Broken Vessel Quotes

It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home -- only the millions of last moments . . . nothing more. Our history is an aggregate of last moments.

The only way to keep a broken vessel full is to keep it always under the tap.

But alas, hearts are meant to be broken, aren’t they, bard?” “If they must break,” Jack said, “then they break and remake themselves into stronger vessels.

Someone smashed a flutterfler and without even thinking she touched her Stone and used Wyrd to piece its broken body back together. She filled its empty vessels with dreams and it became the stuff it used for blood. It brushed her cheek with its wings, then flew off -- dancing in the hot air.

You're the most important thing in this universe. You; this vessel; the people of this planet; lovers, warriors, artists, leaders, dreams more numerous than stars. Each mind unique, each thought created for an instant and then broken apart to form new ones. You don't understand the unbearable beauty of being you.

David was caught in a very uncomfortable position; however, he seemed to grasp a deep understanding of the unfolding drama in which he had been caught. He seemed to understand something that few of even the wisest men of his day understood. Something that in our day, when men are wiser still, even fewer understand. And what was that? God did not have - but wanted very much to have - men and women who would live in pain. God wanted a broken vessel.

...he seemed to grasp a deep understanding of the unfolding drama in which he had been caught. He seemed to understand something that few of even the wisest men of his day understood...God wanted a broken vessel.

When I've thought about him dying - which admittedly isn't that much - I always thought of it like you said, that all strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships think, or maybe we're grass - our roots are so interdependent that no one is dead as long as soneone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications... I like the strings, I always have. Because that's how it feels. But the strings make pain seem more fatal than it is...We are not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well- but not quite perfectly, you know? "Maybe, it's more like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And these things happen-these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places. And I mean, yeah, once the vessel cracks open, the end becomes inevitable...But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see each other, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade but never looking inside. But once the vessel cracks, the like can get in. The like can get out.

Miriam realizes she is a broken vessel, pieces of her scattered everywhere. She has been finding those pieces, in their many forms, and bringing them together so she can be whole again.

We receive and we lose, and we must try to achieve gratitude; and with that gratitude to embrace with whole hearts whatever of life that remains after the losses.

There's beauty in the imperfect too. you are a God who uses broken vessels. You are not afraid of human limitations or scars.

I wonder from these thousand of "me's", which one am I? Listen to my cry, do not drown my voice I am completely filled with the thought of you. Don't lay broken glass on my path I will crush it into dust. I am nothing, just a mirror in the palm of your hand, reflecting your kindness, your sadness, your anger. If you were a blade of grass or a tiny flower I will pitch my tent in your shadow. Only your presence revives my withered heart. You are the candle that lights the whole world and I am an empty vessel for your light. Rumi - "Hidden Music

But you know what the Midrash says? God only works through broken vessels.

This is survival. This is how the vessel protects the mind, how the mind protects the heart, how the heart goes on forgetting that its calling is to be undefended, that being broken is part of being whole.

The messages of a prophet...affect the decisions of kings. The decisions of kings determine not just the course of nations but also the life and death of individuals in those countries. If we become so enamored with our own little world that we disregard the nations, we are no better than those who focus on nations and ruthlessly disregard human life.

In practicing the Japanese art of Kintsukuroi, one repairs broken pottery by filling in the cracks with gold, silver, or platinum. The choice to highlight the breaks with precious metals not only acknowledges them, but also pays tribute to the vessel that has been torn apart by the mutability of life. The previously broken object is considered more beautiful for its imperfections. In life, too, even greater brilliance can be found after mending.

I have been forgotten like one who is dead; I have become like a broken vessel. PSALM 31:12

That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety. That the months my mother had been a vessel for me, her organs shifting and cramping together to make room for my existence, and the agony she’d endured upon my exit could be repaid by carrying this pain in her place. The rite of an only daughter. But I could do no more than lie nearby, ready to be her advocate, listening to the slow and steady beeping of machinery, the soft sounds of her breathing in and out.

And his Soul mocked him and said, "Surely thou hast but little joy out of thy love. Thou art as one who in time of dearth pours water into a broken vessel. Thou givest away what thou hast, and nought is given to thee in return. ...

The broken pieces will make this vessel even better.

Listen, Tenar. Heed me. You were the vessel of evil. The evil is poured out. It is done. It is buried in its own tomb. You were never made for cruelty and darkness; you were made to hold light, as a lamp burning holds and gives its light. I found the lamp unlit; I won’t leave it on some desert island like a thing found and cast away. I’ll take you to Havnor and say to the princes of Earthsea, ‘Look! In the place of darkness I found the light, her spirit. By her an old evil was brought to nothing. By her I was brought out of the grave. By her the broken was made whole, and where there was hatred there will be peace.

So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers, go once again into the lonely march, mustering our courage with work, friends, half pleasures which are not whole because they are not shared. Yet still I believe in love's possibility, in its presence on the earth; as I believe I can approach the altar on any morning of any day which may be the last and receive the touch that does not, for me, say: There is no death; but does say: In this instant I recognize, with you, that you must die. And I believe I can do this in an ordinary kitchen with an ordinary woman and five eggs. The woman sets the table She watches me beat the eggs. I scramble them in a saucepan, as my now-dead friend taught me; they stand deeper and cook softer, he said. I take our plates, spoon eggs on them, we sit and eat. She and I and the kitchen have become extraordinary; we are not simply eating; we are pausing in the march to perform an act together, we are in love; and the meal offered and received is a sacrament which says: I know you will die; I am sharing food with you; it is all I can do, and it is everything.

Of Swelter's acreage, only a perch or two here and there might, if broken, prove vulnerable loam. That he bled profusely could prove little. There was blood in him to revitalize an anaemic army, with enough left over to cool the guns. Placed end to end, his blood vessels might have coiled up the Tower of Flints and half way down again like a Virginia creeper -- a vampire's home from home.

We had all been broken in that moment - broken open by shock and grief and anger and fear. I didn't know how or when, but this opening could lead to healing. After all, only an empty vessel can be filled by grace; but to get there, we had to help each other rise while we shed the same tears. We had to get up and start again.

Under the skin, broken blood vessels wallow like a pack of leeches.

God’s idea of ministry training is a broken vessel. His idea of spiritual preparation is suffering, which includes rejection.

I am a broken vessel housing the treasure of the gospel.

There is beauty in the imperfect too. You are a God who uses broken vessels. You are not afraid of human limitations or scars.

Light enters a broken vessel more easily than an intact one.

Whispers of a forgotten shore When I die, throw my ashes to the wind… Let it carry me along as my heart will lead my soul, to the places that took my breath away. Let it blow me about to return to those places.. That I swore were so magical I would return, But have not, Let those forgotten shores, forgotten places, Be reunited with my eyes, The splendour and the overwhelming feeling of sheer happiness, Etch into my soul as I pass through one heaven into the next Where I shall live for eternity Knowing I made a promise and kept it, I forgot nothing, I left nothing behind, My loved ones will greet me or follow me, My broken promises were fixed, And the screams in my ears of a conscience I couldn’t escape, Faded to whispers, Till one day I shall return to Earth in a new vessel, Reborn to live and suffer and wish this wish of mine all over again, Knowing the fulfillment of being forever free….

You are not who you were before the rupture. You are not meant to be. The one who follows the Way does not patch the vessel or search for old blueprints. They sit beside the broken form and listen to what echoes through the cracks.

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.

The stream and the broken pottery: what was any art but an effort to make a sheath, a mould in which to imprison for a moment the shining, elusive element which is life itself,—life hurrying past us and running away, too strong to stop, too sweet to lose? The Indian women had held it in their jars. In the sculpture she had seen in the Art Institute, it had been caught in a flash of arrested motion. In singing, one made a vessel of one's throat and nostrils and held it on one's breath, caught the stream in a scale of natural intervals. IV

God does not look to find those who are the elites and those who are the most skilled. Rather He looks for the weak and insignificant who trust in Him. God uses broken pots and vessels, He uses imperfect people who trust in a perfect God. Thus all men will know that it is God who has manifested His power and glory through a brother or sister. It is realized then that it was not the work of men but the work of God.

You were the vessel of evil. The evil is poured out. It is done. It is buried in its own tomb. You were never made for cruelty and darkness; you were made to hold light, as a lamp burning holds and gives its light. I found the lamp unlit; I won't leave it on some desert island like a thing found and cast away. I'll take you to Havnor and say to the princes of Earthsea, 'Look! In the place of darkness I found the light, her spirit. By her an old evil was brought to nothing. By her I was brought out of the grave. By her the broken was made whole, and where there was hatred there will be peace.

Wounded healers are GOD's Greatest weapons.

Be broken and pride will have no vessel.

They (Corinthians) had to guard the prisoners in their vessels, and there were no means of refitting in such a desert place. They were more disposed to consider how they should get home than to fight. For they feared that the Athenians, deeming the peace, now that blows had been exchanged, to be already broken, would intercept their return. (Book 1 Chapter 52.2-3)

Still, the ground beneath me felt unsteady, as though at any moment it could shake and easily take me to the ground. I stumbled upon what Zen priest and author Susan Murphy calls the koan of the earth. How do we answer the riddle of our times? How do we sift through the shards of our broken culture, our fragmented psyches, and come once again into “our original undividedness and the freedom it bestows, right there in the suffocating fear itself.”90 This was the question at the heart of my despair, ripening in the vessel of my sorrow. What felt different this time was the interior experience of the grief and despair. It was not centered on personal losses—my history, wounds, losses, failures, and disappointments. It was arising from the greater pulse of the earth itself, winding its way through sidewalks and grocery lists, traffic snarls and utility bills. Somewhere in all the demands of modern life, the intimate link between earth and psyche was being reestablished or, more accurately, remembered. The conditioned fantasy of the segregated self was being dismantled, and I was being reunited, through the unexpected grace of fear, despair, and grief, with the body of the earth.

I've already broken my soul into pieces and given away the shards. Now I am nothing but a vessel for their desires. A toy for them to use and play with until they discard me, and I'll beg them to do it.

the devil, the prince of the impious city, when he stirs up his own vessels against the city of God that sojourns in this world, is permitted to do her no harm. For without doubt the divine providence procures for her both consolation through prosperity, that she may not be broken by adversity, and trial through adversity, that she may not be corrupted by prosperity; and thus each is tempered by the other,

You are a masterpiece because you are a piece of the master. Your body is not broken. Your body’s a vessel for your beautiful soul. You were designed to thrive while experiencing peak vitality, energy, and vibrance.

May with its light behaving Stirs vessel, eye and limb, The singular and sad Are willing to recover, And to each swan-delighting river The careless picnics come In living white and red. Our dead, remote and hooded, In hollows rest, but we From their vague woods have broken, Forests where children meet And the white angel-vampires flit, Stand now with shaded eye, The dangerous apple taken. The real world lies before us, Brave motions of the young, Abundant wish for death, The pleasing, pleasured, haunted: A dying Master sinks tormented In his admirers’ ring, The unjust walk the earth. And love that makes impatient Tortoise and roe, that lays The blonde beside the dark, Urges upon our blood, Before the evil and the good How insufficient is Touch, endearment, look.

Die alone in one of his old rooms and what's the last thing he thinks of before he kicks the bucket--Nickel. Nickel hunting him to his final moment--a vessel in his brain explodes or his heart flops in his chest--and then beyond, too. Perhaps Nickel was the very afterlife that awaited him, with a White House down the hill and an eternity of oatmeal and the infinite brotherhood of broken boys. He hadn't thought about going out like that in years--he'd packed it up in a box and put it in his basement, next to the boiler and the neglected fishing gear. With the rest of the stuff from the old days. He stopped embroidering that fantasy long ago.

in my voyages, when I was a man and commanded other men, I have seen the heavens overcast, the sea rage and foam, the storm arise, and, like a monstrous bird, beating the two horizons with its wings. Then I felt that my vessel was a vain refuge, that trembled and shook before the tempest. Soon the fury of the waves and the sight of the sharp rocks announced the approach of death, and death then terrified me, and I used all my skill and intelligence as a man and a sailor to struggle against the wrath of God. But I did so because I was happy, because I had not courted death, because to be cast upon a bed of rocks and seaweed seemed terrible, because I was unwilling that I, a creature made for the service of God, should serve for food to the gulls and ravens. But now it is different; I have lost all that bound me to life, death smiles and invites me to repose; I die after my own manner, I die exhausted and broken-spirited, as I fall asleep when I have paced three thousand times round my cell.

The universal nature out of the universal substance, as if it were wax, now moulds a horse, and when it has broken this up, it uses the material for a tree, then for a man, then for something else; and each of these things subsists for a very short time. But it is no hardship for the vessel to be broken up, just as there was none in its being fastened together

him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leather Stocking Series ought to have been called the Broken Twig Series. I am sorry there is not room to put in a few dozen instances of the delicate art of the forest, as practised by Natty Bumppo and some of the other Cooperian experts. Perhaps we may venture two or three samples. Cooper was a sailor — a naval officer; yet he gravely tells us how a vessel, driving towards a lee shore in a gale, is steered for a particular spot by her skipper because he knows of an undertow there which will hold her back against the gale and save her. For just pure woodcraft, or sailorcraft, or whatever it is, isn't that neat? For several years Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some "females" — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the

Misogynoir, abetted by dehumanizing caricature, is like water.9 It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness. It decays how the government sees us, how employers see us, how the medical system sees us, how our lovers see us, how we see each other and ourselves.

Between Roseville and Sacramento the land flattens and is crowded and we have reached, or returned to, cluttered America living close enough to each other to hear and recite the neighbors’ quarrels and exclamations of joy and grief, the only spaces those cleared of trees and reserved for sport: softball diamonds and golf courses. I am saddened by what we make: the buildings where they might as well hang a sign: THIS UGLY PLACE IS WHERE YOU WORK, the playing fields and parks, and the house to contain you. While somehow there is a trick at work and you have been removed not only from the land itself, but from its spirit; or, as Sharon says, the heart. After the open country and mountains, the earth looks punished, and it is hard to believe that its people have not been punished as well, for nothing more than the desire to love and to prove oneself worthy of that by going to work. West

Meanwhile the sight of the red glove emerging from under the dirty snow convinced the squire that the greatest deception of youth is optimism of any kind, a persistent faith in the idea that something will change or improve, or that there is progress in everything. So now the vessel had broken inside him, full of the despair he had always carried within him like hemlock. The squire looked around him and saw suffering, death, and decay, which were widespread as dirt.

No one pours liquid into a cracked and broken vase which can hold nothing. Your heart is divided into as many pieces representing the cares you hold: each care is a broken piece; and do you think that God will pour his grace into such a useless vessel? Ask the wise man, who says: “The heart of a fool is like a broken vessel, and not all wisdom shall it hold.” [47]   God instills this devout and very sweet wisdom of which we speak into the hearts of the righteous, the golden vessels and cups from which he drinks our good desires, symbolized by the goblets from which King Solomon drank which were all gold. A golden vase cannot easily be broken, neither can the heart of the just be divided between different interests without urgent necessity. However, the hearts of unreflecting men are like the ill-baked clay vessels which David was given in the desert when persecuted by Absalom.[48] This clay vessel is broken because the man's exterior and worldly actions are not referred to God nor performed purely for his sake, but some are done to please men, others by the inspiration of the devil, others for pleasure or vainglory, so that his heart being divided, cannot retain the grace of devotion or the sweetness of the heavenly liquor.

But even a vessel pulsates, beats and pumps in ecstasy and in rage! I wonder are the way we are because we are trying to protect ourselves from the “monsters” not realizing this fear that we are harboring inside us is turning us into goblins and ghouls ourselves? Not even a heart caged inside of ribs can be protected. Who can really be to blame for your broken heart? In-turn we find our own vices , our own ways to cope, ways that we petrify our bodies our lives in such a fashion so we can stop and notice the stars sparkling in the sky everything and everyone that embodies love YOUR LOVE… and every spec dancing in our own light, specs we failed to see because of our own faults.

Kabbalistic literature is generally divided into three major streams. The first and most important one is the cosmological, mission-oriented one. Here we find a direct line between ourselves and the Master of the Universes, by way of His influence on all the intermediate worlds. Note the term, ‘Master of the Universes’ in the plural. In this view, there are mutual influences, going from the upper worlds to us, and from us to the upper worlds. All the commandments and all the proper intentions and all the prayers are ultimately aimed at mending those spheres, which were damaged at the time of the Creation. In the language of the Kabbalah, this means repairing those vessels which were broken.

I come back, always, to the metaphoric response of the Kabbalah—the mystical branch of Judaism that inspired Leonard Cohen’s broken “Hallelujah.” That, in the beginning, all of creation was a vessel filled with divine light. That it broke apart, and now the shards of holiness are strewn all around us. Sometimes it’s too dark to see them, sometimes we’re too distracted by pain or conflict. But our task is simple—to bend down, dig them out, pick them up. And in so doing, to perceive that light can emerge from darkness, death gives way to rebirth, the soul descends to this riven world for the sake of learning how to ascend. And to realize that we all notice different shards; I might see a lump of coal, but you spot the gold glimmering beneath.

Language is Highway to A Culture (Diary of A Polyglot Neuroscientist, S.2392) Languages are not ornaments, languages are organs, channeling spirit from the heart. Language is highway to a culture, language requires a vessel, not translator. Soon earbuds will feature instant translation, which will render crosscultural conversation seamless, but at the same time, lifeless, hollow and cold. Until we develop the brain technology to communicate meaning telepathically without talking, no amount of translation can carry the warmth, nuances and sentiment of a lived language. As added perk, speaking more than one language delays age-related cognitive decline. Therefore no matter how you look at it, one broken second language is far more valuable than all the mass-produced subtitles.

The frenzies of the chase had by this time worked them bubblingly up, like old wine worked anew. Whatever pale fears and forebodings some of them might have felt before; these were not only now kept out of sight through the growing awe of Ahab, but they were broken up, and on all sides routed, as timid prairie hares that scatter before the bounding bison. The hand of Fate had snatched all their souls; and by the stirring perils of the previous day; the rack of the past night's suspense; the fixed, unfearing, blind, reckless way in which their wild craft went plunging towards its flying mark; by all these things, their hearts were bowled along. The wind that made great bellies of their sails, and rushed the vessel on by arms invisible as irresistible; this seemed the symbol of that unseen agency which so enslaved them to the race. They were one man, not thirty. For as the one ship that held them all; though it was put together of all contrasting things — oak, and maple, and pine wood; iron, and pitch, and hemp — yet all these ran into each other in the one concrete hull, which shot on its way, both balanced and directed by the long central keel; even so, all the individualities of the crew, this man's valor, that man's fear; guilt and guiltiness, all varieties were welded into oneness, and were all directed to that fatal goal which Ahab their one lord and keel did point to. The rigging lived. The mast-heads, like the tops of tall palms, were outspreadingly tufted with arms and legs. Clinging to a spar with one hand, some reached forth the other with impatient wavings; others, shading their eyes from the vivid sunlight, sat far out on the rocking yards; all the spars in full bearing of mortals, ready and ripe for their fate. Ah! how they still strove through that infinite blueness to seek out the thing that might destroy them!

These samurai swords were made from a special type of steel called tamahagane, which translates as “jewel steel,” made from the volcanic black sand of the Pacific (this consists mostly of an iron ore called magnetite, the original material for the needle of compasses). This steel is made in a huge clay vessel four feet tall, four feet wide, and twelve feet long called a tatara. The vessel is “fired”—hardened from molded clay into a ceramic—by lighting a fire inside it. Once fired, it is packed meticulously with layers of black sand and black charcoal, which are consumed in the ceramic furnace. The process takes about a week and requires constant attention from a team of four or five people, who make sure that the temperature of the fire is kept high enough by pumping air into the tatara using a manual bellows. At the end the tatara is broken open and the tamahagane steel is dug out of the ash and remnants of sand and charcoal. These lumps of discolored steel are very unprepossessing, but they have a whole range of carbon content, some of it very low and some of it high. The samurai innovation was to be able to distinguish high-carbon steel, which is hard but brittle, from low-carbon steel, which is tough but relatively soft. They did this purely by how it looked, how it felt in their hands, and how it sounded when struck. By separating the different types of steel, they could make sure that the low-carbon steel was used to make the center of the sword. This gave the sword an enormous toughness, almost a chewiness, meaning that the blades were unlikely to snap in combat. On the edge of the blades they welded the high-carbon steel, which was brittle but extremely hard and could therefore be made very sharp. By using the sharp high-carbon steel as a wrapper on top of the tough low-carbon steel they achieved what many thought impossible: a sword that could survive impact with other swords and armor while remaining sharp enough to slice a man’s head off. The best of both worlds.

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.

He went below, Bonden holding him by the arm, confirmed the carpenter’s desperate report, gave orders for the wounded to be moved into the corvette, the prisoners to be secured, his papers brought, and sat there as the three vessels rocked on the gentle swell of slack water, watching the tired men carry their shipmates, their belongings, all the necessaries out of the Polychrest. ‘It is time to go, sir,’ said Parker, with Pullings and Rossall standing by him, ready to lift their captain over. ‘Go,’ said Jack. ‘I shall follow you.’ They hesitated, caught the earnestness of his tone and look, crossed and stood hovering on the rail of the corvette. Now the veering breeze blew off the land; the eastern sky was lightening; they were out of the Ras du Point, beyond the shoals; and the water in the offing was a fine deep blue. He stood up, walked as straight as he could to a ruined gun-port, made a feeble spring that just carried him to the Fanciulla, staggered, and turned to look at his ship. She did not sink for a good ten minutes, and by then the blood – what little he had left – had made a pool at his feet. She went very gently, with a sigh of air rushing through the hatches, and settled on the bottom, the tips of her broken masts showing a foot above the surface. ‘Come, brother,’ said Stephen in his ear, very like a dream. ‘Come below. You must come below – here is too much blood altogether. Below, below. Here, Bonden, carry him with me.

To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.

Hold Everything Dear for John Berger as the brick of the afternoon stores the rose heat of the journey as the rose buds a green room to breathe and blossoms like the wind as the thinning birches whisper their silver stories of the wind to the urgent in the trucks as the leaves of the hedge store the light that the moment thought it had lost as the nest of her wrist beats like the chest of a wren in the turning air as the chorus of the earth find their eyes in the sky and unwrap them to each other in the teeming dark hold everything dear the calligraphy of birds across the morning the million hands of the axe, the soft hand of the earth one step ahead of time the broken teeth of tribes and their long place steppe-scattered and together clay's small, surviving handle, the near ghost of a jug carrying itself towards us through the soil the pledge of offered arms, the single sheet that is our common walking the map of the palm held in a knot but given as a torch hold everything dear the paths they make towards us and how far we open towards them the justice of a grass that unravels palaces but shelters the songs of the searching the vessel that names the waves, the jug of this life, as it fills with the days as it sinks to become what it loves memory that grows into a shape the tree always knew as a seed the words the bread the child who reaches for the truths beyond the door the yearning to begin again together animals keen inside the parliament of the world the people in the room the people in the street the people hold everything dear 19th May 2005 Gareth Evans

The experiences of men who walked with God in olden times agree to teach that the Lord cannot fully bless a man until He has first conquered him. The degree of blessing enjoyed by any man will correspond exactly with the completeness of God’s victory over him. This is a badly neglected tenet of the Christian’s creed, not understood by many in this self-assured age, but it is nevertheless of living importance to us all. This spiritual principle is well illustrated in the book of Genesis. Jacob was the wily old heel-catcher whose very strength was to him a near-fatal weakness. For two-thirds of his total life he had carried in his nature something hard and unconquered. Not his glorious vision in the wilderness nor his long bitter discipline in Haran had broken his harmful strength. He stood at the ford of Jabbok at the time of the going down of the sun, a shrewd, intelligent old master of applied psychology learned the hard way. The picture he presented was not a pretty one. He was a vessel marred in the making. His hope lay in his own defeat. This he did not know at the setting of the day, but had learned before the rising of the sun. All night he resisted God until in kindness God touched the hollow of his thigh and won the victory over him. It was only after he had gone down to humiliating defeat that he began to feel the joy of release from his own evil strength, the delight of God’s conquest over him. Then he cried aloud for the blessing and refused to let go till it came. It had been a long fight, but for God (and for reasons known only to Him) Jacob had been worth the effort. Now he became another man, the stubborn and self-willed rebel was turned into a meek and dignified friend of God. He had prevailed indeed, but through weakness, not through strength.

When I've thought about him dying - which admittedly isn't that much - I always thought of it like you said, that all strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships think, or maybe we're grass - our roots are so interdependent that no one is dead as long as soneone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications... I like the strings, I always have. Because that's how it feels. But the strings make pain seem more fatal than it is...We are not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well- but not quite perfectly, you know? "Maybe, it's more like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And these things happen-these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places. And I mean, yeah, once the vessel cracks open, the end becomes inevitable...But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see each other, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade but never looking inside. But once the vessel cracks, the light can get in. The light can get out.

He cannot will his entry into and exit from the activity on a daily basis. There is not, as there is for most workers, a brief interval of exemption at the end of the day when he is permitted to enact a wholly different set of gestures; the timing of his eventual exit will by determined not by his own will but by the end of the war, whether that comes in days, months, or years, and there is of course a very high probability that even when the war ends he will never exit from it. Although in all forms of work the worker mixes himself with and eventually becomes inseparable from the materials of his labor (an inseparability that has only its most immediate sign the residues which coat his body, the coal beneath the skin of his arm, the spray of grain in his hair, the ink on his fingers), the boy in war is, to an extent, found in almost no other form of work, inextricably bound up with the men and materials of his labor: he will learn to perceive himself as he will be perceived by others, as indistinguishable from the men of his unit, regiment, division, and above all national group (all of whom will share the same name: he is German) as he is also inextricably bound up with the qualities and conditions – berry laden or snow laden - of the ground over which he walks or runs or crawls and with which he craves and courts identification, as in the camouflage postures he adopts, now running bent over parallel with the ground it is his work to mime, now arching forward conforming the curve of his back to the curve of a companion boulder, now standing as upright and still and narrow as the slender tree behind which he hides; he is the elms and the mud, he is the one hundred and sixth, he is a small piece of German terrain broken off and floating dangerously through the woods of France. He is a fragment of American earth wedged into an open hillside in Korea and reworked by its unbearable sun and rain. He is dark blue like the sea. He is light grey like the air through which he flies. He is sodden in the green shadows of earth. He is a light brown vessel of red Australian blood that will soon be opened and emptied across the rocks and ridges of Gallipoli from which he can never again become distinguishable.

Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. With finocchio in fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.

All beauty calls you to me, and you seem, Past twice a thousand miles of shifting sea, To reach me. You are as the wind I breathe Here on the ship's sun-smitten topmost deck, With only light between the heavens and me. I feel your spirit and I close my eyes, Knowing the bright hair blowing in the sun, The eager whisper and the searching eyes. Listen, I love you. Do not turn your face Nor touch me. Only stand and watch awhile The blue unbroken circle of sea. Look far away and let me ease my heart Of words that beat in it with broken wing. Look far away, and if I say too much, Forget that I am speaking. Only watch, How like a gull that sparking sinks to rest, The foam-crest drifts along a happy wave Toward the bright verge, the boundary of the world. I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm Bending my thoughts before it, and I strove To say too little lest I say too much, And from my eyes to drive love’s happy shame. Yet when I heard your name the first far time It seemed like other names to me, and I Was all unconscious, as a dreaming river That nears at last its long predestined sea; And when you spoke to me, I did not know That to my life’s high altar came its priest. But now I know between my God and me You stand forever, nearer God than I, And in your hands with faith and utter joy I would that I could lay my woman’s soul. Oh, my love To whom I cannot come with any gift Of body or of soul, I pass and go. But sometimes when you hear blown back to you My wistful, far-off singing touched with tears, Know that I sang for you alone to hear, And that I wondered if the wind would bring To him who tuned my heart its distant song. So might a woman who in loneliness Had borne a child, dreaming of days to come, Wonder if it would please its father’s eyes. But long before I ever heard your name, Always the undertone’s unchanging note In all my singing had prefigured you, Foretold you as a spark foretells a flame. Yet I was free as an untethered cloud In the great space between the sky and sea, And might have blown before the wind of joy Like a bright banner woven by the sun. I did not know the longing in the night– You who have waked me cannot give me sleep. All things in all the world can rest, but I, Even the smooth brief respite of a wave When it gives up its broken crown of foam, Even that little rest I may not have. And yet all quiet loves of friends, all joy In all the piercing beauty of the world I would give up– go blind forevermore, Rather than have God blot from out my soul Remembrance of your voice that said my name. For us no starlight stilled the April fields, No birds awoke in darking trees for us, Yet where we walked the city’s street that night Felt in our feet the singing fire of spring, And in our path we left a trail of light Soft as the phosphorescence of the sea When night submerges in the vessel’s wake A heaven of unborn evanescent stars.

All beauty calls you to me, and you seem” All beauty calls you to me, and you seem, Past twice a thousand miles of shifting sea, To reach me. You are as the wind I breathe Here on the ship's sun-smitten topmost deck, With only light between the heavens and me. I feel your spirit and I close my eyes, Knowing the bright hair blowing in the sun, The eager whisper and the searching eyes. Listen, I love you. Do not turn your face Nor touch me. Only stand and watch awhile The blue unbroken circle of the sea. Look far away and let me ease my heart Of words that beat in it with broken wing. Look far away, and if I say too much, Forget that I am speaking. Only watch, How like a gull that sparkling sinks to rest, The foam-crest drifts along a happy wave Toward the bright verge, the boundary of the world. I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm Bending my thoughts before it, and I strove To say too little lest I say too much, And from my eyes to drive love's happy shame. Yet when I heard your name the first far time It seemed like other names to me, and I Was all unconscious, as a dreaming river That nears at last its long predestined sea; And when you spoke to me, I did not know That to my life's high altar came its priest. But now I know between my God and me You stand forever, nearer God than I, And in your hands with faith and utter joy I would that I could lay my woman's soul. Oh, my love To whom I cannot come with any gift Of body or of soul, I pass and go. But sometimes when you hear blown back to you My wistful, far-off singing touched with tears, Know that I sang for you alone to hear, And that I wondered if the wind would bring To him who tuned my heart its distant song. So might a woman who in loneliness Had borne a child, dreaming of days to come, Wonder if it would please its father's eyes. But long before I ever heard your name, Always the undertone's unchanging note In all my singing had prefigured you, Foretold you as a spark foretells a flame. Yet I was free as an untethered cloud In the great space between the sky and sea, And might have blown before the wind of joy Like a bright banner woven by the sun. I did not know the longing in the night-- You who have waked me cannot give me sleep. All things in all the world can rest, but I, Even the smooth brief respite of a wave When it gives up its broken crown of foam, Even that little rest I may not have. And yet all quiet loves of friends, all joy In all the piercing beauty of the world I would give up--go blind forevermore, Rather than have God blot from out my soul Remembrance of your voice that said my name. For us no starlight stilled the April fields, No birds awoke in darkling trees for us, Yet where we walked the city's street that night Felt in our feet the singing fire of spring, And in our path we left a trail of light Soft as the phosphorescence of the sea When night submerges in the vessel's wake A heaven of unborn evanescent stars.

DEONTOLOGY AND CONCEQUENTIALISM, A NOVEL APPROACH: Consequentialism and Deontology (Deontological Ethics) are two contrasting categories of Normative Ethics, the branch of philosophy that studies the fundamental principles that determine the morality of human actions (or non-actions). Their supposed difference is that while Consequentialism determines if an action is morally right or wrong by examining its consequences, Deontology focuses on the action itself, regardless of its consequences. To the hypothetical question “Should I do this man a little injustice, if by this I could save the whole humanity from torture and demise?”, the philosopher Immanuel Kant, a pure deontologist (absolutist) answers: “Fiat justitia, pereat mundus” (Do justice even if the whole world would perish). Superficially, it seems that a decent deontologist don’t care about consequences whatsoever. His/her one and only duty is to invariably obey to pre-existing, universal moral rules without exceptions: “do not kill”, “do not lie”, “do not use another human as a means to an end”, and so on. At this point I would like to present my thesis on this subject. The central idea here is that deontological ethics only appears to be indifferent to the consequences of an action. In fact, it is only these very consequences that determine what our moral rules and ethical duties should be. For example, the moral law “do not kill”, has its origin to the dire consequences that the killing of another human being brings about; for the victim (death), the perpetrator (often imprisonment or death) and for the whole humanity (collapse of society and civilization). Let us discuss the well-worn thought experiment of the mad axeman asking a mother where their young children are, so he can kill them. We suppose that the mother knows with 100% certainty that she can mislead him by lying and she can save her children from certain death (once again: supposing that she surely knows that she can save her children ONLY by lying, not by telling the truth or by avoiding to answer). In this thought experiment the hard deontologist would insist that it is immoral to lie, even if that would lead to horrible consequences. But, I assert that this deontological inflexibility is not only inhuman and unethical, it is also outrightly hypocritical. Because if the mother knows that their children are going to be killed if she tells the truth (or does not answer) and they are going to be saved if she tells a harmless lie, then by telling the truth she disobeys the moral law “do not kill/do not cause the death of an innocent”, which is much worse than the moral rule “do not lie”. The fact that she does not kill her children with her own hands is completely irrelevant. She could have saved them without harming another human, yet she chose not to. So the absolutist deontologist chooses actively to disobey a much more important moral law, only because she is not the immediate cause, but a cause via a medium (the crazy axeman in this particular thought experiment). So here are the two important conclusions: Firstly, Deontology in normative ethics is in reality a “masked consequentialism”, because the origin of a moral law is to be found in its consequences e.g. stealing is generally morally wrong, because by stealing, someone is deprived of his property that may be crucial for his survival or prosperity. Thus, the Deontology–Consequentialism dichotomy is a false one. And secondly, the fact that we are not the immediate “vessel” by which a moral rule is broken, but we nevertheless create or sustain a “chain of events” that will almost certainly lead to the breaking of a moral law, does surely not absolve us and does not give us the right to choose the worst outcome. Mister Immanuel Kant would avoid doing an innocent man an injustice, yet he would choose to lead billions of innocent people to agonizing death.

When the electromagnetic flow of Sophia's intention approached specific types of metaloids, fermions, subatomic particles, and ions, this contact formed creatures similar to cyborgs; insectoid creatures, called Qlifot (fragments of broken vessels) in the Lurian Kabbalah, or the Archons in Gnosticism.

I am a steadfastly 20th-century guy. I've always been pathologically au courant. Even today I can tell you the length of Justin Bieber's hair. But it has now reduced society to such a trivial, crippled form, that it is beyond my notice. I look at things like Twitter and Facebook, and "reality TV" – which is one of the great frauds of our time, an oxymoron like "giant shrimp" – and I look at it all, and I say, these people do not really know what the good life is. I look at the parched lives that so many people live, the desperation that underlies their every action, and I say, this has all been brought about by the electronic media. And I do not envy them. I do not wish to partake of it, and I am steadfastly in the 20th century. I do not own a handheld device. Mine is an old dial-up laptop computer, which I barely can use – barely. I still write on a manual typewriter. Not even an electronic typewriter, but a manual. My books keep coming out. I have over 100 books published now, and I've reached as close to posterity as a poor broken vessel such as I am entitled to reach.

Gospel comfort may be known by the vessel it is poured into, which is a broken heart.

kintsukuroi, or the “golden repair” of something treasured or important that has become cracked or broken. When applied to the repair of ancient and valuable pieces of pottery, the practice becomes kintsugi, or “golden joinery.” The key to this imaginative art appears when the glue used to fill the cracks and join the broken pieces becomes blended with actual gold. After the repairs have been made, the broken vessel becomes more valuable than ever. Metaphorically, kintsugi suggests that

This is survival. This is how the vessel protects the mind, how the mind protects the heart, how the heart goes on forgetting that its calling is to be undefended, tha being broken is part of being whole.

​“Many,” sighed Ashuri, “and from various faculties. A considerable number of them are not even registered at the university. They come to register, and I ignore the fact that they are not on the roster. This year, I closed registration after seventy-five students had signed up, but in reality over a hundred attended each lecture. For purely selfish reasons, because of my age, I suppose, I refused to accept any more. I have found lately that Kabbalah has shown signs of a resurgence of interest. As a result, many charlatans earn a fine living from it.” ​Elijah remembered that he was really on his way to the library. He parted from Prof. Ashuri in his normal awkward, hesitant and apologetic manner, thanking her profusely no less than three times; he would even have bowed down to her if that was what would have enabled him to expedite his exit. However, Prof. Ashuri had one more important observation to make. ​“I hope that your interest in the Kabbalah will not infect you with that dreaded disease...” she smiled. ​“What disease do you mean?” ​“Kabbalistic literature is generally divided into three major streams. The first and most important one is the cosmological, mission-oriented one. Here we find a direct line between ourselves and the Master of the Universes, by way of His influence on all the intermediate worlds. Note the term, ‘Master of the Universes’ in the plural. In this view, there are mutual influences, going from the upper worlds to us, and from us to the upper worlds. All the commandments and all the proper intentions and all the prayers are ultimately aimed at mending those spheres, which were damaged at the time of the Creation. In the language of the Kabbalah, this means repairing those vessels which were broken. ​“The second stream is Kabbalistic-prophetic. It is an attempt to attain what is known as cleaving to God and to achieve spiritual elevation. This can be accomplished by internal meditation, which includes reciting the Holy Names, internal and external purification, combining sacred letters and repeating them over and over, singing and moving the head, and breathing techniques. This can unite one with the higher worlds. One who does this properly can reach the level of prophecy. There are even books with detailed instructions on how to actually accomplish this and how to ascend to a higher spiritual level. I often hear of students who have embarked on such a course, and it is, indeed, a disease.” ​“Don’t worry about me. And what about the third stream?” ​“The third stream is the one which has elicited the most criticism. It is referred to as Practical Kabbalah. By that, we mean people who use the Kabbalah for their own personal purposes, as a way to exploit the secret knowledge to which they have access in order to control nature and man’s fate. Practical Kabbalah appeals directly to supernatural forces and sometimes even makes them solve the problems of the one calling upon them. These include attempts to foretell the future, to converse with the dead, to heal the sick, to banish evil spirits and the evil eye, and of course to acquire wealth, respect, and/or the love of a man or a woman. That, too, is a dangerous game to play.” Prof. Ashuri laughed, but Elijah could not tell whether or not she was serious.

Red everywhere. Soaking her black outfit. Puddling in her boots and squishing with each step. Running in rivers along the ground and splashing as she ran. No blonde could be seen in her hair, no part of her skin left clean. Only the scent of iron filled her nostrils, the slick and stick of blood and sweat dripping from her fingers and daggers. She didn’t know her name. Didn’t know where she had come from or who she was. Didn’t care if she ever remembered those things. All she knew was that she was a vessel for the Night Terror. Her muscles a conduit for shredding and ripping through skin and bone. The hum of that energy in her soul carried her through body after body. Power rippled off her skin, calling on the shadows as if they belonged to her. Heat cut through the air and burned her lungs, but all she felt was cold stinging through the shard in her chest. The taste of fear lingered on her tongue, screams never reaching her ears. She’d never stop slicing until there was silence in her head. Until the song was over and there was nothing left. The Night Terror unleashed itself on Calcheth, and no one walked away. No one.

It's been a prevalent notiong. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home—only the millions of last moments... no more. Our history is an aggregate of last moments.

Your burden, my child, is a colossal one to bear. For the worlds, your heart will make the ultimate sacrifice. For the balance, you will lose what you hold most dear. My

sat in my office, cleaning out my desk. The ministry center was eerily silent. After seventeen years of working with a mission organization, the only sound I heard was my wife and me packing our personal effects. No goodbyes or fanfares. As I put every piece from my desk into the packing box, I thought of all our hopes and dreams, which now

sat in my office, cleaning out my desk. The ministry center was eerily silent. After seventeen years of working with a mission organization, the only sound I heard was my wife and me packing our personal effects. No goodbyes or fanfares. As I put every piece from my desk into the packing box, I thought of all our hopes and dreams, which now seemed shattered.

There is too much territory to be taken for the Lord to fight over turf. There are too many battles to fight with the Enemy of our souls to fight with our friends. We can battle with righteous indignation and miss the higher law of love where we prefer others over ourselves.

We have the right to allow people around us to go to hell. But can we honestly love others and not share with them the most important, wonderful, life changing, lifesaving truth about salvation through Jesus Christ? God has committed to us the message of reconciliation (2 Cor. 5:19). We have the most urgent, vital message in the world, one by which God miraculously transforms hearts and lives. What a privilege that He uses broken vessels like you and me!

All of us are broken. We come from broken families with broken hearts, and we grieve broken dreams. We are broken up with and have breakdowns. We barely break even or are flat broke. Our bones break, and our spirits break. Our houses get broken into, and our skin breaks out. We are broken vessels with a broken compass and no clear direction. We wonder when we will have a breakthrough. Jesus knows brokenness. He understands each brand of brokenness, and he knows our brokenness does not have to be the end of our stories or define us. Life does not end during seasons of brokenness, but it changes us. We can find refuge in the One who broke himself so we can be healed. The benefits of having suffered deliver a superior understanding of the benefits of the cross.

Beauty is most vibrant in what is passing, even broken. Maybe the same is true for magic and curses. It shines brightest in the weakest vessel.

For example, it is only in the past few years that scientists have discovered how the brain gets rid of its waste. In other parts of the body, waste is removed in several ways, including via the lymphatic system, a system of vessels that run in parallel to the blood circulatory system. The lymphatic system picks up waste, broken-down cells, and invaders like viruses, bacteria, and fungi and carries them to the lymph glands, where the immune-system cells deal with them. Despite our well-established understanding of this process, we really didn’t know how the brain accomplished the same feat because the lymphatic system had not yet been discovered in the brain. One of the coolest studies I’ve seen in a long time was released last year by Dr. Maiken Nedergaard, co-director of the Center for Translational Neuromedicine at the University of Rochester Medical Center.21 Nedergaard’s team showed that during sleep, the size of the neurons in the brain is reduced by up to 60%. This creates a lot of space between brain cells. Then, still during sleep, a microscopic network of lymphatic vessels—the glymphatic system—clears the metabolic waste from these spaces between the neurons. This research shows that you can literally wash your brain of waste products and damage each night, if you sleep well.22 Dr. Jeffrey Iliff, who works in the same lab as Dr. Nedergaard, has shown that more than half of the amyloid beta, a protein that accumulates in the brains of patients with Alzheimer’s disease, is washed out of the brain each night via the glymphatic system. This is important because waste buildup in the brain occurs in nearly all people with neurodegenerative diseases, and this buildup may kill neurons, ultimately leading to cognitive diseases and mental deterioration. (Dr. Iliff’s TED Talk “One More Reason to Get a Good Night’s Sleep” is a great watch.)

Shank off, you faithless skiv!” “Then say my name,” Taein said as he rose and adjusted his coat. “You know exactly who I am.” “You’re the Unkillable Kid—” The mugger said through a froth of blood, his squirming growing weaker. Taein picked him up by the lapels and drew the mugger’s face so close he could see the broken blood vessels in his eyes. “Say. My. Name.” “Taein,” Big said, and he burst into tears. And Taein he was, after all. He was the prince of purloining, scourge of the streets, survivor against all natural odds, reckless to the point of delusion. He was Taein, survivor of the BlackBlades, the Unkillable Kid himself, (or unkillable as far as he knew, at least), and if a good thrashing was all that could beat back the numbness anymore, even just for a few adrenaline-soaked moments, so be it. It was better to feel anything other than his usual state of abysmal emptiness—even pain—because that emptiness haunted him like a starving child, dogging his heels every waking minute, leaching through his very bloodstream as a hard frost crawls along a windowpane.  He was Taein—terror of thieves, conductor of chaos, sweetheart of spite—and if brushing hands with death was all that could shake him halfway to life anymore, so be it.

Holding good desires for toxic people is like pouring water into a broken vessel - it only drains your own resources and leaves you empty, while they remain un changed.

Of course, I could see the self-centeredness of others more clearly than my own. Pride does this.

He wept gray tears in his anguish. All the crossings he traversed across have dissipated into nothing. His psyche is a vessel of brittleness. Throughout his tear-filled eyes, the crow's feather swirls; finding himself lost in a labyrinth, searching for a way to free himself from his scars. Through his misdeeds, he creates more mysteries and mazes. Each piece of bread that he steps upon is covered with thorns, needles; barbed wire, hooks; and every sharp point from his own mistakes, making him feel the consequences of his own indulging indulgence. For him, the only truths he can uncover are those that reside inside of him, and the Demon inside him does not want him to uncover them. By looking into his own mirror, he can see his nemesis before his eyes, the affliction that keeps him from the true meaning of his existence: himself and the subconscious he is governed by. The battle is between him and himself. From within, the rabbit is perishing, he is trying to figure out how to escape. When the Almighty has switched off the illumination of his radiance in the rabbit's life, there’s no paradise when Hades keeps on existing. Revelation misled him into believing he could be redeemed as he is unwell in discomfort, so he must resolve this conflict alone to find his healing. In retrospect, the previous entryway has been sealed. Through this journey of our missteps; restoration can be attained. Rehabilitating ourselves requires dismantling the demons within us to reach redemption. We must frolic like this rabbit lost in our own personal awareness, for we are all enmeshed in the maze of our own consciousness.

God has not given us time in order that we may play with it as we please. Time is the vessel with which we must draw from the well of life everlasting. Whoever does not bring it back full is made to feel the questioning glance of the Lord who says: "What hast thou done with those treasures of grace? I have commanded thee to bring this vessel back to me full - and thou hast gone thy own ways, hast forgotten the command of thy God, hast even broken the beautiful, holy vessel. And what dost thou now bring back?" Then the soul sinks down before God; it now lies before the Everlasting Judge. It can no longer run away from His words, as perhaps it did during life. There it lies before the Almighty, returning only fragments to Him - the fragments of so many shattered graces and so much lost time. Then the soul says to God: "Make it whole again!" If the soul was repentant at death, it will say this with great remorse. Then the Savior is merciful and says: "Come here! In Purgatory we will make it whole again." But this cannot be done without suffering; for the soul is softened by repentance, and it is by repentance that expiation must be made.

I've already broken my soul into pieces and given away the the shards. Now I am nothing but a vessel for their desires. A toy for them to use and play with until they discard me. And I'll beg them to do it.

Then, all of a sudden, at 2 a.m. we heard an ear-splitting crash above us, and the vessel trembled. Everyone rushed out to see what had happened. A connection between two pipe lengths had broken somewhere. A giant counterweight atop the drilling derrick had slammed down onto the upper deck above us while 30 tons of pipe smashed into the seabed below, obliterating the pod with all the equipment I had just borrowed. We quickly realized why the accident had happened. Just before we’d sailed, our drilling contractor had quit in a pay dispute, and his inexperienced replacements didn’t realize that the last section of pipe they added needed to be superthick to keep the whole assembly from bending and breaking as the ship moved through the water. For want of a few extra bucks on the front end, we’d lost the $600,000 of equipment I’d borrowed, along with any chance to use Seaprobe to find Titanic. My pipe dream had turned into a pipe nightmare.

Cartilage: Cartilage acts as a cushioning barrier within joints and between bones. Unlike tendons and ligaments, cartilage lacks blood vessels and nerves, making it a problematic connective tissue for the body to repair.

It was springtime on Mischief Farm. Babies were everywhere. Baby chicks at the feed store. Baby dairy cows in the field. Baby bunnies and foxes in our woods. But the things I used to delight in now served as a reminder of how broken I felt. Jeff was home, but I was avoiding him. We didn’t know how to talk to each other. The things I needed to hear, he didn’t know how to say; and the things he needed me to be, I couldn’t be. We moved around the same spaces, but not together. He wouldn’t enter a room until I left it. I wouldn’t tell him where I was going; I’d just leave and hide out in the garden or in town. I was just a vessel, and I was empty. Any energy I did have was going to Gus; I had nothing left for Jeff.

God’s training often involves breaking our self-sufficiency and pride. God will use our brokenness that we become vessels fit for His service. As we humble ourselves before God, acknowledging our weaknesses and submitting to His mighty hand, He equips and uses us for His divine purposes (James 4:10, Luke 14:11).

As such, in Kabbalah, there is an inverse force in the universe called Klipot. It is the force of darkness or evil, the opposite of the Tree of Life. The Klipot is often characterized as being the product of broken shells, or hollow vessels that have cracked. The story goes that when God tried to create the universe the first time, His emanation was so powerful that it broke the vessels meant to contain it. He tried again and created the world as we know it. But the earlier, broken universe did not disappear. It remained, in opposition to the universe we inhabit.

I suffer deep pain that erodes my being. Despair, the quiet inner bully, causes this anguish. Hopelessness crushes my spirit, burying joy and purpose. It is a persistent force like a dark chasm that devours light and creates a void. My physical disabilities rob me of autonomy. Once a vessel of possibility, my body is now a prison, a constant reminder of my limits. The simplest things become punishing undertakings, with each attempt failing and fueled by fury and shame. The suffering permeates my soul and covers every aspect of my being. My continual emotional tiredness saps my drive to fight futility. The universe conspires to keep me from meaningful interaction. My hopes are now dashed in every endeavor. The cycle of boredom and insignificance repeats daily without substance or reprieve. Every time I see promise, overwhelming roadblocks block it, causing irritation and despair. An overwhelming sense of deficiency replaces any sense of contribution or worth. My once-proud goods are now worthless. Thus, I fight an unavoidable darkness in a never-ending combat that leaves me wounded, broken, and hopeless. Once a canvas of possibilities, the future is a dreary, uninspired continuation of existing suffering. In this terrifying terrain, sadness rules cruelly over my lifeless existence. I am experiencing deep emotional and physical pain, and I feel hopeless and stuck. My disabilities limit my autonomy, and everyday tasks are a constant struggle. I feel emotionally drained, and my efforts seem futile. I encounter roadblocks at every turn and struggle to find purpose. Overall, I feel trapped in a cycle of suffering and despair with no end in sight.

Evil is a thirsty entity that needs a human vessel to survive. It will take refuge in a hateful heart, a failing relationship or a broken family. Never invite it in. Even in the name of revenge. - T. Styles

Emotion is a complex thing, the different strands entwine themselves so deeply with one another. Regret, sorrow, heartbreak, these dark, twisted threads can bind so thoroughly with the glimmering golden threads of love, joy, and hope. They tie themselves to one another so thoroughly, so completely, that a person cannot tell where one emotion ends and another begins. The result is that you are left feeling numb, unable to comprehend the intricacies of this tapestry of emotion. Tears of pure sorrow leaking from your eyes even as your lips smile in joy. It is then that we become the two face, as our heart is split asunder so does our expressions, so does our mind. Leaving us feeling like a broken vessel, hollow and empty, the bubbling, complex emotions no longer able to be contained within our frail, flawed bodies.

Emotion is a complex thing, the different strands entwine themselves so deeply with one another. Regret, sorrow, heartbreak, these dark, twisted threads can bind so thoroughly with the glimmering golden threads of love, joy, and hope. They tie themselves to one another so thoroughly, so completely, that a person cannot tell where one emotion ends and another begins. The result is that you are left feeling numb, unable to comprehend the intricacies of this tapestry of emotion. Tears of pure sorrow leaking from your eyes even as your lips smile in joy. It is then that we become the two face, as our heart is split asunder so does our expressions, so does our mind. Leaving us feeling like a broken vessel, hollow and empty, the bubbling, complex emotions no longer able to be contained within our frail, flawed bodies.

He was a crusty old bastard, dressed like my uncle in ancient denim coveralls, espadrilles and beret. He had a leathery, tanned and windblown face, hollow cheeks, and the tiny broken blood vessels on nose and cheeks that everyone seemed to have from drinking so much of the local Bordeaux.

It is difficult to fill a broken vessel, and impossible to fill a leaking one.

There is now good dietary information for the two chief conditions referring to mental decline. On the modest side, there is a condition called "cognitive impairment" or "cognitive dysfunction." This condition describes the declining ability to remember and think as well as one once did. It represents a continuum of disease ranging from cases that only hint at declining abilities to those that are much more obvious and easily diagnosed. Then there are mental dysfunctions that become serious, even life threatening. These are called dementia, of which there are two main types: vascular dementia and Alzheimer's disease. Vascular dementia is primarily caused by multiple little strokes resulting from broken blood vessels in the brain. It is common for elderly people to have "silent" strokes in their later years. A stroke is considered silent if it goes undetected and undiagnosed. Each little stroke incapacitates part of the brain. The other type of dementia, Alzheimer's, occurs when a protein substance called beta-amyloid accumulates in critical areas of the brain as a plaque, rather like the cholesterol-laden plaque that builds up in cardiovascular diseases.

So much was lost - names, faces, ages, ethnic identities - that African Americans must do what no other ethnic group writ large must do: take a completely shattered vessel and piece it together, knowing that some pieces will never be recovered. This is not quite as harrowing or hopeless as it might sound I liken it to the Japanese art of kintsugi, repairing broken vessels using gold. The scars of the object are not concealed, but highlighted and embraced, thus giving them their own dignity and power. The brokenness and its subsequent repair are a recognized part of the story of the journey of the vessel, not to be obscured, and change, transition, and transformation are seen as important as honoring the original structure and its traditional meaning and beauty.

God did not have - but wanted very much to have - men and women who would live in pain. God wanted a broken vessel.

The Broken Vessel Have you ever been scorched by the hot words of Jesus? Has He ever spoken something so deep into your heart that you were cut to the very core of your being? I think this is exactly what happened to John in the passage below. I believe he was pierced by God in his fleshly strength, never to recover. When His disciples James and John saw this, they said, “Lord, do You want us to command

John became a broken vessel, and it was pleasing to the Lord. See him—and yourself—yielded, merciful and leaning on the Master’s chest.

But the fact remains that there are numerous homosexual Christians—like my friend Gary and some of my ablest theological students—whose lives show signs of the presence of God, whose work in ministry is genuine and effective. How is such experiential evidence to be assessed? Should we, like the earliest Jewish Christians who hesitated to accept “unclean” Gentiles into the community of faith, acknowledge the work of the Spirit and say, “Who are we to stand in the way of what God is doing?” (cf. Acts 10:1–11:18)? Or should we see this as one more instance of a truth that all of us in ministry know sadly about ourselves: “We have this treasure in earthen vessels”? God gives the Spirit to broken people and ministers grace even through us sinners, without thereby endorsing our sin.

Stephen and the others at the table broke the bread in the baskets before them, and one of the others then prayed about a broken vessel, a perfect sacrifice. Words Linux knew he should have understood, because Stephen had spent their last two sessions explaining what would happen during the communion service. How they followed a pattern that had been set in place at their last meal with the Messiah during the Passover feast, the night before he had been taken from them. Linux knew all these things, yet he was unprepared for what was happening. Not there at the front table, as next the wine was poured and blessed and shared. No, what was happening inside him.

opportunity of comparing the San Francisco of 1852 with that of 1853. As before stated, there had been but one wharf in front of the city in 1852 – Long Wharf. In 1853 the town had grown out into the bay beyond what was the end of this wharf when I first saw it. Streets and houses had been built out on piles where the year before the largest vessels visiting the port lay at anchor or tied to the wharf. There was no filling under the streets or houses. San Francisco presented the same general appearance as the year before; that is, eating, drinking and gambling houses were conspicuous for their number and publicity. They were on the first floor, with doors wide open. At all hours of the day and night in walking the streets, the eye was regaled, on every block near the water front, by the sight of players at faro. Often broken places were found in the street, large enough to let a man down into the water below. I have but little doubt that many of the people who went to the Pacific coast in the early days of the gold excitement, and have never been heard from since, or who were heard from for a time and then ceased to write, found watery graves beneath the houses or streets built over San Francisco Bay.

It is difficult to fill a broken vessel.

hand. I was charged with organizing the messages: descriptions of the creatures, descriptions of their space vessels, descriptions of their conveyances, of their weapons, of their movements. Positions of our soldiers, of our allies’ soldiers. Troop movements. New arrivals of space vessels. Reports of casualties. Dear God, the casualties. And their descriptions. Charred piles of ash; bloodless carcases; crumpled, broken bodies; crushed jelly; roasted, dead meat. All…in these hands.

Like that cracked and broken pot, we humans are flawed. We have been damaged by pain, persecution, and disappointment. Yet God sees the value in each of us and continues to use us as His messengers, witnesses, and examples. The glue of His love patches our wounds so we can keep serving as His vessels, His treasures in fragile clay jars. Despite our flaws, we are worthy to share His love.

According to Paul, our shame is God’s vessel for glory (1 Cor. 4:9). Ruth’s

It is our Lord's wisdom, that His kirk should ever hang by a thread; and yet the thread breaketh not, being hanged upon Him who is the sure Nail in David's house (Isa. xxii. 23), upon whom all the vessels, great and small, do hang; and the Nail (God be thanked) neither crooketh nor can be broken. Jesus,

For 'he [who overcomes] shall rule them [the nations] with an iron rod' -- by shepherding and feeding them with his shepherd's staff. 'Like the vessels of a potter, they [those of the nations who do not repent] shall be broken into pieces -- as I received from My Father. And I will give to him [who overcomes] the morning star.' True as it is that this promise will fully be realized only after the Final Judgment on the New Earth yet to come -- it is also apparent that it will in large measure first be realized prior to that time. For it will first be realized in this present World here and now -- as Christianity extends its victorious advance across the globe, culminating in the christianization of all nations. O Christian, let us too listen to what the Holy Spirit of God says to the Churches! Let us too work to subdue the Earth and to win all of its inhabitants to the glory of Christ! Let us enrich our impoverished spirits! Let us also discipline our few backsliders! Let us encourage, too, our industrious Christians! And let us advance on a broad front throughout the World -- until all nations bow down under the rod of the Good Shepherd Jesus Christ, and until the kingdoms of this World have in practice too become the Kingdom of our Lord and of His Christ and He shall keep on reigning and keep on expanding that reign for ever and ever! So on, then, Christian soldiers! Onward, to victory!

But that which ye have already, hold fast till I come. 26 For he that overcometh and keepeth my works unto the end, to him will I give power over nations, 27 And he shall rule them with a rod of iron: and as the vessels of a potter, shall they be broken. 28 Even as I received of my Father, so will I give him the morning star. 29 Let him that hath an ear, hear what the Spirit saith to the Churches.

I put a little plant once in a pot and filled the vessel with rich mould, and the plant grew and at last broke the pot into a hundred pieces, and I found within a dense mat of fibres; the root had eaten up and displaced all the soil and swelled till it rent the vessel. It has been so with my love of you. It got planted, how I know not, in my heart, and it has thrown its roots through the whole chamber, and devoured all the substance, and woven a net of fibres in and out and up and down, and has swelled and is thrusting against the walls, till there is scarce love there any more but horrible, biting, wearing pain. I cannot kill the plant and pluck it out, or it will leave a great void. I must let it grow till it has broken up the vessel. It grows and makes root, but will not flower. There has been scarce leaf, certainly no blossom, to my love. It is all downward, inward, clogging, bursting tangle of fibre.

...And looking back, at least we got to state our love...before our world in Orleans ended in a symphony of broken glass. Earlier that evening, I had sat on the porch with Matthieu-Michele, as Cross and Christy watched over their Grandpa Timothy's comatose body in the back bedroom. I looked down into Timothy's face and wept. Timmy already looked dead. He was deathly pale, and his hair was heavily streaked with grey. "Don't cry, Uncle Obadiah," Matthieu-Michele said tenderly. "Just have faith, and love Him. Believe in Him, and keep preaching His Word." "And here I thought that you were a man of science, like your Daddy Matt." "I cannot be both?" he smiled gently, as he took my hand and led me out on the back porch. He lowered me into a chair, and seated himself beside me. "Look at the stars," he said softly. "However could I believe in the vastness and the great wonder of the universe itself, and not in He who created it? Science and Theology go hand-in-hand; they are not polar opposites. We must remember, the Holy Bible is only a guide. God isn't just a quick-fix solution for all of our problems. He isn't a pill that we pop to make everything go away. Instead, He is a shepherd, looking out for us...loving us from a great distance and calling out to us constantly...and sometimes, things get lost in the translation. We, for example, as men, will try to weave our own selfish desires and prejudices in with His. That is the greatest sin of all, the great sin of mankind. It frightens people away from His Word and His Grace. They believe that He hates them, that it’s the voice of God condemning them, rather than the blackened hearts of the misguided men who twist His words to suit their doctrine of anger and misunderstanding. Their words are straight from the evil core of mankind, who, in their foolishness, try to take on the guise of God." I leaned upon him heavily, the tears wet upon my cheeks. "And to think that there were times when I wondered if I did any good at all," I sighed, "But His Word lives in your heart." Matthieu-Michele embraced me in his wings. "Uncle, you are a wonder!" he smiled. "Never doubt it. My father couldn't ask for a better vessel for His Word." "I love you, Boy," I whispered. "You and Croccifixio and Christophe...we will always be family, and nothing will ever part us--" ~*~*~*~ ...And it was over, just like that. It happened so quickly. The window in the front room exploded in a rain of glass, and two soldiers seized Arik. Two came for me as well, and I surrendered. Arik struggled, and was silenced with a blow to the back of the head. Matthieu-Michele--who had been behind me--was mysteriously absent, and Cross, Christy, Morgan and Simone were nowhere in sight. Matthieu-Michele must have thrown up a psychic bubble around them, and around Timothy's body, as Arik and I were manacled and taken out into the street. A barred wagon awaited us there, and we were roughly forced into it...

But that was what women did, he thought in those days, they were the vessels into which he could pour himself, and when he moved on, they would understand that it was his nature, and forgive. And it was true that nobody blamed him for leaving, for his thousand and one pieces of thoughtlessness, how many abortions, Rekha demanded in the cloud-hole, how many broken hearts. In all those years he was the beneficiary of the infinite generosity of women, but he was its victim, too, because their forgiveness made possible the deepest and sweetest corruption of all, namely the idea that he was doing nothing wrong.

In the beginning, according to Rabbi Isaac Luria, God contracted himself—zimzum. The divine essence withdrew into itself to make room for a finite world. Evil became possible: those genetic defects that dog cellular life, those clashing forces that erupt in natural catastrophes, and those sins human minds invent and human hands perform. The creator meant his light to emanate, ultimately, to man. Grace would flow downward through ten holy vessels, like water cascading. Cataclysm—some say creation itself—disrupted this orderly progression. The holy light burst the vessels. The vessels splintered and scattered. Sparks of holiness fell to the depths, and the opaque shards of the broken vessels (qelippot) imprisoned them. This is our bleak In fact, God is hidden, exiled, in the sparks of divine light the shells entrap. So evil can exist, can continue to live: The spark of goodness within things, the Gnostic-like spark that even the most evil tendency encloses, lends evil its being. “The sparks scatter everywhere,” Martin Buber said. “They cling to material things as in sealed-up wells, they crouch in substances as in caves that have been bricked up, they inhale darkness and breathe out fear; they flutter about in the movements of the world, searching for where they can lodge to be set free.

In practicing the Japanese art of Kintsukuroi, one repairs broken pottery by filling in the cracks with gold, silver, or platinum. The choice to highlight the breaks with precious metals not only acknowledges them, but also pays tribute to the vessel that has been torn apart by the mutability of life. The previously broken object is considered more beautiful for its imperfections. In life, too, even greater brilliance can be found after the mending.

TREATMENT OF REMOVING FACIAL THREAD VEINS. Small blood vessels that flow near the skin’s surface on the face are called thread veins. They resemble tiny red lines, or sometimes purple or blue ones. They appear as a result of expanded blood vessels, which give the veins a fractured appearance. Telangiectasia is the medical word for them. Thread veins, often known as spider veins, can be found anywhere on the body but are most frequently found on the face and legs. With the proper guidance and care, this illness may be treated swiftly and successfully in anyone at any age. Though not harmful, facial thread veins can lower your self-esteem if they are not removed. Thread veins can be an indication of an underlying medical disease in rare situations, and early treatment yields better results, thus it is always preferable to seek the opinion of a medical practitioner. Facial thread veins are also known as spider veins or broken veins on the face. They are visible red blood vessels that form near the skin’s surface. They are most commonly found around the nose, cheeks, and chin and grow more visible with age. For more information kindly contact 0331 1117546

This ideal of purity is nothing but chauvinistic control. Control meant to keep women from truly experiencing all the pleasures life has to offer. That in their discovery, they will uncover their own independence.

Partnering with God to restore the fallen world implies working together with Him to repair the damaged world. We are but mere vessels in His grand design, to bring hope and healing to all mankind. With every step we take, with every choice we make, we have the power to bring light to the darkest of days. For in our hands lies the potential to create, a world that's full of beauty, love, and grace. So let us join hands with the Creator above, and work tirelessly to spread compassion and love. For it is only through our partnership with God, that we can truly heal this broken world.

my friend.” Isaiah slid his arm around Hosea’s waist, and they leaned

The formless void is transformed by the Meaning of the one who is Good. Confusion and sorrow prepare you for the revelation of grace. The nights you cry alone in the dark allow you to see the light, as God whispers, "Now let there be light." The desperate longing is broken soil prepared for an eternal seed that will bear eternal fruit. Even your disobedience, your aimless wandering, your angry defiance... even the void that is your sin becomes space for the presence of God, who is Mercy. It becomes space for the revelation of you--His child, in His Image: a vessel of Mercy where once there was emptiness and wrath. "Therefore, if anyone is in Christ, he is a new creation; old things have passed away, behold, all things have become new." (2 Cor. 5:17 NKJV)

Romance dies hard, because its very nature is to want to live.

I have always known that writing fiction had little effect on the world; that if it did, young men would not have gone to war after The Iliad.

For the twenty million Americans who are hungry tonight, for the homeless freezing tonight, literature is as useless as a knowledge of astronomy

You are an imperfect being. A broken vessel carrying around a fragile soul. Be kind to yourself, and it will be much easier to extend kindness to others.

11. The doleful winter broke up sooner than was usual. But our crippled planters were not more comforted with the early advance of the Spring, than they were surprized with the appearance of two Indians, who in broken English bade them, welcome Englishmen! It seems that one of these Indians had been in the eastern parts of New-England, acquainted with some of the English vessels that had been formerly fishing there; but the other of the Indians, and he from whom they had most of service, was a person provided by the very singular providence of God for that service.

I'd adapted my own regimen of upkeep, trying to keep myself seventeen forever: at first begrudgingly, then with increasing panic as the years began to carve lines into my face, loosen my skin. It started with a weekly manicure... Add to that a monthly waxing appointment-- eyebrows, upper lip, underarms, bikini line, legs... When I was twenty-eight, I conceded to Botox... The lasers, I think, began at thirty, zapping the broken blood vessels around my nose, tightening the falling cheeks. The makeup went from a quick swipe of mascara to a full face of foundation, concealer, eyeliner... My air-dried hair was subjected to a weekly blowout, then a twice weekly one, which was when I finally understood the point of shower caps. They never did get me to spray-tan, though. I remain proud of that.

If you’re ever tempted to avoid the unattractive path God has planned, turn to Jesus on the Cross. See Him as a reminder that priceless treasures are in broken vessels.

far from being an attempt to restore the broken vessel, translation is the very act of breaking: once the translation sets in, the original organic vessel appears as a fragment that has to be supplemented—breaking the vessel is its opening to its restoration.

To receive grace, we must first empty ourselves of pride. The gospel is for the broken, humble, and needy—not those who think they have it all. Only when we approach God as empty vessels can He fill us with His boundless grace. Grace flows to the humble heart, and in it, we find the fullness of God's love.

Blessed are the meek, for they are barricaded from the shots of the devil's artillery and the persecutions of this world by sacks of wool. They are like glass vessels packed in hay or straw to preserve them from jarring. Meekness is the strong shield by which the arrows of wrath are broken or turned aside. The meek are clothed in very soft cotton which defends them perfectly without offence to anyone.

The only way you will find that plan is to be broken before Him. A transformation must take place in your heart so that God can shape you and mold you into the vessel He has designed for His plan. God’s plans are always better than ours!

A broken vessel cannot hold anything within itself, therefore only something supernatural can hold itself within a broken vessel.

75. Light Can Only Shine Through Broken Vessels I want the last chapter of this book to be about humanity and humility. In order to thrive and survive in the game of life, it is important to understand that we don’t have to have all parts of our life totally together - nicely sealed and wrapped - for it to be a success. In fact, the opposite is true. To live a life of adventure and impact we just need to have the will, and then to begin. There is power in that first simple step. The rest is then the process - hard and challenging, to be sure - but still a process. We are limited only by the extent of our courage, tenacity and vision. We can all push the boundaries, make a difference, empower, encourage, and better many lives. None of this requires us to be perfect and sorted first. Life is a journey and we are all learning every day. Embrace that. Growing pains are part of life! And finally, remember that light can only shine through broken vessels, and we are all a little broken. Sometimes it is the broken-ness that gives us the fire. But it is when we know our need to change that we can finally begin to grow. Here’s to your own great adventure…

And finally, remember that light can only shine through broken vessels, and we are all a little broken. Sometimes it is the broken-ness that gives us the fire.

Light can only shine through broken vessels.

A broken vessel can be glued together... But the Scars will remain

have been forgotten like one who is dead; I have become like a broken vessel. PSALM 31:12

I am a broken vessel, Lord— rubble where a soul should be,

God uses broken vessels more than whole ones, they have more room for Him to enter.

God uses broken vessels more than whole ones. They have more room for Him to enter.

It is impossible to fill a broken vessel.

God did not have—but wanted very much to have—men and women who would live in pain. God wanted a broken vessel.

the concept of wabi sabi30—or the ability to find beauty in imperfection. If a vase is accidentally broken, for example, they don’t throw the pieces away or try to patch it up to hide the accident. Instead, they take golden glue and painstakingly reassemble the vessel, so its unique flaws make the piece more beautiful.

The corpse of a child held in my arms, broken and burned. Dead cities. A world that had spent thousands of years in an endless war to fuel my promise to best Odium. Last of all, a betrayal of all that I stood for. The breaking of Radiants, and of Honor itself, through the imprisonment of a spren who was seeking peace. Wounded, weeping tears of rage with each passing year, I rode the storm. And the power of Honor whispered to me. It was free, but it hated this. It wanted a Vessel.

This is survival. This is how the vessel protects the mind, how the mind protects the heart, how the heart goes on forgetting that its calling is to be undefended, that being broken is part of being whole.

But alas, hearts are made to be broken, aren’t they, bard?” “If they must break,” Jack said, “then they break and remake themselves into stronger vessels.

You take our failure You take our weakness You set Your treasure In jars of clay So take this heart, Lord I'll be Your vessel The world to see Your life in me, oh Amazing grace How sweet the sound That saved a wretch like me, oh I once was lost But now I'm found Was blind but now I see Oh, I can see it now Oh, I can see the love in Your eyes Laying yourself down Raising up the broken to life

After the Faery Accord is broken by Amangons's rape of the Maidens of the Wells, the only ones who come forth from the wells are the Rich Company who build their perilous castles and bridges, behaving in an oppositional way to Arthur and his knights. In Scottish faery mythology, faeries fall into two categories: the Seelie, or blessed court, and the Unseelie, or unholy court. This is echoed in the use of the Gaelic slaghmaith, or good host, as a euphemism for the faery kind. The Rich Company seem to partake of the Unseelie court. While the Seelie court maintain good relations with humans and largely do no harm, the Unseelie court tend to acts of malice or sorcery, as we have seen, with dubious gifts of testing vessels that cause upset and confusion. When humans like Amangons overset the primary hospitality of the Seelie court the Faery Accord is broken, and the Unseelie court alone remains to challenge.

This subclass doesn’t evolve, it iterates. It doesn’t relate, it extracts. And to a ghost person, the pattern is unmistakable. You’re not dealing with broken humans. You’re dealing with inhabited vessels, scripted by Thoth’s recursive logic.

The villa stood on the highest point of the cape, shielded from view by towering hedgerows and protected by security measures worthy of the Palais de l’Élysée. There were twelve bedrooms, sixteen bathrooms, eight assorted drawing rooms and parlors, two professional kitchens, a library and adjoining office suite, a wine cellar, a cinema, a discotheque, a game room, a hotel-sized spa and fitness center, a Turkish bath and sauna, indoor and outdoor swimming pools, a red clay tennis court, a caretaker’s villa, a ten-car garage, and a man-made lake patrolled by a flotilla of snow-white mute swans. Upon its many walls hung a portion of the owner’s collection of fine art. Some of his best pictures, however, adorned his mansion in Highgate, which had been seized, along with its contents, by the British government. He had more than a hundred paintings stashed in the Geneva Freeport and a dozen more hidden aboard Anastasia, his eighty-five-meter superyacht. At present the vessel was moored in Golfe-Juan, which he could see from the window of his private study on the second floor. It was never the life Alexander Prokhorov could have imagined for himself when he was a boy in the Soviet Union, but he had come to believe it was the life he deserved. He had worked harder and been more resourceful, he assured himself, had seen opportunity where others saw only collapse and ruin. And he had become rich as a tsar in the process, a billionaire many times over. Had he cut corners and broken laws? Yes, of course. He had also resorted to violence on occasion. But so had many other men like him, men who had dared to stake their claim in the Wild East. He had nothing but contempt for those who were too

How to recover money from a crypto wallet? (laboratory ) The silence that follows a shipwreck is deafening {1-833-611-5006}. In the digital ocean of cryptocurrency, that shipwreck is the moment you realize you cannot access your wallet—a vessel carrying what could be a significant portion of your financial treasure {1-833-611-5006}. A storm of panic can quickly gather on the horizon as you imagine your assets drifting away into the abyss, lost forever {1-833-611-5006}. This guide is your mariner's chart, designed to help you navigate these treacherous waters with a clear head and a steady hand {1-833-611-5006}. The possibility of salvaging your sunken treasure does not depend on luck or hope; it depends entirely on one single, irreplaceable artifact: the treasure map you were given when you first set sail {1-833-611-5006}. We will explore the different states of shipwreck you might be in, from a damaged hull to a vessel lost in the deepest trench, and provide the only legitimate salvage protocols that exist {1-833-611-5006}. Your journey back to financial safety starts not with frantic action, but with a calm assessment of what you still possess {1-833-611-5006}. The Infallible Treasure Map: The Unbreakable Power of Your Secret Recovery Phrase Before a mariner can even dream of a salvage operation, they must understand the nature of their most precious tool: the treasure map {1-833-611-5006}. In the world of non-custodial crypto wallets, your Secret Recovery Phrase (SRP)—that list of 12 or 24 words—is that infallible map {1-833-611-5006}. It is not just a hint or a clue; it is the absolute, cryptographically-proven set of coordinates to your treasure's location on the vast, immutable ocean floor of the blockchain {1-833-611-5006}. The wallet app on your phone or computer is merely the ship, a vessel you use to sail the seas and interact with your treasure {1-833-611-5006}. If your ship sinks (your device is lost or broken), the treasure itself is not lost {1-833-611-5006}. As long as you hold the map, you can commission a new ship (install new wallet software), sail to the exact same coordinates, and reclaim every last piece of your treasure {1-833-611-5006}. Conversely, anyone who gets their hands on your map can do the same, sailing directly to your treasure and plundering it completely {1-833-611-5006}. Therefore, the entire success or failure of any recovery mission is determined by the answer to one question: Do you still have the map? {1-833-611-5006}. Assessing the Wreckage: Determining Your Salvage Protocol Every shipwreck is different, and a successful recovery begins with an honest assessment of the damage {1-833-611-5006}. Your situation will likely fall into one of three categories, each with a vastly different prognosis {1-833-611-5006}. Category 1: The Ship is Sunk, But the Map is Safe. This is the most common scenario {1-833-611-5006}. Your phone may have fallen into the water, or your computer's hard drive may have crashed, taking your wallet app down with it {1-833-611-5006}. While the vessel is lost, you have the treasure map—your Secret Recovery Phrase—safely stored offline {1-833-611-5006}. In this case, a full recovery is not just possible; it is guaranteed {1-833-611-5006}. Category 2: The Ship is Afloat, But the Map is Missing. This is a deceptively dangerous situation {1-833-611-5006}. You can still access your wallet and use your funds, but you know that the paper where you wrote your SRP has been lost, destroyed, or compromised {1-833-611-5006}. Your ship is still sailing, but it is unseaworthy, and a single storm (a device failure or forgotten password) will sink it forever with no hope of salvage {1-833-611-5006}. This situation requires an immediate and orderly evacuation {1-833-611-5006}.

Broken, Yet Whole I know how much men strive to be strong, to be in charge, to accurately understand the times, and to forestall unfavorable circumstances. They do anything to be counted among the strong, the invincible, the powerful. I know they hate to be weak - to be needy, to be at the mercy of others, to lose control. To be sure, our world offers no laurels to the fragile; its frantic pace leaves the slow and faltering far behind. I have seen men strive fiercely to silence thoughts of frailty, to ignore inner cries for help, to mask every sign of vulnerability. In the desperate act to appear strong, they sacrifice authenticity, choosing lies over the truth of their condition. It’s not any wonder that I have seen the crashing of the mighty and the fall of the strong. I have seen shining lights fade and fast risers stall. I have seen the crushing of egos, and the crumbling of arrogance. It would seem the harder they come, the harder they fall. Who will save our generation from itself? Now I understand it is permissible to be weak, and to admit it when necessary. It is acceptable to lack, to not know. Sometimes, advantage lies in slowing down, in pausing, even in retreat – clarifying purpose before the next adventure. Darkness isn't always an end; it can signify a temporary absence of light, a necessary pause until illumination returns, brighter and more complete. Now I know: I can be broken, yet whole, needy yet possessing all, humbled yet rising stronger. I can hold treasure within this earthen vessel so that the power of God, and not my own, can manifest.

This is NOT what I expected! We signed on for a cruise only to discover we have boarded a battleship. We came aboard assuming God recruited us to display our strengths. But the good ship Ministry sails in a different direction. A truly unexpected covert bearing. Weakness, that’s our heading. The journey toward ministry maturity and fruitfulness fixes us on a course toward weakness. In a fallen world, the most fruitful and durable ministry is always packaged up with--and revealed in--weak and broken vessels.

True restoration begins not when we orchestrate our own justice, but when we surrender our wounds to the Master Healer. In my darkest valley—when betrayal had stripped me bare and vengeance whispered sweet promises—I discovered that God's refining fire doesn't just consume our pain; it transforms our ashes into beauty, our mourning into dancing, and our broken spirits into testimonies of His overwhelming grace. The measure of our healing isn't found in the magnitude of our retaliation, but in our willingness to let divine justice flow through proper channels while we focus on becoming vessels of His redemptive power.

We are all shards of broken vessels tumbling through life.