Bronx Zoo Quotes

We've searched our database for all the quotes and captions related to Bronx Zoo. Here they are! All 11 of them:

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
Almost everyone, as almost always at such concerts, was white. It is something I can't help noticing; I notice it each time, and try to see past it. Part of that is a quick, complex series of negotiations: chiding myself for even seeing it, lamenting the reminders of how divided our life still remains, being annoyed that these thoughts can be counted on to pass through my mind at some point in the evening. Most of the people around me yesterday were middle-aged or old. I am used to it, but it never ceases to surprise me how easy it is to leave the hybridity of the city, and enter into all-white spaces, the homogeneity of which, as far as I can tell, causes no discomfort to the whites in them. The only thing odd, to some of them, is seeing me, young and black, in my seat or at the concession stand. At times, standing in line for the bathroom during intermission, I get looks that make me feel like Ota Benga, the Mbuti man who was put on display in the Monkey House at the Bronx Zoo in 1906. I weary of such thoughts, but I am habituated to them. But Mahler's music is not white, or black, not old or young, and whether it is even specifically human, rather than in accord with more universal vibrations, is open to question.
Teju Cole (Open City)
Doubt is the act of challenging our beliefs. . . . This is an active, investigative doubt: the kind that inspires us to wander onto shaky limbs or out into left field; the kind that doesn't divide the mind so much as multiply it, like a tree in which there are three blackbirds and the entire Bronx Zoo. This is the doubt we stand to sacrifice if we can't embrace error—the doubt of curiosity, possibility, and wonder.
Kathryn Schulz (Being Wrong: Adventures in the Margin of Error)
The long-dead curator from the Bronx Zoo now had me in his unwavering grip. Close by, the bushmaster too lay in wait.
Dan Eatherley (Bushmaster: Raymond Ditmars and the Hunt for the World's Largest Viper)
threw a fence up and called it the Bronx Zoo.
Richard Price (Bloodbrothers: A Novel)
It was the whole Bronx Zoo boiled down to a thick, viscous paste and then filled with lightning. Even
Ross E. Lockhart (The Book of Cthulhu 2)
Speaking of wild conspiracy theories, did you know that all animals in zoos belong there because they’re political prisoners and we humans worked out a treaty to keep them in exchange the other wild animals don’t take over? Heard this in my barbershop so I know it’s true.
Desus (God-Level Knowledge Darts: Life Lessons from the Bronx)
In the most notorious case of humans in zoos, a Mbuti man named Ota Benga who was kidnapped from his home in the Congo Basin and sold into slavery was exhibited in the Bronx Zoo's Monkey House in 1906. He was freed after public outcry and moved to Virginia, where he worked in a tobacco factory and hunted alone in the woods. But he struggled with the intense trauma he had endured and in 1916 shot himself in the heart.
Emma Marris (Wild Souls: Freedom and Flourishing in the Non-Human World)
dustpan that he emptied into a larger trash can. If I were him, picking up after people who carelessly dropped stuff on the ground, I’d be nothing but angry. They call it littering when you carelessly drop things. They call the careless folks who drop things by a cute name: litterbug. There’s nothing cute about dropping things carelessly. Dropping garbage and having puppies shouldn’t be called the same thing. “Litter.” I had a mind to write to Miss Webster about that. Puppies don’t deserve to be called a litter like they had been dropped carelessly like garbage. And people who litter shouldn’t be given a cute name for what they do. And at least the mother of a litter sticks around and nurses her pups no matter how sharp their teeth are. Merriam Webster was falling down on the job. How could she have gotten this wrong? Vonetta asked me again. Not because she was anxious to meet Cecile. Vonetta asked again so she could have her routine rehearsed in her head—her curtsy, smile, and greeting—leaving Fern and me to stand around like dumb dodos. She was practicing her role as the cute, bouncy pup in the litter and asked yet again, “Delphine, what do we call her?” A large white woman came and stood before us, clapping her hands like we were on display at the Bronx Zoo. “Oh, my. What adorable dolls you are. My, my.” She warbled like an opera singer. Her face was moon full and jelly soft, the cheeks and jaw framed by white whiskers. We said nothing. “And so well behaved.” Vonetta perked up to out-pretty and out-behave us. I did as Big Ma had told me in our many talks on how to act around white people. I said, “Thank you,” but I didn’t add the “ma’am,” for the whole “Thank you, ma’am.” I’d never heard anyone else say it in Brooklyn. Only in old movies on TV. And when we drove down to Alabama. People say “Yes, ma’am,” and “No, ma’am” in Alabama all the time. That old word was perfectly fine for Big Ma. It just wasn’t perfectly fine for me.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
A great finisher needs to keep a lid on his emotions,
Jeff Katz (Split Season 1981: Fernandomania, the Bronx Zoo, and the Strike that Saved Baseball)
It was so bad that the Security Department of Major League Baseball, worried about fan anger poststrike, had advised clubs to “avoid any promotions involving giveaways that could be used as a missile.
Jeff Katz (Split Season 1981: Fernandomania, the Bronx Zoo, and the Strike that Saved Baseball)