Brook Farm Quotes

I am not alone in this. I only let him do to me what men have ever done to women: march off to empty glory and hollow acclaim and leave us behind to pick up the pieces. The broken cities, the burned barns, the innocent injured beasts, the ruined bodies of the boys we bore and the men we lay with. The waste of it. I sit here, and I look at him, and it is as if a hundred women sit beside me: the revolutionary farm wife, the English peasant woman, the Spartan mother-'Come back with your shield or on it,' she cried, because that was what she was expected to cry. And then she leaned across the broken body of her son and the words turned to dust in her throat.

All the Utopias - Brook Farm, Robert Owen's sanctuary of chatter, Upton Sinclair's Helicon Hall - and their regulation end in scandal, feuds, poverty, griminess, disillusion.

The farm brook ran down from the mountain in a straight line for the fold then swerved to the west to go its way down into the marshes. There were two knee-high falls in it and two pools, knee-deep. At the bottom there was shingle, pebbles and sand. It ran in many curves. Each curve had its own tone, but not one of them was dull; the brook was merry and music-loving, like youth, but yet with various strings, and it played its music without thought of any audience and did not care though no one heard for a hundred years, like the true poet.

Charlie Black: Fourierism was tried in the late nineteenth century… and it failed. Wasn’t Brook Farm Fourierist? It failed. Tom Townsend: That’s debatable. Charlie Black: Whether Brook Farm failed? Tom Townsend: That it ceased to exist, I’ll grant you, but whether or not it failed cannot be definitively said. Charlie Black: Well, for me, ceasing to exist is — is failure. I mean, that’s pretty definitive. Tom Townsend: Well, everyone ceases to exist. Doesn’t mean everyone’s a failure.

Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.

young as they were, skinny, sometimes shoeless rural boys, most from farms too poor to afford slaves. It had seemed to him an evil fate, a geographical accident, that had forced them to take up arms in what was, to him, a war to secure the rich man’s wealth.

At first, he was kindly disposed to these men, young as they were, skinny, sometimes shoeless rural boys, most from farms too poor to afford slaves. It had seemed to him an evil fate, a geographical accident, that had forced them to take up arms in what was, to him, a war to secure the rich man’s wealth. Beyond what was strictly required for their care, he would talk to them, to better know their minds. But after a time, he had stopped seeking such dialogue. They were, all of them, lost to a narrative untethered to anything he recognized as true. Their mad conception of Mr. Lincoln as some kind of cloven-hoofed devil’s scion, their complete disregard—denial—of the humanity of the enslaved, their fabulous notions of what evils the Federal government intended for them should their cause fail—all of it was ingrained so deep, beyond the reach of reasonable dialogue or evidence. Scott had become convinced that a total obliteration of their rebellion was the only way forward. And since the drift of things was strong in that direction, he would see it through to the end.

THE BOTTOMS" succeeded to "Hell Row". Hell Row was a block of thatched, bulging cottages that stood by the brookside on Greenhill Lane. There lived the colliers who worked in the little gin-pits two fields away. The brook ran under the alder trees, scarcely soiled by these small mines, whose coal was drawn to the surface by donkeys that plodded wearily in a circle round a gin. And all over the countryside were these same pits, some of which had been worked in the time of Charles II, the few colliers and the donkeys burrowing down like ants into the earth, making queer mounds and little black places among the corn-fields and the meadows. And the cottages of these coal-miners, in blocks and pairs here and there, together with odd farms and homes of the stockingers, straying over the parish, formed the village of Bestwood.

It’s okay if you can’t. No worries. Just an idea,” I say quickly, looking away so she won’t see how disappointed I am. “No—I mean, I want to, but—” Hana sucks in a breath. I hate this, hate how awkward we both are. “I kind of have this party”—she corrects herself quickly— “this thing I’m supposed to go to with Angelica Marston.” My stomach gets that hollowed-out feeling. It’s amazing how words can do that, just shred your insides apart. [...] A rush of hatred overwhelms me. Hatred for my life, for its narrowness and cramped spaces; hatred for Angelica Marston, with her secretive smile and rich parents; hatred for Hana, for being so stupid and careless and stubborn, first and foremost, and for leaving me behind before I was ready to be left; and underneath all those layers something else, too, some white-hot blade of unhappiness flashing in the very deepest part of me. I can’t name it, or even focus on it clearly, but somehow I understand that this—this other thing—makes me the angriest of all. [...] Despite everything, this gives me pause. In the days after the party at Roaring Brook Farms, snatches of music seemed to follow me everywhere: I heard it winging in and out of the wind, I heard it singing off the ocean and moaning through the walls of the house. Sometimes I woke up in the middle of the night, drenched in sweat, my heart pounding, with the notes sounding in my ears. But every time I was awake and trying to remember the melodies consciously, hum a few notes or recall any of the chords, I couldn’t. Hana’s staring at me hopefully, waiting for my response. For a second I actually feel bad for her. I want to make her happy, like I always did, want to see her give a whoop and put her fist in the air and flash me one of her famous smiles. But then I remember she has Angelica Marston now, and something hardens in my throat, and knowing that I’m going to disappoint her gives me a kind of dull satisfaction.

The Brook Alfred Tennyson By Alfred Tennyson more Alfred Tennyson I come from haunts of coot and hern, I make a sudden sally And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorpes, a little town, And half a hundred bridges. Till last by Philip's farm I flow To join the brimming river, For men may come and men may go, But I go on for ever. I chatter over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever. I wind about, and in and out, With here a blossom sailing, And here and there a lusty trout, And here and there a grayling, And here and there a foamy flake Upon me, as I travel With many a silvery waterbreak Above the golden gravel, And draw them all along, and flow To join the brimming river For men may come and men may go, But I go on for ever. I steal by lawns and grassy plots, I slide by hazel covers; I move the sweet forget-me-nots That grow for happy lovers. I slip, I slide, I gloom, I glance, Among my skimming swallows; I make the netted sunbeam dance Against my sandy shallows. I murmur under moon and stars In brambly wildernesses; I linger by my shingly bars; I loiter round my cresses; And out again I curve and flow To join the brimming river, For men may come and men may go, But I go on for ever.

In Memory of W. B. Yeats I He disappeared in the dead of winter: The brooks were frozen, the airports almost deserted, And snow disfigured the public statues; The mercury sank in the mouth of the dying day. What instruments we have agree The day of his death was a dark cold day. Far from his illness The wolves ran on through the evergreen forests, The peasant river was untempted by the fashionable quays; By mourning tongues The death of the poet was kept from his poems. But for him it was his last afternoon as himself, An afternoon of nurses and rumours; The provinces of his body revolted, The squares of his mind were empty, Silence invaded the suburbs, The current of his feeling failed; he became his admirers. Now he is scattered among a hundred cities And wholly given over to unfamiliar affections, To find his happiness in another kind of wood And be punished under a foreign code of conscience. The words of a dead man Are modified in the guts of the living. But in the importance and noise of to-morrow When the brokers are roaring like beasts on the floor of the bourse, And the poor have the sufferings to which they are fairly accustomed And each in the cell of himself is almost convinced of his freedom A few thousand will think of this day As one thinks of a day when one did something slightly unusual. What instruments we have agree The day of his death was a dark cold day. II You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth. III Earth, receive an honoured guest: William Yeats is laid to rest. Let the Irish vessel lie Emptied of its poetry. In the nightmare of the dark All the dogs of Europe bark, And the living nations wait, Each sequestered in its hate; Intellectual disgrace Stares from every human face, And the seas of pity lie Locked and frozen in each eye. Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.

Nellie the horse and her trips to town, or a cow named Molly Blue, or the Indian who came out of the woods. I wish you could have known Arleta’s grandma, Mabel. You would have loved her. She was born well over one hundred years ago on a little farm in Michigan. What a long, long time ago! Is it hard to imagine anyone that old ever being a little girl? But of course she was, and she remembered very well. Arleta never saw the little log house where Grandma Mabel was born, but she could imagine how it looked. It had one big room that was warmed by a fireplace and a big cookstove. Her brothers slept in a loft overhead, and Mabel slept in a trundle bed beside her parents’ bed. (A trundle bed is a little cot that slides under a bigger bed during the day.) The cabin sat in a small clearing in the woods, and even though there were no neighbors close by, the family felt safe and protected in its little home. By the time Mabel was ready to go to school, the log cabin had been replaced by the big farmhouse that still stood two generations later when Arleta was a little girl. Arleta’s trips to Grandma Mabel’s old home were so much fun. She explored from the attic to the root cellar, from the barn to the meadow brook. Everywhere she looked, she found a story! The attic was dusty and creaky, but what marvelous things it contained: a funny-looking wire thing that turned out to be something to wear, the button basket—a

How did you get your drag name, dear?” “The usual way.” “Street of birth and pet’s first name?” “It appeared to fit, although my Nicky doesn’t care for Brooks MacDonald. He says it makes me sound like a farm.” “If I went by that rule, I would have been Fido Flushing.

Against this backdrop of diverse geography, farming and fishing still dominate the economy. Many farmers rely on mule transportation and agricultural techniques that have persisted for generations. They tend citrus and olive groves planted by their forefathers, and cultivate grapes, figs, capers, olives, wheat, and tobacco. Family-run enterprises extract marble, pumice, and iron ore from local sources. The island of Halki derives its name from the Greek word for copper (halkos), a reminder of the copper mines that once covered it. Manufacturers on the island of Chios have longed produced mastichochoria, an aromatic resin used to make cosmetics and employed in other industries as well.

What is it, girls?” she asked. She always called them girls, because she knew it pleased them, although they had a dozen grand-nephews and nieces on the farm. “Is—is anything the matter, dear Mrs. Wiggins,” asked Emma. “We thought you looked worried.

Oh pshaw, Freddy,” said the cow, “you know perfectly well that you can’t shadow anybody unless you hide from them, and an animal as big as I am can’t hide behind one or two little spears of grass the way a cat or a dog can. And besides, you said yourself that an animal couldn’t be a good defective without a lot of practice. What else could I do?” “Why, you’ll just have to give up being a detective, that’s all,” replied the pig. “At least that kind of detective. Because there’s lots to detective work besides shadowing. You have to hunt for clues, too, and then think about them until you can figure out what they mean.” Mrs. Wiggins sighed heavily. “Oh dear!” she said. “You know thinking isn’t my strong point, Freddy. I mean, I’ve got good brains, but they aren’t the kind that think easily. They’re the kind of brains that if you let ’em go their own way, they are as good as anybody’s, but if you try to make them do anything, like a puzzle, they just won’t work at all.” “Well,” said Freddy, “detective work is a good deal like a puzzle. But I do think you ought not to try to do this shadowing. Mr. Bean certainly won’t like having the corn spoiled this way, and he’s been pretty touchy lately anyway. Not that I blame him, now that all the animals have started to play detective all over the farm. I heard him tell Mrs. Bean that he was getting sick and tired of having about fifteen animals sneaking along behind him every time he leaves the house. And whenever he looks up from his work, he says, no matter where he is, there are eyes peering at him—dozens and dozens of eyes watching him from hiding-places.

Now of course we can keep out of trouble by staying away from the side of the farm by the Witherspoon property—

Anyway, we animals always settle our own quarrels without dragging Mr. Bean into it. Now if Peter were here, he could take that boy in hand without any fuss. A bear is about the only animal that his stones wouldn’t hurt. But as you know, Peter is spending some weeks with relatives in Herkimer County. “Now of course we can keep out of trouble by staying away from the side of the farm by the

Mrs. Wiggins said: “To tell you the truth, Jinx, we have been talking about Little Weedly. We don’t think he’s a very desirable person to have around this farm. We think you’d better send him back to his mother.

Just a minute,” interrupted Mrs. Wiggins in her deep booming voice, and Henrietta, who respected Mrs. Wiggins more than any other animal on the farm, stopped. “We all know how you feel, Henrietta,” she went on, “and we agree with you. But my land, there’s a time and place for everything. Aunt Effie, in giving this party, and we, in coming to it, agreed to forget about our differences for the afternoon. If you can’t do that, what did you come for?” Henrietta

I am proud,” Mrs. Wiggins went on, “to be the general of such an army. It is true that our two chief enemies have escaped us. But we have captured their stronghold; the flag of the F.A.R. now waves over the Grimby house—or will, if Hank will stop prancing-around with it and will stick it up on the porch. As for the Ignormus, whatever or wherever he is, I do not think we need to fear him any longer. If he is anywhere in the Big Woods, he heard the Bean legions storming his house, and he plainly did not dare to show himself and to fight. “However, he may still be lurking in the neighborhood. He and Simon may even now be plotting new crimes. I propose therefore that we take all the stuff here in the house that was stolen from the bank and from Mr. Bean, back down to the farm. We will also take the prisoners and lock them up until we decide what to do with them. Then we will leave a garrison in this house, to defend it if the Ignormus comes back. And I will now call for volunteers to form the garrison.” There

Mrs. Wiggins interrupted him. “Great grief, Freddy, can’t you forget your old ten cents long enough to let me finish what I started to say? What have mice in the movies got to do with this meeting? I wanted to say that the way to make life more interesting isn’t to sit around and growl about it, it is to go out and hunt up something. Look for adventures. Suppose we all start out in a different direction. I’ll bet you that not one of us would go half a mile off the farm before something interesting would turn up.

TINY CRAB CAKES 1 egg 1½ cups fresh breadcrumbs (see Note) ¼ cup finely chopped scallions (2–3 scallions) 1 tablespoon mayonnaise 1 teaspoon lemon juice (juice of about ⅙ medium lemon) ½ teaspoon Worcestershire sauce ¼ teaspoon seafood seasoning mix, such as Old Bay 8 ounces fresh lump-style crabmeat, picked over 2–3 tablespoons vegetable oil Scallion brushes for garnish (optional; see page 19) MAKES ABOUT 24 MINI CAKES (4–6 SERVINGS) 1. To make the Curry-Orange Mayo, whisk together the mayonnaise, curry powder, orange zest, orange juice, and Tabasco in a small bowl. Refrigerate for at least 2 hours or up to 3 days. When ready to serve, transfer to a pretty bowl and sprinkle with the scallions. 2. To make the crab cakes, lightly beat the egg in a large bowl. Add ¾ cup of the breadcrumbs, the scallions, mayonnaise, lemon juice, Worcestershire sauce, and seasoning mix. Stir well to blend. Add the crabmeat and mix gently, being careful not to shred the crabmeat entirely. 3. Spread the remaining ¾ cup of breadcrumbs onto a plate. Form the crab mixture into 24 cakes, using a scant tablespoon for each one, and dredge lightly in the crumbs. Arrange on a wax paper-lined baking sheet. 4. Heat 2 tablespoons of the oil in one or two large skillets over medium heat. Cook the cakes until golden brown and crisp on one side, about 2 to 2½ minutes. Flip and repeat. The cakes should be hot inside. Repeat with any remaining cakes, adding more oil as necessary. Serve immediately, or place on a foil-lined baking sheet, wrap well, and refrigerate for up to 24 hours, or freeze for up to 2 weeks. 5. If you make the cakes ahead, remove from the refrigerator or freezer 30 minutes prior to reheating. Preheat the oven to 375°F. Bake the cakes until hot and crisp, 10 to 15 minutes. 6. Arrange on a platter with the sauce for dipping, and garnish with the scallion brushes, if desired. Note: Tear 3 slices of good-quality bread into pieces and whir in a food processor to make breadcrumbs. Portland Public Market The Portland Public Market, which opened in 1998, continues Maine’s long tradition of downtown public markets, dating back to the 19th century. Housed in an award-winning brick, glass, and wood structure, the market, which was the brainchild of Maine philanthropist Elizabeth Noyce, is a food-lover’s heaven. Vendors include organic produce farms; butchers selling locally raised meat; purveyors of Maine-made cheeses, sausages, and smoked seafood; artisan bakers; and flower sellers. Prepared take-away food includes Mexican delicacies, pizza, soups, smoothies, and sandwiches, and such well-known Portland culinary stars as Sam Hayward (see page 127) and Dana Street (see page 129) have opened casual dining concessions.

I have money Peter received when he sold the farm.” Davis shook his head, his lips tight. “Forget that money. Put it aside. If we need supplies, or if you need anything for yourself, I’ll give you money.” She drew back, staring at him. “Don’t be silly. Why shouldn’t I use my own money?” “Emma.” His tone brooked no argument. “I am your husband, and I will feed and clothe you. Now I don’t want to hear any more about it.

Good land,” said Mrs. Wiggins, “that’s nothing against him. I guess there’s something about everybody on this farm you and I don’t like.

Then in June Linda got sick. Word went around town that Roger was looking real serious 'cause his wife was 'took ill bad'. So my mother cooked up a big casserole to take up there; they could eat off it for says, she said. 'The poor young couple, with her sick I guess they must have to make do with canned pork and beans. Take this on over there,' she told me. 'She can't cook anyways,' I said. 'I told you that.' 'Nonsense. Every woman can cook, now go on.' I went on up there, carrying the heavy casserole. Even cold it smelled good and if it hand't been for Roger I would have sat down and eaten it on the ways. Waste of good food to take it to 'her', I thought; she'd probably preferred canned beans. I got up to the farm and found the door locked. That was strange, let me tell you. Around here nobody locks the door, even at night or when they're out. You just never know, a farmer or a kid like me might have to come in and use the phone in a hurry, or the bathroom, and everybody knows everybody anyway. But the door was locked. I put the casserole dish down on the front step and sat there on the steps awhile, to see if Roger or Linda came along. Nobody came and the June sun was hot. Roger doesn't have a brook up there, like we do, so I couldn't get wading. I looked around for a hose or something. I walked to the back of the house and decided to climb the apple tree there; that was something to do at least. Up in the apple tree I could see into the windows of the house; they were too high for me to see in from the ground. I was looking into the bedroom. There was Linda, sleeping. In the day! But she was supposed to be sick, so it was all right. Except that then I saw that she wasn't lying in that bed alone. There was another head there, on the pillow beside her. Roger has dark hair and this person didn't. This person was a man with blond hair. I didn't get a good look at his face. I was seeing the side of his head, then the head went over LInda's face and she was covered up by him.

these points. All Monday morning in the woods again. Afternoon, out with the drawing party; I felt the evils of the want of conventional refinement, in the impudence with which one of the girls treated me. She has since thought of it with regret, I notice; and by every day’s observation of me will see that she ought not to have done it. In the evening a husking in the barn … a most picturesque scene…. I stayed and helped about half an hour, and then took a long walk beneath the stars. Wednesday…. In the evening a conversation on Impulse…. I defended nature, as I always do;—the spirit ascending through, not superseding, nature. But in the scale of Sense, Intellect, Spirit, I advocated the claims of Intellect, because those present were rather disposed to postpone them. On the nature of Beauty we had good talk. –- seemed in a much more reverent humour than the other night, and enjoyed the large plans of the universe which were unrolled…. Saturday,—Well, good-bye, Brook Farm. I

To be alive makes up for everything; there ought to be fears in my heart, but there aren't; something stronger sweeps them out; something like a wind.

One researcher in China found that the divorce rate for people in historic wheat-farming regions was 50 percent higher than the divorce rate for those from historic rice-farming regions.

See David Brooks’s many published meditations on the populist majesty of Wal-Mart, the retail force that is doing so much to push places like rural Kansas into poverty—destroying the small-town business districts, forcing down retail wages, crushing farm prices, and committing countless violations of labor law along the way. “Walk into one of those places,” Brooks wrote in a June 9, 2002,New York Times Magazine story, referring to Wal-Mart and the other big-box discounters, “and you’re in middle-American nirvana. You can get absolutely everything you need for a wholesome, happy life.

I was enchanted as soon as I stepped off the train. As were the hundreds of others who got off the train with me who were now in the process of climbing into buggies and wagons, en route to the dozens of resorts, enclaves, and tent campgrounds in the area, where they would soak up the sun, get drunk on Cabernet, swim and picnic in the druidy redwood groves while reciting Shakespeare. I climbed into a wagon and was driven off by a Mr. Lars Magnusson to view the old Olson farm. We traveled a mile or so into the hills, past oak glens, brooks, and pools of water, past manzanitas, madrones, and trees dripping with Spanish moss. Sonoma Mountain was to the west; its shadow cast everything in a soft purple light. When we finally reached the farm and I saw the luscious valley spread out in front of me, I knew this was it. Greengage. It would be a home for me and Martha at first, but I hoped it would soon be something more. A tribute to my mother and her ideals; a community in which she would have flourished, where she would have lived a good long life. Greengage.The burbling creek that ran smack down the middle of the property. The prune, apple, and almond orchards: the fields of wheat, potatoes, and melons. The pastures for cows and sheep. The chicken house and pigsty. The gentle, sloping hills, mounds that looked like God's knuckles, where I would one day plant a vineyard.

When you look for His fingerprint in nature, you find it everywhere. The design really is amazing. I think about how much He must love us to have created it this way, you know? If He wanted to create life, He could have just done it like an ant farm. He could have just created a surface for us and left it at that. But instead, He made something so intricate and full of wonder. I come out here every evening, and every evening, without fail, there is a different sky for me to look at. Sometimes it's full of color, sometimes there are clouds that look like someone honest-to-goodness painted them with a paintbrush, sometimes there are dark, ominous-looking clouds, and sometimes it's just all blue or all grey. Every single day, He creates a different backdrop for me. He gives me a picture in the sky that constantly changes. I just can't help but be thankful when I think about His creation. He must really just love us to make something so beautiful, you know?" Lances words caused tears to sting my eyes. It was a truth that I took for granted. I was thankful to him for reminding me that God cared enough to paint a different picture in the sky every day.

Because you’re… important to me. And I always take care of those who are important to me.

He or she wasn’t my baby, but I was ready to tell the world.

Because I’d already decided—Kelsey and this baby were mine.

boys, most from farms too poor to afford slaves. It had seemed to him an evil fate, a geographical accident, that had forced them to take up arms in what was, to him, a war to secure the rich man’s wealth. Beyond what was strictly required for their care, he would talk to them, to better know their minds. But after a time, he had stopped seeking such dialogue. They were, all of them, lost to a narrative untethered to anything he recognized as true. Their mad conception of Mr. Lincoln as some kind of cloven-hoofed devil’s scion, their complete disregard—denial—of the humanity of the enslaved, their fabulous notions of what evils the Federal government intended for them should their cause fail—all of it was ingrained so deep, beyond the reach of reasonable dialogue or evidence. Scott had become convinced that a total obliteration of their rebellion was the only way forward. And since the drift of things was strong in that direction, he would see it through

Social media was less about getting to know people and share things which were enjoyed these days and more about posting inflammatory opinions designed to get shares, likes and followers. It really had become the blind leading the blind.