattle against each other like the last beech leaves on a winter branch, and though a hard wind scours the forest, it cannot free them from the bough; it will not lift them upward into the wide white sky.
”
”
Geraldine Brooks (Caleb's Crossing)
“
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips:
1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy.
2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously!
3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside!
4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live!
5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom!
6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true!
7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn.
8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours!
9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative!
10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
”
”
Brooke Hampton
“
He once told me not to cry over him, that he wasn’t worth it. That he wasn’t worth being cared about by anyone else. That he was replaceable. Discardable. Trash.
That’s what the world decided he was, but the world never knew Sawyer Alston quite like I did. Despite my love of a lifetime allotting me only ten months’ time, despite Sawyer taking to heart all the wrong things in life, he only ended up being wrong about one thing.
He was worth it to me.
”
”
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
“
It makes me sad to see a Christian man out in the world, selling God short like that. I don't care how bad your situation is. If you so readily complain about it, you're basically telling the world that the God you serve isn't doing a good job taking care of you.
”
”
Brooke St. James (Back to the Beach (Hunt Family #4))
“
A Tear And A Smile -
I would not exchange the sorrows of my heart
For the joys of the multitude.
And I would not have the tears that sadness makes
To flow from my every part turn into laughter.
I would that my life remain a tear and a smile.
A tear to purify my heart and give me understanding
Of life's secrets and hidden things.
A smile to draw me nigh to the sons of my kind and
To be a symbol of my glorification of the gods.
A tear to unite me with those of broken heart;
A smile to be a sign of my joy in existence.
I would rather that I died in yearning and longing than that I live Weary and despairing.
I want the hunger for love and beauty to be in the
Depths of my spirit,for I have seen those who are
Satisfied the most wretched of people.
I have heard the sigh of those in yearning and Longing, and it is sweeter than the sweetest melody.
With evening's coming the flower folds her petals
And sleeps, embracingher longing.
At morning's approach she opens her lips to meet
The sun's kiss.
The life of a flower is longing and fulfilment.
A tear and a smile.
The waters of the sea become vapor and rise and come
Together and area cloud.
And the cloud floats above the hills and valleys
Until it meets the gentle breeze, then falls weeping
To the fields and joins with brooks and rivers to Return to the sea, its home.
The life of clouds is a parting and a meeting.
A tear and a smile.
And so does the spirit become separated from
The greater spirit to move in the world of matter
And pass as a cloud over the mountain of sorrow
And the plains of joy to meet the breeze of death
And return whence it came.
To the ocean of Love and Beauty----to God.
”
”
Kahlil Gibran (A Tear and a Smile)
“
It's sad to see the devil cry.
”
”
Aubrey Brooks
“
Why shine, when there's nothing to shine on?
”
”
Kevin Brooks
“
...even the fleeting things were worth their weight in sadness.
”
”
Lily Brooks-Dalton (Good Morning, Midnight)
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice—
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life’s green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
”
”
William Cullen Bryant (Thanatopsis)
“
And now, by failing to give your boyfriend the love he so desperately craved,” my mother continued, undeterred, “you’ve driven him into Ava’s arms!” “Yeah!” Mal agreed. He paused and frowned, then shrugged like facts had ceased to be important. “What your mom said!” I scowled down at him. “What the hell are you talking about? You know better!” I waved a hand in Paul’s direction. “Tell them, Paul!” “I mean, it’s true that Brooks was never very emotionally available to me,” Paul said sadly.
”
”
Lucy Lennox (Fakers (Licking Thicket, #1))
“
While he sketched it the Story Girl and I sat on the banks of the brook and she told me the story of the Sighing Reed. It was a very simple little story, that of the slender brown reed which grew by the forest pool and always was sad and sighing because it could not utter music like the brook and the birds and the winds. All the bright, beautiful things around it mocked it and laughed at it for its folly. Who would ever look for music in it, a plain, brown, unbeautiful thing? But one day a youth came through the wood; he was as beautiful as the spring; he cut the brown reed and fashioned it according to his liking; and then he put it to his lips and breathed on it; and, oh, the music that floated through the forest! It was so entrancing that everything—brooks and birds and winds—grew silent to listen to it. Never had anything so lovely been heard; it was the music that had for so long been shut up in the soul of the sighing reed and was set free at last through its pain and suffering.
”
”
L.M. Montgomery (The Golden Road)
“
It’s difficult to describe adequately the depth of the rewards that one enjoys when relationships become your “official” source of meaning and fulfillment. People compare it with finding buried treasure, with the only sadness being that it didn’t happen earlier in life.
”
”
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
“
All cultures share certain commonalities, stored in our genetic inheritance. Anthropologists tell us that all cultures distinguish colors. When they do, all cultures begin with words for white and black. If the culture adds a word for a third color, it is always red. All humans, for example, register the same basic facial expressions for fear, disgust, happiness, contempt, anger, sadness, pride, and shame. Children born without sight display emotion on their faces the same way as children born with sight. All humans divide time into past, present, and future. Almost all fear, at least at first, spiders and snakes, creatures that threatened their Stone Age ancestors. All human societies produce art. They all disapprove, at least in theory, of rape and murder. They all dream of harmony and worship God.
”
”
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
“
I roved o'er many a hill and many a dale
With this my weary load, in heat and cold,
Through many a wood, and many an open ground,
In sunshine or in shade, in wet or fair,
Now blithe, now drooping, as it might befal,
My best companions now the driving winds
And now the trotting brooks and whispering trees
And now the music of my own sad steps,
With many a short-lived thought that pass'd between
And disappeared.
”
”
William Wordsworth (The Ruined Cottage)
“
The Broken Beauty
I see compassion in your eyes,
And I wonder,
What agony has taught you such tenderness?
I see kindness in your soul,
And I wonder,
What grief has taught you such gentleness?
I see light in your eyes,
And I wonder,
What suffering has broken into light?
I see wholeness rising in your heart,
And I wonder,
What brokenness has taught you such healing in life?
I see smiles blooming in your face,
And I wonder,
What bruise has brought you such beauty?
I smell fragrance of your soul.
And I wonder,
What murk has taught you to unfold?
I see kindness in your face,
And I wonder,
What severity has taught you such softness?
I see gratitude lighting your cheeks,
And I wonder,
What loss has taught you such humbleness?
I sense peace in your soul,
And I wonder,
What struggles have taught you to surrender?
I see shimmer in your eyes,
And I wonder,
What darkness has brought you to such light?
I sense peace in your heart,
And I wonder,
What defeat has taught you such a submission?
I see humility in your face,
And I wonder,
What trials have taught you such a gratitude?
I sense freedom in your breath,
And I wonder,
What restraint has brought such a release?
I see soaring of your wings,
And I wonder,
What confinement has taught you to fly in sky?
I see the ocean in your eyes,
And I wonder,
What grief has brought such an oceanic vastness?
I hear the splashing in your laughter,
And I wonder,
What sorrow has brought this dancing madness?
I hear the brook babbling in your heart,
And I wonder,
What moss was gathered on the way that taught you to flow again?
I sense the delight in your soul,
And I wonder,
What sadness came with such wisdom, to release the running river again?
I see stars in your eyes,
And I wonder,
What darkness has given rise to the galaxy in you?
I see the sun rising in your soul,
And I wonder,
What night has brought such a glory in rise?
.....Jayita Bhattacharjee
Copyright 2019
Jayita Bhattacharjee
”
”
Jayita Bhattacharjee
“
O brook! O foolish and tiresome little brook!” cried Pearl, after listening awhile to its talk. “Why art thou so sad? Pluck up a spirit, and do not be all the time sighing and murmuring!” But the brook, in the course of its little lifetime among the forest-trees, had gone through so solemn an experience that it could not help talking about it, and seemed to have nothing else to say. Pearl resembled the brook, inasmuch as the current of her life gushed from a well-spring as mysterious, and had flowed through scenes shadowed as heavily with gloom. But, unlike the little stream, she danced and sparkled, and prattled airily along her course.
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
And for all these many years Lord Temsland has not found you,” I whispered. He was very still—not afraid of me, but wary. “No other stag has ever been able to elude the lord,” I said softly, “for he is nothing if not a fine hunter. How... ?”
The hart lived ever in the shadow of the wood. He knew its winding ways, knew where to find its hidden brooks of water. When the forest’s darker night fell upon him, then he rose up and led his herd to succulent herbs and fat nuts and sweet grasses. He lived side by side with death and was not sad.
“So that is why you escape Lord Temsland—Death has bargained with you too,” I said. “But why?”
“Because,” said a voice behind me, “he is so gloriously beautiful. Like you.
”
”
Martine Leavitt (Keturah and Lord Death)
“
A lot of people will ask me “Whats depression like?”.
Its the same answer every time. “Its shitty...”. But you know whats its really like? Its like a bundle of dark clouds falling over your head, raining constantly. So your drenched. You cant function properly, you can’t do the things you love because your fingers slip and you mess up. Your clothes metaphorically are like your life, you try to change them, but they only stay dry for a few seconds, then its the same old story all over again. And no one, I repeat no one, wants to be near you.
Your a wet, soaking, depressed and helpless kitten lost in depressions firm grip. Its like a stalker, it follows you. Everywhere you go, Its waiting for you. You can’t leave it. You can’t ignore it. Its always there. Thats what makes it so scary. You can never get away from it, unless, someone pushes those fiery and dark clouds away. If their willing to sacrifice everything just to make you happy.
Even if that means taking those clouds upon themselves.
”
”
Brooke Janser (12-24)
“
Most of these reveal a psychological shrewdness about human fallibility: • A man of genius is but seldom ruined but by himself. • If you are idle, be not solitary; if you are solitary, be not idle. • There are people whom one should like very well to drop, but would not wish to be dropped by. • All censure of self is oblique praise. It is in order to show how much he can spare. • Man’s chief merit consists in resisting the impulses of his nature. • No place affords a more striking conviction of the vanity of human hopes than a public library. • Very few can boast of hearts which they dare lay open to themselves. • Read over your compositions, and wherever you meet with a passage you think is particularly fine, strike it out. • Every man naturally persuades himself he can keep his resolutions; nor is he convinced of his imbecility but by length of time and frequency of experiment. Through his moral essays, Johnson was able to impose order on the world, to anchor his experiences in the stability of the truth. He had to still himself in order to achieve an objective perception of the world. When people are depressed, they often feel overcome by a comprehensive and yet hard to pin down sadness. But Johnson jumps directly into the pain, pins it down, dissects it, and partially disarms it. In his essay on sorrow he observes that most passions drive you to their own extinction. Hunger leads to eating and satiety, fear leads to flight, lust leads to sex. But sorrow is an exception. Sorrow doesn’t direct you toward its own cure. Sorrow builds upon sorrow. That’s because sorrow is “that state of mind in which our desires are fixed upon the past, without looking forward to the future, an incessant wish that something were otherwise than it has been, a tormenting and harassing want of some enjoyment or possession we have lost.” Many try to avoid sorrow by living timid lives. Many try to relieve sorrow by forcing themselves to go to social events. Johnson does not approve of these stratagems. Instead, he advises, “The safe and general antidote against sorrow is employment…. Sorrow is a kind of rust of the soul, which every new idea contributes in its passage to scour away. It is the putrefaction of stagnant life and is remedied by exercise and motion.
”
”
David Brooks (The Road to Character)
“
But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.
”
”
Hermann Hesse (The Glass Bead Game)
“
Qui-Gon looked suddenly sad. “No, Obi-Wan. Secrets must be exposed when found. Detours must be taken when encountered. And if you are the one who stands at the crossroads or the place of concealment, you must never leave it to another to act in your place.
”
”
Terry Brooks (The Phantom Menace (Star Wars, #1))
“
An “hourly girl”? The thought cut like a razor, and for the first time, it made her resent these women in updos and strappy sandals. If Heddy ever had money, she’d never make anyone feel like less because they worked in service. Her mother taught her to be thankful for any kindness the world showed her, and the two of them often listed three things they were grateful for over breakfast each morning, no matter how hard times were. She wondered what Jean-Rose was more grateful for—having two beautiful children, or having two servants, even “hourly” ones? Sadly, she guessed the answer was the latter.
”
”
Brooke Lea Foster (Summer Darlings)
“
Jean-Rose is powerful among the women she knows because of her link to Ted, but if Ted is this cruel, and if this has happened before, and she endures this cruelty to hold on to her social standing, then she may be the weakest person I know. It’s incredibly sad, and I judge her for staying, but I also understand. Maybe she’s scared? The cynic in me believes she puts up with it because Ted makes her feel strong on the outside, even if he’s shattering her on the inside.
”
”
Brooke Lea Foster (Summer Darlings)
“
I’ve always thought that different doors are ways into different lives. Like, what would it be like to walk out one door and into another? I like to imagine the characters who would live in a penthouse, a Cape Cod, a sprawling beach house (...) But what goes on inside those houses, the lives of these characters, is all the same—love, betrayal, sadness, and joy.
”
”
Brooke Lea Foster (Summer Darlings)
“
family which upset me. I thought they’d split up and it wouldn’t have been so bad if they had, then I saw her the day after in town with her husband, her arm linked through his. He looked so happy and it made me feel sick. Simone told me to forget about it, not to let it bother me, that it wasn’t any of my business and she was right, it wasn’t.’ Morgan felt so sad for Saul; they say the partner is always the last to know. ‘Who was the man she came with, do you know?’ ‘Greg Barker, you’ll know him, he’s the mayor.’ She smiled; she knew him very well. Looking up, she spotted
”
”
Helen Phifer (One Left Alive (Detective Morgan Brookes, #1))
“
Depression rates have been surging since the beginning of the twenty-first century. Between 1999 and 2019, American suicide rates increased by 33 percent. Between 2009 and 2019, the percentage of teens who reported “persistent feelings of sadness or hopelessness” rose from 26 percent to 37 percent. By 2021, it had shot up to 44 percent. The percentage of Americans who said they have no close friends quadrupled between 1990 and 2020. In one survey, 54 percent of Americans reported that no one knows them well. The number of American adults without a romantic partner increased by a third. More to the point, 36 percent of Americans reported that they felt lonely frequently or almost all of the time, including 61 percent of young adults and 51 percent of young mothers. People were spending much more time alone. In 2013, Americans spent an average of six and a half hours per week with friends. By 2019, they were spending only four hours per week with friends, a 38 percent drop. By 2021, as the Covid-19 pandemic was easing, they were spending only two hours and forty-five minutes per week with friends, a 58 percent decline. The General Social Survey asks Americans to rate their happiness levels. Between 1990 and 2018, the share of Americans who put themselves in the lowest happiness category increased by more than 50 percent.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
Loneliness thus leads to meanness. As the saying goes, pain that is not transformed gets transmitted. The data I just cited about social isolation and sadness is, no surprise, accompanied by other sorts of data about rising hostility and callousness. In 2021, hate-crime reports surged to their highest levels in twelve years. In 2000, roughly two-thirds of Americans gave to charity; by 2021, fewer than half did. One restaurant owner recently told me that he has to ban somebody from his place for rude behavior almost every week these days. That didn’t use to happen. A friend of mine who is a nurse says her number one problem is retaining staff. Her nurses want to quit because the patients have become so abusive, even violent. As the columnist Peggy Noonan put it, “People are proud of their bitterness now.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
NEUROTICISM. If extroverts are drawn to positive emotions, people who score high in neuroticism respond powerfully to negative emotions. They feel fear, anxiety, shame, disgust, and sadness very quickly and very acutely. They are sensitive to potential threats. They are more likely to worry than to be calm, more highly strung than laid-back, more vulnerable than resilient.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
Sad will be the day for every man when he becomes absolutely contented with the life that he is living... when there is not forever beating at the doors of his soul some great desire to do something larger which he knows that he was meant and made to do because he is a child of God.
”
”
Phillip Brooks
“
This book was inspired by these words.”
“The young man was a blacksmith in the village, a magnificent white charger horse was brought to him, and he was ordered to put iron shoes onto the horse's hooves. After doing this he took the horse for a ride in the open field, and thereby a Brook he met a fair maiden. He fell madly in love with her instantly, he claimed that he was a decorated knight, but she could see he was poor, and was a blacksmith. His black working hands betrayed him, but she never mentioned this to the young man. After talking, for about fifteen minutes, in perfect harmony and calm, their meeting was broken up when two ladies that were approached the maiden.”
“The maiden took out her handkerchief and gave it to him, he took it without taking his eyes off of her. The maiden dashed off running towards the two women, assuring them that she was alright.
That evening a guard came from the castle, took the white charger with the new horseshoes and left. The dashing young man got to work instantly. Making himself a beautiful sword like no other. He then made himself a silver shining armour, beautiful as any knight.”
“The young man made wooden replicas of men in battle, and he would practice for hours, finding new ways of defeating the enemy. All of this because of a chance meeting in a field, and the handkerchief he kept pressed against his chest. The danger was looming and there was talk of an invasion, from another country. To preserve the dignity and the honour of the village and the castle that employed all the villagers. “
“The king asked for volunteers for the impending battle. The blacksmith went to the castle as one of the volunteers. He showed up on an old brown horse, that would not be able to stand the first charge in battle.
Proudly he was dressed in his silver knight's armour, holding his handmade sword. One of the guards came and took away his horse, the young man looked on sadly as others around the courtyard mocked him. Another guard approached him with the white charger that he nailed the shoes to his hooves; “this will be your steed, the guard said and he helped him onto the horse. There was silence around the forecourt, he turned and rode with the knights out to meet the enemy.”
“After five hours of battle, they had secured a brave victory. The young man performed above and beyond the call of duty.
He was chosen to be knighted. As he entered the great hall in the castle, there were people on both sides of the hall as he walked up to the spot where he was to be knighted.
Waiting patiently, to perform the ceremony of knighthood, was none other than the king himself, and next to him, his young daughter, a princess he met by chance in a field, after the ceremony of knighthood, the princess stepped forward and said, thank you for bringing my horse back to me, a young woman who overlooked his poverty, have him her white horse, and encouraged him with giving him her handkerchief, by speaking to him in a field with kindness, her father the king was rewarded with a knight of chivalry and virtue.
All because of accidental meeting and events, that encouraged someone ready in life, to step forth, and take control of his dreams, as impossible, as they seemed at the time.
”
”
Kenan Hudaverdi (Emotional Rhapsody)
“
But, of course, the politics of recognition doesn’t actually give you community and connection. People join partisan tribes, but they are not in fact meeting together, serving one another, befriending one another. Politics doesn’t make you a better person; it’s about outer agitation, not inner formation. Politics doesn’t humanize. If you attempt to assuage your sadness, loneliness, or anomie through politics, it will do nothing more than land you in a world marked by a sadistic striving for domination. You may try to escape a world of isolation and moral meaninglessness, only to find yourself in the pulverizing destructiveness of the culture wars.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
Over the past decade, everything has become politicized. Churches, universities, sports, food selection, movie awards shows, late-night comedy—they have all turned into political arenas. Except this was not politics as it is normally understood. Healthy societies produce the politics of distribution. How should the resources of the society be allocated? Unhappy societies produce the politics of recognition. Political movements these days are fueled largely by resentment, by a person or a group’s feelings that society does not respect or recognize them. The goal of political and media personalities is to produce episodes in which their side is emotionally validated and the other side is emotionally shamed. The person practicing the politics of recognition is not trying to formulate domestic policies or to address this or that social ill; he is trying to affirm his identity, to gain status and visibility, to find a way to admire himself. But, of course, the politics of recognition doesn’t actually give you community and connection. People join partisan tribes, but they are not in fact meeting together, serving one another, befriending one another. Politics doesn’t make you a better person; it’s about outer agitation, not inner formation. Politics doesn’t humanize. If you attempt to assuage your sadness, loneliness, or anomie through politics, it will do nothing more than land you in a world marked by a sadistic striving for domination. You may try to escape a world of isolation and moral meaninglessness, only to find yourself in the pulverizing destructiveness of the culture wars.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
NEUROTICISM. If extroverts are drawn to positive emotions, people who score high in neuroticism respond powerfully to negative emotions. They feel fear, anxiety, shame, disgust, and sadness very quickly and very acutely. They are sensitive to potential threats. They are more likely to worry than to be calm, more highly strung than laid-back, more vulnerable than resilient. If there is an angry face in a crowd, they will fixate on it and have trouble drawing their attention away.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
NEUROTICISM. If extroverts are drawn to positive emotions, people who score high in neuroticism respond powerfully to negative emotions. They feel fear, anxiety, shame, disgust, and sadness very quickly and very acutely. They are sensitive to potential threats. They are more likely to worry than to be calm, more highly strung than laid-back, more vulnerable than resilient.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
Politics doesn’t humanize. If you attempt to assuage your sadness, loneliness, or anomie through politics, it will do nothing more than land you in a world marked by a sadistic striving for domination. You may try to escape a world of isolation and moral meaninglessness, only to find yourself in the pulverizing destructiveness of the culture wars.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
Father took a deep breath. “Her mother found her. Hung herself in her bedroom with a belt.” She said nothing. Father looked confused, shocked, angry, sad. “Doesn’t that mean anything to you? Do you realize what you’ve done?” “I’ve done nothing. She did it to herself.” There was an incredulous pause. Father stood up. “How can you say that? Are you so devoid of feelings? Do you have a shred of empathy for anyone anymore? You are not the daughter I raised. I don’t know you.” That stung. But very quickly that feeling turned back to cold anger. Why hadn’t Father shown this much compassion when Anna Lee had been a victim? Why did no one remember how Brook had tormented her? But she was still, unwilling to let her face confess anything. “Did you have the same empathy for Mother?” Father’s eyes went wide, then narrowed further. “You are no daughter of mine.” That just added fuel to the fire. She felt herself shake. The injustice of it. Why had no one ever stood up for her?
”
”
Christopher J.C. Buchheit (Waypoint Eclipse)
“
Books hold most of the secrets of the world, most of the thoughts that men and women have had. And when you are reading a book, you and the author are alone together—just the two of you. A library is a good place to go when you feel unhappy, for there, in a book, you may find encouragement and comfort. A library is a good place to go when you feel bewildered or undecided, for there, in a book, you may have your question answered. Books are good company, in sad times and happy times, for books are people—people who have managed to stay alive by hiding between the covers of a book.
”
”
Elwyn Brooks White
“
For me, becoming a mother also means that I feel happier than I could imagine and more sad than I thought possible. None of this indicates that I am crazy or in any way abnormal. Basically I am just more alive and present in my own life than I ever remember being.
”
”
Brooke Shields (Down Came the Rain)
“
It was starting to become clear to her the true price of monetary comfort. She felt a great sadness in her heart for the agency she would lose in this new life, the freedom to be herself gone. Sure, she had lived as a poor teenager. She and her mother worked themselves to the bone, but at least they could be pure of heart, sincere to themselves.
”
”
Addie Brook Tsai (Unwieldy Creatures)
“
When you move first toward being healthy, holiness will follow. But you cannot have genuine holiness without first achieving healthiness. God cares about your holiness and your happiness, but God also cares about your healthiness, because it is the pivot upon which everything else turns. It is not by accident that Jesus was both a teacher and a healer. . . . You cannot be truly holy without first being healthy, and your holiness is a sad legacy if you can find no joy in it.
”
”
Tiffany Yecke Brooks (Gaslighted by God: Reconstructing a Disillusioned Faith)
“
Are his parents taking him to Coney Island because of the cartoon? she muses. Did the innocent little sugar-sucker beg and plead to go because that’s where the finale dumps its sad, angry but good-at-heart heroine when things are at their darkest? Deeply fucked up, but also deeply probable. No matter what you did, forty or fifty or a hundred years passed and everything became a narrative to be toyed with, masters of media alchemy splitting the truth’s nucleus into a ricocheting cascade reaction of diverging alternate realities.
”
”
Brooke Bolander (The Only Harmless Great Thing)
“
When I was a piglet, the grass was much greener, Always looked as if it had just come from the cleaner, And life was much gayer, in so many ways. Ah, those were the days! Now I’m old, and my joints are increasingly creaky; My hearing is poor, and my memory’s leaky; And I weep as I put down these sad little rhymes. Ah, those were the times! In my youth, I was always prepared for a frolic; I never had pains, rheumatism or colic; I never had aches: head, stomach or tooth. Ah, the days of my youth! “Good land, Freddy, you sound as if you were about ninety years old,” Mrs. Wiggins said with a laugh.
”
”
Walter Rollin Brooks (Freddy and the Popinjay (Freddy the Pig Book 12))
“
When people are depressed, they often feel overcome by a comprehensive and yet hard to pin down sadness. But Johnson jumps directly into the pain, pins it down, dissects it, and partially disarms it. In his essay on sorrow he observes that most passions drive you to their own extinction. Hunger leads to eating and satiety, fear leads to flight, lust leads to sex. But sorrow is an exception. Sorrow doesn’t direct you toward its own cure. Sorrow builds upon sorrow.
”
”
David Brooks
“
She remembers the last perfect evening before everything happened, perfect even though she didn’t know everything was about to change. Karaoke night. A bunch of kids from choir cheering each other on. When it was her turn, Hallelujah belted out “Total Eclipse of the Heart.” She went for every melodramatic note, closing her eyes and beating her chest. She got the whole group to sing along.
She remembers Jonah taking the stage next. When he sang the opening lines to Garth Brooks’s “Friends in Low Places,” the room went nuts. He put on a cowboy drawl and sent the low notes reverberating through the wooden floorboards. She remembers him tipping an imaginary Stetson at her when he was done.
In a week, Hallelujah would get caught making out with Luke Willis. He would humiliate her and start spreading lies about her. She would become someone quiet and sad and resentful. But right then, performance-flushed and surrounded by friends, she couldn’t stop smiling.
”
”
Kathryn Holmes
“
My grief felt too private, too deep. I quiet literally wanted to die, like I wished it had been me instead of her.
”
”
Brooke D. Taylor (Unimaginable: Life After Baby Loss)
“
I’d spent seven months of my life obsessively and delightedly planning for a future that included months of caring for an infant. I expected my entire life to revolve around the person who had been closer & realer to me than anyone. Now she was suddenly and inexplicably missing from my life. My life with her and I am been so close I could taste it..
”
”
Brooke D. Taylor (Unimaginable: Life After Baby Loss)
“
In his 1841 essay “Self-Reliance,” Ralph Waldo Emerson wrote, “At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from.”[24]
”
”
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
“
I started the chapter by noting he connected with people through his weakness—the thorn in his flesh. But it was his words of sadness and suffering at the end of his life that magnetized the Christian faith for the ages as one of authentic human experience—a faith that understands the pain in ordinary lives and the human reaction to it.
”
”
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
“
The contemptuous person is likely to experience feelings of low self-esteem, inadequacy, and shame. In a March 2019 New York Times opinion piece entitled Our Culture of Contempt, Arthur C. Brooks writes: “political scientists have found that our nation is more polarized than it has been at any time since the civil war. One in six Americans has stopped talking to a family member or close friend because of the 2016 election. Millions of people organized their social lives and their news exposure along with ideological lines to avoid people with opposing viewpoints.”
What's our problem? A 2014 article in The Proceedings of the National Academy of Sciences on motive attribution asymmetry, the assumption that your ideology is based in love while your opponent’s is based in hate suggests an answer. The researchers found that the average republican and the average democrat today suffer from a level of motive attribution asymmetry that is comparable with that of Palestinians and Israelis. Each side thinks it's driven by a benevolence while the other side is evil and motivated by hatred, and is therefore an enemy with whom one cannot negotiate or compromise.
People often say that our problem in America today is incivility or intolerance. This is incorrect. Motive attribution asymmetry leads to something far worse – contempt, which is a noxious brew of anger and disgust, and not just contempt for other people's ideas but also for other people. In the words of the philosopher Arthur Schopenhauer, contempt is “the unsullied conviction of the worthlessness of another.”
Brooks goes on to say contempt makes political compromise and progress impossible. It also makes us unhappy as people. According to the American Psychological Association, “the feelings of rejection so often experienced after being treated with contempt increases anxiety, depression, and sadness. It also damages the contemptuous person by stimulating two stress hormones -- cortisol and adrenaline -- in ways both public and personal. Contempt causes us deep harm.
”
”
Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
“
Quivering fears, heart-tearing cares,
Anxious sighs, untimely tears,
Fly, fly to courts,
Fly to fond worldlings' sports,
Where strain'd sardonic smiles are glosing still,
And Grief is forc'd to laugh against her will:
Where mirth's but mummery,
And sorrows only real be.
Fly from our country pastimes, fly,
Sad troops of human misery.
Come, serene looks,
Clear as the crystal brooks,
Or the pure azur'd heaven that smiles to see
The rich attendance of our poverty:
Peace and a secure mind,
Which all men seek, we only find.
Abused mortals I did you know
Where joy, heart's-ease, and comforts grow,
You'd scorn proud towers,
And seek them in these bowers;
Where winds, sometimes, our woods perhaps may shake,
But blust'ring care could never tempest make,
Nor murmurs e'er come nigh us,
Saving of fountains that glide by us.
Here's no fantastick mask, nor dance,
But of our kids that frisk and prance;
Nor wars are seen
Unless upon the green
Two harmless lambs are butting one the other,
Which done, both bleating run, each to his mother
And wounds are never found,
Save what the plough-share gives the ground.
Here are no false entrapping baits,
To hasten too, too hasty Fates,
Unless it be
The fond credulity
Of silly fish, which worldling like, still look
Upon the bait, but never on the hook;
Nor envy, unless among
The birds, for prize of their sweet song.
We all pearls scorn,
Save what the dewy morn
Congeals upon each little spire of grass,
Which careless shepherds beat down as they pass:
And gold ne'er here appears,
Save what the yellow Ceres bears,
Blest silent groves, oh may ye be,
For ever, mirth's best nursery !
May pure contents
For ever pitch their tents
Upon these downs, these meads, these rocks, these mountains.
And peace still slumber by these purling fountains:
Which we may, every year,
Meet when we come a-fishing here.
”
”
Izaak Walton (The Compleat Angler, or the Contemplative Man's Recreation)
“
Politics doesn’t make you a better person; it’s about outer agitation, not inner formation. Politics doesn’t humanize. If you attempt to assuage your sadness, loneliness, or anomie through politics, it will do nothing more than land you in a world marked by a sadistic striving for domination. You may try to escape a world of isolation and moral meaninglessness, only to find yourself in the pulverizing destructiveness of the culture wars.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
If we’re angry or sad or lonely, we need people to treat us better; we need our finances to improve; we need our luck to change. Until then, we wait, unhappily, and can only distract ourselves from discomfort.
”
”
Arthur C. Brooks (Build the Life You Want: The Art and Science of Getting Happier)
“
So what's the meaning of life?" Angie says.
"To be happy," Jamie says immediately.
"Really?" Noah says. "I was thinking it was to do good or something."
[...]
"Isn't that the same as being happy?" Brooke says.
"Well, that's just one kind of happiness," Jamie says. "I'm talking about having lots of different kinds of happiness."
"But you don't think we're supposed to make the world better?" Noah says.
"Of course we are," Jamie says. "That's another kind of happiness."
[...]
"I think it's to truly love somebody before we die," Brooke says.
[...]
"I think," I say, "I think we're supposed to experience as much beauty as we can."
"Isn't that the same as happiness too?" Jaime says. [...]
"No, because sometimes sad things are beautiful," I say. "Like when someone dies."
"That isn't beautiful. That just sucks," Jamie says.
"You don't understand what I mean," I say.
[...]
"But we aren't here to suffer," Jamie says.
"I don't think that." I say.
"But you think we're here for beautiful things and you think sadness is beautiful?"
"It can be," I say.
”
”
Laura Nowlin (If He Had Been With Me (If He Had Been with Me, #1))
“
Luke watched from his bedchamber window as the would-be-gothic, all-too-comic hunting party sallied forth. Footmen bearing torches flanked the four adventurers: Intrepid Denny in the lead; the dark-haired Portia and slender Brooke a few paces behind, squabbling as they went. Cecily, with her flaxen hair and dove-gray cloak, bringing up the rear— graceful, pensive, lovely. She’d always worn melancholy well. She was rather like the moon that way: a fixture of bright, alluring sadness that kept watch with him each night. No, she had not changed. Not for him. He watched as the “hunters” crested a small rise at the edge of the green. On the downslope, Cecily made a brisk surge forward and took Denny’s arm. Then together they disappeared, the green-black shadows of the forest swallowing them whole. Luke felt no desire to chase after them. He’d had his fill of tramping through cold, moonlit forests— forests, and mountain ranges, and picked-clean orchards and endless fallow fields. He was weary of marching, and bone-tired of battle. Yet if he wanted Cecily, it seemed he must muster the strength to fight once more.
-Luke's thoughts
”
”
Tessa Dare (The Legend of the Werestag)
“
A CLASSIC WAITS for me, it contains all, nothing is lacking,
Yet all were lacking if taste were lacking, or if the endorsement of the right man were lacking.
O clublife, and the pleasures of membership,
O volumes for sheer fascination unrivalled.
Into an armchair endlessly rocking,
Walter J. Black my president,
I, freely invited, cordially welcomed to membership,
My arm around John Kieran, Pearl S. Buck,
My taste in books guarded by the spirits of William Lyon Phelps, Hendrik Willem Van Loon,
(From your memories, sad brothers, from the fitful risings and callings I heard),
I to the classics devoted, brother of rough mechanics, beauty-parlor technicians, spot welders, radio-program directors
(It is not necessary to have a higher education to appreciate these books),
I, connoisseur of good reading, friend of connoisseurs of good reading everywhere,
I, not obligated to take any specific number of books, free to reject any volume, perfectly free to reject Montaigne, Erasmus, Milton,
I, in perfect health except for a slight cold, pressed for time, having only a few more years to live,
Now celebrate this opportunity.
Come, I will make the club indissoluble,
I will read the most splendid books the sun ever shone upon,
I will start divine magnetic groups,
With the love of comrades,
With the life-long love of distinguished committees.
I strike up for an Old Book.
Long the best-read figure in America, my dues paid, sitter in armchairs everywhere, wanderer in populous cities, weeping with Hecuba and with the late William Lyon Phelps,
Free to cancel my membership whenever I wish,
Turbulent, fleshy, sensible,
Never tiring of clublife,
Always ready to read another masterpiece provided it has the approval of my president, Walter J. Black,
Me imperturbe, standing at ease among writers,
Rais'd by a perfect mother and now belonging to a perfect book club,
Bearded, sunburnt, gray-neck'd, astigmatic,
Loving the masters and the masters only
(I am mad for them to be in contact with me),
My arm around Pearl S. Buck, only American woman to receive the Nobel Prize for Literature,
I celebrate this opportunity.
And I will not read a book nor the least part of a book but has the approval of the Committee,
For all is useless without that which you may guess at many times and not hit, that which they hinted at,
All is useless without readability.
By God! I will accept nothing which all cannot have their counterpart of on the same terms (89¢ for the Regular Edition or $1.39 for the DeLuxe Edition, plus a few cents postage).
I will make inseparable readers with their arms around each other's necks,
By the love of classics,
By the manly love of classics.
”
”
E.B. White
“
even meant being away from her daughter, Tamar. “It took me hours to get to sleep,” she wrote in her diary in 1940. “I miss Tamar terribly, unhappily at night, but in the day not sadly. My nights are always sadness and desolation and it seems as soon as I lie down, I am on a rack of bitterness and pain. Then in the day I am again strong enough to make an act of faith and love and go on in peace and joy.
”
”
David Brooks (The Road to Character)
“
The Act of Rigorous Forgiving By DAVID BROOKS There’s something sad in Brian Williams’s need to puff up his Iraq adventures and something barbaric in the public response. The sad part is the reminder that no matter how high you go in life and no matter how many accolades you win, it’s never enough. The desire for even more admiration races ahead. Career success never really satisfies. Public love always leaves you hungry. Even very famous people can do self-destructive things in an attempt to seem just a little cooler. The barbaric part is the way we respond to scandal these
”
”
Anonymous
“
To their right, a strange fog glowed eerily, streamed through the rain and wound through the trees. It moved forward at knee level coming straight toward them now.
Shea felt her heart in her throat. She touched Jacques’ back for reassurance. He stopped, seemingly relaxed, his muscles coiled and ready, like a panther awaiting its moment. She could feel it in him, his readiness, so still and confident.
As the fog grew closer, only several yards away now, the moisture began to stack itself higher and higher, the droplets connecting and forming the shape of a man. Shea wanted to scream with fear, but she stayed very still, afraid of distracting Jacques.
Byron’s form shimmered for a moment. She could actually see the tree behind the mist, and then he was solid, standing with the curious elegance of the Carpathian male. He lifted his eyes from the ground to meet Jacques’ icy-black gaze. “We have been friends for centuries, Jacques. I cannot remember a time in my life that we did not run together. It is strange and sad to me that you can look at me and not know me.”
Shea, behind Jacques, stirred uncomfortably. Byron’s sorrow appeared more than he could bear. She wanted to reach out to him, make an attempt to ease his obvious suffering. Do not! The command was sharp in her mind, clear and in a tone that brooked no argument. Jacques remained motionless, as if carved from stone. Byron’s words did not appear to move him in any way.
Byron shrugged, his face twisted with pain. “When we thought you were dead, we searched for your body. Months, years even. You were never out of our thoughts. You were my family, Jacques, my friend. It was hard to learn to be completely solitary. Gregori and Mikhail and even Aidan survived the centuries because, as alone as they had to be, they had a bond, an anchor to keep them strong through the bleak centuries. You were mine. Once you were gone, my struggle became immense.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
Aron argues that love is not an emotion like happiness or sadness. Love is a motivational state, which leads to various emotions ranging from euphoria to misery. A person in love has the keenest possible ambition to achieve a goal. A person in love is in a state of need.
”
”
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
“
King Henry the Fourth asked the Duke of Alva if he had observed the great eclipse of the sun, which had lately happened. No, said the duke, I have so much to do on earth, that I have no leisure to look up to heaven. Ah, that this were not true of most professors in these days! It is very sad to think, how their hearts and time are so much taken up with earthly things, that they have scarcely any leisure to look up to heaven, or to look after Christ, and the things that belong to their everlasting peace!
”
”
Thomas Brooks (Precious Remedies Against Satan's Devices)
“
I merely wish for the bereaved some time and space, however long, however short, for melancholy—what Victor Hugo described as the happiness of being sad.
”
”
Geraldine Brooks (Memorial Days)
“
Do your work. It might not be your best work, but it will be good work, and it will be what saves you.” Deborah had followed that advice and taken her grief back into the field, reporting on the plight of Syrian refugees. I could imagine doing that: subsuming my sadness in the dire hardships of others. What I couldn’t imagine was crawling back to my desk to do the work of imagination.
”
”
Geraldine Brooks (Memorial Days)
“
It is a sad irony that people who strongly fear failure don’t take much pleasure from their actual accomplishments and have high anxiety about not performing well at a crucial moment.[
”
”
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
“
It is a sad irony that people who strongly fear failure don’t take much pleasure from their actual accomplishments and have high anxiety about not performing well
”
”
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
“
If you attempt to assuage your sadness, loneliness, or anomie through politics, it will do nothing more than land you in a world marked by a sadistic striving for domination.
”
”
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
“
No doubt you will,” he says quickly. “But that’s what it’s all about. Ain’t nothin’ ever going to be perfect. That’s life. Just tell her she’s pretty when she doesn’t feel it. Give her chocolate when she’s sad. Oh, and when she says the words it’s fine, she don’t actually mean it.
”
”
Hannah Gray (Puck Boy (The Puck Boys of Brooks University, #1))
“
Smoking. Simple: don’t smoke—or at least, quit early. 2. Drinking. Alcohol abuse is one of the most obvious factors in the Grant Study leading to Sad-Sick and putting Happy-Well out of reach. If there is any indication of problem drinking in your life, or if you have drinking problems in your family, do not wonder about it or take your chances. Quit drinking right now. 3. Healthy body weight. Avoid obesity. Without being fanatical, maintain a body weight in the normal range, eating
”
”
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
“
even sitting there at the airport, wrapped in sadness, I knew to be thankful for these obituaries. They reminded me how much life Tony had packed into his sixty years, and how easily it could have ended sooner if any one of the crazy risks we took in our reporting years had gone the wrong way.
”
”
Geraldine Brooks (Memorial Days)
“
I make more time for the beauty. I make it a point to notice the trees, in all their various seasonal personalities. To be with the critters that share my space. A nest of baby rabbits, a coin-sized painted turtle hatchling, a fluffy mallard duckling out for its first swim—these encounters, more than almost anything else, have the power to elevate me out of sadness.
”
”
Geraldine Brooks (Memorial Days)
“
Once, in a rainstorm, I witnessed the creation of a rivulet. The water had come down, the stream had begun in a hollow of earth the size of a leaf. Then it filled and began to flow. The rivulet rolled down the hill between some stalks of grass and weed, it moved in spurts, down the fall of a ledge, down to a brook. It did not know it was not a river.
”
”
Norman Mailer (An American Dream)